Anti-War & Pro-War Monday, April 11th & Tuesday, April ... · This background will be sufficient to...
Transcript of Anti-War & Pro-War Monday, April 11th & Tuesday, April ... · This background will be sufficient to...
LESSON 2
This lesson will be centered on the U.S. anti-war movement during the Vietnam War. While
students have read The Things They Carried they have seen instances where O’Brien presents
ideas that he is against the war. The major difference between this war and all others is that there
was a very vocal anti-war movement occurring during the conflict. Students must understand this
if they are to understand some of the major anti-war sentiments O’Brien gives. Students will use
this lesson to look at that movement, and then analyze different forms of literature that express
this anti-war sentiment.
11th
grade
86 minutes
Goals:
This lesson will address the following NYS Educational Standards:
NYS English Language Arts Standards
Students will read, write, listen and speak for information and understanding.
Students will read, write, listen, and speak for literary response.
Students will read, write, listen and speak for critical analysis and evaluation.
NYS Social Studies Standards
Students will use a variety of intellectual skills to demonstrate their understanding of
major ideas, eras, themes, developments, and turning points in the history of the United
States.
Students will use a variety of intellectual skills to demonstrate their understanding of the
geography of the interdependent world in which we live—local, national, and global—
including the distribution of people, places, and environments.
Students will use a variety of intellectual skills to demonstrate their understanding of the
necessity for establishing governments; the governmental system of the US and other
nations; the US Constitution; the basic civic values of American constitutional
democracy, and the roles, rights and responsibilities of citizenship, including avenues of
participation.
NYS Art Standards
Students will respond critically to a variety of works in the arts, connecting the individual
work to other works and to aspects of human endeavor and thought.
Students will develop an understanding of the personal and cultural forces that shape
artistic communication and how the arts in turn shape the diverse cultures of past and
present society.
Anti-War & Pro-War
Monday, April 11th
& Tuesday, April 12th
LESSON PLAN
Prior Learning Necessary
Students will use the information they learned about the Vietnam War in the introduction
lesson to understand some of the key points about the anti-war movement. They will have
also come to class having read passages in TTTC where these sentiments were clearly
stated. This background will be sufficient to allow them to analyze further.
Rationale:
It is difficult to talk about the Vietnam War without talking about the anti-war movement
as well—the two seem to go hand in hand. As such, students must have a background of this
movement in order to even begin to fully understand this war. Tim O’Brien expresses various
anti-war sentiments throughout his work. For example, if students want to understand why he
blames particular people for “forgetting to vote”, they must understand why people expressing
their opinions in any way, was considered so paramount. If I want my students to really grasp the
obstacles O’Brien was facing (especially when presented with a draft letter) then the more
background knowledge the better.
Additional Information
The key to this lesson is in maintaining focus during group work. Particular students will
need to be reminded to stay on task within their groups in order to get the work done.
Additionally, the teacher will need to ensure that one student isn’t carrying the burden for the
rest of the class.
Objectives:
Students will analyze and critique both a poem and a song in the context of the anti-war
movement.
Students will identify which pieces of the poem speak to them.
Students will compose answers to their questions that will best exemplify the key points
in their literature.
Students will synthesize the main ideas of both pieces into one succinct sentence.
Materials and Resources
PowerPoint & projection screen
Packets with songs and poems
Paper, pens/pencils, etc.
BODY OF THE LESSON:
Time for
Instruction
Teacher Actions Actions of the Typical
Student
Actions of a Student
With Special Needs
25 minutes
10 minutes
30 minutes
POWERPOINT
The teacher will run through a
PowerPoint presentation detailing the
major anti-war movements of the
1960’s and 1970’s. Students will be
required to use a 3x5 note card to
write down 3 things they learned
from the presentation about the anti-
war movement. She will inform the
students that O’Brien is writing about
a time period in which many people
were opposed to the war. In order to
understand some of the negative
sentiments the soldiers portray we
must understand the sentiments of the
U.S. during this time period.
KENT STATE MASSACRE
Students will watch a brief clip on
the Kent State Massacre. They will
listen to a song by Crosby, Stills,
Nash and Young (“Ohio”). Using
“Ohio” as an example the teacher
will run through a demonstration of
what the students will be expected to
do for each song or poem that they
will be reading later on in the period.
The teacher will present the
following question:
1. Knowing that there was a
riot on St. Patrick’s Day
with some UAlbany
students—how do you think
the public would react if the
police had decided to start
firing loaded weapons into
the crowd in order to
maintain order?
Students will watch as the
PowerPoint presentation is
being given. They will
pick three facts they find
most interesting or
intriguing and write them
on their note cards. If they
have questions they will
ask them. If questions are
asked of them, they will
answer if they feel
comfortable.
Students will watch the
clip on the Kent State
Massacre. If they have
questions they will ask, if
questions are asked of
them they will answer if
they feel comfortable.
Students will watch as the
PowerPoint presentation is
being given. They will
pick three facts they find
most interesting or
intriguing and write them
on their note cards. If they
have questions they will
ask them. If questions are
asked of them, they will
answer if they feel
comfortable. If they need
assistance writing down
facts they may ask the
cooperating teacher in the
room or myself to help
them after the presentation
is completed.
Students will watch the
clip on the Kent State
Massacre. If they have
questions they will ask, if
questions are asked of
them they will answer if
they feel comfortable.
15 minutes
6 minutes
POEM V. SONG
The teacher will inform students that
they will be breaking into groups.
Each group will receive a poem
(written before the Vietnam War) and
a song (written during the Vietnam
War) that is anti-war in nature. She
will ask students to read both the
song and the poem and begin to
analyze the two using the following
questions:
1. What words or phrases show
feelings of disapproval with
war?
2. What words or phrases
speak directly to the reader?
3. Summarize the main idea of
the song and the poem into
one sentence.
PRESENTATIONS
Since not every student received the
same song/poem, the teacher will
read the first group of songs/poems to
the class. She will explain that the
poem (written by Stephen Crane) was
composed around the time of the
Civil War, that Crane was himself a
soldier, and that he has written
volumes on the true nature of war.
She will explain that the song (“For
What It’s Worth” written by Buffalo
Springfield) was composed during
the Vietnam War. After, she will ask
the students who had this poem to
present their findings to the class.
They will explain their answers for
both the poem and the song and
summarize the main idea of both into
one sentence. After this grouping of
poems/songs has gone the teacher
will move onto the next set (“Anthem
for Doomed Youth by Wilifred Owen
& “I Feel Like I’m Fixin’ To Die
Rag” by Country Joe). She will tell
the students that Owen wrote based
off his experiences during WWI and
Country Joe wrote his song during
the Vietnam War. She will show
Students will break
themselves into groups.
They will receive their
poem/song and then begin
to read them individually.
After all members of their
group have finished
reading, they will begin to
talk about the texts
together. They will work
as a group to answer the
three questions. One
member of the group
(voluntarily) will record
the answers on a sheet of
paper.
Students will take turns
presenting their answers.
They will respond to any
questions presented by the
teacher. They will first
give their responses to the
first 2 questions, and at the
end of their mini
presentation they will give
their summarization
sentence. Not every
student needs to talk, and
the presenter can be
voluntary.
Students will break
themselves into groups.
They will receive their
poem/song and then begin
to read them individually.
If they need assistance
reading the cooperating
teacher or the main teacher
may offer assistance
reading. After all members
of their group have
finished reading, they will
begin to talk about the
texts together. They will
work as a group to answer
the three questions. One
member of the group
(voluntarily) will record
the answers on a sheet of
paper.
Students will take turns
presenting their answers.
They will respond to any
questions presented by the
teacher. They will first
give their responses to the
first 2 questions, and at the
end of their mini
presentation they will give
their summarization
sentence. Not every
student needs to talk, and
the presenter can be
voluntary.
students a video clip of the song
being performed at Woodstock. Then
she will ask the students who had this
grouping to present their findings as
well.
Both groups will present the sentence
they wrote to summarize both after
they have talked about each
separately.
SARCASM
The teacher will talk about the impact
of sarcasm. She will first ask students
to explain what sarcasm is (saying
something you don’t necessarily
mean to emphasize a point). She will
then ask why someone would use
sarcasm when writing about the war.
The main idea is that by utilizing
sarcasm you are able to use the
opponents own views to contradict
them. By stating them in a sarcastic
manner it helps to bring about the
absurdity of your opponent’s claims.
Students will act like they
are in a seminar and talk
with the teacher about
sarcasm. They will offer
examples, questions, or
insight into her posed
questions.
Students will act like they
are in a seminar and talk
with the teacher about
sarcasm. They will offer
examples, questions, or
insight into her posed
questions.
Evaluation & Assessment:
Students will be evaluated mainly on their contributions during group work. To do this,
the teacher must be vigilant in observing her students while they are working in groups. They
will also be graded on the content that their group comes up with.
They will receive a class participation grade (10 pts) for having worked in a group.
Additionally, they will receive a grade out of 20 points for the content of their analyses. They
must have answered all questions. When citing quotations they must then explain the quotations
in the context of the anti-war movement. For example, when picking a quote from “For What It’s
Worth” by Buffalo Springfield they may use: “Paranoia strikes deep, Into your life it will creep,
It starts when you’re always afraid, You step out of line, the man come and take you away.”
However, they must explain how these words show they are representing an anti-war mentality.
They may write about how paranoia with the concept of communism was a prominent theme
during this time, how people were worried about being drafted and “taken away”—anything will
work as long as they explain and support their information.
Finally, students will be given a check-plus, check, or check-minus for their note cards.
Guidelines for this grading system are presented in Lesson 1.
“War Is Kind” by Stephen Crane
Do not weep, maiden, for war is kind,
Because your lover threw wild hands toward the sky
And the affrighted steed ran on alone,
Do not weep.
War is kind.
Hoarse, booming drums of the regiment,
Little souls who thirst for fight,
These men were born to drill and die.
The unexplained glory flies above them.
Great is the battle-god, great, and his kingdom--
A field where a thousand corpses lie.
Do not weep, babe, for war is kind.
Because your father tumbles in the yellow trenches,
Raged at his breast, gulped and died,
Do not weep.
War is kind.
Swift blazing flag of the regiment,
Eagle with crest of red and gold,
These men were born to drill and die.
Point for them the virtue of slaughter,
Make plain to them the excellence of killing
And a field where a thousand corpses lie.
Mother whose heart hung humble as a button
On the bright splendid shroud of your son,
Do not weep.
War is kind!
“For What It’s Worth” by Buffalo Springfield
There's something happening here
What it is ain't exactly clear
There's a man with a gun over there
Telling me I got to beware
I think it's time we stop, children, what's that sound
Everybody look what's going down
There's battle lines being drawn
Nobody's right if everybody's wrong
Young people speaking their minds
Getting so much resistance from behind
I think it's time we stop, hey, what's that sound
Everybody look what's going down
What a field-day for the heat
A thousand people in the street
Singing songs and carrying signs
Mostly say, hooray for our side
It's time we stop, hey, what's that sound
Everybody look what's going down
Paranoia strikes deep
Into your life it will creep
It starts when you're always afraid
You step out of line, the man come and take you away
We better stop, hey, what's that sound
Everybody look what's going down
Stop, hey, what's that sound
Everybody look what's going down
Stop, now, what's that sound
Everybody look what's going down
Stop, children, what's that sound
“Anthem For Doomed Youth” by Wilifred Owen
What passing-bells2 for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out3 their hasty orisons.
4
No mockeries5 now for them; no prayers nor bells;
Nor any voice of mourning save the choirs, –
The shrill, demented6
choirs of wailing shells;
And bugles7 calling for them from sad shires.
8
What candles9 may be held to speed them all?
Not in the hands of boys but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor10
of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk11
a drawing-down of blinds.12
1 Anthem - perhaps best known in the expression "The National Anthem;" also, an important religious
song (often expressing joy); here, perhaps, a solemn song of celebration
2 passing-bells - a bell tolled after someone's death to announce the death to the world
3 patter out - rapidly speak
4 orisons - prayers, here funeral prayers
5 mockeries - ceremonies which are insults. Here Owen seems to be suggesting that the Christian religion,
with its loving God, can have nothing to do with the deaths of so many thousands of men
6 demented - raving mad
7 bugles - a bugle is played at military funerals (sounding the last post)
8 shires - English counties and countryside from which so many of the soldiers came
9 candles - church candles, or the candles lit in the room where a body lies in a coffin
10 pallor - paleness
11 dusk has a symbolic significance here
12 drawing-down of blinds - normally a preparation for night, but also, here, the tradition of drawing the
blinds in a room where a dead person lies, as a sign to the world and as a mark of respect. The coming of
night is like the drawing down of blinds.
“Feel Like I’m Fixin’ To Die Rag” by Country Joe
Well, come on all of you, big strong men,
Uncle Sam needs your help again.
He's got himself in a terrible jam
Way down yonder in Vietnam
So put down your books and pick up a gun,
We're gonna have a whole lotta fun.
And it's one, two, three,
What are we fighting for ?
Don't ask me, I don't give a damn,
Next stop is Vietnam;
And it's five, six, seven,
Open up the pearly gates,
Well there ain't no time to wonder why,
Whoopee! we're all gonna die.
Come on Wall Street, don't be slow,
Why man, this is war au-go-go
There's plenty good money to be made
By supplying the Army with the tools of its trade,
But just hope and pray that if they drop the bomb,
They drop it on the Viet Cong.
And it's one, two, three,
What are we fighting for ?
Don't ask me, I don't give a damn,
Next stop is Vietnam.
And it's five, six, seven,
Open up the pearly gates,
Well there ain't no time to wonder why
Whoopee! we're all gonna die.
Well, come on generals, let's move fast;
Your big chance has come at last.
Now you can go out and get those reds
'Cause the only good commie is the one that's dead
And you know that peace can only be won
When we've blown 'em all to kingdom come.
And it's one, two, three,
What are we fighting for ?
Don't ask me, I don't give a damn,
Next stop is Vietnam;
And it's five, six, seven,
Open up the pearly gates,
Well there ain't no time to wonder why
Whoopee! we're all gonna die.
Come on mothers throughout the land,
Pack your boys off to Vietnam.
Come on fathers, and don't hesitate
To send your sons off before it's too late.
And you can be the first ones in your block
To have your boy come home in a box.
And it's one, two, three
What are we fighting for ?
Don't ask me, I don't give a damn,
Next stop is Vietnam.
And it's five, six, seven,
Open up the pearly gates,
Well there ain't no time to wonder why,
Whoopee! we're all gonna die.