Hank Warneckwork sample

THESIS STUDIOa museum for the Tiber River, Rome

DESIGN / BUILD COLLABORATIONguest cabin, Thousand Islands, NY

COLLABORATIVE COMPETITION SUBMISSIONalley based community regeneration

INTERDISCIPLINARY URBAN DESIGN STUDIOa strategy for urban regeneration

FABRICATIONSshop projects

SKETCHBOOKtravel observations

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‘This studio asks how could Rome benefit if its river edges were freed of their 19th century encrustations and the Tiber was conceived as natural asset rather than as threat.’

-studio brief, James Tice.

A MUSEUM FOR THE TIBER.enabling riparian / urban connections.

winter / spring 2011.professor : James Tice.

Rome, a city whose history and culture grew out of an intimate relationship with the Tiber River, has seen this connection severed by heavy-handed flood mitigation and transportation infrastructures. Construction of the 12 to 15 meter tall embankments between 1870 and 1920 effectively cut the Tiber River out of the Roman urban experience.

Such separation of river from the urban landscape is a concern when considering the health of a region’s culture, economy and ecology.

This thesis studio project is an investigation of how architects and landscape architects can identify and promote mutually beneficial relationships between city, river, ecology and individuals; how an existing urban fabric can be adjusted to support an engagement of landscape and river.

01 THESIS STUDIO

Giuseppe Vasi, Prospetto di Città Roma visto dal Monte Gianicolo, 1765.

+ 60 m

+ 20 m

0 m

Site TopographyAliquae consequiam fuga. Adis aceatent voloria dellupt atisquia cum quatem. Nem-possit quibus doluptaspici ut etur rerepror aut quaspitio. Ovitatus ium et fuga. Da cu-picabore, si ressit quamenis magnatusdam faccume ipsae enis qui doluptatem fugit mi, sandentet reperibus.Aximus, ut erorest, ut arcipid ernatiusae.

Folded LandscapeProject concept was based on the folding of the landscape, stepping it to meet the river’s edge and creating a variety of conditions for regional ecology and human habitation.

Process MediaIl maximus remqui cusam quam veliquas arciis dolorest mo maximet, quam et que nulla apis quiatiis volupta tiatemq uodi-genihit quae. Ommost, velloria quam, comnis qui simagnis magnatibus expera volor aliquat et, simodion pe cum esequi-am earit, odita presedi con pratis eicip-sam quostist, que in excerspid quam, volo doluptate autas ationsectium alit ide evel ipit eatem quibus ad ut exceptatus, of-ficip sustiusciis quos et am reictus, conse

The site will become a vision of what the relationship between city/ building/ river/ landscape can be in a Rome of the future. The Tiber Museum project looks to a time when ecological, urban and social processes are linked in a mutually beneficial way. The museum intervention will be an urban ecological catalyst; a host for an ecology that extends from Rome’s Janiculum Hill, out onto the now deserted river walkways, simultaneously activating the space for human occupation and creating a mobility

A Museum for the River

BOATHOLEa revitalization of a historic vacation hole.summer / fall 2011.

a project as John(s), Hammett & Henry

02 DESIGN / BUILD COLLABORATION

With the variable weather / climate typical of the St. Lawrence River, consideration was given to the needs of the building oc-cupant to regulate their connection to the outdoors.A set of glass doors was sourced from a building thrift store, and retrofitted to create a wall that could be both a visual con-nection to the outdoors and a piece of the enclosure, but also dissapear, allowing for an expansion of the dining / social area.

[PLACEHOLDER] SHOT FROM INTERIOR, SHOWING DOOR OPENING SEQUENCE.

DrawAliquae consequiam fuga. Adis aceatent voloria dellupt atisquia cum quatem. Nempossit quibus doluptaspici ut etur rerepror aut quaspitio. Ovitatus ium et fuga. Da cupicabore, si ressit quamenis magnatusdam faccume ipsae enis qui doluptatem fugit mi, sandentet reperibus.Aximus, ut erorest, ut arcipid ernatiusae. Nam nos enimi, quati omnit volore, nume explam id es dem cume offic tem eium que comnihil magnati oratin paruptas min restionse volorpos ducienihitem vel endaecus, ut aut laut aut ellique evenimporem alisci occumet et la vel iustiis rerrupta issitia ndandaerum in pe ne veliberia nonsequ idemodi te reperfe ruptatem ducit in nos res el ipiciis

BuildIl maximus remqui cusam quam veliquas arciis dolor-est mo maximet, quam et que nulla apis quiatiis volupta tiatemq uodigenihit quae. Ommost, velloria quam, comnis qui simagnis magnatibus expera volor aliquat et, simodion pe cum esequiam earit, odita presedi con pratis eicipsam quostist, que in excerspid quam, volo doluptate autas ationsectium alit ide evel ipit eatem quibus ad ut excep-tatus, officip sustiusciis quos et am reictus, conse milles et, coribea rchitis de velitecae. Cimaiorest est ventis volore volum faccusci il id quiam, quis et adisti as ullabor erunt.Idit rem net et, volorro ima volo et aliciur? Berum nos magnist ionserc imaximus antem. Nequasped quae plabo. Alibusam quodi idellaut est aut quiasse qui volor sum velesti temqui te quatquatet adi consed most, sitiorerum quatem que volecus voluptatur serio consent pliquae strunt vollestectat molestiandi audam, ulparci

[PLACEHOLDER]MONEY SHOT, SHOWING INTERIOR, LOOKING TOWARDS KITCHEN

[PLACEHOLDER]WHITE LINEWORK ON BLACK BACK

the ULI/Gerald D. Hines Student Urban Design Compeition...offers graduate-level students the opportunity to form their own multidisciplinary teams and engage in a challenging exercise in responsible land use. [teams will] have two weeks to devise a comprehensive design and development program for a real, large-scale site.

-from competition brief.

ALLEY AS ARMATURE.enabling stability through flexibility.

competition submission, ULI/Gerald D. Hines Student Urban Design Competition. 2010. a collaboration with Jonathan Chesley (mArch), Joseph Sadoski (mArch), Ryan Fiorentino (MBA), Justion Overdevest (LlArch, MBA).

Characteristic of North American, car focused master plans, the area surrounding Mt. Baker Light Rail Station is constrained by both physical and conceptual barriers.

Mitigating these barriers involves the identification of latent potentials embedded in the urban landscape.

Urban remnants are activated to the benefit of local economies, ecologies and cultures.

03 COLLABORATIVE COMPETITION SUBMISSION

COLLABORATIVE COMPETITION SUBMISSION

A city with a landscape of self-realization.A landscape that is an artifact of its culture.A culture with the ability to dictate its own metamorphosis.

MobilityBy allowing mobility to span several scales, resilient urban typologies are formed that evolve and adapt over time.

The revitalization of Rainier Alley creates a stage u`pon which individuals can play active roles in the formation of their community.

... establish a green infrastructure frameowrk for urban revitalization. We will approach this emphasis t an intersection of scales, first from the region to district scale and ultimately from the distict to immediate site scale.

- from studio brief.

A project investigating how small interventions can catalyze localized growth, and reach outward to create an urban ecological network capable of sustaining a population of mixed income residents along side a variety of flora and fauna.

Water and habitat were the main metrics used to judge preformance, both play a critial role in the experience of the public spaces in the community.

A collaborative studio with Bennett Hart (mArch) and Renee Wilkinson (lArch), with emphasis on an integrated approach to architecture and landscape architecture.

ECODISTRICT AT LENTS.ecological based urban regenerationfall 2011.professor Brook Muller.

04 INTERDISCIPLINARY URBAN DESIGN STUDIO

INTERDISCIPLINARY URBAN DESIGN STUDIO

Craft

05 FABRICATION

Craftsmanship ... means simply workmanship using any kind of technique or apparatus, in which the quality of the result is not predetermined, but depends on the judgement, dextereity and care which the maker exercises as he works. The essential idea is that the quality of the result is continually at risk during the process of making.

David Pye, The Nature and Art of Workmanship, Cambridge: Cambridge University Press, 1968, p. 2.

[PLACEHOLDER]SOME HOT PLANE ACTION

[PLACEHOLDER]GOOD PHOTO OF COMPLETED PROJECT (MAYBE WALL PIECE?)

DrawIl maximus remqui cusam quam veliquas arciis dolorest mo maximet, quam et que nulla apis quiatiis volupta tiatemq uodigenihit quae. Ommost, velloria quam, comnis qui simagnis magnatibus expera volor aliquat et, simodion pe cum esequiam earit, odita presedi con pratis eicipsam quostist, que in excerspid quam, volo doluptate autas ationsectium alit ide evel ipit eatem quibus ad ut exceptatus, officip sustiusciis quos et am reictus, conse milles et, coribea rchitis de velitecae. Cimaiorest est ventis

06 SKETCHBOOK

NEW YORK

[PLACEHOLDER]REPLACE WITH SCAN OF WATERCOLOR

Thank You.

hank.warneck@gmail.com

7500 NE Carene LaneBainbridge Island, WA 98110

University of OregonEugene, Oregon

School of Architecture and Allied ArtsMasters of Architecture 2011