AP 15 minutes of your time for a critical message!

29
AP 15 minutes of your time for a critical message! In the 2D Design Portfolio, the design qualities of the work are considered foremost. Active engagement with the elements and principles of design is assessed. The Readers ask themselves: 1.Is understanding of the principles of design evident in this work? 2.Are the principles used intelligently and sensitively to contribute to its meaning? 3.Were the elements created and used in purposeful and imaginative ways? 4.How and what does the interaction of the elements and principles of design contribute to the quality of the work?

description

AP 15 minutes of your time for a critical message!. In the 2D Design Portfolio, the design qualities of the work are considered foremost . Active engagement with the elements and principles of design is assessed. The Readers ask themselves : - PowerPoint PPT Presentation

Transcript of AP 15 minutes of your time for a critical message!

Page 1: AP   15 minutes of your time for a critical message!

AP 15 minutes of your time for a critical message!

In the 2D Design Portfolio, the design qualities of the work are considered foremost.

Active engagement with the elements and principles of design isassessed.

The Readers ask themselves: 1. Is understanding of the principles of

design evident in this work? 2. Are the principles used intelligently and sensitively

to contribute to its meaning? 3. Were the elements created and used in purposeful

and imaginative ways? 4. How and what does the interaction of the elements and

principles of design contribute to the quality of the work?

Page 2: AP   15 minutes of your time for a critical message!

These words were copied from the AP website regarding the reading of portfolios at AP Board:

The principles of design (unity/variety, balance, emphasis, contrast, rhythm, repetition, proportion/scale, figure/ground relationships), articulated through the visual elements (line, shape, color, value, texture, space), help guide artists in making decisions about how to organize the elements on a picture plane in order to communicate content.

Effective design is possible whether one uses representational or abstract approaches to art.

For this portfolio, students are asked to demonstrate mastery of 2-D design through any two-dimensional medium or process, including, but not limited to, graphic design, digital imaging, photography, collage, fabric design, weaving, illustration, painting, and printmaking.

Page 3: AP   15 minutes of your time for a critical message!

Breadth:

Rationale from the AP Syllabus regarding Breadth:

The student’s work in this section should demonstrate understanding of the principles of design, including unity/variety, balance, emphasis, contrast, rhythm,repetition, proportion/scale, and figure/ground relationship.

Successful works of art require the integration of the elements and principles of design; students musttherefore be actively engaged with these concepts while thoughtfully composing their art.

The work in this section should show evidence of conceptual, perceptual, expressive, and technical range.

Page 4: AP   15 minutes of your time for a critical message!

Breadth Continued:

These works as a group should demonstrate the student’s visual organization skills.

As a whole, the student’s work in this section should demonstrate exploration, inventiveness, and the expressive manipulation of the elements and principles of design, as well as knowledge of compositional organization.

The best demonstrations of breadth clearly show experimentation and a range of conceptual approaches to the work.

Page 5: AP   15 minutes of your time for a critical message!

What are some breadth examples:

• Work that employs line, shape, or color to create unity or variety in a composition• Work that demonstrates symmetry/asymmetry, balance, or anomaly• Work that explores figure/ground relationships• Development of a modular or repeat pattern to create rhythm—(can be done on Adobe easily)• Color organization using primary, secondary, tertiary, analogous, or other colorrelationships for emphasis or contrast in a composition• Work that investigates or exaggerates proportion and or scale

Page 6: AP   15 minutes of your time for a critical message!

What is figure ground? • Everything that is not figure is ground. • As our attention shifts, the ground also shifts so that an object can go from

figure to ground, and then back. (see PowerPoint on Wiki regarding FG)

Ground is sometimes thought of as background or negative space.

• Figure-ground refers to the relationship between an object and its surround.• Great website to understand Gestalt Principles:

facweb.cs.depaul.edu/.../gestalt_principles.htm

Page 7: AP   15 minutes of your time for a critical message!

How do these artists bringemphasis to their focal points?

Were they able to unify the manyelements? If so, how?

http://www.susanadameart.com/

Page 8: AP   15 minutes of your time for a critical message!

Nice negative space and lots of movement with the petals—diagonalline formed by the body creates tension—work is unified by color scheme.

The pattern in the lady’s face is a nice use of the elements, and creates a unique surface.

Page 9: AP   15 minutes of your time for a critical message!

Variety galore, but how is it unified?

Emphasis—is it effective? Even if you don’t like it, could this divided work give you an idea for altering one of your less successful works to create emphasis?

Page 10: AP   15 minutes of your time for a critical message!

Here is what the readers said about submissions in 2010:2-D Design Quality

Submissions for the 2-D Design Portfolio included some very inventive work, perhaps because there is such a range of media allowed. The Quality section remained very strong this year. There were excellent examples of design-based photography and digital work. (which means they will grade this years photographs on a stricter scale.

2-D Design Concentration

Readers felt that the Concentration section remained problematic. Helping students define what a concentration is, as opposed to selecting work that seems to “go together,” is key.

2-D Design Breadth

Like last year, students often did not engage with a sufficient range of design issues. Readers noted that the quality of the Breadth section was good, but often students did not really display breadth in design issues.

Instead they sometimes showed many different works, or works in a variety of media. Active engagement

with a broad range of design issues is one of the main requirements of this section of the portfolio.

Page 11: AP   15 minutes of your time for a critical message!

Principles of Art reviewed:

1. REPETITION can be accomplished in a number of ways: by repeating a shape, line or colors in your work. Consider playing with one of your pieces on Photoshop: repeat one of your images in different colors (like Warhol), reverse it and have the images face each other or repeat them in a series, etc.--whatever seems most appropriate for the work.

2. EMPHASIS through color, line or placement to bring the viewer's focus to the subject (which could be a shape, object or subject)-try cropping a photo in such a dramatic way as to thrust the viewer's eye to the focal point--perhaps everything is black and white except the focal point, or it is a contrasting or complementary color, etc. You might change the scale of the focal point to bring emphasis to it; the list is endless.

3. UNITY/VARIETY: find a work that demonstrates unity/variety (this could be a photo, drawing or collage) -can the work employ a variety of elements but be unified? How would you unify a work with a lot of texture, line, color, value, shape, etc?

4. CONTRAST-pure black and white offers contrast, as do complementary colors. Charcoal pieces are usually a great example of contrast too.

5. RHYTHM-do you have an example of rhythm ? A good photo that creates a nice rhythm through a series of carefully placed objects can serve this purpose . If you are confused, look at examples on AP website.

6. PROPORTION/SCALE An example would be a tiny bug on a big leaf. To exaggerate proportion/scale, you can use any media, including a montage or collage that exaggerates proportion. What if you created a montage using magazine pictures with little people sitting on silverware, pieces of fruit, or any other surreal composition? I have examples if you need them.

7. FIGURE/GROUND consider Escher and other famous figure/ground artists. Google figure ground relationships in art8. BALANCE: For this, you could use a formal balance design, asymetrical balance, radial balance...make sure that all

of your pieces do not display the same type of balance. Show some variety in your breadth.

Page 12: AP   15 minutes of your time for a critical message!

Your Assignment for Breadth:

1. Using the form on the next slide (or the one on the Wiki), list all 12 of your breadth pieces.

2. Indicate what principle of art is used in each piece. Make SURE you have an example of all 8 principles in your breadth. This might require tweaking some of your old work on Adobe Photoshop or another such program.

3. Record the physical size (measurements) of each piece; you will be required to do this when submitting to AP Board.

4. Photograph each piece, save it to the proper size (780 x 530 pixels) and save images in your class folder on the X drive.

Page 13: AP   15 minutes of your time for a critical message!

List each breadth piece below: Principle of Design it represents:

1.2.3.4.5.6.7.8.9.10.11.12. l

1.2.3. 4.5.6.7.8.9.10.11.12.

Page 14: AP   15 minutes of your time for a critical message!

Pattern and variety

Figure Ground and Contrast

What do you think these scored in the breadth portion? What is your rational for the score?Can you back your score up using the AP Rubric?

Page 15: AP   15 minutes of your time for a critical message!

Which way is your favorite? Flipping took less than 30 seconds and is worth a try.

original

Page 16: AP   15 minutes of your time for a critical message!

What do you think about this figure/ground? Did Rachel add another component with repetition?

Original image

Page 17: AP   15 minutes of your time for a critical message!

Let’s try several ideas:• What would this score?

• There is something weak about the shoulder in the background? Could there be a plagiarism issue? (this is an image copied from a magazine by previous AP student).

• Next slide, please.

Page 18: AP   15 minutes of your time for a critical message!

Could you change the meaning with color? Diffused anger?

Do we have a little repetition now? This took me less than 10 minutes.

Page 19: AP   15 minutes of your time for a critical message!

Or add filters and change completely? Evokes feeling of EVIL…

Would either of the new ones score higher? If so, why?

Page 20: AP   15 minutes of your time for a critical message!

What happened to Amanda’s composition? What color scheme does it employ? What would a thick black border do for this? What would you suggest? Do you see the dove coming down in between the heads?

Page 21: AP   15 minutes of your time for a critical message!

One lonely head…

• What could you do with this if you wanted to develop a piece for your breadth portion?

• Certainly it has nice negative spaces…

• Next slide please.

Page 22: AP   15 minutes of your time for a critical message!

Perfect ads for depression medication; import into Photoshop and design with font

Page 23: AP   15 minutes of your time for a critical message!

Student had photos from trip; what if she took the best of these pictures and make an poster for a Safari Trip?

Page 24: AP   15 minutes of your time for a critical message!

These are nice examples of contrast—would you add anything or change the composition to reflect stronger design?

A little cheezy but you get the idea…

Page 25: AP   15 minutes of your time for a critical message!

Blue eyes for emphasis and red font for focal zone

Page 26: AP   15 minutes of your time for a critical message!

So, where do we go from here?• Reduction print with altered

color—what are the possibilities?

• Napkin design? Add a border of coffee beans and java printed in many different languages around the edges of the design?

• Be creative with your old work and see what you can do with it.

Page 28: AP   15 minutes of your time for a critical message!

• This is mostly geometric, so what does the tree do—serve as variety? Does it bring emphasis to the mauve colored structure on the horizon line? Do all lines lead to the focal point?

• You be the judge.

Page 29: AP   15 minutes of your time for a critical message!

A good link if you like collages: http://www.collageart.org/links/

Once again…When is your breadth due?

What will you be required to turn in at the end of the exam period in December?