Art - Art of Seeing

256
ART of Seeing CREATIVE PHOTOGRAPHY

Transcript of Art - Art of Seeing

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ARTof Seeing

C R E A T I V E P H O T O G R A P H Y

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4....THE ART OF SEEING

6....Stuart Westmorland

8....Linda Bartlett

10....Jeff Carter

12....Paul B. Goode

14....Lucille Khornak

15....Doug Beasley

16....Jamie Rector

17....Scott E Sawyer

18....Mark Francis Gamba

20....Barbara White

22....John F. Hill

24....Sara Jorde

26....Gerry McIntyre

28....Mark Maziarz

30....Matt Lit

32....Thomas M. Barwick

34....Robert Hall

35....Rusty Leffel

36....John Welsh

37....Scott Markewitz

38....Janet Century

40....Peter Miller

42....Laura Dwight

43....John Dean

44....Ric Moore

46....Woods Wheatcroft

48....Bill Sumner

50....Gary Wilson

52....Bill Pielsticker

53....Paul A. Teolis

54....Thomas Wiewandt

56....David E. Durbak

57....Dana Grover

58....John Snyder

60....Harold Davis

62....Frank Rapp

64....Jack Ramsdale

66....Peter B. Steele

68....Niobe Burden

70....Clark James Mishler

71....Lyn Smith

72....Kevin Barry

74....Greg DeBre

76....Debra Maddox

77....Sara Shoemaker Lind

78....Treve Johnson

79....Don Johnston

80....Kathleen Norris Cook

82....Gary Crabbe

84....Joseph Holmes

86....Tom Kirkendall

88....Scott McGee

90....Mari Minegishi

92....Nevada Wier

94....Bernard Wolf

96....Joel Salcido

98....Paul Swen

100....Janet Horton

101....Susanne Weissenberger

102....Steven Barger

104....Deborah Whitney Prince

106....Shoshannah White

ALCOVE BOOKS

930 Dwight Way, #7Berkeley, CA 94710

[email protected]

510.644.3534

ART of Seeing - 2008 Creative PhotographyEdited by Tom Palmer

and Aileen Kim.ISBN 978-0-9721890-5-X

Information is fromsources deemed reliable.

Publisher assumes noliability for loss causedby errors, omissions, or

any other cause.

All rights reserved. ©2008 Alcove Books.Printed in Hong Kong.

Cover images:

PREGNANT GRACEStuart Westmorland

HILLSJoseph Holmes

OLD TRUCKDrake Sorey

PEZ AUDIENCENick Nacca

QUIET NIGHTKevin Galvin

MACKINAC ISLANDTom Jelen

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107....William B. Folsom

108....Dan Neuberger

110....Doug Landreth

112....Chip Hedgcock

113....Ken & Lois Wilder

114....Tom Kumpf

116....Kim Kauffman

118....Larry Hamill

120....Douglas J. Hoffman

121....Greg Smith

122....Brandon Cole

124....Cary Cleaver

126....Clive Champion

128....David Lubarsky

129....Melissa Ireland

130....Wilton S. Tifft

132....Drake Sorey

134....Mary Heller

135....Anne Howson

136....Mark Schafer

138....Donna R. Strathy

140....Frank DiMarco

141....Elis. Flynn-Chapman

142....Mike McMullen

144....Marc Longwood

146....Mike Kear

148....Susan G. Hammond

149....Kevin Galvin

150....Richard J. Levy

152....Sheridan Vincent

154....Brad Feinknopf

156....John Peters

158....Mike Fizer

160....Park Street

162....Michael Spain-Smith

164....Ken Ross

166....Paul Pierlott

168....Eric Smith

170....Bill McAllen

172....Nick Nacca

174....Jeff Downie

175....Craig Brown

176....David Hagen

177....Mike Wasserman

178....Jackson Hill

180....Denton Rbt. Tillman

182....Olof Wahlund

184....John Still

186....Donna Callighan

188....David Underwood

190....Max Hilaire

192....Don Carlson

194....Peter Treiber

196....David Lee Thompson

198....Arthur Levy

200....Ric Peterson

202....Thaine Manske

204....Phillip Spears

206....George H.H. Huey

208....Gabe Palmer

210....Craig Stocks

212....Thomas R. Fletcher

213....Fred Lee Emmert

214....John Gregory

216....Tom Jelen

217....Bernard Friel

218....Carl R. Battreall

219....Russ Bishop

220....Sid Hoeltzell

222....Paul Wiles

223....Jim Yuskavitch

224....Yiorgos Konstantinidis

226....Stephen G. Weaver

227....Vida Ward

228....Frederick Charles

230....Lewis Kemper

232....Kevin Laubacher

234....John De Mello

235....Margaret Lord

236....Michael Hart

238....Jeffrey R Klug

240....Noel Greene

242....Bart Harris

244....Michael Snively

246....Michael E. Haritan

248....Alastair Orpen Finlay

250....Vickie Lancaster

252....David Halpern

253....GALLERIES, CENTERS,and DEALERS

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A famous photographer was once asked why he practiced photography. His somewhat enigmatic answer was “to see what things look like when photographed.”

This is more than a glib response. For many photogra-phers it lies at the center of their personal quest for self-expression through photography. When I have a camera in my hand the world shifts. I am no longer justpassing though. I am an active participant. Colors aremore distinct, reality more sharply etched. I am moreaware of both the immediate environment and the actions of people around me.

It also makes me a voyeur. Being able to isolate and visually dissect my surroundings removes me from beinga participant and turns me into an observer. This createsa cognitive dissonance. On one hand, being a part of,while on the other, being removed from. Maybe this lies at the center of what it means to be a photographer; tolive in a “no-mans-land” where the moment is constantlyslipping past, and yet where we have the power to fix itforever, a time as well as place.

Do we photograph for ourselves, or for others? If you were the last person left on earth, would you practice photography?

The Art of Seeing

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Don't answer too quickly. Yes, most photographers seek recognition. We need an audience. The feedback wereceive becomes part of our raison d'etre. Just the factour images exist out in the world in more than just onecopy somehow enhances their reality and provides a formof permanence to the art that we have created. But nowremove that audience, as desirable as it might be. Doesour work still have purpose? Would we still do it?

The answer to this will vary with the individual. For some,knowing that our work has reached a wider audience thanjust friends and family provides satisfaction. For others,exposure to a wide audience is intended to lead to eithercommercial or artistic recognition and success.

For many photographers though, it may simply be enoughto see what things look like when photographed. But thesharing of these images with others—discovering howothers might respond to what we have captured andshown them—provides a satisfaction that cannot bedenied. There is still magic in photography, the sharing as well as the doing.

Michael ReichmannJanuary, 2008

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Stuart Westmorland

ICELAND HANDSTANDS. A serendipitous moment in an exotic location6

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PREGNANT GRACE & BEAUTY. A study of light, motion, grace, and beauty 7

Mill Creek, WA • 425.225.5733www.stuartwestmorland.com

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Linda Bartlett

PADDY AND PAUDIE, IRELAND8

"After thousands of miles traveled and countlessimages taken, I am still fascinated by the people

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I have met. In their faces and expressions—everyuntouched wrinkle and line—is the truest beauty.”

MAIRE KAVANAGH, IRELAND 9

Washington, DC202.362.4777

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Jeff Carter

THE DROVER'S WIFE. Selenium-toned silver gelatin print10

“Since the late 1940s I have traveled Australia wide, record-ing in words and pictures the lives of working class people—

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a self-inspired, one-man FSA-type project—resulting in an archive of some 100,000 images.”

TIME OUT. Selenium-toned silver gelatin print 11

Gerringong, Australia • 61.02.42.342.489www.jeffcarterphotos.com

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Paul B. Goode

DENISE TEPER IN MY STUDIO12

“A portrait session is a telepathic dance between the photographer

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and model. An emotional bond isformed that can never be broken.”

AMITY HALL: PALISADES PARK, NJ 13

New York, NY • 212.874.0713www.paulbgoode.com

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Lucille Khornak

SISTERLY LOVE. An unposed moment captures a momentary spat14

New York, NY • 212.593.0933www.lucillekhornak.com

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Doug Beasley

SARA. Trade River, Wisconsin. 2007 15

St. Paul, MN • 651.644.1400www.douglasbeasley.com

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Jamie Rector

THE WRITER16

Los Angeles, CA • 562.587.0979www.jamierector.com

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Scott E. Sawyer

STORM WALK, ARIZONA. Exploring nature with human perspective 17

Flagstaff, AZ • 928.226.0404www.illuminatedvisions.com

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Mark Francis Gamba

WOULDN’T YOU RATHER HAVE AN ARTICHOKE? Archival giclée18

“This is part of an ongoing projectexploring the emotional relationship

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people have with food—the depth and intensity whichoften supersedes the sexual, particularly among women."

WHO’S MOMMY’S LITTLE CHICKEN? Archival giclée 19

Milwaukie, OR • 503.353.9111www.markgamba.com

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Barbara White

MONKS AT ATTENTION, BURMA. Color pigment print20

"My work is about getting toknow a Third World area well,

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and finding the beauty that livesthere in the midst of hardship."

DOGON BABIES TOUCHING, MALI. Color pigment print 21

Laguna Beach, CA • 949.494.2479www.barbarawhitephoto.com

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John F. Hill

RITUAL BEAUTY. Pigment on archival paper22

"I work to reveal the beauty in the worldaround us. By showing what might not be

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seen, and by sharing visions from across theworld, photographic art enriches our lives."

BOUNTY OF THE MONSOON. Pigment on archival paper 23

Easton, CT • 203.545.6069www.johnfhill.com

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Sara Jorde

POTALA AT SUNRISE. Lhasa, Tibet24

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WOMAN SELLING BARLEY. Ganden Monastery, Tibet 25

Minneapolis, MN • 612.338.6923www.jorde.com

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Gerry McIntyre

JUAN PEREZ. An organic farmer near Salinas practices sustainable agriculture26

"Both these images weretaken in early 2007 while

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working on the project Stepsto a Healthier Salinas."

JULIA OROSCO. A church volunteer takes blood pressure readings 27

Sacramento, CA • 916.640.8888www.gmpdg.com

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Mark Maziarz

LAUREN28

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CHRISTOPHER 29

Park City, UT • 435.649.0002www.maziarzpeople.com

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Matt Lit

OUR FATHERS - FESTIVAL Santa Fe Plaza, New Mexico. Holga series30

“The decisive moment is the key to my work, whethercapturing it with a Holga toy camera or the latest digital

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equipment. The Holga adds a dream-like glimpse of ourchildhoods—a refreshing memory in our fast-paced lives.”

OUR FATHERS - COORS FIELD. Denver, Colorado. Holga series 31

Dillon, CO • 970.262.2006www.litfoto.com

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Thomas M. Barwick

STACY. Digital capture32

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AUSTIN. Digital capture 33

Seattle, WA • 206.285.4380www.barwickphoto.com

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34

Robert Hall

SENSE OF SELF. Images of feminine self-perception from the Mill Series

Lehi, UT • 801.673.4510www.roberthall.com

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Rusty Leffel

MAGICAL BUS, BROOKLYN. Street photography

Mission Hills, KS • 913.362.9727www.artistsregister.com

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John Welsh

DANCING WITH FIRE. Fire performer in Philadelphia

Jenkintown, PA • 610.357.9076www.johnwelshphotography.com

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37

Scott Markewitz

HAND PLANT, BRITISH COLUMBIA. Pushing the boundaries of athletic expression

Salt Lake City, UT • 801.583.0606 www.scottmarkewitz.com

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Janet Century

EMBRACE. Silver gelatin print38

“The challenge is to capture what lies beneaththe surface while photographing only the surface.

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Form, light, and composition all define the chosen moment.I am moved to capture the connection that binds us all.”

DUDE. Silver gelatin print 39

Cleveland, OH • 216.721.4501www.janetcentury.com

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Peter Miller

HILARY AND ALAN'S MAPLE. Toned giclée print40

“One of my on-going projectsis documenting rural American

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icons. These images first appearedin my book, Vermont People.”

WILL AND ROWENA. Giclée print 41

Waterbury, VT • 802.244.5339www.petermillerphotography.com

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42

Laura Dwight

STARTING WITH A. Lifespan development photography

New York, NY • [email protected]

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43

John Dean

KEY HAN, FOUNDER AND CEO, DDMOTION. People on location

Baltimore, MD • 410.243.8357www.johndeanphoto.com

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Ric Moore

NEXT MOVE. Portrait of Jo in the Marble Trianon, Versailles44

"I like to invite people intomy indulgence of symmetry,

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beauty, and the feeling ofall the time in the world."

THE ART OF FENCING. Twilight on the beach at Cannes 45

Dallas, TX • 214.358.4701www.ricmoore.com

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Woods Wheatcroft

CALIFORNIA NIGHT #346

“Light is my catalyst. If it'sthere, I use what I see. If it's

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absent, I create what I needfor an inspiring image.”

FISHING DOCK, BAJA, CALIFORNIA #1 47

Sandpoint, ID • 208.255.9412www.woodswheatcroft.com

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Bill Sumner

LEAVES48

“When photographing inVermont last fall, I realized

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that what is behind thingsoften matters most.”

POND 49

Miami, FL • 305.994.3241www.billsumner.com

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Gary Wilson

ENVELOPED CITY50

“Like many photographers, I enjoy theexploration of the seen world through

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infrared photography, where it can becomea visually transformed and serene world.”

REFLECTED 51

Portland, OR • 503.236.3205www.garywilsonphoto.com

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Bill Pielsticker

PLUNGE POOL. Intimate landscapes, fresh perspectives52

Lodi, WI • 608.592.4718www.pielstickerphotos.com

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Paul A. Teolis

PENGUIN GRAFFITI. Deception Island, Antarctica 53

Toronto, Ontario, Canada • 416.346.0149 www.fieldandscreen.com

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Thomas Wiewandt

ANTICIPATION. Flora collection54

"I blend art and science, focusing onextraordinary light, graphic design,

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the surprising, and the sensuous. My websitefeatures a searchable image library.”

SHOWDOWN. Weather collection 55

Tucson, AZ • 520.743.4551www.wildhorizons.com

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David E. Durbak

SPIDER MUM. Triptych

Ft. Lauderdale, FL • [email protected]

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Dana Grover

ROSES IN THE RAIN

San Jose, CA • [email protected]

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John Snyder

GARDENS OF THE PALACE. Versailles, France58

"Looking for extraordinary light, composition,and 'moment' anywhere in the world—the

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elements of surprise and chance thatcan only be captured photographically."

SUNBURST. Western New York 59

Moscow, IDwww.johnsnyderphoto.com

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Harold Davis

ALONE I STAND. Post-processed digital photo60

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YOSEMITE DREAMS. Post-processed digital photo 61

Berkeley, CA • 510.528.9977www.digitalfieldguide.com

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Frank Rapp

LONE SAILBOAT. Inkjet print 62

"These images are from abody of work shot with a 4x5

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film pinhole camera, digitallyoutput on watercolor paper.”

AQUINNAH TWILIGHT. Inkjet print 63

Dover, MA • 617.542.4462www.frankrapp.com

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Jack Ramsdale

INTO THE WISSAHICKON64

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MIGRATION 65

Philadelphia, PA • [email protected]

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Peter B. Steele

BEDFORD OAK. Silver gelatin print66

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CRACKED WILLOW ICE. Silver gelatin print 67

Lafayette, CO • 303.870.1819www.steelephoto.com

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Niobe Burden

TAHOE VOLCANIC SANDS. Limited edition archival digital print68

“Drawn to the dramatic times of daylight, I seek uniqueperspectives that may not be readily apparent in a scene.

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My visual interpretations are meant to be simple, emotionalimages that convey a feeling of calmness and serenity.”

MYSTIC WATERS. Limited edition archival digital print 69

Lake Tahoe, CA • 530.583.9000www.niobeburden.com

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Clark James Mishler

YOUNG HUNTER WITH SKIN BOAT

Anchorage, AK • 907.279.8847www.mishlerphotos.com

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71

Lyn Smith

SHOT UP RUSTY CAR. Found color patterns of an old car rusting in the salt air

Dubois, WY • 307.455.2204www.photographydesigns.com

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Kevin Barry

SUNGLOW FISHING PIER AT SUNRISE. Daytona Beach, Florida72

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SUNRISE REFLECTIONS IN A FLORIDA MARSH 73

West Park, FL • 954.987.9564www.agpix.com/kevinbarry

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Greg DeBré

HARVEST MOON74

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POWERHOUSE FALL 75

Miami Lakes, FL • 305.826.1099www.gsdebreimaging.com

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Debra Maddox

MERMAID WITH KOI. Surreal juxtapositions blur lines between painting & photography76

Mill Valley, CA • 415.383.4065www.debramaddoxfineart.com

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77

Sara Shoemaker Lind

PEPPERS, SAN FRANCISCO. Glorious natural colors can always surprise the senses

San Francisco, CA • 310.617.5334www.sarashoemakerlind.com

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Treve Johnson

KILLARNEY NATIONAL PARK78

Berkeley, CA • 510.841.0905www.treve.com

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Don Johnston

HUSHED SNOWFALL, ONTARIO 79

Lively, Ontario, Canada • 705.692.3901www.donjohnstonphotos.com

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Kathleen Norris Cook

WINTER DAWN. Pemaquid Lighthouse, Maine80

"As a landscape photographer, my libraryof imagery includes panoramas, aerials,

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travel, and the environment as it applies toadvertising, books, calendars, and fine art."

DAWN. Le Mont St. Michel, France 81

Ouray, CO • 970.325.0700www.kathleennorriscook.com

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Gary Crabbe

STORMY SPRING SUNSET AT BRIONES82

"Offering images that highlight magical moments whenlight and landscape combine to reveal the depth of

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nature's beauty, and that promote the awe-inspiringdesire to connect ourselves with something larger."

SANDSTONE AND REFLECTION, COYOTE BUTTES 83

Pleasant Hill, CA • 925.288.1461www.enlightphoto.com

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Joseph Holmes

HILLS. San Benito County, California 198684

"I look for the quintessential faces of NorthAmerica's natural places, in the hope of helping

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to create a sustainable future for us all. My workis available in fine print form and for publication."

MAPLES AND BIRCHES. White Mountains, New Hampshire 1985 85

Kensington, CA • 510.526.4145www.josephholmes.com

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Tom Kirkendall

OAK TREE. Los Padres National Forest86

"Hand-crafted silvergelatin landscape

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images that let youcatch your breath."

OAK FOREST. Los Osos Oak Reserve 87

Edmonds, WA • 425.775.3569www.kirkendall-spring.com

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Scott McGee

AFTER THE STORM, CLEARING STORM. Juneau icefield, Alaska88

"The true and lasting value of Nature lies inits ability to inspire and revitalize the soul.

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Through photography, I hope to inspire others toseek the value and wonder of nature all around us."

PURPLE MOUNTAIN MAJESTY, CRESCENT MOON AT SUNSET. Juneau icefield, Alaska 89

Anchorage, AK • 907.338.4705www.alaskaphotos.biz

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Mari Minegishi

GATHERING. Tasmania, Australia 2007. Digital media90

“Through capturing fugacious yet evocativemoments in nature, I discover the subject

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of my photography. A journey intothe unnoticed, hidden, unspoken.”

UNVEILED. Tasmania, Australia 2007. Digital media 91

Vancouver, BC, Canada • 604.715.4605www.marifotografia.com

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Nevada Wier

CHINDWIN RIVER FOG92

"I am interested in ethnic groups that inhabit themore remote regions within countries. I have no

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desire to mythologize their cultures, but to celebratethe individual spirit of people within their traditions."

Myanmar 2005. Diptych 93

Santa Fe, NM • 505.982.0877www.nevadawier.com

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Bernard Wolf

NOCTURNAL BOTANICA 1. Lightjet print on Fuji crystal archive paper94

"I love photographing tree and plant life at night and theeffect created during long exposures under available light.

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No supplemental lighting or filters were added, definingan unusual vision of nature in an urban environment."

NOCTURNAL BOTANICA 2. Lightjet print on Fuji crystal archive paper 95

Santa Monica, CA • 310.399.6803www.bernardwolf.com

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Joel Salcido

TAURUS. Archival pigment print on rag paper96

"My photography depicts a Spain of soulful traditions thatinclude fiestas and brave bulls; both visually poetic and elegant.

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These images were meant to be painted but instead becamephotos. May Spain remain forever odd, precarious, and precious."

TORO OBSCURO. Archival pigment print on rag paper 97

Austin, TX • 512.291.9961www.joelsalcido.com

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Paul Swen

OUR HANDS. Adolescent Western Lowland gorilla, Gabon98

"My main goal as an artist is tocommunicate with the audience by

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sharing brief moments in time that standas symbols for our shared experiences.”

SILVER BACK ALPHA MALE. Western Lowland gorilla, Gabon 99

Houston, TX • 713.667.4448www.paulswen.com

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Janet Horton

MALE PILEATED WOODPECKER, WASHINGTON100

Issaquah, WA • 425.313.3060www.agpix.com/janethorton

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Susanne Weissenberger

PROUD PEACOCK. Colors of Nature: Blue 101

Half Moon Bay, CA • 650.773.2847www.whitemountainphotography.com

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Steven Barger

FIERY SKY. Kokerboom tree at sunset, Namibia102

"My images showcase the beauty found innature, from striking landscapes such as

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the mosaic color of an African sunset tothe graceful ballet of eagles in flight."

AERIAL BALLET. Bald eagles in flight, Homer, Alaska 103

Cincinnati, OH • 513.460.6091www.bargernaturephotography.com

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Deborah Whitney Prince

SPIRIT DANCER. Monument Valley. Transparency print 104

"Sharing moments and adeep connection to nature

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often brings out a sense of etherealpower only a lens can reveal."

FLEETING TRANSFORMATION. Northern California. Digital media 105

Santa Rosa, CA • 707.528.9057www.dwprincephoto.com

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Shoshannah White

MOTH. Photographic print on watercolor paper, encaustic, wax, and oil paint 106

Portland, ME • 207.332.6048www.shoshannahwhite.com

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William B. Folsom

GRAY HAIRSTREAK. Sun on my wings, sun at my feet 107

McLean, VA • 571.213.8696www.wfolsom.com

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Dan Neuberger

SANTORINI CAT 108

"Santorini is so breathtakingly beautifuleven a chimpanzee could come up with

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great images. I thought I had diedand gone to paradise. Perhaps I had!"

SANTORINI TERRACE 109

Rochester, NY • 585.482.1976www.imagecityphotographygallery.com

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Doug Landreth

NO LIFEGUARD ON DUTY. Digital pigment print110

“I have always loved the patina ofaging and so I meticulously composite

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photographs of textures with scenes or objectsto create a more expressionistic collage.”

BLUE ULYSSES. Digital pigment print 111

Seattle, WA • 206.343.7118www.douglandreth.com

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Charles Hedgcock

CENTIPEDE. Finding jewel-like, sculptural beauty in nature112

Tucson, AZ • 520.325.4241www.charleshedgcock.com

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Ken & Lois Wilder

TULIP QUINTET. Harbinger of Spring in black and white harmony 113

Southbury, CT • 203.267.1090www.wilderimagesonline.com

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Tom Kumpf

BURREN PONY. County Clare, Ireland. Silver gelatin print114

"Our world is full of constantly changingimages. Because of this, I see, the shutter

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clicks, and something of strength, beauty,truth, and understanding is created."

CUBA SI. Havana, Cuba. Silver gelatin print 115

Boulder, CO • 303.926.0378www.tomkumpf.com

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Kim Kauffman

MANTRA. Photo collage from multiple scans of original objects116

"My photo collages are inspired by my love ofgardening and associated reverence for the

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natural world. They study forms nature repeats acrossall living things and we humans mimic in our designs."

NATIVE DANCER. Photo collage from multiple scans of original objects 117

Lansing, MI • 517.321.2815www.synecdochestudio.com

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Larry Hamill

MY EYE118

“Laying tiles, one at atime digitally, offers a way

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of seeing via one of theoldest art forms—mosaic.”

HORNBILL 119

Columbus, OH • 614.444.2798www.larryhamill.com

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Douglas J. Hoffman

ENLIGHTENMENT. Black and white portraits reflect the beauty and mystery of the sea 120

Kihei, HI • 808.879.0260www.douglasjhoffman.com

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Gregory Wrenn Smith

PEOPLE WATCHING IN A MAY RIVER MARSH. Pictures with stories—naturally 121

Bluffton, SC • 843.757.6557www.imediasmith.com

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Brandon Cole

PARROTFISH122

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HUMPBACK WHALE BREACHING 123

Spokane Valley, WA • 509.535.3489www.brandoncole.com

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Cary Cleaver

VIEW FROM MONT ST. MICHEL. Silver gelatin print124

“My images capture a moment in time, anintersection of form and light. Applying oil

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colors by hand imbues a mood andinvites the viewer into the photograph.”

VIEW FROM MONT ST. MICHEL. Hand-colored silver gelatin print 125

Atlanta, GA • 770.949.5351www.carycleaver.com

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Clive Champion

MID-DAY FOUNTAIN. Parque del Retiro, Madrid126

"These recent images are from the seriesThe Botanical Palace. They were inspired by

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the elegance of 18th and 19th century gardensand garden architecture in the UK and Spain."

PASSAGE TO PARAGUAY. Parque del Retiro, Madrid 127

Toronto, ON, Canada • 416.532.7304 www.championphoto.com

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128

David Lubarsky

STORMY COMMUTE, FAIRFIELD, CT. Digitally-enhanced cell phone camera image

New York, NY • 212.505.1720www.davidlubarsky.com

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129

Melissa Ireland

RELIGIOUS NATURE

Cerrillos, NM • [email protected]

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Wilton S. Tifft

FOG AND CHAIR. Ellis Island registry room 130

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STAIRWELL. University of Chernivtsi-Ukraine 131

East Smithfield, PA • 570.596.4940www.tifft.com

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Drake Sorey

MINOT FOOD. Minot, North Dakota132

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OLD TRUCK. New Mexico 133

McLean, VA • 703.534.7575www.drakesorey.com

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134

Mary Heller

BULGARIAN COURTYARD. An expression of loneliness and mystery

New York, NY • 212.737.6039www.maryheller.com

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135

Anne Howson

WENDY'S MEADOW. Looking towards what is possible

San Francisco, CA • [email protected]

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Mark Schafer

MALIBU PIER. California136

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30 ROCKEFELLER CENTER. New York 137

New York, NY • 212.691.9034www.markschafer.com

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Donna R. Strathy

LUNCH IN VERONA, ITALY138

“I prefer to find images, not contrive them—photographing what is significant to me in

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the real world. Discovering and distilling meaningfulmoments in life directs my photographic approach.”

A STREET IN FLORENCE, ITALY 139

Seattle, WA • 206.366.8151www.strathyphoto.com

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140

Frank DiMarco

COFFEE IN THE RAIN

Portland, OR • 503.358.8119www.dimarcogallery.com

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141

Elisabeth Flynn-Chapman

PATTERNS IN WOOD AND STONE. The ordinary as an aesthetic abstraction 141

Richmond, VA • [email protected]

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Mike McMullen

CLASSIC MEETS MODERN. Nelson-Atkins Museum, Kansas City, Missouri142

“My images are the product of light, film,and traditional darkroom techniques. What

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the camera sees is refined to convey the uniquetextures, shapes, and shadows of the subject.”

WIND AND WHEAT. Montezuma, Kansas 143

Shawnee Mission, KS • 816.582.3506www.mikemcmullenphoto.com

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Marc Longwood

SILLAS DE GUGGENHEIM. Bilbao, Spain 2006. Digital media144

"Color, shape, texture, form, scale, light...I seek out these elements of art, scattered

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secretly about in daily life, such that Imight see into the trees within the forest."

CASA DE ZORRO. Anza Borrego, California 2006. Digital media 145

Sacramento, CA • 916.635.0652www.longwoodpro.com

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Mike Kear

MAN MO TEMPLE, HONG KONG. Inkjet print on aluminum. 7' x 7’146

"My fine art urban landscapes have an emphasis on structureand form, often playing with scale and humor, enabling the

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viewer to experience the subject from a new perspective.I undertake large-scale international commissions."

EMPIRE STATE THROUGH THE MANHATTAN BRIDGE. Inkjet print on aluminum. 7' x 7’ 147

London, UK • 44(0)7753.930.678 www.mikekear.com

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148

Susan G. Hammond

TYLER'S HEAD. A head created with bricks, sits stoically in the cement landscape148

Hackettstown, NJ • 908.852.4204www.susanghammond.com

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149

Kevin Galvin

QUIET NIGHT. The Latin Quarter, Paris. Found images from Europe

South Wellfleet, MA • 508.349.6001 www.kevingalvin.com

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Richard J. Levy, AIA, APA

MERV GRIFFIN THEATER (now Schwabs), circa 1936. Hollywood, California150

“I am a fine art, award-winning,architectural photographer. I create

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images of structural, historic form found in the land-scape for corporate fine art and commercial use.”

HOTEL PADRE, circa 1963. Red Mountain, California 151

Los Angeles, CA • 213.250.0100www.archphotodesign.com

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Sheridan Vincent

SYMMETRIC ANGLES. Kodak Endura Metallic print152

“It is my pleasure to capture an image,manage it to print, and ultimately produce

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a desirable print to share what I saw. Whata wonderful time to be a photographer!”

REFLECTED ANGLES. Kodak Endura Metallic print 153

Rochester, NY • 585.472.2005www.sheridanvincentphotography.com

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Brad Feinknopf

BARD COLLEGE, CENTER FOR SCIENCE AND COMPUTATION BUILDING154

"My work deals with how a piece ofarchitecture evolves and changes, both

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interiors and exteriors, throughout differenttimes of day, weather, and even season."

BARD COLLEGE, CENTER FOR SCIENCE AND COMPUTATION BUILDING 155

Columbus, OH • 614.225.0414www.feinknopf.com

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John Peters

CREAM156

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ICE CREAM 157

Buffalo, NY716.961.0857

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Mike Fizer

EMBRAER ERJ 145 OVER SOUTHERN CALIFORNIA158

"As an aviation specialist over the lasttwenty years, I never stop appreciating

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the combination of grace and power of aircraft,nor how function influences aesthetics."

BOMBARDIER LEARJET 60 OVER THE SALTON SEA, CALIFORNIA 159

Wichita, KS • 316.832.1022http://mikefizer.com

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Park Street

WATERSTREET 1160

"I create art to match my client’s need,with twenty years of experience providing

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imagination to corporate, advertising,and architectural clients."

WATERSTREET 2 161

Austin, TX • 512.477.3572www.parkstreets.com

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Michael Spain-Smith

UNTITLED162

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New York, NY • 917.494.1500 Miami, FL • 251.840.4500

UNTITLED 163

Philadelphia, PA • 215.755.7500www.michaelspainsmith.com

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Ken Ross

TRIBAL CHIEF. Eastern Highlands, Papua, New Guinea164

“I offer travel andlocation photography,

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with stock images fromeighty-seven countries.”

BLUE CROSS. Black Day, New Mexico 165

Scottsdale, AZ • 602.319.2974kenrossphotography.com

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Paul Pierlott

MELISSA166

"Factories panoramic: pipes, valves, wires, huge roomsof iron mysteries, the unseeable made seen. Bacteria on

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a pin, E. coli on a seed, portraits and events to recall.Yet we still see the soft smile and the ragweed wall."

RAGWEED WALL 167

Philadelphia, PA • [email protected]

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Eric Smith

SPONGE BOB. New York 2006 168

“Photographs of real life are moments gone assoon as they happen. A compelling image is when

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all of the elements come into balance and one’sresponse to the image is immediate and visceral.”

MACY’S PARADE. New York 2006 169

Huntington Wood, MI • 248.705.1035www.ericsmithphotography.com

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Bill McAllen

FRED RASMUSSEN AT GREEN MOUNT CEMETERY170

"I enjoy shooting environmentalportraits. I am producing a book

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featuring citizens of Baltimore intheir favorite spaces and places."

DUFF GOLDMAN AT MOUNT VERNON SQUARE 171

Baltimore, MD • 410.499.4131www.mcallenphotography.com

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Nick Nacca

OIL & GLASS 172

"For me it’s all about the light. Blending,shaping, and sculpting with light is at the

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center of my process, creating imagesthat stand out in a world of clutter.”

PEZ AUDIENCE 173

San Diego, CA • 619.280.9900www.naccaphoto.com

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Jeff Downie

GREEN BUCKET174

Cleveland, OH • 216.426.9090www.kpphoto.com

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Craig Brown

NYMPHAEACEAE 175

Cleveland, OH • 216.426.9090www.kpphoto.com

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David Hagen

TOMATO176

Cleveland, OH • 216.426.9090www.kpphoto.com

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Mike Wasserman

SMALL ARCTIC, BLUFF 177

Cleveland, OH • 216.426.9090www.kpphoto.com

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Jackson Hill

TWO DREAMS: THE SECRET OF LIFE178

“These photographs are from apost-Katrina series taken entirely

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and literally from imagesrevealed in two dreams.”

THE DEATH OF PHOTOGRAPHY 179

New Orleans, LA • 504.524.0200www.southernlights.com

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Denton Robertson Tillman

THE PAINTER180

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RIVA'S BRUSHES 181

New York, NY • 212.255.2977www.dennytillman.com

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Olof Wahlund

FERNS. Pigment print182

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ROCKSCAPE ONE. Pigment print 183

New York, NY • 212.929.9067www.olofwahlund.com

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John Still

EASY AS. Digital multiple exposure184

"I use digital and analog capture andcompositing in my still-life works to

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explore and connect themes of time,motion, perception, and synchronicity."

DREAMS TAKE FLIGHT. Digital photo composite 185

Newton, MA • 617.527.9911www.johnstill.com

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Donna Callighan

BUBBLES #273186

“Series of work includes FoggyFlorals, Seeds, Trees, Weeds,

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S.O.S., and Earth Balls. I am currentlyworking on The Language of Trees.”

FROM WHICH WE GROW 187

Stamford, CT • 203.348.7997www.donna-terra.com

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David Underwood

CACTUS, WINDOWS, AND DOORS. Composite stapled color and silver gelatin photograph188

“My composite photographs expand thelanguage of single-frame photography,

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exploring varied possibilities of deconstruction, recon-struction, content, editing, printing, and presentation.”

PLEASE KEEP OFF LAWNS. Composite stapled color and silver gelatin photograph 189

Jefferson City TN • 865.471.3572www.underwoodartworks.com

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Max Hilaire

CIRCLES190

“My photographyencompasses fine

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art, architecture, still-life,and global images.”

BLUE WALL 191

New York, NY • 212.953.1986www.maxhilaire.com

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Don Carlson

HEADS UP. Digital photograph192

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CHAIN LINKED. Digital photograph 193

Richmond, CA • 510.410.7833www.rudedesigns.com

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Peter Treiber

FLAME CUTTING, PRESS FORGE #2 194

"The art of steel-making is dramatic andbeautiful, but it is also hot, dirty, and

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extremely dangerous. It was twenty-four yearsof magic as I photographed this art in action."

CASTING IN IRON FOUNDRY 195

Bethlehem, PA • 610.867.3303www.ptphoto.com

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David Lee Thompson

MOON FLIGHT. Digital capture with Adobe processing196

"I work with a variety of imagingprocesses to create emotionally

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evocative and moving imagesof the heart, mind, and soul."

INTO THE FUTURE. Digital capture with Adobe processing 197

Tampa, FL • [email protected]

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Arthur Levy

ASPEN FIREWORKS. Vivid, natural colors of an explosion of fall’s beauty198

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HOT DAY. First light of a hot summer day 199

Boulder, CO • [email protected]

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Ric Peterson

HULL #1200

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TASHA 201

Seattle, WA • 206.334.5308www.ricpeterson.com

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Thaine Manske

CATTLE ROUNDUP202

"I search for artistic ways to create imagesthat evoke strong emotions, incorporating

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the subtle interaction of color, texture, andmovement with the simplicity of good design."

1945 SINGER SEWING MACHINE 203

Houston, TX • 713.988.0615www.thainemanske.com

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Phillip Spears

COGEN 1204

"This work is inspired by my affinityfor the beauty, scale, and achievement

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inherent in the industrialand man-made landscape."

HERREKNECHT 1 205

Fayetteville, GA • 678.481.8842www.phillipspears.com

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George H.H. Huey

WATER AND SANDSTONE. Zion National Park, Utah206

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LAVA DETAIL. Hawaii Volcanoes National Park, the Big Island 207

Prescott, AZ • 928.445.6800www.georgehhhuey.com

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Gabe Palmer

GRACE. Part of a continuing series exploring plants and flowers208

“My vision is to reduce a scene or an object to its basic,graphic form; the play of line, color, or shape. I do not

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take many variations, or many pictures, but spend mostof my time just observing before I record an image.”

SILENT PRAYER. Part of a continuing series exploring plants and flowers 209

Pownal, VT • 800.872.1410www.palmerkane.com

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Craig Stocks

MOON FLOWER. Digital capture and post-processing210

“I began my professionalcareer in the 1970s in the

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world of film, but the digital worldhas set my creativity free.”

JEKYLL ISLAND SUNRISE. Digital capture, minimal post-processing 211

Delavan, IL • 309.244.9684www.craigstocksarts.com

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Thomas R. Fletcher

SOLITUDE. Misty spring woodland, West Virginia212

Cowen, WV • 304.226.5435www.proseandphotos.com

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Fred Lee Emmert

FOGGY WIG ROCK. Nature creates art, but timing is everything 213

Santa Ana, CA • 714.435.1700www.airviews.com

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John Gregory

TREE IN MEADOW. Great Smoky Mountains 2007. Digital214

"Landscape is about capturing light, shadow,and color that evokes the feelings of wonder,

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awe, and serenity. Color and texture explodes from anemerging sunrise and fades into the subtleties of dusk."

RIPPLED HORIZON AT SUNSET. Great Smoky Mountains 2007. Digital 215

Libertyville, IL • 847.650.5421www.johngregoryimages.com

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216

Tom Jelen

MACKINAC ISLAND FLOWER GARDEN

Village of Lakewood, IL • 847.287.7936www.tomjelenvirtuals.com

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217

Bernard Friel

RED BARN MINNESOTA. Winter’s contrasts

Mendota Heights, MN • 651.454.3655www.wampy.com

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218

Carl R. Battreall

GLOWING ICE AND STREAM. Byron Glacier, Alaska

Anchorage, AK • 907.646.1075www.battreallphoto.com

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219

Russ Bishop

MONO LAKE, CALIFORNIA. Natural imagery with a sense of detail and drama 219

Ventura, CA • 805.647.8056www.russbishop.com

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Sid Hoeltzell

KOKI BEACH SUNRISE, MAUI. Archival giclée limited edition220

"Film transitioned, capturesturn digital, the eye remains

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the same...always sharp, hungry, andnever satisfied until it is ink on paper."

LEAF #064. MAUI ZEN SERIES. Archival giclée limited edition 221

Miami, FL • 305.573.0175www.sidhoeltzellphoto.com

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222

Paul Wiles

WILD & SCENIC PORTION OF THE MCKENZIE RIVER, OREGON

Eugene, OR • 541.342.7304 www.paulwilesphotography.com

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223

Jim Yuskavitch

DAWN, KLAMATH MARSH, CALIFORNIA

Sisters, OR • 541.549.8914www.agpix.com/jimyuskavitch

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Yiorgos Konstantinidis

AUTUMN CREEK. Mount Pieria, Greece. Limited edition print224

"My inspiration comes from mystruggle to communicate with

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Mother Nature; witnessing all she has to offer,hidden under a leaf, a rock, or a fierce sky."

KERKINI LAKE. Greece. Limited edition print 225

Thessaloniki, Greece • 0030.6972776466www.standinlight.com

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Stephen G. Weaver

WILLOWS AND ASPEN, WYOMING226

Colorado Springs, CO • 719.389.6954www.earthsystemsimaging.com

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Vida Ward

SHELTER FROM THE STORM. Remarkable Rocks, Kangaroo Island, Australia 227

Portland, OR • 503.231.7622 www.pixelpoint-artistry.com/ward

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Frederick Charles

THE SEASONS PROJECT: A YEAR IN THE LIFE OF AN ORCHARD228

“Exploring every nuance of weather,documenting the splendor of change,

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standing witness to the power of the earth’s naturalcycle; I was humbled before the sublime.”

One year, one camera position, forty-seven days of photography 229

Dobbs Ferry, NY • 914.674.4044www.fcharles.com

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Lewis Kemper

ERODED HILLS, DEATH VALLEY NATIONAL PARK. Ultrachrome pigment print230

“There is nothing better then when light, color,form, and nature all come together. I try to find

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the extraordinary in the world aroundus and to share it with my audience.”

GHOST TREES, YELLOWSTONE NATIONAL PARK. Ultrachrome pigment print 231

Sacramento, CA • 916.974.7200www.lewiskemper.com

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Kevin Laubacher

PARKING LOT SENTINEL232

"The serendipity of the moment has alwaysbeen my mantra. At times by placing

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together these singular impulses I can tell a broaderstory and tap into the deeper feelings of the viewer."

FOREST SENTINELS 233

Portland, OR • 503.706.8845www.kevinlaubacher.com

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234

John De Mello

HALONA BEACH. East O`ahu, Hawai`i

Honolulu, HI • 808.521.3560www.johndemello.com

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235

Margaret Lord

MAISON GARDEN, LOUISIANA. Polaroid transfer

San Rafael, CA • [email protected]

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Michael Hart

EMERGENCE236

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MILLENNIUM BRIDGE, ST. PAUL’S 237

Houston, TX • 713.271.8250www.hartphoto.com

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Jeffrey R. Klug

MOON AT POINT LOBOS238

“My photographyis like nature—

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always and neverthe same.”

LEAF ON ALGERS FALLS 239

Hubertus, WI • 262.628.1255www.klugsphotoworld.com

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Noel Greene

GRAND CANAL, VENICE240

"I always try to capture the ‘other side’of the image. These types of images

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only present themselves for a mere secondand in my view can never be recaptured."

REFLECTIONS AT LA FENICE OPERA HOUSE, VENICE 241

[email protected], France • 0033.67.7179842

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Bart Harris

MICHIGAN AVENUE, #1242

"For the first forty of my more than fiftyyears in photography, I referred to myself as

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a photographer. With the advent of Photoshop and digitalphotography, I finally consider myself an artist.”

MILLENNIUM PARK, #1 243

Chicago, IL • 773.975.0070www.bartharris.com

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Michael Snively

TIDAL PASSAGE. Archival carbon pigment print244

"Light is my muse, the photographmy poem, creating an expression of

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timelessness and beauty. These imagesare from the Forgotten Dreams series."

REST IN PEACE. Archival carbon pigment print 245

Littleton, CO • 303.520.7329www.intimatemuse.com

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Michael E. Haritan

PETERS LAKE PARK. McMurray, Pennsylvania, 2007246

“This series pays homage to the similarityand beauty of the landscape and

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bodyscape. As nature adorns itself forus, so does the human but for itself.”

NAVEL ADORNMENT. 2007 247

Pittsburgh, PA • [email protected]

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Alastair Orpen Finlay

WORLD FINANCIAL CENTER. New York, New York248

"My observation of my photography is aform of satire—a comment on a period

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of time. Time is a consequence. It can demean and loveconsecutively. By which we are humbled in the end."

DISPOSABLE. Houston Street, New York, New York 249

New York, NY • 212.252.9667www.alastairfinlay.com

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Vickie Lancaster

FISHING BOAT. Vancouver, British Columbia250

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MOUNT HOOD AT CHRISTMAS 251

Portland, OR • 503.860.3684www.vickielancaster.com

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252

David Halpern

BEAR’S TOOTH CAVERN. Antelope Canyon, Arizona 2007

Tulsa, OK • 918.742.8978www.davidhalpern.com

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GALLERIES, CENTERS,and DEALERS

Afterimage Gallery2800 Routh Street #141Dallas, TX 75201

Alan Klotz Gallery511 W. 25th Street #701New York, NY 10001

Andrew Smith Gallery203 W. San Francisco StreetSanta Fe, NM 87501

Ansel Adams GalleryVillage Mall, Box 455Yosemite N. Park, CA 95389

Ariel Meyerowitz Gallery4720 Center Blvd. #2005Long Island City, NY 11109

Art Source L.A.2801 Ocean Park Blvd.Santa Monica, CA 90405

Atlanta Photography Group75 Bennett Street, NW, B-1Atlanta, GA 30309

Barry Singer Gallery7 Western Avenue Petaluma, CA 94952

Bonni Benrubi Gallery41 E. 57th StreetNew York, NY 10022

Camera Obscura Gallery1309 Bannock StreetDenver, CO 80206

Camerawork Gallery515 Center StreetScranton, PA 18503

Candace Dwan Gallery27 Katonah Avenue Katonah, NY 10536

Catherine Edelman Gallery300 W. Superior, 2nd FlChicago, IL 60610

Ctr. for Fine Art Photography201 S. College AvenueFort Collins, CO 80524

Charles Hartman Fine Art2625 NE 26th AvenuePortland, OR 97212

Charles Cowles Gallery537 W. 24th StreetNew York, NY 10011

Charles Isaacs Photographs25 W. 54th Street #5C New York, NY 10019

Charles Schwartz Ltd.21 E. 90th Street New York, NY 10128

Cichon Photography Gallery133 Bent StreetTaos, NM 87571

David Gallery5797 Washington Blvd. Culver City, CA 90232

Deborah Bell Photographs511 W. 25th Street #703 New York, NY 10001

DSA Fine ArtsP.O. Box 1120Beacon, NY 15208

Edwynn Houk Gallery745 Fifth AvenueNew York, NY 10151

Etherton Gallery135 S. 6th Avenue Tucson, AZ 85701

Fahey/Klein Gallery148 N. La Brea Avenue Los Angeles, CA 90036

Fay Gold Gallery764 Miami CircleAtlanta, GA 30324

Flatfile Gallery217 North CarpenterChicago, IL 60607

FL Msm. of Photographic Arts200 N. Tampa StreetTampa, FL 33602

Fraenkel Gallery49 Geary StreetSan Francisco, CA 94108

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G. Gibson Gallery300 S. Washington StreetSeattle, WA 98104

Gallery 19/219 Little Harbor Road Guilford, CT 06437

Gallery for Fine Photography241 Chartres Street New Orleans, LA 70130

Gallery Luisotti2525 Michigan Avenue A-2Santa Monica, CA 90404

Gallery Sink2301 W. 30th StreetDenver, CO 80211

Gary Edwards Gallery1711 Connecticut Ave. N.W.Washington, DC 20009

Gerald Peters Gallery2913 Fairmont Dallas, TX 75201

Gitterman Gallery170 E. 75th Street New York, NY 10021

Hans P. Kraus Jr., Inc.962 Park Avenue New York, NY 10028

Hasted Hunt Gallery529 W. 20th Street, 3rd Fl New York, NY 10011

Howard Greenberg Gallery41 E. 57th StreetNew York, NY 10022

Howard Schickler Fine ArtP.O. Box 49227Sarasota, FL 34230

Illustrated Light Gallery1 Old Town Square #103Fort Collins, CO 80524

Iris Gallery of Fine Photoghy.47 Railroad StreetGreat Barrington, MA 01230

J.J. Brookings Gallery330 Commercial Street San Jose, CA 95112

Jan Kesner Gallery164 N. La Brea Avenue Los Angeles, CA 90036

Janet Borden Gallery560 Broadway #601 New York, NY 10012

Janet Lehr Inc.891 Park Avenue New York, NY 10021

Joel Soroka Gallery400 E. Hyman AvenueAspen, CO 81611

John Cleary Gallery2635 ColquittHouston, TX 77098

John Stevenson Gallery338 W. 23rd StreetNew York, NY 10011

Joseph Bellows Gallery7661 Girard Avenue La Jolla, CA 92037

Kathleen Ewing Gallery1609 Connecticut Ave. #200Washington, DC 20009

Keith de Lellis Gallery47 E. 68th StreetNew York, NY 10021

Laurence Miller Gallery20 W. 57th Street New York, NY 10019

Lee Marks Fine Art2208 E. 350 North Shelbyville, IN 46176

Lewis Lehr, Inc.444 E. 86th StreetNew York, NY 10028

Lisa Sette Gallery4142 N. Marshall Way Scottsdale, AZ 85251

Michael Dawson Gallery535 N. Larchmont Blvd.Los Angeles, CA 90004

Michael Shapiro Photographs49 Geary Street #208 San Francisco, CA 94108

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Monroe Gallery of Photoghy.112 Don GasparSanta Fe, NM 87501

Msm. of Contemp. Photoghy.600 S. Michigan AvenueChicago, IL 60605

Msm. of Photographic Arts1649 El Prado San Diego, CA 92101

Newspace Ctr for Photoghy.1632 S.E. 10th AvenuePortland, OR 97214

Open Shutter Gallery755 E. Second AvenueDurango, CO 81301

Ordover Gallery1788 El PradoSan Diego, CA 92101

Pace/MacGill Gallery32 E. 57th Street, 9th Fl New York, NY 10022

Patricia Laligant150 W. 28th Street #1702New York, NY 10001

Paul Kopeikin Gallery6041 Wilshire Blvd.Los Angeles, CA 90048

Peter Fetterman Gallery2525 Michigan Ave. A-7Santa Monica, CA 90404

Photogenesis Gallery100 E. San Francisco StreetSanta Fe, NM 87501

Photographs Do Not Bend1202 Dragon Street #103 Dallas, TX 75207

Prakapas Gallery1 Northgate 6B Bronxville, NY 10708

Ralls Collection, Inc.1516 31st Street N.W.Washington, DC 20007

Robert Klein Gallery38 Newbury Street, 4th FlBoston, MA, 02116

Robert Koch Gallery49 Geary Street, 5th Fl San Francisco, CA 94108

Robert Mann Gallery210 Eleventh Avenue, 10th FlNew York, NY 10001

Robert Miller Gallery524 W. 26th Street New York, NY 10001

Rose Gallery2525 Michigan Ave. G-5Santa Monica, CA 90404

Sandra Berler Gallery7002 Connecticut AvenueChevy Chase, MD 20815

Santa Fe Photoghy. CenterP.O. Box 2483Santa Fe, NM 87504

Scheinbaum Russek Ltd.369 Montezuma #345Santa Fe, NM 87501

Scott Nichols Gallery49 Geary Street #415 San Francisco, CA 94108

Silver Eye Photography Ctr.1015 East Carson StreetPittsburgh, PA 15203

Silverstein Photography535 W. 24th StreetNew York, NY 10011

Society for Cont. Photoghy.520 Avenida Cesar ChavezKansas City, MO 64108

SOHO Photo15 White StreetNew York, NY 10013

Southeast Msm. of PhotoghyP.O. Box 2811Daytona Beach, FL 32120

Staley-Wise Gallery560 Broadway, 3rd FlNew York, NY 10012

Stellar Gallery40982 Highway 41, Suite 1Oakhurst, CA 63644

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Stephen Daiter Gallery311 W. Superior Street #404Chicago, IL 60610

Stephen L. Clark Gallery1101 W. 6th StreetAustin, TX 78703

Steven Kasher Gallery521 W. 23rd Street, 2nd Fl New York, NY 10011

TARTT/Washington1711 Connecticut AvenueNW, Washington, DC 20009

The Collected Image806 Monroe StreetEvanston, IL 60202

The Illustrated Light Gallery# 1 Old Town Square #103Fort Collins, CO 80524

Throckmorton Fine Art145 E. 57th Street, 3rd Fl New York, NY 10022

Van Deusen Photography6951 Tomahawk RoadPrairie Village, KS 66208

Vernacular Photography4718 Springfield AvenuePhiladelphia, PA 19143

Verve Gallery of Photography219 East Marcy StreetSanta Fe, NM 87501

Vintage Works, Ltd.258 Inverness CircleChalfont, PA 18914

Wach Gallery31860 Walker Road Avon Lake, OH 44012

Watermark Photography3503 Lake StreetHouston, TX 77098

Weinstein Gallery908 W. 46th Street Minneapolis, MN 55419

Wessel + O'Connor Fine Art111 Front Street #200Brooklyn, NY 11201

Weston Gallery, Inc.P.O. Box 655Carmel, CA 93921

William Floyd Photographs16 E. 77th Street New York, NY 10021

Yancey Richard Gallery535 W. 22nd StreetNew York, NY 10011

Yossi Milo Gallery525 W. 25th Street New York, NY 10001

Zabriskie Gallery41 E. 57th Street, 4th Fl New York, NY 10022

ART of Seeing

A working tool for American

photographers, Art of Seeing

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The submission deadline is

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