Arod elements of art
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Ms. Aixa RodriguezUnit 1 ESL/Visual Arts
High School of World CulturesBronx, NY
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Art A visual statement that
represents the world around you, communicates an idea, expresses a feeling or present an interesting design.
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ArtistA person who uses imagination and skill to communicate ideas in visual form.
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What is fine art?Fine art refers to art that is valued solely for its visual appeal or its success in communicating ideas or feelings.
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What is applied art?Applied art refers to art that is
made to be functional as well as visually pleasing.
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Visual Culture The visual statements you find in your environment
every day. Paintings , books, chairs, videogames advertisements
everything one sees, has seen or may imagine. The internet, movies, toys, fashion and cars as well as
fine arts are all part of one’s visual culture.
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Perceive To be come aware through the senses fo the special
nature of objects. Using sight hearing touch smell and tast to pereceiv
an object increases your understanding of it. Artists must strengthen their perception to interpret
what they see in the world around them.
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•The fundamentals or vocabulary of the artist’s language.
•The basic visual components that an artist uses to create visual art.
•Line, color, value, shape, form, space, and texture
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A mark with length and direction.
A continuous mark made on a surface by a moving point.
Ansel Adams
Gustave Caillebotte
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Line Lines can be described as
having/being length and width short/long, thick/thin, dark/light, blurred/uneven, sharp/clear.
The style where lines are emphasized is called “linear”. Self Portrait of
Pablo Picasso
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Kinds of lines Horizontal, vertical, diagonal, curved zigzag.
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Pablo Picasso
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COLOR•Consists of
•Hue (name for the color)
•Intensity (brightness)
•Value (lightness or darkness).
Henri Matisse
Venice Twilight by Claude Monet
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Color Theory• Hue Hue : name for the color
• Intensity: Intensity: brightness or dullness of a hue.
• Bright pure hues are called high-intensity high-intensity colors
• Dull hues are called low-intensity low-intensity colors.
• ValueValue : : lightness or darkness of a hue.
• When white is added to a hue the result is a tint.tint.
• When black is added to a hue the result is a shade.shade.
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Color Primary colors are basic colors that can not be obtained by mixing. They are red, yellow, and blue.
Secondary colors: are obtained by mixing primary colors. They are orange, green, and purple.
Tertiary or Intermediate Colors: in between primary and secondary colors on the color wheel, have more of a primary color in them. They are: red-orange, yellow-green, blue-green etc.
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The Color Wheel The color wheel is a tool
to help you organize colors, mix colors and compare colors.
Colors across from each other on the wheel are complementary colors.
Colors next to each other within the same family are analogous colors.
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The lightness or darkness of a color.
MC Escher Pablo Picasso
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An area clearly set off by one or more of the other six visual elements of art. They have height and width but not depth. Shapes are flat, 2 dimensional.
Joan Miro
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Shape Shape is an a element that
artists use to convey their message or visual statement.
Geometric shapes: Geometric shapes: precise mathematical shapes ex; circle, square, triangle.
Free-form or organic Free-form or organic shapes shapes ex: outline/contour of a lake. Balancement by Wassily
Kandinsky
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FORM A 3-dimensional object; or something in a 2-dimensional artwork that appears to be 3-dimensional
Cylinder, cube, cone, pyramid, free-form form
Jean Arp
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Gustave Caillebotte
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The distance or area between, around, above, below, or within things.
Linear perspective- the lines of buildings roads and similar objects are slanted to make them appear to come together or meet in the distance.
Size- objects in the foreground (front) are made bigger than objects in the background.
Overlapping- nearer shapes and forms overlap or partly cover those meant to appear farther away.
Placement- distant objects are placed higher up in the picture.
Foreground, Middle ground and Background (creates DEPTH)
La Rue de la Bavolle in Honfleur by Claude Monet.
Space
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Space Positive space filled with something Negative empty spaces between the shapes or forms
in two and three dimensional art. Intensity and value- the colors of objects meant to
appear in the distance are lower in intensity than those of objects meant to appear nearer. They are also lighter in value.
Detail- more detail is added to closer objects and less detail is added to those in the distance
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TEXTURETEXTURE
•The surface quality or "feel" of an object, its smoothness, roughness, softness, etc.
•Textures may be actual or implied.
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Cecil Buller
Texture- the element of art that refers to how things feel, or look as though they might feel , if touched. Visual texture- is texture you experience with your eyes as you remember them from experience. Ex. Paintings of velvet, leather, silk or concrete.
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What we use to organize the Elements of Art,
or the tools to make art.
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Principle of art concerned with arranging the elements so that no one part of the work overpowers, ore seems heaver than, any other part.
Alexander Calder
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Balance
Formal balance is dignified, stable, more static and symmetrical.
Informal balance is asymmetrical.
The Last Supper by Leonardo Da Vinci
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Symmetrical BalanceThe parts of an image are organized so that one side mirrors the other.
Leonardo DaVinci
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AsymmetricalAsymmetrical Balance BalanceWhen one side of a composition does not reflect the design of the other.
James Whistler
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Radial Balance When the elements of art or object in an artwork
radiate or come out from a central point.
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The focal point of an image, or when one area or thing stand out the most.
Jim Dine Gustav Klimt
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Emphasis Emphasis is a principle
that captures your eye when you first see an art piece.
The focal point or center of attention.
The Herring Net by Winslow Homer
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CONTRAST A large difference between two things to create interest and tension.
Ansel AdamsSalvador Dali
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The principle of art that indicates movement through the repetition of elements and objects.
Marcel Duchamp
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Movement The principle of art that
leads the viewer to see action in a work, also the path that the viewers eye follows through the work.
Movement is the principle of giving life to an artwork.
The artist makes a compelling path through repeated line, color, and shapes.
Napoleon Crossing the Alps by Jacques-Louis David
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Vincent VanGogh
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Gustav Klimt
PATTERN-Two dimensional, decorative visual repetition.
-Motif- unit of repetition in a visual pattern.
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Repetition Repetition is a principle
that can be simple or complex.
Repetition of line shape and color creates a visual rhythm.
A pattern or motif also results from repetition.
Repeated patterns also show order.
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Unity Unity is the
arrangement of elements and principles of art to creat a feeling of completeness or wholeness.
Irises by Vincent van Gogh
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HarmonyA principle of design where elements of art are combined to accent their similarities and bind the picture parts into a whole. Sandy Skoglund
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Variety
The use of differences and
change to increase the visual interest of
the work.
Marc Chagall
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Variety Variety is a principle
that uses differences and contrasts between elements to bring an art piece to life.
Variety brings life and attention to an art piece.
The Persistence of Memory by Salvador Dali
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•The comparative relationship of one part to another with respect to size, quantity, or degree; SCALE.
Gustave Caillebotte
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Proportion Realistic proportion
accurately represents people of things in their actual proportions.
Distorted proportion effects mood and feelings by not being accurate in proportion.
Mona Lisa by Leonardo Da Vinci