OUR TEAM

IAN MILANEditor - In - Chief

AUTUMN ASHLEY M. Executive Editor

CHRIS NGUYENHead of Production

Writers

Andie SalazarArianna GazisAyanna Estelle

Jarie MaldonadoLisa Siva

Rachel Core

PR

Emily GossenJocelyn Lo

Production

Batli JoselevitzRoberta Izquierdo

SPaRK

MEN’S ISSUECONTENTS

Letter From The Editor

Top 10 Male Models

An Interview with Liz Wong

Road to the Runway: The Last Stop

Design Profile: Megan Mehl

Design Profile: Colton Gerard

Style Finder

Men’s Spring Trends

Propaganda Hair Group

Editorials:

The Saenz Have Landed

Henley Royal Regatta

EDITOR

Editor-In-Chief

LETTER FROM THE EDITOR

April has been a monumental month, not only for Spark, but for all the other fashion students at UT as well. April is the culmination of almost a full year’s work for the students in the University Fashion Group, the organization that produces the Senior Fashion Show every year. For the senior designers, April is the climactic ending to years of studying seams, drafting patterns, and learning how to manipu

tion that was presented to an audience of nearly 5,000 people.

As is tradition at Spark, we have shot the best senior design collections we could find. From Chris Pham’s sharp tailoring to Angela Saenz’s powerful angles, its clear these designers are a force to be

‘60s inspired collection featured pieces that could be transformed into several sexy looks.Never fear, there is something for the men as well. In addition to all of this senior designer excitement,

For so many fashion students, April is validation that hard work pays off. As I said before, April is a monumental month for Spark. It’s hard to believe that nearly a year ago we were a staff of seven fighting to make a name for ourselves. It’s been a year of hard work, lessons learned, lots of research, and a

shoot the fiercest models ATX has to offer. It’s been an amazing year for the magazine, and I would like to say happy first birthday to the incredible editors, photographers, writers, stylists, and PR staff

of my staff, we extend our sincerest thanks to all of our readers, associates, and friends for your support. I’ve tried my best to avoid sounding cheesy, but this time of year brings out the best in the Austin fashion crowd. There is so much support for these new designers and so much appreciation for the hard workers at UFG. I’m sure I speak for everyone when I say we wish you senior designers the

grow, learn, and impress.

The Textiles and Apparel building is finally settling down, and the Spark staff can already see the sunny

perous summer. If you find yourself missing us, check our blog for Spark’s Senior Designer Documentary, and keep an eye open for Spark in the fall because we’ll be back bigger and better than ever!

TOP 10 Male ModelsThese  are  the  top  ten  international  male  models  –  in  other  words  the  lucky  guys  who  travel  the  globe  and  are  photographed  with  some  of  the  most  beautiful  women  by  the  most  established  photographers  in  the  world.  These  are  the  faces  seen  on  billboards  in  New  York  and  on  runways  in  Milan.  Some  of  them  are  not  exactly  macho  men,  but  they  have  great  style.  Take  notes  guys!    

This  20-­year-­old,  who  had  never  dreamt  of  becoming  a  model,  is  now  the  most  successful  male  model  of  our  time.  He  was  noticed  at  his  local  gym  in  France  and  was  encouraged  to  join  an  agency.  Only  a  year  and  a  half  after  that  he  was  noticed  by  none  other  than  Karl  Lagerfeld,  and  was  quickly  made  the  new  face  of  Chanel.  Still  being  the  #1  top  male  model  is  not  enough  for  Baptiste,  who  is  very  passionate  about  music.  Taking  inspiration  from  his  idols,  David  Bowie,  Jim  Morrison,  and  Dave  Gahan,  Bap-­tiste  plans  to  release  a  glam  electro  pop  album  this  year.  Until  then,  you’ll  be  able  to  find  him  as  the  face  of  Dior  homme.    

Baptiste Giabiconi

When  he’s  not  walking  the  runways  of  Marc  Jabobs,  Salvatore  Ferragamo,  Moschino  and  being  the  face  of  Botega  Veneta,  Sean  O’Pry  is  a  typical  21-­year-­old  who  enjoys  playing  lacrosse  and  football.  Born  in  Georgia  in  1989,  O’Pry  was  discovered  by  an  agent  on  myspace  who  saw  his  prom  photos  and  realized  he  was  far  from  ordinary.  O’Pry’s  very  first  runway  show  was  Calvin  Klein,  and  since  then  he  has  opened  shows  for  Versace,  and  Givenchy.  For  these  reasons,  O’Pry  has  been  named  the  #2  Top  Male  Model.  

Sean o’'Pry

Six  years  ago,  Simon  Nessman  was  known  in  Canada  as  the  curly-­haired  guy  who  liked  basketball,  surfing,  and  Seinfeld.  Although  he  can  still  be  found  watching  Seinfeld  reruns  and  shooting  hoops,  the  world  knows  him  better  as  the  face  of  D&G  eyewear,  Emporio  Armani,  and  Louis  Vuitton.  Aside  from  his  supermodel  abilities,  Nessman  can  also  play  the  guitar  and  is  heavily  moved  by  music  like  the  Red  Hot  Chili  Peppers,  Sublime,  Radiohead,  and  Modest  Mouse.

Simon Nessman

This  Ford  model  from  Serbia  entered  the  modeling  industry  with  a  bang.  During  Nikola  Jovanovic’s  first  season,  he  managed  to  book  Gucci  ad  campains,  and  fashion  shows  with  Dries  Van  Noten  and  Prada.

Nikola Jovanovic

Clement  Chabernaud’s  first  runway  show  was  Dior  Homme  in  Paris.  Since  then  this  Frenchman  has  been  every-­where  and  back  again.  Modeling  since  he  was  16,  his  fame  skyrocketed  when  he  was  chosen  to  model  in  Balmain’s  Spring/Summer  2010  campaign.  He  has  been  the  poster  boy  of  Jill  Sander,  Roberto  Cavalli,  Salvatore  Ferragamo,  and  Prada,  and  has  walked  for  various  designers  including  Prada,  Uniqlo,  Yves  Saint  Laurent,  and  Hugo  Boss.  

Clement Chabernaud

A  Georgia  native  born  in  1978,  Ben  Hill  is  the  oldest  model  on  the  Top  10  list.  With  age  comes  experience,  and  with  experience  comes  campaigns  for  Louis  Vuit-­ton  and  Hugo  Boss,  to  name  a  few.  He  started  model-­ing  in  2002  in  Abercrombie  &  Fitch  ads  followed  by  D&G,  Vivienne  Westwood,  and  Tommy  Hilfiger.  Cur-­rently  this  rugged  man  is  plastered  on  Hugo  Boss  and  Calvin  Klein  Eternity  fragrance  ads.  

Benjamin Hill

    David  Agbodji’s  gift  in  photography         has  set  him  apart  from  other  top           models.  His  knowledge  of  what  looks  good  through  the  lens  of  a  camera  has  put  him  on  the  spot  –  that  and  his  good  looks.  When  he’s  not  walking  D&G  shows  or  shooting  a  French  Vogue  editorial,  he  is  engaged  in  basketball  or  karate.  Two  years  ago  he  opened  and  closed  Calvin  Klein,  mark-­ing  his  debut  into  the  industry.  

David Agbodji

This  male  model  debuted  in  Emporio  Armani  and  John  Galliano’s  2004  shows.  Jon  Kortajarena  has  every  trait  you  would  expect  a  model  to  have.  He  is  known  for  his  cheekbones,  stare,  and  pout  (Sounds  ridicu-­lous,  but  try  it  on  a  girl  sometime.  Girls  you  know  its  true.).  Kortajar-­ena  enjoys  reading  books  and  watching  independent  films.  He  gets  his  tan  skin  color  not  from  a  tanning  salon  but  from  his  Spanish  heritage.  These  traits  are  probably  why  Karl  Lagerfeld  has  photographed  him,  and  puts  him  at  #8  Top  Model  of  the  world.  

Jon Kortajarena

Ford  Models  Europe  discovered  this  blonde-­haired,  blue-­eyed  Norwegian  when  he  was  18..  Butler-­has  walked  for  Thierry  Mugler,  Bottega  Veneta,  and  he  has  been  the  face  of  D&G  alongside  #3  Simon  Nessman.  We  look  forward  to  seeing  him  for  D&G’s  F/W  2011  runway  show!

Nils Butler

In  1987,  Mathias  Bergh  was  born  in  Stockholm,  Sweden.  In  2008  he  signed  with  Wilhelmina,  and  in  2009  Bergh  became  the  face  of  Gucci.  Currently  he  is  10th  Top  Male  Model,  and  this  is  a  huge  accomplishment  for  a  guy  who  first  signed  with  Wilhelmina  agency  just  three  years  ago.  In  this  short  time,  he  has  come    a  long  way,  walking  in  runway  shows  for  Rag  &  Bone,  Gucci,  Prada,  and    Louis  Vuitton.  

Mathias Bergh

WRITTEN  BY  AYANNA  ESTELLE

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An Interview With

LIZWONG

Liz Wong is a true Renaissance woman. With the presidency of the University Fashion Group under her belt, Liz has served as production assistant at Sue Webber, and president of the Plan II Students Association. Her latest coup de grace: producing Timo Weiland’s fall 2011 show. In the summer of 2010, Liz began as an intern for the emerging designer, whose work has been deemed by Style.com’s Matthew Schneier as “sparkle without the…glare.” Quickly moving from star intern to show produc-tion assistant for spring 2011 and finally to Fashion Coordinator for fall, Liz now looks forward to working with Timo Weiland full-time after graduating this year. Liz Wong shares her New York Fashion Week experience with Spark.

Q: How did you begin working with Timo Weiland? What initially drew you to his work?

A: I got the internship through my friend Michael Sanchez, a retail merchandising student at UT who met them while he was interning for another company in New York. As soon as he told me about

ately how creative and exciting their brand was. It was a huge relief to work for a designer whose work I truly believed in. Once I arrived and began working, it was an amazing surprise to discover not only how talented but also how warm and welcoming

like family and we spent a lot of time together. I haven’t met nicer people.

Q: What do you think set you apart from the other interns and employees? Is there a moment that you felt was truly indicative of your success?

A: I think they recognized that I was a hard worker right away. One of the things they kept saying to me

do something, I was going to find a way to do it. All I can say is thank goodness for my smartphone and

they trusted me when they started giving me

excess inventory and a sample sale before the summer was over. I can say for sure that my famil

fixing the printer and fax machine to creating

like flat pattern and sewing was a huge bonus.

Q: Where there any aspects of the production that surprised you?

A: I wasn’t that surprised by anything, since I had been there for the previous season. One major thing is that the shoes, makeup, hair, and accessories were all provided as sponsorships, so they had to find ways to make those elements really mesh with their own creative vision.

Q: The show received positive reviews from many sources, includ-ing style.com. How did it feel to see the show’s success?

A: I’m just very proud of them and so happy to be a part of such a wonderful young company. The week I spent in New York was incredibly exhausting but it is one of the most rewarding experiences I’ve ever had. I think I emailed the link to our show on Style.com to about a thousand people.

Q: What is one piece of advice would give to someone interested in becom-ing involved in fashion show produc-tions?

A: I would say to work your way up so you really understand the process. I started out as a dresser in UT’s fashion show my senior year, and then I began volunteering at more local fashion shows. I eventually started to get paid to dress at local shows

people began to trust me enough to hire me as a production assistant, so I would help style, set up the backstage, and call the show rather than be a dresser. I didn’t get paid anything to go do Timo’s show, but I recently worked on the David’s Bridal show for the Houston Bridal

here and made some money there! People really remember when they like you, and they will want to work with you again. It’s all experience and networking, and showing that you really care about the success of the show by working as hard as humanly possible.

ROAD TO THE RUNWAY:The Last Stop

Graduation is right around the corner and the loose ends are being tied up. Between model searches and final fittings each passing week became more hectic as the University Fashion Group Fashion show approached. All of the hard work is definitely paid off and the design students were ecstatic as they completed their collections and saw them on the runway!

On March 29th the senior design students presented their third and final look of the their collection. After presenting the 3rd look to the judging panel, fitting and styling preparations began. Two weeks later after the fourth judging and one week before the fashion show the students showed their complete collection to the judging panel for one final critique before the big day.

On April 21st, thousands of people will filled the Frank Erwin Center to see what these students were so assiduously and passionately working on for the past six months. The spring review this year was titled “Innovation” and that is just what the students offered, innovative and fresh collections.

*Photos courtesy of Emily Gossen, University Fashion Group & Batli Joselevitz Spark Magazine*

WRITTEN BY RACHEL COREEdited by Autumn Ashley

The design students were up for several awards. At the end of the show, the winners were announced and the models and designers took their final bow. The winners of the University Fashion Group’s Innovation are as follows:

Eveningwear Gown:Best: Jessica Bird Honorable Mention: Christopher Pham

Bridal Gown:Best: Angela Saenz

Most Marketable Collection:It was a tie between: Elise Romero andJessica BirdHonorable Mention: Crystal Colmenero

Best Technical:Again there was a tie: Angela Saenz and Kalgari FerrisHonorable Mention: Dhanny Indrakusuma

Best Collection: Best: Colton GerardHonorable Mention: Christopher Pham

Megan Mehl is as unforgettable as her stunning collection. The first time I met this young designer, she was in heels sewing her bridal gown. The speed and effortlessness of her needle moving through fabric, impressive as it may be, was not the first thing that struck me, rather it was the gown itself. Threaded with romanticism, Mehl’s bridal gown showed a new interpretation of the classic white dress as she integrated one of the sexiest fabrics known to man, black lace. Placed in areas that accentuate the female body, black lace was used to halter the dress and button the back. It was also on the bottom of the dress over the tulle and cinched in the middle with a delicate bow. The gown hugged the mannequin perfectly and I could not wait until I saw it on a model or on myself.

Her bridal dress, however, was just a small fraction of her entire collection. In the beginning of January the UT designers began their journey into making their collections. Putting together inspiration sheets and fantasizing about what fabrics they were going to use. Meghan’s sketches of her garments were innovative. They transformed, moved, and breathed as if they were an organism of their own. She had an obsession to work with magnets that allowed one

DESIGN PROFILE: MEGAN MEHL

garment to actually be two or three. Mehl says it was difficult it was to work with the magnets, as they would stick to everything. She would be sewing and next thing she knew it was stuck to her needle. The magnets were sewn into the chiffon so it was practically impossible to see with the naked eye. It was very hard work but it certainly paid off.

Could you imagine being able to change from day to evening in a matter of seconds? Well

that quickly became a short dress in the blink of an eye.

The theme of transformation in Megan’s collection continued with was a short magenta dress that was complimented by bright orange long sleeves. In the swift movement of a tug, sleeves would be off and bare shoulders would be exposed. It happens so quickly you would think

WRITTEN BY JARIE MALDONADO

Edited By Autumn Ashley

it was a special effect from a movie. The open back of the dress lent a sophisticated quality to the form fitting dress. Each piece worked together and complimented each other, which was a goal Megan wanted to achieve.

In short, I really enjoyed seeing these dresses come to life. When you understand the hard work designers put into their work, you really begin to understand just how important the tiny details are. Megan Mehl understands details within design and her understanding is reflected in her work. I am glad to have met her, and in the future I hope to buy one of her innovative creations!

Q: So Colton, what was your inspiration for your collection?

A: I aimed more for a masculine outdoor collection in the beginning of my process, but slowly it got a more military theme. The details I added to each garment adds to the militaristic vibe of WWII as well as correlating a unique spin on the theme of my outdoor collection. The meticulous nature of these uniforms also inspired me to pay close attention to detail and create a different theme to each coat.

DESIGN PROFILE: COLTON GERARD

Senior design student, Colton Gerard won best collection at the University Fashion Group’s “Innovation” themed fashion show. After getting a close up look at his collection, it’s not hard to see why. Colton’s unique attention to detail is evident in every seam of his water resistant crocodile trench with antler toggle buttons. Gathering his inspiration from Tom Ford and World War II, Colton’s collection challenges the idea of traditional menswear.

Q: What distinguishes these coats from each other in terms of vision and usability?

A: Each garment uses a different fabric that changes it’s usability. The details also set it apart; I used duck cloth, wool, and water resistant materials for each of the three garments. They’re all coats, but I wanted to make a different coat to have for each climate temperament.

Q: Can you describe some of the details on each jacket?

is the water resistance. On the lighter coat for daily use, some details are the duck cloth and toggle buttons made out of real deer antlers. The wool coat has brass coins for buttons and a detachable belt…I wanted each piece to be versatile in their own way.

Q: How many hours did it take to create these garments ?

A: I would have to say at least around 150 hours each. There’s just so much detail to pay attention to with the various materials I used.

Q: How did you become interested in fashion design?

and just had a hobby of graphic design for

After that, I was introduced to menswear and the rest was history.

Well you heard it. The rest was history, and we at Spark can’t wait for the future!

WRITTEN BY ARIANNA GAZIS Edited By Autumn Ashley

STYLE

INDIE/HI

PSTER

 CLAS

SIC

FINDER

URBANEDGY

COLORSThe key to style this spring is color. To keep it simple, we’ve broken it down into 3 general color schemes. Once you get these down, the rest of spring’s trends seem to fall into place.

GO BOLD: This spring is all about bold colors. From blue blazers to red pants to minor orange accents, bold color is

SPRING

TRENDREPORT

BLACK AND WHITE: You can’t get anymore simple than

NEUTRAL:

BOTTEGA VENETA BALMAIN

GUCCI ERMENEGILDO ZEGNA

COSTUME NATIONAL

VERSACE

OUTERWEAR

BIKER JACKETS/ LEATHER: I know. I know. The thought of wear

DOUBLE BREASTED:

SLEEVELESS:

VIKTOR & ROLFE

D SQUAREDBURBERRY

ZEGNA

BURBERRY LOUIS VUITTON

BOTTOMS

LIFE IN TECHNICOLOR:You’ll still be able to find the basic black/khaki/navy pant around, but the best way to wear pants this spring is to go with bold colors like blue, green, aqua, red, yellow, and orange. The trick to these bolder colors is balance. If your pants are bold, calm it down with neutral shoes and shirts. This idea carries over into jeans as well. Instead of the usual blue, try on a nice grey jean for size. It’ll be a great piece to have in your wardrobe because it will look great with bolder colored pieces or a really awesome black and white look.

YOU KNOW WHAT THEY SAY ABOUT A MAN WITH BIG FEETNot too much actually, but what will get you noticed is what’s on those feet. I’ve heard a lot of women say the first piece of a guy’s outfit they check is his shoes, so leave the sweaty running shoes at the gym and if you’ve had the same pair of chucks since high school, it’s time to invest in an update. A well designed

You’ll be able to wear them to class or dress it up to a nice casual look with a good pair of jeans and a blazer. Shoes will make or break the rest of your outfit so make sure they give you a strong, confident look.

FEET

LAST BUT NOT LEAST: Sandals. Leave the nasty flip flops at home and opt for a nice leather sandal. You can wear it with jeans, shorts, or pants and it’s much more

treading on before.

WRITTEN BY IAN MILANEdited By Autumn Ashley

PRADA ERMENEGILDO ZEGNA

KRIS VAN ASSCHE

CONVERSE JACK PURCELL

DIOR

BOTTEGA VENETA

LOUIS VUITTON

BURBERRY

The hunt to find the right hair stylist is a little like dating. You do some research, ask friends for reviews and test the chemistry of the conversation. But unlike the search for the perfect romantic partner, hopefully, a date with a pair of sharpened shears in the wrong hands can lead to months of recovery for your damaged locks. So as a rule of thumb

As he so cavalierly put it, he then decided to change careers and do something he found more fun. Lati was led to Dallas where he was captivated by the vibe of the hair industry , via Toni& Guy. He attended their Academy and quickly became the Education Director and the

International Art Director for the TIGI product line. “When I started it was going to be a temporary thing,” he laughs.“I was just going to do that for a couple of years before I went back to Europe and continued my education. But I kept moving up in that company and they kept promoting me more and more, and the next thing you know, it’s

But I love it you know, even though it was definitely an accident.”This was probably the best accident Lati ever made. It has led him across the Globe and into Austin, where he and his wife opened Propaganda Hair Group in September of last year. After almost a year of location searching, interior construction and staff building, the final result was well worth the wait. Lati and his wife Sarah Domi currently employ ten hand picked stylists with four more in training and plans for further expansion in January. In an industry known for cattiness and clashing personalities, gathering a dozen people in one place and creating a pleasant environment is quite a feat. The secret to Propaganda’s calm atmosphere and bond between stylists is education.

when it comes to putting your trust in a new hair stylist, the more experience the better. Propaganda Hair Group, a new addition to Austin’s salon scene, might put your heart at ease with its foundation upon years of experience in the industry and its mission to filter the negative aspects out of a trip to the salon. When Lati Domis moved to the U.S. from Yugoslavia for his education, it was not hair cutting techniques that he was

Propagand

aHair G

roup

The name Propaganda is unique and really is more than just something to call the salon. “With the name, we didn’t want to create just a name, we wanted to kind of make a statement. And we didn’t want to name the salon in Italian or French, you know, the norm,” Lati said with an exasperated smile. “We want to influence not just the people with the way we do things, but other hair dressers too and other salons.”

“Everyone in the salon works a bit different, so everybody’s learning from each other,” he explained. “Even though I’ve been doing hair for 12 years, you always have more room to grow. That’s one thing that’s fun about our industry is that you’re never too good. You can always become better.”The seasoned hair veterans maintain their skills through handson demonstrations, runway involvement and photo shoots organized by the salon. New stylists and chemists go through beginning, intermediate and advanced classes twice a week. This training always keeps the stylists

reflects the name, space and entire concept of the salon as it has an innovative design and is always implementing modern technology.

The space itself has been fashioned around the ideas of modernism and minimalism. “We wanted to do something that didn’t feel like a salon,” Lati explained regarding the design. “I’ve worked in a salon for a very long time and I never liked the feel of it. It was always messy and there are wires everywhere, you know. It’s a fashion industry and it should be clean and so on, and things like that always bugged me.”

The idea of minimalism and modernism carries over into the business’ bookkeeping as well. Keeping up with current technology reduces clutter. Propaganda employees are plugged in to Mac computers, iPads, and iPhones that alert them of appointments the moment that clients schedule them. It’s efficient and environmental. The salon has almost eliminated the use of paper datebooks and memos altogether. Electricity usage is also kept at a minimum, which is a

of Austin and the Domis when their utility bills arrive.

“We didn’t want to be wasteful, and salons are known for being wasteful,” Lati expressed. “The way we designed the salon, you don’t need a lot of electricity. And you can save a lot of cash just by being aware of those things. So it works in both ways, you save cash and you protect something that’s important.”This green theory is a concept other salons might like to adopt. The entire basis of Propaganda stems from their desire and willingness to spread their concepts to the surrounding community. The Domis could have opened the salon in Dallas or even in Los Angeles, which was another place they had considered living. However, after weighing all of the odds, Austin felt like home. “We love the city, we love the people. It’s just an entirely different place from Dallas,” Lati mused.

In designing Propaganda, the Domis sought to tackle their qualms with the standards of salon design. They worked with local architect Dick Clark, hoping to instill his Austin perspective into the space. To reduce the overwhelming jumble of styling tools, the many wires stringing from hair dryers and flat irons are carefully hidden in the walls. The salon then not only appears neat but is also a convenience when it comes to cleaning.

Since Lati is so heavily involved in the fashion industry he seeks to incorporate fashion as a part of the salon as well. Propaganda takes all of the photos used on their website themselves, and part of the education for advanced stylists involves participating in photo shoots once a month. These shoots are not only fun, but also teambuilding and educational. They allow stylists to do a haircut or a color, take a picture of it and visually judge what they might like to improve.

"Unlike other salons, we do pay a lot of attention to fashion," Lati points out. "One of the things that we disliked about our industry was that there was always a disconnect between the hairdressing world and the fashion world, and they should be connected together. We decided to do hair by paying attention to what's happening in the fashion world."

This includes everything from organizing those photo shoots to being current with the trends to talking to clients and finding the right cut to suit their lifestyle while remaining fashionable.

“For me it’s always if I look at the fashion designers, then I can be more successful with creating shapes that are going to match the clothes,” he said. “That’s my job. My job is not to create the fashion, it’s to follow those fashion trends.”

But following fashion isn't just about fitting in and being practical. Lati believes it is a way to discover yourself as a stylist."Look at what other people are doing and kind of make it your own, become your own individual from that,” he advised. “If you're not educated in those things, if you're not educated in what different designers are doing, you won't be able to become yourself as a stylist."

This concept is definitely evident at Propaganda, and Austinites are thrilled to have such experienced stylists in their midst. Judging from the career Lati has had so far and the success of Propaganda Hair Group, it doesn’t look like they are going away anytime soon.

WRITTEN BY ANDIE SALAZAR

Photos & Edited by Autumn Ashley

Henley  

Royal  

Regatta

Photos by Quit NguyenGarments by Chris Pham

Models: Jennifer Thomas and John Mitrowski

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Credits

©2011 Student Fashion Cooperative

www.wilhelminabrown.comWilhelmina Brown: Models

Special Thanks to:

Style.comGetupgo.comI.models.com

whoisscout.wordpress.com!icker.com

fanpop.comImageshack.com

Wilhelmina Brown: Models

Jeffery English: Makeup

Propaganda Hair Group: Hair

IMAGE CREDITS

www.propagandahairgroup.com