Applause Magazine, Nov.–Dec., 2015

APPLAUSEVOLUME XXVII | NUMBER 4 | NOV - DEC 2015

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A CHRISTMASSTORY,

THE MUSICAL A CHRISTMAS CAROL

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4 denvercenter.org

TMaking Cents of Arts Funding

This year marks the 50th anniversary of the National Endowment for the Arts (NEA). Signed into law by Lyndon B. Johnson (coincidentally, the central character of our upcoming Theatre Company production of All the Way), the NEA supports the arts in all 50 states through grants and fellowships. Since its inception, the NEA has awarded $5 billion to American creativity. It’s a huge accomplishment that you can celebrate at www.arts.gov/50th. But it’s not nearly enough. The NEA’s 2015 budget was $146 million — a mere 0.004% of the federal budget. That equates to each American paying 46 cents per year to support the NEA. Contrast that with the metro Denver area, where we’ve been investing in arts, science and culture for more than 27 years, through the Scientific and Cultural Facilities District (SCFD) and its one-cent sales tax on every $10 spent in a seven-county region. The SCFD distributes nearly $52 million per year throughout the taxing district. This means that just seven counties in a state that barely cracks the nation’s Top 25 by population contribute the equivalent of 1/3 the amount the federal government allocates to the arts in the entire country. It bears repeating: seven Colorado counties fund the arts at a third of the strength of a national arts organization. Amazing and enviable. Be sure to show your support of our nationally recognized arts district at www.UnitedForScfd.com. So, what can our Congressional representatives learn from the citizens of the Denver metro community? First and foremost, we value arts and culture in ways many other states can’t begin to understand. Colorado ranks #1 in per-capita trips to theatres, concert halls and museums. Additionally, the Colorado Business Committee for the Arts reports that our cultural sector generates more than $1.85 billion in economic activity, entertains 14.2 million people (of which more than 1/3 attend for free), employs 10,200 residents and educates 4.25 million students. Truly admirable. This is not to say that the NEA has not done wonderful things. To see a great example, watch A Celebration of American Creativity: In Performance at the White House scheduled this January on PBS. Some national funding is better than none, but Colorado has created an arts ecosystem that supports large regional cultural institutions like the DCPA; mid-size arts organizations like the Colorado Ballet, and more than 200 small neighborhood art makers. We have every reason to be proud — and every reason to expect that this level of cultural investment should be the rule, not the exception. Imagine what our National Arts Scene would look like if every major metropolitan area had its own version of the SCFD. What advice would you give to other cities and government officials about the effectiveness of the SCFD? Should funding the arts be left solely to regional districts, or should the Federal Government allocate more to the NEA to bolster the national arts landscape? Let us know at denvercenter.org/sightline.

SCOTT SHILLERPresident and CEO

SIGHTLINEB Y S C O T T S H I L L E R

BOARD OF TRUSTEESDaniel L. Ritchie,

ChairmanWilliam Dean Singleton,

Sec’y/TreasurerRobert Slosky,

First Vice Chair Margot Gilbert Frank,

Second Vice ChairDr. Patricia Baca Joy S. BurnsIsabelle ClarkNavin DimondL. Roger Hutson Mary Pat Link Robert C. NewmanHassan SalemRichard M. Sapkin Martin SempleTara Smith Jim SteinbergKen TuchmanTina WallsLester L. WardDr. Reginald L. WashingtonJudi WolfSylvia Young

Kim Schouten, Ass’t Sec’y/Treasurer

HONORARY MEMBERSJeannie Fuller M. Ann PadillaCleo Parker Robinson

HELEN G. BONFILSFOUNDATION BOARD OF TRUSTEESLester L. Ward,

PresidentMartin Semple,

Vice President/ President-Elect

Judi Wolf, Sec’y/Treasurer

Daniel L. RitchieWilliam Dean SingletonRobert SloskyJim SteinbergDr. Reginald L. Washington

EXECUTIVE MANAGEMENT Scott Shiller,

President & CEOClay Courter,

Vice President, Facilities & Event Services

John Ekeberg, Executive Director, Broadway

Vicky Miles, Chief Financial Officer

Jennifer Nealson, Chief Marketing Officer

Kent Thompson, Producing Artistic Director, Theatre Company

Charles Varin, Managing Director, Theatre Company

David Zupancic, Director of Development

APPLAUSEM A G A Z I N E

VOLUME XXVI I | NUMBER 4 | NOV - DEC 2015

EDITOR: Suzanne YoeCREATIVE DIRECTOR: Rob Silk

ASSOCIATE EDITOR: John MooreSENIOR ART DIRECTOR: Adam Obendorf

ART DIRECTOR: Kyle Malone DESIGNERS: Kim Conner, Brenda Elliott

Applause is published seven times a year by Denver Center for the Performing Arts in conjunction with

The Publishing House, Westminster, CO. All rights reserved. Reproduction in whole or in part without written permission is

prohibited. Call 303.893.4000 regarding editorial content.

303.893.4000 | denvercenter.org Denver Center for the Performing Arts is a not-for-profit organization dedicated to creating unforgettable shared

experiences through Broadway musicals, world-class plays, educational programs and inspired events.



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Angie Flachman, PublisherFor advertising 303.428.9529

or [email protected] coloradoartspubs.com

Applause magazine is funded in part by

fun, flare & fashionjewelry & gifts

Cherry Creek North | 290 Fillmore Street, Denver303.388.8877 | eccentricity.comfree adjacent parking & gift wrapping

Women’s clothing • jewelry • accessories

It’s holiday shopping season, the perfect time to get on everyone’s Nice List by finding them presents they’ll adore. With more than 50 fabulous items ranging from beauty and jewelry to home décor and toys, Neiman Marcus’ curated Love to Give Collection has something special for everyone.

The best part? Each time you make a purchase from the Love to Give Collection now through December 24, ten percent of proceeds will be donated to DCPA Education, helping spark a love of theatre in the next generation.

Visit Neiman Marcus Denver on Level One in the Cherry Creek Shopping Center and spread the love this season.



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GIVE A GIFT THAT GIVES BACK TO THE DCPA

Aug 1, 1912Born in Jonesboro, NC

1932Love at first sight — literally — when he sees actress Eugenia Rawls. They later marry in 1941.

1936Represents the US on its international debate team, facing off against Winston Churchill. Graduates Law School from the University of North Carolina

1937Joins the Securities & Exchange Commission at the invitation of then-Chairman Joseph Kennedy

1939Speechwriter for President Franklin D. Roosevelt

1939Joins the WWII effort as Director of the Anti-Subversion Division of the Justice Department and Executive Secretary of the Combined American and British Intelligence Organizations

1944Reports to General Dwight D. Eisenhower as part of the Supreme Headquarters Allied Expeditionary Force, which oversees D-Day

1945Transfers to the Judge Advocate General’s

Department and argues veterans’ reemployment rights before the Supreme Court

1946Enters law practice in New York, ultimately representing the biggest stars of the day — Tallulah Bankhead, Alfred Lunt, Lynn Fontanne, Russel Crouse, Noël Coward, Howard Lindsay and others

1947Begins producing on Broadway — The Sound of Music, South Pacific, Sail Away, The Affair, A Thurber Carnival, On Your Toes and many others

mid-1950sMeets Denver philanthropist and occasional actress Helen Bonfils with whom he produces on Broadway

1960Works to protect The Denver Post from a hostile takeover attempt at the request of owner Helen Bonfils. He ultimately moves to Denver and serves as CEO of The Post

1972Serves as President of the Bonfils Foundation following Helen’s death. Funds are used to fulfill his vision — the creation of the Denver Performing Arts Complex

1978-79Boettcher Concert Hall and, one year later, the Helen Bonfils Theatre Complex open — home to the Colorado Symphony and DCPA Theatre Company respectively

1998Seawell and then Artistic Director Donovan Marley accept the Tony Award for Outstanding Regional Theatre

Seawell Grand Ballroom opens above the Bonfils Complex, named to honor Donald

2000TANTALUS — the 10-hour epic retelling of the Trojan War, helmed by Sir Peter Hall and created by an international ensemble of artists and actors — puts Denver on the world stage

2002Queen Elizabeth II names Don an Officer of the Most Excellent Order of the British Empire

2006Inducted into Broadway’s Theater Hall of Fame

DONALD R. SEAWELLFounder & Chairman Emeritus, The Denver Center for the Performing Arts AUGUST 1, 1912 – SEPTEMBER 30, 2015Denver Center for the Performing Arts Founder Donald R. Seawell passed away on September 30 at the age of 103. While known locally for his vision in creating downtown’s Arts Complex and our own theatre company, his life before Denver was equally extraordinary.

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A CHRISTMAS STORY, THE MUSICAL Q&A WITH DYLAN BOYD, AKA RALPHIE PARKER

AA Christmas Story, The Musical chronicles young and bespectacled Ralphie Parker as he schemes his way toward the holiday gift of his dreams, an official Red Ryder® Carbine–Action 200–Shot Range Model Air Rifle. Dylan Boyd, who plays Ralphie Parker on the 2015 National Tour, talks about his experience with the show.

Ralphie Parker is a truly iconic character. What is it like taking on this role? It is the most amazing feeling! I also feel responsible to play the role well so that the audiences get to the heart of Ralphie and learn what makes the character tick.

Going off of that, since the character you play is so well known, are you able to also make it your own? I hope so! I actually have not watched the original movie or watched videos of former Ralphie’s because I want my choices to be something that came to me personally in rehearsal and from reading the script.

Many people are familiar with the 1983 movie. How do you think the show translates as a Broadway musical? OMG! The musical has the whole story with the same characters with musical numbers that will blow the audience away! There isn’t a split second that there isn’t something exciting going on. You will laugh hysterically and you may just cry too. It is heartwarming! And there are live dogs in the show!!

“Everyone has had the feeling of wanting

something so, so much and feeling

like your whole life will change if you

get it. Then you find out what is really

important in your life, things like family.”

— DYLAN BOYD

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COMING UP FROM BROADWAY:

THE WIZARD OF OZTest your trivia about all things Oz before the production flies back into Denver February 7 – 13, 2016.

1. What year did the film version of The Wizard of Oz debut? a. 1928 b. 1939 c. 1942

2. Who starred as Dorothy in the film? a. Shirley Temple b. Judy Garland c. Deanna Durbin

3. What breed of Terrier was the original Toto in the film? a. Jack Russell Terrier b. Cairn Terrier c. Yorkshire Terrier

4. What type of bird flies “Over the Rainbow”? a. Sparrows b. Robins c. Bluebirds

5. What kind of flowers put Dorothy and her friends into a deep sleep? a. Sunflowers b. Poppies c. Marigolds

6. What kills the Wicked Witch of the West? a. Fire b. Flying Monkeys c. Water

7. Who wrote the original book The Wonderful Wizard of Oz that the film and musical are based on? a. L. Frank Baum b. Harold Arlen c. Victor Fleming

8. What is the name of the Wicked Witch’s castle guards? a. Twinkies b. Winkies c. Munchkins

What’s your personal favorite moment in the show? Without a doubt, my favorite is performing Ralphie to the Rescue. The song is a daydream come to life where I’m in my class day-dreaming about getting the infamous BB gun and all the amazing things I’ll do when, and if, my dream comes true. There are lots of people on stage singing and dancing…so much fun!

The movie is the epitome of a classic that is beloved by so many people around the world, from ages 6 to 106. What do you think it is about the show that transcends generations and makes it relevant to so many different people? Everyone has had the feeling of wanting something so, so much and feeling like your whole life will change if you get it. Then you find out what is really important in your life, things like family. I also find people relate to the bullying theme in this show — bullies have always been around, so people relate to the underdog coming out on top storyline.

For a young kid, this has to be a pretty amazing opportunity. What is it like living on the road and traveling with a Broadway show? Well, it is definitely a dream come true! Some people don’t realize that all of the kids in the show still have to go to school every day. That, on top of rehearsals, makes for a pretty busy schedule. But this has been the most amazing opportunity to see new places I have never been and meet new, interesting people along the way.

Did you do anything in particular to prepare for this role? Absolutely. I took a weekly voice lesson and took a lot of dance lessons. And I admit, for inspiration I look at my Red Ryder Carbine Action BB Gun…. Oh yes, I have one that I got last Christmas! So far it’s only been for show. I haven’t even had the chance to use it, but it does help me get into character.

What advice do you have for young people like you who dream to be on the Broadway stage? Keep working at it! Don’t give up just because you try out and don’t get chosen. I have gone to audition after audition for so many shows! While I have been lucky enough to be chosen for a few, there were many I didn’t get. I actually auditioned for this show when I was eight and only made it to one callback. Now I just turned 11 and I got the dream part of Ralphie!

A CHRISTMAS STORY, THE MUSICALDEC 16 – 27 • BUELL THEATRE

ASL interpreted, Audio described, Open Captioned performance: Dec 27, 2pmTickets: 303.893.4100denvercenter.orgGroups: 303.446.4829

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Answers: 1-b; 2-b; 3-b; 4-c; 5-b; 6-c; 7-a; 8-b

Christopher Swan as The Old Man and the Company of A CHRISTMAS STORY

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2015/16

FAMILY SERIES

2015/16 FAMILY SERIES PACKAGES

DENVERCENTER.ORG • 303.893.4100PAYMENT PLANS AVAILABLE

Package prices are per seat and include handling fees and city seat tax.

LIONS AND MUNCHKINS AND BEASTS — OH MY!

GET MORE BROADWAY SHOWS THAT PLEASE KIDS AND PARENTS ALIKE.

www.wizardofozthemusical.com

LOCAL INFO HERE

www.wizardofozthemusical.com

FEB 7 – 13, 2016BUELL THEATRE

JUN 7 – 12, 2016BUELL THEATRE

© D

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JUN 21 – 26, 2016BUELL THEATRE

DEC 16 - 27, 2015BUELL THEATRE

MAR 23 – APR 9, 2016BUELL THEATRE

© Disney

BROADWAY SEASON SPONSORS ADDITIONAL SUPPORT PROVIDED BY

PRESENTED BY

The Wizard of Oz, Disney’s Beauty and the Beast and The Sound of Music

FOR AS LOW AS $144

The Wizard of Oz, Disney’s Beauty and the Beast, The Sound of Music and A Christmas Story, The Musical

FOR AS LOW AS $195

The Wizard of Oz, Disney’s Beauty and the Beast, The Sound of Music and Disney’s Newsies

FOR AS LOW AS $195

The Wizard of Oz, Disney’s Beauty and the Beast, The Sound of Music, A Christmas Story, The Musical and Disney’s Newsies

FOR AS LOW AS $245

3 SHOWS

4SHOWS

4SHOWS

5SHOWS

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CNN may have James Earl Jones, but since 2005, Philip Pleasants has been “the voice” of the DCPA Theatre Company. And anyone who has heard Pleasants revel in the skinflint Scrooge’s dripping, delicious humbuggery knows just what we mean by “the voice” – it’s that deep, distinctive Southern baritone that makes you feel as if you’re in the presence of an American Gielgud. “If they would rather die, they had better do it…and decrease the surplus population!” You can hear it just by reading it. Of course just a short time later, the same Pleasants is onstage kicking up his heels in the utter joy of the miser’s seasonal redemption: “Spirit, I will honor Christmas in my heart, and try to keep it all the year!” It is Pleasants’ unique ability to pull off both extremes of Scrooge – the grinch and the unleashed inner child – that has made the actor himself an indelible part of the Denver holiday season over the past decade. By the time the Theatre Company’s 23rd staging of A Christmas Carol passes this season, more than 235,000 will have seen Pleasants playing his signature role in Denver alone.

“I have worked with many Scrooges over the years,” said actor Leslie O’Carroll, who plays the festive Mrs. Fezziwig, “and Phil is the only one who can play both sides with equal aplomb.” But just as all seasons must change, Pleasants is now a spry 78, and he has decided this will be his last run as Scrooge, a role he has played all over the country for four decades. “I want to go back home and just enjoy my life,” he said of his quiet life in Alabama. But this is far from the solstice of Pleasants’ acting career. To the contrary, Pleasants is enjoying a prolific run actors half his age would envy. He just played three distinct and delicious roles in As You Like It – which included being suspended from a flying chair 22 feet above the stage – and he will follow A Christmas Carol with an integral role in Robert Schenkkan’s LBJ drama, All the Way. Pleasants arrived in Denver in 2005 after having worked with Producing Artistic Director Kent Thompson at the Alabama Shakespeare Festival. He was already at an age when contemporaries typically retire. But for Pleasants, Denver was the start of a fertile new professional

A SCROOGE FOR THE AGESPHILIP PLEASANTS REPRISES A 40-YEAR ROLE ONE LAST TIMEB Y J O H N M O O R E

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It is Pleasants’ unique ability to pull

off both extremes of Scrooge — the

grinch and the unleashed inner child — that has made the actor

himself an indelible part of the Denver

holiday season over the past decade.

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chapter. He has produced a steady string of remarkable performances, notably his two “roles of a lifetime” – as one of the crusty old Colorado ranchers in the 2008 world premiere of Eventide and raging against the madness of King Lear. “Coming to Denver has been a godsend. I won’t be shy about saying it,” Pleasants said. “Kent has been wonderful to me.” Since he was a boy growing up in Virginia, Shakespeare has been the ongoing joy of Pleasants’ life. “I had the good fortune of having a mother who happened to love Shakespeare,” he said. “When I was very small, she used to read scenes to me. She would explain them in a way that would make sense to an idiot child like me. She helped me to understand these Elizabethan turns of phrases that are hideously difficult for a modern audience to understand.” Pleasants recently spotted a bumper sticker he adored. It was an engraving of Shakespeare with the note: “Providing employment for over 400 years.” He’s been providing Pleasants employment for more than 60. One of his favorites was playing an obviously pregnant female witch in a 1997 Macbeth. “Her doom was she could never give birth,” he said. Pleasants’ other constant companion has been Scrooge, a role he first played in 1978 in the wilds of Alaska. He was not yet 40 and far too young for the role back then. But he says with a wry grin: “Not with this character face. It’s a real antique!” Pleasants played Scrooge in dozens of productions since, and each year he finds the story’s meaning to be poignantly colored by the news of the day. His second time as Scrooge coincided with the mass murder—suicides of 900 under the spell of cult leader Jim Jones in Jonestown, Guyana. “I will never forget that because I was so horrified,” he said. “All those people taking poison and dropping dead.” That horror incident solidified Pleasants’ great and ongoing belief that the true meaning of A Christmas Carol lies less in any specific religious doctrine but rather in a universal belief in the power of renewal. “You find new truths every time you do it,” Pleasants said. “But there’s always that core reality and prudent beauty of the great Dickens fable.” If Pleasants has been a successful and believable Scrooge, he says it’s because he so strongly believes the words that are coming out of his mouth. “I do believe in the redemption of people,” he said. “And I believe that old curmudgeons can be restored to some degree of civility.” Fellow actor Sam Gregory, who has more than 40 Theatre Company credits to his name — including playing Bob Cratchit and six other Christmas Carol roles — says Pleasants is the quintessential Scrooge in part because he approaches Dickens the same way he approaches Shakespeare. “Phil has this ability to replicate elements of a 19th—century acting style which is a little bit florid and a bit little [ornate],” he said. “And it works so well because when Phil adopts a non—naturalistic style, it has great natural heart behind it. Nothing he does looks fake. Only Phil can do that successfully because Phil is not replicable.” And yet, it is Gregory who attempts to replicate Pleasants as his understudy in 2015, before trying to make the role his own in 2016 and moving forward. “Oh, who am I kidding?” Gregory said. “Phil Pleasants is the Peyton Manning of Scrooges. How does anyone follow him?”

A CHRISTMAS CAROLNOV 27 - DEC 27 • STAGE THEATRE ASL interpreted & Audio—described performance: Dec 19, 1:30pmTickets: 303.893.4100denvercenter.orgGroups: 303.446.4829

The Victorian Era code of fashion was as restrictive as it was ornate. What you wore revealed who you were, what you were worth and whose company you kept. Before a proper Victorian lady could put on her dress, she donned layers of undergarments — loose drawers, slip and a tight corset to achieve a desirable silhouette. Forget about the need to breathe, sit, move an arm or walk up a flight of stairs! Next came a petticoat, camisole, and bustle to give the skirt some lift. All of these layers constituted a formidable amount of fabric, weight and heat. Smelling salts anyone? The dress itself was made up of a jacket and one or two skirts. High, ruffled collars were worn during the day, while more revealing styles were reserved for evenings. Fabric was becoming cheaper to produce, so elaborate tiers of ruffles and shawls were abundant. The 19th century was still a time when shoes were a luxury; it had only recently become acceptable for women to wear them at all. Lace up boots and heels with pointed or boxed toes were the most popular. The wealthiest wore elaborately embroidered designs with bright colors, buckles and bows. An ensemble wouldn’t be complete without an impressive hat. A wire base was covered in finely braided straw or twisted velvet, satin or cotton fabrics. Feathers, birds and layers of cascading silk topped the brim to create unforgettable statement pieces. The Victorian Age had begun to move toward fashion over function, and women would go through pain, time and money to achieve their perfect looks.

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THEATRE COMPANY SEASON SPONSORS

DENVERCENTER.ORG 303.893.4100 • GROUPS: 303.446.4829

HEAR TODAYPLAY TOMORROW

Jan 22 - Feb 21 Feb 5 - Mar 13

NEW PLAYS. NEW PERSPECTIVES. NEW EXPERIENCES.Featuring Two World Premiere Productions

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Offering French, Mandarin and Spanish programs, as well as an IB Middle Years Programme, you can give your child the world at the International School of Denver. RSVP for an open house or email [email protected] to schedule a tour today!

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Preschool-Kindergarten:11/4,12/2 and 1/13, 9-11 am

RSVP:[email protected]

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IN THE SPOTLIGHT

Denver Center for the Performing Arts’

biggest stars step into the spotlight — actors, designers, students and you.

UPCOMING SHOWSMurder for Two Now – Feb 21, 2016

A Christmas Carol Now – Dec 27

The SantaLand Diaries Now – Dec 27

Mannheim Steamroller Christmas by Chip Davis Dec 12 – 13

A Christmas Story, The Musical Dec 16 – 27

Shaping Sound Jan 19, 2016

The Nest Jan 22 – Feb 21, 2016

Dirty Dancing — The Classic Story On Stage Jan 26 – 31, 2016

All the Way Jan 29 – Feb 28, 2016

FADE Feb 5 – Mar 13, 2016

The Wizard of Oz Feb 7 – 13, 2016

Cult Following Feb 12 & 13; Apr 29 & 30; May 20 & 21, 2016

A Gentleman’s Guide to Love & Murder Feb 16 – 28, 2016

Riverdance — The 20th Anniversary World Tour Mar 8 – 13, 2016

Disney’s Newsies Mar 23 – Apr 9, 2016

Dixie’s Never Wear a Tube Top While Riding a Mechanical Bull... Mar 30 – Apr 24, 2016

Sweeney Todd Apr 8 – May 15, 2016

The Realish Housewives of Cherry Creek: A Parody May 3 – 22, 2016

once May 24 – 29, 2016

Disney’s Beauty and the Beast Jun 7 – 12, 2016

The Sound of Music Jun 21 – 26, 2016

Beautiful — The Carole King Musical Jul 19 – 31, 2016

1 & 2. OFF-CENTER invited Bar Choir — a mobile flash choir — to participate in its season kick-off party where participants had a selfie-worthy time.

3. BROADWAY held local auditions for A Christmas Story, selecting Kaden Hinkle and Katie Phipps to appear in the Denver engagement.

4. THEATRE COMPANY actor Matt Zambrano gave the Denver Broncos cheerleaders something to root for. He led them in a Bard-inspired “ShakesCheer” to commemorate the Company’s production of As You Like It.

5. SATURDAY NIGHT ALIVE Chairs Claudia & Jim Miller announced the event’s headline entertainers at a kick-off party co-hosted by Corporate Chairs Lisa & Norm Franke and Presenting Sponsor Murray BMW of Denver. Broadway veterans Kelli O’Hara and Brian d’Arcy James will entertain guests at the March 5 fundraiser.

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Buy tickets online: newmantix.com303-832-HORN(4676) denverbrass.org

Feels like ChristmasWith Legacy Quartet

December 19 & 203 Performances!

Newman Center for the Performing Arts

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GIVE YOUR TAX-DEDUCTIBLE, YEAR-END GIFT TODAYdenvercenter.org/donateValerie Taron at 303.446.4812

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The support of donors like you does more than bring shows to our stages. It elevates new voices and perspectives that leave an impact on our community. You’re helping students in need see live theatre for the first time. You’re allowing us to take creative risks and evolve how we reach out to the next generation of theatre lovers. And for that, we can’t thank you enough.

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Big League Productions, Inc.in association with

Deborah Denenbergpresents

A Christmas Story, The Musical Book by Music and Lyrics by Joseph Robinette Benj Pasek and Justin Paul

Based upon the motion picture “A Christmas Story” © 1983 Turner Entertainment Co., distributed by Warner Bros. written by Jean Shepherd, Leigh Brown and Bob Clark and “In God We Trust: All Others Pay Cash” by Jean Shepherd.

Produced with permission of Warner Bros. Theatre Ventures, Inc. and Dalfie Entertainment, Inc.

Starring

Dylan Boyd Myles MooreChris Carsten Christopher Swan Susannah Jones Joshua Turchin

withAvital Asuleen Sydney Chan Josh Davis Christian Dell’Edera Elizabeth Flanagan

Caroline Howard Tierney Lee Howard Seth Judice Rico LeBron Allison Maldonado Brooke Martino Johnny Marx Michael McClure Deanna Ott Charles PangSofia Pargas Nikhil Saboo Daniel Smith Brandon Szep Michael C. Thatcher

Scenic Design based on the Costume Design based on the Lighting Design based on theOriginal Broadway Scenic Design by Original Broadway Costume Design by Original Broadway Lighting Design by Orchestrations by WALT SPANGLER ELIZABETH HOPE CLANCY HOWELL BINKLEY LARRY BLANK

Scenic Design Adaptation by Tour Costume Design by Tour Lighting Design by Sound Design by MICHAEL CARNAHAN LISA ZINNI CHARLIE MORRISON ED CHAPMAN

Hair & Wig Design by Musical Supervisor Dance Musical Arrangements Vocal Arrangements by GERARD KELLY LOGAN MEDLAN GLEN KELLY BENJ PASEK

Associate Choreographer Casting Technical Supervisor Resident Director JASON SPARKS ALISON FRANCK, CSA DON S. GILMORE MICHAEL RADER

Originally Directed on Broadway by

JOHN RANDOChoreography by

WARREN CARLYLEDirected by

MATT LENZ

Tour & Press Marketing General Management Associate Producer TRUE MARKETING BIG LEAGUE PRODUCTIONS, INC. ACCESS INDUSTRIES WENDY J. CONNOR MARK JOHNSON

Exclusive Tour Direction: L. GLENN POPPLETON

Executive ProducerDANIEL SHER

Produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY, INC., of Woodstock, Illinois

Originally Produced on Broadway by Gerald Goehring Roy Miller Michael F. Mitri Pat Flicker Addiss Peter Billingsley

Timothy Laczynski Mariano Tolentino, Jr. Louise Beard Michael Filerman Scott HartAlison Eckert Bob Bartner Michael Jenkins Angela Milonas Bradford W. Smith

AND SEASON SPONSORS

Sponsored in Denver by:

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L CAST (IN ORDER OF APPEARANCE)

Jean Shepherd ......................................................................................................................................CHRIS CARSTENRalphie (Alternating) .............................................................................................DYLAN BOYD/MYLES MOOREMother .................................................................................................................................................SUSANNAH JONESRandy ................................................................................................................................................... JOSHUA TURCHINThe Old Man ............................................................................................................................... CHRISTOPHER SWANThe Bumpus Hounds .............................................................................................................................. HOSS, STELLASchwartz ....................................................................................................................................................JOHNNY MARXFlick.......................................................................................................................................... CHRISTIAN DELL’EDERAThor...................................................................................................................................JOSH DAVIS/MYLES MOOREEsther Jane ...................................................................................................................................CAROLINE HOWARDJustin .................................................................................................................................................................JOSH DAVISMary Beth ................................................................................................................................................. SOFIA PARGASScut Farkus ............................................................................................................................................ BRANDON SZEPGrover Dill .....................................................................................................................................................SETH JUDICEMiss Shields ......................................................................................................................................... AVITAL ASULEENFantasy Villain........................................................................................................................................... DANIEL SMITHBank Manager ........................................................................................................JOHNNY MARX, MYLES MOOREBank Robbers............................................................................................................NIKHIL SABOO, RICO LEBRONPrisoner ........................................................................................................................................................RICO LEBRONCan Can Girlfriend ................................................................................................................................. SOFIA PARGASDelivery Men ........................................................................ CHRIS CARSTEN, DANIEL SMITH, NIKHIL SABOOPoliceman ................................................................................................................................................... DANIEL SMITHFireman .......................................................................................................................................................NIKHIL SABOODoctor ...........................................................................................................................................................RICO LEBRONNurse ..............................................................................................................................................................DEANNA OTTFlick’s Mother ..........................................................................................................................ALLISON MALDONADOMobster Tap Specialty..............................................................................................................................SETH JUDICESanta Claus ................................................................................................................................................ DANIEL SMITHChief Elves ...................................................................................................................DEANNA OTT, NIKHIL SABOONancy ........................................................................................................................................ TIERNEY LEE HOWARDGoggles Kid ..............................................................................................................................................MYLES MOOREWaiter .......................................................................................................................................................CHARLES PANGWaitress ..................................................................................................................................................... SYDNEY CHAN

Neighbors, Shoppers, Parents, Students, Townspeople, Elves and OthersAVITAL ASULEEN, SYDNEY CHAN, JOSH DAVIS, CHRISTIAN DELL’EDERA, ELIZABETH FLANAGAN

CAROLINE HOWARD, TIERNEY LEE HOWARD, SETH JUDICE, RICO LEBRON, ALLISON MALDONADOBROOKE MARTINO, JOHNNY MARX, MICHAEL MCCLURE, DEANNA OTT, CHARLES PANGSOFIA PARGAS, NIKHIL SABOO, DANIEL SMITH, BRANDON SZEP, MICHAEL C. THATCHER

DANCE CAPTAINBROOKE MARTINO

ASSISTANT DANCE CAPTAINMICHAEL MCCLURE

SWINGSJOSH DAVIS, BROOKE MARTINO, MICHAEL MCCLURE

DENVER ENSEMBLEKADEN HINKLE, KATIE PHIPPS

UNDERSTUDIESUnderstudies never substitute for listed players unless a specific announcement is made at the time of the performance.

For Mother – ELIZABETH FLANAGAN; For Old Man – MICHAEL THATCHER; For Scut Farkus – CHRISTIAN DELL’EDERA;

For Randy – JOSH DAVIS; For Miss Shields – BROOKE MARTINO; For Mobster Tap Specialty – JOHNNY MARX; For Schwartz – JOSH DAVIS

A CHRISTMAS STORY, THE MUSICAL - ORCHESTRA Music Director, Keys 2 —Logan Medland

Associate Conductor, Keys 1 — Evan ReesReed 1 — Tim Abbott Reed 2 — Brett McDonald Reed 3 — Daniel Dorrance

Trumpet 1 — Joshua Jern Trumpet 2 — Daniel WendelkenTrombone 1 — Raul Navarrette Trombone 2 — Aaron Hollon

Bass — Erik James Alvar Drums — Matt Watson Percussion — Evan Laybourn

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SCENES & MUSICAL NUMBERS

ACT ONE

Overture ................................................................................................................................................................... Orchestra

Prologue: Outside radio station WOR, New York City/the radio studio desk – Christmas Eve, Several Years Ago

Scene 1: The Parker Family House and Higbee’s Department Store – December 1, 1940 “It All Comes Down to Christmas” ............................................ Ralphie, The Parkers and Ensemble “Red Ryder Carbine Action BB Gun” ........................................................................... Ralphie and Jean “It All Comes Down to Christmas” (Reprise) ...................................................Ralphie and Company

Scene 2: The Parker Family House – The Next Day “The Genius on Cleveland Street” ..........................................................................The Old Man, Mother

Scene 3: A Path Leading to School – Soon Afterward “When You’re A Wimp” ............................................................................................................................... Kids

Scene 4: The Classroom – A Few Minutes Later “Ralphie to the Rescue!” ................................................................Ralphie, Miss Shields, The Old Man, Mother, Randy and Ensemble

Scene 5: The Parker Family House – A Week Later “What a Mother Does” ............................................................................................................................Mother “A Major Award” .............................................................................The Old Man, Mother and Neighbors

Scene 6: The Parker Family House – Early Evening of December 13

Scene 7: On The Road – Immediately Following “Parker Family Singalong” .......................................................................................................... The Parkers

Scene 8: The Parker Family House – Late That Night “Act I Finale” ................................................................................................................ Ralphie and Ensemble

THERE WILL BE ONE 15-MINUTE INTERMISSION

ACT TWO

Entr’Acte ................................................................................................................................................................... Orchestra

Scene 1: The Schoolyard and The Classroom “Sticky Situation” ................................................Ralphie, Flick, Schwartz, Kids, Miss Shields, Nurse, Flick’s Mom, Fireman, Policeman and Doctor

Scene 2: Fantasy 1930’s Speakeasy “You’ll Shoot Your Eye Out” ....................................................................................Miss Shields and Kids

Scene 3: A Path From School – Immediately Following

Scene 4: The Parker Family House – A Few Minutes Later “Just Like That” ..........................................................................................................................................Mother

Scene 5: Santa’s Station at Higbee’s – Christmas Eve “At Higbee’s”...................................................................................................................................................Elves “Up on Santa’s Lap” ....................................................................Santa, Elves, Ralphie, Randy and Kids

Scene 6: The Parker Family House – Christmas Eve “Before The Old Man Comes Home” ....................................................................................... The Parkers

Scene 7: The Boys’ Bedroom “Somewhere Hovering Over Indiana” ............................................................Ralphie, Randy and Kids

Scene 8: The Parker Family House, A Chinese Restaurant and the Town – Christmas morning “Ralphie to the Rescue” (Reprise) ...................................................................... Ralphie and Ensemble “A Christmas Story” ................................................................................. The Parkers and Full Company

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers and watches. The use of cell phones in the theatre is prohibited.

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L WHO’S WHO IN THE CAST

DYLAN BOYD (Ralphie, Ensemble) is beyond thrilled to play this iconic role! At 11 his credits: Hazel: Musical Maid in America (Harold Baxter - Bway Lab), A Time for Singing (Huw, York Theater, Off Bway), Red Eye of Love (Bez, Off Bway). Thanks to Big League, and my family for making a dream happen.

MYLES MOORE (Ralphie, Ensemble) is making his national tour debut. Favorite credits include Les Miserables (Gavroche - Greenville Little Theatre) and Pinkalicious the Musical (Peter - Spartanburg Youth Theatre.) Thanks to Blair Cadden and DeAna Earl. For Nanny with love.

CHRIS CARSTEN (Jean Shepherd) Chris is thrilled to be returning to Big League’s ACS! Recent credits include My Fair Lady (Higgins) national tour and Singapore, WSS 50th Anniversary world tour, Into The Woods and Dogfight. Mr. Carsten would like to thank his family for their love and support and dedicate his performance to them.

CHRISTOPHER SWAN (The Old Man) is happy to return to A Christmas Story and one of his favorite roles. Recent credits: Nathan Detroit in Guys and Dolls (Nat’l tour) and Herbie in Gypsy (Ocean State). Others include Damn Yankees (Nat’l tour), Legally Blonde (NCL Cruiseship Getaway), Clybourne Park (Hippodrome), Angels in America (Ark. Rep), Dirty Rotten Scoundrels (Theatre-by-the-Sea). Christopher is a Boston Conservatory graduate.

SUSANNAH JONES (Mother) is delighted to return to the Parker family this year! Recent credits include: Company (Susan - Bucks County Playhouse), Twelfth Night (Olivia -Mainestage Shakespeare), and PLANT webseries (Gwendolyn – 2014 LA Webfest Outstanding Supporting Actress in a Comedy Series). www.susannahjones.info. Merry Christmas and Love to Mom, Dad, & Spencer.

JOSHUA TURCHIN (Randy) is thrilled to be a part of the A Christmas Story family! Thanks to my family, Big League, Nancy Carson, Dance Molinari, Julia Mendolsohn, Walker Clark, Vanessa/Rising Starz, and Meg Segreto’s Dance Centre/Jennifer. In memory of MomMom Betty. For my sister Shaina-ILY. Follow me @joshuaturchin or www.joshuaturchin.com!

AVITAL ASULEEN (Miss Shields, Ensemble) is thrilled to be returning to A Christmas Story. Favorite credits include: Backwards in High Heels and White Christmas (Westchester Broadway Theater), and 42nd Street, On Your Toes, and Cabaret (Surflight Theater). Love and thanks to her family, friends, and Dann. www.Asuleen.com

SYDNEY CHAN (Waitress, Ensemble) is ecstatic about her professional debut touring with A Christmas Story! Thanks to Devin, Jessica, Kim, Mallory, DMo, Alison, and Big League for making it possible and family/friends/teachers for all their support! @theSydneyChan

JOSH DAVIS (Swing, Ensemble) is excited to be in his first National Tour. Josh resides in California. Credits: Peter Pan (Michael - Sacramento Music Circus), Aladdin (Iago - El Dorado Musical Theatre), Bye Bye Birdie (Randolph-El Dorado Musical Theatre), and Seussical (Wickersham Brother - Sutter Street Theatre). Thanks to Big League and my family for this opportunity! CHRISTIAN DELL’EDERA (Flick, Ensemble) is excited to be returning to the ACS family. Christian is based in NYC. Credits: Fun Home (Christian/John u.s.- The Public Theater), 13! The Musical (Archie - Tarrytown Music Hall). Thanks to my family for their love & support, Nani Saperstein, Dance Molinari, Badiene Magaziner, Alison Franck & Big League!

ELIZABETH FLANAGAN (Ensemble) is excited as a kid on Christmas to be back on tour! This year she tackled A Chorus Line (Maggie) and Damn Yankees (Gloria). Other shows include the pre-Broadway run of On The Town at Barrington Stage. elizabethflanagan.com

CAROLINE HOWARD (Ensemble) National tour debut! Credits: Fiddler Gala (NYC), Fiddler On The Roof, Grey Gardens, Christmas Carol (freeFall Theatre), Grapes of Wrath (Asolo). Love and thanks to God, Big League, Jody Prusan, Nancy Carson, family, and teachers.

TIERNEY LEE HOWARD (Ensemble) is excited to be doing her second national tour reprising the role as Nancy in A Christmas Story! She would like to

thank Nancy Carson, the West Howard family, and Big League Productions.

SETH JUDICE (Grover Dill, Tapper, Ensemble) is thrilled to return to A Christmas Story. Credits: A Christmas Story (National Tour/ Dill, Tapper), Billy Elliot (Michael/Playhouse on the Square), The Nutcracker (Fritz/City Ballet of Houston). Many thanks to God, family and friends, production, Alison Frank and Eddie/Take 2 Talent.

RICO LEBRON (Ensemble) is thrilled to spend his Christmas season with this amazing cast and crew. Off-Broadway: The Tempest, Public Theatre’s Shakespeare in the Park. Regional: Wagon Wheel Theatre, Post Playhouse. BM Musical Theatre from FSU. Thanks to Broadway Dreams Foundation, Family, and Friends.

ALLISON MALDONADO (Ensemble) is thrilled to be back for a second year with The National Tour of A Christmas Story! A proud AMDA alum, her favorite credits include Off Broadway’s Li’l Abner (Stupefyin’ Jones - The Lion Theatre,Theatre Row), Damn Yankees (Gloria Thorpe-Broward Stage Door Theatre), Grease (Lead Competition Dancer, u/s Rizzo - El Dorado Hotel and Casino) and most recently Sweeney Todd (Ensemble- Outdoor Prod. at Brooklyn’s historic Old Stone House) Big thanks to the Big League family! Love to Mom, Dad and Rob. For Betty. www.allisonmaldonado.com

BROOKE MARTINO (Swing, Dance Captain, Ensemble) is excited to be returning to this amazing show! Favorite credits: A Chorus Line, 42nd Street, The Great American Trailer Park Musical, RENT, The Who’s Tommy, and Hairspray. Many thanks to Big League, my friends and family, and especially Jason and John. Much love! Ballchange.

JOHNNY MARX (Schwartz, Ensemble) is thrilled to be returning to this amazing production! Credits: Off-Bway, A Midsummer Night’s Dream (MSND), Mother Jones, Regional: South Pacific, Music Man, Film: MSND. Big thanks to SGM, Alison Franck, Matt Lenz and the entire creative team. Shout outs to David Hibbard and Josh Bedell. Huge thank you to my supportive and loving family!

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MICHAEL MCCLURE (Swing, Ensemble) TOURS: Ghost The Musical (First National), Jacob’s Phantom of the Opera (International); REGIONAL: Bonnie & Clyde The Musical (Clyde), Road Show (Hollis), Speech & Debate (Solomon), Seven Brides... (Caleb). For Dad & Jonathan. “Have Fun and Learn Something”

DEANNA OTT (Elf, Ensemble) is thrilled to tour again with the Christmas Story family! Recent favorites: West Side Story (Drury Lane Theatre), Into The Woods, Sense and Sensibility (USF), A Christmas Carol, Spamalot (Palace Theatre) Legally Blonde (PCPA). Love to her family! Eucharisteo.

CHARLES PANG (Waiter, Ensemble) is thrilled to return to A Christmas Story! Selected credits: A Christmas Story (Waiter - 2014 National Tour), Anything Goes (John - Phoenix Theatre), The King and I (Puppeteer – Maltz Jupiter Theatre), The Story Yu-Huan (The Prince - Theater for the New City).

SOFIA PARGAS (Ensemble) is thrilled to have been chosen to perform in her first ever musical, A Christmas Story. Credits: 2013 Sophisticated National Dance overall winner. 2014 Dancers Inc. National divisional winner. Big thanks to Big League for this opportunity and also a big thanks to Dance Enthusiasm for teaching me everything I know about dance.

DANIEL SMITH (Santa Claus, Ensemble) is extremely excited to be making his national tour debut with A Christmas Story! His previous credits include A Christmas Carol (Fezziwig/Dollywood), Chicago (Amos/Wagon Wheel), Carousel (Mr.Snow/Wagon Wheel) and 9 to 5 (Dwayne/Wagon Wheel). Thanks to Big League for this great opportunity and my entire family for always believing in me!

BRANDON SZEP (Scut Farkus, Ensemble) is thrilled to be joining the ACS tour for a second year! Special thanks to God, Alison Franck, Big League Productions, Matt Lenz, RKS, Carson-Kolker, Julia, and DMO. Much love to all of my family-especially my grandparents for traveling with me! www.brandonszep.com

MICHAEL C. THATCHER (Ensemble) is based in NYC. MFA – University of Houston. Credits: National Tour – Guys & Dolls (Brannigan, Nathan/Nicely u.s); Utah Shakespeare Festival – Henry IV p.2, South Pacific, Amadeus;

Sacramento Music Circus – Camelot; Texas Shakespeare Festival – My Fair Lady (Henry Higgins), Noises Off, Cymbeline.

NIKHIL SABOO (Ensemble) Beatsville (Claude – Provincetown Playhouse), The Little Mermaid (Flotsam – Sharon Playhouse), Sweet Smell of Success (Club Zanzibar Singer – Skirball Center), Les Miserables (Courfeyrac – Sharon Playhouse). NYU Steinhardt. CTG. Endless love to family and their support! @niksaboo

KADEN HINKLE (Ensemble) Colorado native! Regional: Tarzan (Young Tarzan), Christmas Carol (Boy Scrooge), Miracle on 34th Street (all Arvada Center). Mary Poppins (Michael Banks), Wizard of Oz (both BDT stage). Peter Pan (Michael Darling - PACE). BBAJ, OOTI, BIG FISH (Aurora Fox).

KATIE PHIPPS (Ensemble) Mary Poppins (Jane Banks - BDT Stage), A Christmas Carol - The Musical (Young Fan/Cratchit Girl/Want - Arvada Center), Grey Gardens (Lee Bouvier - Vintage Theater), Red Ranger Came Calling (Ensemble - Aurora Fox), Annie (Molly - Evergreen Players).

JEAN SHEPHERD (Originating Author) One of the most nostalgic, humorous storytellers of his day, Shepherd wrote for several magazines and his articles were published in a series of books including The America of George Ade, In God We Trust: All Others Pay Cash, A Fistful of Fig Newtons and The Ferrari in the Bedroom. Shepherd’s radio broadcasting career began in Cincinnati in 1948. He eventually moved to WOR Radio in New York. He performed entirely without scripts. From 1971 to 1994, Shepherd became a screenwriter, writing and producing numerous television and cinema works. In 2005, Shepherd was posthumously inducted into the National Radio Hall of Fame and the Broadcast Cable Hall of Fame.

BENJAMIN “BOB” CLARK (Motion Picture Director/Co-Screenwriter) was an actor, director, screenwriter and producer. Mr. Clark directed a diverse collection of both blockbuster and cult hits including Black Christmas, Murder by Degree, Tribute and Porky’s. Working from Jean Shepherd’s book, In God We Trust, All Others Pay Cash, Mr. Clark directed, and co-wrote with Shepherd and Leigh Brown, the motion picture A Christmas Story. Films that followed included Rhinestone, Turk 182!, From the Hip, Loose Cannons, and Baby Geniuses.

JOSEPH ROBINETTE (Book) is a 2013 Tony Award nominee and Drama Desk Award nominee and the award-winning author of fifty-five published plays and musicals. His works have been produced in all fifty states and in seventeen foreign countries. Twelve of his plays have been translated into foreign languages. His plays have been produced by Lincoln Center, Pittsburgh Playhouse, Barter Theatre, Laguna Playhouse, Goodman Theatre and the BBC, among others. Robinette collaborated with E.B.White on the authorized stage version of Charlotte’s Web, and he wrote the musical version with composer Charles Strouse.

BENJ PASEK AND JUSTIN PAUL (Lyrics/Music)Works include: A Christmas Story (Tony nomination, Drama Desk nomination, Outer Critics Circle nomination), Dogfight (Lucille Lortel Award, Outer Critics Circle nomination, Drama League Award nomination), James and the Giant Peach (Kennedy Center’s New Visions/New Voices, Goodspeed Musicals, Seattle Children’s Theatre), Edges (licensed by Music Theatre International, 200+ productions worldwide including South Korea, France, Australia, China, South Africa, the Philippines, Denmark and more), NBC’s Smash, Sesame Street, Johnny & the Sprites (Disney TV series), Duck for President and If You Give a Pig a Pancake (Theatreworks USA), a new musical with playwright Steven Levenson and director Michael Greif, and a new musical for Disney Theatricals with playwright Rick Elice. Additional honors include: 2011 Richard Rodgers Award for Musical Theatre from the American Academy of Arts and Letters, 2011 Sundance Institute Fellowship, 2011 ASCAP Richard Rodgers New Horizons Award, 2011 ASCAP Songwriters Fellowship Award, 2007-2008 Dramatists Guild Fellowship, 2007 Jonathan Larson Award, and the Johnny Mercer Songwriters Project. BFA, University of Michigan, Musical Theatre. GO BLUE! Benj sends thanks to his loving and supportive parents, brothers and friends, and to the entire ACS family for accompanying him on this incredible journey. Justin thanks God for this amazing opportunity and sends love to beautiful wife Asher and his incredible family. They both wish to thank the dream team at CAA and Mr. David Berlin, Esq. pasekandpaul.com.

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L JOHN RANDO (Original Broadway Direction) Broadway credits include the currently highly acclaimed revival of On The Town, A Christmas Story, The Wedding Singer, Urinetown (Tony and Outer Critics Circle Award for Best Director), A Thousand Clowns and Neil Simon’s The Dinner Party. His recent Off-Broadway credits include this season’s Lives of the Saints (Primary Stages), The Heir Apparent (2014 SDCF Calloway Award for Direction – Classic Stage Company), All in the Timing (Primary Stages – 2013 Obie Award for Direction), and The Toxic Avenger, among many others. He directed the Encores! Productions of Little Me, It’s a Bird... It’s a Plane... It’s Superman, Gentlemen Prefer Blondes, On the Town, Damn Yankee, Face the Music, Strike Up the Band, Do Re Mi, The Pajama Game and Of Thee I Sing. He also directed the staged performance of Rodgers and Hammerstein’s Carousel at the New York Philharmonic.

MATT LENZ (Director) NEW YORK: Pageant: The Musical (2015 Drama Desk Best Musical Nomination), The Irish Curse (Soho Playhouse), Idaho! (NYMF – “Best of Fest” and “Best Director” Awards), The Great Daisy Theory, Fingers and Toes (NYMF) and Alan Ball’s The Amazing Adventures of Tense Guy. NATIONAL TOURS: A Christmas Story: The Musical (2014 and 2015), Hairspray, Catch Me If you Can. INTERNATIONAL: Matt directed Hairspray companies in Johannesburg, South Africa, the United Kingdom, Toronto, and Cologne, Germany. REGIONAL: Numerous plays and musicals at: Paper Mill Playhouse, George Street Playhouse, The Saint Louis MUNY, North Carolina Theatre, Maltz Jupiter Theater, Ogunquit Playhouse, Zach Theatre, Gulfshore Playhouse, Casa Manana, Gateway Playhouse, Short North Stage, Forestburgh Playhouse and Stamford Center for the Arts. BROADWAY: Associate Director on original productions of Hairspray, Catch Me If You Can, The Velocity of Autumn and Disney’s Beauty and the Beast (Resident Director). Matt is a member of SDC and a teaching artist with The Broadway Dreams Foundation. www.mattlenzdirector.com

WARREN CARLYLE (Choreographer) Broadway: Director and Choreographer for After Midnight (Brooks Atkinson), Chaplin (Barrymore), Hugh Jackman, Back on Broadway (Broadhurst), Finian’s Rainbow (St. James) and A Tale of Two Cities (Hirschfeld). Also on

Broadway he provided Choreography for A Christmas Story (Lunt Fontanne), The Mystery of Edwin Drood (Studio 54) and the recent revival of Follies (Marriot Marquis). Off-Broadway credits include Cotton Club Parade, Girl Crazy, On The Town, Juno, and Stairway to Paradise (City Center Encores!); Working (Zipper), Slut! (ATA). Regionally, he directed and choreographed Limelight (La Jolla Playhouse), Buddy’s Tavern (The O’Neill Theater Center), and Lucky Guy (Goodspeed). He also choreographed Dancing In The Dark (Old Globe Theater), Randy Newman’s Harps & Angels (Mark Taper Forum), Camelot (Stratford Shakespeare Festival), 101 Dalmatians (Tour/Madison Square Garden), A Christmas Story (Tour), Mame (Kennedy Center),The Pirates of Penzance (Paper Mill, Goodspeed, Connecticut Critics Circle Award for Best Choreography), The Baker’s Wife (Goodspeed), and Pageant (Second City Chicago). He is represented on film and television by Deception starring Hugh Jackman (20th Century Fox), “Hope and Faith” (ABC), “An Evening at the Boston Pops” (PBS), and Elton John’s Made in England music video. Warren received a 2013 Emmy nomination for his work on Carousel for Live at Lincoln Center.

JASON SPARKS (Assoc ia te Choreographer) Selected Broadway and NYC Associate/Assistant Credits: She Loves Me (Spring 2016), After Midnight (Tony Award Best Choreography Warren Carlyle) 68th and 69th Annual Tony Awards, Cotton Club Parade (City Center Encores!). Associate Director/Choreographer After Midnight Norwegian Cruise Lines. Choreographer: Propaganda! (NYMF Best Choreography Award), The Years Between (MTF), Grand Hotel (St. Clements Theatre), Beehive (Pennsylvania Centre Stage). Penn State Graduate. @JasonASparks.

MICHAEL RADER (Resident Director) highlights as a director or associate: Off-Broadway: Stalking The Bogeyman (Outer Critics Circle Nomination), The York Theatre, Theatre for the New City, You are Not Alone with Betty Buckley, Elegies: A Song Cycle, The Testament of Mary, Mandela!; National Tours: Varekai (Cirque du Soleil), A Christmas Carol; Regional: Sacramento Music Circus, Westport Country Playhouse, The Actors Studio Repertory, The Human Race Theatre, The Engeman Theatre. Artistic Director, Cirque du Soleil. SDC. www.michaelrader.com

WALT SPANGLER (Original Broadway Scenic Design) Walt designed the original Broadway production of A Christmas Story The Musical. Upcoming projects include the Broadway premiere of Natalie Babbitt’s acclaimed Tuck Everlasting, directed by Casey Nicholaw; John Steinbeck’s East of Eden adapted for the stage by Frank Galati for Steppenwolf Theater; and Firefly Field – a New American Circus. Please visit: waltspangler.com

ELIZABETH HOPE CLANCY (Original Broadway Costume Design) Broadway: A Christmas Story, Passing Strange, The Goat, or Who is Sylvia?, Bobbi Boland and The Ride Down Mt. Morgan. International: Death of a Salesman (Gate Theatre), A Few Good Men (Theatre Royal, Haymarket). New York: The Lady from Dubuque (Signature Theatre), Measure for Measure (Shakespeare in the Park), The Antigone Project (Henry Hewes nomination)

HOWELL BINKLEY (Original Broadway Lighting Design) Hamilton, Allegiance, After Midnight (2014 Tony nomination), How to Succeed… (2011 Tony nomination), West Side Story (2009 Tony nomination), Gypsy starring Patti LuPone, In The Heights (2008 Tony nomination), Avenue Q, The Full Monty, Parade, Kiss Of The Spider Woman (1993 Tony nomination.) Joffrey Ballet’s Billboards, Co-Founder and Resident Lighting Designer for Parsons Dance. 1993 Olivier and Dora Awards for Kiss of The Spider Woman. 2006 Henry Hewes Design, Outer Critics Circle and Tony Awards for Jersey Boys.

MICHAEL CARNAHAN (Scenic Design Adaption) Off-Broadway: The Skeleton Crew (Atlantic); I and You (59E59); The Happiest Song Plays Last (Second Stage); The Piano Lesson (Signature Theatre); The First Breeze of Summer (Signature Theatre); Life Could Be A Dream; The Marvelous Wonderettes; Three Mo’ Tenors; Pygmalion; Howie the Rookie; Brando. Regional: Arena Stage, American Conservatory Theater, McCarter Theatre, Williamstown Theatre Festival, Pasadena Playhouse, Two River Theater, Cleveland Play House, Laguna Playhouse, Utah Shakespearean Festival, Northlight Theatre, Signature Theatre (Arlington, VA), Bucks County Playhouse, Ogunquit Playhouse, Arsht Center, Musical Theatre West, San Jose Repertory, Center Rep. Broadway (Associate Scenic Designer): Allegiance; The River, Peter and The Starcatcher; ANN: The

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Ann Richards Play; Cyrano de Bergerac; The Importance of Being Earnest; Bloody Bloody Andrew Jackson; All About Me; White Christmas; Curtains. www.michaelcarnahandesign.com.

LISA ZINNI (Tour Costume Design) is a New York based costume designer and stylist who’s work includes Broadway, Off-Broadway and regional Theatre. She designed season 3 of the Broadway themed hit web series Submissions Only. She was the Associate Costume Designer for the Tony winning Broadway productions of RENT and HAIR, as well as the national tours and international companies. (UK, Canada, Italy, China) Some of her regional design credits include Orlando Shakespeare Theatre, Pennsylvania Shakespeare festival, The Walnut Street Theatre of Philadelphia, The Riverside Theatre, The Arden Theatre company and Theatre Under the stars in Houston Texas. For more info visit LisaZinni.com

CHARLIE MORRISON (Tour Lighting Design) National/International Tours: Disney’s The Little Mermaid, How the Grinch Stole Christmas (NYC/Tour), Chitty Chitty Bang Bang, Miss Saigon, Aida (US, Taiwan, & China), Man of LaMancha, Guys and Dolls, Groovaloo (NYC, LA, Foxwoods, & US Tour), Hello Dolly!, My Fair Lady, The King and I (US Tour & Korea), The 25th Annual Putnam County Spelling Bee, Gypsy, 42nd Street (US & Japan), Smokey Joe’s Café, The Who’s Tommy (Europe & Japan), Titanic, The Music Man, many others. Regional: Paper Mill Playhouse, Shakespeare Theatre Company (DC), Goodspeed Musicals, Seattle Rep, Theatre Under the Stars, Dallas Summer Musicals, Kansas City Starlight, Pittsburgh CLO, George Street Playhouse, North Carolina Theatre, Playmaker’s Rep, Tulsa Opera, many others. Charlie is the recipient of two Helen Hayes Awards for Outstanding Lighting Design and has been nominated for seven Helen Hayes Awards. Website: www.cmlighting.com.

ED CHAPMAN (Sound Design) happily returns for another year as part of the design teams of the touring productions of A Christmas Story and How the Grinch Stole Christmas. Other notable credits include: The Joker’s Game (World Premiere in China), Off Broadway’s Bedbugs, Walnut Street’s In The Heights, Hunter Foster’s Rocky Horror Show, and American Pops Orchestra in Tokyo. Mr. Chapman sends much love and thanks to his

parents John and Gayle, and family Kate, Mary Ann, Johnny and Eddie.

LOGAN MEDLAND (Music Director) was the Conductor of National tours of Cats and Crazy for You, and the Associate Music Director of Chicago and the First National tour of Jersey Boys. In New York he was Associate MD for the workshop of Broadway bound Superfly, directed by Bill T. Jones, and Conductor for A Bronx Tale, directed by Jerry Zaks, and Robert De Niro, headed for Broadway in 2016. Most recently he was the pianist in the Broadway production of Dr. Zhivago. His first musical Fingers and Toes, for which he wrote the book, the music and the lyrics was selected as part of the New York Musical Festival (NYMF) in 2010. From there it has had continuous regional productions: at the Merry-go-Round Theatre in Auburn, NY 2012, at the Plaza Theatre in Manalapan FL, in 2013, and at the Ivoryton Playhouse in CT, in 2014.

GERARD KELLY (Hair & Wig Design) Broadway: Hair. Tour: Ain’t Misbehavin’, Hair, Hello, Dolly!, How the Grinch Stole Christmas, The Musical!, My Fair Lady. West End: Hair. New York: The Public Theater, The Pearl Theater, The Classic Stage Company. Regionally: Westchester Broadway Theater, Maltz Jupiter Theater, Dallas Theater Center, Maine State Music Theater, Carousel Dinner Theater, Phoenix Theater, Sierra Repertory Theatre, San Francisco Theater Works, Cape Playhouse, The Allmanson Theater, Sacramento Music Theater, Down Town Cabaret, West-Port Country Playhouse, George Street Playhouse. Shakespeare Festivals: New York, Lake Tahoe, New Jersey, Idaho, San Francisco. Movie: The Conjuring, Transamerica, Girls Will Be Girls, Notorious, The Ten, The Savages, The Other Woman. TV: Law and Order SVU, The Ru Paul Show, Are We There Yet. Others: The b-52’s, RuPaul, Charles Busch, Varla Jean Merman, Lypsinka, Jennifer Holiday, Laura Linney, Felicity Huffman, Marlo Thomas, Whoopie Goldberg, Lesley Mann, and William Hurt.

ALISON FRANCK (Casting Director) (CSA) has been working in casting for 20 years. Current projects are national tours of A Christmas Story, The Musical! (2nd year) The Producers, and Dr. Seuss’s How the Grinch Stole Christmas (for the 6th year in a row). Her recent projects include: National Tours of Guys and Dolls, Hello Dolly starring Sally Struthers, Man of La Mancha, tons of commercials and the voice overs..

Past tours of Hair, Dreamgirls, My Fair Lady, Ain’t Misbehavin’ starring Ruben Studdard and Frenchie Davis, Chitty Chitty Bang Bang, Gloryana at The Public (reading and workshop), the TV series Peter Rabbit and A Moment in Time, the new John Denver songbook musical, off-Broadway plays, It’s Just Sex. & The Donkey Show (directed by Diane Paulus). Alison also worked in television casting of Soul Man, starring Dan Aykroyd, LateLine, starring Al Franken, Talk to Me starring Kyra Sedgewick, and pilots of Freaks and Geeks, and Madigan Men, and most recently Recovery Road on ABC Family. Also was the Casting director for several films including Broke Even starring Kevin Corrigan. Alison was the Resident Casting Director for Paper Mill Playhouse for 10 years, where she cast over 50 productions, including the Broadway transfer of I’m Not Rappaport, starring Judd Hirsch and Ben Vereen, directed by Daniel Sullivan. Regional: Pirates! (Goodspeed/Paper Mill), Hairspray, and Les Misérables (North Shore) and 2007’s mini-tour of Seven Brides for Seven Brothers (TUTS/Paper Mill Playhouse/North Shore/TOTS). website: www.franckcasting.com

L. GLENN POPPLETON (Exclusive Tour Direction) currently represents Dr. Seuss’ How the Grinch Stole Christmas!—the Musical, A Christmas Story—the Musical, Mandy Patinkin in Concert, An Evening with Patti LuPone and Mandy Patinkin, John Lithgow Stories by Heart and The Last Two People on Earth: An Apocalyptic Vaudeville (starring Mandy Patinkin and Taylor Mac). Past tours include Cathy Rigby is Peter Pan, Disney’s Beauty and the Beast and Monty Python’s Spamalot.

WENDY J. CONNOR (Press and Marketing) Wendy is President of TRUE Marketing a full-service entertainment marketing firm based in Orlando, FL. TRUE Marketing boasts a full Marketing and Public Relations Consulting Team, Graphic Design Department, Social Marketing Strategy Team and In-House Video Production Team with capabilities in HD Field Production, Real-Time Green Screen Compositing, Voiceover Recording and Pre and Post-Production Editing. Wendy is also owner of two of the newest and most popular entertainment venues in downtown Orlando, The Abbey and The MEZZ. The MEZZ is a modern, urban-style event space boasting 7000 square feet of

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L impeccably furnished décor featuring modern art, innovative LED lighting and a state-of-the-art sound system. The Abbey is committed to broadening the cultural offerings in downtown Orlando, and has been cleverly conceived as the ideal mixed-use venue to deliver exciting and diverse live entertainment options on a nightly basis.

DEBORAH DENENBERG (Producer) Deborah began her career at the Upstairs Dinner Theater in Omaha, NE. In 1984, the Upstairs’ turnaround became the subject of a Harvard Business School case study, Lyric, Inc, still taught in business schools nationwide. Deborah helped create and build Big League Theatricals. Representative productions included: Guys and Dolls, The Secret Garden, Into the Woods, Driving Miss Daisy and The Who’s Tommy. She is currently developing a children’s musical based on a Jewish survival story, The Doll Maker’s Gift.

BIG LEAGUE PRODUCTIONS/DANIEL SHER (Executive Producer) Led by Daniel Sher as owner and Executive Producer, Big League is celebrating its 28th season of producing, general managing and booking Broadway musicals and special attractions for touring throughout North America and worldwide. Among Big League’s significant achievements were its collaborations with Disney Theatricals on Elton John and Tim Rice’s Aida (North America, Taiwan and China) and with Cameron Mackintosh on a new production of Miss Saigon which toured for 4 years. Other noteworthy productions were the Japanese and North American touring production of the Tony Award winning Broadway revival of 42nd Street as well as Meredith Willson’s The Music Man as newly conceived by Susan Stroman. Others were Footloose (Las Vegas, Atlantic City, North American tour), tours of Titanic, 1776, Peter Pan, A Funny Thing Happened on the Way to the Forum starring Rip Taylor, and Blast!. Big League’s production of The Who’s Tommy was seen throughout North America, South America, Europe, and Japan. Big League produced the Tony Award®-winning musical Ain’t Misbehavin’ starring “American Idol” winner Ruben Studdard and the first national tour of Chitty Chitty Bang Bang flying car and all. More recent seasons included Hello, Dolly! starring Sally Struthers, Guys and Dolls, My Fair Lady, an original hip-hop dance show Groovaloo (Off-Broadway), Dr.

THE BUELL THEATRE is part of the Denver Performing Arts

Complex, owned and operated by the City and County of Denver, Arts and Venues.

CITY & COUNTY OF DENVER Michael Hancock, Mayor

ARTS AND VENUES Kent Rice, Director

For information call: 720.865.4220

DENVER CENTER FOR THE PERFORMING ARTS GRATEFULLY ACKNOWLEDGES

THE FOLLOWING SUPPORT IN ITS 2015/16 BROADWAY SEASON

PLEASE BE ADVISED Please be advised that once the show begins:

• LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas.

• PHOTOS, RECORDING & CELL PHONE USE are prohibited.

• CHILDREN 4+ are welcome in our theatres and must be ticketed.

• DRINKS are allowed in provided containers.

• ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres. Ask an usher to direct you.

• BRAILLE PROGRAMS are available with 2 weeks’ notice to [email protected] or 303.893.4836.

STAFF FOR A CHRISTMAS STORY, THE MUSICAL

EXECUTIVE PRODUCER Daniel Sher

GENERAL MANAGER Big League Productions, Inc.

Mark Johnson

COMPANY MANAGER Andrea Ghersetich

EXCLUSIVE TOUR DIRECTION L. Glenn Poppleton

[email protected] • (212) 840-4393

TOUR PRESS & MARKETING TRUE Marketing

Wendy J. Connor Donna Fiegel

CASTING Alison Franck, CSA

TECHNICAL SUPERVISION Don S. Gilmore

BROADCAST ADVERTISING TV & RADIO Frank Basile/Fresh Produce Productions

PRODUCTION STAGE MANAGER ......... Richard PaulAssociate Lighting Designer .......Andrew ScharwathCostume Coordinator.......................Michael McDonaldProduction Electrician........................Brendan Quigley,

Nathan WinnerProduction Sound .....................................Jeremy OleksaAssistant Stage Manager .................... Shae CandelariaAdvance Carpenter ..................................Dan LaushmanHead Carpenter ...........................................Rodney MannAssistant Carpenter/Flyman ............... Todd WhitakerAssistant Carpenter .............................. Sam SedenquistHead Electrician .............................................Adam GrantAssistant Electrician ................................... Natalie PaigeAssistant Electrician ......................................Craig ScurtiHead Sound ................................................. Timothy RiggsAssistant Sound ............................Emily Grace CaldwellHead Props ......................................................Mark A. DahlAssistant Props ........................................... Garret CrooksHead Wardrobe .......................................... Emily BaldwinAssistant Wardrobe ................................Keshia MarcelleAssistant Wardrobe ........................................Rae PhillipsAnimal Trainer .........................................Doug TerranovaEducation Services ..................On Location EducationEducators ..................Amytza Maskati, Lorene HerzogChild Wrangler ............... Jensen Clifford, Eric B. Mota

For Big League Productions, Inc.Legal Counsel for BLP, Inc ..................Nan Bases, Esq.Operations Manager ................................. Xavier MazaraAccounting for BLP, Inc .................Schall & AshenfarbAccountant/Business Manager ..............Connie CauloPayroll Services .................................Checks & BalancesBanking ..................................................J.P. Morgan Chase Insurance ....................................................C & S Insurance Travel/Housing Services ...................... Tour Resources Souvenir Merchandise ..............Encore Merchandising

Joey BoylesProduction Assistant ......................... Nathan Anderson

CREDITSScenery by Center Line Studios, Inc. & Virginia Scenic

Lighting Provided by 4Wall Entertainment, Inc.Sound Provided by Masque Sound

Stardrops constructed by Main Light Industries, Inc.Some drops painted by Colbalt Studios, Inc.

Car constructed by Hamilton Scenery

Seuss’ How the Grinch Stole Christmas! The Musical (annual National Tour, 2012/2014 at Madison Square Garden, Nashville Grand Ole Opry), Dreamgirls (US and Japan), Hair (US and Japan), and Bring it On (US and Japan). In this current season, Big League will continue touring its new production of A Christmas Story: The Musical and it will premiere a tour of The Producers featuring Susan Stroman’s original direction and choreography. The booking department at Big League, helmed by Vice President John Starr, is among the most respected in the industry.

Members of Denver Theatrical Wardrobe, Wigs, Hair and Make-up, Union 719

Linda AckerschottCarrie BreidenbachVonnie CloughJanel CloughCraig CoryCyndie CoryLaura CotugnoSteve DaviesAnne DavisCarolyn DoreDeborah Guess

AnnSue GunterJudy HolabirdLeslie LambertSharon Millikan-HaleCallie MorrowYolanda PollockDave PooleLiz SpadiAmy TepelMarybeth TscherpelBarb Wilson

Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

The Director and/or Choreographer is a member of the Stage Directors and Choreographers Society, a national theatrical labor union.

United Scenic Artists represents the designers and scenic painters for the American Theatre.

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Featuring an evening withKELLI O’HARA & BRIAN D’ARCY JAMES

Two of Broadway’s brightest stars, Kelli O’Hara and Brian d’Arcy James, will delight Saturday Night Alive guests in the intimate Stage Theatre with an evening of their favorite songs. Kelli is a five-time Tony Award nominee who won the 2015 Tony Award as Best Actress in a Leading Role for The King and I and Brian is a three-time Tony Award nominee and current star of Something Rotten on Broadway.

DENVERCENTER.ORG/SNA 303.446.4812

March 5, 2016 • Seawell Grand BallroomIndividual tickets start at $450 • Tables of ten start at $6,000

Cocktails • Silent Auction • Dinner • Dancing

BENEFITTING ARTS EDUCATION AT THE DENVER CENTER FOR THE PERFORMING ARTS

Major Sponsors: Murray BMW of Denver • United • Colorado Oil & Gas Industry • The Westin Denver Downtown Colorado State Bank and Trust • Epicurean Group • Keith & Kathie Finger • Polsinelli • Tuchman Family Foundation

Help us light tomorrow’s stars at

DRIVEN BY

“ At United, we take our role as a community partner and corporate citizen seriously, and we are proud to support the DCPA.”

— MICHELLE BADEN, MANAGING DIRECTOR OF CORPORATE AND GOVERNMENT AFFAIRS

75 YEARS OF SERVICE TO DENVER AND COUNTING

A PROUD SPONSOR OF DCPA BROADWAY

AAs the world’s leading airline, United does more than connect passengers through safe, convenient air travel; it forges strong relationships with the people and communities it serves. United is pleased to serve as the official airline for the Denver Center for the Performing Arts (DCPA) and proudly supports its remarkable contributions to the performing arts community in Denver and beyond. Together with the DCPA, United celebrates the energy that artists, performers and dancers bring to Denver and the global stage. “At United, we take our role as a community partner and corporate citizen seriously, and we are proud to support the DCPA. With more than 75 years of service to the Mile High City, we also are proud of our long-standing commitment to the Denver community, which thousands of co-workers and customers call home,” said Michelle Baden, Managing Director of Corporate and Government Affairs. In addition to the DCPA, United is honored to support several Colorado organizations including the Colorado Symphony, Denver Botanic Gardens, Denver Public Schools Foundation, Latin American Educational Foundation, and USO Denver. United co-workers also have donated more than 5,000 hours of service and fundraising to various local partner initiatives, such as the Food Bank of the Rockies, Habitat for Humanity, and the March of Dimes. Our employee Volunteer Impact Grants program offers employees the opportunity to apply for grants to area non-profits where they volunteer frequently and has provided thousands of dollars to local organizations. We especially love bringing smiles to hundreds of local children undergoing medical treatment through the annual holiday “Fantasy Flights” trip to the North Pole and teddy bear deliveries hospitalized children. Ben Flyin’ the Adventure Bear brings his own Passport full of travel fun and games to share with everyone he meets! Every year United sponsors hundreds of young people at student matinee performances at DCPA. This season we are honored to be sharing DCPA’s productions of As You Like It and All the Way with area students. It is a privilege to share the thrill of a live theatrical performance accompanied by an educational talkback with these students to expand their view of themselves and the world.

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A PROUD SPONSOR OF DENVER CENTER FOR THE PERFORMING ARTS

For nearly 20 years, we have proudly partnered with The Denver Center for the Performing Arts (DCPA), one of the largest performing arts organizations in the nation right here in our community. At HealthONE, we’ve seen first-hand the positive impacts the arts have on our health and well-being: The soothing effect of music on people in pain; the regaining of muscle strength through drawing or painting; the stress-relieving enjoyment of live performances after a hard or emotional day. Without the venues and resources the DCPA provides, we would not be able to enjoy incredible performances. We are proud to sponsor this and many other productions, and we hope you take time to appreciate the benefits these great shows bring to your own life.

To everyone at the Denver Center for the Performing Arts, thanks for reminding us what it means to make a difference.

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LLook at a painting and it may change your world view. Watch a performance and feel something move inside you. The arts have a powerful way of inspiring people. They spark imagination and innovation, as much as they unify and uplift the communities that support them. Pinnacle Entertainment owns and operates 15 gaming entertainment properties throughout the West, Midwest and Southeast, including Ameristar Casino Resort Spa Black Hawk here in Colorado. Like its parent company, Ameristar Black Hawk is committed to improving the quality of life where its dedicated team members live and work, and supporting the arts is just one of the ways it gives back to the community it calls home. In 2015 alone, Ameristar Black Hawk team members rolled up their sleeves, strapped on their running shoes, and participated in charitable drives to support the town of Black Hawk and greater Denver area. They packed food for the Food Bank of the Rockies, walked in the three-mile Denver MS Walk, cleaned up trash from their city’s streets and neighborhoods, organized school supplies for the families in need in the Jefferson County School Supply Drive, and so much more. On a larger scale, Pinnacle Entertainment hosts an annual giving campaign called “Pinnacle Cares,” which encourages team members to support the causes they’re most passionate about in their individual communities by donating time to volunteering, or making financial contributions that the company matches at a generous 25 percent. Caring for the community is at the heart of any Pinnacle Entertainment destination, and for Ameristar Black Hawk, the Denver Center for the Performing Arts is an institution that is important to support. Perhaps British artist Char Evans best illustrates the incredible influence of the arts with this simple quote: “Art changes people and people change the world.” With every hour invested, and every dollar given, the team at Ameristar Black Hawk and the greater Pinnacle Entertainment family hope to make the world a better place—one inspirational performance at a time.

A PROUD SPONSOR OF A CHRISTMAS STORY, THE MUSICAL

SEAN DEMEULE, Vice President & General Manager

Caring for the community is at the heart of any Pinnacle Entertainment destination, and for Ameristar Black Hawk, the Denver Center for the Performing Arts is an institution that is important to support.

CAM.ucdenver.edu303.556.2279 | [email protected]

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TA PROUD SPONSOR OF DENVER CENTER FOR THE PERFORMING ARTS

The Denver Center for the Performing Arts is a powerful driver behind the vibrancy and growth of the arts in Colorado. The social and educational benefits of the arts are both important and proven. PwC is committed to developing young people in Colorado, as well as across the United States and globally, and is honored to support DCPA. Our involvement with DCPA strengthens our commitment to comprehensive education and literacy of young people in our community. In addition to supporting the arts more broadly in Denver, PwC is committed to serving our communities. Our Rockies Market leads the firm in the number of service hours per employee through Earn Your Future, the firm’s commitment to advancing youth education and financial literacy in the US. One of the ongoing volunteer activities that helps us accomplish this is Power Lunch — a partnership with the Denver Public Schools Foundation and Mile High United Way. For a third year in a row, we are proudly partnering 40-50 PwC volunteers with a classroom of third grade students at Columbian Elementary in Denver. The goal is to build relationships through reading and help each student reach reading proficiency by the end of third grade. We partner two volunteers with each student, reading to that student weekly for 45 minutes throughout the entirety of the school year. This year PwC also has collaborated with the nonprofit organization Innovations for Learning to bring its web-based tutoring program, TutorMate, to 1st graders in Denver Public Schools. We will partner one volunteer with each student, tutoring that student virtually in reading for 30 minutes each week during the school year. Volunteering with TutorMate allows our people to make a difference in the life of a young student and help to promote his or her success in school. It is our partners and staff across the organization that drive PwC’s unwavering youth education and financial literacy commitment. And it is the DCPA’s commitment to arts education and training that serves as a compelling reason to forge a partnership. PwC is proud to support the DCPA as an arts purveyor, teacher, visionary and inspiration in our local community.

Our involvement with DCPA strengthens our commitment to comprehensive education and literacy of young people in our community.

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CHAMBER SERIES HIGHLIGHTS

BRENTANO QUARTETJAN 13, 2016 | 7:30PM

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Enjoy a meal with us before the show - when you show your tickets or subscriber benefit card, receive 10% Off and FREE parking - when you park at Independence Plaza.

(LOCATED TWO BLOCKS FROM THE DCPA) 934 16TH ST. DENVER 80202 TEL (303) 893-2233

@ R I A LT O C A F E

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TUESDAY-SATURDAY 5PM-CLOSECOCKTAIL HOUR DAILY 5-6:30PM & 9PM-CLOSE

SOLITAIRERESTAURANT.COM

DCPAScott Shiller .............................................................President/CEO Eve Gordon ..........................Executive Assistant to the CEO

BROADWAY & CABARETJohn Ekeberg ..........................Executive Director BroadwayAlicia Giersch ....................................................General ManagerAlyssa Chacon ............ Operations Business AdministratorAbel Becerra ................................. Technical Director, CabaretAnson Nicholson .............................Sound Engineer, Cabaret

DEVELOPMENTDavid Zupancic ................................Director of Development Shawn Bayer ...................................................Associate DirectorChelley Canales ..................................Development AssociateMegan Fevurly ....................................Development AssociateMelissa Olson .......................................Development Assistant Marc Ravenhill ................................................Associate Director Valerie Taron ...................................................Associate Director

EDUCATIONAllison Watrous .......................................Director of EducationJessica Austgen ...............................................Teaching Artist &

Shakespeare CoordinatorStuart Barr .................................Education Technical DirectorClaudia Carson ........................................Bobby G Coordinator Leslie Channell ............................................ Education RegistrarPatrick Elkins-Zeglarski ...............................................Education

Curriculum ManagerLinda Eller .............................................................................LibrarianTim McCracken.....................................................Head of ActingJannett Matusiak ...........................................Business ManagerMichelle Patrick ..................Corporate Training CoordinatorDavid Saphier .............School Coordinator/Teaching ArtistMackenzie Sherburne, Justin Walvoord, Robyn Yamada ................................................... Teaching Artists

FACILITIES & EVENT SERVICESClay Courter ....Vice President, Facilities & Event ServicesJames Babcock ..................................................................Engineer Dwight Barela .....................................................................Engineer Devon Chandler .....Assistant Director, Event TechnologyQuentin Crump ..............................................Security SpecialistClint Flinchpaugh ..............................................................EngineerStori Heleen ................................Event Technology Specialist Michael Kimbrough ..........................................................Engineer Jaymes Kimbrough .................Event Technology Specialist Clint King ........................................................Security SupervisorTerry Koch ..................................................Director, EngineeringJohn Lower .............................................................Chief EngineerBrian McClain ............................................ Custodial SupervisorTara Miller, Danielle Porter, Brittany Schoede .............................................. Events ManagerBrook Nichols ...............................Director, Event Technology Kassie Sanders ..........................Event Technology Specialist Alyssa Stock ...................................Assistant Project ManagerDawn Williams ....................................Director, Event Services Juan Loya, Carmen Molina, Blanca Primero, Judith Primero, Angeles Reyes Soto, Francisco Trujillo ...........................................................Custodians

MARKETING & SALESJennifer Nealson .................................Chief Marketing Officer Heidi Bosk ........................ Senior PR & Promotions ManagerNathan Brunetti ..................................................Digital ManagerKim Conner ........................................................Graphic DesignerFlora DiRienzo ....................................... Strategic PartnershipsBrenda Elliott .....................................Senior Graphic DesignerBrianna Firestone ...................................Director of MarketingSimone Gordon ..................................................Project ManagerHope Grandon .........................................PR & Events ManagerJeff Hovorka ............................ Director of Sales & MarketingJennifer Kemps .......................................Group Sales ManagerEmily Kent .....................................................Marketing ManagerDavid Lenk.............................................................Video ProducerEmily Lozow ..........................................Marketing CoordinatorAdam Lundeen..................................... Website Administrator

Kyle Malone ...................................................................Art DirectorCarolyn Michaels ..........................................................CopywriterJohn Moore ...............................................Senior Arts JournalistAdam Obendorf ..........................................Senior Art DirectorBeth Osolin .....................Group Sales Business CoordinatorAllison Barber Pasternak .... Executive Assistant to the CMODonna Rossi ...........................Customer Experience DirectorJoseph Schurwonn......................................... Financial AnalystJill Schwager ..............Education Group Sales CoordinatorRob Silk ................................................................ Creative DirectorSuzanne Yoe ..........................Director of Marketing Services

& Cultural AffairsTHEATRE SERVICES Carol Krueger .................................Theatre Services ManagerAdam Alberti, Ethan Aumann, Nora Caley, Hadley Kamminga-Peck, LeiLani Lynch, Gregory Melton, Douglas Murphey, Joyce Murphey, Margaret Ohlander, Dylan Phibbs, Valerie Schaefer, Mica Ward ....................Theatre Company House Managers

TICKETING SERVICESJennifer Lopez ........................Director of Ticketing ServicesKirk Petersen ..........................................Assoc. Dir. of Ticketing

Services – Patron RelationsDavid Smith ............................................Assoc. Dir. of Ticketing

Services – Subscription ServicesJessica Bergin, Katie Clow-Pollard, Tristan Jungferman, Laura Kirby, Alec Sydlow.....................Box Office ManagersMicah White .............................................Subscription ManagerMalcolm Brown, William Dutton III, Kevin Dykstra, Elisabeth Link, Molly McDonough .....................Show LeadsKirsten Anderson, Ashley Brown, Scott Lix, Gregory Swan ............................................Subscription AgentsMaggie Blumer, Rena Bugg, DJ Dennis, Patye Gibbons, Nicole Giordano, Jennifer Gray, Edmund Gurule, Rebecca Hibbert, Joel Innes, Alex Jannen, Noah Jungferman, Megan Kelly, Alia Kempton, Michael Lang, Daniel Lindsey, Brett Martinez, Shane Rodriguez, Juan Carlos Sánchez, Hayley Solano, Ereece Thomas, Tomas Waples ......................Ticket Agents

SHARED SERVICESVicky Miles ...............................................Chief Financial OfficerJennifer Jeffrey ..................................Senior Financial AnalystACCOUNTINGJennifer Siemers .......................................Director AccountingSara Brandenburg ........................................Senior AccountantMichaele Davidson ......................................Senior AccountantGeorgette Maddox ..........................................Payroll SpecialistKim Stewart .......................................................Staff AccountantHUMAN RESOURCESRegina Matthews ........................Director Human ResourcesBrian Carter ..................................Human Resources ManagerDonald Gabenski ............................................................ReceptionJamie Hawkins .....................................................HR Coordinator Monica Robles ...........................................Mailroom SupervisorINFORMATION TECHNOLOGYRick Bennett ...................................................Network ArchitectChris Calenzo ..................................................Help Desk AnalystJayson Cowley......................................Network AdministratorJim Hipp ................................................Associate Director of ITChristopher Hoge ......................VoIP/System AdministratorBobby Jiminez ........................ Senior Audienceview AnalystJohn H. Voorheis ...........................Manager of Infrastructure

THEATRE COMPANY ARTISTICKent Thompson .............................................Theatre Company

Producing Artistic Director Bruce K. Sevy ..............Director of New Play DevelopmentDouglas Langworthy ...........Literary Manager/DramaturgChad Henry ......................................................Literary AssociateEmily Tarquin ..................................................Artistic Associate/

New Play CoordinatorGrady Soapes .............................................Artistic CoordinatorEli Carpenter ..............................................................Artistic Intern

PRODUCTIONJeff Gifford ..............................................Director of ProductionMelissa Cashion ...................Associate Production ManagerJulie Brou ..................Production & Artistic Office ManagerScenic DesignLisa M. Orzolek ...............................Director of Scenic DesignMatthew Plamp, Nicholas Renaud..............................Scenic Design AssistantsLighting DesignCharles R. MacLeod ..................................Director of LightingLily Bradford ....................................Lighting Design AssistantReid Tennis .............................................. Production ElectricianMultimediaCharlie I. Miller...................... Resident Multimedia SpecialistTopher Blair ...........................Multimedia Assistant/OperatorSound DesignCraig Breitenbach ..........................................Director of SoundTyler Nelson ......................................................... Sound DesignerAlex Billman, Frank Haas .............................Sound OperatorsStage ManagementChristopher C. Ewing ...............Production Stage ManagerJonathan D. Allsup, Matthew Campbell, Rachel Ducat, Aja M. Jackson, Randall Lum, Lyle Raper, Kurt Van Raden .........................Stage ManagersD. Lynn Reiland ........................................Production AssistantCorin Ferris, Lexi Holtzer, Kristen Littlepage........... Stage Management ApprenticesScene ShopEric Rouse .........................................................Technical DirectorRobert L. Orzolek ....................Associate Technical DirectorJosh Prues ................................... Assistant Technical DirectorAlbert “Stub” Allison, Louis Fernandez III .........................................Lead TechniciansJustin Hicks, Brian “Marco” Markiewicz, Keli Sequoia, Mike Van Aartsen, Ross Wick ........................................................Scenic TechniciansProp ShopRobin Lu Payne ............................................Properties DirectorEileen S. Garcia ........................Assistant Properties DirectorJamie Stewart Curl, Charles Dallas, David Hoth, Georgina Kayes, Katie Webster .....................Props ArtisansPaint ShopJana L. Mitchell ..........................................Charge Scenic ArtistMelanie Rentschler .......................................Lead Scenic ArtistBrian Proud ..................................................................Scenic ArtistRachael Gibson ............................................................Paint InternCostume ShopJanet S. MacLeod .........................................Costume Director/

Costume Design AssociateMeghan Anderson Doyle .......Costume Design AssociateCarolyn Plemitscher, Louise Powers, Jackie Scott ...........................................................................DrapersCathie Gagnon, Belinda Haaland ...........................First HandSheila P. Morris...........................................................................TailorKelly Jones, Jenny Milne-Wright, Beth Walker ..... StitchersCostume CraftsKevin Copenhaver ...........................Costume Crafts DirectorShirleen DiFonzo ................................Costume Crafts ArtisanWigsDiana Ben-Kiki ..............................................................Wig MasterHouse CrewDoug Taylor* .........................................Supervising StagehandMariah Becerra*, Jim Berman*, Jennifer Guethlein*, Stephen D. Mazzeno*, Miles Stasica*, Tyler Stauffer, Matt Wagner* (*IATSE Local 7 Stagehands) ............................... StagehandsWardrobeBrenda Lawson .......................................Director of WardrobeMaria Y. Davis, Taylor Malott ...........................Wig AssistantsRobin Appleton, Amber Donner, Kelly Jones, Anthony Mattivi, Tim Nelson, Lisa Parsons, Alan Richards ...................................................................... DressersADMINISTRATIONCharles Varin ..................................................Managing DirectorRyan Meisheid ..........................Associate Managing DirectorAllison Taylor .................................................Company ManagerKerri Mirtsching ................................... Business Administrator Alie Quistberg ..........................Assistant Company Manager

DCPA TEAM

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34 denvercenter.org

For answers please visit denvercenter.org/news-center.

ACROSS

2 Young Scrooge was once in love with her

4 Scrooge’s sister

6 The one thing Scrooge finds more ridiculous than a merry Christmas

7 The horse The Lone Ranger’s nephew rode

11 The brand of Mrs. Parker’s soap

13 The Parkers drove an ___

16 State where A Christmas Story is set

17 The DCPA’s Scrooge for most of the past 11 years is Philip ____

18 Something the taciturn Ghost of Christmas Yet to Come never does to Scrooge

19 Dickens wrote “An Appeal to the people of England on behalf of the poor Man’s ____”

DOWN

1 ____ gets his tongue stuck to the pole

3 “God bless us ____”

4 Young Scrooge worked as an apprentice for him

5 Ralphie was played in the 1983 movie by ____ Billingsley

8 The BB gun Ralphie wants so badly (two words)

9 The Parkers live on ____ Street (and it’s the city where the film was primarily shot)

10 Bird Scrooge sends to the Cratchit family

12 Marley is as dead as a ____

14 ____ and ignorance

15 The school bully’s last name

A CHRISTMAS PUZZLERA stocking full of trivia from A Christmas Carol and A Christmas Story, The Musical

As professionals who work in the realm of the imagination, we never plan the same event twice. Our team of on-site designers, event managers, and technical specialists know how to take your vision of your big day and create something you’ve never imagined. Let us direct your award-winning event.

DENVERCENTER.ORG | 303.572.4466SEAWELL GRAND BALLROOM | DIRECTORS ROOM

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Pho

tos:

Stu

dio

JK

Pho

tog

rap

hy

A Christmas Puzzler

A stocking full of trivia from 'A Christmas Carol' and 'A Christmas Story'

ACROSS

2 Young Scrooge was once in lovewith her

4 Scrooge's sister6 The one thing Scrooge finds more

ridiculous than a merry Christmas7 The horse The Lone Ranger's

nephew rode11 The brand of Mrs. Parker's soap13 The Parkers drove an ______16 State where "A Christmas Story" is

set17 The DCPA's Scrooge for most of

the past 11 years is Philip ______18 Something the taciturn Ghost of

Christmas Yet to Come never doesto Scrooge

19 Dickens wrote "An Appeal to thePeople of England on Behalf of the

Poor Man’s _____"

DOWN

1 It's his tongue that gets stuck to thepole

3 "God bless us ______"4 Young Scrooge worked as an

apprentice for him5 Ralphie was played in the 1983

movie by ____ Billingsley8 The BB Gun Ralphie wants so badly

(Two words)9 The Parkers live on ___ Street (and

it's the city where the film wasprimarily shot)

10 Bird Scrooge sends to the Cratchitfamily

12 Marley is as dead as a ______14 _____ and Ignorance15 The school bully's last name

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7 8

9 10

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12

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Applause Magazine, Nov.–Dec., 2015

Documents

Transcript of Applause Magazine, Nov.–Dec., 2015