Area ---------------------------------- of Study 3 • Popular · PDF fileJazz waltz (swing...

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80 Area of Study 3 Popular music in context 1\ II U 1\ II U 1\ II U ~ ~ ~ ~ ..-- ~ ~ ---- J J J J J J J J J J J J J J J J J J J J J J J 1 ~~ ~~ Snare with bmshes (sweep) (sweep) ~ ~. ....•.• , - - I - .:::::l . ::::::J ~. I" -... I ~- r ---... I INTRO I Jazz waltz (swing quavers) Bass Drum kit Saxophones 'All blues' is in 12-bar blues form. It was included on the Kind of Blue album by Miles Davis, released in 1959. In addition to the soloists listed below, the players were Paul Chambers (bass) and Jimmy Cobb (drums). 00:00 bar 1 Introductory 4 bars 05:34 129 Alto sax solo 4 00:11 5 Main intro riff (4 bars), played on 06:04 141 Intro riff (piano) saxes in 3rds. 06:15 145 Tenor sax solo 1 Qohn Coltrane) 00:21 9 Head 1, muted trumpet (Miles 06:45 157 Tenor sax solo 2 Davis) - 12 bars 07:16 169 Tenor sax solo 3 00:53 21 Intro riff Head 2 07:46 181 Tenor sax solo 4 01:03 25 01:35 Intro riff 08:17 193 Intro riff 37 Trumpet solo 1 (unmuted until 08:27 197 Piano solo 1 (Bill Evans) 01:46 41 return at 09:38) 08:57 209 Piano solo 2 02:17 53 Trumpet solo 2 09:28 221 Intro riff (saxes) 02:49 65 Trumpet solo 3 09:38 225 Head 3, muted trumpet 03:20 77 Trumpet solo 4 10:09 237 Intro riff 03:51 89 Intro riff on piano 10:20 241 Head 4 04:01 93 Alto sax solo 1 (Cannonball 10:51 253 Intro riff .Adderley) 11:01 257 Coda: trumpet solo 5 (still muted) 04:32 105 Alto sax solo 2 11:33 fades 05:03 117 Alto sax solo 3 ---------------------------------- All blues as recorded by Miles Davis o C02 • track 1 Trumpet in B flat

Transcript of Area ---------------------------------- of Study 3 • Popular · PDF fileJazz waltz (swing...

Page 1: Area ---------------------------------- of Study 3 • Popular · PDF fileJazz waltz (swing quavers) Bass ... Rhythm Section. ... Evans comps chords underneath the solo based on riff

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Area of Study 3 • Popular music in context

1\ II

U1\ II

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1\ II

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I INTRO I

Jazz waltz(swing quavers)

Bass

Drum kit

Saxophones

'All blues' is in 12-bar blues form. It was included on the Kind of Blue album by Miles Davis, released in1959. In addition to the soloists listed below, the players were Paul Chambers (bass) and Jimmy Cobb(drums).

00:00 bar 1 Introductory 4 bars 05:34 129 Alto sax solo 4

00:11 5 Main intro riff (4 bars), played on 06:04 141 Intro riff (piano)saxes in 3rds. 06:15 145 Tenor sax solo 1 Qohn Coltrane)

00:21 9 Head 1, muted trumpet (Miles 06:45 157 Tenor sax solo 2Davis) - 12 bars

07:16 169 Tenor sax solo 300:53 21 Intro riff

Head 207:46 181 Tenor sax solo 4

01:03 25

01:35 Intro riff08:17 193 Intro riff

37

Trumpet solo 1 (unmuted until08:27 197 Piano solo 1 (Bill Evans)

01:46 41return at 09:38) 08:57 209 Piano solo 2

02:17 53 Trumpet solo 2 09:28 221 Intro riff (saxes)

02:49 65 Trumpet solo 3 09:38 225 Head 3, muted trumpet

03:20 77 Trumpet solo 4 10:09 237 Intro riff

03:51 89 Intro riff on piano 10:20 241 Head 4

04:01 93 Alto sax solo 1 (Cannonball 10:51 253 Intro riff.Adderley) 11:01 257 Coda: trumpet solo 5 (still muted)

04:32 105 Alto sax solo 2 11:33 fades05:03 117 Alto sax solo 3

----------------------------------All bluesas recorded by Miles Daviso C02 • track 1

Trumpet in B flat

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Riff 1 in Bass
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6/4 time sig
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Intro Section (Bars 1-8)
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Frontline Instruments
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Rhythm Section
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Tremolo in the piano part
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All Blues performed with SWING QUAVERS
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Key of G Major but uses a flattened 7th - Mixolydian Mode which makes this piece MODAL JAZZ
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Area of Study 3 • Popular music in context

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Alto and Tenor saxophones join in with a harmonised riff
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Davis plays melody
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Melody based on a simple motif - leap of a Maj 6th - rest of melody made up of stepwise movement.
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Riff 2
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Page 3: Area ---------------------------------- of Study 3 • Popular · PDF fileJazz waltz (swing quavers) Bass ... Rhythm Section. ... Evans comps chords underneath the solo based on riff

Area of Study 3 • Popular music in context

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Change in texture during altered chords
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Saxes

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Drums

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Link Section (Bars 21-24) Breaks up the 19 straight repetitions of the 12 Bar sequence
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Link section same as Intro (Bars 5-8)
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Head is developed slightly
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Cobb introduces ride cymbal
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Link Section (Bars 37-40)
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Area of Study 3 • Popular music in context

Drums

41

I TRUMPET SOLO 1 IG7

Ride cymbal (with stick)

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etc.

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1 TRUMPET SOLO 31

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Davis Solo Section (Bars 41-88)
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Frontline instruments (Alto and Tenor Sax) drop out
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Solo is MODAL - Mixolydian mode
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Uses a diminished scale over altered chords
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Evans comps chords underneath the solo based on riff 2COMPING (Accompanying with chords and short melodic ideas happens throughout each solo)
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Allows four choruses for his solo
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Mostly made up of SHORT, SYNCOPATED MOTIFS
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93. GX12 bars alto sax solo I 14 x 12 bars tenor sax solo I \2 x 12 bars piano solo I••.••.•~~ ~'--- __ ~ __ ~ __ ~ __ Il

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Intra riff (piano)

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Area of Study 3 • Popular music in context

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Adderley takes four choruses for solo
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Evans takes two choruses for solo
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More Virtuostic than Davis
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Fast scales and quick runs
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Adderley uses quicker notes and a wider range
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Area of Study 3 • Popular music in context

etc.

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Saxes and piano playing in thirds
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Tremolo piano again
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Mute back on trumpet
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Area of Study 3 • popular music in context

233D 7(#9) F G F G

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Head 4 - slight variation
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Coda=Ending
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Extended chords as usual at this point in the pattern
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Music fades out to end
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