Featuring

European & American

Decorative & Fine Arts,

Native American

Artifacts, Silver, Rugs

& Eclectic Estate Items

A N T I Q U E & D E C O R A T I V E A R T A U C T I O N

Tuesday, March 16, 2010Lot 1150 Demetre H. Chiparus patinated and gilt bronze, ivory and onyx figural group “Les Amis Toujours” (Friends Forever), est:$20,000/30,000

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735 West Woodbury Road Altadena California 91001:: www.johnmoran.com

ANTIQUE & DECORATIVE ART AUCTION

Featuring

European & American

Decorative & Fine Arts,

Native American Artifacts, Silver, Rugs

& Eclectic Estate Items

Tuesday, March 16, 2010

Preview opens 1:00pmEvening Sale 6:30pm

Pasadena Convention Center 300 East Green Street Pasadena California 91101

Bidding is available live, via phone or absentee, or online at www.artfact.comInquiries welcome: 626 793 1833 . info@johnmoran.com

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JOhN MOraN aucTIONeers, INc.

OFFICERS

President, Principal Auctioneer John H. MoranSenior Vice President, Auctioneer Jeffrey J. MoranVice President, Public Relations Madeleine MoranVice President, Estates and Appraisals Paul FisherAssistant Vice President, Estates and Appraisals Roland Rynkiewicz

SPECIALISTSFine Art Sales Director, Specialist Katherine HalliganDecorative Arts Sales Director, Specialist Aileen WardFine Art Sales, Cataloger Morgana Blackwelder

CLIENT SERVICES Office Manager, Client Accounting Betty LanzaClient Services Gilbert PeraltaPublic Relations / Books Annemarie Nollar OPERATIONSOperations Director, Auctioneer Glenn StoreyArt Handlers, Property Control, Larry Muradian& Padded Van Services Bobby Cullen

DIGITAL DESIGNWebmaster / Art Design Oscar TsaoPrincipal Photographer Shane StrongAssistant Webmaster / Art Design Nathan Martinez

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CONDITIONS OF SALE

AUCTION HOUSE AS AGENTExcept as otherwise stated, John Moran Auctioneers (Moran’s) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION(a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.(b) Buyer’s Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.(c) Property Sold ‘As Is’: Neither Moran’s nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran’s catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION(a) Admission: The auction is open to the public, though Moran’s reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording.(b) Buyer Registration: Prospective buyers must register with Moran’s before bidding. Moran’s may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer’s premium plus all applicable charges, unless Moran’s agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran’s. In such case, Moran’s will look to the third party for payment.(c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder’s acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors‚ or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran’s sale record shall be conclusive.(d) Absentee, Telephone and Internet Bidding: Moran’s offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran’s prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran’s shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. Internet bidders are subject to an additional buyer’s premium, as noted below.(e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran’s shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller’s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION(a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus a premium of 17.5% (of the hammer price), together with any applicable tax. Buyers bidding via the internet agree to pay a total premium of 20.5% (includes 3% online transaction fee). Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran’s within the five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran’s have been paid in full.(b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. The packing of purchased lots at the auction is undertaken by Moran’s solely as a convenience to customers. Moran’s is not liable for damage to glass or frames, except as a result of negligence on Moran’s part, regardless of cause in connection with this courtesy service.(c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran’s warehouse. Moran’s shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran’s reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date.(d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran’s in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third party shipper at the request, expense and risk of the buyer. Moran’s assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran’s. Nor does Moran’s assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran’s arranges for such third party services, Moran’s may apply an administration charge of 10% of that service fee.

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(e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran’s sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist’s estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist’s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran’s in the same condition as when sold. Moran’s does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY(a) Liability: The buyer expressly agrees that (i) neither Moran’s nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer’s damages, if any, are limited exclusively to the original purchase price paid for the lot.(b) Limited Warranty: All property is sold as is. Neither Moran’s nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, age, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran’s employee shall be deemed such a warranty or representation or an assumption of liability.(c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran’s specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.(e) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 735 West Woodbury Road, Altadena, California 91001.

ADDITIONAL MATTERS(a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran’s for this auction is and shall remain at all times the property of Moran’s. Moran’s and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.(b) Buyer’s Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran’s may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran’s resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney’s fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran’s shall apply the payment received to such property that Moran’s in our sole discretion, deems appropriate. Moran’s shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California.(c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.(d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, Pasadena Branch located at 300 E. Walnut Street, Pasadena, California 91101 or the Federal Court Central District located at 312 North Spring Street, Los Angeles, California, 90012-4793.

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View Illustrated Catalogue Online @www.johnmoran.com

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description,

weight, count or measure of any of the lots specified herein.

BIDDING INCREMENTS

$100 - $950 @ $50 increments

$1,000 - $1,900 @ $100 increments

$2,000 - $4,750 @ $250 increments

$5,000 - $9,500 @ $500 increments

$10,000 - $19,000 @ $1,000 increments

$20,000 - $47,500 @ $2,500 increments

$50,000 - $95,000 @ $5,000 increments

$100,000 - $190,000 @ $10,000 increments

$200,000 - $480,000 @ $20,000 increments

$500,000 & above @ $50,000 increments,

or at Auctioneer's discretion.

Buyer’s Premiums

17.5% Buyer’s Premium on final bid price

15.0% Buyer’s Premium for payment by check,

cash, or wire transfer

20.5% Buyer’s Premium for online purchase

(Includes 3% online tranaction fee)

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1004 A Royal Vienna style porcelain charger ‘Flora’ emblematic of Spring Late 19th/20th century, with blue underglaze beehive mark and further marked ‘’Flora’’, ‘’Rob Pilz / Vienna’’, depicting the goddess of Spring entwined by floral garlands and attended by putti, signed ‘’Herner’’, 13.75 Dia., est:$350/400 Provenance: Property from a Private Collection, Morro Bay, CA. Condition: Good condition overall. General light marks and scratches to surface commensurate with age. With most notable scratches and scuffs on central figure. AS-IS. ALL SALES FINAL

1003 A Gorham ‘Japonaise’ bronze, copper and silver mixed metal two-handled bowl Circa 1880, with anchor mark and further ‘’Gorham Co / 2395’’, the circular rim flanked by dragon-form handles, over a hammered tapering footed body decorated with a woman walking amidst foliage to one side and a retriever amidst cattails to the other, 3.25’’ H x 7’’ W x 4.5’’ D, est:$400/600 Condition: Good condition overall. Nicely decorated. General light marks, scratches and slight rubbing to surface commensurate with age and use. With polish residue to crevices. AS-IS. ALL SALES FINAL

1002 A Napoleon III black and Spanish Brocatelle marble three-piece clock garniture, Vincenti & Cie Third quarter 19th century, the regulator with Vincenti & Cie pastille to movement, the circular dial with Arabic chapters within a conforming surround above a wasted architectural case with central glazed door enclosing a pendulum, flanked by columnar uprights, on a paneled base; with a pair of matching tazza, each with circular dished top above a turned socle on similar bases, 3 pcs, the clock, 19’’ H x 15.5’’ W x 6’’ D, est:$700/1000 Condition: The Tazza: 10.75’’ x 7.5’’. General marks, scratches and rubbing to surfaces overall. Mercury to pendulum removed and replaced with ball bearings. Works lacking securing element to support pendulum. Losses to marble of tazza, particularly to one, above central columnar upright. No key. Working condition of clocks is unknown and not guaranteed. AS-IS. ALL SALES FINAL

1001 After Auguste Nicolas Cain, two patinated bronze covered urns Late 19th/20th century, signed Cain (1822-1894, French), each with a shallow domed lid surmounted by a grape cluster finial over a tapering reeded body with branch-form handles to sides, decorated with creeping grape vines and grape clusters, with reserves to either side with further inscriptions ‘’Le Galant / en eut fait / Volontiers / un Repas’’ and ‘’Ils sont trop verts / dit il / et bon pour / des / Goujats’’, enclosing liners, suspended by rearing wolves on a circular base, variations, 2 pcs, 15.5’’ H x 9.5’’ W x 7.5’’ D, est:$1500/2500 Provenance: Property from a Private Collection, Los Angeles, CA. Condition: Variations to castings and quality of decoration and patina. Two of the same model. Good overall condition. Each with a dark brown patina to surface. General marks, nicks scratches and rubbing commensurate with age. Lid to one does not rest evenly. With some spotting to liners. Slight dirt accumulation overall. AS-IS. ALL SALES FINAL

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1008 A Victorian burr walnut music stand Mid-19th century, the boss finial above a pair of foliate fret-carved adjustable rests over an adjustable standard above a spreading ring-turned stem over fluted cabriole legs, 50’’ H x 17.5’’ W x 18.5’’ D, est:$800/1000 Condition: Good condition overall. Nicely made. With a smoky honey color to the well figured timber. General marks, nicks and scratches commensurate with age and use. No evident breaks or repairs to fret carving. AS-IS. ALL SALES FINAL

1007 A Victorian mahogany diminutive bookcase cabinet Late 19th century, possibly a salesman’s sample, the rectangular top above a pair of arched glazed paneled doors enclosing an adjustable shelf over an outset case with a pair of paneled drawers above a pair of arched paneled doors enclosing a further shelf, 54.5’’ H x 25’’ W x 12’’ D, est:$600/900 Provenance: Property from a Private Collection, Hancock Park, Los Angeles, CA. Condition: Structurally sound. With a deep chestnut color to timber. General marks, nicks and scratches commensurate with age and use. With some cracking and losses to veneer in areas. Top replaced. Locks replaced. Pulls probably replaced. Probably originally with further feet. One key. AS-IS. ALL SALES FINAL

1006 A pair of Regency style silvered oil lamps by Hinks & Sons Late 19th / early 20th century and adapted, Birmingham, marked ‘’Hinks & Sons / Patent’’, each with acorn finial above a cream pleated shade over double socket stem set into a shade fitter above a reeded well on lion’s mask-headed reeded supports ending in paw feet, on an incurved quadripartite base, electrified, 2 pcs, overall, 32’’ H x 20.5 Dia., est:$500/800 Provenance: Property from a Private Collection, Hancock Park, CA. Condition: Good condition overall. Adapted from oil lamps as stated. Subsequently silver plated. General light marks and scratches commensurate with age and use. Shades clean. In ready-to-use condition. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

1005 A Robert Merrell Gage terracotta figure of a water nymph 20th century, incised with signature on the back of the pedestal: Merrell Gage (1892 - 1981, American), figure depicted seated on a naturalistically modeled rockwork pedestal, 42’’ H x 14’’ W x 13’’ D, est:$1000/1500 Provenance: By descent in the artist’s family to the artist’s grandson, Southern California. Condition: Generally good condition. Surface finish left to resemble marble. Pedestal is dirty and losing finish on the back. No evidence of damage or repairs. General marks and scratches to commensurate with age. We recommend firsthand inspection. AS-IS. ALL SALES FINAL

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1012 A pair of Louis XVI style ormolu five-branch wall lights 20th century, each of quiver-form suspended by a ribbon surmounted by a bowknot, issuing five foliate-sheathed J-form candlearms, ending in oak leaf clusters and tassels, wired for electricity, 2 pcs, 36’’ H x 18.5’’ W x 10’’ D, est:$5000/7000 Condition: Good condition overall. General light marks, scratches and rubbing commensurate with age and use. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

1011 A Napoleon III ormolu-mounted Rouge Griotte marble centerpiece urn, Barbedienne Third quarter 19th century, marked ‘’F. Barbedienne’’ (Ferdinand Barbedienne, 1810-1892, French), undetrside marked ‘’2311 L’’, the oval gadrooned rim above a squat body with loop handles to sides issuing acanthus sprays, centered by shells, over a short spreading fluted socle on a square plinth base, 13’’ H x 24’’ W x 15’’ D, est:$10,000/15,000 Condition: General marks, nicks, scratches and rubbing commensurate with age. Mounts nicely cast, gilt and chased. Surface of marble under mounts with a whitish matte appearance. With some inherent fine cracks to marble and some scattered chipped losses. AS-IS. ALL SALES FINAL

1010 A Louis XV / XVI style gilt-bronze-mounted mahogany gueridon Late 19th/early 20th century, the circular inset Rouge Griotte marble top above a frieze decorated with laurel sprays above ram’s mask-headed slightly cabriole legs ending in acanthus-headed paw sabots, joined by a circular undertier, 29.75’’ H x 19.25 Dia., est:$700/900 Condition: Structurally sound. General marks, nicks and scratches commensurate with age and use. Some darkening and rubbing to mounts. Some banding mounts lifting and would benefit from being reaffixed. Marble in good condition. AS-IS. ALL SALES FINAL

1009 A Chippendale walnut tall case clock, Martin Shreiner, Sr., Lancaster County Late 18th century, Lancaster County, Pennsylvania, the painted dial signed ‘’Martin Sh...ner / Lancaster / No 26’’, with Roman and Arabic chapters, the movement with anchor escapement, within a glazed paneled hood with broken arched crest interspersed with boss finials, over a rectangular case centered by an arched door enclosing a pendulum and single weight, above a rectangular base on later short cabriole feet, 92’’ H x 21.5’’ W x 12’’ D, est:$2000/3000 Note: With older partial paper label to back with Gettysburg, Pennsylvania address. Provenance: Property from the Joan F. Blocher Trust, San Marino, CA. Condition: Timber a deep, nutty color overall. General marks, nicks, scratches, inherent cracks and fading to case overall. Darkening, crazing and rubbing to dial. Securing elements of hands replaced. Works probably replaced. Side glass on hood damaged. Feet modern replacements (height: 3’). One lacking. One winding key. One key to door. Working condition of clocks is unknown and not guaranteed. AS-IS. ALL SALES FINAL

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1017 Eduardo Leon Garrido (1856-1949 Spanish) Figures in a music parlor, signed lower left: E.L. Garrido, oil on board, 29.5’’ x 23.5’’, est:$7000/9000 Provenance: Property from a Private Collection, Rancho Santa Fe, CA. Visual: Generally good condition. Frame abrasion along the edges. A .25’’ slight surface abrasion to female figure’s right forearm. Blacklight: A quarter-sized area, a scattered 3’’ horizontal area, and various scattered spots of touch-up throughout the floor tiles. A few very minor spots of touch-up behind the woman’s head in the background. Some scattered spots of touch-up on the painting in the upper right quadrant. AS-IS. ALL SALES FINAL.

1016 A pair of Louis XV style ormolu six-light candelabra Late 19th/early 20th century, each with foliate-sheathed navette-form urn issuing asymmetrically scrolling acanthus arms over a pierced waisted base, on scroll feet, 2 pcs, 30’’ H x 15’’ W x 11’’ D, est:$3000/5000 Condition: Nicely cast, gilt and chased. General marks, scratches and rubbing to surfaces overall. Arms loose- would benefit from tightening. Each with two open holes in securing base within urn of stem- possibly lacking an arm. Not electrified. AS-IS. ALL SALES FINAL

1015 A Louis XV Provincial walnut duchesse Second half 18th century, the waved arched crestrail above a padded back, sides and loose-cushion seat covered in cream floral damask, over a serpentine seatrail on cabriole legs, 37.5’’ H x 32.5’’ W x 85.5’’ D, est:$1500/2500 Condition: Height of seat: 22’’, width of seat: 28’’, depth of seat: 74’’. Formerly painted. Restored. Structurally sound. General marks, nicks, scratches and wear commensurate with age and use. Underside reinforced. Visible old woodworm. Infilled and overpainted restoration in areas overall. Upholstery with wear but appears clean and useable. Losses to upholstery tacks. AS-IS. ALL SALES FINAL

1014 A pair of large Sevres style gilt metal-mounted urns on stands Modern, each with spurious blue interlaced ‘’L’’ marks to undersides centering an ‘’S’’, the circular beaded and gadrooned rim above a hipped cylindrical body decorated with depictions of Venus, Cupid and attendants, signed ‘’P. Depeets’’ to one side and to opposite side floral sprays, flanked by outscrolled floral swag handles, supported by square pedestals decorated with musical trophies, on paw feet, 4 pcs, overall, 69’’ H x 24’’ W x 21’’ D, est:$6000/8000 Condition: Urns: 4’’4 x 24’’ x 21’’. Pedestals: 25’’ x 19’’ x 20’’. Good overall condition. Mounts rather roughly cast. General light marks, scratches and wear- most notably to tops of pedestals. AS-IS. ALL SALES FINAL

1013 A pair of Louis XVI style brass-mounted satinwood-inlaid mahogany and acajou mouchete petite vitrine tables Late 19th century, each with rectangular beveled glazed panel inset hinged top opening to a brown velvet-lined interior, above a paneled frieze, with glazed panel to front, on square tapering legs, joined by a paneled undertier, ending in caps, 30.25’’ H x 16.5’’ W x 10.5’’ D, est:$800/1000 Condition: Good condition overall. Structurally sound. General marks, nicks and scratches commensurate with age and use. Some darkening and minor denting to brass. One lacking brass bands to bottom front and back of frieze. Some dirt accumulation in crevices. Wear to velvet interiors. No keys. AS-IS. ALL SALES FINAL

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1022 Two 19th century portrait miniatures of a man and a woman Each signed and dated lower right: D. Byrne 1834, each oil on vellum framed within gilt metal frames set into further glazed shadowbox frames under glass, each: 3.75’’ H x 3’’ W, est:$400/600 Provenance: Property from a Private Collection, Los Angeles, CA. Condition: Portrait of a woman: generally good condition. Not examined out of the frame. Portrait of man: significant loss and with an unstable paint chip to area of shirt. The left edge of the vellum visible, should be reseated in the frame. Stable fine horizontal crazing concentrated mainly in the left center. Not examined out of the frame. AS-IS. ALL SALES FINAL

1021 Rosalie Bonheur (1822-1899 French) ‘’The Bull’’, unsigned, oil on canvas laid to canvas, 26’’ x 38’’, est:$3000/5000 Provenance: Purchased at the Hotel Drouot, Paris, France by Spanierman Gallery, 59th Street, New York, NY; Private Collection, Rancho Santa Fe, CA, acquired in Chicago, IL, circa 1945. Visual: Frame abrasion along edges. Discolored varnish throughout. Tacking edges have been removed. Blacklight: Touch-up throughout the sky concentrated mainly in the upper right quadrant. A 7’’ x 3’’ scattered area of touch-up in the lower right corner. Minor scattered touch-up throughout the bull. A 3’’ x 1.25’’ area of touch-up above the broken tree with a diagonal line of touch-up measuring 1.5’’ to the upper right of the tree. Some scattered touch-up in the lower left corner, largest spot measuring .75’’ x 5’’. Masking varnish. AS-IS. ALL SALES FINAL.

1020 19th century Continental school, a couple feeding birds on a terrace Signed and dated lower left: F. Somerschoe 1843, oil on waxed canvas, 28’’ H x 22.25’’ W, est:$4000/6000 Provenance: Property from a Private Collection, Los Angeles, CA. Condition: Visual: Generally good condition. Minor, fine stable craquelure throughout and heavier but stable craquelure in the four corners. Blacklight: Two very minor spots of older restoration behind the dog. AS-IS. ALL SALES FINAL

1019 Giovanni Sandrucci (1829-1897 Italian) ‘’First Steps’’, figures and a toddler in an interior, signed upper left: G. Sandrucci, oil on canvas laid to canvas, 29’’ x 23.25’’, est:$2500/3500 Provenance: Property from a Private Collection, Los Angeles, CA. Visual: Generally good condition. Minor frame abrasion and fine, stable craquelure. Blacklight: Touch-up to address cracking throughout concentrated mainly in the center and on the stretcher bar creases along the right and left sides. Scattered other spots of touch-up along the edges and throughout. Two vertical lines of touch-up on the shutter, 6.5’’ and 2.5’’. AS-IS. ALL SALES FINAL.

1018 Jean Paul Sinibaldi (1857-1909 French) ‘’A Formal Toast’’, signed lower left: Jean Sinibaldi, oil on canvas, 21.75’’ x 31.5’’, est:$3000/4000 Provenance: Property from a Private Collection, Los Angeles, CA. Visual: Generally good condition. Minor stable craquelure throughout the upper portion of the back wall. Blacklight: Scattered spots of touch-up in the lower center and on and surrounding area of the front woman’s blue dress. Scattered spots of touch-up on the pear arrangement and around the other fruit. Scattered spots of touch-up around the toasting male figure on the right and scattered spots of touch-up on the dark opening of the doorway at the right. A few other scattered spots of touch-up to the background. AS-IS. ALL SALES FINAL.

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1027 A Caucasian Kazak woolen rug Early 20th century, the salmon ground with three medallions, 7’ 10’’ H x 5’ 4’’ W, est:$1000/1500 Provenance: Estate of a prominent Sierra Madre, CA collector, by descent to family member. Condition: Older restorations. 3’’ tear to selvage. One corner patched (3’’ x 2’’). AS-IS. ALL SALES FINAL

1026 A Persian Lavar Kirman room-sized rug First quarter 20th century, the crimson ground with overall foliate and palmette decoration, 11’6’’ H x 25’ W, est:$3000/5000 Condition: Uneven wear throughout, particularly to one end. With foundation showing in some areas. Selvages worn. Fringe missing. Two holes 1’’ x 1’’ and 11’’ x 6’’. Would benefit from repair. AS-IS. ALL SALES FINAL

1025 A Persian Sarouk wool rug Mid-20th century, the red ground with overall blue foliate decoration, 11’ 11’’ H x 9’ 3’’ W, est:$2000/3000 Condition: Selvages re-bound. Losses to fringes. AS-IS. ALL SALES FINAL

1024 A Persian woolen rug, possibly Bijar Early 20th century, the central medallion within a red field, within a stylized floral border, 9’ 2’’ H x 5’ 7’’ W, est:$1000/1500 Provenance: Estate of a prominent Sierra Madre, CA collector, by descent to family member. Condition: Uneven wear to pile, abrosh. Fringe missing. Selvages worn. Repairs to both ends. Faded overall. AS-IS. ALL SALES FINAL

1023 A Persian Ferahan Sarouk wool / cotton rug Early 20th century, the Prussian blue central medallion surrounded by red and cobalt field, 6’ 5’’ H x 4’ 3’’ W, est:$500/750 Provenance: Property from a Private Morro Bay, CA Collection. Condition: Worn pile, but fairly even. Some older repairs including the binding of the fringe at each end with salmon velvet material. AS-IS. ALL SALES FINAL

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1032 A George III sterling silver cake basket, Robert & David Hennell 1797, London, with maker’s marks ‘’RH / DH’’, of navette form, with reeded bail handle over a pierced rim, on a conforming pierced foot, 3.5’’ H x 13’’ W x 9’’ D, 16 oz., est:$700/1000 Provenance: Property from a Private Collection, Hancock Park, Los Angeles, CA. Condition: Generally good condition overall. General marks, scratches and rubbing to surface commensurate with age and use. With a well executed repair to inner side of handle. Not monogrammed. AS-IS. ALL SALES FINAL

1031 A Victorian sterling silver mounted Staffordshire brown stoneware pitcher 1867, London, with maker’s mark ‘’DS’’, of typical form, with domed hinged lid over a hipped tapering body with hound-form handle, decorated with genre, pastoral and mythological scenes, underside impressed with star mark, possibly that of Johnson Brothers, 9.5’’ H x 6’’ W x 7.5’’ D, est:$700/1000 Provenance: Property from a Private Collection, Hancock Park, Los Angeles, CA. Condition: Very good condition overall. With only light marks and scratches to surface commensurate with age and use. Hinge to handle possibly re-soldered. AS-IS. ALL SALES FINAL

1030 A Royal Doulton relief molded ceramic jug, The Village Blacksmith Modeled by Charles Noke and introduced in 1936, with makers, title and edition number 77 of 600 to underside, decorated with a blacksmith in his shop with village figures and horseshoes, marked ‘’Longfellow / 1842’’ to one side of handle, 8’’ H x 9’’ W x 6’’ D, est:$500/800 Note: This piece was designed by Charles Noke as a dedication to Henry Wadsworth Longfellow’s poem romanticizing the earnest, hardworking blacksmith in a small hamlet. Number 128 of this series was sold Bonham’s, Chester, UK, April 5, 2005, lot 72 (500 British Pounds Sterling). Number 491 of this series was sold, Ritchie’s Auctioneers, Toronto, Canada, March 6, 2006, lot 1025 ($1,200). Provenance: Property from a Private Collection, Rancho Mirage, CA. Condition: Very good condition overall. Only light wear evident. Colors vibrant. AS-IS. ALL SALES FINAL

1029 A Royal Copenhagen porcelain figure woman & dog 20th century, with maker’s marks to underside, depicting a classical nude woman, with floral wreath, seated on a dog, over an integral oval base with laurel garland, over a matched oval wooden plinth, overall, 20’’ H x 14’’ W x 10’’ D, est:$600/800 Provenance: Property from a Private Collection, Palos Verdes, CA. Condition: The figure: 16’’ x 12’’ x 8’’. Overall good condition. Very light marks and scratches commensurate with age. With repair to index finger of right hand. With additional repair to pendant drapery held by left hand. AS-IS. ALL SALES FINAL

1028 An assembled Royal Copenhagen ‘Blue Fluted’ porcelain part dinner service Second half 20th century, with maker’s and decorator’s marks to undersides, 1968-1979, comprising 12 dinner plates (12’’), 12 dessert / salad plates (7.75’’), 12 soup bowls (8’’), 11 bread plates (6’’), 12 dessert bowls (5.75’’), 22 cups (3’’) and 13 saucers (5.25’’), 1 pierced lattice bowl (2.5’’ x 7.25’’), 1 lidded teapot (8.5’’ x 5.5’’ x 4.5’’), 1 creamer (4’’ x 3.5’’ x 3’’), 4 candlesticks (3.75’’ x 4’’), 99 pcs, est:$2000/3000 Provenance: Property from a Private Beverly Hills, CA Collection. Condition: Good condition overall. An assembled part service, as stated. Some full and half lace. General light marks, scratches and rubbing to surface commensurate with age and use. A few pieces with some slight yellowing to white ground commensurate with age. AS-IS. ALL SALES FINAL

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1036 A Louis Philippe vermeil .950 silver cruet set Circa 1830, with first standard mark and maker’s mark ‘’A. Renain(?)’’, with a pair of ewers (6’’ x 3.5’’ x 2’’), one decorated with grape clusters, the other with cattails, fitted on a dished oval tray (1.5’’ x 10’’ x 5.5’’), similarly decorated, 3 pcs, 20 oz tw approximately, est:$1200/1800 Condition: Good condition overall. With only light marks, scratches and rubbing to surfaces. Vermeil largely intact. Very nicely decorated and chased. AS-IS. ALL SALES FINAL

1035 A Mexican sterling silver six-piece coffee / tea service 20th century, marked ‘’CLS / Sterling / Hecho en Mexico’’, comprising a coffee pot (9.5’’ x 10.25’’ x 6’’), a teapot (9’’ x 10’’ x 6’’), a cream jug (5’’ x 5’’ x 4’’), a covered sugar bowl (7’’ x 6.75’’ x 4.25’’), a waste bowl (2.5’’ x 4.25’’) and a two-handled tray (1’’ x 24.75’’ x 15.5’’), 6 pcs, 170 oz tw approximately, est:$600/900 Provenance: Property from a Private Beverly Hills, CA Collection. Condition: Good condition overall. Not monogrammed. General light marks and scratches commensurate with age and use. More notable scratches to surface of tray. Recently polished. AS-IS. ALL SALES FINAL

1034 A William IV sterling silver laurel-entwined teapot by Benjamin Smith 1832, London, with maker’s mark ‘’B.S’’ for Benjamin Smith, the loop branch handle above a squat body with central lid surmounted by a turned finial, decorated overall with high relief laurel branches, 6’’ H x 7’’ W x 11’’ D, 36 oz, est:$3000/5000 Provenance: Property from a Private Collection, Santa Monica, CA. Condition: Beautifully made. Very good condition overall. General light marks, scratches, rubbing and tarnishing to surface overall, commensurate with age and use. Boss finial to top possibly a replacement- finial shaft certainly later. With typical oxidation and stable cracking to insulator caps to handle. AS-IS. ALL SALES FINAL

1033 A Queen Anne Britannia standard silver chocolate pot by John Jackson 1704, London, with maker’s mark ‘’Ja’’ for John Jackson, the domed lid with removable turned chained finial (for stirrer) over a spreading cylindrical body with swan’s neck spout with hinged flap, scroll handle thumb piece, decorated with a coat of arms centered by a chevron featuring three horizontal rings and three eagles, 9.25’’ H x 6.25’’ W x 6.5’’ D, 18.5 oz gross weight, est:$4000/6000 Note: Britannia standard silver is 95.84% fine silver. An 1697 Act of Parliament replaced the Sterling standard with the Britannia standard. This act was reversed on June 1, 1720 and Britain reverted to the Sterling Standard. The identifying hallmarks for the Britannia standard are the ‘’lion head erased’, and the ‘’Britannia’’. During the period of the compulsory Britannia standard for silver, maker’s marks composed of the first two letters of the maker’s surname were required. Provenance: Property from a Private Collection, Santa Monica, CA. Condition: Good condition overall. General marks, scratches, rubbing and tarnishing commensurate with age. With a few scattered minor dings to top and body. Marked on finial, lid and body. Finish to handle lacking. With possible old repair to silver sleeve at top of handle. AS-IS. ALL SALES FINAL

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1040 A pair of Russian silver candlesticks 1879, Minsk, with assayer mark ‘’O.C.’’, maker’s mark in Cyrillic ‘’M. Sternv’’, each with pierced scalloped galleried drip pan over an acanthus chased bobeche above similarly decorated knopped stems over a spreading acanthus-chased foot on a square base, 2 pcs, 13.75’’ H x 5’’ W x 5’’ D, 28 oz tw approximately, est:$500/800 Provenance: Property from a Private Collection, Hancock Park, Los Angeles, CA. Condition: Good condition overall. Highly polished finish. General light marks, scratches and rubbing commensurate with age and use. AS-IS. ALL SALES FINAL

1039 A Continental .800 silver coffee and tea service Possibly German, marked ‘’.800’’ and most pieces with left-facing rampant lion, comprising a coffee pot (10.5’’ x 11.5’’ x 7’’), a teapot (9’’ x 11’’ x 8’’), a cream jug (5’’ x 7.75’’ x 5’’) and a sugar bowl (6’’ x 4.5’’), together with an associated .800 silver two-handled tray (26.5’’ x 16.75’’), 5 pcs, total weight, 175 oz approximately, est:$1000/1500 Condition: Generally good condition overall. General marks, scratches, rubbing and tarnishing to surfaces overall. Lacking one insulator cap from handle of coffee pot and one from teapot. Repair to edge of lip of cream jug. Tray associated, as stated. Not monogrammed. AS-IS. ALL SALES FINAL

1038 A pair of German J.D. Schleissner & Sohne silver candlesticks 19th Century, Hanau, the urn-form bobeche above a hipped tapering floral-decorated stem flanked with cherubs over a domed pierced foot decorated with frolicking putti, 2 pcs, 8’’ H x 4.25 Dia., 12 oz tw approximately, est:$300/500 Provenance: Property from a Private Collection, Hancock Park, Los Angeles, CA. Condition: Good overall condition. With a highly polished finish. General light marks, scratches and rubbing commensurate with age and use. Some chased details obliterated due to polishing. With polish residue in crevices. Some flattening to splayed scrolled feet. AS-IS. ALL SALES FINAL

1037 A group of seven German silver dresser, patch and snuffboxes Late 19th/Early 20th century, including a Gebruder Dingeldein, Hanau, patch box decorated with a flower-filled basket (1.25’’ x 1.5’’ x 1’’); a circular Ludwig Neresheimer, Hanau snuffbox decorated with an Orientalist figural scene (1.25’’ x 2.5’’); a Friedrich Reusswig (?), Hanau oval patch box decorated with an 18th century amorous couple (0.5’’ x 2.75’’ x 2.25’’); an E.L. Vietor, Darmstadt rectangular patch box decorated with an enameled scene of 16th century figures (0.5’’ x 3’’ x 2.25’’); a Gebruder Reiner (?) Bayern rectangular patch box decorated with a carved ivory panel of a mythological scene, within a faux-lapis enameled border (0.5’’ x 3’’ x 2’’), a rectangular snuffbox, unmarked, with oval miniature painting of an amorous couple, within a faux-lapis enameled border (0.5’’ x 3’’ x 2’’); and an oval patch box, indistinctly marked, decorated with a marcasite embellished foliate spray on a blue enameled ground (0.75’’ x 2’’ x 1.5’’), 7 pcs, gross weight, 17 oz tw approximately, est:$600/900 Condition: Good overall condition, with general marks, scratches, rubbing and tarnishing commensurate with age. Rubbing to relief decoration. Box with painted scene of amorous couple with a fine crack through image. One box apparently unmarked, as stated. One box with indistinct mark, as stated. AS-IS. ALL SALES FINAL

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1045 Adolph Stoiloff Baumgartner (1850-1924 Austrian) Cossacks with wagons in the snow, signed lower left: A. Baumgartner-Stoiloff, oil on panel, 12.25’’ x 20.75’’, est:$3000/5000 Visual: Generally good condition. Surface dirt. Blacklight: Areas fluoresce in the white pigments in the lower right, along the left edge and around the figures in the background in the upper center, presumably due to pigments. AS-IS. ALL SALES FINAL.

1044 Adolph Stoiloff Baumgartner (1850-1924 Austrian) Cossacks with wagons in the snow, signed lower left: A. Baumgartner-Stoiloff, oil on panel, 12.25’’ x 20.75’’, est:$3000/5000 Visual: Generally good condition. Surface dirt. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1043 Jeno (Eugen) Kemendy (1875-1920 Hungarian) Children bundling wheat in a barn interior, signed and inscribed indistinctly lower right: Kemendy Jeno, oil on canvas laid to masonite, 29.5’’ x 41’’, est:$1200/1800 Provenance: Property from a Private Collection, Woodland Hills, CA. Visual: Generally good condition. Frame abrasion along the edges. A few minor pinhole-sized spots of loss along the edges. Blacklight: One minor spot of touch-up in the upper left corner. A 1’’ x 1’’ area of touch-up along the upper center edge. Touch-up along the bottom of the right figure’s red headscarf with a few other very minor spots of touch-up throughout the figure’s clothes. A few very minor spots of touch-up in the pumpkins along the lower left edge. Some other minor scattered spots of touch-up throughout. Heavy varnish. AS-IS. ALL SALES FINAL.

1042 A Russian icon of St. George and the Dragon Probably 19th century, tempera on panel, illegibly inscribed in Cyrillic to the reverse, 12.75’’ H x 10.5’’ W x 1.25’’ D, est:$400/600 Condition: With craquelure to surface overall. Some loss to pigment and overpainted restoration in areas. Some darkening to surface overall. Lacking a brace from back. Visible old woodworm. AS-IS. ALL SALES FINAL

1041 A Russian Gardner blue-ground porcelain tea service Circa 1900, Moscow, with red factory marks to underside, comprising a teapot (6’’ x 8.5’’ x 5’’), a cream jug (5’’ x 5’’ x 4’’), a covered sugar bowl (4’’ x 4’’), six cups (2’’ x 4.25’’ x 3.25’’) and six saucers (5.25’’), 15 pcs, est:$1000/2000 Note: The Arabic marks below the maker’s factory mark indicate this set was made for Middle Eastern market. Provenance: Property from a Private Collection, Hancock Park, Los Angeles, CA. Condition: Very good condition overall. With only light wear- evidently never, or rarely used. AS-IS. ALL SALES FINAL

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1050 A pair of large Italian Baroque silvered pricket altar sticks Late 17th/early 18th century, each with a spire pricket mounted on a wooden platform over a foliate repousse drip pan above a knopped fluted and acanthus-decorated stem over a downscrolled tripartite base, 41’’ H x 12 Dia., est:$1200/1800 Condition: Good condition overall. Wear commensurate with age. Assembled in sections. With typical marks, scratches, some denting and rubbing. Silver plating largely rubbed and oxidized. One with some losses to leaf tips at top quarter of stem. Visible old woodworm to wooden tops and securing blocks to undersides. AS-IS. ALL SALES FINAL

1049 Two Spanish Colonial polychromed wood santos figures Probably 19th century or earlier, depicting a bearded male figure and a female figure, each with articulated arms, 2 pcs, the male figure, 12’’ H x 4.75’’ W x 3’’ D, est:$600/900 Condition: The female figure: 11.5’’ x 4.25’’ x 3’’. General marks, scratches, darkening and flaking to surfaces commensurate with age. With bubbling to painted decoration on head of male figure. Losses to digits to female figure. Forearms loose under shoulder, currently held in with wax. Dirt accumulation overall. Visible old woodworm. AS-IS. ALL SALES FINAL

1048 Carl Christian Dahlgren (1841-1920 Oakland, CA) Old Mission Santa Barbara, signed lower right: Carl Dahlgren, watercolor on paper under glass, sight size: 9’’ x 12’’, est:$900/1200 Provenance: Property from a Private Collection, Palm Springs, CA. Visual: Generally good condition. Not examined out of frame. AS-IS. ALL SALES FINAL.

1047 Edwin Deakin (1832-1923 Berkeley, CA) Figure walking through a European village scene, signed lower right: Edwin Deakin, watercolor on paper under glass, sight size: 11.25’’ x 5.5’’, est:$1000/2000 Provenance: Property from a Private Collection, Palm Springs, CA. Visual: Generally good condition. Mat burn to lower, left, and upper edges. Not examined out of the frame. AS-IS. ALL SALES FINAL.

1046 Konstantin Egorvich Makovsky (1839-1915 Russian) Portrait of a woman in traditional Russian folk dress, signed upper left: C. Makowsky, unframed watercolor on paper mounted to board, paper size: 13.75’’ x 8.75’’, est:$2000/3000 Provenance: Property from a Private Corona Del Mar, CA Collection. Visual: Mat burn along edges. Toning and fading throughout. Affixed top right and left to back mat. AS-IS. ALL SALES FINAL.

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1053 A Meissen porcelain allegorical figural group ‘’Taste’’, #1042 19th century, with underglazed blue crossed swords marks and impressed ‘’1042 / 88’’, depicting a classically draped woman by a column biting an apple, with a monkey by a bowl of fruit and a putto, supported by a footed base, 11’’ H x 6.25’’ W x 5.25’’ D, est:$600/900 Literature: The same model, is illustrated L. Mitchell. ‘”Meissen: Collector’s Catalogue’’. Woodbridge, Suffolk: 2004, p. 72, pl. 6. An identical model sold Cowan’s, Cincinnati, OH, June 23, 2007, lot 2483 ($2,000). Condition: Good condition overall. General light marks and scratches commensurate with age. With a few minor areas of overpainted restoration to base. AS-IS. ALL SALES FINAL

1052 A pair of Italian Rococo style polychrome-decorated blackamoor torchieres Second half 20th century, each figure holding aloft five foliate-sheathed candlearms above a stepped pedestal base, electrified, 2 pcs, overall, 75.5’’ H x 16’’ W x 15’’ D, est:$2000/3000 Condition: Generally good condition overall. With marks, scratches, rubbing and wear commensurate with age and use- some visible in catalogue photos. Some dirt accumulation overall. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

1051 An Italian micromosaic panel ‘’The Wine Cellar’’ With printed paper label to the reverse with Vatican crest ‘’Studio del Mosaico / No. 4991 A / S.C. della Rev. Fabbrica / di / S. Pietro in Vaticano’’ and titled ‘’In Cantina (Vinea)’’, depicting a 17th century cavalier with a dog at his feet and a maiden pouring wine, within a giltwood frame, the panel, 19.5’’ H x 25.5’’ W, est:$6000/9000 Note: From the Vatican Mosaic Workshop. Provenance: Property from a Private Collection, Phoenix, AZ. Condition: Overall: 28’’ x 33.75’’. Very well executed. Very good condition overall. With a few small areas of slightly loose tesserae and minor losses to tesserae. With no evidence of buckling or repair to tesserae. With an 0.5’’ x 0.75’’ abrasion to top of right side of frame. Would benefit from touch-up. With a smaller abrasion to opposite side of top of frame. AS-IS. ALL SALES FINAL

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1055 A Meissen pewter-mounted blue and white porcelain bicentennial commemorative pitcher Early 20th century, with underglaze blue crossed swords marks to underside and incised ‘’Q 31’’, stamped ‘’81’’ and further marked ‘’35’’, of typical form, decorated with the coat of arms of Saxony, flanked by rampant lions to one side, and the coat of arms of the town of Meissen to the other, and ‘’1710 / 1910’’, 12’’ H x 6’’ W x 8’’ D, est:$400/600 Note: The production of Meissen porcelain began in 1710 in Albrechtburg castle in the German Duchy of Saxony. Provenance: Property from a Private Collection, Camarillo, CA. Condition: Very good condition overall. Only light wear. With a clear plastic nib attached to spout. AS-IS. ALL SALES FINAL

1054 A Meissen porcelain ‘Blue Onion’ dinner service 19th - 20th century, an assembled part service, most pieces with underglaze blue crossed swords marks, some with ‘’Meissen’’ mark within oval reserve or circular reserve, a few with arrow, some pieces not marked, comprising 9 dinner plates (9.75’’), 12 dessert / salad plates (8.25’’), 5 dessert / salad plates with pierced rim (8.25’’), 4 bread plates with pierced rim (7’’), 3 bread plates with pierced rim (6’’), 13 large soup bowls [variations] (9’’), 11 teacups (2.5’’ x 3.5’’), 14 saucers [variations] (5’’), 1 large charger (13’’), 1 square serving bowl (9.5’’ x 9.5’’), 1 double shell single-handled relish dish (4.25’’ x 11’’ x 9.5’’), 2 tureens (the larger 10’’ x 14.5’’ x 8.25’’), 1 small tureen [lacking lid] 3.5’’ x 7’’ x 7’’), 2 warming plates (the larger (10.75’’ x 12.25’’), 1 large oval fish serving platter (24’’ x 11.5’’), 1 medium fish serving platter (20’’ x 9.75’’), 1 pierced oval drainage insert (19.5’’ x 8’’), 1 cake stand with pierced rim (5.5’’ x 8.25’’), 1 rectangular two-handled tray (15’’ x 8.75’’), 1 pierced oval two-handled basket (2.25’’ x 12’’ x 8.5’’), 1 oval serving dish (2’’ x 10.5’’ x 7.25’’), 1 oval tray (14.75’’ x 11’’), 1 two-handled gravy boat with underplate (4’’ x 10.5’’ x 4’’), 1 oval platter (16’’ x 11’’), 1 serving dish (10.5’’), 1 triangular serving dish (9’’), 1 small oval serving dish (10’’ x 7’’), 1 square covered serving dish (6’’ x 8’’ x 7.5’’), 1 circular two-handled circular serving dish (1.5’’ x 10.5’’ x 10’’), 1 coffee pot (9.25’’ x 6 x 5’’), 1 teapot (5’’ x 8’’ x 5’’), 1 covered sugar bowl (4.5’’ x 4.5’’), 1 cream jug (4.75’’ x 5’’ x 3.25’’), 2 graduated conical strainers (the larger 6.25’’ x 5’’), 2 strainers [one with wooden handle] (the larger 1’’ x 2.75’’ x 9’’), 1 funnel (5’’ x 3.5’’), 2 small serrated cake knives (9.75’’), 1 long cake knife (12’’), 1 cheese slice (9’’), 1 tomato server (9’’ x 3’’), 1 fork (7.25’’), 5 steak knives (8.25’’), 1 citrus juicer (3’’ x 6’’), 2 salt cellars (1.25’’ x 2.75’’), 1 square salt cellar (1’’ x 1.5’’ x 1.5’’), 1 warming stand (4.25’’ x 9’’), 1 small oval two-handled serving dish (10.75’’ x 7.25’’), 1 small covered serving bowl (5.25’’ x 7.5’’), 3 trivets [two circular, 1 rectangular] (the largest 9.5’’ x 5.5’’), 1 egg cup (3.5’’ x 4.25’’), 1 waved oval bowl (2.75’’ x 5.5’’ x 4.5’’), 1 match stand (2.5’’ x 5’’), 1 double ring-handled condiment server (3.25’’ x 4.25’’ x 2.25’’), 1 ashtray (1’’ x 5’’), 1 jardiniere (6.5’’ x 8.5’’), 1 small coaster (4’’), 1 small shell-form condiment dish (5.5’’ x 4.5’’), 1 small square condiment dish (4’’ x 4.25’’), 1 demitasse cup (2’’ x 2.5’’) and 1 saucer (4.25’’), 2 utensil rests [one shoe-form] (the larger 3.5’’ x 1’’), 1 small chamber stick (3.25’’ x 5’’), 1 small jug (7’’ x 4’’ x 3’’), and 3 graduated lids (the largest 4’’ x 8’’), 140 pcs, est:$2500/3500 Provenance: Property from a Private Collection, Camarillo, CA. Condition: An assembled service, as stated. Marks, decoration and size vary, as stated. Some pieces with pierced rim, some with waved rim, some with plain rim, as stated. Some pieces with hache marks over factory mark indicating seconds, etc. Good overall condition. Some pieces with minor chips along bases. A few handles with glaze chips. One strainer with hairline firing crack. Some with inherent imperfections that are not first quality pieces. All pieces useable. No further information can be provided. We recommend you or your agent view this lot in advance of bidding. AS-IS. ALL SALES FINAL

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1060 Richard Guy Walton (1914-2005 Virginia City, NV) Blooming desert with mountains, signed lower left: Walton, oil on canvas laid to masonite, 30’’ x 40’’, est:$1500/2000 Provenance: With Poulsen Galleries, Pasadena, CA, circa 1990; Private Collection, Los Angeles, CA, acquired from the above. Visual: Generally good condition. Discolored varnish throughout. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1059 O. Theodore Jackman (1878-1940 La Crescenta, CA) A figure with donkeys under a sycamore tree, signed lower right: Theodore Jackman, oil on canvas, 20’’ x 24’’, est:$1000/2000 Provenance: Estate of the artist, by descent in family to the present owner, Private Collection, Montrose, CA. Visual: Generally good condition. Frame abrasion along the edges. Stretcher bar creases along the right and left edges. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1058 Milton H. Lowell (1848-1927 New York, NY) Rural landscape with cottages, signed lower right: M.H. Lowell, oil on canvas, 24.5’’ x 36.25’’, est:$1000/2000 Provenance: Property from a Private Collection, Los Angeles, CA. Visual: Generally good condition. Stretcher bar creases and frame abrasion along the edges. Minor fine stable craquelure throughout. One area of unstable craquelure with two flecks of paint loss in the upper center. Blacklight: A few spots of touch-up along the upper edge to address frame abrasion. AS-IS. ALL SALES FINAL.

1057 A Herend ‘Rothschild Bird’ pattern porcelain dinner service for eight First half 20th century, an assembled service, with blue maker’s mark and further marked ‘’Hungary’’ and with pattern number ‘’734’’ and impressed item and form numbers, comprising 8 dinner plates (10.75’’), 8 dinner plates (10’’), 8 dessert plates (8’’), 8 salad plates (7.25’’), 8 medium bowls (1.5’’ x 6.5’’), 8 small bowls (1’’ x 5.5’’), 8 teacups (2’’ x 5’’ x 4.25’’), with 8 saucers (5.75’’), 8 coffee cups (2’’ x 4’’ x 3.5’’), with 8 saucers (5.25’’), 98 pcs, est:$2500/3500 Provenance: Property from a Private Collection, Los Angeles, CA. Condition: Very good condition overall. Based on the marks on this assembled service, the pieces date from 1915 - 1948. Very light wear overall. One teacup with chipped loss to rim. AS-IS. ALL SALES FINAL

1056 Two Meissen Bottger stoneware animal figures, dog, rabbit 20th century, each marked ‘’Bottger / Steinzeug’’, including a stylized rabbit further marked ‘’A1091 / 83’’ (5.25’’ x 3.5’’ x 6.25’’), and a naturalistically modeled dachshund further marked with crossed swords and ‘’N 240 / 107H’’ (4.5’’ x 10.5’’ x 2.5’’), 2 pcs, est:$300/500 Note: Johann Friedrich Bˆttger produced the first ceramics for the Meissen factory. In 1709 Bottger refined an extremely hard red stoneware which retained very crisp details that became known as Bˆttgersteinzeug (Bˆttger Stoneware). The hard paste white porcelain that is more commonly associated with Meissen was introduced in 1713. Provenance: Property from a Private Collection, Camarillo, CA. Condition: Good condition overall. General light marks, scratches and rubbing to surfaces commensurate with age. AS-IS. ALL SALES FINAL

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1065 Bennett Bradbury (1914-1991 Laguna Beach, CA) Waves crashing on a rocky coast, signed lower left: Bennett Bradbury, oil on canvas, 18’’ x 24’’, est:$800/1200 Provenance: Property from the C.L. Pearson Revocable Trust, Laguna Beach, CA. Visual: Generally good condition. Minor, fine stable craquelure in the lower left corner. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1064 Bennett Bradbury (1914-1991 Laguna Beach, CA) ‘’Rain Squalls’’, signed lower left: Bennett Bradbury and with copyright, signed again, titled, and dated on the stretcher: 1979, oil on canvas, 24’’ x 36’’, est:$1200/1800 Provenance: Property from the C.L. Pearson Revocable Trust, Laguna Beach, CA. Visual: Generally good condition. Frame abrasion along lower edge. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1063 Alexander A. Dzigurski (1911-1995 California) Sunset coastal, signed lower right: A. Dzigurski, oil on canvas, 24’’ x 36’’, est:$1000/2000 Provenance: Property from a Private Collection, Los Angeles, CA. Visual: Generally good condition. Stretcher bar creases along the edges. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1062 George Thompson Pritchard (1878-1962 Los Angeles, CA) Ships docked, signed lower left: G. Thompson Pritchard, oil on canvas, 25’’ x 29.75’’, est:$1000/2000 Note: The Tower Bridge on the Thames in London is possibly in the background. Provenance: Property from a Private Residence, Denver, CO. Visual: Generally good condition. Moderate to heavy stable craquelure throughout. Frame abrasion along the right edge. Blacklight: A few very minor dots of touch-up on the lower center edge. AS-IS. ALL SALES FINAL.

1061 Carl Sammons (1883-1968 Oakland, CA) ‘’High Sierra, Silver Lake’’, signed lower right: C. Sammons, titled verso, oil on canvas laid to board, 6’’ x 8’’, est:$500/800 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

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1068 H.G. WELLS: ‘The Works’, the Atlantic Edition, 28 Volumes, 1924 Charles Scribner’s Sons, New York, with Volume One signed by author, set number 585 of 1050, bound by Strikeman & Co for Charles Scribners Sons in blue morocco leather with blue cloth boards, spines gilt-tooled, gilt spine lettering with two raised bands, marbled endpapers; comprising: (1) The Time Machine; The Wonderful Visit, and other Stories (2) The Island of Doctor Moreau; The Sleeper Awakes (3) The Invisible Man; The War of the Worlds (4) Anticipations, and other papers (5) The Food of the Gods; The Sea Lady (6) The First Men in the Moon, and some more human stories (7) The Wheels of Chance; Love and Mr. Lewisham (8) Kipps (9) A Modern Utopia, and other discussions (10) In the Days of the Comet, and Seventeen Short Stories (11) The Undying Fire, and philosophical and theological speculations (12) Tono-Bungay (13) Ann Veronica; Boon (14) The New Machiavelli (15) Marriage (16) The Wife of Sir Isaac Harman; Socialism and the Family (17) The History of Mr. Polly; Bealby (18) The Passionate Friends, and three essays (19) The Research Magnificent (20) The War in the Air, and Other War Forebodings (21) The World Set Free, and other War Papers (22) Mr. Britling (23) Joan and Peter (24) Joan and Peter (cont.); The Story of a Great Schoolmaster (25) The Soul of a Bishop; The Secret Places of the Heart (26) A Volume of Journalism (27) The History of the World (28) Men Like Gods. Hardcover cloth and leather, 28 pcs, est:$1000/2000 Condition: All book binding and boards exhibit wear, dents, scuffs, rubbing and marks. Spines appear darkened. Some chipping to head caps, joint edge and extremities. All volumes personalized in ink by previous owner up to three times to interior board and first few pages. Vol. 6: Oxidation to photogravure image. Vol. 13: cover board detaching from spine. Vol. 17: cover board partially detaching from spine. AS-IS. ALL SALES FINAL

1067 C.F. Martin Style I concert size mahogany ukulele Applied ‘‘C F Martin & Co. EST. 1833’’ decal to neck, stamped to interior ‘‘C F Martin Nazareth, PA’’, with faux-tortoise body binding, the neck with 4 tuning pegs, 12-fret rosewood fingerboard with single ivory dots on the 5th & 10th fret and double ivory dot on the 7th fret, inlaid rosette around sound hole, cased in after-market contemporary SKB hard shell violin case, with assorted ukulele sheet music, 23.25’’ H x 7.75’’ W x 2.75’’ D, est:$600/800 Provenance: Property from the Drury Estate, Whittier, CA. Condition: Body length 11’’; sound hole diameter 2.0625’’. Very good condition, no signs or evidence of repairs, no signs of cracks. Minor surface scratches and minor surface dimples due to age and use. AS-IS. ALL SALES FINAL

1066 A large Swiss rosewood-cased cylinder music box Circa 1900, with six bells, drums and castanets, playing twelve airs within a marquetry-decorated parcel-ebonized rosewood case, 12’’ H x 25’’ W x 15’’ D, est:$2000/3000 Condition: Mechanism apparently in working order although plays out of tune and levers are not very sensitive. Case with fading to timber overall- spotty in areas. With losses and infilled restoration to veneer in areas. Figure of alpine climber to front probably a later embellishment. No key. AS-IS. ALL SALES FINAL

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1070 Paul Jacoulet (1902-1906 French) A group of two color woodcuts: ‘Nuit de Neige. Coree’, 1939 and ‘Flocons de Neige, Pengyong, Coree’, 1956, each: signed in pencil: Paul Jacoulet and with the artist’s chop devices, each: color woodcuts on paper under glass, ‘’ x ‘’, est:$700/1000 Literature: R. Miles, ‘’The Prints of Paul Jacoulet: The Complete Works 1934-1960’’, Pacific Asia Museum, Pasadena, CA, 1982, no’s 57 and 146, illustrated. Provenance: Property from a Private Collection, Los Angeles, CA, the collection acquired circa late 1960s to 1990s. Visual: ‘Nuit’’: toning and staining throughout the margins and the lower half of the print with scattered foxing. ‘’Flocons’’: toning and staining throughout and scattered staining on the figure’s faces. A thin vertical line of minor mat burn .5’’ in from the right image edge. AS-IS. ALL SALES FINAL.

1069 A collection of thirteen vintage books pertaining to United States politics and presidents, Hamilton, Harding, Roosevelt, Wilson Early to mid-20th century, including ‘’Report of the Secretary of the Treasury to the House of Representatives, 19 January 1795’’, with later in later blue cloth trifold cover and slipcase; Theodore Roosevelt, ‘’Message of the President of the United States: Fifty Seventh Congress, First Session’’, 1901, signed by Roosevelt; Theodore Roosevelt, ‘’The Strenuous Life’’, 1902, signed ‘’with regards of Theodore Roosevelt, Xmas 1902’’; Theodore Roosevelt, ‘’Message of the President of the United States: Fifty Eighth Congress, Second Session’’, 1903, signed by Roosevelt and dated ‘’Dec 17th 1903’’; Woodrow Wilson, ‘’The President of the United States’’, 1916, signed by Wilson and dated 14 Sept 1916; Frederick E. Schortemeier, ‘’Rededicating America: Life and Recent Speeches of Warren G. Harding’’, 1920, dedicated to Rudolph Forster by Harding; Albert Loren Cheney, ‘’Personal Memoirs of the Home Life of the Late Theodore Roosevelt’’, dedicated to Rudolf Forster from Cheney, dated April 29, 1920; ‘’Blue Book of the Roosevelt - Garner Inauguration’’, March 4 1933, signed by Admiral Cary T. Grayson and J. Fred Essary; Franklin Roosevelt, ‘’Looking Forward’’, dedicated to Rudolph Forster from Roosevelt, Christmas 1933; Franklin Roosevelt, ‘’Address of Franklin D. Roosevelt, President of the United States, Chautauqua, N.Y., August 14 1936’’, dedicated to Rudolph Forster from Roosevelt, Christmas, 1936; Franklin Roosevelt, ‘’Addresses of Franklin D. Roosevelt, President of the United States, July 19, 1940 to January 20, 1941’’, dedicated to Rudolph Forster from Roosevelt for Christmas; ‘’Addresses of Franklin D. Roosevelt and Winston Churchill’’, 1942, dedicated to Rudolph Forster from Roosevelt for Christmas, 1942’’ AS-IS. ALL SALES FINAL, est:$500/1000 Note: Rudolph Forster served in the White House from March 5, 1897, until his death on 7 July 1943. He posthumously received the Medal of Merit, Citation 61, from Harry S. Truman for his years of assistance. Provenance: Property from the Joan F. Blocher Trust, San Marino, CA. Condition: Most with Warren Forster Ex Libris labels. Treasury report: With darkening to paper - curling to edges. Some staining to cover. Spine to slipcase with rubbing and wear. Roosevelt’s Message to 57th Congress: Good condition overall. The Strenuous Life: Good condition overall, with some wear to spine and cover. Roosevelt’s Message to 58th Congress: Good condition overall. Some wear to spine. Wilson, Good overall condition. Some yellowing to pages. Warren G. Harding, Fading to spine and edges of covers. Some yellowing to pages. Personal Memoirs of Roosevelt, Good condition overall- light wear. Blue Book, With wear. Losses to cover and page corners at lower right. Looking Forward, Good overall condition. Light wear to spine. Some minor staining to dedication page. Address of Franklin D. Roosevelt, With fading to cover around edges. Foxing to dedication page and reverse of cover. Some darkening to edges of paper. Addresses of Roosevelt, July 19, 1940 to January 20, 1941, Good overall condition. With some spotting to spine. Slip case faded, with bottom edge cracking. Addresses of Roosevelt & Churchill, Good condition overall. With some yellowing to spine. Slipcase faded. AS-IS. ALL SALES FINAL

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1073 Paul Jacoulet (1902-1960 French) A group of three color woodcuts: ‘Une Histoire tres Drole. Mongols’, April 1949, ‘La Balance. Chinois’, 1939 and ‘L’Homme Accroupi. Chinois’, 1947, each: signed in pencil: Paul Jacoulet and with the artist’s chop devices, each: color woodcuts on paper under glass, each: image size: 15.5’’ x 11.75’’, est:$900/1200 Literature: R. Miles, ‘’The Prints of Paul Jacoulet: The Complete Works 1934-1960’’, Pacific Asia Museum, Pasadena, CA, 1982, no’s. 54, 88 and 105, illustrated. Provenance: Property from a Private Collection, Los Angeles, CA, the collection acquired circa late 1960s to 1990s. Visual: Each: generally good condition. Not examined out of the frames. ‘’Une Histoire’’: very minor toning and a minor stain in the lower left margin. ‘’Balance’’: A tiny paper indentation in the lower right and minor handling creases to the lower margin. ‘’Accroupi’’: minor toning to the margins and a tiny stain on the figure’s hand. Minor handling creases in the upper left. AS-IS. ALL SALES FINAL.

1072 Paul Jacoulet (1902-1960 French) A group of three color woodcuts: ‘Retour de la Jungle. Tondano: Celebes’, 1948, ‘Joaquina et sa Mere au Sermon du Pere Pons. Rota: Marianes’, 1947, Coucher de Soleil a Menado. Celebes’, 1938, each: signed in pencil: Paul Jacoulet and with the artist’s chop devices, each: color woodcuts on paper under glass, each: image size: 15.5’’ x 11.75’’, est:$900/1200 Literature: R. Miles, ‘’The Prints of Paul Jacoulet: The Complete Works 1934-1960’’, Pacific Asia Museum, Pasadena, CA, 1982, no’s. 53, 89, 90, illustrated. Provenance: Property from a Private Collection, Los Angeles, CA, the collection acquired circa late 1960s to 1990s. Visual: Each: generally good condition. Not examined out of the frames. ‘’Retour’’: mild toning and staining a few spots of foxing and a few minor paper indentions in the margins. A few other very minor spots of foxing above the left figure’s head and in the upper right. ‘’Joaquina’’: mild toning in the margins and a few minor paper indentions in the upper and lower margins. A tiny spot of stain in the water. ‘’Coucher’’: minor toning and staining and a few handling creases in the margins. A spot of foxing in the upper left margin. AS-IS. ALL SALES FINAL.

1071 Paul Jacoulet (1902-1960 French) A group of three color woodcuts: ‘Le Tresor. Coree’, 1940; ‘Le Tabouret de Porcelaine. Mandchoukuo’, 1936; ‘La Peche Miraculeuse. Izu, Japon’, 1939, each: signed lower right in pencil: Paul Jacoulet and with the artist’s chop devices, each: color woodcuts on paper under glass, each: image size: 15.5’’ x 11.75’’, est:$900/1200 Literature: R. Miles, ‘’The Prints of Paul Jacoulet: The Complete Works 1934-1960’’, Pacific Asia Museum, Pasadena, CA, 1982, no’s. 38, 62, and 66, illustrated. Provenance: Property from a Private Collection, Los Angeles, CA, the collection acquired circa late 1960s to 1990s. Visual: Each: generally good condition. Not examined out of the frames. ‘’Le Tresor’’: mild toning and staining in the margins and a spot of stain on the baby’s leg. A few scattered very minor scratches in the upper portion of the background. ‘’Le Tabouret de Porcelaine’’: mild toning and staining in the margins. Very minor rippling to the paper and a tiny spot of stain in the lower right. AS-IS. ALL SALES FINAL.

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1077 A pair of Chinese carved ivory figures, man and woman Each aristocratic figure adorned with richly embroidered robes and jewels, affixed to fret-carved base, 2 pcs, the larger figure, 12.5’’ H x 3’’ W x 2.5’’ D, est:$800/1000 Condition: Figure of woman: 12’’ x 3’’ x 2’’. Good condition overall. General marks, scratches and rubbing to surface. A few very minor cracks. Apparently unsigned. Affixed to bases, as stated. Bases: 2’’ x 3.5’’. Painted black decoration largely rubbed off. Man’s beaded necklace lacking some beads near bottom as visible in catalogue photo. Woman with some minor chipped losses around hem of robe. AS-IS. ALL SALES FINAL

1076 A Chinese export carved ivory card case Probably Qing Dynasty, 19th century, intricately carved with figures amidst pavilions under foliage, with unengraved monogram medallion to one side, 4.25’’ H x 2.5’’ W, est:$300/500 Condition: Good condition overall. Carving very nicely executed. With some slight yellowing and spotting to surface to one side. Not monogrammed, as stated. AS-IS. ALL SALES FINAL

1075 A group of seven Japanese color woodcuts on paper, some matted, some matted and framed under glass Ueno Tadamasa (Japanese 1904-1970), ‘Crab Makeup’ from the series ‘Eighteen Kabuki Makeups’, 1941, artist’s signature upper left, printing and date notations lower right margin, Pub. Watanabe Shozaburo, oban tate-e, image size: 14.75’’ x 9.75’’; After Kawase Hasui (Japanese 1883-1957), ‘Rain at Kasugu Shrine, Nara’, oban tate-e, sight size: 13.75’’ x 9’’, publishing notations trimmed from lower margin, execution date unknown; After Ando Hiroshige (Japanese 1797-1858), ‘Shun’en, Oigawa (Oi River between Suruga and Totomi)’ from the series ‘Fuji sanjurokkei (Thirty-six Views of Mount Fuji)’, oban tate-e, image size: 13.25’’ x 8.75’’; After Ando Hiroshige (Japanese 1797-1858), ‘Ejiri, Jimbutsu’ from the series ‘The Fifty-Three Stations of the Tokaido’, image size: 8.75’’ x 6.5’’; After Ando Hiroshige (Japanese 1797-1858), ‘Kasumigaseki’ from the series ‘Famous Places in Edo’, oban yoko-e, image size: 8.5’’ x 13.5’’, and two other unidentified Japanese color woodcuts, est:$700/1000 Note: Please note that the execution dates for this group of woodcuts are unknown but are likely mostly posthumous printings. Provenance: Property from a Private Collection, Los Angeles, CA. Condition: We recommend firsthand inspection of this lot. Please refer to photographs for visual condition. Most with trimmed margins, toning, soiling and handling creases. ‘Ejiri’: margins trimmed, with wear and rubbing to surface and seal, affixed to the back mat in the upper left and right corners. ‘Kasumigaseki’: margins trimmed, with heavy toning, tears and wear to the edges, spots of stain throughout, hinged in the upper left and right corners. Framed pieces not examined out of the frames. AS-IS. ALL SALES FINAL

1074 Tsukioka Yoshitoshi (1839-1892 Japanese) ‘’Rising moon over Mount Nanping - Cao Cao (Nanpeizan shogetsu - Soso)’’, From the series ‘One Hundred Aspects of the Moon’, October 1885, artist’s signature lower right, printing and date notations lower left margin, color woodcut on paper under glass, oban tate-e, image size: 13’’ x 8.75’’, est:$600/800 Literature: J. Stevenson, ‘Yoshitoshi’s One Hundred Aspects of the Moon’, Hotei Publishing, 2001, no. 3, another example illustrated. Note: Pub.: Akiyama Buemon. Provenance: With Shogun Gallery, Washington, D.C. (see label verso); Private Collection, Los Angeles, CA, acquired from the above. Visual: Generally good condition with minor toning to the paper. Soiling in the right center to the right of the figure. A handling crease in the lower right margin. Not examined out of the frame. AS-IS. ALL SALES FINAL.

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1082 Harley Brown (1939-* Tucson, AZ) ‘’Mrs. Two Young Man’’, Indian portrait, signed and dated lower left: Harley Brown ‘67, pastel on paper, 26’’ x 20.5’’, est:$4000/6000 Provenance: With Harold G. Davidson Gallery, Santa Barbara, CA (see verso label); Property from an Estate, Pasadena, CA, acquired from the above. Visual: Generally good condition with vibrant colors. Three tears professionally and very well repaired along left edge: the largest measuring 9.5’’, the second .5’’ and the third 3’’. Artwork retains original frame. AS-IS. ALL SALES FINAL.

1081 Nine Edward S. Curtis Native American Photogravures Ring Thunder - Brule’, plate size: 7.25’’ x 5.25’’, framed, ‘Tonovige-Havasupai’ and ‘Pachilawa-Walapai Chief’, all copyright 1907. ‘A River Camp - Yanktonai’, copyright 1908, plate size: 5.25’’ x 7.25’’. ‘A Cree Woman’, plate 627, copyright 1926. ‘Lefthand-Comanche’, ‘Uwat-Comanche’, plate 684, ‘Water Rite Purification - Cheyenne Animal Dance’, plate 662, ‘Henry -Wichita’, plate 656, framed under Plexiglass, all: copyright 1927. Unless noted, all: plate size: 11.5’’ x 15.25’’, est:$1500/2000 Condition: Yanktonai’ and ‘Henry’: Generally good condition. Toning throughout. ‘Henry’ not examined out of frame. The other seven: Moderate to heavy toning throughout with mat burn. Some have foxing and water spots. Only two are framed. AS-IS. ALL SALES FINAL

1080 Ten Edward S. Curtis Native American Photogravures Mohave-Chief’, plate 57 and ‘Judith-Mohave’, plate 59, both: copyright 1903. ‘Hwalya-Yuma’, plate 63 and ‘Pakit’, plate 70, both: copyright 1907. ‘Achomawi Man’, plate 466, ‘Tolowa Dancing Head-Dress’, plate 455, plate size: 12’’ x 15.5’’, ‘Sam Ewing - Yurok’, plate 437, ‘Hupa Women’, plate 451, ‘Hupa Jumping Dance Costume’, plate 442, and ‘Lucero-Santo Domingo’, framed under Plexiglass, plate 557, each copyright 1925. Each: plate size: 11.5’’x 15.25’’, est:$1500/2000 Condition: Santo Domingo’: Generally good condition. The other nine: Moderate to heavy toning throughout with mat burn. Some have foxing and water spots. Only two are framed. AS-IS. ALL SALES FINAL

1079 A photographic portrait of Charles Marion Russell mounted in a folio by Roland Reed (1864-1934 Minnesota), San Diego, CA Signed in pencil on the folio margin lower right: Reed, photograph size: 9.75’’ H x 7.25’’ W, est:$1000/1500 Note: Accompanied by an original exhibition catalogue: ‘’The Works of Charles Marion Russell in the Permanent Collection of The Historical Society of Montana’’, Helena, MT, n.d., with thumbnail images and brief commentary on 136 works in the collection as well as biographical information about the artist. Condition: Generally good condition. Photograph partially affixed to mat with spots of original adhesive. The folio: wear to the edges, the lower left corner slightly torn. The paper toned. The catalogue: slightly toned, minor soiling to the cover and scattered spots of stain along the upper recto edge. AS-IS. ALL SALES FINAL

1078 Ansel Adams (1902-1984 San Francisco, CA) ‘’Redwoods - Bull Creek Flat, Northern California’’, circa 1960, signed in pencil on lower right mat: Ansel Adams, gelatin silver print, mounted on paper, photograph size: 15.5’’ x 18.75’’, est:$6000/8000 Note: Photograph printed circa 1970s (see photograph of verso stamp). The photograph retains its original Neil Weston Co. frame with the Ansel Adams studio label affixed verso. Provenance: Property from the Drury Estate, Whittier, CA. Visual: Generally good condition. Mounted to the backing mat. AS-IS. ALL SALES FINAL.

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1087 American School early 20th century, signed lower right: W.H. Smedley Tobacco Auctioneer, watercolor on paper under glass, sight size: 12.5’’ H x 17.5’’ W, est:$1200/1800 Provenance: Property from a Private Collection, Palm Springs, CA. Condition: Generally good condition. Minor toning to paper and a few minor spots of stain in the upper center in the sky. Not examined out of the frame. AS-IS. ALL SALES FINAL

1086 Ronald Crooks (1925-* French Gulch, CA) ‘’Rodeo Team’’, signed lower left: R. Crooks, signed again, titled and numbered verso: #3-199, oil on masonite, 30’’ x 40’’, est:$1500/2500 Note: Stamped verso: Reproduction rights reserved by the artist. Provenance: Property from a Private Collection, Buckeye, AZ. Visual: Generally good condition. Frame abrasion along edges. A .25’’ spot of loss in the lower left corner with another minor fleck of loss on the lower center edge. A few other very minor spots of loss on the center upper edge. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1085 Ronald Crooks (1925-* French Gulch, CA) ‘’Pony Merchants’’, signed lower left: R. Crooks, signed again, titled and numbered verso: #334, oil on masonite, 24’’ x 36’’, est:$1500/2500 Provenance: Property from a Private Collection, Buckeye, AZ. Visual: Generally good condition. A few minor flecks of paint loss in the lower right corner. An area of what appears to be discolored varnish on one of the seated Indians. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1084 Ace Powell (1912-1978 Kalispell, MT) Indian with horse, signed lower left: Powell and with artist’s playing card device, graphite and white chalk on paper under glass, paper size: 18’’ x 24’’, est:$500/700 Provenance: Property from a Private Pasadena, CA Collection. Visual: Generally good condition. Very faint toning throughout. AS-IS. ALL SALES FINAL.

1083 Harley Brown (1939-* Tucson, AZ) ‘’Yellow Lodge’’, Indian portrait, signed and dated lower right: Harley Brown ‘67, pastel on paper, 26’’ x 20.5’’, est:$2000/4000 Provenance: With Harold G. Davidson, Santa Barbara, CA; Property from an Estate, Pasadena, CA, acquired from the above. Visual: Generally good original condition with vibrant colors, artwork retains original frame. AS-IS. ALL SALES FINAL.

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1092 A Native American Navajo squash blossom necklace Mid-20th century, hand wrought sterling silver, the naja set with three small high quality turquoise stones, gross weight, 26’’ W, 14 oz., est:$700/900 Provenance: Property from the Estate of a prominent Sierra Madre, CA Collector, thence by descent to the present owner. Condition: Good condition overall. General light marks, scratches, rubbing and tarnishing commensurate with age. The naja: 3 x 3’’. AS-IS. ALL SALES FINAL

1091 A Native American North West Coast Tlingit painted cedar box 20th century, decorated with the sign of peace, man in the moon, and stylized animals, 14.5’’ H x 12.5’’ W x 13’’ D, est:$600/800 Provenance: Property from a Private Collection, Pasadena, CA. Condition: Good condition overall. Colors rich and vibrant. Timber oxidized. General light marks and scratches. AS-IS. ALL SALES FINAL

1090 A Native American catlinite stone ceremonial pipe Early 20th century, comprised of three sections, with simple geometric decoration, overall, 5’’ H x 1.5’’ W x 29.5’’ D, est:$500/700 Provenance: Property from a Private Collection, Southern California. Condition: Generally good overall condition. With typical marks, nicks and scratches. AS-IS. ALL SALES FINAL

1089 A Native American Woodlands beaded bandolier bag Second quarter 20th century, of typical form, decorated with floral sprays and a flowering vine, 32’’ H x 13.5’’ W, est:$2000/3000 Provenance: Property from a Private Collection, Southern California. Condition: The pouch, with tassels: 20’’ x 13.5’’. Total length of strap: 24’’ Good original condition. Apparently without losses to beading. AS-IS. ALL SALES FINAL

1088 A six-piece group of Native American artifacts 20th century, including 1 carved Northwest Coast cedar carving of a stylized raven (9.5’’ x 3.5’’ x 4.5’’), 1 Navajo sterling hand hammered footed trinket box (1.5’’ x 3’’ x 2.25’’), 2 whale baleen woven round lidded baskets with carved ivory seal motif top decorations [Pt. Hope, Alaska] (the larger 3’’ x 3.25’’), 1 very finely carved argillite stone totem with mother-of-pearl inlay (3.75’’ x 1’’ x 1.25’’), 1 oval finely carved oval Eskimo pendant of stylized raven and geometric motifs, with mother-of-pearl inlay (2.25’’ x 1.25’’), 6 pcs, est:$500/700 Provenance: Property from a Private Altadena, CA Collector; thence by descent to present owner. Condition: Weight of silver box: 6 oz. Good condition overall. Light wear commensurate with age and use. AS-IS. ALL SALES FINAL

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1097 A group of three Native American Paiute beaded baskets Third quarter 20th century, each of bowl-form with polychrome geometric decoration on white fields, 3 pcs, the largest, 2.25’’ H x 4 Dia., est:$500/700 Condition: The smallest: 2’’ x 3.5’’. Good overall condition. No evident missing stitches or damage. AS-IS. ALL SALES FINAL

1096 A group of three Native American Paiute beaded baskets Third quarter 20th century, each of bowl-form with polychrome geometric decoration on white fields, 3 pcs, the largest, 3’’ H x 5 Dia., est:$700/900 Condition: The smallest: 3’’ x 4.5’’. Good overall condition. No evident missing stitches or damage. AS-IS. ALL SALES FINAL

1095 Two Native American Paiute beaded knob-topped gift baskets Mid-20th century, one with green field decorated with geometric designs and stylized butterflies (5’’ x 5’’), the other with light blue field decorated with figures, arrows and teepees (5’’ x 5’’), 2 pcs, est:$500/700 Condition: Good overall condition. No evident missing stitches or damage. AS-IS. ALL SALES FINAL

1094 A Native American Paiute beaded basket Third quarter 20th century, of oval bowl form with light blue field decorated with stylized bugs and geometric designs, 3.5’’ H x 7.25’’ W x 6.5’’ D, est:$600/800 Condition: Good overall condition. No evident missing stitches or damage. AS-IS. ALL SALES FINAL

1093 A Native American Paiute beaded basket Third quarter 20th century, of bowl form with yellow and gold ground, with directional symbols, 5’’ H x 5..5 Dia., est:$800/1200 Condition: Good condition overall. No evident missing stitches or damage. AS-IS. ALL SALES FINAL

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1102 A Native American Navajo woolen pictorial Yei Dancers rug Third quarter 20th century, depicting 10 polychrome Yei dancers, with grey field, 6’ 4’’ W x 5’ 11’’ D, est:$800/1200 Provenance: Property from a Private Collection, Southern California. Condition: Good overall condition. Typical wear commensurate with age. AS-IS. ALL SALES FINAL

1101 A Native American Navajo Two Grey Hills woolen geometric rug, Mid-20th century, woven in natural cream, grey and black with overall intricate geometric decoration, four corners of the field depicting feathers, 6’ 10’’ W x 4’ 10’’ D, est:$600/900 Provenance: Property from a Private Collection, Southern California. Condition: Soiling overall. Some staining to border of one side. Would benefit from cleaning. AS-IS. ALL SALES FINAL

1100 A small Native American Navajo Germantown textile Second quarter 20th century, finely woven, with a blue field and geometric decoration, 3’ 3’’ W x 2’ 9’’ D, est:$1500/2000 Provenance: Property from a Private Collection, Southern California. Condition: Minor moth damage. Some spotty fading to blue. Colors fresher to one side than other. AS-IS. ALL SALES FINAL

1099 A group of Native American Paiute artifacts Second Half 20th century, including 5 bowls [1 lidded] (largest: 2’’ x 4.5’’; smallest: 1.25’’ x 2.25’’), 3 miniature bowls (largest: 0.75’’ x 1.5’’; smallest: 0.5’’ x 1.25’’), 2 stoppered jars (the larger: 4.5’’ x 3.25’’) and 1 figural group (5.25’’ x 3’’ x 2.5’’), 11 pcs, est:$500/700 Condition: Good condition overall. Some looseness to beading on stoppered bottles. Some chipped losses to cork of same. AS-IS. ALL SALES FINAL

1098 Two Native American Paiute beaded baskets Third quarter 20th century, of oval bowl-form, the first with tan field decorated with deer, teepee and flowers, the second with blue field with polychrome geometric decoration, 2 pcs, the larger, 2.5’’ H x 6’’ W x 4.5’’ D, est:$400/600 Condition: The smaller: 1.5’’ x 6’’ x 4’’. Good overall condition. No evident missing stitches or damage. AS-IS. ALL SALES FINAL

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1106 A Native American Acoma pottery olla-form jar Second half 20th century, red pottery field with black and white geometric decoration, 10’’ H x 12.75 Dia., est:$800/1200 Provenance: Property from the Estate of a prominent Sierra Madre, CA Collector, thence by descent to the present owner. Condition: Good overall condition. Colors rich. Light marks, scratches rubbing and wear. AS-IS. ALL SALES FINAL

1105 A Native American Acoma pottery olla-form jar Mid-20th century, the cream ground with black and terracotta decoration, 12’’ H x 12.5 Dia., est:$1000/2000 Provenance: Property from a Private Collection, Southern California. Condition: General marks, scratches, rubbing and wear commensurate with age and use. AS-IS. ALL SALES FINAL

1104 A Native American Acoma pottery olla-form jar First quarter 20th century, red pottery field with black and white geometric decoration, 11’’ H x 11 Dia., est:$2000/3000 Provenance: Property from the Estate of a prominent Sierra Madre, CA Collector, thence by descent to the present owner. Condition: General marks, scratches, rubbing and wear commensurate with age and use. With some smoky soiling to sides. AS-IS. ALL SALES FINAL

1103 A Native American Navajo transitional woolen rug Early 20th century, with repeating diamond pattern, 4’ 8’’ H x 7’ 11’’ W, est:$1000/2000 Condition: Generally good for age. Typical wear and fading. No evident losses or repairs. AS-IS. ALL SALES FINAL

1106A A Native American Zia pottery olla-form jar Circa 1890, of typical form, the terracotta ground with black and red decoration , 8’’ H x 9 Dia., est:$800/1000 Provenance: Property from an Estate, Los Angeles, CA. Condition: With typical wear commensurate with age and use. General marks, scratches and rubbing. Some staining to body running down from rim. A minor 1/4’’ nick to lower portion of body. With a 6”” score around bottom quarter of body. Minor scattered chipped losses to glazed decoration. AS-IS. ALL SALES FINAL

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1111 A Native American Pima bowl-form basket Mid 20th century, with spirally stepped decoration and dog figures near rim, 7’’ H x 10.75 Dia., est:$500/700 Provenance: Property from a Private Collection, Southern California. Condition: A few minor rim stitches lacking. Otherwise good condition. AS-IS. ALL SALES FINAL

1110 A Native American Paiute(?) woven bowl-form basket, Mid 20th century, with stepped decoration, 6.75’’ H x 13.5 Dia., est:$700/900 Provenance: Property from a Private Collection, Southern California. Condition: Rim with very minor stitch loss. Very finely woven. Good overall condition. AS-IS. ALL SALES FINAL

1109 A Native American Apache bowl form basket Mid-20th century, decorated with spiral rays interspersed with human and animal figures, 2.75’’ H x 8.25 Dia., est:$400/600 Provenance: Property from a Private Collection, Southern California. Condition: Dirt accumulation overall. Otherwise good condition. AS-IS. ALL SALES FINAL

1108 A Native American North West Hupa/Yurok woven cap / basket First half 20th century, the brown field with cream decoration, 3.5’’ H x 6.5 Dia., est:$700/900 Provenance: Property from a Private Collection, Southern California. Condition: Good overall condition. No missing stitches. Small area of interior staining to rim. AS-IS. ALL SALES FINAL

1107 A Native American Apache figured oval basket Second quarter 20th century, shallow oval dish decorated with stylized human figures, animals and geometric designs, 2.5’’ H x 13.25’’ W x 9.5’’ D, est:$1000/1500 Provenance: Property from the Estate of a prominent Sierra Madre, CA Collector, thence by descent to the present owner. Condition: Good overall condition. With slight dirt accumulation and wear. AS-IS. ALL SALES FINAL

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1116 After Georges Colin patinated bronze figure of an Egyptian sibyl / prophetess 20th century, signed ‘’G. Colin’’ (1876-1917, French) to plinth and with ‘’Bronze Garanti au Titre / L.V. Deposee’’ pastille to underside and further impressed ‘’C&L 790 / 5062’’ and ‘’10’’ in oval, depicting a scantily clad ancient Egyptian mystic astride a rectangular Rosso Levanto marble base, overall, 23.5’’ H x 13’’ W x 12’’ D, est:$5000/7000 Provenance: Property from a Private Collection Palm Desert, CA. Condition: Height of the figure: 21’’. Good condition overall. With a deep brown patina to surface overall. General light marks, scratches and rubbing commensurate with age. Lacking staff from right hand. With scattered chipped losses to marble base. AS-IS. ALL SALES FINAL

1115 After Georges Van Der Straeten patinated bronze bust of Juliette Probably early 20th century, signed ‘’Van Der Straeten’’ (1856-1928, Belgian), and with Societe des Bronzes de Paris pastille, depicting a beauty with a windblown hat, on a circular black marble plinth, overall, 18’’ H x 9.5’’ W x 8’’ D, est:$800/1200 Literature: An example of this model is illustrated in H. Berman, ‘’Bronzes: Sculptors & Founders 1800-1930’’, Atglen: 1994, Vol. IV, p. 982, fig. 3788. Condition: With a medium, somewhat muddy brown patina to surface overall. General marks, scratches, rubbing and dirt accumulation overall. With chipped losses along edges of marble base. AS-IS. ALL SALES FINAL

1114 After Robert Merrell Gage patinated bronze figure of a Taos Indian 20th century, apparently unsigned, (1892 - 1981, American) depicting a Native American figure wrapped in a robe, 19.25’’ H x 8’’ W x 6.75’’ D, est:$1500/2000 Note: With accompanying letter and photos. Provenance: By descent in the artist’s family to the artist’s grandson, Southern California. Condition: Black patina. Generally good condition. General marks and scratches commensurate with age. Piece may have originally had a base or pedestal. We recommend firsthand inspection. AS-IS. ALL SALES FINAL

1113 After Franz Bergman cold-painted bronze figure of a Native American chief with bears Early 20th century, signed ‘’Nam Greb’’ [Bergman] (Austrian, 1838 - 1894), depicting a Native American carrying two bear cubs, on an integral rockwork base, 10.5’’ H x 6.5’’ W x 7’’ D, est:$700/1000 Condition: Good overall condition. General marks, scratches, rubbing and wear. With good retention of painted decoration. Feathers to headdress bent at back bent in areas. Possibly lacking a further strap or element from back of figure. Some rubbed losses to painted decoration at extremities. AS-IS. ALL SALES FINAL

1112 A Native American Papago woven olla Second quarter 20th century, with overall heart and geometric decoration, 15’’ H x 17 Dia., est:$1000/1500 Provenance: Property from a Private Collection, Southern California. Condition: Very good condition overall. No stitches lacking from rim. Would benefit from cleaning. A few areas of minor stitch loss to sides. AS-IS. ALL SALES FINAL

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1120 Andrew S. Dagosta (1923-* Pasadena, CA) ‘’Through the Quaking Aspens’’, signed, dated and with artist’s monogram lower left: Andrew Dagosta 2000, titled verso, watercolor on paper under plexiglass, sight size: 18’’ x 14’’, est:$800/1200 Provenance: From the artist’s estate, Glendale, CA. Visual: Generally good condition. Not examined out of frame. AS-IS. ALL SALES FINAL.

1119 After Robert Merrell Gage patinated bronze portrait head of Abraham Lincoln Incised, titled, and dated lower right: ‘’Merrell Gage (1892 - 1981, American) 1955’’, 22.5’’ H x 14.5’’ W x 13.75’’ D, est:$2000/3000 Note: A version of this is on view at 110 Grand Avenue in Los Angeles, CA, dated 1961. Provenance: By descent in the artist’s family to the artist’s grandson, Southern California. Condition: With a medium dark brown patina to surface. Generally good condition. Some greenish oxidation. Surface dirt overall. No evidence of damage or repairs. General marks and scratches commensurate with age. We recommend firsthand inspection. AS-IS. ALL SALES FINAL

1118 After Emile Picault pair of patinated bronze figures of a fisherman and woman “Pecheur” and ‘’Mareyeuse’’ 20th century, each signed E. Picault (1839-1915, French) and with impressed numbers ‘’983’’ and ‘’984’’, respectively, on a circular base, 2 pcs, the fisherman overall, 31.75’’ H x 18’’ W x 11.5’’ D, est:$5000/8000 Condition: The fisherwoman: 31.25’’ x 15’’ x 11.5’’. Good condition overall. Nicely cast. With typical marks, scratches and rubbing to surface commensurate with age, particularly to tops of heads and extremities. AS-IS. ALL SALES FINAL

1117 After Pierre-Etienne-Daniel Campagne, patinated bronze figure of a nude ‘Phyrne’ 20th century, the base signed ‘’Campagne’’ (1851-1910, French), patinated bronze figure of a nude holding drapery, the base with plaque ‘’Phyrne / Devant ses Juges / par Campagne (Sculptr)’’, overall, 24’’ H x 14’’ W x 7.5’’ D, est:$2000/3000 Literature: This model is illustrated in H. Berman, ‘’Bronzes: Sculptors & Founders 1800-1930’’, Atglen, 1994, vol. IV, p.1075, fig. 4285. Note: Phryne was an ancient Greek courtesan, famous for her beauty. She is believed to have modeled for numerous artists during her lifetime. She was once called before a court on the grounds of profaning the Eleusinian mysteries. When it seemed Phryne was losing her case, she tore open her robes to display her naked body. The judges were either so hypnotized by the perfection of her form, or persuaded by the idea that physical beauty was a facet of divinity, that she was exonerated. Condition: Nicely cast, chased and patinated. With a medium to light brown patina to surface with light high points. General light marks and scratches to surface commensurate with age. Most notable scratches at bottom edges of base. Some dirt accumulation overall. AS-IS. ALL SALES FINAL

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1125 John O’Shea (1876-1956 Carmel, CA) ‘’Lonely Tree (Cypress on Rocks)’’, signed lower right: John O’Shea, titled and numbered on the original board backing affixed verso: #12, charcoal and conte crayon on paper under glass, sight size: 18’’ x 13’’, est:$800/1200 Exhibited: Monterey Peninsula Museum of Art, Monterey, CA, n.d. Literature: W.A. Nelson-Rees, ‘John O’Shea, 1876-1956: The Artist’s Life As I Know It’, Oakland, CA, 1985, no. 158, cat. No. 264, pp. 128, 164, illustrated. Provenance: With Holloway Howard, San Francisco, CA (see label verso). Visual: Generally good condition. Handling creases throughout. A .25’’ tear to paper in the upper left corner. Not examined out of frame. AS-IS. ALL SALES FINAL.

1124 Lee Blair AWS (1911-1993 Los Angeles, CA) Man fishing in a California cove, signed lower right: Lee Blair, unframed watercolor on paper, paper size: 17’’ x 21.25’’, est:$700/1000 Provenance: Estate of the artist; by descent in the artist’s family to the present owners. Visual: Generally good condition. Artist taped edges. Slight fading and toning throughout. The upper 2’’ of the paper of slightly brighter color, likely due to formerly being under a mat with dimensions smaller than the painting. Unframed or mounted as stated. AS-IS. ALL SALES FINAL.

1123 Lee Blair AWS (1911-1993 Los Angeles, CA) ‘’Sailfish’’, figure with boat on a lake in Vermont, unsigned, watercolor on paper, sight size: 10’’ x 14.5’’, est:$700/1000 Provenance: Estate of the artist; by descent in the artist’s family to the present owners. Visual: Generally good condition. Not examined out of frame. AS-IS. ALL SALES FINAL.

1122 Andrew S. Dagosta (1923-* Pasadena, CA) ‘’Sunset on the Loupe (sic), Nebraska River’’, signed and dated lower right: Andrew Dagosta 99, signed and titled and with artist’s monogram verso, oil on canvas, 11’’ x 14’’, est:$400/600 Provenance: From the artist’s estate, Glendale, CA. Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1121 Andrew S. Dagosta (1923-* Pasadena, CA) ‘’The Confrontation’’, signed, dated and with artist’s monogram lower left: Andrew Dagosta 2002, signed and dated again and titled verso, watercolor on paper under plexiglass, sight size: 16.25’’ x 21’’, est:$600/900 Note: The date on the front is partially covered by the front matting. Provenance: From the artist’s estate, Glendale, CA. Visual: Generally good condition. Slight bulging to the center of the paper. Not examined out of frame. AS-IS. ALL SALES FINAL.

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1129 A Limbert Arts & Crafts oak rocking chair, #594First quarter 20th century, with maker’s label under left arm, the rectangular pierced back above a padded seat covered in brown leatherette, in square legs joined by a box stretcher ending in curved runners, 31’’ H x 24’’ W x 29’’ D, est:$800/1200

Literature: This model is illustrated: S. Gray, ed. ‘’Charles P. Limbert Company.’’ New York: Turn of the Century Editions, 1981, p. 109. Provenance: Property from a Private Collection, Hancock Park, Los Angeles, CA. Condition: Height of seat: 16.5’’, width of seat: 17’’, depth of seat 18’’. Good condition overall. Structurally sound. Timber of a warm honey color, with good grain. General light marks and scratches commensurate with age. Re-upholstered. In ready-to-use condition. AS-IS. ALL SALES FINAL

1128 An L & JG Stickley oak library table, #530 Early 20th century, the rectangular top above a single long drawer over square legs joined by an undertier, 29’’ H x 36’’ W x 24’’ D, est:$700/1000 Literature: This model is illustrated: S. Gray, ed. ‘’The Mission Furniture of L & JG Stickley.’’ New York: Turn of the Century Editions, 1981, p. 146. Condition: Good overall condition. Structurally sound. General light marks, nicks and scratches to surface commensurate with age and use. Top somewhat sun faded. With a small loss to lower left corner of drawer front. With a small hole to back from nail recently removed. AS-IS. ALL SALES FINAL

1127 A Gustav Stickley hammered copper and wrought iron coal bucket, #351 Circa 1910, with impressed joiner’s compass within circle, the attenuated arched bail handle over a flared rim and a spreading cylindrical riveted body with a loop handle to back and repousse oval band to base, overall, 24’’ H x 14’’ W x 12.5’’ D, est:$3000/5000 Literature: An example of this model is illustrated: S. Gray and R. Edwards, eds., ‘’Collected Works of Gustav Stickley’’, New York, 1981, p. 144. Condition: Height of bucket: 16’’, diameter of base: 11.5’’. General marks, scratches, rubbing and oxidation to surface commensurate with age and use. Original surface polished off- present surface does have age. With polish residue in crevices. Bail handle stick pins would benefit from lubrication. With some shallow dents to base on front- should be easy to remove. With some spotty reddish residue around base. Would benefit from gentle cleaning and conservation. AS-IS. ALL SALES FINAL

1126 Gene Kloss (1903-1996 Taos, NM) ‘’Stalwart Cypress’’, signed in pencil lower right: Gene Kloss, titled in pencil lower left, etching on paper under glass, plate size: 6’’ x 7’’, est:$500/700 Provenance: Property from a Private Collection, Monrovia, CA. Visual: Generally good condition. Toning throughout. Water stain to lower mat. Not examined out of frame. AS-IS. ALL SALES FINAL.

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1133 A group of seven Louis Comfort Tiffany iridescent Favrile art glass objects Early 20th century, including iridescent gold long-stemmed cordial glass, inscribed to base ‘’L.C.T.’’ (4.5’’ x 1.5’’); a Flemish style tumbler with slightly flared rim over a waisted body with applied controlled thread center, inscribed to base ‘’L.C.T.’’ (3.75’’ x 2.5’’); a baluster bud vase inscribed to base ‘’L.C.T. D939’’ (4.25’’ x 1.75’’); a small cabinet vase with rolled rim above a tapering body with slender handles, base inscribed ‘’L.C.T. Y490’’ (3.5’’ x 1.75’’); 3 toothpick holders, one inscribed ‘’L.C.T. R3807’’, one with slightly flared rim over a bulbous body with applied trailing tails, Tiffany tag to base; one in iridescent blue inscribed to base ‘’L.C.T. Favrile 1292’’ (the largest 2.25’’ x 1.5’’), 7 pcs, est:$1000/1500 Provenance: Property from a Private Collection, Palos Verdes Estates, CA. Condition: Good condition overall. General light marks, scratches, rubbing and wear commensurate with age. Tumbler has 1’’ long section of thread missing. AS-IS. ALL SALES FINAL

1132 A group of five Louis Comfort Tiffany iridescent gold Favrile art glass objectsEarly 20th century, including a salt cellar with pinched scalloped rim inscribed to base ‘’L.C.T. Favrile’’ (1’’ x 2.5’’); a salt cellar with squat shoulder over ribbed body inscribed to base ‘’L.C.T.’’ (1.5’’ x 2.5’’); a bottle-form bud vase inscribed ‘’L.C.T. G2623’’ (4.5’’ x 1.25’’); a cabinet vase with flared rim over a hipped tapering body inscribed to base ‘’L.C.T. Tiffany Favrile 1660’’ (5.75’’ x 3.25’’); a shallow cabinet bowl with flared rim over an octagonal tapering body, inscribed to base ‘’L.C.T.’’ (2’’ x 4.25’’), 5 pcs, 2’’ H x 4.24 Dia., est:$1000/1500

Provenance: Property from a Private Collection, Palos Verdes Estates, CA. Condition: Good condition overall. General light marks, scratches, rubbing and wear commensurate with age. Bud vase with a deeper scratch to underside. AS-IS. ALL SALES FINAL

1131 An Arts & Crafts leaded art glass “Owl” table lamp Early 20th century, apparently unsigned, the shade attributed to Duffner & Kimberly, the associated base possibly by Philadelphia Brass Co., the domed square shade with scalloped mottled green panes over waved ‘’Owl’’ apron, resting on a single socket fitment over a spreading gilt bronze anthemia-cast base, electrified, overall, 21.5’’ H x 15’’ W x 19’’ D, est:$1500/2000 Condition: 15’’ shade. Good overall condition. Shade and base associated, as stated. General marks, scratches and rubbing commensurate with age. Shade with approximately 8 - 10 cracked panes. Fitment to base possibly a replacement. Gilding to base in very good condition. Nicely cast. Electrified, as stated. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

1130 A Unique leaded art glass ‘’Dogwood’’ table lamp Early 20th century, apparently unsigned, the domed shade with rectangular mottled green glass panes over a band of dogwood blossoms, over a triple socket turned stem over a circular molded dished base, electrified, overall, 22.75’’ H x 16.25 Dia., est:$1200/1800 Literature: This model base is illustrated: and identified as ‘The most common Unique base’, P. Crist. ‘’Mosaic Shades, Vol. II’’. Santa Fe Springs: Paul Crist Studios, 2005, p. 47. Condition: Shade and base possibly associated. Top aperture of shade 3.5’’ diameter. Good overall condition. General marks, scratches and rubbing commensurate with age. With a few scattered cracked panes to shade. With a fine crack to inner top aperture- appears stable. With original acorn pulls. Re-wired. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

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1137 A Tiffany Studios leaded glass ‘’Acorn’’ shade, #1435 Early 20th century, the shade stamped ‘’Tiffany Studios New York 1435’’, domed, decorated with a band of alternating acorns on an amber ground, on a later unmarked tapering reeded base extending to a circular spreading foot, electrified, the shade, 22’’ H x 16 Dia., est:$7000/9000 Condition: Overall height: 20.5’’. Shade in good condition. With just a few cracked panels, mostly around bottom bands. Base in good overall condition. With a coppery tone to surface. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

1136 A Tiffany Studios patinated bronze floor lamp, #423 Early 20th century, the foot marked ‘’Tiffany Studios / New York / 423’’, the replaced Lundberg iridescent gold bell-form shade above a turned standard over three splayed legs ending in triangular pad feet, electrified, 55’’ H x 11.5’’ W x 8.25’’ D, est:$1000/1500 Note: This model floor lamp is illustrated: A. Duncan. ‘’Tiffany Lamps and Metalware’’. Woodbridge: Antique Collectors Club, 2007, p. 210, fig. 820. Provenance: Property from a Private Napa, CA Collection. Condition: General marks, scratches and rubbing to surface commensurate with age and use. Two screws to secure shade replaced. Shade is a replacement, as stated, and not Tiffany- signed ‘’Lundberg Studios 2003’’. Some dirt accumulation and spotting to base. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

1135 A Tiffany Studios bronze and Favrile art glass three-light table lamp Early 20th century, the underside marked ‘’Tiffany Studios / New York’’, the shades inscribed ‘’LCT’’, the oil reservoir-form top suspending downswept arms with pulled feather decorated tulip-form shades, on a waisted reeded stem over a domed spreading base, electrified, 16’’ H x 10.5 Dia., est:$4000/6000 Note: This lamp bears no model number, though by the style and number of sockets and shades it is certainly in the 300 series. It bears closest resemblance to model number 309. Provenance: Private Collection, Palos Verdes Estates, CA. Condition: Good condition overall. With an overall old medium brown patina to surface with greenish oxidation in areas. General light marks, scratches and wear commensurate with age and use. With slight dirt accumulation overall, particularly to crevices. Variations to form, color and marks in shades. Shades with chipped losses to socket rims. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

1134 A Tiffany Studios gilt-bronze and art glass candlestick lamp, #1201 Early 20th century, the base marked ‘’Tiffany Studios / New York / 1201’’ the shade etched ‘’S8090’’, the pulled feather-decorated tulip-form shade above an urn-form bobeche over tapering reeded quadripartite supports on paw feet above an incurved quadripartite base, electrified, overall, 16’’ H x 3.75 Dia., est:$1200/1800 Note: A black and white photo of this model, not electrified, from the Tiffany Studios catalogue, is illustrated: A. Duncan. ‘’Tiffany Lamps and Metalware’’. Woodbridge: Antique Collectors Club, 2007, p. 375, fig. 1532. Provenance: Property from a Private Napa, CA Collection. Condition: Good condition overall. General light marks and scratches commensurate with age and use. Shade possibly associated. Shade with small chipped losses at socket rim. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

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1141 Andre Gisson (1929-2003 Westport, CT) Parisian quai, beside Notre Dame, signed lower left: Gisson, oil on canvas, 30’’ x 40’’, est:$1500/2500 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1140 Albert Marquet (1875-1947 French) ‘’St. Cloud’’, view of Porte de Saint Cloud, Paris, signed and titled lower left: Marquet, oil on canvas, 9.5’’ x 13.75’’, est:$15,000/20,000 Note: Together with the book: Marius Mermillon, ‘’Marquet’’, from the series ‘’Les Artistes Nouveaux’’, Les Editions G. Cres, Paris, 1929. Provenance: With Chester H. Johnson Galleries, Chicago, IL (see label affixed to stretcher verso); Berthe Mason Estate, Pasadena, CA. Visual: Generally good condition. Blacklight: A spot of touch-up each in the upper right and lower left corners and a pea-sized area of touch-up in the lower right quadrant. AS-IS. ALL SALES FINAL.

1139 A Tiffany Studios patinated bronze and leaded glass floor lamp, #423H Early 20th century, the base marked ‘’Tiffany Studios / New York / 423H’’, the shade marked ‘’Tiffany Studios / New York’’, the adjustable cartouche-form frame suspending a domed geometric mottled green shade over a turned standard above five splayed legs ending in triangular pad feet, electrified, 57’’ H x 14’’ W x 12’’ D, est:$12,000/18,000 Note: This model floor lamp is illustrated: A. Duncan. ‘’Tiffany Lamps and Metalware’’. Woodbridge: Antique Collectors Club, 2007, p. 210, fig. 821. Condition: Good condition overall. General light marks, scratches and rubbing commensurate with age and use, most notably to extremities. With only a few cracks to leaded glass panels of shades. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

1138 A Tiffany Studios bronze and leaded glass ‘’Pomegranate’’ table lamp, #1457 Early 20th century, the shade stamped ‘’Tiffany Studios New York 1457’’, the base stamped ‘’Tiffany Studios / New York / 533’’, the domed shade decorated with a band of pomegranates on a geometric blue/green ground over a molded hexagonal stem over a circular molded base with bracket feet, electrified, 21’’ H x 16 Dia., est:$10,000/15,000 Note: This model shade is illustrated: A. Duncan. ‘’Tiffany Lamps and Metalware’’. Woodbridge: Antique Collectors Club, 2007, p. 138, fig. 578. Condition: Generally good condition overall. Shade with only a few cracked panels- most in the pomegranate band. Surface patina to base largely rubbed. Fitted with newer pull chain sockets. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

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1146 Phillipe Marchand (20th century- French) Abstract floral and fruit still life, signed lower left: Marchand, oil on canvas, 20’’ x 16’’, est:$600/900 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1145 Phillipe Marchand (20th century- French) Still life with watermelon, signed lower right: Marchand, oil on canvas, 20’’ x 23.5’’, est:$600/900 Visual: Generally good condition. A pinhole-sized puncture in the upper left corner. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1144 Phillipe Marchand (20th century- French) Floral still life, signed lower left: Marchand, oil on canvas, 40’’ x 30’’, est:$800/1200 Visual: Generally good condition. Minor isolated areas of stable craquelure throughout. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1143 Guido Odierna (1913-1991 Italian) Crashing waves, signed lower left: Guido Odierna, oil on canvas, 27.5’’ x 39.25’’, est:$900/1200 Note: Stamped verso: All Rights Reserved, The W.T. Burger Co. Provenance: The W.T. Burger Co. LaPorte, Indiana (see label verso); Private Collection, Los Angeles, CA. Visual: Generally good condition. A quarter-sized indentation in the center and a dime-sized indentation on the lower center edge. A 7.5’’ crease line in the upper left portion of the sky. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

1142 Mary Belle Williams (1873-1947 San Diego, CA) Fuchsia still life, signed lower right: Mary Belle Williams, oil on board, 26’’ x 30’’, est:$800/1200 Note: The artist’s signature and address inscribed (in artist’s hand) on the original frame. Provenance: Property from a an Estate, South Pasadena, CA. Visual: Generally good condition. Board bulges in the center and is warped along the upper edge. A few very minor flecks of paint loss on the right side of the bouquet. Blacklight: No evidence of restoration under blacklight. AS-IS. ALL SALES FINAL.

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1150 Demetre H. Chiparus patinated and gilt bronze, ivory and onyx figural group “Les Amis Toujours” (Friends Forever) Circa 1925, the base signed ‘’Chiparus’’ (1886-1947, Romanian/French), the bronze stamped ‘’Made in France / 125 / New York / L.N. PARIS J.L.’’, depicting a woman flanked by borzois (Russian wolfhounds), overall, 25’’ H x 25.75’’ W x 7.5’’ D, est:$20,000/30,000 Literature: Bryan Catley. Art Deco and other Figures. Woodbridge, Suffolk: 1978, p. 73; Yvonne Brunhammer. The Art Deco Style. New York: 1984, p. 156, no. 327; Victor Arwas. Art Deco Sculpture. London: 1992, p. 66; Alberto Shayo. Chiparus: Master of Art Dec., New York: 1993, p. 81, pl.13. Note: Les Amis Toujours’ was designed by Chiparus in three different sizes, the present model being the largest. Edited by Les Neveux de J. Lehmann. An example of this model, of the same scale, sold Christie’s, New York, June 13, 2008, lot 17 ($43,750). Provenance: Property from a Private Collection, Santa Monica, CA. Condition: Good condition overall. Very nicely cast. With typical marks, scratches and rubbing commensurate with age. Patinated surface rubbed. Some polish residue in crevices. With typical inherent cracking to ivory elements. With some minor overpainted and infilled restoration to inherent cracking of onyx base. AS-IS. ALL SALES FINAL

1149 A pair of Art Deco painted tin palm tree-form wall lights Circa 1935, each realistically modeled, mounted to copper backplates on fluted pedestal stands, electrified, 2 pcs, overall, 41.5’’ H x 12.5’’ W x 6’’ D, est:$1000/2000 Note: Santa Anita Park was designed by Gordon B. Kaufmann and opened on December 25, 1934. The structures were conceived in the high Art Deco style and the theme of the palm tree is prevalent throughout the interiors. Provenance: Santa Anita Racetrack, Arcadia, CA. Condition: The palm trees 28’’ high. With typical rubbing, oxidation and wear commensurate with age. Wiring should be checked by a qualified electrician prior to use. AS-IS. ALL SALES FINAL

1148 After Albert Heinrich Hussmann, patinated bronze figural group ‘The Dying Amazon’ 20th century, signed ‘’A Hussmann’’ (German, 1874-1946), depicting the warrior astride her rearing horse, on a square black marble pedestal, overall, 13’’ H x 7’’ W x 5.5’’ D, est:$2000/3000 Condition: Sculpture measures: 9.5’’ x 6.5’’ x 3.5’’. Base measures: 3.25’’ x 5.25’’ x 5.25’’. With an overall even, deep green patina to group. General marks, scratches and some rubbing to surface. With some scratches to bronze base and loss to patina to horses rear left leg. Marble in good overall condition. AS-IS. ALL SALES FINAL

1147 Maurice Dufrene ‘’Rayon des Soieries’’ A black and white Art Deco poster, depicting a woman in a dress with fabric draped across her outstretched arm, with highlights in light pink, blue, yellow and green. Printed lower left: IMP CHAIX_PARIS_5-30, c. 1930, image size: 44.5’’ H x 28.5’’ W, est:$1000/2000 Literature: Opera, 17. Condition: Generally good condition. Colors faded with slight toning throughout. Some rippling to upper left and lower right corners of the paper. Other rippling and slight bulging to paper. Would benefit from archival framing. Not examined out of the frame. AS-IS. ALL SALES FINAL

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1154 A set of Walter Lamb verdigris bronze wind chimes Mid-20th century, the star-form top suspending five tubular chimes, 19.75’’ H x 4.25 Dia., est:$500/700 Note: Little is known about Walter Lamb other than that he was based in Hawaii in the first half of the 20th century, but his work has become increasingly sought-after by today’s collectors. Either from a desire to salvage and reuse or a simple need for any available materials with which to create, Lamb scavenged bronze and copper piping and cotton cord from sunken naval ships after the bombing of Pearl Harbor. He formed from these recovered materials what has become his signature series of outdoor furniture and a paradigm of mid-20th century California design. The unique and wonderful characteristics of these original pieces, aside from their grace and minimalism, are that the metal frames attain a beautiful green patina from outdoor exposure yet leave no marks on cement or wooden surfaces as they age. Lamb worked for the Pasadena firm of Brown Jordan which had purchased the patent for his work circa 1945. After the supply of harvested ship parts had been depleted they continued to produce his designs using newly manufactured materials until the 1970s. Condition: With typical marks, scratches and wear to weathered surface. With a dark finish to chimes that have a bluish white oxidation. AS-IS. ALL SALES FINAL

1153 A large Claude Conover rounded square glazed ceramic stoneware vase ‘Tollan’ Mid-20th century, signed ‘’Claude Conover (1907 - 1994, Ohio) / Tollan’’, the narrow cylindrical neck over a four-sided body divided into eight fields, with impressed patterns, interior glazed in white and brown, 20.5’’ H x 11 Dia., est:$4000/6000 Provenance: Property from a Private Collection, Monrovia, CA. Condition: Good condition overall. With typical inherent imperfections. General marks, scratches and rubbing commensurate with age. With some tape residue to interior of neck and bottom. Lacking plastic insert. AS-IS. ALL SALES FINAL

1152 A Pablo Picasso terre de faience square dish ‘Nature Morte avec la Cuillere’, A.R. 163 1952, from the edition of 100, impressed ‘Madoura / Plein Feu / Empreinte / Originale de / Picasso / E 100’’, dated in reverse ‘’22 . 12 . 52’’, unglazed, painted in white, 13.5’’ H x 13’’ W, est:$2500/3500 Literature: A. Ramie. ‘’Picasso: Catalogue of the edited ceramic works, 1947 - 1971’’, p. 90 fig. 163. Provenance: Property from a Private Collection, Hancock Park, Los angeles, CA. Condition: Good condition overall. General light marks, scratches and soiling commensurate with age. Some rubbing around edges as a result of wall plate mounting. Recently lightly cleaned. AS-IS. ALL SALES FINAL

1151 A Pablo Picasso terre de faience ceramic charger ‘Profil de Jacqueline’’, A.R. 309 1956, from the edition of 100, impressed ‘’Madoura / Plein Feu / Empreinte / Originale de / Picasso / R. A. 100’’, dated in reverse ‘’22 / .1 / 56’’, unglazed, painted in white, 17 Dia., est:$3000/5000 Literature: A. Ramie. ‘’Picasso: Catalogue of the edited ceramic works, 1947 - 1971’’, p. 158 fig. 309. Note: Another example from this edition sold Christie’s, London, October 29, 2009, lot 38 (8,125 British Pounds Sterling). Provenance: Property from a Private Collection, Hancock Park, Los angeles, CA. Condition: General marks, scratches and soiling commensurate with age. Some rubbing around edges as a result of wall plate mounting. With a well restored small area to right side of ground. Recently lightly cleaned. AS-IS. ALL SALES FINAL

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1158 A Tiffany & Co. sterling silver repousse floral decorated tazza Circa 1880, marked Tiffany & Co. / 4994 Makers 4240 / Sterling Silver / 925-1000 / M’’, engraved ‘’Jany 18th 1882’’ and with motto ‘’Sans Grainte’’, within a densely decorated floral surround with raised edge over a short socle and similarly decorated spreading foot, with vermeil washed underside, 20 oz, est:$600/900 Provenance: Property from a Private Collection, Hancock Park, Los Angeles, CA. Condition: Good condition overall. Decoration very nicely executed. General light marks, scratches, rubbing and tarnishing to surface overall. AS-IS. ALL SALES FINAL

1157 A Towel ‘El Grandee’ sterling silver flatware service for 30 Second half 20th century, with maker’s marks and further marked ‘’Sterling 1964’’, comprising 31 dinner knives (9’’), 30 dinner forks (7.25’’), 31 butter spreaders (6.75’’), 31 dessert / salad forks (6.75’’), 30 teaspoons (6.25’’), 30 soup spoons (6.75’’), 183 pcs, weighable sterling, 216 oz tw approximately, est:$2000/3000 Provenance: Property from a Private Beverly Hills, CA Collection. Condition: Good condition overall. With typical light marks, rubbing, wear and tarnishing commensurate with age and use. Not monogrammed. Sterling weight does not include steel-bladed knives. AS-IS. ALL SALES FINAL

1156 A Frederick Hart lucite sculpture ‘Passages’ Signed ‘’Hart’’ (Frederick Hart, 1943-1999 American), and further incised ‘’AP LVII/LX c 1986 FH 741’’, from ‘’The Age of Light’’ series, 18.5’’ H x 17.5’’ W x 6’’ D, est:$2000/3000 Condition: Generally good condition overall. With typical marks, scratches and slight rubbing commensurate with age. Some scuffing to base. AS-IS. ALL SALES FINAL

1155 A set of Walter Lamb verdigris copper wind chimes Mid-20th century, the star-form top suspending five tubular chimes, 16’’ H x 4.25 Dia., est:$500/700 Note: For a note on Walter Lamb, see lot 154. Condition: With typical marks, scratches and wear to weathered surface. With an even greenish verdigris to chimes. AS-IS. ALL SALES FINAL

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1162 The Genius of Michelangelo, set of sixty sterling silver medallions from the Franklin Mint Circa 1970 - 1976, medallions engraved with his frescoes from the Sistine Chapel, and other renowned Michelangelo works of art, each within a plastic capsule set into six pages and bound in a gilt, brown canvas album, each medallion weighs 1.25 oz, the album, 13.5’’ H x 10.75’’ W x 2.25’’ D, 75 oz tw approximately, est:$1000/1500 Condition: Generally good condition overall. Each 1.75’’ diameter. With some dents to cover of album. Some flaked wear to interior of cover. With small contained areas of mold on back cover and edges of pages. Mintage 23,441. Medallions not removed from bindings- weight measurement from a comparable set offered on Franklin Mint Silver. AS-IS. ALL SALES FINAL

1161 A Reed & Barton ‘Francis I’ sterling silver flatware service Second half 20th century, an assembled part service, with variations to marks, comprising 12 knives (11 9’’; 1 9.25’’), 12 forks (7.25’’), 12 dessert / salad forks (6.25’’), 17 teaspoons (6’’), 12 oval soup / place spoons (7.5’’), 3 butter spreaders (6.25’’), 3 master butter knives (7’’), 3 tablespoons (8.25’’), 3 pierced tablespoons (8.5’’), 2 cold meat serving forks (8’’), 1 sugar shell (6’’), 1 sauce ladle (6.75’’), 1 cheese knife (7.25’’), 2 baby feeding spoons (5.75’’), 1 baby spoon (4.5’’), 85 pcs, weighable sterling, 113 oz tw approximately, est:$700/1000 Provenance: Property from a Private Beverly Hills, CA Collection. Condition: Good condition overall. With typical marks, rubbing, wear and tarnishing commensurate with age and use. Not monogrammed. An assembled part service, as stated. Sterling weight does not include steel-bladed knives. AS-IS. ALL SALES FINAL

1160 A William Spratling hand hammered sterling silver beverage pitcher & Porter Blanchard spoon The pitcher circa 1945, with circular maker’s mark ‘’Spratling / Made in Mexico / 925’’, of typical form with C-form handle (8.5’’ x 9’’ x 5.5’’); the spoon marked ‘’Sterling Porter Blanchard M Hand Made’’, with elongated bowl and handle (12.75’’ x 1.75’’ x 0.75’’), 2 pcs, total weight, 28 oz tw approximately, est:$700/1000 Condition: Both in good condition overall. General marks, scratches, rubbing and tarnishing commensurate with age and use. With a shallow vertical dent to front of pitcher. Some minor dings along handle. Not monogrammed. AS-IS. ALL SALES FINAL

1159 A pair of Clemens Friedell hammered sterling silver twin-light candelabra First half 20th century, marked “Friedell Pasadena / Sterling / Base Filled’’, each with central stylized bud finial above a spreading stem issuing a pair of J-form candlearms surmounted by urn-form bobeche and circular integral drip pans, over a circular foot, with applied initial ‘’B’’, 2 pcs, 14’’ H x 11.5’’ W x 6’’ D, est:$1500/2500 Note: Clemens Friedell was born near New Orleans in 1872. Three years later his family moved to his parents’ native Austria, where he apprenticed with a Viennese silversmith. Returning to America in 1892, Friedell worked for a San Antonio jeweler, and in 1901 began working for Gorham in Providence, Rhode Island as an ornamentalist on the Martele line. He moved to California and opened his own workshop in Pasadena in 1910. His clients included many of the wealthy families who wintered in Pasadena and for many years he designed the trophies for the Tournament of Roses as well as for numerous prestigious equestrian events. Friedell is renowned for his floral and foliate designs. Condition: General marks, scratches, rubbing and tarnishing to surface commensurate with age and use. Not electrified. One arm joint to one re-soldered at ball joint of stem. Bases filled. Monogrammed “B” as stated. AS-IS. ALL SALES FINAL

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1163 A Wallace sterling ‘Romance of the Sea’ flatware service Second half 20th century, 12 dinner knives (9’’), 12 dinner forks (7.25’’), 12 dessert / salad forks (6.25’’), 12 butter knives (6.25’’), 12 teaspoons (6’’), 12 bouillon spoons (6’’), 12 iced tea spoons (7.75’’), 12 cocktail forks (5.5’’), 6 tablespoons (8.5’’), 1 berry spoon (9.25’’), 1 cheese server (6.5’’), 1 tomato server (8’’), 1 jelly spoon (6.5’’), 1 preserve spoon (6.25’’), 1 gravy ladle (6.25’’), 1 sauce ladle (5.5’’), 1 pair sugar tongs (4.25’’), 1 bonbon spoon (5.25’’), 1 lemon fork (5.5’’), 1 pickle fork (5.5’’), 1 buffet fork (9’’), 1 cold meat fork (8’’), 1 pastry server (10.25’’), a 2-piece roast carving set (the knife: 13.75’’), a 2-piece steak carving set (the knife: 11’’), monogrammed ‘’K’’, together with a felt anti-tarnish canteen, 121 pcs, weighable sterling, 158 tw approximately, est:$3000/5000 Condition: Good condition overall. General light marks, scratches, wear and tarnishing commensurate with age and use. Monogrammed ‘”K’’, as stated. Steel-bladed articles not included in weight. Canteen in good condition. AS-IS. ALL SALES FINAL