Architecture Portfolio 2013

33
NICK MARTINEZ PORTFOLIO

description

Portfolio - consisting mostly of work completed at graduate architecture school at USC and undergrad at ASU

Transcript of Architecture Portfolio 2013

Page 1: Architecture Portfolio 2013

NICK MARTINEZPORTFOLIO

Page 2: Architecture Portfolio 2013

TESSELLATED TOPOGRAPHIES

CREATIVE DISTRICTS

FOLDED PROGRAM

PROFESSIONAL PROJECTS

FRAY

NICK MARTINEZ

[email protected]

756 s. broadway #509 los angeles, ca 90014

213.703.9574

Page 3: Architecture Portfolio 2013

TESSELLATED TOPOGRAPHIES

CREATIVE DISTRICTS

FOLDED PROGRAM

PROFESSIONAL PROJECTS

FRAY

NICK MARTINEZ

[email protected]

756 s. broadway #509 los angeles, ca 90014

213.703.9574

TESSELLATED TOPOGRAPHIES

CREATIVE DISTRICTS

ENCLOSURE/EXPOSURE

FOLDED PROGRAM

FRAY

PROFESSIONAL PROJECTS

Page 4: Architecture Portfolio 2013

TESSELLATED TOPOGRAPHIES Joshua Tree, California | Fall 2009

This project studies the existing topography through the use of tessellation patterns related to geometric form. A triangular tessellation that mediates between the building and landscape serves as the form generator of the project, while the area is seen as the transition from the suburban street and the Joshua Tree landscape. A louvered striated surface morphology reacts to the environment and modulates sunlight and wind while extending the exterior surfaces to mediate between the landscape and hardscape.

TESSELLATED TOPOGRAPHIES

Page 5: Architecture Portfolio 2013

TESSELLATED TOPOGRAPHIES Joshua Tree, California | Fall 2009

This project studies the existing topography through the use of tessellation patterns related to geometric form. A triangular tessellation that mediates between the building and landscape serves as the form generator of the project, while the area is seen as the transition from the suburban street and the Joshua Tree landscape. A louvered striated surface morphology reacts to the environment and modulates sunlight and wind while extending the exterior surfaces to mediate between the landscape and hardscape.

TESSELLATED TOPOGRAPHIES

Page 6: Architecture Portfolio 2013

FORM EVOLUTION

remapped

topography

extruded

building elements

longitudinal section

structure/skin

edited

program diagram

GALLERY SPACE

CAFE / BOOKSTORE

EVENT SPACE

WAY-STATION

RESEARCH FACILITIES

RESIDENTIAL

PROGRAM DIAGRAM composition diagramBUILDING SYSTEMS

INTERIOR VOLUME

STRUCTURE

SKIN

Page 7: Architecture Portfolio 2013

FORM EVOLUTION

remapped

topography

extruded

building elements

longitudinal section

structure/skin

edited

program diagram

GALLERY SPACE

CAFE / BOOKSTORE

EVENT SPACE

WAY-STATION

RESEARCH FACILITIES

RESIDENTIAL

PROGRAM DIAGRAM composition diagramBUILDING SYSTEMS

INTERIOR VOLUME

STRUCTURE

SKIN

Page 8: Architecture Portfolio 2013

wall section

level 1 plan

level 2 plan

Page 9: Architecture Portfolio 2013

wall section

level 1 plan

level 2 plan

Page 10: Architecture Portfolio 2013
Page 11: Architecture Portfolio 2013
Page 12: Architecture Portfolio 2013

CREATIVE DISTRICTS Santa Monica, California | Fall 2008

The client is not a singular advertising agency, but rather a collective or co-op of agencies as the clients. In fact, the clients could represent many different creative fields such as architecture, interior design, or graphic design. The challenge of the project evolved to the provision of one building that could accommodate several agencies or firms of different types.

The design concept was derived from Kevin Lynch’s “Image of the City”, in which he described the 5 elements to good urban environments: district, node, landmark, path, and edge. The approach was to translate these successful urban design strategies to a building. This made sense because the challenge of creating an environment that connects its residents in a positive and planned way while maintaining the ability to adapt to changes, is very similar to the challenges of this building.

The 3 concepts of district, node, and landmark are the key elements in the building. In this way, the agencies could exist in any number of different arrangements of districts, the nodes would provide areas where people from different agencies could interact, and the landmarks would serve as reference points and open spaces

CREATIVE DISTRICTS

Page 13: Architecture Portfolio 2013

CREATIVE DISTRICTS Santa Monica, California | Fall 2008

The client is not a singular advertising agency, but rather a collective or co-op of agencies as the clients. In fact, the clients could represent many different creative fields such as architecture, interior design, or graphic design. The challenge of the project evolved to the provision of one building that could accommodate several agencies or firms of different types.

The design concept was derived from Kevin Lynch’s “Image of the City”, in which he described the 5 elements to good urban environments: district, node, landmark, path, and edge. The approach was to translate these successful urban design strategies to a building. This made sense because the challenge of creating an environment that connects its residents in a positive and planned way while maintaining the ability to adapt to changes, is very similar to the challenges of this building.

The 3 concepts of district, node, and landmark are the key elements in the building. In this way, the agencies could exist in any number of different arrangements of districts, the nodes would provide areas where people from different agencies could interact, and the landmarks would serve as reference points and open spaces

CREATIVE DISTRICTS

Page 14: Architecture Portfolio 2013

districts nodes landmarks

Page 15: Architecture Portfolio 2013

districts nodes landmarks

Page 16: Architecture Portfolio 2013

plan 2a

cross section environmental diagram wall sectionlongitudinal section

plan 2b

Page 17: Architecture Portfolio 2013

plan 2a

cross section environmental diagram wall sectionlongitudinal section

plan 2b

Page 18: Architecture Portfolio 2013

plan 2a

cross section environmental diagram wall sectionlongitudinal section

plan 2b

ENCLOSURE|EXPOSURE Joshua Tree, California | Fall 2010

Through metaphor and contextual relationship, this small pavillion project explores the possibility of the large potential impact of a small deliberate design. In the vast ambiguous “edge” between civilization and nature in Joshua Tree National Park, this pavilion offers a threshold between focused and confined geometry and perspective of the urbanized world and the unobstructed landscape of the desert. Through 2 systems, one rigidly rythmic, the other looser and more dynamic, the desert floor , sky and horizon perspectives are gradually revealed and transformation is complete.

ENCLOSURE|EXPOSURE

Page 19: Architecture Portfolio 2013

plan 2a

cross section environmental diagram wall sectionlongitudinal section

plan 2b

ENCLOSURE|EXPOSURE Joshua Tree, California | Fall 2010

Through metaphor and contextual relationship, this small pavillion project explores the possibility of the large potential impact of a small deliberate design. In the vast ambiguous “edge” between civilization and nature in Joshua Tree National Park, this pavilion offers a threshold between focused and confined geometry and perspective of the urbanized world and the unobstructed landscape of the desert. Through 2 systems, one rigidly rythmic, the other looser and more dynamic, the desert floor , sky and horizon perspectives are gradually revealed and transformation is complete.

ENCLOSURE|EXPOSURE

Page 20: Architecture Portfolio 2013

roof plan floor plan

Page 21: Architecture Portfolio 2013

roof plan floor plan

Page 22: Architecture Portfolio 2013

FOLDED PROGRAM Compton, California | Spring 2009Nick Martinez

The City of Compton is a city that is both dealing with the existing problems inherited from its past and looking to improve its future role in the greater Los Angeles area. The program proposed by NICE is based around those concerns and the site is an abandoned armory in the middle of the city.

The distinction of these two types of program, reparative and productive, were central in my development of this project. I conceived of these two elements as a basis for organizing space and program elements on the site. These two “strips” of program evolved into concrete planes that fold over and around the usable spaces within the building. These intertwining sections push and pull away from each other, as the building wraps around the site, connecting the existing buildings.

FOLDED PROGRAM

Page 23: Architecture Portfolio 2013

FOLDED PROGRAM Compton, California | Spring 2009Nick Martinez

The City of Compton is a city that is both dealing with the existing problems inherited from its past and looking to improve its future role in the greater Los Angeles area. The program proposed by NICE is based around those concerns and the site is an abandoned armory in the middle of the city.

The distinction of these two types of program, reparative and productive, were central in my development of this project. I conceived of these two elements as a basis for organizing space and program elements on the site. These two “strips” of program evolved into concrete planes that fold over and around the usable spaces within the building. These intertwining sections push and pull away from each other, as the building wraps around the site, connecting the existing buildings.

FOLDED PROGRAM

Page 24: Architecture Portfolio 2013

program diagram program adjacencies program adjacencies

fold facade circulation

citizen corps/MRC

office

homeless/disabled

services

violence prevention

center

disaster relief training

parenting classes/

daycare

green tech. training

prefab construction

learning center

employment center

materials recycling

public facilities

Page 25: Architecture Portfolio 2013

program diagram program adjacencies program adjacencies

fold facade circulation

citizen corps/MRC

office

homeless/disabled

services

violence prevention

center

disaster relief training

parenting classes/

daycare

green tech. training

prefab construction

learning center

employment center

materials recycling

public facilities

Page 26: Architecture Portfolio 2013

wall sectionfacade detailssite plan

Page 27: Architecture Portfolio 2013

wall sectionfacade detailssite plan

Page 28: Architecture Portfolio 2013

FRAY Los Angeles, California | 2012Nick Martinez

Out of a heterogenous, varied collective of individual pieces - a new fabric is formed. From a pile of found, disposed wood, an assortment was collected to be reassembled and reconfigured into a new piece of consolidated furniture. Each reclaimed wood strip has its own identity - a story of original purpose and subsequent abandonment. Through the varying textures and finishes, each piece is clearly seen as unique, creates its own section and exists in and of itself. However, when merged into a whole piece, it becomes a part of something more, something greater than itself

When recombined into varying profiles, the pieces become a bench, a low table, a storage unit. From one end of the piece to the other, the balance in the relationship, between individual and collective, is manipulated. The bench devolves - from one end where the form is whole and the members are barely identifiable from each other to the other, where the function and form itself is disintegrated

FRAY

Page 29: Architecture Portfolio 2013

FRAY Los Angeles, California | 2012Nick Martinez

Out of a heterogenous, varied collective of individual pieces - a new fabric is formed. From a pile of found, disposed wood, an assortment was collected to be reassembled and reconfigured into a new piece of consolidated furniture. Each reclaimed wood strip has its own identity - a story of original purpose and subsequent abandonment. Through the varying textures and finishes, each piece is clearly seen as unique, creates its own section and exists in and of itself. However, when merged into a whole piece, it becomes a part of something more, something greater than itself

When recombined into varying profiles, the pieces become a bench, a low table, a storage unit. From one end of the piece to the other, the balance in the relationship, between individual and collective, is manipulated. The bench devolves - from one end where the form is whole and the members are barely identifiable from each other to the other, where the function and form itself is disintegrated

FRAY

Page 30: Architecture Portfolio 2013
Page 31: Architecture Portfolio 2013
Page 32: Architecture Portfolio 2013

CENTURY CITY CENTER

PRO

FESS

ION

AL

PRO

JEC

TS RUNWAY AT PLAYA VISTA

NINGXIA WINERY

GENENTECH OFFICE

JIADING MASTERPLAN

Page 33: Architecture Portfolio 2013

CENTURY CITY CENTER

PRO

FESS

ION

AL

PRO

JEC

TS RUNWAY AT PLAYA VISTA

NINGXIA WINERY

GENENTECH OFFICE

JIADING MASTERPLAN