“Spring 2 Spring” - Tallahassee Bach Parley...6 Antonio Vivaldi: Concerto No. 1 in E major, La...

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“Spring 2 Spring” Vivaldi, Guido, Muffat, & Corelli Sunday, June 1, 2014, 3:00 PM St. John’s Episcopal Church

Transcript of “Spring 2 Spring” - Tallahassee Bach Parley...6 Antonio Vivaldi: Concerto No. 1 in E major, La...

  • “Spring 2 Spring” Vivaldi, Guido, Muffat, & Corelli

    Sunday, June 1, 2014, 3:00 PM St. John’s Episcopal Church

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    Program

    Concerto Grosso in F major, Op. 6 No. 9 Arcangelo Corelli Preludio: Largo (1653-1713) Allemanda: Allegro Corrente: Vivace Gavotta: Allegro Adagio, Minuetto: Vivace Sonata No. 5 in G major, from Armonico Tributo (Harmonic Tribute) Georg Muffat Allemanda Grave (1653-1704) Adagio Fuga Adagio Passagaglia Grave Le Printemps (Spring) from Scherzi Armonici (Harmonic Jests) Giovanni Antonio Guido Presto, Le temps vole (time flies) (about 1675-after 1728) Adagio, la nuit (night) Allegro, chaque saison s’enfuit (each season flees) Andante Adagio piano, les russeaux, les oqseaux (streams, birds) Allegro, Air de trompette (trumpet noise) Muzete, tendrement (tenderly) Allegro, danse de bergers (shepherd’s dance) Concerto No. 1 in E major, La Primavera (Spring), Op. 8 No. 1 Antonio Vivaldi Allegro (birds, breezes, murmuring springs, thunder storm, birds return) (1680-1743) Adagio (goatherd sleeps in peaceful meadow with dog barking) Allegro: Danza pastorale (rustic dance) Concerto for 2 violins in A minor, Op. 3 No. 8 Vivaldi Allegro / Larghetto e spirituoso / Allegro

    Enjoy fine dining in downtown Tallahassee after today's concert. See the program insert for a 15% discount today only. Special thanks to the participating restaurants and our friends at Tallahassee Downtown for their support of this promotion.

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    The Tallahassee Bach Parley 2013-2014 Membership as of May 22, 2014: Bach Circle ($1000+) Michael & Kelly Beck Hopping Green & Sams William P. & Karyl Louwenaar Lueck Dr. Stephen & Elizabeth Richardson

    Handel Circle ($500–999) Anonymous John & Nancy Barfield Mimi Jones & Bill Brubaker Dr. Armand & Suzanne Cognetta Tom & Ava Prebys

    Vivaldi Circle ($250–499) Wendy & Lester Abberger Bank of America Melissa & Charles Brewer Dana Preu & Adonica Gieger Fred & Linda Hester Glenn Hosken Ronald A. Kanen John & Barbara Mahoney Jeanne & William Ryder Mark, Susan, Max & Sujin van Hoeij

    Telemann Circle ($100–249) Anonymous (2) Mr. & Mrs. Hector J. Aguirre Karl & Melissa Barton Nancy Bivins Fred H. Boska Michael Corzine & Betsy Calhoun Robert Critchlow Grace & Alan Dakan James C. & Rochelle Davis Bob & Betty Dixon Woody & Charlotte Dudley Jan & Larry Everett Nancy Fischer Gary & Ellen Fournier Sanford Safron & Penny Gilmer Miriam Gurniak In memory of Curtis King, Sr. John Knoblauch Will Abberger & Mary Anne Koos Bettina Krone Gudrun Gaar & Robbie Laub Jim, Julie & Anne Leftheris Dr. Jean Marani Patricia Yancey Martin Tom & Lynda McCaleb

    (Telemann Circle cont.) Kate Muldoon & Bill Miller Charles Milsted Talbot D'Alemberte & Patsy Palmer Doris Partridge Paula Walborsky & Kent Putnam Jane Quinton Carla King Richardson Bill & Sheila Ryan Jack & Ruth Sigler Francis & Karen Skilling Jean T. Souter Nat M. Turnbull, Jr Dr. Ralph V. Turner John & Virginia Walker

    Rameau Circle ($50–99) Anonymous Georges Weatherly & Tamara Alagova Patricia Applegate Paul Arons Nick Baldwin Ann L. Berlureau Dr. Bruce Bickley Betty Boop Susan Cerulean & Jeff Chanton Tom & Norene Chase Laura & Barnett Cook Marie E. Cowart Jon & Beverly Dalton Karen Wendland Dix Stan & Carole Fiore John Fraser Ben & Beth Fusaro Patricia Gosen Mary Anne Gray Sue Gross Christine Hazelip Karyn King Hebert Dr. Tann H. Hunt Laura Innes Jennings Bob & Jane Kennedy Bernhard Kurzweg Joe Lama Kyunghee Lee Dawn & Louis Martz Mary McCormick David and Rosa McNaughton Ed & Dianne Mellon Walter & Marian Moore Dan & Phyllis Morse Jennie C. Myers June L. Noel

    (Rameau Circle cont.) Dale & Diane Olsen Ermine M. Owenby Joan H. Raley Elizabeth Serow Erica & Robert Thaler Barbara Mason White Mick & Trish Wilhoit Mike & Kathleen Wright

    Purcell Circle $25–49 David & Ellen Amato Bill & Paige Brey Fenn Cawthon Harriet Chase Mary Lama Cordero Patricia Curtis Janice S. Dann Peter & Gloria DeAngelis Ginny Densmore Laura A. Dunaway Maffei Family Martha Ann Fenner Mark & Lisa Foltz Paula Gerson James C.Gibson Sr. & Christina Gibson Carla Connors & Timothy Hoekman Louis & Nancy Hubener James, Fred & Barbara Jones Dwight Kingsbury Dr. Toni Fuss Kirkwood-Tucker Von A. Klink Joseph Kraus Randolph Langley Ben & Mary Lawson Ruben Malan Marjorie Morgan Richard & Denise Paetzold G. Kurt Piehler Ettore Aldrovandi & Laura Reina Hank Rosen Nella Schomburger Sue Scribner Danny & Mary Shuler Nina Hatton & Roy Silverman Claudia & Jacob Sperber Dr. Patricia H. Stanley Lawrence & Robyn Stevenson Diane L. Stuart Gail Stults Joanne S. Taylor Katya & Tom Taylor Lili Quintiliani & Blan Teagle Michelle Rehwinkel Vasilinda Stephen & Susan Waltz Ken Winker

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    The Tallahassee Bach Parley Board of Directors: Erica Thaler, President Lester Abberger Charles E. Brewer, Vice President Nancy Barfield Ava Prebys, Treasurer Michael Corzine Julie Leftheris, Secretary Stephen Richardson Susan van Hoeij

    Poems and translations

    for the two “Spring” pieces Antonio Guido: Le Printemps (Spring) from Scherzi Armonici (Harmonic Jests)

    Les Characteres des Saisons The Characteristics of the Seasons

    Les Temps vole, mortels, nous volons avec luy, Time flies, mortals, taking us with it; La nuit succeed au jour et fait place a l’aurore, Night follows day, and cedes to dawn, Chace saison s’enfuit et s’empresse d’éclore; Each season flees and makes haste to blossom. Goutons le doux plaisirs, nous vivons aujord’ huy. Let us taste the sweet joys, because we live today. Le Printemps Spring

    Le triste hyver ne’est plus, le Printemps prend sa place Sad winter is no more, and spring approaches. Tout renâit avec luy, tout rit sur nos Coteaux; All is revived, our hills are blooming; Les ruissseaux dans leurs cours, ne trouvent plus de glace The rivers no longer in their beds find ice, & le Champs sonst ouverts aux bondissants troupeaux. The fields offer themselves up to the skipping herds. Le tender Rossingnol, par de charmants rammages, The gentle nightingale, charmingly twittering, Se plait dans ses amours, ou change son bonheur; Laments her love or sings of happiness; Tous les autres Oyseaux en differents langages, All the other birds in many languages Experiment comme luy les secrets de leur Cœur. Like her reveal the secrets of their hearts. Quel son frappe les Airs? La Trompette bruyants What sound is striking the air? A noisy trumpet Avertit les guerriers, announce les Combats Warns the warriors, announces battle. Volez, heros, volez a la gloire éclantante, Fly, you heroes, fly towards glorious triumph, D’une victoire insigne, ou d’un noble trepas. Excellent victory, or noble death. Et vould heureux Bergers, accordez vos musettes And you, merry herdsmen, tune your bagpipes. Les Brebis à leur gré, paissent do toutes parts; The sheep are grazing around you; Les danses, les chansons dans vos douces retraites, The dances, the songs in your comfortable home Font naitre autant de feux, que le tender regards. Create as much fire as the gentle looks.

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    Antonio Vivaldi: Concerto No. 1 in E major, La Primavera (Spring), Op. 8 No. 1 Allegro

    Giunt' è la Primavera e festosetti Spring has arrived with joy !La Salutan gl' Augei con lieto canto, ! Welcomed by the birds with happy songs, E i fonti allo Spirar de' Zeffiretti ! And the brooks, amidst gentle breezes, Con dolce mormorio Scorrono intanto: ! Murmur sweetly as they flow.

    Vengon' coprendo l' aer di nero amanto ! The sky is caped in black, and E Lampi, e tuoni ad annuntiarla eletti Thunder and lightning herald a storm !Indi tacendo questi, gl' Augelletti; ! When they fall silent, the birds Tornan' di nuovo al lor canoro incanto. Take up again their delightful songs. Largo!

    E quindi sul fiorito ameno prato ! And in the pleasant, blossom-filled meadow, Al caro mormorio di fronde e piante ! To the gentle murmur of leaves and plants, Dorme 'l Caprar col fido can' à lato. The goatherd sleeps, his faithful dog beside him. Allegro

    !Di pastoral Zampogna al suon festante ! To the merry sounds of a rustic bagpipe, Danzan Ninfe e Pastor nel tetto amato ! Nymphs and shepherds dance in their beloved spot Di primavera all' apparir brillante. When Spring appears in splendour.

    English translation by Betsy Schwarm http://www.britannica.com/EBchecked/topic/215043/The-Four-Seasons

    The Tallahassee Bach Parley provides accommodations for persons with disabilities. Please notify the music director at 850-224-8025 or [email protected] at least five working days prior to a concert if accommodation for disability or if this program in an alternative format is needed.

    Honors Recital Competition for musicians age 18 and younger

    Auditions: Saturday, March 7, 2015 Concert: Sunday, March 16, 2015, 3:00PM Longmire Recital Hall at FSU College of Music

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    This program sponsored in part by the City of Tallahassee/Leon County/Council on Culture & Arts, and Tallahassee Downtown/Tallahassee CRA.

    The Tallahassee Bach Parley thanks all of our donors and volunteers for support, especially St. John’s Episcopal Church, Betsy Calhoun and Lindsay Hardy for hosting this concert, Loren Rice for graphic design, Erica Thaler for help with publicity, Patty Herrington for distributing posters, and First Presbyterian Church for housing our library and archives.

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    Today’s Musicians

    BRIAN ARSENAULT studied viola with Roberto Diaz and Burton Fine. He was selected to perform at the Boston University Tanglewood Institute for three years and earned a BM in viola performance from the New England Conservatory. He has performed with the Tallahassee Community Chorus, the Atlanta Baroque Orchestra, and the Tallahassee Symphony. He also earned an MLIS from FSU and works as a web programmer for the Center for Information Management and Educational Services at FSU. VALERIE PREBYS ARSENAULT has two favorite musical activities: teaching the violin and playing baroque music. Since 2002 she has maintained a thriving private violin studio of students of all ages at Cavatina Music Studios. As Visiting Assistant Professor at Florida State University she directs the Baroque Ensemble (on period instruments) and has taught violin and directed the Irish Ensemble. She is a member of the Tallahassee Symphony, a principal player and soloist with the Atlanta Baroque Orchestra, and has performed and recorded with the Apollo Ensemble (NY) and Apollo's Fire. She studied violin at the New England Conservatory (BM), violin pedagogy and baroque violin at the Indiana University School of Music (MM, Early Music), and earned her doctorate from the Florida State University College of Music. MIRIAM BARFIELD began studying the violin at age six with Melissa Brewer. She received her Bachelor of Music from Florida State University, where she studied with Dr. Pamela Ryan, and recently completed a Master of Music in Viola Performance at The Boston Conservatory under Patricia McCarty. She was a state winner for the ASTA National Solo Competition in

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    2010 (Massachusetts) and in 2008 (Florida) and has performed in master classes for Joseph Silverstein, Robert Spano, James Dunham, and Thomas Dumm. She has been a member of many orchestras, including the Tallahassee Symphony, Columbus Symphony (GA), Sinfonia Gulf Coast, and the Cape Ann Symphony. Miriam has attended the Lucerne Festival Academy in Switzerland, Brevard Music Festival, Schlern International Music Festival in Italy, and the Meadowmount School of Music, where she is a teaching assistant and has performed with violinists Joseph Silverstein and James Ehnes. MELISSA BREWER began her professional studies in violin and viola at the University of Miami, studying with George Zazofsky and Victor Stern and with David Becker at the University of Wisconsin Madison. She has performed with groups as diverse as the Florida Philharmonic, Miami Chamber Orchestra, West Palm Beach Opera Company, Tallahassee Bach Parley, and the Tallahassee Symphony Orchestra. The breadth of her repertoire stretches from symphonic to chamber, opera to popular, and she has performed with artists as varied as Perlman and Sinatra. On period instruments, she has performed with the FSU Baroque Ensemble, Baroque Southeast, the Apollo Ensemble, and is Principal Violist with the Atlanta Baroque Orchestra. She plays on a 1760 Locky Hill viola. LUCAS BROWN is a rising senior at Florida State majoring in Violin Performance, studying under Professor Corinne Stillwell. This is his second performance with the Tallahassee Bach Parley and he couldn't be happier to be back! He has also been a member of the FSU Baroque Ensemble directed by Dr. Valerie Arsenault for three years. Lucas has attended the Suwannee Summer Music Festival, Brevard Music Festival, Saarburg International Chamber Festival in Germany, and this summer Lucas will be attending the Green Mountain Chamber Festival in Vermont. Lucas is also an active pit violinist for the FSU Musical Theatre shows, playing most recently in Company and Spamalot this past season. Dr. MINYOUNG CHO, a native of Seoul, South Korea began to play the violin at the age of ten. She attended the Dankook University where she studied with Daesik Kang and received her Bachelor’s degree in Violin Performance. She moved to the United States in 2005 and earned her Master’s and Doctor’s degrees at the Florida State University where she studied with Karen Clarke and Corinne Stillwell. As a winner of American Fine Arts Festival, she played a solo performance at the Weill Recital Hall at the Carnegie Hall in 2012. She has also given solo and chamber recitals at Jacksonville, Mariana, Tallahassee, Thomasville and Seoul in Korea. As a leading orchestral musician, she has served as an associate concertmaster for the Pensacola Symphony Orchestra and Northwest Florida Symphony Orchestra, and guest assistant concertmaster for the Sinfonia Gulf Coast Symphony Orchestra. Also, she is a player for the Tallahassee Symphony Orchestra, Valdosta Symphony Orchestra and Albany Symphony Orchestra. She has been awarded the prizes in numerous competitions such as the Korea Music Competition, the Chungbu Conservatory Competition, and the Music World Newspaper Company’s Competition in Korea.

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    EVAN JONES holds the D.M.A. in cello performance and the Ph.D. in music theory from the Eastman School of Music, where he studied with Steven Doane, Pamela Frame, and Alan Harris. He also studied with Antonio Lysy at McGill University and with Pierre Djokic and Shimon Walt at Dalhousie University. On faculty at the FSU College of Music since 2001, he previously served as cello instructor at Colgate University and as Pamela Frame's assistant at Eastman. He also instructed music theory at Eastman and at the University of Rochester, winning two prestigious teaching awards, and received the Florida State University Undergraduate Teaching Award in 2007. He has performed under the auspices of the Banff Centre for the Arts, Baroque SouthEast, the College Music Society, Electronic Music Midwest, Music on the Lake, Musique Royale, the Orford Arts Centre, the Scotia Festival of Music, the Spark Festival, and the Syracuse Society for New Music, as well as on faculty recital programs at FSU. He previously appeared as principal cellist of the Binghamton Philharmonic, the Orchestra of the Southern Finger Lakes, and the Montreal Chamber Players, and has given the world, North American, and NYC premieres of several new works for solo cello. MARNIE KIM JONES, violoncellist, holds a Bachelors in Music degree and an Artist Diploma from McGill University (studio of Antonio Lysy) and a Masters in Music degree from the Eastman School of Music (studio of Steven Doane). While at Eastman she also studied string pedagogy with Louis Bergonzi and Baroque performance practice with Paul O'Dette and Christel Thielmann. Kim is originally from Calgary, Alberta, where she studied with John Kadz; she has also performed in masterclasses for Anner Bylsma, Bernard Greenhouse, Franz Helmerson, Desmond Hoebig, Steven Isserlis, Laurence Lesser, Siegfried Palm, Aldo Parisot, Fred Sherry, Janos Starker, and Tsuyoshi Tsutsumi. Previously a tenured member of the Rochester Philharmonic Orchestra, she now serves as associate principal cellist with the Tallahassee Symphony Orchestra and maintains a private studio of over twenty students. MELANIE PUNTER is Associate Professor of Double Bass at Florida State University. As a member of the Juilliard Music Advancement Program faculty, she coached chamber music and bass ensembles and taught double bass. She is a member of New York's prestigious Orchestra of St. Luke's performing at Carnegie Hall and Lincoln Center and is principal bassist of the Tallahassee Symphony Orchestra. She has performed with the American Symphony Orchestra, the Opera Orchestra of New York, Joffrey Ballet, New York City Ballet and the American Ballet Theatre. She performs regularly at the Caramoor International Music and has participated in Festival of Two Worlds in Charleston, SC and in Spoleto, Italy. An active chamber musician, she is a member of the Atlanta Baroque Orchestra performing on period instruments. Born in Cardiff, Wales, IAIN QUINN enjoys a distinguished career as an organist, musicologist, and composer. He has studied at The Juilliard School, The Hartt School, University of Hartford, (BM, summa cum laude), the Institute of Sacred Music, Yale University (MM), and the University of Durham (PhD in Historical Musicology), during which time he was also a Visiting Fellow at Harvard University. He has held college, church and cathedral positions in Durham (UK), New York, Connecticut and New Mexico, respectively, and taught at the Blackheath Conservatoire, London, and Western Connecticut State University. He has given performances in London,

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    Cambridge, Oxford, Haarlem, Berlin, Lisbon, Melbourne, Moscow, Washington, DC, New York and Hong Kong. He has also performed at many international festivals. His scholarly writings have been published in Tempo, MLA Notes, Journal of Victorian Culture, Interpreting Historical Keyboard Music (Ashgate), and in editions of Samuel Barber and Carl Czerny published by G. Schirmer and A-R Editions, respectively. He has recorded eleven CDs that are available on the Chandos, Hyperion, and Raven labels. Dr. Quinn is Assistant Professor of Organ at Florida State University. AARON KING VAUGHN is currently a senior at the Florida State University where he majors in Music Education. He is a Tallahassee native and attended Florida High for ten years. He started violin at the age of four, studied with Dr. Valerie Arsenault for 12 years, and Professor Eliot Chapo, former concertmaster of New York Philharmonic, for 3 years. He also has taught at multiple summer music camps including FSU string music camp. In addition, Aaron has been featured as a guest conductor with FSU's Campus Orchestra. Aaron's future plans are to attend graduate school to obtain a degree in orchestral conducting. He played with the Bach Parley last fall, and is excited to play on this concert.

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    2014-2015 Season

    Sunday, Nov. 23, 2014, 3:00PM

    Sunday, March 22, 2015, 3:00PM

    Sunday, June 7, 2015, 3:00PM

    www.TallahasseeBachParley.org