April 2012 Les Miserables at the Fox Theatre

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April 2012

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“And if you’ve never seen it before,” actor Andrew Varela says, with a laugh, “then what’s wrong with your life?”

What was state-of-the-art by 1986 standards, when the show premiered, now seems old hat. The spectacular centerpiece then — a giant turntable — was used to convey the historic sweep of the story, which is based on Victor Hugo’s classic novel. In 2012, theater technology has evolved to include elaborate video projections and

other visual effects capable of making audiences feel that they’re right in the middle of the French Revolution.

“The whole design of the show has changed significantly,” says Varela, who plays the dogged police inspector Javert. “Instead of a turntable, it’s now an ever-changing display of images projected against the back wall of the stage – from beautiful pastoral scenes to a sequence in the Parisian sewers that will take your breath away.”

Atlanta’s Performing Arts Publication 11

Even if you’ve seen the wildly successful Schonberg-Boublil musical version of Les Miserables during its 17-year run on

Broadway or on any number of national tours to Atlanta, tonight’s performance of producer Cameron Mackintosh’s newly reimagined epic promises a new experience.

Les Miserables still epic, but in a brand-new way By Bert OsBOrne

C’est Magnifique

The iconic score remains the same. So, too, the famous story of the reluctant hero Jean Valjean, and Javert, his determined pursuer. Varela himself is another constant: He’s played Javert in this incarnation of the show since it first hit the road five years ago.

He played Valjean on Broadway and in earlier tours but admits to preferring the “darker, heavier” role of Javert. “Even as a little kid, I always enjoyed pretending to be Darth Vadar more than I did Luke Skywalker,” he says.

After some 2,000 performances as the undaunted inspector, how hard is it for Varela to keep it feeling fresh – for himself and his audience? Where’s the acting challenge in a character he essentially established years ago?

“As a theater actor, playing the same part over and over again is part of the job,” Varela says. “On the one hand, I’m really thankful just to be working, so it’s easy maintaining my interest and enthusiasm because I love what I do. If you’re bored with your work, then you shouldn’t be doing it at all.

“Yes, I’m playing the same character, but within his specific framework and within the general guidelines of his story, there are myriad opportunities to put different little beats or spins on a scene,” he says. “You can’t change the character from 1 to 10, but you can change him from 1 to 2, to finesse your performance in new and subtle ways.”

This 25th anniversary tour of Les Miserables has kept Varela on the road for more than 18 months now. (He

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“Even as a little kid, I always enjoyed

pretending to be Darth Vadar more than I did

Luke Skywalker.”


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also has four other tours of the show on his resume.) “Touring is definitely an acquired lifestyle, but one of the benefits is getting to see so much of the country,” he says. “Over the years, I’ve been to every state but two.” The exceptions: Maine and New Mexico.

Another benefit is getting to “drive the tour” on his own, with his wife and manager, Susan. “We’ve been having a blast driving from place to place,” Varela says. “We make a point of getting out every day and doing something or seeing something interesting. That’s one of the ways you make touring more palatable.” On a recent stop in Buffalo, for instance, they took a day trip to Niagara Falls.

Not even a producer of Mackintosh’s caliber could fully re-create onstage such a natural wonder as that. The spectacle of the show might be what has most plainly captivated audiences for the past 25 years. But, as Varela observes, “It’s based on this amazing story, spanning

30 or 40 years of the human experience, and the fact that it’s sung-through, with no spoken dialogue, and because the music itself is so seamless and well-written, it puts Les Miz in the pantheon of great opera, not only great theater.”

That isn’t to say that audiences don’t also connect on a more intimate emotional level. “The story transcends its own time and place,” Varela says. “It’s about the joy and sadness of life, about falling in love and fighting for something bigger than ourselves, about the search for freedom and redemption.

“All of those emotions are the same now as they’ve always been. The only thing that’s changed is the reason we feel them.”

Bert Osborne has written about Atlanta theater for nearly 20 years. Formerly the critic for Creative Loafing and The Sunday Paper, he now reviews for The Atlanta Journal-Constitution.

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Fill out the form below and use The Fox Theatre lobby drop box, or take it to your nearest Fifth Third Bank location.

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QFRC01880000_BroadwayAtl(5.37x8.37).indd 1 3/12/12 9:29 AM

Directed by LAURENCE CONNOR

andJAMES POWELL

CAMERON MACKINTOSH’SNEW 25TH ANNIvERSARy PRODUCTION Of

BOUBLIL & SCHöNBERg’S

A musical based on the novel by vICTOR HUgO

Music by CLAUDE-MICHEL SCHöNBERgLyrics by HERBERT KRETZMER

Original french text by ALAIN BOUBLIL and JEAN-MARC NATEL

Additional material by JAMES fENTONOriginal Production adapted and directed by

TREvOR NUNN and JOHN CAIRD

Original Orchestrations by JOHN CAMERONNew Orchestrations by CHRIS JAHNKE

Additional Orchestrations bySTEPHEN METCALfE and STEPHEN BROOKER

Musical Staging by MICHAEL ASHCROfTProjections realized by fIfTy-NINE PRODUCTIONS

Additional Costumes by CHRISTINE ROWLANDSound by MICK POTTER

Lighting by PAULE CONSTABLECostume Design by ANDREANE NEOfITOU

Set Design by MATT KINLEy inspired bythe paintings of vICTOR HUgO

A CAMERON MACKINTOSH and NETWORKS PresentationAmerican Premiere Paper Mill Playhouse, Millburn, New Jersey,

19 November 2010

Musical SupervisorDAvID CADDICK

Associate DirectorANTHONy LyN

Music DirectorKEvIN STITES


CAST(in order of appearance)

Jean Valjean ....................................................................................................................PETER LOCKYER Javert .............................................................................................................................ANDREW VARELAFarmer .................................................................................................................................JOHN RAPSONLaborer...........................................................................................................................JORDAN NICHOLSInnkeeper’s Wife................................................................................................................... NATALIE BECKInnkeeper ............................................................................................................... JOSEPH SPIELDENNERThe Bishop of Digne ........................................................................................................JAmES ZANNELLIConstables ................................................................................................. IAN PATRICK GIBB, ALAN SHAWFactory Foreman .................................................................................................... RICHARD TODD ADAmSFantine ............................................................................................................................BETSY mORGANFactory Girl ................................................................................................................. CASEY ERIN CLARKOld Woman ...................................................................................................................BETH KIRKPATRICKWigmaker ........................................................................................................................ CORNELIA LUNABamatabois ........................................................................................................................JOHN RAPSONFauchelevent ....................................................................................................................ERIC VAN TIELENChampmathieu........................................................................................................................JOE TOKARZLittle Cosette ........................................................................................ ERIN CEARLOCK, JULIANA SImONEmadame Thénardier .................................................................................................... SHAWNA m. HAmICYoung Éponine ...................................................................................... ERIN CEARLOCK, JULIANA SImONEThénardier ...................................................................................................................... TImOTHY GULANYoung Whore .................................................................................................................... NADINE mALOUFCrazy Whore ..........................................................................................................................SIRI HOWARDGavroche ........................................................................................... JOSHUA COLLEY, mARCUS D’ANGELOÉponine .......................................................................................................................CHASTEN HARmONCosette .............................................................................................................................LAUREN WILEYThénardier’s Gang

montparnasse ...........................................................................................................JORDAN NICHOLSBabet .........................................................................................................................JAmES ZANNELLIBrujon ...............................................................................................................................JOE TOKARZClaquesous ....................................................................................................................JOHN RAPSON

StudentsEnjolras ...................................................................................................................... JASON FORBACHmarius ........................................................................................................................... mAx QUINLANCombeferre .................................................................................................................ERIC VAN TIELENFeuilly ................................................................................................................................JOHN BRINKCourfeyrac .........................................................................................................WESTON WELLS OLSONJoly .................................................................................................................................... ALAN SHAWGrantaire ........................................................................................................... JOSEPH SPIELDENNERLesgles ............................................................................................................. RICHARD TODD ADAmSJean Prouvaire ............................................................................................................IAN PATRICK GIBB

Loud Hailer .............................................................................................................................JOE TOKARZmajor Domo ............................................................................................................ JOSEPH SPIELDENNEREnsemble ............................................................................................NATALIE BECK, CASEY ERIN CLARK,

SIRI HOWARD, BETH KIRKPATRICK, CORNELIA LUNA, NADINE mALOUF, HEATHER JANE ROLFF, HANNAH SHANKmAN, mAVIS SImPSON-ERNST

Swings ................................................................. RICHARD BARTH, BEN GUNDERSON, JASON OSTROWSKI,RACHEL RINCIONE, NATALIE WEISS

Dance Captain ............................................................................................................ JASON OSTROWSKIFight Captain ................................................................................................................. BEN GUNDERSONAssistant Fight Captain .............................................................................................. HEATHER CHOCKLEY

UNDERSTUDIESFor Jean Valjean – RICHARD TODD ADAmS, JOE TOKARZ; for Javert – RICHARD TODD ADAmS, JOSEPH SPIELDENNER; for Cosette – NATALIE BECK, SIRI HOWARD; for Fantine – CASEY ERIN CLARK, CORNELIA LUNA; for Thénardier –JOHN RAPSON, JAmES ZANNELLI; for Madame Thénardier – HEATHER JANE ROLFF, BETH KIRKPATRICK; for Éponine – NADINE mALOUF, HANNAH SHANKmAN; for Marius – IAN PATRICK GIBB, JORDAN NICHOLS; for Enjolras – JOHN BRINK, ALAN SHAW; for Little Cosette/Young Éponine – mAVIS SImPSON-ERNST; for the Bishop of Digne – JOHN RAPSON, JOSEPH SPIELDENNER; for the Factory Foreman – JASON OSTROWSKI, JOSEPH SPIELDENNER; for the Factory Girl – RACHEL RINCIONE, HEATHER JANE ROLFF; for Bamatabois – RICHARD BARTH, JOSEPH SPIELDENNER; for Grantaire – JOHN RAPSON, ERIC VAN TIELEN.


MUSICAL NUMBERS

PROLOGUE: 1815, DIGNEPROLOGUE ...............................................................................................................The CompanySOLILOQUY ........................................................................................................................ Valjean

1823, MONTREUIL-SUR-MERAT THE END OF THE DAY ...............................................................Unemployed and Factory WorkersI DREAmED A DREAm ......................................................................................................... FantineLOVELY LADIES .................................................................................................................. ClientsWHO Am I? ........................................................................................................................ ValjeanFANTINE’S DEATH ............................................................................................. Fantine and ValjeanCASTLE ON A CLOUD......................................................................................................... Cosette

1823, MONTFERMEILmASTER OF THE HOUSE ........................................................... Thénardier, his Wife and CustomersTHE BARGAIN. ...........................................................................m and mme Thénardier and Valjean

1832, PARISPARIS ....................................................................................................Gavroche and the BeggarsSTARS ................................................................................................................................. JavertABC CAFÉ ...................................................................................Enjolras, marius and the StudentsTHE PEOPLE’S SONG........................................................... Enjolras, the Students and the CitizensIN mY LIFE .............................................................................Cosette, Valjean, marius and ÉponineA HEART FULL OF LOVE ...................................................................... Cosette, marius and ÉponineONE DAY mORE .........................................................................................................The Company

INTERMISSIONON mY OWN .....................................................................................................................ÉponineA LITTLE FALL OF RAIN..................................................................................... Éponine and mariusDRINK WITH mE TO DAYS GONE BY ...................................... Feuilly, Grantaire, Students and WomenBRING HIm HOmE ............................................................................................................. ValjeanDOG EATS DOG ............................................................................................................. ThénardierSOLILOQUY .......................................................................................................................... JavertTURNING ...........................................................................................................................WomenEmPTY CHAIRS AT EmPTY TABLES ........................................................................................mariusWEDDING CHORALE ........................................................................................................... GuestsBEGGARS AT THE FEAST ............................................................................. m and mme ThénardierFINALE .....................................................................................................................The Company

ThE ORchESTRAmusic Director/Conductor – KEVIN STITES

Associate Conductor/Keyboards – WILLIAm D. JOHNSONAssistant Conductor/Concertmaster – WILL CURRY

Keyboards – ADAm LAIRDCello – IRA GLANSBEEK; Bass – BRAD LOVELACE;

Viola – CATHERINE PRICEFlute / Piccolo / Alto Flute / Recorder – RYU CIPRIS;

Oboe / Cor Anglais – DAVID GARCIA;Clarinet in Bb / Clarinet in Eb / Bass Clarinet / Recorder – HOLLY KASSEL;

Horn 1 – TIm RILEY; Horn 2 – RYAN STEWART;Trumpet in Bb / Flugel Horn / Piccolo Trumpet – KEN mULLIN;

Bass Trombone / Tenor Trombone / Tuba – JIm GRAY;Percussion – ERIC BORGHI;

music Coordinator – mICHAEL KELLER.

The use of any recording device, either audio or video, and the taking of

photographs, either with or without flash, is strictly prohibited.

Please turn off your cell phones and pagers prior to the beginning of the

performance.


SyNopSIS

ACT ONE

PROLOGUE: 1815, DIGNEAfter 19 years on the chain gang, Jean Valjean finds that the ticket-of-leave he must display condemns him to be an outcast. Only the Bishop of Digne treats him kindly and Valjean, embittered by years of hardship, repays him by stealing some silver. Valjean is caught and brought back by the police and is astonished when the Bishop lies to the police to save him. Valjean decides to start his life anew.

1823, MONTREUIL-SUR-MEREight years have passed and Valjean, having broken his parole and changed his name to monsieur madeleine, has become a factory owner and mayor. One of his workers, Fantine, has a secret illegitimate child. When the other women discover this, they demand her dismissal. Desperate for money to pay for medicines for her daughter, Fantine sells her locket, her hair, and then joins the whores in selling herself. Utterly degraded, she gets into a fight with a prospective customer and is about to be taken to prison by Javert when the ‘mayor’ arrives and demands she be taken to the hospital instead. The mayor then rescues a man pinned beneath a cart. Javert is reminded of the abnormal strength of convict 24601 Jean Valjean, who, he says, has just been recaptured. Valjean, unable to see an innocent man go to prison, confesses that he is prisoner 24601. At the hospital, Valjean promises the dying Fantine to find and look after her daughter, Cosette. Javert arrives to arrest him, but Valjean escapes.

1823, MONTFERMEILCosette has been lodged with the Thénardiers, who horribly abuse her while indulging their own daughter, Éponine. Valjean pays the Thénardiers to let him take her away to Paris.

1832, PARISNine years later, there is unrest in the city because of the likely demise of the popular leader General Lamarque, the only man left in the government who shows any feeling for the poor. A street gang led by Thénardier and his wife sets upon Jean Valjean and Cosette. They are rescued by Javert, who does not recognise Valjean until he has gone.

The Thénardiers’ daughter, Éponine, who is secretly in love with the student marius, reluctantly agrees to help him find Cosette, with whom he has fallen in love. News of General Lamarque’s death circulates in the city and a group of politically minded students stream out into the streets to whip up support for a revolution. Cosette is consumed by thoughts of marius, with whom she has fallen in love. Éponine brings marius to Cosette and then prevents an attempt by her father’s gang to rob Valjean’s house. Valjean, convinced it was Javert lurking outside his house, tells Cosette they must prepare to flee the country.

ACT TWOThe students prepare to build the barricade. marius, noticing that Éponine has joined the insurrection, sends her away with a letter to Cosette, which is intercepted by Valjean. Éponine decides to rejoin her love at the barricade. The barricade is built and the revolutionaries defy an army warning to give up or die. Javert is exposed as a police spy. In trying to return to the barricade, Éponine is killed. Valjean arrives at the barricade in search of marius. He is given the chance to kill Javert but instead lets him go. The students settle down for a night on the barricade and, in the quiet of the night, Valjean prays to God to save marius. The next day the rebels are all killed. Valjean escapes into the sewers with the unconscious marius. After meeting Thénardier, who is robbing the corpses of the rebels, he comes across Javert once more. He pleads for time to deliver the young man to the hospital. Javert lets Valjean go and, his unbending principles of justice having been shattered by Valjean’s own mercy, he kills himself. Unaware of the identity of his rescuer, marius recovers in Cosette’s care. Valjean confesses the truth of his past to marius and insists he must go away. At marius and Cosette’s wedding, the Thénardiers try to blackmail marius. Thénardier says Cosette’s “father” is a murderer and as proof produces a ring that he stole from the corpse the night the barricade fell. It is marius’ own ring, and he realizes it was Valjean who rescued him that night. He and Cosette go to Valjean where Cosette learns for the first time of her own history before the old man dies.


who’S who

RIchARD TODD ADAMS

RIchARDBARTh

NATALIEBEck

JOhNBRINk

ERINcEARLOck

cASEy ERINcLARk

JOShUAcOLLEy

MARcUSD’ANGELO

JASONFORBAch

IAN PATRIckGIBB

TIMOThyGULAN

BENGUNDERSON

ShAwNA M.hAMIc

chASTENhARMON

SIRIhOwARD

BEThkIRkPATRIck

PETERLOckyER

cORNELIALUNA

NADINEMALOUF

BETSyMORGAN

JORDANNIchOLS

wESTON wELLS OLSON

JASONOSTROwSkI

MAxQUINLAN

JOhNRAPSON

RAchELRINcIONE

hEAThER JANEROLFF

hANNAhShANkMAN

ALANShAw

JULIANASIMONE

MAvISSIMPSON-ERNST

JOSEPhSPIELDENNER

ERIc vANTIELEN

JOETOkARz

ANDREwvARELA

NATALIEwEISS

LAURENwILEy

JAMESzANNELLI


who’S who

RICHARD TODD ADAMS (Factory Foreman, Lesgles, u/s Jean Valjean, u/s Javert). Broadway: The Woman in White, The Pirate Queen. National tour: The Phantom of the Opera (Phantom). 2008 Jeff Award winner for Javert in Les Misérables in Chicago.

RICHARD BARTH (Swing, u/s Bamatabois). Off-Broadway: Beowulf (title role), Irish Repertory. National tour: Miss Saigon. Regional: Goodspeed, Signature, Old Globe, Cincinnati Playhouse, St. Louis Rep and Arrow Rock Lyceum. Training: Hartt School.

NATALIE BECk (Innkeeper’s Wife, Ensemble, u/s Cosette) is excited to be making her professional debut in Les Misérables. She recently received her B.m. in music Theatre from Westminster College of the Arts of Rider University after studying Vocal Performance at Lawrence University.

JOHN BRINk (Feuilly, u/s Enjolras) minnesota native, Hartt School graduate, thrilled to join this epic production. Credits: TSO; Music Man (Ens.), West Side Story (Tony), Life on the Mississippi (Henry). Thanks: God, Bobbie merritt (TEG), Hartt School, family and friends.

ERIN CEARLOCk (Little Cosette/Young Éponine at some performances) is a third-grader from Houston, Texas, and is excited to be performing with the tour. She enjoys reading in her free time. Erin gratefully thanks everyone who made this opportunity possible.

CASEY ERIN CLARk (Factory Girl, Ensemble, u/s Fantine). Off-Broadway: Frankenstein (Agatha) and Shout! (Red Girl), The Incredibly Deaf Musical (Lisa, NYmF 2010). Regional favorites: Jekyll and Hyde (Emma) and Little Women (Jo, Kevin Kline Award nomination). caseyerinclark.com.

JOSHUA COLLEY (Gavroche) is proud to be playing this role in Les Misérables! Favorite credits: A Christmas Carol (Tiny Tim), Jungle Book (mowglie). Joshua thanks his mom and dad and twin brother Cameron for all of their love and support.

MARCUS D’ANGELO (Gavroche) is the youngest of six children. He has performed in The Wizard of Oz, High School Musical, Peter Pan and Grease. marcus would like to thank his brothers and sister for supporting him in his theatrical endeavors.

JASON FORBACH (Enjolras) Previous credits: The Phantom of the Opera. (Raoul u/s) Off-Broadway: The Music Teacher, A.W.O.L., As You Like It. Regional: SmC, NSmT, Paper mill Playhouse, Kennedy Center, Carnegie Hall. Albums: A New Leading Man, Remembering to Dream on iTunes. www.jasonforbach.com. Twitter @jtforbach

IAN PATRICk GIBB (Constable, Jean Prouvaire, u/s Marius). Regional: Pittsburgh CLO, music Theatre of Wichita, Fireside Theatre, Arts Center of Coastal Carolina. OCU Grad. Special thanks to family, friends, and The mine! mom and Dad, this is for you!

TIMOTHY GULAN (Thénardier). Tours/B’way: South Pacific, Dirty Rotten Scoundrels, Some Like It Hot, Picasso at the Lapine Agile, Carousel, Les Misérables (19 years ago!), Falsetto’s, The Lion King, Blood Brothers, Passion, The Frogs. Premieres: For the Boys, Emma, Houdini, Eliot Ness in Cleveland, the King Stag, Just So. movies/TV: South Pacific (Carnegie Hall), LCT’s Passion, Salt, MacGruber, Ice Age, Boardwalk Empire, EL&IC, The Producers. timothygulan.com

BEN GUNDERSON (Swing, Fight Captain). Fiddler, Engeman; Cabaret, Hilton Head; West Side Story, Ravinia; Dream of the Burning Boy and House of Gold, O’Neill. BFA: UNCSA.

SHAWNA M. HAMIC (Madame Thénardier). NY workshops: The Toymaker, Screams of Kitty Genovese, Glen or Glenda. Regional: Twist (directed/choreographed by Debbie Allen); Les Misérables; Ragtime; Hello Dolly; The Molly Maguires; Genesis; My Fair Lady; Mame; Kismet; Once Upon…; H2$; Guys and Dolls (in macao, China). “A&A, F&AD, TmF!” ShawnaHamic.com

CHASTEN HARMON (Éponine). Broadway: Hair. Off-Broadway: Iphigenia 2.0 (dir. by Tina Landau), Signature Theatre; Grind (Clementine), The York Theatre. Regional: Once on This Island (Ti moune) and All Shook Up (Lorraine), marriott Theatre; Leader of the Pack, Cape Playhouse. Training from NYU, TSOA.

SIRI HOWARD (Crazy Whore, Ensemble, u/s Cosette). Broadway: The Sound of Music (Liesl). National tour: Parade (Iola Stover); The Sound of Music with Richard Chamberlain. Regional: A Little Night Music 25th Anniversary Concert (Fredrika), with the Philadelphia


who’S who

Orchestra; Les Misérables, Theatre of the Stars. The USO Liberty Bells. sirihoward.com

BETH kIRkPATRICk (Old Woman, Ensemble, u/s Madame Thénardier) Tours: The Phantom of the Opera, mother Abbess in The Sound of Music (Asia). New York: Plain and Fancy (York), Earthquake Weather. Regional: Jerry Springer: The Opera, Sweeney Todd, Beauty & the Beast. Northwestern U. Love to family, besties, and the mine!

PETER LOCkYER (Jean Valjean) is honored to be back in Les Mis! Broadway: South Pacific; The Phantom of the Opera; Baz Luhrmann’s La Bohème (Rodolfo); Les Misérables (marius, 10th anniversary production and China premiere); Miss Saigon (Chris); Cyrano the Musical. Barbra Streisand’s European concert tour (special guest star). TV: Gypsy starring Bette midler. Symphony Concerts across the United States, including the premiere of Boublil/Schönberg’s Do You Hear the People Sing! Heartfelt thanks to the Creative Team. For melanie.

CORNELIA LUNA (Wigmaker, Ensemble, u/s Fantine) is thrilled to be back in Les Misérables! Miss Saigon (Kim and Ellen); The King and I (Tuptim); Hey! Mr. Producer (Éponine and Christine); self-titled CD (BmG). Love to family and friends!

NADINE MALOUF (Young Whore, Ensemble, u/s Éponine). Film: Shame, Static Shock. NYC: Les Enfants de Paris, Only a Kingdom, Hidden Sky. Regional: Rent, Godspell, Fiddler on the Roof. Thanks to family back home in Australia, Dale, and mama- Le meilleur Professeur de Francais!

BETSY MORGAN (Fantine). Broadway: Original casts of A Little Night Music (revival), Little Mermaid, High Fidelity. NY theatre/readings/workshops: Tales of the City, Dangerous Beauty, Addams Family, Prairie, Leap of Faith, Memphis, The Fantasticks, Bernarda Alba (Lincoln Center). TV: Flight of the Conchords. Originated the role of Leslie Benedict in the premiere of Giant at Signature Theatre.

JORDAN NICHOLS (Laborer, Montparnasse, u/s Marius). Off-Bway/Readings: The Fantasticks, Newsies. Originated Jordy Benedict in Giant (Signature Theatre); Regional: Crazy for You (Bobby), Urinetown (Bobby), H2$ (Finch). Thanks

to Nicolosi & Co. and TRC. Love to Travis, friends and family.

WESTON WELLS OLSON (Courfeyrac). New York: Camelot (Lincoln Center), Where’s Charley? (Encores!). Regional: Sweeney Todd (Geva Theatre), Les Mis (North Shore). Readings: Tuck Everlasting. Bm Chapman University, mm Boston Conservatory. much love to friends and family. Thank you, TKO!

JASON OSTROWSkI (Swing, Dance Captain, u/s Factory Foreman). Broadway: Company (Tony Award®-winner 2007 best revival). National tours: Whistle Down the Wind, Forever Plaid. Regional: Les Misérables (TOTS & TUTS); Hello, Dolly!; Oklahoma!; An O. Henry Christmas. Love to my family and Elizabeth. Jasono.net

MAx QUINLAN (Marius). Off-Broadway: Grind (York Theatre). Favorite regional: Fabrizio in The Light in the Piazza (marriott Theatre; Jeff Award winner), Jesus in Jesus Christ Superstar (TATC; Jeff Award nom.), Younger Brother in Ragtime (Drury Lane Oakbrook), Joseph in Joseph and the Amazing... (marriott Theatre), mordred in Camelot (Ravinia Festival). CCm grad. Dedicated to family and friends. maxquinlan.net.

JOHN RAPSON (Farmer, Bamatabois, Claquesous, u/s Thénardier, u/s Grantaire, u/s Bishop of Digne) is proud to join the revolution! Regional: Sweeney Todd (Barrington Stage), Brigadoon (Wagon Wheel Theatre). Education: BFA University of michigan. So much love to my incredible family!

RACHEL RINCIONE (Swing, u/s Factory Girl). B.F.A-Acting, Chapman Univ; mm-Voice, Univ. of Denver. Credits: NY Camelot (Nimue) WPPAC, Suor Angelica (Cercatrice) Chelsea Opera, Regional: Camelot (Nimue u/s) Goodspeed Opera, Les Misérables (mme. Thénardier u/s) mGR.

HEATHER JANE ROLFF (Ensemble, u/s Madame Thénardier, u/s Factory Girl) is thrilled to be a part of this incredible company. Broadway: Shrek the Musical (original cast); Off-Broadway: Silence! The Musical (Catherine/Senator martin); Wanda’s World (Alison). TV: Peppa Pig, Gordon the Garden Gnome. www.heatherjanerolff.com. Love to her family!

HANNAH SHANkMAN (Ensemble, u/s Éponine). Broadway/West End: Hair. National


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tour: Rent. Off-Broadway: Kaspar Hauser, Girls in Trouble. Regional: Tommy, Rent, The Last Goodbye, Golden Gate, Hair, After the Revolution. BFA Acting training at the University of michigan.

ALAN SHAW (Constable, Joly, u/s Enjolras) Is Thankful! Credits: Big River (Huck Finn), Children of Eden (Cain/Japheth), The Sound of Music (Rolf). many thanks to Kimberly Vaughn and my beautiful family. alanshaw.me

JULIANA SIMONE (Little Cosette/Young Éponine at some performances) miami native, age 9, is thrilled to be a part of Les Misérables! Regional: The Music Man (Amaryllis); The Sound of Music (Gretl u/s); and Oliver!. Special thanks to Ben Bagby and Nancy Carson. much love to my family, friends, and my sister, Camilla.

MAVIS SIMPSON-ERNST (Ensemble, u/s Little Cosette/Young Éponine), is thrilled to be performing in Les Misérables. Credits: Annie (molly), The Sound of Music (Gretl), Guys and Dolls (Sarah Brown), Annie (Lily St. Regis), The Magic Flute (Spirit). Thanks to mom, Dad, family, friends, Connecting Talent Company and Generation TV.

JOSEPH SPIELDENNER (Innkeeper, Grantaire, Major Domo, u/s Bishop, u/s Bamatabois, u/s Factory Foreman, u/s Javert) is from maine. BFA-Florida State. Tour: South Pacific (Cable). Regional: Miss Saigon (Chris), Seaside music Theatre; Children of Eden (Adam/Noah), Astoria PAC. Dedicated to Scott, Gale, Eric and Grandma margaret.

ERIC VAN TIELEN (Combeferre, Fauchelevent, u/s Grantaire) is a Salt Lake City native. Broadway/Nat’l tours: A Tale of Two Cities, Fiddler on the Roof (Fyedka). Regional: Utah Shakespeare Festival, HMS Pinafore (Ralph), The Matchmaker (Cornelius), Lend Me a Tenor, the Musical (Rupp, world premiere), Indiana Repertory Theatre, The Fantasticks (matt), Pioneer Theatre, Syracuse Stage. mFA, Indiana University.

JOE TOkARZ (Champmathieu, Brujon, Loud Hailer, u/s Jean Valjean). Credits include: Les Misérables, Joseph…, My Fair Lady (marriott Theatre), Candide (Goodman), Passion (Chicago Shakespeare) and Judas in Jesus Christ Superstar (Theatre at the Center). Love to family. Proud Equity.

ANDREW VARELA (Javert) was last seen on Broadway in Sondheim’s Sunday in the Park With George (Jules). Other Broadway/national tours: Little Women (Prof Bhaer), Les Misérables (Jean Valjean), The Phantom of the Opera (Phantom), Cats (Gus/Growltiger), Evita, Disney’s King David. Other roles: The Pirate King in Pirates!, Sky in Guys and Dolls, Jud in Oklahoma!, The Prince in The Student Prince. Follow me on Facebook and Twitter (@AndrewVarela525) and check out AndrewVarela.com. For Susan.

NATALIE WEISS (Swing). Broadway: Everyday Rapture (u/s for menonettes). Tour: Wicked 2nd national (ensemble, u/s Elphaba). Regional: Pittsburgh CLO, North Shore music Theatre. TV: “American Idol” season 4 semi-finalist. natalieweiss.net.

LAUREN WILEY (Cosette). NYC: Title role in Madame Bovary (Theatre 5), Villa Diodati (NYmF). Favorite regional: Les Misérables at NSmT (Head Whore) and merry-Go-Round Playhouse (Cosette), mrs. Lyons in Blood Brothers with Andrea mcArdle (TheatreZone). University of Alabama grad. Heartfelt thanks to the Les Mis team, and my dear Clint.LaurenEWiley.com

JAMES ZANNELLI (Bishop of Digne, Babet, u/s Thénardier) is thrilled to be on tour with Les Mis. Regional credits: Les Misérables (Thénardier), Chess (molokov), Jesus Christ Superstar (Caiaphas), Jekyll & Hyde (Simon Stride), Tommy (Uncle Ernie), Peter Pan (Captain Hook). mm from Arizona State. Dreams DO come true!!!!

ALAIN BOUBLIL (Author/Dramatist) wrote librettos and original lyrics for La Révolution Française, Les Misérables, Miss Saigon, Martin Guerre and The Pirate Queen in collaboration with Claude-michel Schönberg, and Marguerite with Claude-michel Schönberg and michel Legrand. He received two Tonys® (Best Score, Best Book), two Grammys®, two Victoire de la musique Awards, a molière Award (Les Misérables), an Evening Standard Award (Miss Saigon) and an Olivier Award (Martin Guerre). He is author/librettist of Abbacadabra with songs by Abba, the play The Diary of Adam and Eve, and prize-winning novel Les Dessous de Soi.


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CLAUDE-MICHEL SCHÖNBERG (Book and Music). Born in 1944 of Hungarian parents, Claude-michel Schönberg began his career as a singer, writer and producer of pop songs. In collaboration with Alain Boublil, he is the book co-writer and the composer of La Révolution Française, Les Misérables, Miss Saigon, Martin Guerre and The Pirate Queen. In 2008 his new musical Marguerite, in collaboration with Alain Boublil, michel Legrand and Herbert Kretzmer, opened at the Haymarket Theatre in London. He has supervised overseas productions and co-produced several international cast albums of his shows. In 2002 his first ballet score Wuthering Heights was created for the Northern Ballet Theatre.

CAMERON MACkINTOSH (Producer) produces musicals.

HERBERT kRETZMER (Lyricist) was a London journalist when Cameron mackintosh invited him to write the English lyrics for Les Misérables epochal West End production in 1985. A part-time songwriter, he contributed regular lyrics for the BBC’s famous satire series “That Was the Week That Was” and had also written lyrics for the French singer Charles Aznavour (“Yesterday When I Was Young,” “She,” etc.). It was Kretzmer’s work with Aznavour that led to Cameron’s invitation. Herbert Kretzmer was born in South Africa to immigrant parents from Lithuania. He now lives in London with his (American) wife, Sybil.

TREVOR NUNN AND JOHN CAIRD (Adaptors). Trevor Nunn started directing in 1962 when he won an ABC director’s scholarship to become the resident director of the Belgrade Theatre, Coventry. In 1964 he joined the RSC and, in 1968, was made the company’s youngest ever artistic director. Trevor was responsible for running the RSC until he retired from the post in 1986. From 1997-2003 Trevor was director of the National Theatre. Trevor has worked extensively in theatre, opera and musical theatre. John Caird is a freelance director and writer working worldwide in theatre, opera and musical theatre. He has worked at the National Theatre and is an honorary associate director of the RSC, where he has directed more than 20 plays. John has published several works as a librettist and lyricist. Together John and

Trevor have directed Nicholas Nickleby (winner of five Tony Awards®), Jm Barrie’s Peter Pan and the original production of Les Misérables (winner of eight Tony Awards®).

LAURENCE CONNOR (Director) has worked as a resident and associate director on several shows in London including The King and I, Phantom of the Opera and Oliver. In 2005, Laurence directed a new touring production of Miss Saigon, which has been re-created in Korea and Australia, winning major awards including the manchester Evening News award for best touring musical and Green Room award for best director, co-director of the 25th anniversary tour of Les Misérables, on which this production is based, and the 25thanniversary concert of Les Misérables at the O2. Laurence recently directed The Phantom of the Opera at the Royal Albert Hall and has just directed a new production of Oliver, which is touring the U.K.

JAMES POWELL (Director) was appearing in Les Misérables at London’s Palace Theatre when he was offered the position of resident director in 1996. London: Singin’ in the Rain (staff director). For Cameron mackintosh: The Witches of Eastwick (resident director), Les Misérables (associate director, also Scandinavia, Berlin), Mary Poppins (London, Broadway, UK tour, the Netherlands, Australia). For Jacobsen Entertainments: The Witches of Eastwick (director; melbourne, Australia) and Dirty Dancing (director; London’s West End, Toronto, Utrecht, Chicago, U.S. tour, Berlin) James is honored to work on Cameron’s new production of Les Misérables, and has just recovered from directing the 25th anniversary concert at London’s O2 arena.

MATT kINLEY (Scenic and Image Designer) worked as freelance costume and prop-maker for stage, film and video with Robert Allsopp Associates. A graduate of the motley Theatre design course, he enjoyed a long relationship with the National Theatre as designer, design associate and draughtsman on more than 40 productions, including Jerry Springer: The Opera, The Coast of Utopia and My Fair Lady. most recently he worked as associate designer on shows including: The Woman in White, My Fair Lady (UK/US tours), Chitty Chitty Bang


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Bang (UK tour), Les Misérables (Broadway and and the Netherlands), Equus (West End), Mary Poppins (UK/US/AUS/Netherlands tours), Les Misérables 25th anniversary concert (O2 Arena).

ANDREANE NEOFITOU (Costume Designer). Les Misérables (Tony® nomination) and Miss Saigon London, Broadway and worldwide. London credits: Grease, Gone With the Wind, The Far Pavilions, The Baker’s Wife, Timon of Athens, Peter Pan (National Theatre), Carmen (Royal Albert Hall). Royal Shakespeare Company: The Changeling, The Merchant of Venice, Fair Maid of the West, Hedda Gabler, (also Canada/USA), Once in a Lifetime, Peter Pan and Nicholas Nickleby (Outer Critics Circle nomination Outstanding Achievement). Additionally: Nabucco (metropolitan Opera), Miss Julie (Athens), Jane Eyre the musical (Broadway — Outer Critics Circle nomination), Cameron mackintosh’s revised version of Martin Guerre (USA). Films: Rosencrantz and Guildenstern Are Dead, Still Life.

PAULE CONSTABLE (Lighting Designer) has designed extensively at the National Theatre (including Warhorse, Phaedre, St. Joan); the RSC; the Donmar Warehouse (Othello, Chalk Garden, Ivanov); the Royal Court (Clybourne Park, The Weir); and in the West End (Evita, Don Carlos, Oliver, Love Never Dies). She is a three-time Olivier Award winner. Opera includes productions for the Royal Opera House, Glyndebourne, ENO, Opera North, Salzburg Festival and in the major houses of Europe, North America, Australia and New Zealand. Dance includes: the Royal Ballet, Ballet Boyz and New Adventures for matthew Bourne. Paule is an associate of the National Theatre.

MICk POTTER (Sound Designer) Saturday Night Fever (London, New York and 10 more productions worldwide); Starlight Express (Las Vegas, US/UK/Scandinavian tour), Tell Me On a Sunday (London/UK tour); Scrooge the Musical (London, US/UK tour); Jesus Christ Superstar (UK tour), Bombay Dreams (London, New York); The Woman in White (London, New York, 2005 Laurence Olivier Award for best sound design); Hair (London); Whistle Down the Wind (London); Evita revival (London); The Sound of Music (London/Toronto/UK tour), Joseph ...

Dreamcoat (London); Phantom – The Las Vegas Spectacular (Las Vegas, 2006 Parnelli Award best sound design); Ich war noch niemals in New York (Hamburg, Stuttgart); Der Schuh des Manitu (Berlin); Zorro (London/Paris/Japan); Sister Act (London, Hamburg); Les Misérables — 25th anniversary production (O2 Arena,UK/Spain/tour); Love Never Dies (London).

CHRISTINE ROWLAND (Additional Costumes) has worked in both subsidized and commercial theatre. She was resident costume supervisor at the National Theatre for several years and was head of costume at the Royal Shakespeare Company. Work for Cameron mackintosh includes: Carousel (London, New York, Japan); Oliver! (London, Toronto, Sydney); The Witches of Eastwick (London, melbourne); My Fair Lady (London, USA tour) and Mary Poppins (London, New York). Other musicals include: The Secret Garden (RSC, London); Chitty Chitty Bang Bang (London, New York); and Gypsy (New York).

MICHAEL ASHCROFT (Musical Staging). As a performer includes: DV8’s Enter Achilles, manActs’s The Sweatlodge, Kosh’s Dinner and his own solo shows The Crooner, Ropeman, Le Baton. Credits as movement director include: The Power of Yes (National Theatre), Life is a Dream (Donmar Warehouse), Resurrection Blues (The Old Vic), Cosi Fan Tutti (English National Opera), Romans in Britain, (Sheffield Crucible), The Lost Child Project (David Glass Ensemble, Cambodia). For the Royal Shakespeare Company: Richard III, Measure For Measure, Othello, A Midsummer Night’s Dream, Julius Caesar, The Tempest, Antony and Cleopatra, Macbeth, Merry Wives of Windsor, A Comedy of Errors, Love’s Labours Lost and Hamlet.

kEVIN STITES (Music Director/Conductor). Recently: Death Takes a Holiday (Roundabout), Rebecca (Stuttgart, Germany), Voigt Lessons (Glimmerglass). Broadway: Tale of Two Cities, The Color Purple, Titanic, Sunset Blvd, South Pacific (LCT), Pamela’s First Musical, Children and Art, Les Misérables, Threepenny Opera, Fiddler, Nine, Oklahoma!, On the Town. Tours: Little House on the Prairie, Color Purple, Martin Guerre, Miss Saigon, The Phantom of the Opera, Les Misérables, Titanic. Film/TV: Rosie Live!, Reefer Madness, Letterman, Rosie, Tony


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Awards, etc. Guest conductor: Grant Park Symphony, Hollywood Bowl.

DAVID CADDICk (Music Supervisor) has been music director for: Evita, Cats, Song & Dance, Starlight Express, The Phantom of the Opera, Miss Saigon, Sunset Boulevard and Mary Poppins. He was music director for the world premiere of Stephen Sondheim’s Bounce and music director for the film of Evita starring madonna. He’s won two Grammy Awards for producing the cast album recordings of Les Misérables and West Side Story and a further three Grammy nominations for producing the recordings of A Chorus Line, South Pacific and Promises, Promises. He’s a member of the Tony nominating committee for the current Broadway season.

JOHN CAMERON (Original Orchestrations) arranged the orchestral score for all the original productions of Les Misérables in Paris, London, Broadway, the symphonic recordings, the concert, 10th anniversary and 2006 Queen’s Theatre versions. As a composer his extensive film and TV film score credits include the Academy-nominated A Touch of Class and the Emmy-nominated Path to 9-11. John co-composed Zorro the Musical, nominated for an Olivier Award for Best New musical 2009, which is playing in Tokyo and moscow followed by Amsterdam, Rio, Shanghai, Seoul and Berlin. Other arranging credits include Joseph & the Amazing Technicolor Dreamcoat.

CHRISTOPHER JAHNkE (New Orchestrations). Orchestrations: Legally Blonde (Broadway), Grease (“You’re the One That I Want” — 2007 Broadway revival); Cry-Baby, A Man of No Importance, Dessa Rose, Tom Jones (George Stiles/Paul Leigh), Just So (George Stiles/Anthony Drewe), Chasing Nicolette, Rufus Wainwright at Carnegie Hall and the new orchestrations for the 2006 Broadway revival of Les Misérables. As a dance music arranger: The Witches of Eastwick (London/West End). music supervisor for Bon Jovi keyboardist David Bryan: Memphis and The Toxic Avenger Musical. Conductor: Aida (Broadway). Assistant to Tony Award®-winning orchestrator William David Brohn: Wicked, Ragtime, Sweet Smell of Success, The Three Musketeers, Mary Poppins.

STEPHEN METCALFE (Additional Orchestrations) is an arranger and orchestrator for film and theatre. For the past 10 years he worked as head of musical development at Cameron mackintosh Ltd., where he has developed, edited and contributed orchestrations to the scores of all Cameron mackintosh’ productions in the UK and worldwide, most recently providing orchestrations for the UK tour of Les Misérables and the 25th birthday celebrations at London’s O2 Arena. Stephen has produced the 2008 London cast album of Oliver!, the new UK tour cast album of Les Misérables and the DVD release of the Les Misérables concert at the O2.

STEPHEN BROOkER (Additional Orchestrations). Theatre includes Betty Blue Eyes, Oliver! My Fair Lady, The Woman in White, Les Misérables, The Phantom of the Opera, Miss Saigon, South Pacific, The Secret Garden, Lautrec, Cats, Saturday Night Fever, Grease, Fame. Conductor includes: Atlanta Symphony, West Australian Symphony, Royal Philharmonic, London mozart Players, Haifa Symphony, Hamburg Sinfonia, Royal Liverpool, Royal Scottish National. Corporate composer: Coca-Cola, BmW Cars, Ford motors, British Airways, Toyota Cars and Walt Disney. Producer: Oliver! — Live starring Rowan Atkinson, Les Misérables 25th anniversary tour, Mary Poppins (the Netherlands). Stephen recently supervised the Les Misérables 25th anniversary concert at the O2 Arena. stephenbrooker.co.uk

JEAN-MARC NATEL (Original French Text) was born in 1942. He studied art at the Beaux Arts in Toulon before turning to poetry and has published two volumes of his poems. In 1968 he moved to Paris where he met Alain Boublil, who introduced him to songwriting with the daunting task of co-writing the lyrics for Les Misérables. Since then, he has written songs for a variety of artists and, recently, some of his poetry has been set to music by Franck Pourcel.

JAMES FENTON (Additional Material) was born in 1949. He was educated at the Durham Choristers’ School, Repton and magdalen College, Oxford, where he won the Newdigate Prize for Poetry. He has worked as a political and literary journalist, drama critic, book reviewer, war correspondent and columnist. James


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Fenton was made Fellow of the Royal Society of Literature in 1983 and he was professor of poetry at Oxford from 1994-99. James was awarded the Queen’s medal for Poetry in 2007.

ANTHONY LYN (Associate Director). From South Wales, trained at RWCmD and University of London. London theatre: Anything Goes, Les Misérables, Joseph …, Miss Saigon, Oklahoma!, Damn Yankees (with Jerry Lewis). TV: “Tony Awards,” “The Tonight Show,” “Regis and Kelly,” “An American Celebration” (for the president and first lady) and five Royal Command performances in England. Taught at the Royal Academy. Founding member, West End Cares. Associate director: The Lion King (worldwide), Mary Poppins (Broadway, directed current U.S. tour). Anthony is delighted to be associate of this brand-new production of Les Misérables. For C.C.

CHRISTOPHER kEY (UK Associate Director) trained at Guildford School of Acting, graduating with a first-class BA (Hons). He is resident director on the London production of Les Misérables and associate director of the 25th anniversary production in the UK and Spain. Christopher was also resident director on Avenue Q, London. Acting credits include Les Misérables, Chucky in Jerry Springer The Opera, Alice in Wonderland for The Royal Shakespeare Company and The Beautiful Game. Concerts include Les Misérables 25th anniversary at the O2, Sweeney Todd at the Royal Festival Hall and Sondheim Tonight at the Barbican.

TARA RUBIN CASTING (Casting). Broadway/tours: Promises, Promises; A Little Night Music; Guys and Dolls; Billy Elliot; Shrek; The Country Girl; Rock ‘n’ Roll (US casting); The Farnsworth Invention; Young Frankenstein; Little Mermaid; Mary Poppins; My Fair Lady; Pirate Queen; Les Misérables; History Boys (US casting); Spamalot; Jersey Boys; …Spelling Bee; Producers; Mamma Mia!; The Phantom of the Opera; Good Vibrations; Bombay Dreams; Oklahoma!; Happiness; Flower Drum Song; Imaginary Friends; Frogs; Contact; Metamorphoses; Thou Shall Not; Man of No Importance.

JOEL T. HERBST (Company Manager) is a proud NETworks company manager from Wisconsin. Go Goslings!

MICHAEL O’DONNELL (Resident Director) was the associate director of the national tour of Spamalot. He also restaged Sam mendes’ and Rob marshall’s Cabaret in Paris and directed the NYC premiere of the new comedy, Pluck the Day. He wrote and directed the feature film comedy, Moving Mike. mr. O’Donnell has also performed in six Broadway shows including Spamalot, Cabaret and Wonderful Town.

TRINITY WHEELER (Production Stage Manager) has worked extensively in the theatre industry for more than 12 years as a director, stage manager, company manager, associate producer and actor. His credits include the National tours of Mary Poppins, Rent (Adam Pascal and Anthony Rapp), mel Brooks’ Young Frankenstein (Roger Bart), Oklahoma!, The Wedding Singer, The Producers, Titanic — The Musical, The Scarlet Pimpernel, Crazy for You and West Side Story. trinitywheeleronline.com

HEATHER CHOCkLEY (Stage Manager) is a proud member of AEA and IATSE. She has toured extensively, nationally and internationally, with The Sound of Music, Joseph… Dreamcoat, Cats, Sweet Charity, The King and I and Fiddler on the Roof, to name a few. Thank you to her husband, family and friends.

MITCHELL B. HODGES (Assistant Stage Manager). Les Misérables 25th anniversary tour, West Side Story national tour, The Phantom of the Opera national tour, music Theatre of Wichita, Fort Worth Opera, Glimmerglass Opera and motor City Lyric Opera. Thanks to Nancy, his parents and Carolyn for their love and support! Go Blue! Proud member of Actors’ Equity. mbhodges.com.

BROADWAY BOOkING OFFICE NYC (Tour Booking, Engagement Management, Press & Marketing) is a leading theatrical tour booking, marketing and press company, representing musicals, plays and theatrical productions. Currently: Jersey Boys, War Horse, The New 25th Anniversary Production of Les Misérables, Mary Poppins, Rodgers & Hammerstein’s South Pacific, Hair, Wintuk from Cirque du Soleil, NETworks presents Disney’s Beauty and the Beast, Bob Fosse’s Dancin’, Holland Taylor in Ann, Menopause the Musical, The Rat Pack Is Back! and Roger Rees in What You Will. www.bbonyc.com.


who’S who

SETH WENIG (Executive Producer) has been with NETworks since its inception in 1995. He spearheaded the international tours of Fosse starring Ben Vereen/Ruthie Henshall as well as the U.K. regional tour of Rodgers & Hammerstein’s The King and I. Together with Cameron mackintosh, Seth served as executive producer of a 40-week UK regional tour of the National Theatre’s My Fair Lady, which also ran in the United States. He is executive producer on The New Mel Brooks Musical Young Frankenstein, Disney’s Beauty and the Beast and Rodgers & Hammerstein’s South Pacific. He is most proud of his greatest productions, marlo and Camden.

NETworks PRESENTATIONS, LLC (Producer). Since 1995, NETworks has produced and managed more than 70 touring productions in the US, UK and internationally. Current productions include Disney’s Beauty and the Beast, Young Frankenstein, and the Lincoln Center’ production of Rodgers and Hammerstein’s South Pacific, Handel’s Messiah Rocks, Spring Awakening, A Chorus Line, Blue Man Group National tour and the new 25th anniversary production of Les Misérables touring the U.S.

ACTORS’ EQUITY ASSOCIATION (AEA), founded in 1913, represents more than 48,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. actorsequity.org

STAFF FOR Les MisérablesExECUTIVE PRODUCER

Seth WenigGENERAL MANAGEMENTGentry & Associates, Inc.

Scott W. Jackson, Gregory Vander PloegCOMPANY MANAGER

Joel T. HerbstTOUR BOOkING,

ENGAGEMENT MANAGEMENT PRESS AND MARkETING

Broadway Booking Office NYCSteven Schnepp, Temah Higgins

Judith Hoenig Adelson, Kent mcIngvale, Jenny Bates

Zach Stevenson, Alexander Parra, Julia D’Angelo, Rachel Goldman

BBONYC.comCASTING

Tara Rubin CastingTara Rubin, CSA, merri Sugarman, CSAEric Woodall, CSA, Laura Schutzel, CSA,

Paige Blansfield, Dale Brown, Kaitlin ShawUS ASSOC. DIRECTOR ............................... ANTHONY LYNUK ASSOC. DIRECTOR ........................CHRISTOPHER KEYFIGHT DIRECTOR .................................... RICK SORDELETResident Director ................................ michael O’DonnellAss’t. to the Director .....................................Trey GerraldProduction Stage manager .........................Trinity WheelerStage manager .................................... Heather ChockleyAss’t. Stage manager ......................... mitchell B. HodgesAssoc. Company manager ...................Andrew michaelsonAss’t to the General manager ..................Kristin NetzbandDance Captain ....................................... Jason OstrowskiFight Captain .......................................... Ben GundersonAss’t. Fight Captain .............................. Heather ChockleyAssoc. Scenic Designer ...........................Christine PetersU.S. Costume Assistant .............................. Jimm HallidayCostume Assistants ...............David Kaley, John SaundersAssoc. Lighting Designer/Programmer ........... Jane DuttonAss’t. Lighting Designer ............................... Karen SpahnAssoc. Sound Designer ............................Paul GatehouseAss’t. Sound Designer ................................... Garth Helmmusic Preparation ..................David Hague, Dakota music

Emily GrishmanKeyboard Programming .............................Stuart AndrewsHead Carpenter ............................................... John WardAutomation Carpenter ....................................... Greg PottCarpenter ...................................................George munzFlyman ................................................. Timothy CallahanProduction Electricians ................ Barb Bartel, Ian mouldsHead Electrician ........................................... Kevin RichieAss’t. Electricians............. Greg Brewster, michael HolmesHead Audio ....................................................Greg BoberAss’t. Audio ............................................... David RomichProps Supervisor ..........................................Lisa BuckleyHead Props ................................................... Paul WilsonAssistant Props ............................................Ryan BrookeHead Wardrobe ..............................................Brit BainesAss’t. Wardrobe ......................................... Sally m. HoweHair Designer ..........................................Campbell YoungHead Wigs ...................................................Kelly meurerAss’t. Wigs ............................................ Bryon mcDonaldDialect Coach ......................................Shane-Ann YountsTutor .......................................................... Leah OsbornPrint/Advertising Design ............................................akaRadio and Television Spot Production ................ Steam UK Website ..........................................................DewyntersSocial media ........................................Pit Bull InteractiveProduction Photography ............................Deen Van meer merchandising ......................... Platypus Productions, LLC Accounting ..........................NETworks Presentations, LLCLegal ...........................................F. Richard Pappas, Esq.Payroll Services ........................................................ADPInsurance ..........................................DeWitt Stern GroupTravel Agency ........................................ Carlson Wagonlit Tax Consultant ................Brent A. Turner, One Source PSGIT Services..................George W. Wilson, One Source PSGTrucking .....................................................Clark Transfer

For Cameron Mackintosh LTDDirectors ....................... Cameron mackintosh (Chairman)

Nicholas Allott (Chief Executive) Richard Johnston

Deputy managing Director ............................Robert NobleFinancial Controller .....................................Richard KnibbExecutive Producer ....................................Trevor JacksonAssociate Producer.............................Thomas SchönbergProduction manager ............................... Jerry Donaldsonmusic Supervisor ...................................... David CaddickHead of marketing ......................................David DolmanAss’t. to Cameron mackintosh........................ Jane AustinAss’t. to Nicholas Allott ................................Claire mistryAss’t. to Robert Noble ................................ Rachel Atkins

For NETworks Presentations Chief Executive Officer ....................................Ken GentryChief Operating Officer ........................... Scott W. JacksonExecutive Producers ...............Seth Wenig, Kary m. WalkerAssociate Producer....................................Angela RowlesAssistant Producers ................... Jim Lanahan, mary WitteAssistant to the CEO .................................... Curt OwensSenior General manager ..................Gregory Vander PloegGeneral manager ......................Dawn Kusinski, Kim ReiterAssoc. General manager ................................ Curt OwensAssistant General manager ..................Bobby maglaughlinProduction manager .................................. Jason JuenkerAssociate Production manager ....................Hector GuivasAssistant Production manager ................ Christian Bottorff marketing/PR ............................................Heather Hessmusic Coordinator ........................................ John mezzioController .............................................. Paula L. JenkinsAssistant Controller ..................................Jennifer GiffordAccounts Payables.........................................Laura CareyAccountant .....................................................Lisa BlankOffice manager ........................................ Buddy PiccolinoOffice Assistant .............................................Carol Jewell

CreditsLighting Equipment supplied by Epic; Sound Equipment supplied by Sound Associates; Set by F&D Scene Changes; Show control and scenic motion control featuring stage command systems® by PRG-Scenic Technologies, a division of Production Resource Group, L.L.C., New Windsor, NY; Video Projection System Provided by Scharff Weisberg, Inc.; Costumes constructed by Scafati, John Schneeman Studio, Sara Timberlake Studio, Claire Johanson and Dale DiBernardo and Jennifer Love.

Rehearsed at New 42nd Street StudiosSpecial Thanks to

Paper mill Playhouse and mark HoebeeTodd Schmidt, mimi Intagliata, Rick Reiser.

The producers wish to thank Fred Hanson for his contribution to the development of this new 25th

anniversary production.Financial Services and banking arrangements by

M&T BankVisit the Les Misérables website at

www.lesmis.comOwn Les Misérables, the 25th Anniversary Concert, featuring Tony® Award-winner Lea Salonga and Nick Jonas on Blu-ray and DVD!


who’S who

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.

All stage work performed by employees represented by IATSE.UNITED SCENIC ARTISTS represents the designers and scenic painters for the American Theatre.

The Musicians employed in this production are members of the American Federation of Musicians of the United States and Canada.

The Director and Choreographer are members of the Stage Directors and Choreographers Society, an independent national labor union.

The Press Agents, Company and House Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers.

This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.

Support for open captioning provided by Theatre Development Fund.

1718 Peachtree St NW, Suite 181, Atlanta GA 30309

Monday - Friday 10:00 a.m. - 5:00 p.m.404.873.4300

Russ Belin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vice PresidentAmanda Martie . . . . . . . . . . . . . . . . . . . . . . . . Ticketing ManagerKevin Ogle . . . . . . . . . . . . . . . Ticketing /Administrative AssistantRebekah K. Jones. . . . . . . . . . . . . . . . . . . . . . . Technical Director Terry Romanoli . . . . . . . . . . . . Director of Corporate PartnershipsMarc Viscardi . . . . . . . . . . . . . . . .Director of National Marketing

For media inquiries, please contact Jennifer Walker at BRAVE Public Relations, 404-233-3993.

FOR INFORMATION regarding corporate partnerships and promotional opportunities with Broadway in Atlanta,

please call 404.873.4300.

We are excited to announce the new 2012-2013 BROADWAY lineup filled with some of New York City’s hottest shows!

The season includes the Atlanta premiere of the 2011 Tony Award® winner WAR HORSE, the family friendly musical BEAUTY AND THE BEAST, the brand new musical FLASHDANCE, the rockin fun of MILLION DOLLAR QUARTET, and you’ll be singing the praises of SISTER ACT! To learn more, call 1-800-278-4447 or visit BroadwayInAtlanta.com.

Thank you To our SponSorS:

Watch exclusive videos, become a fan, follow us and visit us online:

Visit our home page at BroadwayInAtlanta.com

: youtube.com/BAANational

: twitter.com/BroadwayAtlanta

RCS_BGA_P08409 Client: Ruth’s Chris Steak HouseWO: Encore Atlanta Metro start your night .. (digest full)

Live: 4.875” x 7.875” Trim: 5.375” x 8.375” Bleed: 5.625” x 8.625” Gutter: NoneMedia Type: Magazine Pubs: Encore Magazine Issue: 2010; AdSize: digest full Line Screen: Default Mech Scale: NoneAD: Jessica Giles CW: None ACCT: Jackie Ferrer PROD: Angel Pabon TRAF: Lynn Mathis Studio: Kevin Tinsley

Printed At: 4-1-2010 8:27 AM File Printed @ 100%

Images Used:RCS_Bkgnd_Mag_8x10_notexture_C_300_.tif CMYK 62.39%, 50.52% 480 ppi, 593 ppi SuperStudio:ART:MNH:Ruthschris:Filet_Solo:RCS_Bkgnd_Mag_8x10_notexture_C_300_.tifRCS_6ozFilet&ShrimpSOLO_C_300.tif CMYK 51.5% 582 ppi SuperStudio:ART:MNH:Ruthschris:Filet and shrimp:RCS_6ozFilet&ShrimpSOLO_C_300.tifRCS_SteakhouseSalad_C_300.tif CMYK 18.23% 1645 ppi SuperStudio:ART:MNH:Ruthschris:Appetizer/Sides:RCS_SteakhouseSalad_C_300.tifRCS_SymphonyDessert_9944_C_300.tif CMYK 18.16% 1652 ppi SuperStudio:ART:MNH:Ruthschris:Dessert:RCS_SymphonyDessert_9944_C_300.tifRCSH_USP_4CP_15.ai 102.5% SuperStudio:Logos:Ruths_Chris:_Official_Logos:StandardSpace:With_Stamp:RCSH_USP_4CP_15.ai

Colors Used: Cyan Magenta Yellow Black

Fonts: Mrs Eaves Petite Caps (Regular; Type 1)Mrs Eaves All Petite Caps (Regular; Type 1)Mrs Eaves Roman Lining (Regular; Type 1)Times (Regular; True Type)News Gothic BT (Bold; Type 1)

200 Varick St. New York, NY 10014 : Phone 212-805-7500

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Four Metro Atlanta RestaurantsSandy Springs • Buckhead

Centennial Olympic Park • Kennesaw

ruthschris.com

Start your night with a standing ovation.

Enjoy a sumptuous pre-show dinner with our 3-course Prime Time Menu | $39.95 or $49.95

Off ered nightly until 6:30pm.

CMYK 15/100/100/68

S:4.875”S:7.875”

T:5.375”T:8.375”


The TheatreA fully restored 1929 “movie Palace,” the Fox theatre, with 4,678 seats, is a multiple-purpose facility, housing Broadway shows, ballet, symphonies, concerts, movies, and private corporate events.

Private Roomsthe Fox theatre has three private rental spaces, with accommodations for 25 to 1,200 guests. our Egyptian Ballroom and Grand Salon are beautifully decorated and can be set up to your specifications. the landmarks lounge is adjacent to the lobby and is perfect for a small pre-show and intermission event. to book your ”Fabulous Fox“ evening, please call 404.881.2100 or visit us at www.foxtheatre.org.

The Box Officethe Fox theatre Box office is located in the arcade entrance to the theatre. the Box office is open for walk up ticket sales monday-Friday, 10:00 a.m.-6:00 p.m., and Saturday, 10:00 a.m.-3:00 p.m. the Fox theatre Box office is not open on Sundays unless there is a performance. on event days, the Box office opens two hours prior to show time. Doors to the Fox open one hour prior to show time. tickets for all performances at the Fox may be purchased at any tIcKEtmAStEr outlet, by calling tIcKEtmAStEr at 800.745.3000, or by visiting the Fox theatre Box office in person during regular Box office hours.

Group Salesthe Fox theatre Group Sales Department offers discounts to Groups for most Broadway shows. the Group Sales office is open monday-Friday from 9am to 5pm. call 404 881-2000 or email [email protected].

Concessionsconcession stands are located in the Spanish room, main lobby, and on the mezzanine lobby level.

Restroomsrestrooms are located off the main lobby (downstairs), mezzanine lobby levels, and the Gallery level. Accessible restroom facilities are located in the Spanish room and Accessible/Family restrooms are located through the office door in the main lobby.

Gift Shopthe Fox theatre operates a gift shop selling history books, t-shirts, sweatshirts, and an assortment of other theatre-related merchandise. the gift shop is located in the Spanish room.

Tourstours of the Fox theatre are available through the Atlanta Preservation center. tours are conducted mondays, Wednesdays, and thursdays at 10:00 a.m. and Saturdays at 10:00 a.m. and 11:00 a.m. tours begin in the Peachtree Street Arcade entrance to the theatre. For more information on tours and to confirm the tour schedule, please call the Atlanta Preservation center at 404.688.3353.

Lost and Foundlost and Found items are turned in to the House manager’s office. to check on lost items, please call the House manager at 404.881.2075. lost and Found items will be retained for 30 days.

Emergency InformationIn the event of an emergency, please walk to the nearest exit. Do not run.

Smoking In accordance with the Fulton county clean Air ordinance, the Fox theatre is a smoke-free facility. Smoking is only permitted in designated areas.

Special NeedsKen Shook, Patron Services coordinator, is our liaison to the disabled community. He can be reached at 404.881.2118 and can provide information on the locations and prices of accessible seating and other programs for the disabled. the Fox theatre also has a brochure detailing all these programs for our patrons with special needs. this brochure is available at the concierge Desk in the Arcade. An audio clarification device (Phonic Ear) is available for patrons with hearing disabilities. It is available, free of charge, on a first-come, first-serve basis on the evening of a performance, or you may reserve a device by calling the Patron Services Director. A limited number of booster seats are also available free of charge.

ElevatorsElevators are located at the north end of each lobby. the elevators are available during all performances and make it possible to access each lobby without the use of stairs. Patrons should be aware that access to upper seating areas do involve stairs.

ParkingParking is available within a four-block radius in all directions of the Fox theatre. Advanced reserved parking is available for sale at the Fox Box office or by calling tIcKEtmAStEr at 800.745.3000. the Fox theatre assumes no responsibility for vehicles parked in any of the privately owned parking lots operating in the Fox theatre district.

Performance NotesAll patrons, regardless of age, must have a ticket in order to be admitted to the theatre. not all events are suitable for children. Infants will not be admitted to adult programs/performances. Parents will be asked to remove children who create a disturbance.

latecomers will be seated at the discretion of the management, in conjunction with the wishes of the producers.Please turn off all pagers and cell phones prior to the beginning of each performance. camera and recording devices are strictly prohibited.

Backstage employees are represented by the International Alliance of theatrical Stage Employees (I.A.t.S.E.)

FoR yoUR INFoRMATIoN


ThE Fox ThEATRE660 Peachtree Street, n.E.Atlanta, Georgia 30308

404.881.2100 • www.foxtheatre.org

STAFFAllan c. Vella . . . . . . . . . . . . . . . . . . . General managerAdina Alford Erwin . . . . . . . . Assistant General managerPat “Sunshine” tucker . . . Director of ticketing & Box officerobert Burnett . . . . . . . . . . . . . . . . . . . . . . . . . controllerrick robbins . . . . . . . . . . . . . . . . . . . Assistant controllerJennifer S. Farmer . . . . . . . . . Director of Sales/Ballroomsoliver Diamantstein. . . . . . Director of Food and Beveragelen tucker. . . . . . . . . . . . . . . . . . . Director of operations Pat Prill. . . . . . . . . . . . . . . . . . . . . . . . . .House managerGreta Duke. . . . . . . . . . . . . . . . Assistant House managerKristen Delaney. . . . . . . . . . . . Director of marketing & PrKen Shook . . . . . . . . . . . . . . Patron Services coordinatorShelly Kleppsattel . . . . . . . .Booking & contract Associate Jamie Vosmeier. . . . . . Director of Group Sales, Education

& community outreachmolly Fortune . . . . . . . Preservation Department managerAmy Smith . . . . . . . . . . . . . . . . . . . Production managerrebecca J. Graham. . . . . . .Assistant Production managerGary Hardaway . . . . . . . . . . . . . . . . . .master carpenterlarry Watson . . . . . . . . . . . . . . . . . . . . . . House FlymanScott Hardin . . . . . . . . . . . . . . . . . . . . . . Property masterray t. Haynie . . . . . . . . . . . . . . . . . . . master Electriciancary oldknow . . . . . . . . . . . . . . . . . Assistant Electricianrodney Amos . . . . . . . . . . . . . . . . Head Sound Engineerlarry-Douglas Embury. . . . . . . . . . organist In residence tammy Folds. . . . . . . . . . . . Production Security manager

ExECUTIVE CoMMITTEE AND BoARD MEMBERS

Alan E. thomas. . . . . . . . . . . . . . .chairman of the BoardEdward l. White . . . . . . . . . . . . . . . . . . . . . . . . PresidentBeauchamp c. carr. . . . . . . . . . . . . . . 2nd Vice PresidentJohn A. Busby Jr.. . . . . . . . . . . . . . . . . 3rd Vice PresidentJulia Sprunt Grumbles . . . . . . . . . . . . . 4th Vice PresidentEdward Hutchison . . . . . . . . . . . . . . . . . . . . . . .treasurerrobyn rieser Barkin . . . . . . . . . . . . . . Assistant treasurerclara Hayley Axam. . . . . . . . . . . . . . . . . . . . . SecretaryWalter r. Huntley Jr. . . . . . . . . . . . . . . . member at largerobert E. minnear . . . . . . . . . . . . . . . . . member at largecarl V. Patton.. . . . . . . . . . . . . . . . . . . . member at large

Ada lee correll, richard courts IV, Keith cowan, robert l. Foreman Jr., F. Sheffield Hale, John r. Holder, Florence Inman, craig B. Jones, Steve Koonin, charles lawson, Starr moore, Jay myers, Joe G. Patten, Glen J. romm, Sylvia russell, nancy Gordy Simms, clyde c. tuggle, carolyn lee Wills.

hoNoRARy BoARD MEMBERSAnne cox chambers, Arnall (Pat) connell, rodney mims cook Jr., Jere A. Drummond,

richard o. Flinn III, Arthur montgomery, Joseph V. myers Jr., Edward J. negri, Edgar neiss, Herman J. russell,

Preston Stevens Jr.

Official Beverage of The Fox Theatre Official Airline of The Fox Theatre

Official Vehicle of The Fox Theatre

Official Hotel of The Fox Theatre Official Restaurant of The Fox Theatre

ETIqUETTE

1. Please arrive early. Latecomers may not be seated until intermission.2. Take care of personal needs (drinks of water or restroom) before the performance begins. 3. Please silence or turn off all electronic devices, including cell phones, beepers, and watch alarms. We encourage you to share your experience at the Fox via social media, but please refrain from doing so or texting during performances; the glow from your device is distracting.4. Most shows do not allow photography of any kind. Flash photography inside the theatre is never allowed as it is a distraction to those around you and a danger to the performers.5. The overture is part of the performance. Please cease talking at this point. 6. Dear Lovebirds, when you lean your heads together, you block the view of the people behind you. Please consider the people that will be seated behind you when choosing whether or not to wear a hat or what hair style you choose. 7. Please refrain from talking, humming, or singing along with the show, except when encouraged to do so by the artist or show. 8. Please wait for an appropriate moment to dig something out of your pocket or bag. 9. Go easy with the perfume and cologne, many people are highly allergic. 10. If you need assistance during the show, please go to your nearest volunteer usher. If additional assistance is needed the usher will get the appropriate person to further help you.11. Yes, the parking lot gets busy and public transportation is tricky, but leaving while the show is in progress or before the actors have taken their final bows is discourteous. Wait until it is over and then exit with the rest of the audience.


Fox theatre Dining guiDe

Lenox Square Grill offers breakfast, lunch and dinner daily. DJ every Friday and Saturday night til 2am. Private meeting rooms accommodate up to 150. 3393 Peachtree Rd. NE, 404-841-2377, lenoxsquaregrill.com. BLivingston Restaurant and Bar It’s hard to beat the location (across from the Fox theatre in the Georgian terrace), and diners get complimentary parking, but the main attraction is the glamour of the main dining room, which has hosted the likes of clark Gable, and the al fresco seating area, which is available in warm weather. 659 Peachtree St. NE, 404-897-5000, livingstonatlanta.com. M Lobby the menu focuses on seasonal fare at this sophisticated American restaurant in the lobby of tWElVE Atlantic Station. 361 17th St., 404-961-7370, lobbyattwelve.com. MONE.midtown kitchen Dine on fresh, seasonal American cuisine in a club-like atmosphere near Piedmont Park. 559 Dutch Valley Rd., 404-892-4111, onemidtownkitchen.com. MThe Melting Pot is the premiere fondue restaurant where guests can enjoy a choice of fondue cooking styles and a variety of unique entrees, salads and indulgent desserts. Four Atlanta locations, including 754 Peachtree St. NE, 404-389-0099, meltingpot.com. MMurphy’s this restaurant has one of the city’s top brunch menus, but it’s known for great people-watching and its contemporary comfort food. 997 Virginia Ave., 404-872-0904, murphysvh.com. VH

Two Urban Licks “Fiery” American cooking meets live music at this hip hangout. 820 Ralph McGill Blvd., 404-522-4622, twourbanlicks.com. M

Joey D’s Oakroom near Perimeter mall, this stylish steak house has a staggering selection of spirits and a hot after-dinner singles scene. 1015 Crown Pointe Pkwy., 770-512-7063, centraarchy.com. PNew York Prime A Prime time top 10 USDA Prime Steakhouse known for its wine list, atmosphere and world class service. 3424 Peachtree Rd. NE, 404-846-0644, centraarchy.com. BPrime Enjoy steak, sushi and seafood in a festive atmosphere near lenox mall. 3393 Peachtree Rd. NE, 404-812-0555, h2sr.com. BRay’s in the City Set in the heart of Downtown, ray’s in the city offers a selection of the freshest seafood flown in daily, hand-cut steaks and made-to-order sushi. 240 Peachtree Street, NW, 404-524-9224, raysrestaurants.com. DRay’s on the River has been an Atlanta dining destination for more than 27 years! Enjoy signature cuisine including fresh seafood and prime cut steaks. Sunday Brunch offers over 80 homemade items and a new Bloody mary bar. 6700 Powers Ferry Rd., 770-955-1187, raysrestaurants.com. SSRay’s at Killer Creek provides an unforgettable dining experience in an upscale, yet relaxed atmosphere. Sunday Supper features gourmet comfort food including a choice of three entrees served with bottomless sides, biscuits and cornbread. 1700 Mansell Rd., 770-649-0064, raysrestaurants.com. A

looking for a great night out? try one of these local restaurants before or after the show. For Dinner and a Show packages, visit encoreatlanta.com/offers.Neighborhood codes: A–Alpharetta, B–Buckhead, DK-Dekalb, D–Downtown, DW-Dunwoody, IP–Inman Park, M —Midtown, OFW–Old Fourth Ward, P–Perimeter Mall area, SS–Sandy Springs, VH–Virginia-Highland, NA —North Atlanta, V—Vinings, W–Westside

AMERICAN

AMERICAN/STEAKhOUSE

Ruth’s Chris Steakhouse A favorite local steak house with multiple locations near shopping and entertainment hotspots. Sides are generous, and the quality of the steaks and seafood is excellent. Three locations: Buckhead, 3285 Peachtree Rd. NE, 404-365-0660; Sandy Springs, 5788 Roswell Rd., 404-255-0035; Centennial Olympic Park, 267 Marietta St., 404-223-6500; ruthschris.com. B, SS, DThe Tavern at Phipps this is one of Atlanta’s hottest after-work spots, and has been singled out for its happy hour and singles scene by Jezebel, InSite magazine and the Aol city Guide. 3500 Peachtree Rd. NW, 404-814-9640, centraarchy.com. B

Eleven Restaurant & Bar A luxurious destination at loews Atlanta Hotel. Sensational views from floor-to-ceiling windows. Just steps from Piedmont Park. Delectable cuisine, vibrant cocktails and live music. Visit them for delightful pre or post performance cocktails, or a quick bite that always gets a standing ovation. 1065 Peachtree St. NE, 404-745-5745, loewshotels.com/restaurants/eleven/cuisine. M

South City Kitchen With a stylish, Southern-contemporary menu, this DironA restaurant helped make grits hip for the business crowd. Two locatons: Midtown: 1144 Crescent Ave., 404-873-7358; Vinings: 1675 Cumberland Pkwy., 770-435-0700, southcitykitchen.com. M, VTerrace celebrates American heirloom recipes through supporting local and regional farmers, fisherman and producers. It recaptures pure flavors and tastes of natural and organic ingredients while bursting with delicious flavors. 176 Peachtree St. NW, 678-651-2770, ellishotel.com/terrace. D

Aja Restaurant & Bar Serving modern Asian cuisine, Aja has a 150-seat patio overlooking Buckhead and a huge lounge, where diners nosh on dim sum and sip mai tais. 3500 Lenox Rd., Ste. 100, 404-231-0001, h2sr.com. BSpice Market Inspired by the street life of Southeast Asia, Spice Market enchants with complex blends of seasonings and layers of flavor that ignite the taste buds served in a relaxed, alluring environment at W Atlanta — Midtown. 188 14th St. NE, 404-724-2550, spicemarketatlanta.com. M

AMERICAN/SOUThERN

ASIAN FUSION

For less than what it costs for a single admission, you can purchase a Dinner & A Show package and get a TICKET PLUS A $20 GIFT CARD redeemable at a fine Atlanta restaurant.

AVAILABLE NOW:

DINNER & A SHOW

Amazing shows.

ORDER TODAY!

Memorable meals.JERSEY BOYS Deadline to order is 5/18

WED 5/23 - RAY’S IN THE CITYTHURS 5/24 - LIVINGSTON SUN 5/27 - SOUTH CITY KITCHENWED 6/6 - ECCOTHURS 6/7 - LIVINGSTON SUN 6/10 - RAY’S IN THE CITY

For more information, log onto FoxTheatre.org

Dinner & Show offers can be found on the left side of the Fox Theatre’s Facebook page, www.facebook.com/TheFoxTheatreAtlanta

Drink Shop features cocktails in artistic divination, blessed with pure and homemade ingredients, complete with a visible fruit juicing and vegetable extraction station. Unique, freshy made mixers and a spirit selection of colorful, independent labels! 45 Ivan Allen Junior Blvrd., 404-582-5800, watlantadowntown.com/drinkshop. DGordon Biersch Fresh-brewed beers are a tasty accent to this brewery-restaurant’s hearty pizzas, salads and sandwiches. For a small additional fee, pre-show diners can leave cars in the lot while they’re at the Fox. Two locations: Midtown: 848 Peachtree St. NE, 404-870-0805; Buckhead: 3242 Peachtree Rd. NE, 404-264-0253, gordonbiersch.com. M, BTap A gastropub offering easy-to-share pub fare and an extensive beer selection. the patio is a great place to chill after work. 1180 Peachtree St., 404-347-2220, tapat1180.com. M

Parish new orleans-inspired dishes served with a modern twist and a fully stocked raw bar; a nawlins-inspired brunch is served on the

weekends. Downstairs, a take-away market sells sandwiches, spices, pastries and beverages. 240 N. Highland Ave., 404-681-4434, parishatl.com.Ecco Esquire magazine named this casual,

European-influenced bistro a “Best new restaurant in America.” It’s also gotten raves for its killer wine list, wood-fired pizzas, and impressive meat and cheese menus. 40 Seventh St. NE, 404-347-9555, ecco-atlanta.com. M Shout A young crowd keeps Shout’s rooftop lounge

hopping every night. the menu reflects a mix of mediterranean, Far Eastern and South American influences. 1197 Peachtree St. NE, 404-846-2000, h2sr.com. MDavio’s Northern Italian Steakhouse located at

Phipps Plaza in the heart of Buckhead is Atlanta’s newest dining destination. 3500 Peachtree Rd., NE, 404-844-4810, davios.com/atl. BLa Tavola Serving classic Italian cuisine for lunch and dinner in the heart of Virginia-Highland. 992

BREw PUB/GOURMET PUB FARE

CREOLE/CAJUN

EUROPEAN FUSION

MEDITERRANEAN/LATIN/ASIAN FUSION

ITALIAN

The best restaurant Midtown has to o�er ...

... would like to invite you to enjoy 15% o�.PRESENT YOUR TICKET AND RECEIVE 15% OFF FOOD ONLY AT SHOUT*

*O�er valid with your Atlanta Symphony Orchestra or Fox Theatre ticket stub. Expires 4/30/12.

Located at 14th Street & Peachtree Street NE

(404) 846-2000

h2sr.com

Virginia Ave., 404-873-5430, latavolatrattoria.com. VH

Alma introduces Atlanta to a refreshing new approach to contemporary mexican cuisine. Bright, fresh ingredients and traditional regional influences come together with other latin American flavors in vibrant dishes that feel familiar and new all at once. 191 Peachtree St. NE, 404-968-9662, alma-atlanta.com. DCantina Tequila & Tapas Bar is located in the terminus building on the corner of Peachtree and Piedmont roads. It features authentic mexican cuisine and has become Buckhead’s newest watering hole. 3280 Peachtree Rd. NW, Terminus 100, Ste. 150, 404-892-9292, h2sr.com. BEl Taco An eco-friendly watering hole serving fresh mexican food made with all-natural meats and killer margaritas. 1186 N. Highland Ave.NE, 404-873-4656, eltaco-atlanta.com.VH

Noche A Virginia-Highland favorite known for its Spanish-style tapas dishes and margaritas. 1000 Virginia Ave., 404-815-9155, h2sr.com. VH

Coast Seafood and Raw Bar serves Atlanta’s freshest seafood and island cocktails. the menu incorporates classics including crab and corn hush puppies, a signature seafood boil, and a variety of raw or steamed oysters, clams and mussels; along with signature fresh catch entrees. 111 W. Paces Ferry Rd. NW, 404-869-0777, h2sr.com. BGoldfish this fun seafood/sushi restaurant has Happy Hour specials mon-Fri and nightly entertainment in its lounge. 4400 Ashford Dunwoody Rd., 770-671-0100, h2sr.com. P

Room this elegant restaurant serves steak and sushi on the ground floor of the tWElVE centennial Park hotel. 400 W. Peachtree St., 404-418-1250, roomattwelve.com. DStrip this sophisticated steak, seafood and sushi restaurant offers an in-house DJ and a rooftop deck. Atlantic Station at 18th St., 404-385-2005, h2sr.com. MTwist this lively restaurant has a huge bar, satay station, tapas menu, sushi and seafood dishes; patio seating is first-come, first-served. 3500 Peachtree Rd. NW, 404-869-1191, h2sr.com. B

STEAK/SUShI

SEAFOOD/SUShI

MEXICAN

SPANISh

Our Professional EnsembleBruce V. Benator, CPA, Managing Partner

Kevin J. Hedrick, CPA, PartnerSteven G. Horn, CPA, PartnerLaura E. Speir, CPA, Partner

Patricia A. Yeager, CPA, Partner

NO rehearsalsONLY performances

Certified Public Accountants and ConsultantsFor over 25 years, the FIRM of CHOICE in Atlanta

1040 Crown Pointe Parkway, NE • Suite 400 • Atlanta, Georgia 30338Phone: 770.512.0500 • www.wblcpa.com • Fax: 770.512.0200

Member of American Institute of Certified Public Accountants and Russell Bedford International

Fox Fun FACTS: Fox ArChiveS


The Fox Archives has over 500 original signed star photos stored in its temperature and humidity controlled Special Collections Room.

When restoration work requires the removal of original brick, finish, or plaster from the building, a part of the original material is saved in Archives for future reference.

The Fox retains fragments of the original fabrics that once covered its historic furniture. These remnants are critical components in recreating reproduction fabrics and patterns.

The Fox Theatre’s poster collection comprises over 1,100 show posters dating back to the 1930s.

In recognition of the Fox Theatre’s contribution towards sales in excess of 500,000 copies, MCA Records presented the Fox with Lynyrd Skynyrd’s One More from the Road gold album.

When the Fox opened in 1929, it housed a projection booth full of state-of-the-art equipment, including a

1928 Brenkert F-7 Master Brenograph projector to project effects, backdrops, and lantern slides featuring lyrics of songs that were popular at the time. The Fox Lantern Slide Collection is comprised of approximately 569 song titles, made of up countless individual glass slides for each song.

Fox

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the Fox Archives, also know as the Special collections room, currently houses countless architectural drawings, show posters, historic photographs, glass lantern slides, and many Fox artifacts and recordings. Some fun Fox Archives facts:

“Bicycle Built for Two” lyrics on a glass lantern slide, Madonna’s signed photograph and Lynyrd Skynyrd’s gold album are all stored in the Fox Theatre’s Special Collections Room.

Who will be around to teach them the meaning of

Create aJewish Legacy

and ensure theirJewish future

is a bright one.

Find out more atAtlantaJewishLegacy.org

Create a Jewish Legacy is an initiative of the Jewish Federation of Greater Atlanta.

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Feeling French? You needn’t leave Atlanta By Kenny norton

W hen considering French culture in the South, Atlanta may not be the first place that leaps to

mind. However, ever since Jean Ribault (anyone remember the Six Flags ride), Georgia has been shaped by French influences. As a true international city, it hosts French cultural and heritage events throughout the year, bringing the joie de vivre of Paris a little closer to home.


• Alliance Theatre• Atlanta Symphony Orchestra• High Museum of Art• Young Audiences.

Be mom’s favorite this Mother’s Day! Give the best in theatre, music and art with The Woodruff Arts Center Gift Card!

It can also be used for parking, dining and shopping on The Woodruff Arts Center campus. Purchase today at the Box Office (404.733.5000) or on our website, www.woodruffcenter.org.

The Woodruff Arts Center Gift Card is good for tickets, programs, memberships or subscriptions at:

You can experience French culture in three dimensions through Théâtre du Rêve (pronounced tee-AHH-tre doo rev). The professional theater company, founded in 1996, is the only French-language company in the United States. It brings the culture and language of the Francophone world to Americans, doing bilingual shows and using subtitles or supertitles when necessary. Its education programming goes nationwide.

Join us as we follow Théâtre du Rêve Artistic Director Park Krausen on a tour of the French experience, Atlanta style:

“There are a number of fantastic French restaurants,” she says, singling out a couple of Buckhead bistros. “I think Atmosphere’s food is really authentic with the freshest ingredients,” she says, calling its escargot the city’s best. She also likes the authenticity of Anis Bistro’s cuisine, its cozy atmosphere and great staff.

Alliance Francaise d’Atlanta offers classes and programming about French culture, encouraging the study of the French language and culture by providing French classes along with cultural and artistic programs such as films, speaker, trips and exhibits. You can also catch soccer matches there on Saturdays.

Looking for something festive? The French Consulate in Atlanta does some programming each year and has a celebration of France in Atlanta. The France-Atlanta is a special event, Krausen says, usually held in the fall. The 2012 program will feature a French design exhibition at SCAD.

Each November the French American Chamber presents the annual Beaujolais Nouveau Festival, which celebrates the release of the wine Beaujolais Nouveau and includes tastings of other wines. Each May, the chamber holds the


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Balloons fly free during the release at the end of théâtre du rêve’s The Red Balloon, based on the famous French film by Albert lamorisse of the same name. the puppet version of Pascal flies over the streets of Paris with his cluster of balloon.

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Passport to France Gala, a celebration of French culture.

Of course Théâtre du Rêve makes Krausen’s list. “We bring the French language (often that of great French and French-language writers) to life on the American stage,” she says. The company recently closed The Red Balloon by Albert Lamorisse, told with puppets and people in French and English. It premiered at TdR a year ago and proved so popular that the company reprised it this winter. Its student matinee performances are the heart of TdR’s education program, Krausen says.

Yet, the most anticipated part of the education programming is just beginning. “We are starting a huge program bringing French language and theater, helping students embrace French language creatively,” Krausen says. “It will have workshops to help kids

create their own theatrical productions using French literature.”

The theater also is working on a new production, Celles d’en haut (The Women From on High), a commission that received its first public performance at a staged reading at the Alliance Theatre in mid-March.

The international production features a Montreal playwright, a Belgian director and actors from Atlanta, Chicago and Quebec. Aiming for a full production in 2013, the theater plans to premiere the play in Atlanta and ultimately tour to Brussels, Montreal and Chicago.

Kenny Norton is a freelance writer who has written web content, articles and marketing/PR materials. He is also contributing editor and administrator of www.AtlantaTheaterFans.com.

Yanelle cornez, French teacher at the Atlanta International School, provides language coaching to the youth and adult actors during a rehearsal for théâtre du rêve’s The Red Balloon.

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Facing your own mortality has never looked so palpable or startling than at “BODIES ... The Exhibition” at

Atlantic Station. The dim exhibit scatters light across 200 specimens and human bodies that come from medical facilities in China. The bodies and organs were painstakingly dissected, preserved and skillfully arranged for public display.

Curious visitors are greeted by flesh and muscle rippling across human figures in a range of motion and style. The maze of anatomy leads past placards that explain how the body works. Some stops are a fascinating account of the entire nervous system. Others provide fun factoids like “your body grows 40 additional yards of hair every 24 hours.” But complete human body specimens are the main attraction with flashes of artistic touches and detailing.

An athletic body frozen in mid-sprint exposes contracting muscles and taught tendons at work. A hand tightly palms a basketball while eyes fall transfixed on an imaginary hoop in the distance.

“BODIES” houses various themes focusing on skeletal, muscular, nervous, respiratory, digestive, urinary, reproductive and circulatory systems, and the treated body. Visitors stand BO

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Life and death at BODIES the Exhibition

By SuSan Finch

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next to a dismembered circulatory system while learning more from nearby signage. Another station reveals the inner workings of the human anatomy with a body dissected into three vertical sections. A closer step reveals an intimate view of the digestive track zigzagging through a suspended cross section. You can also study the carefully positioned kidneys, stomach, heart and lungs.

The exhibition highlights what our bodies are capable of and sends a message about what we’re doing to them. It will stop the uneasy in their tracks with a hard look at the consequences of poor lifestyle choices. An array of discolored organs and tissues show complications from obesity, excessive alcohol use, habitual smoking and more. A case of discarded cigarette boxes lies between displays of healthy and diseased lungs and sheds light on the stark reality of our decisions.

An explanation of the freeze-dry preservation process is, perhaps, just as interesting as the dissected brains, hearts, tissues and bodies. The medical facilities used polymer preservation to permanently preserve the tissues for an indefinite amount of time. A series of steps involving dissection, replacing water with acetone, treatment in a vacuum chamber and silicone polymer hardening leaves behind a dry and odorless specimen. The individual tissues and organs look like nothing more than components of a science exhibit. But the meticulous re-creation of the face with lips, ears, jaw and eyes leaves the impression that the body simply froze and hardened in midsentence.

The stunning exhibit hopes to cater to all ages and offers children a customized audio guide. Comfort level, and not age, determines who should explore “BODIES,” and not every exhibit is deemed appropriate for all. An ectopic pregnancy gives way to a sign that cautions visitors about what to expect next. Anyone who is uncomfortable with the upcoming subject matter is encouraged to move past the popular fetal development room. Fetuses of all sizes line up in rapid stages of organ and tissue development spanning from mere days to months.

Although tastefully executed and void of the grotesque or macabre, “BODIES ... The Exhibition” is not for the squeamish at heart. To catch a glimpse of what to expect, visit www.bodiestheexhibiton.com.

Susan Finch is a travel, arts and lifestyle writer whose work appears in national publications and guidebooks. After living in NYC for more than a decade, she recently returned to Atlanta and is rediscovering her love for the city.

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Things that we take for granted — clean water, abundant food, shelter,

vaccines, schools — are a luxury for kids in developing nations. To prove this point and show Atlantans how they can help, the U.S. Fund for UNICEF will host the UNICEF Experience at Atlanta’s Georgia Public Broadcasting Studios on April 29.

The UNICEF Experience gives visitors information about what it costs to provide education, vaccines, sanitary living conditions and clean drinking water for children in the 157 developing countries that UNICEF helps. On display will be “school-in-a-box” kits, baby scales, early childhood development kits and other relief items, so people can see where their dollars go without having to travel overseas. UNICEF program experts will be on hand to answer questions. And there will be experiential elements, like a water carrying station, so attendees can experience firsthand the daily challenges UNICEF children face overseas.

“I want people to walk away from here knowing that every single day, as we go about our business, 21,000 children die of causes we know how to prevent,” said Caryl M. Stern, president and CEO of the U.S. Fund for UNICEF. “We believe that number should be zero. And I want

[people] to walk away knowing they can make that happen.”

The ability to save lives is what prompted the event’s founding co-chair Vern Yip, host of HGTV’s “Deserving Design,” to become a global ambassador for UNICEF. “In the [six years] I’ve been involved, they’ve been successful in getting the number down from 26,000 to 21,000 — so that’s 5,000 kids a day that aren’t dying needlessly,” Yip said.

For more information on the family friendly April 29 event, visit unicefusa.


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UnICEF Experience shows Atlantans how they can helpBy Kristi Casey sanders

Children’s lives shouldn’t be a luxury

UNICEF Ambassador Vern Yip and John Terracino

Sanjay Gupta and CEO of the U.S. Fund for UNICEF Caryl Stern

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April 2012 Les Miserables at the Fox Theatre

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Transcript of April 2012 Les Miserables at the Fox Theatre