Animate Form Summary

Animate Form

ANIMATE FORM

Asa Darmatriaji

Heidy Amanda Herman Moeis

Nahian Zobaid

Animate Form

Animation is not Motion

Animation is evolution of form and its shaping forces which characterized by

animalism, growth, actuation vitality, basically it is stated in its structure.

Motion is movement and action.

In Animate Form by Greg Lynn, architecture are described as follow:

• The traditional notion (sequential operations represented by colors, alignment,

imprints, addition, substraction) of architecture based on permanence, its desire imprints, addition, substraction) of architecture based on permanence, its desire

for timelessness, formal purity and autonomy;

• With the use of model organization that are inert won’t threaten the architecture

essence, but rather it will advance it or developed toward dynamic organization;

• With the advent of software and technology architecture on 21

be conceived as a force and motion rather than as neutral vacuum

• The invisible forces (wind pressure, climate, sun diagram, etc) can be formed or

considered in architectural design to contextual specificity;

is evolution of form and its shaping forces which characterized by

animalism, growth, actuation vitality, basically it is stated in its structure.


The traditional notion (sequential operations represented by colors, alignment,

) of architecture based on permanence, its desire

Animate Form

) of architecture based on permanence, its desire

With the use of model organization that are inert won’t threaten the architecture

essence, but rather it will advance it or developed toward dynamic organization;

With the advent of software and technology architecture on 21st century could

be conceived as a force and motion rather than as neutral vacuum

The invisible forces (wind pressure, climate, sun diagram, etc) can be formed or

considered in architectural design to contextual specificity;

Animate Form

Marchel Duchamp ‘ Nude Descending Staircase’, 1912

Wind analysis (

Animate Form

Wind analysis (Ecotect), Source : http://www.google.com/


• Stasis is described in permanence, usefulness, typology, procession, verticality

which appears as an obsolete operation, but in 21

mobilized within time and force which offers the range of potentials;

•The history theories of gravity are extremely nuanced, fascinating, and

unresolved, in more complex concept of gravity mutual attraction generates

motion;

•Descartes eliminated time and force from a steady state equation but G.W. •Descartes eliminated time and force from a steady state equation but G.W.

Leibniz examined temporal continuity component;

•Currently advanced motion tools and new diagrams based on the computer

involves mathematical descriptions, for instance, architects has to draw

geometries whose underlying mathematics is calculus, the involvement of time

and motion of techniques is not mere a visual phenomenon but rather to

understand geometry in terms of style;

• The most obvious aesthetic shift from volumes defined by Cartesian coordinates

to topological surfaces defined by U and V coordinates which allow to deform and

transform in a flexible surfaces as expression of mathematics of the topological

medium;


Stasis is described in permanence, usefulness, typology, procession, verticality

which appears as an obsolete operation, but in 21st century architecture is

mobilized within time and force which offers the range of potentials;

The history theories of gravity are extremely nuanced, fascinating, and

unresolved, in more complex concept of gravity mutual attraction generates

Descartes eliminated time and force from a steady state equation but G.W.

Animate Form

Descartes eliminated time and force from a steady state equation but G.W.

Leibniz examined temporal continuity component;

Currently advanced motion tools and new diagrams based on the computer

involves mathematical descriptions, for instance, architects has to draw

geometries whose underlying mathematics is calculus, the involvement of time

and motion of techniques is not mere a visual phenomenon but rather to

The most obvious aesthetic shift from volumes defined by Cartesian coordinates

to topological surfaces defined by U and V coordinates which allow to deform and

transform in a flexible surfaces as expression of mathematics of the topological

Animate Form

Source : http://www.google.com/

Animate Form

Source : http://www.au-urbanfuture.org/

• Computer is not the brain nor nature, but it is a pet (tool for human intuition to

developed) and also a tool to make conceptual and organizational model and

generative medium for design, for instance, the genetic, rule

computational;

• First principle of topological entities is they are not composed of discrete points

but rather they are composed of a continuous stream of relative values,

topological surface defined as a flow that hangs from fixed points that are

weighted, but it is not the same with baroque geometries retain multiple spatial

centers;

•The term ‘deformation’ can be understood as system of regulation and order that •The term ‘deformation’ can be understood as system of regulation and order that

proceeds through integration of forces and fields;

• Splines are the constituent element of topological landscapes, which store force

and generated store energy in the form;

Computer is not the brain nor nature, but it is a pet (tool for human intuition to

developed) and also a tool to make conceptual and organizational model and

generative medium for design, for instance, the genetic, rule-based,

First principle of topological entities is they are not composed of discrete points

but rather they are composed of a continuous stream of relative values,

topological surface defined as a flow that hangs from fixed points that are

weighted, but it is not the same with baroque geometries retain multiple spatial

The term ‘deformation’ can be understood as system of regulation and order that

Animate Form

The term ‘deformation’ can be understood as system of regulation and order that

proceeds through integration of forces and fields;

are the constituent element of topological landscapes, which store force

Animate Form

Source: http://www.math.cornell.edu

Topology of Graphs and Surfaces


• Possibility of animate field allows more intricate relationship of form and field,

also between force and object which is stores that force in its form ;

• Bergson argued that matter couldn’t be separated from its historical process of

its becoming;

• Motion and time are similarly taken away than added back to architecture;

• The term abstraction is not modern notion of visual abstraction but rather

evolutionary, involves proliferation, expansion, and unfolding;evolutionary, involves proliferation, expansion, and unfolding;

Conclusion

• The abstract technical statement yet to become concrete that topologies,

animation, and parameter based modeling are being explored here;

• The availability of computer aided design techniques presents the

architecture discipline and both retool and rethink itself;

• Due to the proliferation of topological shapes and CAD tools these

technologies are animate.


Possibility of animate field allows more intricate relationship of form and field,

also between force and object which is stores that force in its form ;

Bergson argued that matter couldn’t be separated from its historical process of

Motion and time are similarly taken away than added back to architecture;

The term abstraction is not modern notion of visual abstraction but rather

evolutionary, involves proliferation, expansion, and unfolding;

Animate Form

evolutionary, involves proliferation, expansion, and unfolding;

The abstract technical statement yet to become concrete that topologies,

animation, and parameter based modeling are being explored here;

The availability of computer aided design techniques presents the

architecture discipline and both retool and rethink itself;

Due to the proliferation of topological shapes and CAD tools these

Animate Form Summary

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