Aperture (Excerpt)
Transcript of Aperture (Excerpt)
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! ! ! ! !
! ! ! ! APERTURE
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INT. PRIVATE SCHOOL CLASSROOM - MANHATTAN - DAY
The screen is BLACK.
We hear GREGORY ALLBRIGHT, 32, speaking.
GREG!! ! ! ! !Now, there are many
different kinds of lenses
you can use when you want
to take pictures. A long lens.
A fisheye lens. An ultraviolet
lens. This is a wide lens.
We hear a CLICK.
FADE IN:
INT. PRIVATE SCHOOL CLASSROOM - MANHATTAN - DAY
We see children seated in desks THROUGH A CAMERAS LENS.
Enter FULL SCREEN.
INT. PRIVATE SCHOOL CLASSROOM - MANHATTAN - DAY
Greg is standing in front of a third grade classroom. The
students seem, at most, half-interested in what Greg is
saying.
GREG (CONTD)
Taking pictures is
important because picturestell stories. And no two
pictures tell the same
story. Ever.
! Greg moves to the center of the class.
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GREG (CONTD)
If I go here and take a
picture
! We hear a SNAP.! ! ! ! ! ! !GREG (CONTD)
I can see the whole
class.
! FREEZE FRAME: Shot of class.
! ! ! ! ! GREG (CONTD)! ! ! But if I stand up here!! Greg stands up on a chair.
We hear a SNAP.
! FREEZE FRAME: Shot of class.
! ! ! ! ! GREG (CONTD)I can see the girl in
the second row is
doodling.
(points)
Thats not captured
in the first shot.
! Greg moves to the back of the room.
! ! ! ! ! GREG (CONTD)! ! ! And if I take a! ! ! picture over here
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!We hear a SNAP.
!! FREEZE FRAME: Shot of class.! ! ! ! !! ! ! ! ! GREG (CONTD)! ! ! Well I can see the kid
sitting behind my handsome
nephew over there is
sleeping.
Greg walks back to the front of the classroom.
! ! ! ! GREG (CONTD)! ! Anyway, the point is, even! ! though Im taking picturesof the same thing, when you
look closely, each picture
is different. Each one gives
a different account, and the
story depends on what
I want you, the viewer,
to see.
! We hear the bell RING signaling the end of class.FADE TO BLACK.
! FADE IN:EXT. SCHOOL LATER
We hear a HONK as cars pass down the street. Greg waits
outside the school for HENRY, 10, Gregs nephew. Greg
lights a cigarette. Finally Henry exits the school.
Greg crosses the street and reaches for Henrys hand.
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GREG
Come on, come on.
Henry follows.
Greg pulls out the car keys and unlocks the car.
HENRY
Uncle Greg?
GREG
Were two minutes from your
house, Henry, you can hold
it until then.
! Greg puts out his cigarette on the pavement.HENRY
No. Theres a note on
the car.
Henry points to the note on the windshield. Greg walks
over to the passenger side and grabs the note.
SHOT OF NOTE: Thanks asshole!
We pan down to the BMW car, which has been keyed from
bumper to bumper.
GREG!! ! ! ! ! ! ! ! ! (under his breath)
Shit.
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HENRY
Why is dads car
scratched?
Greg crumples up the note. He OPENS the passenger car.
GREG
Dont worry about it. ! ! Get in.
Greg SHUTS the door after Henry hops in.
CUT TO:
INT. CAR - LATER
Greg is driving while Henry plays a game on his phone.
! ! ! ! GREG!! ! ! ! ! ! !! ! How old are you?! ! ! ! ! ! !! ! 12?
! ! ! ! HENRY! ! ! ! ! ! !! ! 10.
GREG
And you have a
cell phone?
HENRY
Its for emergencies.
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GREG!! ! ! ! !Brickbreaker is an
emergency?
! Greg looks at Henrys phone.! !
! ! GREG (CONTD)Its nicer than mine.
HENRY
Yeah.
Henry is distracted by the game.
GREG!! ! ! ! !(beat)! ! ! !
Hey, how do you think I
did? I thought it went
well.
HENRY
You did good. You didnt
look nervous or anything.
GREG
Was I the best speaker
youve had?
HENRY
Well, Bryans dad is a
surgeon. That was pretty
cool. He brought in a
brain and we got to feel
it.
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GREG
Yeah. I guess thats
pretty cool.
CUT TO:
EXT. /INT. JACKS APARTMENT - LATER
Greg RINGS the doorbell to JACK ALLBRIGHT, Gregs
brothers, apartment.
It is a three-story brownstone in Greenwich Village. When
there is no answer, Greg KNOCKS on the door.
ROSA, the nanny, ANSWERS.
ROSA
Hola Henry.
Henry rushes past her.
GREG
Bathroom
Greg smiles. He is twirling the car keys around his
fingers.
! ! ! ! ! GREG(beat)
Im late for work.
I was gonna borrowJacks car.
Rosa doesnt understand what Greg is saying.
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GREG (CONTD)! ! ! ! ! (gestures)!
Im gonna take my
brothers car.
Rosa still doesnt understand.
! ! ! GREG (CONTD)Nevermind.
(yells into Henry)
Bye, Henry. Im going.
HENRY (O.S.)Bye.
GREG! ! ! ! (under his breath)Youre welcome.
CUT TO:
INT. CAR - LATER
Greg is driving Uptown in Jacks BMW. He plugs his phone
into the CAR NAVIGATOR.
GREG
(to car navigator)CALL SARAH.
CAR NAVIGATOR (V.O.)
Im sorry. I do not
understand your request.
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GREG!! ! ! ! ! !(louder & slower)
CALL SA-RAH...
CAR NAVIGATOR (V.O.)
Im sorry. I do not
understand you. Goodbye.
Greg pulls the phone out and dials manually.
GREG
Whats the point of this
shitty thing if it cant
understand you.
Greg holds the phone to his ear. It is DIALING.
CUT TO:
EXT. CITY SIDEWALK - CONTINUOUS
SARAH KINKEAD, 30, Gregs co-worker, is walking up a city
block. Her phone RINGS. She answers.
SARAH
Hey, where are you
at?
CUT TO:
INT. CAR CONTINUOUS
GREG
Sitting in traffic on! ! !the FDR.
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EXT. CITY SIDEWALK CONTINUOUS
Sarah stops to get a coffee from a street vendor.
SARAH
What are you doing there?
! The vendor hands Sarah her coffee.! ! ! ! ! SARAH! (to vendor)
Thank you.
GREG (V.O.)
Missy assigned me alast minute story.
SARAH
I bet she did.
CUT TO:
INT. CAR CONTINUOUS
The car behind Greg HONKS.
GREG
(to driver)
What do you want me to
do? Theres nowhere for
me to go.
SARAH (V.O.)
Youre driving?
GREG
I borrowed Jacks car.
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SARAH (V.O.)
So, no movie tonight?
EXT. CITY SIDEWALK - CONTINUOUS
GREG (V.O.)
Well go Saturday.
CUT TO:
INT./EXT. CAR - BRONX - LATER
Greg pulls up to the Convenience Store on the corner of thestreet. Outside, MEG, 24, a journalist for the GAZETTE
NEWSPAPER, is interviewing the OWNER.
Greg gets out of the car with his camera and WALKS over.
GREG
Hey.
MEG
Youre late.
CUT TO:
INT. CONVENIENCE STORE - LATER
The owner walks behind the counter where a lottery machinestands. The store is small and looks dirty.
Greg SNAPS pictures of the machine as the owner speaks.
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OWNER
Its the second oldest Daily
Numbers lotto machine in the
country. Brought it all
the way from New Hampshire.
It dates back to 1976.
MEG
And its lucky?
OWNER
Its had 14 winners.
You tell me.
GREG
Have there been any
winners here?
OWNER
Not yet.! (beat)But were all just a
Chance away from
winning, right?
Greg SNAPS a picture of the machine.
FADE TO BLACK.
! FADE IN:INT. GREGS APARTMENT - NIGHT
Greg ENTERS. He turns on the light.
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The studio apartment is small and messy. Greg THROWS the
keys down on the kitchen counter. He presses the PLAY but-
ton on his ANSWERING MACHINE.
MACHINE
You have one new message.
The message is from JACK ALLBRIGHT, 40, Gregs brother.
! ! ! ! ! JACK! ! ! Where the hells mycar, Greg? I want
it back tomorrow.! ! !Greg takes off his shirt, flops down on his unmade bed and
falls asleep.
CUT TO:
INT. GREGS APARTMENT - LATER
The only light coming into the apartment is from the
streetlight beaming through the window.
Gregs cell phone RINGS. He awakes and blindly
reaches for his phone.
GREG
Hello?
MEG (V.O.)
Youre on call, new guy.
Greg reaches for the clock on the nightstand.
The clock READS: 1:30AM.
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GREG
Its 1:30.
MEG! (V.O.)(sarcastically)Is it? I didnt know.
GREG
What is it?
MEG (V.O.)
A hedge fund exec was
killed.
GREG
Where?
MEG (V.O.)
225 E 82nd.
! Greg WRITES down the number.GREG
All right. Give me twenty
minutes.
CUT TO:
INT. CAR - NIGHT
Greg pulls up outside the address, a beautiful block
on the Upper East Side. He takes the last swig of his
Red Bull.
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Police lights are FLASHING down the block as Greg looks
around for Meg. He doesnt see her.
He notices two police officers talking and a third officer
walking into the nearby apartment building.
Meg TAPS on Gregs car window.
Greg ROLLS down the window.
GREG
Hey. Know anything yet?
! Meg leans down to the window.MEG
The neighbor said she heard
a noise, but when I told
her my name was Meghan she
thought I said Leann, so
Im not sure how credible
shell be.! (beat)It doesnt matter though.
Did you get my text? Wewere called off.
GREG
What?
MEG
I got the message from
Hobbs saying wereoff the story.
GREG
Why?
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MEG
Dont know.
GREGThats bull.
(beat)! ! ! !!! Im clocking inregardless.
MEG! (laughs)Good luck with that.
(beat)
All right
(taps car)
Im headed out.
GREG
Need a ride?
MEG
No. Im good. Thanks.
GREG
All right. Goodnight.
MEG
Night.
Greg watches Meg leave. He turns on the car and looks in
the rearview. He sees a well-dressed man, ERIC WATERS, 27,
approach the scene. Greg waits.
Greg watches Eric yell up to one of the officers, JOHN
FLETCHER, 50, who is walking down the apartment stoop.
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Greg reaches for his camera bag and gets out his camera.
He uses it to zoom in on them. He takes a few pictures of
them and the officers that are standing by the car.
The two other police officers get in their car, turn off
their lights and drive off.
Waters pulls out an envelope and hands it to Fletcher. They
shake hands and Waters begins walking back down the side-
walk toward Greg.
Greg slouches down in the car as he watches the young man
pass.
FADE TO BLACK.
FADE IN:
EXT. / INT. JACKS APARTMENT - MORNING
It is a beautiful sunny spring morning in Manhattan.
Greg RINGS Jacks apartment doorbell. No one answers. He
uses the key attached to the car keys and lets himself in.
Greg hears LAUGHING coming from Jacks office.
GREG
Hello?
Greg looks around and sees THE GAZETTE NEWSPAPER sitting on
Jacks front table. He looks at the article on the death
the night before. The TITLE reads: Hedge-fund Exec Rich-
ard Young Found Dead, Thought To Be Suicide, by Bill Pac-ings.
GREG
(to himself)
What?
Jack ENTERS.
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JACK
Dont you knock?
GREG
Your bells broken.
Greg holds out the car keys.
! ! GREG (CONTD)! ! !Here.
JACK
You look like hell.
GREG
Thanks.
Jack sets the car keys on the table.
JACK
You know a car loan
wasnt in the agreement.
GREG
I was running late for
work. I told your nanny.
JACK
Is that the story on
the neighborhood vote
on the dog park?
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GREG
No. It was a murder
investigation actually.
JACKWhod you kill this
time?
Jack LAUGHS.
The office door OPENS. APRIL, 25, tall and blond, ENTERS.
APRIL
(to Jack)Im gonna go.
JACK
Ok.
APRIL
(to Greg)Hi.
JACK
This is my brother
Greg. Greg, this
is April. Shes the
lab technician from
the DA on one of
my cases.
GREG
Hi April from the
DA.
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There is an awkward silence.
APRIL
Bye, Jack.
JACK
Ill call you later.
April EXITS.
GREG
I didnt know lab
technicians made
house calls.
(beat)
When does Emily get
back?
JACK
None of your business.
GREG
Thats what I thought.
CUT TO:
INT. NEWSPAPER OFFICES- 12TH FLOOR - MORNING
Greg walks down the hall of the GAZETTE and pours himself a
cup of coffee. He has the mornings paper tucked under his
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arm as walks over to BILL PACINGS cubicle. The floor is
bustling.
Greg puts the newspaper on Bills desk. He leans against
his desk.
GREG
You were there last night?
! Bill briefly looks up from typing.
BILL
Yeah.
GREG
Who ruled it a suicide?
BILL
Did you read the article?
The officer on duty did.
Greg picks up the paper and reads off the officers name.
GREG
Mendez?
BILL
Yeah.
! Greg stands up and turns to leave.GREG
I want your notes on
the story.
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BILL
I dont work for you,
man.
GREG
Just get me the notes.! ! ! ! ! ! ! CUT TO:
! INT. GREGS CUBICLE - CONTINUOUSGreg walks to his cubicle.
He gets on his computer and uploads the pictures he took
from the night before.
He ZOOMS IN on the officers name-tags.
The name-tags READ: FIELDS and JACKSON.
Greg DIALS Sarah.
CUT TO:
INT. NEWSPAPER OFFICES - 6TH FLOOR - CONTINUOUS
Sarahs phone RINGS. She answers.
SARAH
Sarah Kinkead.
GREG (V.O.)
I need a favor.
CUT TO:
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