Aperture (Excerpt)

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    ! ! ! ! !

    ! ! ! ! APERTURE

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    INT. PRIVATE SCHOOL CLASSROOM - MANHATTAN - DAY

    The screen is BLACK.

    We hear GREGORY ALLBRIGHT, 32, speaking.

    GREG!! ! ! ! !Now, there are many

    different kinds of lenses

    you can use when you want

    to take pictures. A long lens.

    A fisheye lens. An ultraviolet

    lens. This is a wide lens.

    We hear a CLICK.

    FADE IN:

    INT. PRIVATE SCHOOL CLASSROOM - MANHATTAN - DAY

    We see children seated in desks THROUGH A CAMERAS LENS.

    Enter FULL SCREEN.

    INT. PRIVATE SCHOOL CLASSROOM - MANHATTAN - DAY

    Greg is standing in front of a third grade classroom. The

    students seem, at most, half-interested in what Greg is

    saying.

    GREG (CONTD)

    Taking pictures is

    important because picturestell stories. And no two

    pictures tell the same

    story. Ever.

    ! Greg moves to the center of the class.

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    GREG (CONTD)

    If I go here and take a

    picture

    ! We hear a SNAP.! ! ! ! ! ! !GREG (CONTD)

    I can see the whole

    class.

    ! FREEZE FRAME: Shot of class.

    ! ! ! ! ! GREG (CONTD)! ! ! But if I stand up here!! Greg stands up on a chair.

    We hear a SNAP.

    ! FREEZE FRAME: Shot of class.

    ! ! ! ! ! GREG (CONTD)I can see the girl in

    the second row is

    doodling.

    (points)

    Thats not captured

    in the first shot.

    ! Greg moves to the back of the room.

    ! ! ! ! ! GREG (CONTD)! ! ! And if I take a! ! ! picture over here

    3

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    !We hear a SNAP.

    !! FREEZE FRAME: Shot of class.! ! ! ! !! ! ! ! ! GREG (CONTD)! ! ! Well I can see the kid

    sitting behind my handsome

    nephew over there is

    sleeping.

    Greg walks back to the front of the classroom.

    ! ! ! ! GREG (CONTD)! ! Anyway, the point is, even! ! though Im taking picturesof the same thing, when you

    look closely, each picture

    is different. Each one gives

    a different account, and the

    story depends on what

    I want you, the viewer,

    to see.

    ! We hear the bell RING signaling the end of class.FADE TO BLACK.

    ! FADE IN:EXT. SCHOOL LATER

    We hear a HONK as cars pass down the street. Greg waits

    outside the school for HENRY, 10, Gregs nephew. Greg

    lights a cigarette. Finally Henry exits the school.

    Greg crosses the street and reaches for Henrys hand.

    4

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    GREG

    Come on, come on.

    Henry follows.

    Greg pulls out the car keys and unlocks the car.

    HENRY

    Uncle Greg?

    GREG

    Were two minutes from your

    house, Henry, you can hold

    it until then.

    ! Greg puts out his cigarette on the pavement.HENRY

    No. Theres a note on

    the car.

    Henry points to the note on the windshield. Greg walks

    over to the passenger side and grabs the note.

    SHOT OF NOTE: Thanks asshole!

    We pan down to the BMW car, which has been keyed from

    bumper to bumper.

    GREG!! ! ! ! ! ! ! ! ! (under his breath)

    Shit.

    5

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    HENRY

    Why is dads car

    scratched?

    Greg crumples up the note. He OPENS the passenger car.

    GREG

    Dont worry about it. ! ! Get in.

    Greg SHUTS the door after Henry hops in.

    CUT TO:

    INT. CAR - LATER

    Greg is driving while Henry plays a game on his phone.

    ! ! ! ! GREG!! ! ! ! ! ! !! ! How old are you?! ! ! ! ! ! !! ! 12?

    ! ! ! ! HENRY! ! ! ! ! ! !! ! 10.

    GREG

    And you have a

    cell phone?

    HENRY

    Its for emergencies.

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    GREG!! ! ! ! !Brickbreaker is an

    emergency?

    ! Greg looks at Henrys phone.! !

    ! ! GREG (CONTD)Its nicer than mine.

    HENRY

    Yeah.

    Henry is distracted by the game.

    GREG!! ! ! ! !(beat)! ! ! !

    Hey, how do you think I

    did? I thought it went

    well.

    HENRY

    You did good. You didnt

    look nervous or anything.

    GREG

    Was I the best speaker

    youve had?

    HENRY

    Well, Bryans dad is a

    surgeon. That was pretty

    cool. He brought in a

    brain and we got to feel

    it.

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    GREG

    Yeah. I guess thats

    pretty cool.

    CUT TO:

    EXT. /INT. JACKS APARTMENT - LATER

    Greg RINGS the doorbell to JACK ALLBRIGHT, Gregs

    brothers, apartment.

    It is a three-story brownstone in Greenwich Village. When

    there is no answer, Greg KNOCKS on the door.

    ROSA, the nanny, ANSWERS.

    ROSA

    Hola Henry.

    Henry rushes past her.

    GREG

    Bathroom

    Greg smiles. He is twirling the car keys around his

    fingers.

    ! ! ! ! ! GREG(beat)

    Im late for work.

    I was gonna borrowJacks car.

    Rosa doesnt understand what Greg is saying.

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    GREG (CONTD)! ! ! ! ! (gestures)!

    Im gonna take my

    brothers car.

    Rosa still doesnt understand.

    ! ! ! GREG (CONTD)Nevermind.

    (yells into Henry)

    Bye, Henry. Im going.

    HENRY (O.S.)Bye.

    GREG! ! ! ! (under his breath)Youre welcome.

    CUT TO:

    INT. CAR - LATER

    Greg is driving Uptown in Jacks BMW. He plugs his phone

    into the CAR NAVIGATOR.

    GREG

    (to car navigator)CALL SARAH.

    CAR NAVIGATOR (V.O.)

    Im sorry. I do not

    understand your request.

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    GREG!! ! ! ! ! !(louder & slower)

    CALL SA-RAH...

    CAR NAVIGATOR (V.O.)

    Im sorry. I do not

    understand you. Goodbye.

    Greg pulls the phone out and dials manually.

    GREG

    Whats the point of this

    shitty thing if it cant

    understand you.

    Greg holds the phone to his ear. It is DIALING.

    CUT TO:

    EXT. CITY SIDEWALK - CONTINUOUS

    SARAH KINKEAD, 30, Gregs co-worker, is walking up a city

    block. Her phone RINGS. She answers.

    SARAH

    Hey, where are you

    at?

    CUT TO:

    INT. CAR CONTINUOUS

    GREG

    Sitting in traffic on! ! !the FDR.

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    EXT. CITY SIDEWALK CONTINUOUS

    Sarah stops to get a coffee from a street vendor.

    SARAH

    What are you doing there?

    ! The vendor hands Sarah her coffee.! ! ! ! ! SARAH! (to vendor)

    Thank you.

    GREG (V.O.)

    Missy assigned me alast minute story.

    SARAH

    I bet she did.

    CUT TO:

    INT. CAR CONTINUOUS

    The car behind Greg HONKS.

    GREG

    (to driver)

    What do you want me to

    do? Theres nowhere for

    me to go.

    SARAH (V.O.)

    Youre driving?

    GREG

    I borrowed Jacks car.

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    SARAH (V.O.)

    So, no movie tonight?

    EXT. CITY SIDEWALK - CONTINUOUS

    GREG (V.O.)

    Well go Saturday.

    CUT TO:

    INT./EXT. CAR - BRONX - LATER

    Greg pulls up to the Convenience Store on the corner of thestreet. Outside, MEG, 24, a journalist for the GAZETTE

    NEWSPAPER, is interviewing the OWNER.

    Greg gets out of the car with his camera and WALKS over.

    GREG

    Hey.

    MEG

    Youre late.

    CUT TO:

    INT. CONVENIENCE STORE - LATER

    The owner walks behind the counter where a lottery machinestands. The store is small and looks dirty.

    Greg SNAPS pictures of the machine as the owner speaks.

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    OWNER

    Its the second oldest Daily

    Numbers lotto machine in the

    country. Brought it all

    the way from New Hampshire.

    It dates back to 1976.

    MEG

    And its lucky?

    OWNER

    Its had 14 winners.

    You tell me.

    GREG

    Have there been any

    winners here?

    OWNER

    Not yet.! (beat)But were all just a

    Chance away from

    winning, right?

    Greg SNAPS a picture of the machine.

    FADE TO BLACK.

    ! FADE IN:INT. GREGS APARTMENT - NIGHT

    Greg ENTERS. He turns on the light.

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    The studio apartment is small and messy. Greg THROWS the

    keys down on the kitchen counter. He presses the PLAY but-

    ton on his ANSWERING MACHINE.

    MACHINE

    You have one new message.

    The message is from JACK ALLBRIGHT, 40, Gregs brother.

    ! ! ! ! ! JACK! ! ! Where the hells mycar, Greg? I want

    it back tomorrow.! ! !Greg takes off his shirt, flops down on his unmade bed and

    falls asleep.

    CUT TO:

    INT. GREGS APARTMENT - LATER

    The only light coming into the apartment is from the

    streetlight beaming through the window.

    Gregs cell phone RINGS. He awakes and blindly

    reaches for his phone.

    GREG

    Hello?

    MEG (V.O.)

    Youre on call, new guy.

    Greg reaches for the clock on the nightstand.

    The clock READS: 1:30AM.

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    GREG

    Its 1:30.

    MEG! (V.O.)(sarcastically)Is it? I didnt know.

    GREG

    What is it?

    MEG (V.O.)

    A hedge fund exec was

    killed.

    GREG

    Where?

    MEG (V.O.)

    225 E 82nd.

    ! Greg WRITES down the number.GREG

    All right. Give me twenty

    minutes.

    CUT TO:

    INT. CAR - NIGHT

    Greg pulls up outside the address, a beautiful block

    on the Upper East Side. He takes the last swig of his

    Red Bull.

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    Police lights are FLASHING down the block as Greg looks

    around for Meg. He doesnt see her.

    He notices two police officers talking and a third officer

    walking into the nearby apartment building.

    Meg TAPS on Gregs car window.

    Greg ROLLS down the window.

    GREG

    Hey. Know anything yet?

    ! Meg leans down to the window.MEG

    The neighbor said she heard

    a noise, but when I told

    her my name was Meghan she

    thought I said Leann, so

    Im not sure how credible

    shell be.! (beat)It doesnt matter though.

    Did you get my text? Wewere called off.

    GREG

    What?

    MEG

    I got the message from

    Hobbs saying wereoff the story.

    GREG

    Why?

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    MEG

    Dont know.

    GREGThats bull.

    (beat)! ! ! !!! Im clocking inregardless.

    MEG! (laughs)Good luck with that.

    (beat)

    All right

    (taps car)

    Im headed out.

    GREG

    Need a ride?

    MEG

    No. Im good. Thanks.

    GREG

    All right. Goodnight.

    MEG

    Night.

    Greg watches Meg leave. He turns on the car and looks in

    the rearview. He sees a well-dressed man, ERIC WATERS, 27,

    approach the scene. Greg waits.

    Greg watches Eric yell up to one of the officers, JOHN

    FLETCHER, 50, who is walking down the apartment stoop.

    17

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    Greg reaches for his camera bag and gets out his camera.

    He uses it to zoom in on them. He takes a few pictures of

    them and the officers that are standing by the car.

    The two other police officers get in their car, turn off

    their lights and drive off.

    Waters pulls out an envelope and hands it to Fletcher. They

    shake hands and Waters begins walking back down the side-

    walk toward Greg.

    Greg slouches down in the car as he watches the young man

    pass.

    FADE TO BLACK.

    FADE IN:

    EXT. / INT. JACKS APARTMENT - MORNING

    It is a beautiful sunny spring morning in Manhattan.

    Greg RINGS Jacks apartment doorbell. No one answers. He

    uses the key attached to the car keys and lets himself in.

    Greg hears LAUGHING coming from Jacks office.

    GREG

    Hello?

    Greg looks around and sees THE GAZETTE NEWSPAPER sitting on

    Jacks front table. He looks at the article on the death

    the night before. The TITLE reads: Hedge-fund Exec Rich-

    ard Young Found Dead, Thought To Be Suicide, by Bill Pac-ings.

    GREG

    (to himself)

    What?

    Jack ENTERS.

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    JACK

    Dont you knock?

    GREG

    Your bells broken.

    Greg holds out the car keys.

    ! ! GREG (CONTD)! ! !Here.

    JACK

    You look like hell.

    GREG

    Thanks.

    Jack sets the car keys on the table.

    JACK

    You know a car loan

    wasnt in the agreement.

    GREG

    I was running late for

    work. I told your nanny.

    JACK

    Is that the story on

    the neighborhood vote

    on the dog park?

    19

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    GREG

    No. It was a murder

    investigation actually.

    JACKWhod you kill this

    time?

    Jack LAUGHS.

    The office door OPENS. APRIL, 25, tall and blond, ENTERS.

    APRIL

    (to Jack)Im gonna go.

    JACK

    Ok.

    APRIL

    (to Greg)Hi.

    JACK

    This is my brother

    Greg. Greg, this

    is April. Shes the

    lab technician from

    the DA on one of

    my cases.

    GREG

    Hi April from the

    DA.

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    There is an awkward silence.

    APRIL

    Bye, Jack.

    JACK

    Ill call you later.

    April EXITS.

    GREG

    I didnt know lab

    technicians made

    house calls.

    (beat)

    When does Emily get

    back?

    JACK

    None of your business.

    GREG

    Thats what I thought.

    CUT TO:

    INT. NEWSPAPER OFFICES- 12TH FLOOR - MORNING

    Greg walks down the hall of the GAZETTE and pours himself a

    cup of coffee. He has the mornings paper tucked under his

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    arm as walks over to BILL PACINGS cubicle. The floor is

    bustling.

    Greg puts the newspaper on Bills desk. He leans against

    his desk.

    GREG

    You were there last night?

    ! Bill briefly looks up from typing.

    BILL

    Yeah.

    GREG

    Who ruled it a suicide?

    BILL

    Did you read the article?

    The officer on duty did.

    Greg picks up the paper and reads off the officers name.

    GREG

    Mendez?

    BILL

    Yeah.

    ! Greg stands up and turns to leave.GREG

    I want your notes on

    the story.

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    BILL

    I dont work for you,

    man.

    GREG

    Just get me the notes.! ! ! ! ! ! ! CUT TO:

    ! INT. GREGS CUBICLE - CONTINUOUSGreg walks to his cubicle.

    He gets on his computer and uploads the pictures he took

    from the night before.

    He ZOOMS IN on the officers name-tags.

    The name-tags READ: FIELDS and JACKSON.

    Greg DIALS Sarah.

    CUT TO:

    INT. NEWSPAPER OFFICES - 6TH FLOOR - CONTINUOUS

    Sarahs phone RINGS. She answers.

    SARAH

    Sarah Kinkead.

    GREG (V.O.)

    I need a favor.

    CUT TO:

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