Architecture Portfolio 2012

...EVERYTHING STARTS WITH HANDS

NOW, PLEASE...

PORTFOLIOCTRL

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L

EXTRA ACTIVITIES& HOBBIES

PUBLICATIONS& EXHIBITIONS

WORK,OTHER

AWARDS& PRIZES

WORK,ARCHITECTURE

ACADEMICACHIEVEMENTS

TIMELINE

MORALE

IMPORTANTLECTURES(IMPACT)

“ARCHITECTURE,YOU SURE?”

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Building EngineeringUniversity of Pisa

Interior design Interaction design

Canada Pavilion5468796+J-S.C.13. Biennale, Ve

ExternCorde St.Venice, IT

Internship3Gatti Arch.St.Shanghai, China

Model MakerStudios/students

ExternNext Design StudioFlorence, IT

AnimatorMisseri StudioFlorence, IT

2nd PrizeCemeterial ParkCompetition2nd Prize

De Arkitecten CIEWorkshop

Published projectDe Arkitecten CIEWorkshop

Exhibited projectFestivalArchitetturaParma, IT

2nd PrizeLaura AlvarezWorkshop

ReDesign ElbasanUniversity of PisaInternal Competition

ReDesign ElbasanUniversity of PisaAlbania

1st PrizeDelft-Mendrisio-UniFiWorkshop

Published projectDelft-Mendrisio-UniFi...FlorenceArchWorkshop

Kadapak&G. Exhib.Luxembourg Pavilion12.Biennale, Venice

Published projectImproving Elbasanw/ R.Castiglia Published project

Arch&SostenibilitàQuaderno 7Exhibited project

Uncharted territoriesPisa, IT

40.000 hours Exhib.LaBiennale Pavilion13.Biennale, Venice

CarpenterAmsterdam, NL

Mock-Up AssistantPia LizzadroMilan, IT

Photoshoot Ass.BBDO Dubai Ad.Paris, FR

Bachelor ArchitectureIUAV Univ. of Venice

Marathon running

Parkour

Car DesignEur. Inst. of DesignScholarship, Turin, IT

Car DesignEur. Inst. of DesignScholarship, Turin, IT

Graffiti writing TypographyCar design Calligraphy

Winy MaasMVRDV

Cecil BalmondOve Arup

Eduardo ArroyoNo.Mad

David AdjayeAdjaye Ass.

Jan GehlGehl Architects

Rem KoolhaasOMARenzo Piano

RPBW

Alvaro Siza

E. S. de MouraBjarke IngelsBIG

Peter CookCRAB Wang Shu

Amateur A.

1800s CEMETERYVery nice.

1960s EXPANSIONFake tuscan style. Bad.

1970 EXPANSIONFake tuscan, real concrete. Very bad.

1980s EXPANSIONModernist concrete. Very VERY bad.

2000s FINISHING TOUCHESA.Natalini called for desperate help.

CRITICAL MESSES - APPROACH“I ain't touching that MESS!”

CRITICAL MASSES - SIZE MATTERSWeeks figuring out the right size of things, and how to connect them.

TELEPHONE CALL #n+1“Hello Sir, how big is your [...]?”

DESIGN PHASE3 full days. I mean, with nights.

GLOAT2nd prize, big smiles (and 5000¤).

SECOND PRIZE

WORK, EXTERN at Corde, VENICE

CORDE AA.

Venice

, Italy

Prato, Ita

ly

HOW DO WE TURN PAST TRASHES INTO FUTURE TREASURES?

CRITICAL MÆSSES

2 0

1 2

2 0 1

3

5ARCHITECTS

3BUSY WEEKS

1274Competition

RULES DOWNLOADS

12000€FIRST PRIZE

138PAGES OF RULES

37400 ~Meters²

TOTAL AREA

1200PATHWAYS

2 COLOSSEUMS

4800PARKING

5300BUILDINGS

26100GREEN PARK

FIGURING OUT SIZESDESIGN PHASEHAIRDRESSING IMAGES

UNDERSTANDING THE RULES

PROGRAM Cemetery + Park

CATEGORY Public Building LandscapeROLE Design Team









DESIGN PHASE3 full days. I mean, nights and all.


I padiglioniscala 1:200

0 1 5 10mt

temple

temple

01 5 10mt

pavilions0 5 10m

planivolumetric plan0 40m10

Wrk

CRD

‘12

PO

Ita

Awd

2nd

Species of trees, existent and by design

Functions

Chronologic development of the project

Fraxinus excelsior

Cupressus sempervirens

Cupressus sempervirensQuercus robur / Catalpa

Existing trees

Magnolia stellata

Quercus ilex “in forma”

Quercus ilex “in forma”

Service entrance

ParkAccess to park

Access to park

New entrance to cemetery

Main entrance, corpses entrance

Charnel house, cinerary

Temple

Corpses entrance and families

New parking spaces

Quercus Ilex “informa”

rooms for rituals

o�ces

space reserved to the public

space reserved to corpses

cremation room

room reserved to ashes

‘12

PO

Ita

Awd

2nd

room 1, 70 seatsroom 1+2, 108 seatsroom 2, 38 seats

Access to the temple

The temple at park level

Section of the temple

Diagram of the fluxes

Rooms for ritual, configurations

visitorspersonnel

co�nsashes

cremationspaces for the personnel / o�ces

spaces for the publictechnical spaces

temple0 1 5 10


0 1 5 10mt

temple

temple

01 5 10mt

pavilions0 5 10m


Diagram of the fluxes

Wrk

CRD

Pblc+

Ldsc

Prefabricated modules

Flexibility of the modules


0 1 5 10mt

temple

temple

01 5 10mt

pavilions0 5 10m


‘12

PO

Ita

Awd

2nd

Prefabricated modules

Flexibility of the modules

Prefabricated modules Flexibility of the modules

Wrk

CRD

Pblc+

Ldsc









DESIGN PHASE3 full days. I mean, with nights.


EXAM

Trevis

o, Italy

CAN RESEARCH, LANDSCAPE, LIVING AND SPORT COEXHIST COHERENTLY?

PATTERNATURAL

2 0

1 2

2 0 1

3

1MODULAR CELL

4DIFFERENT COMBOs

Green park

26860 ~Meters²

TOTAL AREA

400RESEARCH CENTER

ZAHA’S MAXXI

630RESIDENTIAL

710SPORT AND LEISURE

31.5SINGLE MODULE

7.405.40

3.30

NECESSARY TRUCKS

22700GREEN PUBLIC SPACE

PAVED SURFACEGREENERY

CASTANEASATIVA

PAVED OR COBBLED

QUERCUSROBUR

ACER PALMATUM

PHRAGMENTAUSTRALIS

3.80

½½

PROGRAM Park + Pool + Houses + + Research centerCATEGORY Public/Private building LandscapeROLE Team leader, Stu. Work

+

SUD

EAST

SUD

EAST

EAST

EAST

SUD

EAST

SUD

EAST

EAST

EAST

SOUTH

SOUTH

SOUTH

SOUTH

12

3

Castanea SativaQuercus RoburPhragment AustralisAcer Palmatum

Green pathwaysVegetation and trees

Shaded picnic areas

Buildings

PRESERVATION OF FAUNASEASONAL POLYCHROMY

WINTER SPRING SUMMER AUTUMN

Paved areas and pathways

LANDSCAPE + PARK

30/30

‘12

TV

Ita

Pblc+

Ldsc


0 1 5 10m

pavilions0 1 5 10m

guestroom#3, 2nd �oor0 2 5m

planivolumetric planscale 1:2500

0 5 40m10 20

temple0 1 5 10m

planivolumetric plan0 10 40m


Patterned vegetation and pathways

Definition of a pattern to lay down

Three required axis

Assigned area, karstic hills and dolines

Pathways and green areas

30 m2 45 m2 75 m2 90 m245 m2

UNIT 2 UNIT 3UNIT 1 UNIT 4 UNIT 5

HOUSES

Kitchen+Dining+Bath Kitchen+Bath Single bedroom #1 Single bedroom #2 Single bedroom #3 Double bedroom Twin bedroom Stairs

MO

DU

LE

S

H O U S E S

30/30

‘12

TV

Ita

Pblc+

Ldsc

Form genesis, Housing

POOL & GYM RESEARCH CENTER

30/30

‘12

TV

Ita

ASSIGNED SITE#1On a hill, famous for its river and its

WW1 battles.

REQUIREMENTS“Aim at 3 spots with 3 axes”. (WTF?)

ASSIGNED SITE#2From our spot, nothing, either far

or close, was visible.

INTIMIDATION#1Most projects developed around the 3

directions. We had none.

QUARRELTeachers still wanted 3 axes.

DECISIONNo axe was ever said to be a visual connection. Then we do it different.

AXIS#1 - PEOPLE

Aligned towards the closest village.

AXIS#2 - WAROnly visual one, aiming at a WW1

monument.

AXIS#3 - RIVERLatent axe, toward its alpine source.

PARK#1Patternized mixing the axes directions.

PARK#2To increase biodiversity, used 4 plants typical of the area, but lost over time.

BUILDINGS#1Studying a critical mass by each

function.

BUILDINGS#2Designed a prefabricated modular cell.

BUILDINGS#3Based on needs, modules combined.

COLORSApplied on buildings after th synthesis of landscape photos into color strings.

Pblc+

Ldsc

Research center, section

Pool & Gym, section

Form genesis, Pool & Gym

Form genesis, Research center

TIMELINE

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2 0 0

5

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6

2 0 0

7

2 0 0

8

2 0 0

9

2 0 1

0

2 0 1

1

2 0 1

2

2 0 1

3

EXHIBITION

SECOND PRIZE WORKSHOP

Venice, Italy

LAURA ALVAREZ

Amste

rdam, NL

SHALL IMMIGRANTS REBUILD A NEW SOCIETY THRU ARCHITECTURE?

SEEKING REFUGE

2 0

1 2

2 0 1

3

PROGRAM Shelter for refugees

CATEGORY Experimental ROLE Student Work, Team

NURSERYSCHOOLS

BASKETBALL ARENA

Meters²

Surface materials

PERMANENT HOMES

NET

STONE PAVEMENT

PLASTER

WOOD

GREEN

SUNSHADESPUBLIC SQUARES

WALL AS SURFACEPATHWAYS

FREE SPACES

TEMPORARY HOMES

IMMIGRATION CENTER

WORK MULTI-FUNCTION

Foreigners in Italy

3200 2300

800 800

1000 400

500 4000

600

2 Mil

4 Mil

FIRST ASSISTANCE

PUBLIC SPACEBUILT AREA45%

55%

Source: ISTAT

20112003

9600 60000

6900

1200 1500

3000

2400

32000

BASKETBALL

HALL

TEMPORARY

DWELLING

TOTAL PERMANENT

DWELLING

NURSERY

FIRSTASSISTENCE

IMMIGRATION

CENTER

MULTIFUNCTION

2400

WORK

3000

SCHOOLS

28/30

‘12

VE

Ita

Xpm

Awd

2nd

Cross section 1:500


0 1 5 10m

pavilions0 1 5 10m



0 5 40m10 20

temple0 1 5 10m



A’

A

Section A - A’

Exploded axonometric view

Functional program to build, m³

Modules &Exceptions

Project surface

Grids disposition

Exceptions

Semi-modular and modularExh

28/30

‘12

VE

Ita

Xpm

Awd

2nd

Kitchen+ Dining

Living

Kitchen + Living

Doublebedroom

Triple beds

Twin beds + Bath

0 1 2 5 m

B

A’

A

B’

Section A - A’

Section B - B’

Ground floor

First floor

Temporary dwelling

Permanent dwelling Work

Multi-functional

STARTING QUESTIONHow would we react if the Lampedusa

detention center were to move to Venice?

SITES. Biagio, island on the edge of the Giu-

decca island, used entirely as dump.

APPROACHTurning imprisonment into living with

architecture, through activities, freedom on the inside, and interaction.

>ARCHITECTURE BUILDS SOCIETY<A unifying super-surface to dwell, work,

teach, learn, develop, evolve. To live.

INSIDE WORLDworking and learning - continuous

coming and going - inner city

OUTSIDE WORLDexchange - pubblic services- humanitarian associations

APPROACH#2Not a structure, but an infrastructure to

make life happen in between.

APPROACH#3A facade, a shape is a statement in con-

servative countries. Not in China.

REGULATIONSNo building can overshadow any

other in the neighborhood.

TRADITIONS ON TOPA siheyuan, a courtyard, for traditional activities, as calligraphy, tea and taiji.Disposition principles

Prefab modular units Example of disposition

Exh

-27%$$$

EXAM

Vicenz

a, Italy

HOW DO YOU USE GLASS, AVOIDBANALITY, AND STILL SAVE MONEY?

GLASSERELLA

2 0

1 2

2 0 1

3

Kilograms

-27%GLASS WEIGHT FOOTBRIDGE WEIGHT

SMALL CARAVANOLD GLASS PAVEMENT865 ~

-38%FERRARI F1 + PILOT

-3.4Meters

GROUND HEIGHT4.3+

VAULT HEIGHT, TOP

Students’ projects

1.6%MYSELF

98.4%CATALOGUE STUFF

1543PALLADIO STARTS

1558END OF CONSTRUCTION

630 ~NEW GLASS PAVEMENT

PROGRAM Suspended footbridge

CATEGORY Technology RestaurationROLE Student Work

6mm sacrificial sheet8mm float glass

8mm float glass

15mm tempered

1.5mm pvb

1.5mm pvb40mm

0 mm

4080 NOT necessary

case study #7: Saint Gobain LiteFloor, 70x100 cm sheets

prototype:

over-engineered,old solution

new solution

glass torque:BAD

Inverted to minimize torque

bending moment:BAD

~

!

!?

??

!?

!

?

!!!

-27%

630 kg

865 kg

↓

↓

↓

↓

↓

Tcnl+Rst

‘12

VI

Ita

30/30

‘12

VI

Ita

SITEPalladian villa, restoration+intervention.

RESTORATIONJust follow procedure.

INTERVENTIONNo catalogue stuff. I'ma do me.

INTIMIDATION#1Very few f*cked with Palladio and won.

INTIMIDATION#2Prof.Piana is the main expert at restauration in Northern Italy.

PROF.PIANA#1“Use no glass floor for internal

footbridges: you don't want paparazzi waiting for upskirts.”

GIRL REACTION“I must start from scratch” (WTF?).

GUY REACTION“I could sand the surface” (bullsh*t!).

MY REACTION“Screw that, i'll use glass. But better”.

ENLIGHTENMENT#1Glass as structure is good, as pavement is bad: let’s do a structural pavement.

OUTCOME#1Same resistance, -27% glass used.

OUTCOME#2Less steel needed, -35/40% tot weight.

OUTCOME#3Translucency, no banal transparency.

PROF.PIANA#2 + GLOAT“Very good idea. Fix this thingie and

patent it.”

Tcnl+Rst

30/30

‘12

VI

Ita

screwed

adhesive

welded

positioned

Exploded axonometric view

Mock-Up of the materials

Assembly informations

Tcnl+Rst

WORK, INTERN at 3Gatti, SHANGHAI

Xian, China Sha

nghai,

China

COUNTRY LED BY MARKET LAWS?CAN THE HUMAN-SCALE SURVIVE IN A

SHELF-SCRAPER

2 0

1 1

2 0 1

2

Functions

CHINESE TRADITION

OFFICES

PARK

TOTAL AREA

RESIDENCES

~ 50000Meters²

WATERCUBE

VIP HOTEL RESTAURANTS

HOTEL RETAIL SHOPS

103 ~MAXIMUM HEIGHT FLORENCE CUPOLA

Meters

PROGRAM Multi-function highrise

CATEGORY Public Space Private developmentROLE Design Team

Und

Cstr

‘11

XIA

Chn

Shadow speed increases with the distance from the building

Problem Area solved by the gap

Shadow speed and critical areas

Wrk

3GT

Mlti

Fnct

Chinese functions

VIP Hotel Restaurants

Hotel Retail shops

Offices Residences

Park

Und

Cstr

‘11

XIA

Chn

Wrk

3GT

Mlti

Fnct

BUSINESS IN CHINA#1The moods of the Market guide the

construction business in China.

BUSINESS IN CHINA#2The lack of strong planning results what appears to be spontaneity.

BUSINESS IN CHINA#3Soon after construction, people will

start a constant change of the building

APPROACH#1Include this chinese dynamicity in an

ongoing re-design of the highrise.

APPROACH#2Not a structure, but an infrastructure to

make life happen in between.

APPROACH#3A facade, a shape is a statement in

conservative countries. Not in China.

REGULATIONSNo building can overshadow any

other in the neighborhood.

TRADITIONS ON TOPA siheyuan, a courtyard, for traditional activities, as calligraphy, tea and taiji.

WORK, INTERN at 3Gatti, SHANGHAI

Xian, China Sha

nghai,

China

CAN WINE AGE IN A COUNTRY THAT REFUSES HIS PAST?

CHINESE BOXES

2 0

1 1

2 0 1

2

7Rooms

NEW ROOMS

3GUESTROOMS

11BAMBOO BUBBLES

VILLE SAVOYE

54BOTTLES ON DISPLAY

4000

Costs

OF BAMBOO STICKS

HARDWOOD

1500 farBAMBOO FOREST

BAMBOO

310 ~Meters²

TOTAL AREA

Meters

‘06 ‘07 ‘08 ‘09 ‘10 ‘11

PROGRAM Winery + Hotel

CATEGORY Private building RestaurationROLE Design Team

entrance

guestroom#1

tasting room

dining suite

guestroom#2

guestroom#3

exhibition roomUnd

Cstr

‘11

XIA

Chn

CLIENTWinery in an historical building.

CONTRADICTION#1The building did not look historical at

all.

CONTRADICTION#2In China, historical means also “done

LIKE in the past”.

APPROACH#1“European” historical approach: no

wall touched.

MATERIALSThe bubble structures are local inter-

twined bamboo.

APPROACH#2Chinese boxes. Better: chinese barrels.

Rooms, second floor

Rooms, first floor

Wrk

3GT

Hotl+

Wnr

Wrk

3GT

Und

Cstr

‘11

XIA

Chn

9

7

8

6

4

5

3

1

2

1

234

56789


0 1 5 10m

pavilions0 1 5 10m



0 5 40m10 20

temple0 1 5 10m



Section cuts Perspective view

9

7

8

6

4

5

3

1

2

1

234

56789

Hotl+

Wnr

1580s

950s

2010s

A.D.

EXAMEXHIBITION & PUBLICATION

Floren

ce, Italy

DAHANE OH!

CAN THE NEW LIVE ON, IN A LAND WEIGHTED DOWN BY ITS PAST?

2 0

1 0

2 0 1

1

Old neighbors

HOUSE

Towerhouses

TOWER

Meters²

TOTAL AREA250 ~

NO PURE PRISM ! REFERENCE

30far fromDISTANCE FLORENCE CUPOLA

Meters

FALLINGWATER

16th ? 10th

PROGRAM Single house

CATEGORY Research Private buildingROLE Student Work

30+/30

‘10

FI

Ita

Exh+

Publ

Hou+

Intrr

30+/30

‘10

FI

Ita

Exh+

Publ

REQUIREMENTSSingle house, 10x10x10m, no precise

context given, we could choose.

CONTRADICTIONNo context IN ITALY, WTF?!?

CHALLENGEI need boundaries to push the project

beyond: the harder the better.

SITE#130m far from Brunelleschi's Cupola.

SITE#2A beautiful interstice between a

Renaissance building and a 10th cent. tower-house.

INTIMIDATION#1The professor is an expert in medieval

fortification.

INTIMIDATION#2Read Site#1 and Site#2.

CHALLENGE#2I don't bring knives to gunfights:

EVERYTHING needs to be justifiable.

RESEARCH#1Months pass, locked into libraries.

RESEARCH#2Even the smallest detail had a reason, from the materials to the steps’ height.

PROFESSOR + GLOAT“I don't even like this kid, but damn, I

can't help but give him the Laude:he justified everything!”

Hou+

Intrr

30+/30

‘10

FI

Ita

Exh+

Publ

EXHIBITION

EXAM

Venice

, Italy

Parma, Ita

ly

WHEN DOES MODEL-MAKING TURN INTO SHAPING LIVES?

THE CHALKHILLS

2 0

1 2

2 0 1

3

Materials

280LT, LIQUID SILICON

5.5Hours

EACH WEEK

18200TO SOLIDIFY SILICON

TOTAL, ALTOGETHER SPENT SWEARING

10.5EACH DAY, LAST WEEK

0.3 2027%TO SOLIDIFY CHALK

25Meters²

People working

BIGGEST MODEL0.2SINGLE MODELS

0% PROFESSOR4% ASSISTANTS

96% STUDENTS

2000KG, CHALK POWDER

?

PROGRAM Chalk Models

CATEGORY Model making ROLE Team leader, Stu. Work

28/30

‘12

PR

Ita

Exh

Fortress, Parma, 16th century

Cathedral of Parma, section

Fortress, Parma, 15th century

Mdl

Mkn

28/30

‘12

PR

Ita

Exh

INPUT40x40cm base for each one.

PHASE#1Trace out every contour of a map by

hand, back to front.

PHASE#2Cut the contours on 0.2mm thin

cardboards, file them.

PHASE #3Glue them, 10cm high slopes,

500 CONTOURS.

PHASE#4Build a strong box fitting the thingie.

PHASE#5Pour liquid silicon into the box.

WAIT#1Hope it all goes well…

PHASE#6Break the old box, clean the mould,

create another box.

PHASE#7Pour liquid chalk into the new box.

WAIT#2More hope...

PHASE#7Break the new box, clean the model.

PHASE#8Photograph it all and photoshop it.

OUTPUTA LOT of swearings, a lot of

unexpected patience.

Apennines from 17th c. painting

Mdl

Mkn

Venice

, Italy

WORK, volunteer

EXHIBITION at LaBiennale

JAE-SUNG CHON

Seoul,

S.Korea

5468796 AA.

Winnipe

g, Canada

HOW CAN YOU KEEP YOUR IDENTITY IN TIMES OF CONSTANT MOBILITY?

MIGRATING LANDSCAPES

2 0

1 2

2 0 1

3

Canada

7PREVIOUS EXHIBITS

18PROJECTS EXHIBITED

People working

170kTOTAL VISITORS

4000AT INAUGURATION

7PEOPLE’S CHOICES

11REGIONAL WINNERS

5 5468796 AA.1 JAE-SUNG CHON2 VOLUNTEERS8 OTHER

~150˙000KG OF WOOD USEDLOCOMOTIVE+5 CARS

+

PROGRAM Canada Pavilion

CATEGORY 13.Biennale ROLE On site Design team

Wrk

Ark

‘12

VE

Ita

Exh

Bien

Dsg+

Instl

Architecture Intern3GATTI Architecture StudioSHANGHAI, China

Extern - Collaborator for competitionsCORDE ArchitettiVenice, Italy

Extern - Interior designerNEXT Design StudioFlorence, Italy

Model makerSeveral architecture studios & studentsFlorence, Italy

Design and installation, volunteer5468796 AA + JAE-SUNG CHONCanada Pavilion at 13. BiennaleVenice, Italy

Building engineeringUniversity of Pisa, Italy

GPA 29.3 / 30

Bachelore of ArchitectureIUAV University of Venice, Italy110+Magna cum Laude / 110

GPA 29.0 / 30

1st Prize, Florence architecture workshopUniversities involved: Uni Florence - TU Delft - Syracuse Arch - Mendrisio AA. - Kent StateFlorence, Italy

2nd Prize, Prato Cemetery Int.l CompetitionCORDE ArchitettiPrato, Italy

1st Scholarship, Car designEuropean Institute of DesignTurin, Italy

2nd Scholarship, Car designEuropean Institute of DesignTurin, Italy

Competition “Redesign Elbasan”University of PisaElbasan, Albania

Various Awards in other Workshops& Competitionsw/ Laura Alvarez - De Arckitecten CIE

ANIMATION (stop-motion)

Animator in charge of scenographiesMisseri Studio“Earnie&Bert’s great adventures”Florence, Italy

“Scherzi a Parte”, TvShow sequencesDir: Paolo Pratesi, Client: MediasetMilan, Italy

ADVERTISING

Mock-up assistant in several Ad campaigns and photoshootsPia Lizzadro, Francesco Majo [...],Agency: BBDO Dubai, Ubik [...]Paris, Milan and London

“Writing blackletters in red” opera12. Biennale of Architecture, 2010Luxembourg Pavilion

“Migrating landscapes”13. Biennale of Architecture, 2012Canada Pavilion

“40.000 hours”, project model13. Biennale of Architecture, 2012LaBiennale Pavilion

Several other exhibitions and publications

Hand drawing

Model making

V.Ray

Maxwell Grasshopper

AutoCad

Rhino 3D

Revit

SketchUp

English (ML)

Chinese Mand.

Spanish

Italian (ML)

French

Photoshop

2012

2004

Illustrator

InDesign

PUBLICATIONS& EXHITITIONS

WORK,OTHER

AWARDS& PRIZES

WORK,ARCHITECTURE

ACADEMICACHIEVEMENTS

PROFICIENCIES

GR

AP

HIC

“H

AIR

DR

ES

SIN

G”

VIS

UA

L &

RE

ND

ER

ING

S

3D

MO

DE

LIN

G

LA

NG

UA

GE

S

FRANCESCO DEGL’INNOCENTI

IN THE END, IT’S STILL THE HAND THAT MOVES THE MOUSE

+ 39 - 333 - 22 42 644Skype contact : f.d.i.

[email protected]

Via Marsuppini 2,Florence, Italy

Architecture Portfolio 2012

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Transcript of Architecture Portfolio 2012