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An I, which had been copied from the Word- Just like its Creator's Image -

J.W. Richter 

 based on a map published by San Jose 1

1 based on the Map of countries in Europe and the surrounding region - derivative wor of Europe countries map.png by San Jose! published by San Jose "map# under the terms of the $%& 'ree (ocumentation )icense , Version 1.2 or 

any later version

 Fig. 1: Layer-model for European Ego-Pronouns

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Creation Legends

Genesis

*+n the beginning was the word*! e,plains the opening of the $ospel of John. *+n the

 beginning was the Word! and the Word was with $od! and the Word was $od*.+nitiating the worlds creation from one singular Word seemed to have been a common idea. nd if the concept had been a global design some of the traces still had survived in linguistic patters. /he0uest of these patters too several years and has not been completed yet. +t probably will remain anenigma for some more time...

lthough the e,act pronunciation of the Word had been forgotten several patterns e,ist. ne of theconcepts concentrates on series of vowels. n Encyclopedias chapter %ames f $od lists the originof some names23

+4 +456 +4786 +47849 :4;78<= ...

t least as early as the third century >.?. the name seems to have been regarded by the Jews as a*nomen ineffabile*. Written only in consonants! the true pronunciation was forgotten by them. /heyseemed to have hidden creations fundamental vowels! which made up the Word. /he Septuagint!and after it the %ew /estament! invariably render @ABCD7 "*the )ord*#.

/he patterns + had found seemed to consist of vowel-structures and this may be the ey to startsearching patterns. great number of creation legends e,ist and often they share common ideas lie

 F Gust to name a few - an androgynous first being! from which a first couple of antipodal human beings arose! etc.

Zoroastrianism

/he points of resemblance between Horoastrianism and Judaism! and hence also between the former and ?hristianity! are many and striingI. /he two religions agree in certain respects with regard totheir cosmological ideas. /he si, days of ?reation in $enesis find a parallel in the si, periods of ?reation described in the Horoastrian scriptures. Manind! according to each religion! is descendedfrom a single couple! and Mashya "man# and Mashyana are the +ranian dam "man# and Eve.

Brahma

>rahma began from nothingness. >y thought alone! he created the waters! into which he depositedhis semen. /his grew into a golden egg! out of which he was born. >y thought again! he split the

egg in two! and the halves became heaven and earth. >rahma grew lonely! so he split himself in twoto form male and female.

Hu

+n Egypt a similar creation legend e,ists. *u* has been identified as the $reat Word andauthoritative command of the Kharaoh to establish and maintain truth and righteousness in the /wo)andsL.

2 chapter %ames f $od in The unedited full-tet of the 1!"# $e%ish En&y&lopedia

I Resemblances >etween Horoastrianism and Judaism L /he Memphis /heology3 authoritative utterance "hu! the $reat Word#

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Vowels

Vowel-words as divine names

 %ow the /imeline of owel Symbolism for the translations of the divine name"s# may be setched

as followsN

3Oehua! Oawhanan "OPhanan#! +a-u-a "+a-u#! OW! Oah! Jehovah! O "Oah#! Oahu "ebrew#!:QT " 'aho in )atin#! +a U +aP "$ree#! +V! :VXQ! +aoue! +Y ":4; in $ree andZ+ah[ in )atin#! +abe\  "for Samaritans#! resp. ]a for the Jews ^! + ":VQ#! +eue! +eue!Oohoua! Oohouah! +eoa! +hehoua! Jehovah_! iehouahi! +hevhe! +oua! +ehoua "` 'oua ('oue -Jupiter#! +ohauah! +ehouah "instead of 'oua#! +ehue1 , :478=11  +aoouee! +abe! +ouiee12.

Vowel-words as the European Ego-Pronoun13

/he second structure to be investigated was the most important word! which according to theSwadesh lists is the Ego-pronoun.

+n their vowel-structure the European ego-pronouns are 0uite similar to divine names! although theyusually are shorter than the divine names3

ieu! iau! iou!  Gau! eau! Ge! Ga! Go!  Gu! yo! io! iu! +! ih! i! eu! eo! 1L.

Even most consonant-based ego-pronouns seem to correlate with the ?reators name3

dGi! ni! ni! my! mi!  Geg! ih! ihh1N! ich! u! g! eg! ego!   "Gas#

'rom this overview the dominance of vowels in these words may clearly be illustrated. Especiallythe ij-vowel is a dominant vowel symbol.

s an e,ample the Walloon ego-pronoun dGi clearly correlates to the divine name (ieu.

Vowel Hymn Recitations – documented by Demetrius1  

\1. +n Egypt the priests! when singing hymns in praise of the gods! employ the seven vowels 1\!which they utter in due succession k and the sound of these letters is so euphonious that men listento it in preference to flute and lyre1). /o do away with this concurrence! therefore! is simply to doaway entirely with the music and harmony of speech.>ut perhaps this is not the right time toenlarge on these matters1!.

N (etailed documentation in /he owels in the (ivine %ame"s#

T /he %ame :QV\ /he b in +abe may have been understood as the wj or uuj "double u#^ uaestiones in E,odum cap. F 0uoted in /he %ame f $od Oehowah. +ts Story! >y $rard $ertou,_ /he %ame f $od Oehowah. +ts Story! >y $rard $ertou, \ - +s $alatino the first who introduced the name

Jehovah in 1N1^1 resp. 'ehoua or 'ihue not derived from 'oue "Jupiter#! but from from ramaic yih%eh! respectively ebrew 'ehoua

11 owever! there are other e0ually reputable scholars who can provide evidence that the underlying $ree of Jave is*D478* and not *D478=*.

12 )ondon Kapyri. lvi! LLT-L^21I Kersonal pronouns of the 1st person singular 1L +n many western! northern! and southwestern %orwegian dialects! and in the western (anish dialects of /hy and

Southern Jutland! * has a significant meaning3 the first person singular pronoun +!1N ermutlich ein Schreibfehler "ihh) anstatt ich

1T n the Symbolism of the owels -E-+--&1\ Krobably the \ $ree vowels3 -E--+--&-V1^ (emetrius n style! the $ree te,t of +emetrius +e elo&utione31_ /he owels Symbolism in rchaic ymns - %otes to the vowels in (e Elocutione of (emetrius -

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go!"ronouns#$

/he following overview had been based on artificially grouped linguistic groups and ignores localrefinements and details! which have been stored in remote mountainous areas. Specialiqeddictionaries often reveal some of these fascinating details.

Still this overview may deliver four or five classifications for the layers of the ego-pronouns3

• utside of the European territory some of the Kroto-+ndo-European ego-pronouns refer toadam21! aham22! or man! which possibly refer to creation legends.

1. +n Scottish language the ego-pronoun  has been placed ne,t to an ancient2I fossil mi! whichalso survives in romanisch mine! mini! in >as0ues ni! ni! ?ornwalls my! Estonian mina!ma! Etruscan mi! 'innish3 min! ld +rish m! Romani me! Scottish $aelic mi.

2. /he ne,t layer consists of e,tendedj ego-pronouns3 Walloon dGi! ccitan ieu! Mirandeseyou! romanian  iou! ld 'rench Gou! Romansch Gau! Minigir 2L iau! ld igh $erman ih!Middle English ich! $othic "i#! ittite u! )adino yho! &mbrian eho! $ree =! )atin ego!>oml %ors Geg! 'aroese Geg! Swedish Gag! Macedonian  "Gas#! Romansh Gau! Slovene

 Gaq.

I. /he younger layers have been worn out by deterioration of the older ego-pronouns3 $alicianeu! Kortuguese eu! Romanian  eu! Sardinian eo! Sicilian i! i! iu! Spanish  yo! +talian io!ragonese yo! sturian  yo! ?atalan  Go! 'rench  Ge!  ?qech  G! Kolish  Ga! Russian x  "Ga#!(almatian Gu! %y%ors eg! +slandic g! eg! )ow $erman(utch i!

L. /he youngest layers are single vowel words3 Middle English i "or Wycliffes %#! %eapolitani! (aelican and ScotsEnglish  I! /icinese  a! /hy  and Southern Jutland  &! +celand e,lbanian u.

rabic3# "znaأ

Egyptian rabic3  ا

"ana#/unisian rabic3 

 ا

mas&. 

ragonese3 yo romanian3 io! iou!mine! mini sturian3 yo >as0ue3 ni! ni >elarusian3 x "Ga#?atalan3 Go ?ornish3 my ?qech3 G (almatian3 Gu Estonian3 mina! ma Etruscan3 mi 

'aroese3 eg! Geg 'innish3 min!ld 'rench3 Go! Gou!  Ge $alician3 eu ld igh $erman3 ih!ihh$erman3 ich $ree3 = "eg{#$othic3 ||| "i#ebrew3 ינא 

ittite3 u +celandic3 g! eg "archaic! poetic#ld +rish3 m +talian3 io )adino3 yho)atin3 ego )ithuanian3 a}k e} "ld

)ithuanian#)ow $erman3 i Macedonian3  "Gas#Middle English3 i! ich Minigir 3 iauMirandese3 you 

 %eapolitan3 i >oml %ors3 Geg

 %ynors3 eg ccitan3 ieu! Go 

ld English3 ic ld %orse3 e ld Krussian3 as ld Sa,on3 i Kersian3 #' "'m&nمنld Kersian3 ||| "adam#Kolish3 Ga Kortuguese3 eu 

Romani3 me Romanian3 eu Romansh3 Gau Russian3 x "Ga#Sansrit3 अहम   "aham#Sardinian3 eo Scots3 ! + emphati& Scottish $aelic3 mi normal 

Sicilian3 i! i! iu Slova3 Ga Slovene3 Gaq Sorbian3  )ower Sorbian3 Ga Spanish3 yo Swedish3 Gag &mbrian3 eho Walloon3 dGi 

2 Source3 + " /ranslingual#

21 adam -- personal pronounk nominative singular ~adam• + -- I - ld +ranian nline3 )esson _3 ld Kersian22 Sansrit3 अहम   "aham#- from Kroto-+ndo-European /0h₂.2I >ased on the e,tinct Etruscan language with an ego-pronoun mij2L +nteresting ego-pronoun iau! but as a language Minigir  seems to be undefined "#

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!tatistics"#  o$ the Ego-Pronouns

/he most common English words before 1_2I are and! to! in! + "|T#! that! was! he.

>eing one of the most fre0uent words the ego-pronouns deteriorate rather 0uicly in the densely populated trading areas! in which deterioration is much higher than in remote mountainous areas.'or this reason the mountainous areas! some islands "especially Sardinia# and swamp-filled border 

areas will often preserve the e,tended! original versions of the ego-pronouns.(ivine names do not deteriorate as 0uicly as ego-pronouns. +n some areas! in which the divinenames and the ego-pronouns are more or less e0ual the dialects seem to have been surviving in anoriginal state. /his may be observed in Savoy! in the romanian and Krovencal provinces! in theSwiss Engadine Jauer valley and in the >elgian Walloon area.

 

2N Source3 + " /ranslingual#

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Romanian Ego-Pronouns and divine names2#  

+n an ancient dictionary Romanian-$erman dated 1_N + find an entry ie "which matches theKrovencal ego-pronoun# and also add the original scanned lines to prevent the losses of variousaccents. /he Romanian sample of an ego-pronoun ie! along with the Krovencal e0uivalent ieu

clearly correlate with the K+E-sy god (yaus and the 'rench divine name (ieu.

(he omanian go!"ronoun *+ie-)

f course the short-cuts are uncomfortable and + add the e,planations according to an abbeviationslist at page 2NI! which e,plains eng.j does not refer to English! but to Engadinj3

\\1. ie pronomen Zaromunisch e!  o, o3,  megleoitisch istrorumnisch  o[ €ich* ~EZ$[3 albanesisch une! vegliotisch. 4u! italinisch io! sardisch eo! engadinisch iau!franqsisch 4e! provenqalisch ieu! spanisch yo! portugiesisch eu.

+n lbanian language the ego-pronoun even may be shortened to u.

.ott *+/0-)

1_2_.  56  substantivum masculinum €$ott* ~ (‚&S! -&M3 italienisch  'ddio! sardischgalluresisch "%ordsardisch# deu! engadinisch provenqalisch franqsisch dieu! catalanischdeu! "spanisch dios! portugisisch deus#. Wie alt-trientinisch mad7! alt-italinenisch mad8o!mad8e! bergamasisch "italienisch# maid9 ~ M$+S (‚&S! dient auch rumnisch qƒ„ +nterGet "# qur erstrung der ntwort.

2T Etymologisches Wrterbuch der rumnischen Sprache "1_N#(Sammlung Romanischer Elementarb…cher #

 Fig. 2 The omanian Ego-Pronoun ;ie< in the di&tionary omanian-=erman 1!">

 Fig. ? =od as a derivation of @eus ;56< in the di&tionary omanian-=erman 1!">

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%rench Ego-Pronouns and divine names"& 

(he 1a2o%ard dialect

Savoyard is a dialect of  rpitan "'ranco-Kroven†al#. +t is spoen in some territories of the historical

(uchy of Savoy! nowadays a geographic area spanning 'rance "in Savoie and aute-Savoie# andSwitqerland "in the canton of $eneva#. /he varieties are commonly nown as patois.

+ndividual Savoyard  dialects often use ego-pronouns! which are similar to 3e and divine namessimilar to 3%u! which refers to (ieuj "'rench3 $od# or the K+E-sy-god (yausj. ften 3%u willalso be pronounced d%e! d/eu or d/ou.

Dius-day 

/he Savoyard calender has been structured as follows2^3

• dlion3 lundi "Monday#•

dm‡re3 mardi "/uesday#• dmcre3 mercredi "Wednesday#• de diu4 5eudi *(hursda%)• dvindre3 vendredi "'riday#• dsonde3 samedi "Saturday#• dminge3 dimanche "Sunday#

 %aming conventions are strange and follow an unnown pattern. /he main day seems to have beendevoted to $od 3iu! but this day is not Sunday "(imanche#.

God '(Dyu)*

dictionary2_ e,plaining Savoyard dialects reveals some interesting details. /he main divine name"'rench (+E&# is 367 and the dialectical variants are listed as follows3

djeu, djò, djô, djou, dju, djyu, dî, dyeu, dyeû30 , dyo, dyou, 367 , dzè, dze, dzeu31 , dzyu,

dzou, dzu, gueû.

 +dieu 

+n Katois Savoyard people use adieu as a greeting formula such as =rAB =ott  in southern $ermanyand do not restrict this "lie standard 'rench# for saying goodCyeI2.

2\ (ie Ego-Kronomina und $tternamen im Savoyardischem (ialet "212#2^ Karler savoyard2_ 'ran†ais F Savoyard "/he (ialects Savoyard F rpitania.Eu# Roger iret

I )e Katois de )a >ridoire I1 )e Katois de Meyrieu,-/rouet I2 (+E&3 /erme de salutation! bonGour. Se dit en rencontrant 0uel0uun! et non pas! comme en fran†ais! au moment

de prendre cong. Ketit )e,i0ue de Katois Savoyard

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,he !avoyard Ego-Pronoun '(De)*

/he Savoyard Ego-pronoun "in common 'rench3 JE# is listed as follows3

3 or deu! 38! d!  or  dè, dji  or dje, do, dye or  dyeu, dze or dzeu! dz! , dzou, "', zdè, ze or  zeu, zè, ze or zeu, zè, z!, zou, zou, zou", 39! d#e$! de or  deu , d%  or dè, zdè, z', ze

or zeu, zè, ze, zou, z' , dye or dyeu, dz#eu$, dzeu, dze or dzeu, dzou.+n contrast to standard 'rench €Ge and even Krovencal ieuj the Savoyard ego-pronouns prefer theusage of a (j or Hj! which seems to be related to the +ndo-European sy-god (yaus "respectively(eus or Heus#. /he ego-pronouns therefore do not refer to OW or the Jupiter cult.

,he alloon ego-pronoun (D.i )

/he Walloon ego-pronoun €(Gi seems to be an e0uivalent of the Savoyard Ego-Kronoun "€(e#and also fails to refer to OW or the Jupiter cult.

Samples3 dGi tchante! dG eploye! i dG tchanteII 

,he /erdingen 0ine

 %orth of the 7erdingen Line! this ego-pronoun is iD ! while south of the line the word is i&h. /hissound shift is the one that progressed the farthest north among the consonant shifts that characteriqeigh $erman and Middle $erman dialects.

 %) )imburgic"Mid U South#

)imburgicSouthEast ?ologne )u,embourg aals

&erdingen )ine iD i&h i ich or iech iech or ie sG iech od. ie sG ech ich

TaCle. 1: From the taCle of linguisti& Corderlines etra&t?

(he ego!pronoun +i:u- in Villar!1t!"ancrace

/he ego-pronouns have been listed as followsIN3

Sg.

1ˆp a "l‰# i:u m;, m< i:u 

2ˆp t…! t‰ tŠ! t‰ t…

Iˆp M u"l#! al ei"l# sŠ lu ei ' eilo la eilo % o! ul! la - lu -

Kl.

1ˆp n‹Œ n‹Œ

2ˆp ‹Œ v‹Œ v‹Œ

Iˆp M "q# sŠ l‹Œ i‡ ' eilŽ "eilaq# lŽŒ eilŽ IT

II )es pronos do walonIL )u,emburgs IN ?as suGet ?as rgime atone toni0ue direct indirectIT from3 Katois of illar-St-Kancrace "this website has been lost several years ago....#

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(he ego!pronoun -6iou= at >imes

&sually Mediterranean dialects such as 'rench and +talian allow us to add a (j as a prefi, to theego-pronoun to generate a divine name. /his method also applies to the Krovencal dialect at %imes!in which the prefi, 3j added to the ego-pronoun 6iouj results in a divine name 3?ou "$od#

/he €iou-structure usually belongs to +talian dialects and seems to be an e,otic island inside theKrovencal territory. Maybe the €iou-structure has been inherited from the era of Romanoccupation.

 

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Ego-Pronouns and divine names in !ardinian language

/he history of the island of Sardinia! relatively isolated from the European continent up intomodern times! led to the development of a distinct Romance language! which even now

 preserves traces of the indigenous pre-Roman language of the island.

/he Roman domination! beginning in 2I^ >?! brought )atin to Sardinia! but this languagewas not able to completely supplant the Kre-Roman Sardinian language. Some obscure rootsremained unaltered! and in many cases it was )atin that was made to accept the local roots.Modern Sardinian! as it is nown today! was the first language to split off from the othersthat were still developing from )atin! possibly as early as the first century >?.

?ampidanese dialects even includes some words! which almost identically match the divine names F signaling a very high linguistic age. +t is considered by many scholars to be the most conservativeof the Romance languages and is even noted for a Kaleosardinian substratum.

+n ?ampidanese Sardinian  the ego-pronoun  d@u  "e,cept for the accent# matches the divine name3u * nm: (eus#I\. +n fact only the accent has been shifting between these words.

(he 1ardinian dictionar%D

/he dictionary uses shortcuts to define districts ) )ogudorese "center! west#k % %uorese "center!east#k ? ?ampidanese "south#k S Sassarese "nortwest#k $ $allurese "northeast#. +t may beobserved that ego-pronouns and divine names reveal considerable variations.

3io sm. Z&od, ieu, ios, &ott [ (eu! (eus lat. +EGH!>abbu mannu ")%?#! Mere Mannu ")%#! (eu! (iu "S#!

(eu! (iu ")m#! >abbu mannu! mu (eu "$# oddeu! odd‡")%#! poddeu "?# <o +ioIJk (eus ardet ")%#! (eu ‘ldia "$#<+io &i proteggaIK +io &i guardiIJk (eu t‰‡schia a ghia "$#<+io ti guidiIJk >abbu mannu si non pacat oGe pacat crasa

"prov.-%# <+io se non paga oggi paga domaniJk Krima ‡ (eudaboi so li Santi "prov.-S# <Prima di tutti 7 +io, poi i HantiJ

'irst of all the divine names  (a))u ma""u "$reatI_ 'atherj# and *ere *a""u "$reat Motherj#warned me to chec for mythological and symbolic references! which needed to be resolved.

Mannu is being mentioned one time "in  ere annu# with a capital letter! which may indicateMannu is supposed to be a name.

I\ (itqionariu nlineI^ (iqionario universale della lingua di Sardegna! vol. 1I_ ccording to the (iqionario Mannuj had been derived from )atin Magnusj $reat

 Fig. : Entry +io =od in a Hardinian di&tionary

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abbu 2annu 

web-site referred to MaCCu annu as the oly Spirit3

t the countryside near >itti a number of churches "such as Santo Stefano and >abbuMannu! that is the oly Spiritj# e,ists! in which yearly on memorial days festivitiestae placeL. 

+n >itti the ltar of >abbu Mannuj has been documented in a photographL1.

/he simultaneous function of a 'ather U Mother for manind! defined in  (a))u ma""u "$reat'atherj# and *ere *a""u  "$reat Motherj#! reminded me of the bi-faced image of ermes vonRo0uepertuse! which had been found in the nearby city of Marseille and may have been designed asan androgynous image of Mannus and a bi-faced /uisto.

2annus and ,uisco

/he names  annus  and Tuisto(Tuis&o  seem to have some relation to Kroto-$ermanic  anna5 !*man* and Ti%a5 ! */yr! the god*.

/he =ermania  manuscript corpus contains two primary variant readings of the nameTuisto(Tuis&o. /he most fre0uently occurring! */uisto*! is commonly connected to the Kroto-$ermanic root tvai- *two* and its derivative tvis- *twice* or *doubled*! thus giving /uistothe core meaning *double*. ny assumption of a gender inference is entirely conGectural! asthe tviatvis roots are also the roots of any number of other conceptswords in the $ermaniclanguages. /ae for instance the $ermanic *twist*! which! in all but the English has the

 primary meaning of *disputeconflict*.

/he second variant of the name! occurring originally in manuscript  E ! reads */uisco*. ne proposed etymology for this variant reconstructs a Kroto-$ermanic ti%isDo and connectsthis with Kroto-$ermanic /iwaq! giving the meaning *son of /iu*. /his interpretationwould thus mae /uisco the son of the sy-god " Kroto-+ndo-European  Œ +yeus# and theearth-goddess.

 +ugustine

+t is an archaic concept to translate (eu! (iu! (eu! (iu to a simultaneously 'ather U Mother (eity3

• >abbu mannu "€$reat 'ather# F in )ogudorese! %uorese! $allurese and ?ampidanese.• Eere Eannu "€$reat Mother# F only in the dialects )ogudorese and %uorese.

/his concept has also been documented by ugustine who named Jupiter the father and mother of the gdos " etropator3

+t is $upiter ! however! who is called the father  and mother  of the gods! because! in theirview! the whole world is itself .L2 

/he concept of an androgynous Ndam Oadmon and the bi-faced ?reator seemed to have been auniversal idea.

L >itti ’ Sardegna /urismoL1 ltare di >abbu Mannu "foto $iovanni ?arru# L2 /he ?ity of $od - olumes 1-1 - Kage 222

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(he 1ardinian go!"ronoun

Sardinian Ego-Kronouns e,ist in numerous variants. Most are pure vowel words! although somehave been based on (j- or Hj-consonants3

io pr. pers.Z+! Ge! yo! ich[ eo! deo! geo "lat. E$# ")#! ceo! deo! dego! ego! eo ! geo! gieo!ieo! Geo! qeo "%#! deu! eu "?#! iu! eu "S#! eu! ghG "$#

+n the overview + listed the word according to their districts and highlighted the (j- and Hj-words3

• eo! deo! geoLI") )ogudorese "center! west##!• ceo! deo, dego! ego! eo! geo! gieo! ieo! Geo! /eo "% %uorese "center! east##!• deu! eu "? ?ampidanese "southside##!• iu! eu "S Sassarese "northwest##!• eu! ghG "$ $allurese "northeast##

/hese variants may illustrate how egoj had been transformed3

• from Ego to $eo!• from Ego to ?eo! to Eo! +eo! Jeo or $ieo and even Heo• from (eu"s# towards (eo! (ego! Eu and “iu• from Ego via $ieo even towards $hG

LI )atin E$

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3talian dialects

ccording to the various Swadesh-)ists the ego-pronouns are3

• for various +talian dialects3 a, Ge, eGe, mi, iu, ioFF

• for %eapolitan dialects3 io, i9 FG

• for Sicilian dialects3 iu, 5o, 5u, 5oni LT

• for ?alabrian dialects3  G, Gi,  Gini, iGa,  Gia,  Gee, eu, Giu, iu , ia  G  G eu, iu, G‡u,  Gu L\

?learly the ego-pronouns all are considered vowel structures! which include all vowels. +n analogyto 'rench some (j- or Hj-based combinations such as deo, dego! deu, /eo are found in the

 border areas such as Sardinia. /he border areas also include the e,tended ego-pronouns such as eGe,gh5, gieo, G‡u, Gu, iu. /hese ego-pronouns loo lie scattered word fragments! springing from ane,plosive (yaus- or +E+&V-core ...

Most of the ego-pronouns deviate considerably from the standard +talian ego-pronoun ioj. s a

remarable fact the %eapolitan dialect also reveals a single letter word €i9

as the shortest of allvariants.

LL +talian languages  )ombard! %eapolitan! enetian! Sicilian! Maceratese! Macerata! )atinLN  pronouns LT Swadesh list of words in English and SicilianL\ Swadesh list for ?alabro-Sicilian

 Fig. >: N map for linguisti& layers for Fren&h and 'talian languages

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Italian go!pronouns

ccording to Swadesh lists +talian dialects are using the following ego-pronounsL^3

• /icinese )ombard /icines "lmo# a •  %eapolitan  Ge • +rpinian *allatese* %eapolitan eGe • enetian "vec# mi • Sicilian "scn# iu • Maceratese Macerata "Marche# "mac# io

1outh!Italian go!pronouns

+n ?alabria the following ego-pronouns have been definedL_3

• Siciliano ccidentale3 G • ?entro-ccidentale "grigento! Sicily# Gi! Gini! iGa! Gia! Gee! eu!  Giu! iu •

Metafonetico ?entrale ia • Metafonetico Sud-rientale -•  %on Metafonetico rientale "?atania#  G • Messinese G • ?alabrese Meridionale eu! iu • Salentino "near >rindisi# G‡u! Gu 

,ur4ish Ego-pronouns

/he Ego-pronouns in /urish languages all have been based on the root €men " €Mannus#N3

• ”–! —˜™! —š™! —˜™! —š™! —˜™! —˜™! —š™! —š™! —š™! men! men 

,he ase $or 3ndo-European Ego-pronouns

/he (j- or Hj-based ego-pronouns in Savoyan "3#! in Walloon "35i# and in ?ampidanese "3@u#dialect all seem to be related to the +ndo-European sy-god (yaus "respectively (eus or Heus#. /heego-pronouns therefore do not refer to OW! to ?hristian religion or the Jupiter cult.

 

L^ +talian languages  )ombard! %eapolitan! enetian! Sicilian! Maceratese! Macerata! )atinL_ Swadesh list for ?alabro-Sicilian - megaWiiN /uric languages 

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.raphical o2er2iew of the go!pronouns+n order to illustrate the thesis of deriving the ego-pronouns from divine names such as €(yaus!€(ieu! €Heus! etc. some map setches have been prepared! in which a few relevant generations of ego-pronouns were to be visualiqed. Especially the 'rench and +talian historical development

seemed to be characteristic for the linguistic evolution.

5verview o$ the %rench Ego-pronouns

+n central 'rance the 'rench ego-pronoun €Je has been positioned! which had been shortened fromthe original +yaus derivative +ieu. >y deterioration (ieu first lost the &j and the consonant (j.

Southeast of the Gej-territory the Krovencal dialects had managed to preserve the letter &j in theego-pronoun +E&! but lost the letter (j from (ieu.

 %ear the borderline of 'rench speaing territory the ego-pronouns still reveal the (j-consonantand one of the following vowels Jj or Ej. +n the north the Walloon variant of the ego-pronoun lost

the Ej and &j to develop to €(Gi. +n the southeast border of 'rance the ego-pronouns (Ej andHEj lost the +j and Sj from (eus respectively Heus. /he Savoy territory is located near Marseille! where the $rees had coloniqed the Krovence from T >?E.

 %ear the coastline the island Sardinia also reveals the ego-pronoun (È&! which simultaneouslymatches the divine name (É&.

+n the northwest ?ornwall reveals the ego-pronoun €My and at the borderline to the Kyrenees the>as0ue language uses the ego-pronouns %ij! resp. %ij! which may belong to archaic linguisticlayers and probably survived the (yaus-related linguistic revolutions.

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 Fig. #: Layer-model for Fren&h Ego-Pronouns

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A deterioration cur2e for rench go!pronouns

+n central 'rance the 'rench ego-pronoun €Je has been positioned! which had been shortened fromthe original +yaus derivative +ieu. >y deterioration (ieu first lost the &j and the consonant (j.

 %orth of this area the Walloon language with its ego-pronoun €(Gi is located! which correlates to

€(ieu.>ehind the Wallloon territory the (utch and old-English languages apply the ego-pronoun icj! atthe East the $ermans use ichj. +n English the ego-pronoun shortened to +j.

West of England the ?ornish language uses the ego-pronoun €my.

East- and southwards from the center of the JEj-territory the Krovencal and ccitan dialects areusing the ego-pronoun +E&j and occasionally +&jN1.

t the Kyrenees the >as0ue languages use €%i and €%i. >ehind the mountain range the Spanishlanguage switches the ego-pronoun to Oj.

N1 +n %imes and in illar-St-Kancrace

 Fig. : +eterioration &urve for Fren&h Ego-pronouns

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Ego-pronouns and divine names in !candinavia

+n Scandinavian dialects the word › not only is being used as an ego-pronoun! but also serves amayor function in defining law and order! laws! tradition and marriage contracts. +n +celandiclanguage the adverb   translates to always! forever . +n old English  translates to  law!  scripture!ceremony!  custom! marriage. 'rom  Kroto-$ermanic  ai%Q! ai%a5   "lawj#! from Kroto-+ndo-European oi%- "custom! tradition! lawj#. ?ognate with ld Sa,on Ro! l 'risian e%a, R%e, R, S!ld $erman R%a, Rha, Ra, R  "$erman Ehe#. +n old %orse   translates to ever ! at any time. 'romKroto-$ermanic ai%i "foreverj#. ?ognate with ld English ! %a! U! ld Sa,on eo! io! ia! ldigh $erman eo! io.

ll derivatives from  are vowel-structures such as Ro, e%a, R%e, R, S! R%a, Rha, Ra, R,  Ehe ,  ,

%a , U , eo , io , ia ,eo , io , symboliqing eternity and stabilityN2.

Scandinavian ego-pronouns are3 +! J! G‡! Gei! E! ! i! EG. /hese words also correlate to some of the-words. /he simultaneous usage of  as a Scandinavian ego-pronoun and the +celandic wordeternityj indicates a religious bacground! which correlates to the vowel symbolism in thesouthern European countries.

+n the map "fig. 1# the distribution of some of the Scandinavian ego-pronouns has been illustrated./he pronunciation of the trailing letter gj respectively ij will sometimes be suppressedNI3

• East-%orway3 Ja"g#! J"i#! Je"i#! Ji! Jeg! Ja"o#• West-%orway3 E"g#! Ei"g#! ›"g#! +!• +celandic3 “"g#• Jutland3 !  ›NL

• (aelicanNN3 +"g#

,he anomaly in the neighborhood o$ the !wiss city o$ 6hur 

significant anomaly of the ego-pronouns ieu, jau, iou, eau and i "and the corresponding divinenames# may be identified in neighborhood of the Swiss city of Chur! which is located at the

 bifurcation of the young river Rhine.

1. t the west side of ?hur the ego-pronouns develop an +E&j-branch and southwestwardspread to the Krovence and ccitania! transforming to JEj westward to Karis and as +j toEngland.

2. %orth of ?hur the ego-pronouns develop an +"#j-branch and transform to +ch and +c.

I. South of ?hur the ego-pronouns develop an +&j-branch! transforming at the center of the+-territory to +j and to +j at %aples! respectively +&j in Sicily.

L. East of ?hur the ego-pronouns develop an J&j-branch! transforming to the Slavic Jj!respectively southwards to the Macedonian variant J? " JS#.

/he anomaly at ?hur is not illustrated in detail. ?hur is well-nown for the first episcopal center atthe northern side of the lps! where the €ieuGe-! the €iauGa-! €iouio- and the €ihhih-branchdevelopedNT.

N2  › for ›ternityNI (istribution Map for the Scandinavion Ego-KronounsNL +n many western! northern! and southwestern %orwegian dialects! and in the western (anish dialects of /hy and

Southern Jutland! * has a significant meaning3 the first person singular pronoun +!NN t the map (aelican is located at the border area between %orway and Sweden - /he personal pronoun *+* in

Scan dinavian dialectsNT /he Etymological 'ieldlines

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A la%er!model for the ego!pronouns

,he archaic layer $or ego-pronouns

/he oldest of the ego-pronouns had been based on the manj-root! e.g. in Kersian language3   

"'m&n'#! in /urish €men and old-Kersian  "adam#! which suggests to consider a symbolic lin toManind! respectively the original creation legend of the first Man damj. Relations also e,pandto /uisco and Mannus.

2odern ego-pronouns7 which have been based on Dyaus

)ater the image of the divine ?reator and his creature dam may have been e,pressed in the ego- pronoun.

/he layer-model for European ego-pronouns may have been based on the ideas3

• that the oldest versions of the ego-pronouns had been based on manj or €Mannus.

• Modern ego-pronouns had been based on the sy-gods name (yaus! in which deteriorationcaused the loss and transformations of letters. +n 'rench the name €(ieutransformed to€(Gi "Walloon# or in Savoyan dialect €(e! in Krovencal dialect to €ieu! respectively in

 %imes from €(iou to €iou. +n northern 'rance the deterioration transformed (ieu to €Ge!respectively in England to €+. East of 'rance the ego-pronoun transformed from (ioj to€io! or in %aples to €i.

• +talian and Spanish ego-pronouns "iou! io! iu!...# have been based on the divine name (io"s#./he Kortuguese ego-pronoun €eu has been based on €(eu. >oth (ios and (eu have beenderived from (yaus.

• Slavic ego-pronouns Ga! Gau! Gac "Gas# have been based on (yaus! in which the consonants€( and €s.

• /he Scandinavian ego-pronouns ! Ge! Ja"g#! J"i#! Je"i#! Ji! Jeg! Ja"o#! also have been basedon (yus! in which the consonants €( and €s have been lost.

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1ummar%n inspection of ego-pronouns reveals that the oldest layer of ego-pronouns had been based on thefirst human being €dam "—š™  €men! respectively €mn €Mannus! or old-Kersian€adam#. /he names €dam and Menj in the ego-pronouns and €Mannu in the Sardinian divine

names €>abbu Mannu U Mere Mannuj are signaling a correlation between the ego-pronouns andthe creation legend"s#.

Ego-pronouns such as Sardinian (É& are corresponding to the divine name (È&. /he maGority of all modern ego-pronouns consists of vowel combinations or scattered parts of the names of a sy-god (yaus or its derivatives such as (eus and Heus.

'rom the ego-pronouns at border areas the typical €(- respectively €H-derivatives such asWalloon €d5i! the Savoyan €de! €d9! €/heu! /he Sardinian Ego-variants ;dego! €ego! €/euand €d@u indicate the preservation of less deteriorated versions of the ego-pronouns.

/he ego-pronouns belong to the most fre0uently used words and tend to deteriorate towards single

vowel versions in busy and densely populated trading areas "such as England! %orway! enice! %aples#. /herefore the ego-pronoun deteriorated to ij in %aples! West %orway! Scotland andEngland! to aj in Scotland and enice! to ej in +celand! to uj in lbania! to &j in Jutland andwest-%orway.

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AppendiJ K Calender ! #$F 1%nthesis "hase

Etymology 

•

n +! Which had been ?opied from the Word - &ploaded 111_21Lœeywords3 —š™! mn ! Mannus! old-Kersian €adam! Sardinian €>abbu Mannu U MereMannuj! Sardinian (u - (‡u! (yaus! (eus! Heus! Walloon €d5i! the Savoyan €de! €d9!€/heu! Sardinian Ego-variants ;dego! €ego! €/eu and €d@u! &j in Jutland and west-

 %orway.

• Etymology of the $enesis )egend - &ploaded

œeywords3 ?reation legend! Oud! iota! Joseph einrich

• $enesis Starting as the owel Word E+& - &ploaded 12^21L

œeywords3 painting! $enesis! E+&! œurrent script! Jot

5verview o$ the !ynthesis Phase

• recursive concept for the >iblical $enesis - &ploaded 1221L

œeywords3 Scandinavia! ›! Ood! +&! Jupiter! nought! "always*! *everj#! Wycliffe! %yyt!no,! )iyt! lž,#! shuru "female! the moon! left column! &#! chiri "male! the sun! rightcolumn! +#! Hohar! ebrew! ei! eirat! Ehe! eeuwig.

• Heus (erivation from +eus  - &ploaded 11^21L

œeywords3 Heus! +eus! +ove " +upiter#! Oahweh! (ivos.

•  %otes to the )etters Symbolism in the Hohar   - &ploaded 11N21Lœeywords3 long vowels ZaŸ eŸ iŸ oŸ uŸ[! short vowels Za e i o u[! Hohar! +&! Jupiter! ius!

 Gustice! Gudge! iugum! yoe! etc.! ei. w "custom! tradition! lawj#! Œaiw¡! Œaiwaq "lawj#!Œoiw- "custom! tradition! lawj#.

• alving U Joining the ?reatures Words in Symposium  - &ploaded 11221L

œeywords3 ?oncatenating ego "Meg)-pronoun and Œ%u-pronoun "plural# - Ja U vy "Russian# Javy! Je U vous "'rench# Jevous! +h U +uwih "ld high $erman# +hiuwih ! o U vos"otros# "Spanish# Oovos!  'o  U  Voi  "+talian# +ovoi! (Gi U os "Walloon#! Eu U os"Kortuguese# Euvos! correlating to Joves " $ovis d8es#!  OaCCala , Papus +eve ¢69 Nevej!

not-+j "all others the plural form for youj#.• + sing! therefore + am  - &ploaded 1T21L

œeywords3 (ecartes ?ogito ergo sum - *+ thin! therefore + am*! sound se0uence Zi[Zo[Zu[+& "or (+&-piter#! + am a singing thing to prove that + am a human beingj.

• Red U >lue in Salvador (alis +llustrations for (antes */he (ivine ?omedy*

œeywords3 Red U >lue! Salvador (ali! €/he (ivine ?omedy! (ante! >eatrice.

• (ictionary of Kroto-owel Words - &ploaded _I1L

œeywords3 E+&! ›+W! +V! OW. +&! +E&E "Jeve1#! +&E "Jove#! +&! "#W

"Eve#! permutations +&! &+! +&! +&! &+! &+.

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• Eternity - a Kre-/hales-Root for Western Khilosophy - &ploaded _I1L

œeywords3 /halesN\. >ertrand Russell!  pre-/halic philosophical ideas. low vowel Za[! thefront vowels Zi[ Zy[ Ze[! a semivowel Zw[ and the bac vowels Zo[ Zu[. aionj#! eternity! highage! custom! law! marriage! etc.  Gau! formula3 ~divine name• (j U ~ego-pronoun•.ego-pronouns ieu! iau! iou and ih! Rhines bifurcation! Chur! A!!H!I!O!6!P! E! I! ! &. dia&riti& , ape , long '-vo%el . ! I! &! ! I! V! Frederi&D ''' s device  N-E-'-W-

G .

5verview o$ !ymbolism in my Paintings

• )ifetimes ?oloring >oo "1_NL-21L# - &ploaded _1T1L

œeywords3 androgynous! ?olan! Kicasso.

3mplementing the Ego-concept 

•

)etter->ased uMan F uploaded T._.21Lermann >urger  €/he Word->ased ManN^ Oahoo "+ahu# human! QRS "eg{#! ! OW.

ic! ich! ia! iu! 5au!  5eu!  5ou! QRS "eg{# human! Jonathan Swifts +ahoo "OW# $ods +mage.

 +naly8ing Emerson9s wor4 :;ature: < the =ahoos in Gulliver9s ,ravels

• >lac /races in White %oise "analyqing Emersons wor *%ature*# F &pl. 2_.^.21L

Ralph Waldo Emerson %ature antipodes procreate right "straight# wrong "twisted#

Robert 2usil9s !alvator 'or )2an without >ualities?*-Pro.ect 

• /racing Se0uences in a Khilosophical )ibrary  - &ploaded ^1L1L

androgyny! Musil Siamese /winsj

• Mausoleum of Words F Musils (esign of €/he Man Without ualities F &pl. ^N1L

Musil! fictive biography! sibling love! chapter /he Siamese /winsj! twin sister &topian!alter Ego! siblings &lrich U gathe! clothing colors. red! green! blue and yellow.

• /he ?olor Symbolism of Khilosophers  - &ploaded \2^1L

Man without 0ualitiesj Musil yellow U blue complementary red U green! antipodes violetor purple. $oethe! %ewton! Ewald ering! %atural ?olor System "%?S#.

• +n Search for a œeynote in Robert Musils €Man without ualities* - &ploaded \221L

Musil €Man Without ualities! androgynous roots.

•  %otes to Robert Musils Salvator-KroGect - &ploaded \121L

(iotima! >onadea! Robert Musil Man without ualitiesj Khilo! $od ?reator without0ualitiesj.

N\ c. T2L F c. NLT >?N^ /itle in $erman language3 €(er Mann! der nur aus Wrtern besteht

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@eus < the pillars o$ the s4y 

• Red U >lue in Solomons /emple F published 21 T 21L

œeywords3 /heosophy >oaq U Jachin! red U violet-blue J-pillar! >-pillar! Sun U Moon.masonic lodges. /riad! trinity! "+! ! & respectively in ebrew O! ! #.

• /he Worlds Killar in the Words F published I N 21LHeus! collapsing sy! ?elts! le,ander! pillars! rthur >ernard ?oo.

• Synthesis of the (ata in Heus by rthur >. ?oo "1_2N# F published 2^ N 21L

Heus! rthur >ernard ?oo "1_2N#! JanusHan! support pillars! Jou-!Jeu-! piterHeus!

•  %otes to *Heus* by rthur >ernard ?oo "1_2N# published 2\N321L! consisting of

1. /he E-+nscription at the mphalos of (elphi - %otes "1#2. +n the %ame of Heus - %otes "2#I. /he oliest Spot in ll ellas - %otes "I#

L. Januslie (eities - %otes "L#N. mber /rading - %otes "N#T. Retrospect - %otes "T#

Heus! the >right ne! day-light Sy! qo]stic omer! Sy-god! pantheon! sT%!prop! 3iana!pillars, Ag%eUs!pillars of $reece

E-Vowel inscription at the 5mphalos o$ Delphi

• /he E-+nscription at the mphalos of (elphi F published 2N N 21L

œeywords3 (elphic! omphalos! 2 eagles! Heus. pollo! letter E! $a "or *$as*! *$aq*#

 +ndrogynous symbols

• ndrogynous Symbols in Rembrandts Return of the Krodigal Son  F published 2NL21L

œeywords3 Return! Krodigal Son! Rembrandt! digit ratio! males! females.

Red < lue in +achen and 2aastrichtA

• Red U >lue and ther Symbolism at the eart of Europe F published L121L

œeywords3 achen! Maastricht. ?harlemagne! red! blue! purple! vowels! monogram!

cartouche.

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AppendiJ K Calender ! #$ K Vowel1%mbolism

 B-words

• Etymology of the ›-words - Kublished on (ec T! 21I

grapheme! sc "*ash tree*# nglo-Sa,on futhorc rune ! ash £.ᚫ

• Red and >lue in the Kaintings /itled ?leansing the /emple - Kublished on (ec 2! 21I

 %ational Museum! Warsaw! Koland! >ernardo >ellottos "?analetto# Jesus ?leansing the/emple! red U blue! yellow! green robes! $iotto

• n nalysis of )anguage - /esting $oogles %gram /ool - Kublished on %ov 2N! 21I

$oogles %gram digitiqe

 +lphabetical hieroglyphs

• Encryption and (ecryption of the lphabetical ieroglyphs - Kublished3 1D ' $ ' #$

-+-&! -E-+--&! long vowels U V! O U H "1LT >?#.

•  %otes to Sefer Oetqirah - Kublished3 1 ' $ ' #$

Sabian! ?haldean planetary! /imaeus! Sefer Oetqirah. trinity +! ! & or :! Q! V! Ž! ¤! ! P! ‹!! E! +! ! &! ! E! ! +! ! O! V#. ¥¦! +E! etc... :QV! :QV§ "Jehovah#! +! +! +&or :QV! +&! +E& +E&! :QV§..

• Kermutations of the /rigrammaton OW - Kublished3 1 ' $ ' #$

- documenting the appendi, in %otes to Sefer Oetqirah -

•  %otes to Etymons of English Words "1^2T# - Kublished3 1G ' $ ' #$

I! pron. personalk $othic3 i, ei5, eg, iag, iT k Sa,on3 i, iek /eutonic3 ichk (anish3 iegk $ree3XRY, XYk )atin3 egok +talian3 iok 'rench3 5ek Welsh3 i! signifying the same! the  self-same

individual .

I was used by the $oths and English instead of their ia! our %ea! which have nearly the sameformation! and was written % by Shaespeare. /he rabs say % for me.

,he planetary symbolism

•  %otes to Klatos /imaeus and Symposium - Kublished3 1 ' $ ' #$

 planetary system \ ?haldean planets and the stars - referring to seven $ree vowels3

Moon ! Mercury E! enus ! Sun +! Mars ! Jupiter O and Saturn V

• /he Seven /emples of arran - E,plaining the vowel symbols in :QV F $ ' $ ' #$?haldean planets3 Moon ! Mercury E! enus ! Sun +! Mars ! Jupiter &O enSaturn V. :QV! :QV§. :QV§ starts with :QV.

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• Some %otes to Sabian Khilosophy and /imaeus - Kublished3 $ ' $G ' #$

Klanet cult of arran "Roman3 ?arrhae# and Edessa "&rfa! and today3 ¨anl©urfa# is basedon worshiping the sun! moon! and five other visible planetsj.

Sabians planets vowels! metals colors! seven temples! devoted to each of the seven planets.

arran /imaeus the sun illegal childrenj "Mercury and enus# to meet L planets "Moon!Saturn! Mars! Jupiter# in their special universal orbits.

Klatos /imaeus orrery [P\]^_ "JehovaN_# N swiftnessj-system IAPO6! represented byN basic vowels. 2 planets "Mercury and enus! vowels respectively  H# are additionalelements! which didnt play a substantial role in the fundamental laws of harmony.

Mercury "ermes# U enus "phrodite#3 illegal positions in the pedigree Saturn "œronos# Jupiter "Heus# Mars "res#.

Sun! the Moon! Saturn "œronos#! Jupiter "Heus# and Mars "res#! represented by [P\]!which initially F before the birth of Heus - originated as the /rigrammaton [P`

,he ;umber o$ Vowels in +lphabet 

• Kermutating the owels - Kermutations in the Evolution - Kublished3 $ ' # ' #$

Ego-words K+E-source sy-god..

• /he (erivation of European Ego-Kronouns from the K+E-Sy-$od (yaus

Ego-pronouns Man › ›! ¤! Ž! and ehe. +! J! G‡! or Gei! E! ! and i and *EG*. iing!hyphen! diaeresis or trema.

P3E Design

• "Re #(esigning a K+E Structure - Kublished3 N ^ 21I

K+E-concept *eternity* pronouns! wisdom! evening! darness! light! vowel-structures.

 +rchaic Vowel symbolism

• rchaic 'etishism - Kublished3 L I 21I

rchaic! fetishism! ›! and O or V are potential fetishes. consonants are con-sounding.

dayj! /hursdays! ego-pronouns! Gustice! piousness! youth! yoe! Goy etymologicalfetishism.

• /he ermetic ?ode, +++ - owel Symbolism - Kublished3 I 2\ 21I

+n Mediterranean areas the divine names are correlating with the ego-pronouns. owelsymbolism never has been interrupted from I!N>?E to appro,imately 1_?E.

• /he owels Symbolism in rchaic ymns -

 Xotes to the vo%els in +e Elo&utione of +emetrius - Kublished3 I 2L 21I

 +e Elo&utione of +emetrius  uttered in their succession3 -E--+--&-V3

*+n Egypt the priests! when singing hymns in praise of the gods! employ the seven vowels!which they utter in due succession k and the sound of these letters is so euphonious that menlisten to it in preference to flute and lyre.*

N_ +n the Jewish-Egyptian magic-papyri it appears as YZ[\]^_.j "source3 %MES ' $( - JewishEncyclopedia#

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• Red! White and >lue in some rtwors "amburg# - Kublished3 21T21I

Red! white and blue! amburger œunsthalle! $rabow ltarpiece! dominated by red and blueto symboliqe antipodes such as salt and sweet waters! dam and Eve! ?ain and bel.

•  %otes to *rigins of a Kronoun* by Kalmer! S.>. "2N# - Kublished3 12I21I

?apitaliqation! personal pronouns of the 1st and the 2nd person! documented in */he riginsof a Kronoun* by Kalmer! S.>. "2N#. + !  I !  Ik, I  and I derived from or correlated to6ggdrasil, an *s& *ash tree*! honored by an upper case for religious reasons. +gg  "din# amaster for his creature Oj! Og! Eg! +ch! +! and › consisting of a vowel combination › amale sr U a female Embla.

• Some %otes to *Etymons of English Words* by John /homson "1^2T#   - Kublished312I21I

?ollection of Scribd-papers at dravivararo! Shaespeares spelling arbitrary! hieroglyphics or runes3 sacred symbols used in an atmosphere of superstitionT.

T Etymology of English Words ! page 2L-2N

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AppendiJ K Calender ! #$# K Vowel!oriented1%mbolism

Etymology 

• rchaic Khrases - Kublished3 122^212

Eymological anomalies in colonies! islands mountains! remote territories.South-fricanwords3 peuselhappieT1! hiGsbaieT2! moltreinTI! papwielTL. 

rchaic words often short3 *  as a multifunctional wordk ash! from Wld English  *s&! * spear *.

• s Slow s Kossible F S"t#imulating Eternity - Kublished3 11I212

Symboliqe eternity F in thoughts! tones! songs! vocals! vowels! words! poems! architecture!

 paintings! boos ± the human voice.• +mages of $od - /he rigin of the Ego-Kronouns in $ods %ame - Kublished3 112_212

(ecipheringk trouble to encrypt a message. European  Ego-pronounsTN! Proto-'ndo-European

sy-god +yaus.

!avoy and ;imes

• /he Ego-Kronouns in the (ivine %ames - Kublished3 111\212

Havoyard dialect! dictionary! dialect variants. lpine and remote areas. (j and Hj.

•

/he Ego-pronouns and (ivine %ames in Savoy 'rench (ialects - Kublished3 111T212Savoy! independent 1L1T - 1\1L! then Sicily and from 1\2 Sardinia. 'rom 1\_2Savoy 'rance.

 Jeudi   is de diuj!  iu's day3 $ods dayj. $odj and the ego-pronounTT  T\. sy-god +yaus, @eus, $upiter, Tyr. 3j! 367, de5e, de/%e.

• Oiouj U (]ouj in the dialect of %imes - Kublished3 111N212

 Nntoine `ippolyte Migot  "1^2N F 1^_\#3 poem in Krovencal! %mes. Ego-pronounsT^ "yiouj!m]ouj# "(]ouj# iuj (iuj in 'rdric istral s ir7io#.

(]ouj-spelling Œ(iou-piter! the K+E-root for Jupiter. (iou has also been found in thedialect of illar-St-Kancrace where the ego-pronouns are iòu m. ! respectively m% iòu T_ 

T1 snacT2 elevator TI subwayTL broen tyreTN /he personal pronouns for the first person singular TT the personal pronoun of the first person singular T\ /he dialects SOR( - rpitania.euT^ /he personal pronoun of the first person singular.

T_ Katois of illar-St-Kancrace "for the moment this site unfortunately seems to have been lost# 3Kersonal pronouns3 "?as suGet ?as rgime atone toni0ue direct indirect#Sg. 1ˆp a "l‰# iu mŠ! m‰ iu 2ˆp t…! t‰ tŠ! t‰ t… Iˆp M u"l#! al ei"l# sŠ lu ei ' eilo la eilo % o! ul! la - lu - Kl. 1ˆp n‹Œn‹Œ 2ˆp ‹Œ v‹Œ v‹Œ Iˆp M "q# sŠ l‹Œ i‡ ' eilŽ "eilaq# lŽŒ eilŽ

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,he Habsburg +E35/-device

• )ove is a five-letter bird - Kublished3 ' ' #$# 

'rederic +++! absburg! E+&. $nostic wisdom! bra,as! Q!:!Vk Q!!!:!!§!V! E+&.

edwig von Meclenburg. abbess  of the cloister Ribnitq! 1L2I! ² 1LT\! and duchessElisabeth von Melenburg! daughter of einrich +++. of MeclenburgSchwerin "abbess1LT\ ² 1NI# used a similar E+&-device for their signature stamps\ "included the imageof a bulls head#. /he stamps have been used for at least 2 documents! dated 1LT_respectively 1L^2.

• (esigning a new )anguage - /he (ictionary of sacred owel /riads - Kublished3 ' $ '#$# 

?abalistic! abbalistic! Ood or iota! E+& "sipping and V#! 4=<D78; Q:§V.

,he P3E-,rinity-6oncept 

• )amentation for /yre - Kublished3 ' $F ' #$# 

)amentation for /yrek state of the art! including materials! soldiers! payments and special0uality descriptions. eseiel 2\ seems to specify e,actly the same colors White! Kurple! Red and>lue as they have been listed in the divine commands at E,odus 2N 3L and 2 hroni&les I31L.

• Symboliqing Eternity - /he /able of owel-Symbolism - Kublished3 $ ' $ ' #$# 

?orrelations between vowels! pitch! metals! planets! days of the wee and the rainbowscolors#! which to a large e,tent has been condensed from Joscelyn $odwins wor.

• Short /reatise of owel-Symbolism - Kublished3 $ ' # ' #$# 

/he correlations between vowels! pitch! planets! metals! days of the wee and the rainbowscolors "/able# are consistent in e,plaining the seven earth-bound elements in the vowels!metals! planets! days of the wee and the rainbow.

• Reconstruction of the K+E-/rinity-?oncept - Kublished3 $ ' #F ' #$# 

K+E-trinity-conceptk (yeus! (ieu! +&-piter! +! the ?laudian letter! Klatos Symposium!omer! E,odus 2N3L! 2 ?hronicles I31L! /he Karallel )ives by Klutarch! SchoolclassReligion in1_NL-1_NN and the anomaly for the ego-pronouns near ?hur! Switqerland.

Retrospects

• Memories of )anguages - Kublished3 $ ' # ' #$# ierarchy is the K+E-language with its hierarchical vowel structures! the primary color-hierarchy! and the ego-pronouns as top-elements in the etymological hierarchy.

• Retrospect on the Kronouns Etymology - Kublished3 $ ' $ ' #$# 

discussing a chec for integrity and contradictions respectively *?argo ?ult Science* asdefined by Richard 'eynman.

\ $eorg ?hristian 'riedrich )isch 3Siegel der erqogin edwig von Melenburg! ebtissin des œlosters Ribnitq! 1L2I! ³ 1LT\! und der erqoginElisabeth! edwigs %achfolgerin +n3 Jahrb…cher des ereins f…r Meclenburgische $eschichte und ltertumsunde! >and 21 "1^NT#! S. I1L-I1N

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6olor 6odes in Cosephus9 records

• /he Symbolism of the ?olors Kurple! White! Red and >lue - Kublished3 $ ' $F ' #$# 

Josephus categoriqed red and blue as images of the fire and the sy. +n contrast purple andwhite have been considered as representing their sources "the sea! respectively the earth#.

ac4 to the Roots '+rchetypes7 ,rinity7 the +ssyrian Ego- pronoun*

• /he /rinity ?oncept - Kublished3 $ ' # ' #$# 

/engri! œhuday! (eos and $odj! in which the earliest written divine concept of the sy-godhas been documented as I stars F indicating a I-fold basic concept! which subse0uently has

 been reduced to a singular star.

•  %otes to the /uric Runic lphabet - Kublished3 $ ' #$ ' #$# 

/uric sy god /engri similar to the +ndo-European sy god! Œ(yeusk the structure of Kroto-+ndo-European religion "K+E-religion# is closer to that of the early /urs than to the religion

of any people of %ear Eastern or Mediterranean anti0uity. /he ssyrian first personal pronoun is related to the divine name "$od#! Gust lie 'renchKrovencal "ieu F related to(ieu#! +talian "io F related to (io#.

• /he Superman rchetypes ?olors - Kublished3 $ ' #$ ' #$# 

Red and bluek decorations of temples! sculptures! bibles! paintings! frescoes! coats of arms!flags have been revived in the modern comics! games and movies of the twentieth century.

• Red and >lue in ?.$. Jungs */he Red >oo* - Kublished3 $ ' ' #$# 

/he bipolarity! the androgyny! the coloring of initials! the colors red and blue in Jungsmasterpiece corresponds to similar symbolism in a great number of medieval manuscripts.

• ?apita Selecta on Red and >lue ?oloration - Kublished3 $ ' $ ' #$# œudrun "or $udrunlied# a medieval description of medieval flags. +n tale the 2\th "ow)udwig and artmut met the egelingsj# artmut names the banners of the coming nights.

/he earliest historical evidence for the 'risian flag. East +ndia ?ompanys flag as a predecessor for the Stars and the Stripes. Evidence may be found for masonic origins for flags and other predecessor lins between flags.

• Reinterpretation of the ?reation )egend - Kublished3 $ ' $ ' #$# 

/ranslating the >iblical word baraj! misinterpreted as to createj instead of to separatej. correct translation to separatej leads to the 0uestion of the obGects to be separated and theintention of the separating process.

Designing a High-Precision language

• )anguage as an *+ntelligent (esign* - (esigning a igh-precision )anguage - Kublished3$ ' # ' #$# 

Studying Khaedrus ideas + considered the precision of our linguistic tools. What could besaid about its precision and tolerances

• /he +-Words in the Welsh (ictionary - Kublished3 $ ' ## ' #$# 

+n the (ictionary - English to Welsh + found some interesting +-words! which seem to becorrelating to other +- and +&-words in Mediterranean languages.

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• Some %otes to the Word €we - Kublished3 $ ' ' #$# 

/he word wej is a 0uite interesting obGect for study. /he word may have deviated from anearly word aghej " agony# to another! newer e,pression found in the runic dictionary3ewa! ava! euwin! euwini! which are used for eternityj.

6olor !ymbolism• Some %otes to */he ?hronicles of the Kicts* - Kublished3 $ ' $ ' #$# 

?hronicles f /he Kictsj provides me with e,cellent information about the colored people"the Kicts# in a region full of whites "the lbiones#.

• Madonna asa asa - Kublished3 $G ' ' #$# 

?hrist is wearing a red robe. /he main outer robes however are a blue coat for the Madonnaand a red robe for ?hrist.

• /he 'lags ?olors of >ad Wimpfen - Kublished3 $G ' $G ' #$# 

>ad Wimpfen uses a red-white-blue flag! which motivated me to research the origin of thesecolors.

• Why >lue has been Made an +nferior ?olor "e,plaining the symbolism in positive Red andnegative >lue# - Kublished3 $F ' # ' #$# 

voidance of blue! development of dyes! artificial coloring. Evil character! bad omen! evileye! fertility! procreation.

• n Endless ?hain of Metaphors - Kublished3 $F ' ' #$# 

Kre-medieval and medieval life and language! androgynous Man! male and female partners halves of Man. Metaphors.

Rainbows in the )!tuppach 2adonna? 

• 'alse Rainbow Symbols "in symbolic and religious paintings# - Kublished3 $F ' $ ' #$# 

'alse rainbow"s# in the Stuppach Madonna! other samples of similar deviationsk colors in therainbows.

• Etymology for (y! /iw and "+j# - Kublished3 $F ' $D ' #$# 

dayj " (yaus! (ies#! - /iwj "the supreme sy-god of daylight! respectively /iwaq!ᛞ ᛏ

Hiu! (yaus! (eus! (is# and the ego-pronoun - "+j# interrelated and important linguisticᚨ

elements.• /he double rainbow in the Stuppach Madonnaj - Kublished3 $F ' $D ' #$# 

"2 # rainbows or nimbus-circles crowning the divine! probably solar image of $od.

/he rainbow crowning $od is a purple image! which may symboliqe a mi,ture of male redand female blue! resulting in an androgynous symbolism. /he adGacent secondary"purpleblue# rainbow is hardly visible at all.

• /he Etymological 'ieldlines - Kublished3 $F ' $D ' #$# 

*› for ›ternity - World made of Word"s#* the ›-pole at the Scandinavian %orth poleand the +&-pole in the Swiss city ?hur. a linguistic field distribution for the ego-

 pronouns.

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;ew =ear

• /he 'irst of pril as %ew Oear  - Kublished3 $ ' $ ' #$# 

/he Suns rebirth at the winter solstice. Sun is reborn! but nature remains 0uiet and froqen.t this wintertime only the human being is engaged in feasts! Romes Saturnalia.

!alutations

• Salutations! (ivine %ames! Weedays and Ego-pronouns in Many )anguages - Kublished3$ ' $ ' #$# 

Salutations! good dayj-wishes! dieuj- $oodbyej or 'arewellj-salutation#.?orrelations to the divine name and to the ego-pronoun! to dayj! divine names! the wordfor dayj! ego-pronouns and weedays "usually /uesday or /hursday#.

,he Danish B-pronoun

•

(ictionary of the $ermanic œeywords "based on the ›- respectively ›+-eys# - Kublished3$# ' D ' #$# 

/op-level-rune sch "›#! illustrated in "/he ?reation )egend encoded in a Singular owel# and › for ›ternity - World made of Word"s#. ›-symbol fundamental symbolkcreation legends! the unifying symbolism! the eternity-concept! the clans stability factors!the home-concept! the ego-pronoun! the basic words to bej and the thej-article! a number of 0uality-concepts "courage! respect! fame! etc.#! sacredness! holy stones etc. /he eternity-concept i "always#! inig´ "uni0ueness#! iµa "mother# and iga "property#.

• "/he ?reation )egend encoded in a Singular owel# - Kublished3 $# ' ' #$# 

Khoneme › Zae[ represents the first person singular pronoun +! a definite article thej! theverb isj! running waterj and "in ld-English#3 law! scripture! ceremony! custom! marriage.+n the $ermanic legends the ›-vowel refers to the worlds a,is! poles! running water and thegods "›sir#.

•  › for ›ternity - World made of Word"s# - Kublished3 $# ' F ' #$# 

/he old-English word ›! which had been defined as eternal law! archaic custom andmarriagej! ego-pronoun in many %orwegian and (anish dialects. /his ego-pronoun mayhave been derived from the central letter in the K+E-root Œ(y&us.

2ithras 0iturgy 

• owel-Se0uences in rchaic Manuscripts - Kublished3 $# ' $ ' #$# 

owels must have been the archaic fundamentals for religious symbolism. /his manuscriptdocuments the typical vowel-se0uences in various ancient papyri.

• ddenda to the Mithras )iturgys /ranslations - Kublished3 $# ' $ ' #$# 

nalyqing (ieterich‰s boo in Marvin W. Meyers translation Mithras )iturgyj +identified a number of other vowel se0uences.

• /he owels EE+O in the Mithras )iturgy - Kublished3 $# ' $ ' #$# 

/he English version of the manuscript the Mithras )iturgy reveals some interesting

0uotations of genuine vowel se0uences such as Neeiouo in several divine names and other sacred te,ts.

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,uesday and ,hursday 

• (yaus in the $ermanic Weedays - Kublished3 $# ' $ ' #$# 

?orrelation to the ego-pronouns "in $erman mostly +hj! respectively +j# the mostimportant $ermanic deities are those which are related to /uesday3 /¶r! /iw! /ig and Hiu.

,he P3E-concept 

• /he +s ntipodes "Kublished3 $ ' ' #$#) 

?entral core\1! which seems to have been designed around the K+E-names +ybus Ph2tbr 

"the god of the day-lit sy\2# and dei%os  "god#\I. (ifferences between the original K+E-concept "using a (j or /hj as first letter for the divine K+E-names (yaus and (eiwos# andthe Mediterranean system "avoiding a (j or /hj in Jupiter and in OWj#.

• /he œey Morpheme - analyqing the K+E-concept "Kublished3 $ ' #D ' #$#)

/he top-morpheme or ey-word! which may be traced as vowel-se0uences in a few word-

categories "the divine name! the ego-pronoun! the day and the day of the wee#.• (ivine Se0uence of owels "Kublished3 $ ' #F ' #$##

K+E-names "Œ(y·us# and "Œdeiw-os# are based on antipodes! symboliqed by the vowels +and &. breathrough may be reached by accepting the Godj-consonant as a vowel ij.

Redundancy 

• /he Khilosophical %ucleus "Kublished3 $ ' ' #$##

?up and ring mars! a standardiqed color hierarchy! a biblical creation legend! a vowels

hierarchy! a word hierarchy. Redundancy allows us to reconstruct disturbed or corruptedhierarchies.

Goethe9s 6olor ,heory 

• Symbolism in ntipodal ?olors "Kublished3 $ ' $ ' #$#)

&p to 1\^N $oethe clearly identified the three basic color elements! in which blue andyellow are the basic! antipodal elements and red is the synthesis of light. countryj!$oethe concluded! starts out from a name and a flag! and it then becomes them! Gust as aman fulfills his destiny. /his idea has been interpreted by 'rancisco de Miranda to derivethe present national flags of ?olombia! enequela and Ecuador "1\^N#.

\1 /he œey Morpheme - analyqing the K+E-concept 

\2 See for details3 K+E-religion\I  eus ")atin pronunciation3 Z¸deŸ¹s[# is )atin for *god* or *deity*. )atin deus and dcvus *divine*! are descended from

Kroto-+ndo-European  Œdei%os! from the same  root  as +ybus! the reconstructed chief god of the Kroto-+ndo-European pantheon. 

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AppendiJ K Calender ! #$ K Vowel!oriented1%mbolism

5verview 

• >ipolar Monotheism "Kublished3 # ' # ' #$) ! eads4 $#

Khase 13 >ipolarity3 cups and pillars! burial rituals. Khase 23 bipolar gods name Œ(eiwosand a sy-gods name Œ(yeus and its derivatives. Ego-pronouns seem to have been designedas vowel se0uences. +n phase I ancient religions often started from a bipolar deity! such asthe Roman god Janus or (ianus!.. +n a fourth Khase both Julius ?aesar and /acitus comparethe most important deity in $ermania to Mercury "ermes#. +n the Middle ge the emperorsand ings preferred the colors red! blue and purple for their garments! graves and flags.

6laudius9 letters• /he O-Kroceedings "/he O-œey to the English Ego-Kronouns# Kublished3 # ' $ ' #$ 

1st  genuine English Ego-pronoun is the capitaliqed word Oj! which has been used byWycliffe between 1I^2 and 1I_N. Suetonius describes ?laudius invention of three newletters O! and and added them to the alphabet. Wycliffe may have understood theↃ

symbolism of the sound between u and i and the androgynous creation legends.

,he +lpine Pronouns " 

• nalysis of a )inguistic nomaly in the lps Kublished3 $ ' # ' #$ 

Journey to $raub…nden to study lpine dialects with Ego-pronouns iujjiaujjioujcorrelating to the divine names (iujj(iaujj(iouj. /he lps seem to have conservedsome genuine forms of the original Ego-pronouns and their corresponding divine names.

• /he Secrets of the Kronouns "(iary 'ragments 2_-211# Kublished3 $ ' ' #$ 

/his manuscript describes the decoding process of religious symbolism in the K+E-languages.

• owels for Eternity Kublished3 $ ' $ ' #$ 

ccording to Morris Swadesh in any language the most important word is the ego-pronoun.

/he most important characters are the vowels F the non-vowels merely are to be consideredas additionalj consonants.

• (ictionary of Sacred Words Kublished3 $ ' $D ' #$ 

+n fact the vowels may have been the carriers of symbolism! whereas the consonants weremerely providing the carrier structure.

• /he ?reation of West-European Kronouns "Summary# Kublished3 $ ' $F ' #$ 

Mayor role of vowels in naming the $ods! the ego-pronouns and the yes-words. owels +and & considered as the male U female symbols. Most sacred symbol is the Ej-vowel!respectively the ›j-vowel "Eta !j#.

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,he +lpine Pronouns 1

• ndermatt F ?enter of the ?eltic nderworld Kublished3 $D ' ' #$ 

?elts defined lps as head0uarters. Kronouns +E&! +& and +& and their controlleddeterioration "JE! O! J#k special landmars in the lpine region.

•

?eltic Religious ?entre in the lps Kublished3$D ' F ' #$

 /wo parallel series of Ego-pronouns the iu! ieu and iau-series in parallel to the mej- andmoij-series. owel-pronouns +Œ& as ?eltic etymological and religious traces in the lpineregion! having survived in remote lpine areas.

• /hou! + and We - n nalysis of Kronouns Kublished3 $D ' ' #$ 

+&-combinations identified in names for sy-gods "+upitter! ºiu! +#! in the €Ego-Kronomina "ieu! iou! iau#! in the wej-pronoun &&+"R#! but seldom in the /hou-pronoun.

• Spelling Joe 2T - +s it a Goe at all Kublished3 $D ' $ ' #$ 

ne of the most remarable linguistic inventions has been found in Spelling Joe 2T ow

do you spell wej with two letters without using the letters W and E nswer3 & and +.• )anguages! Religions and %ames  Kublished3 $D ' $F ' #$ 

Which of these! the Kroto-+ndo-European language or the >ible! is the elder of both

• /he Reconstruction of Some riginal Ego-Kronouns Kublished3 $D ' $# ' #$ 

+nitially the word Egoj may have been designed as eioj or eiuj! which had been derivedfrom j(eiosj or /heiosj! respectively (eiusj or /heiusj. Ego-pronouns served as thevowel-cores for the divine names.

• JWRs Scribd-rchive F n verview Kublished3 $D ' $ ' #$ 

• $ender-?oncepts in ?reation )egends Kublished3 $ ' ' #$ ?omplementary creation processes in the biblical ?reation )egend.

• &pdating My 12 Karadigms "an overview U summary# Kublished3 $ ' # ' #$ 

 %ew set of paradigms as a concept of the origins of myths! grown from a common source of  bipolarity! evolving in several sets of symbols F the colors! the vowels +!!&!E!!O! the Ego- pronouns "Mannusj! manj! moij! mej! e,panding to iuj!iauj!iouj! and culminatingin +hj! Oj! +j#! the divine names "(iuj the 'rench (ieu ! (iausj the +ndo-European (yaus! (iousj the )atin +&-piter#.

• n ndrogynous llegory - isual ?hautau0ua Kublished3 $ ' # ' #$ 

ndrogynous allegoryk androgynous religious bacground! in ieronymous >oschs paintings! in the pronouns of our languages! in the flags colors! in the fertility rites of theermetic ?odices and numerous other wors! in the sagas! narrations! legends and?hautau0ua-sessions of the past.

 Bl$ric9s !ermon

• nalysis of ›lfrics )anguage "ld English te,t - before 12N# Kublished3 $ ' # ' #$

 ›lfrics Sermon "before 12N# of ld English with possible $erman roots. Some of these

words "such asTha, The, =elyfath, Xe, Thurh, Ngenne,

  etc.# may also be e,plained inrelation to (utch and 'rench roots or even to alternative $erman or )atin roots.

• /he - nd O-Events in the Roman Empire Kublished3 $F ' $ ' #$ 

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/he first event ! probably triggered by a powerful emperor ?onstantine + around I1I!standardiqed the divine name to (iu or (iu and the corresponding Ego-pronouns to iu or iu. /he second event O! probably triggered by a less powerful European leader between L(-^ (! redefined the divine name to (i or (i and the corresponding Ego-pronounsto i or i.

• Short istory of )anguage Kublished3 $F ' # ' #$ 

Most of the comple, Ego-pronouns are using similar patterns for their structure3 the predecessor pronouns refer to the archaic mej-concept! whereas modern pronouns all usevowels! which originally may have started with a Ood "+j#! to be followed by another vowel!E! and a trailing vowel &.

Dante

• /he Krime Words in dams )anguage Kublished3 $F ' # ' #$ 

/he origin of human speech has been based on the prime words which most probably may

have included the personal pronouns of the first and second person. (ante lighieri in his(e vulgari elo0uentia suggests that the name El was the first sound emitted by dam.

,he 2ystery o$ the !even Vowels

• /he Sacred owels in Kronouns Kublished3 $F ' $ ' #$ - Reads3 D$ 

 %otes to /he Mystery of the Seven owelsj "1__1# by Joscelyn $odwin! who identifiedowels as sacred symbols in +ndo-European languages. %umber of vowels may vary

 between three "+! ! &#! five "+! ! &! E! # or seven "+! ! &! E! E! ! #! or even more.

,ranslation Errors in Eodus• nalysis of the /ranslation Errors in E,odus 2N-L 

>ible-translations do not refer to blue! but to yellow. /he error has been revealed at the)uther >ible 1NIL. Errors were introduced at least 1L\\! before )uther published his wor.

• Some ?olor œeys in Kaintings Kublished3 $ ' # ' #$ 

Medieval symbols have been devoted to a special message! which could not be written downin plain te,t! but may have been encoded in some of the graphical elements such as the color codes.

,he Vowel9s !ymbolism

• n the Symbolism of the owels -E-+--& ± Kublished3 $ ' F ' #$ - Reads3 DDG 

Joscelyn $odwin describes various religious symbols in vowels of ancient languages. /henumber of vowels varies between I "+! ! &#! N "+! ! &! E! # or \ "+! ! &! E! E! ! #.$odwin 0uotes the most interesting series listed by $odfrey iggins in the 1-vowel name +!the 2-vowel name +E E+ on the sanctuary of pollo at (elphi! the I-vowel name l! theL-vowel name +EE! in which & and are e0uivalent and the T-vowel name JE .

,he 3/-6odes

• /he (iety +& Kublished3 $# ' ' #$ 

+& as a early deity. 'ound in +&-piter "Jupiter and Juno# - O "as +& - +ao and +au - (iaus

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and other +ndo-European names for the sy-god and the Ego-pronouns.

• English and $lobish - ptimiqed )inguistic (esigns Kublished3 $# ' $D ' #$ 

Morse-code-principle3 assigning shorter se0uences of dots to fre0uently used symbols tooptimiqe the communication speed.

• E for Enigma "n verview# Kublished3 $ ' #F ' #$ 

male +-! respectively an androgynous - and a female &-element! replaced by other E- or -vowels or +&-combinations. /hese male! androgynous and female elements considered asthe archaic fundamentals in human society and creation.

Delphi9s 0etter E 

• E - of the E-symbol Engraven ver the $ate of pollos /emple at (elphi Kublished3 $ ' #$' #$ - Reads3 GD 

Shortest aphorism is the E-vowel! inscribed above the entrance portal! e,plained as amonotheistic concept /hou art onej! resembling the biblical response + m that + mj toMoses! when he ased for $ods name "E,odus I31L#. alid answer to the enigma of the ieu-

 pronouns and the (ieu-names in Krovencal language.

!ymbolism o$ 6olors

• Symbolism of Kurple and Scarlet in $ree and Roman Societies Kublished3 $ ' ' #$ 

nalysis of */he Karallel )ives* by Klutarch for 0uotations of purple and scarlet! from the beginning of Roman history until Klutarchs writings around 1 (.

• Red and >lue in rchitecture and rtwor Kublished3 $ ' G ' #$ 

+mbalance between red U blue-combinations and other basic colors lie green and yellow./he imbalance has been identified from the earliest forms of Jewish! $ree and Romancultures. $ree temples were! as a rule! colorfully painted. nly three basic colors! with noshades! were used3 white! blue and red.

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AppendiJ K Calender ! #$$ K (he go!pronouns, "I, Eir@io

ycli$$e

• /he Wycliffe >ible Kublished3 # ' #F ' #$$ - Reads3 # 

Wyclif >ible defines *nouyt* for the creation of the sy! earth and for manj. $od madeof nouyt hem! male and femalej defines the first manj as a plural individual! male andfemale character! which implies an androgynous couple.

/he Ego-pronoun as an upper case character Oj instead of the modern +j. +n analogy tothe Ego-pronoun *iu* in ccitan language the O-pronoun symboliqed an androgynous iu-synthesis in the divine concept.

• /he ?entral Religious +mages in the $arden of Earthly (elights  Kublished3 # ' $ ' #$$ -Reads3  /he central religious image of the $arden of Earthly (elights may be identified in theandrogynous symbolism of the red pillar over a blue pond in the fountain"s# of fertility andlove.

,he Ego-Pronouns

• Etymology of the Ego-Kronoun "€+# Kublished3 ' # ' #$$ 

/hree layers of successive pronouns "Man-+eu-+!Ood# may be identified in +E-languages!which all symboliqe the creation legend of a first human being. /he +e&- and Ood-layersmay probably have been influenced by the ebrew religion at brahams contact to the+ndo-European migrations. /he divine name + corresponds to the +e&-core in thesecond layer of the pronouns evolution.

• (ecoding the Ego-Kronoun "€+# Kublished3 ' # ' #$$ 

+n /aGi! Kersian! indi&rdu and œurdish the Ego-pronoun is identical to the name of thefirst human being manj! who had been identified as the first man Mannusj - /uiscos child

 by /acitus "_^(#. owel-combinations ieu! iau respectively iou! as +&-Symbols to theandrogynous core in +&-piter! (ieu! (iu! (iou! (io! (ios! (ievas! +! etc. +n a singular case "the Sardinian dialect ?ampidanese# the Ego-pronoun d‡u is identical to the divine

name (eu.• /he ieroglyphs in the Ego-Kronoun Kublished3 ' #F ' #$$ 

European languages and dialects "'rench! +berian! +talian! ?eltic "southern $erman andEnglish# and Rumanian reveal a simple relation between the Ego-pronoun "+# and the divinename. (ivine names are generated by a formula3 (jU the Ego-pronoun "U a trailing sj#.

• Sacred Khonemes - Moulding the sacred words Kublished3 ' ' #$$ 

ncients of (ay describe the creation of man as a moulding procedure! in which $odcreated an dam ?admon "symboliqed by the personal pronoun iu# from an image (iu.?reation from one singular word (iu as a mould for a complete dictionary.

• istory of Kroto-+ndo-European Religion Kublished3 ' ' #$$ - Reads3 # K+E-System as a bipolar concept of an androgynous deity! creating an androgynous human

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 being according to its own image! consisting of a male and a female half. /he firstandrogynous human being encoded in a divine name " (iu#! in the ego-pronoun " iu#and in the colors red "male#! blue "female# and purple "androgynous! divine#.

idu4ind9s ,omb

•

Widuinds /omb Kublished3 ' G ' #$$ /omb in orange-red! blue U purple from the early 11th century found at Enger! Westfalia.Klantagenet tombs at 'ontevraud bbey "11^_-12LT# U grave at Roermond "12L#.

P3E-6oncept 

• ntithesis to the Standard K+E-?oncept Kublished3 ' F ' #$ 

+n *+ndo-European and the +ndo-Europeans* ?alvert Watins published a fine representativesample of the available reconstructed +ndo-European le,icon! which will be used to checsome new evidence against recent scientific positions.

• /he (eity (is in the $allic Wars Kublished3 ' # ' #$$ 

'ormula for generating the divine name! in which the divine name is being derived byconcatenating a (j "respectively H! /h or »#! the pronoun of the first person singular "for English and old-$erman +j# and a trailing sj wors for English and old-$erman3 English3(j ³ ij ³ sj • (isj.

• ieroglyphs in +ndo-European )anguages Kublished3 ' # ' #$$

?haracters +! J! O! &! ! the characters (! /h respectively ¼ and S! as well as the vowels ! and E! and the Goining element as the main hieroglyphs in the +ndo-European languages.

•

/he +ndo Europeans - $round Hero for ?ivilisation Kublished3 ' $ ' #$$ rigin of civiliqation. +n analogy to genetic information our ancestors pass their roots byinheriting dictionaries and grammatical rules to their grandchildren. +nherited genes andlinguistic codes allow us to reconstruct the roots of civiliqation.

• ?ultural Earth0uae "/he Kroto-+ndo-European-concept# Kublished3 $ ' # ' #$$ 

/he Kroto-+ndo-European-concept originated L >? at olgograd! Russia. /he conceptdeveloped an agricultural revolution! an improved domestication of cattle and an integratedmanagement! which proved to be successful as a combination.

• Reconstruction of the K+E-istory Kublished3 $ ' #G ' #$$ 

ccording to etymological studies the K+E-language arose around IN before ?hrist. /helanguage and its derivatives started spreading in all directions! 0uicly penetrating thecontinents on westward and eastward directions.

• /--(istinction in the K+E-?oncept Kublished3 $ ' ' #$$ 

+n southern Europe the +ndo-European core Œiou has been used to encode a divine name "e.g.+&-piter#! pronouns "e.g. iu# and supreme Gustice "ius# and as a Goint! especially amatrimonial Goint.

• n +ntegrated Kroto +ndo European ?oncept "verview# Kublished3 $ ' # ' #$$ 

/his essay Goins the K+E-languages and their pronouns! religions and their gods as well as allcorrelated symbols "such as colors! paintings and heraldic flags# to an overall concept.

• /he K+E ?oncept - (ecoding the Kroto +ndo European )anguage Kublished3 $ ' $D ' #$$ 

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/his overview investigates the correlation between a number of divine names! the pronounsand their bipolar elements. European languages derived their linguistic concepts from thecommon +ndo-European sy-god (yaus.

%rederi 2istral9s poem 2irio

•

/he œeywords in $ods %ame Kublished3 $ ' $ ' #$$ bviously the religious +&-concept "applying + and &-symbols to derive divine names and

 pronouns# has been shared by most +ndo-European peoples! the ebrew and rabic people.

• /he >oo $enesis +nside of a Single Word Kublished3 $ ' #D ' #$$ 

>y 'rederi Mistral! in a poem Mir‡io "published 1^N_#.

• Etymology for the Kronoun + Kublished3 $ ' # ' #$$ 

/he most important words in the Kroto-+ndo-European language "K+E-language# are reportedto be the personal pronouns for the first and second person singular! and for the first person

 plural. +n order of their priority these pronouns are +! Oou and We.

oo4 o$ 6ommon Prayer 

• œing Edward +s )egacy "1NI\-1NNI# Kublished3 $ ' $ ' #$$ 

great number of words in the >oo of ?ommon Krayer have been written in &+ U &+ F combinations! which had been documented in )atin and +! e.g. diuine F divine! diuerse -diverse! diuision -division! fiue F five! iudge F Gudge! riuer -river! wiues F wives! etc...

• Jupiters )egacy Kublished3 $ ' $D ' #$$ 

Religion started as a series of bipolar elements! symboliqing the principle of fertility.

&sually the bipolar religious symbols cover a range of popular human artefacts! such as3Killars and circles! the antipodal letter symbols + and &! the colors red U blue.

• /he œeystone to Religion - +nterpreting the œylver rune-stone Kublished3 $ ' $# ' #$$ 

/he combination of an alphabet starting with the sacred combination +! & and¼j! a staced/iwaq-rune and the +ndo-European divine name Hueiusj transforms the œylver stone to aeystone in understanding $ermanic religion.

• (yaus )egacy - uest for the rigin of Religion Kublished3 $ ' $# ' #$$ 

nalysis of early religions starts by identifying the ?up Mars! Killars and ?ircles as divinesymbols! inherited from the Stone ge. ?ups! Killars and Rings transformed into alphabeticletters &! + and ! symboliqing divine! bipolar elements! comparable to yoni and lingam.

• Summary - rchaic Roc +nscriptions "1^_1# Kublished3 $D ' # ' #$$ 

n ccount of the ?up and Ring Maring on the Sculptural Stones of the ld and %ewWorlds.

Red < lue7 Purple9s !ymbolism

• /he ermetic )ibrary Kublished3 $D ' #G ' #$$ 

?ommon bipolar symbolism in colors Red U >lue. Religious bipolarity has been named

ermetic for the bi-faced idols and the naming conventions by Roman historians "?aesar and /acitus# and archaeologists! who compared early idols "including the ermes of Ro0uepertuse# with Roman bi-faced idols of Mercury ermes.

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• )iturgical "and Royal# colors Kublished3 $D ' #G ' #$$ Reads3 F 

E,odus defines blue as a divine prescription for the ebrew igh Kriests garments andcurtains at the ?ovenant /ent. >lue to be avoided as standard liturgical colors! resulting fromthe idea of avoiding any evil influence from the altar.

%ontevraud • Red and >lue in >ritish Royalty Kublished3 $D ' #$ ' #$$ 

Early English royals preferred red and blue garments for their tombs! located at 'ontevraudbbey and for their coats of arms.

• Red and >lue as $ender Symbols Kublished3 $D ' ' #$$ - Reads3 GGD 

$ender specific color codes which have been applied in artwor and publications. Moderngender specific colors refer blue to male and pin to female children.

aiblingen

• /he %uns ?hurch at Waiblingen Kublished3 $D ' G ' #$$ 

/he %uns ?hurch at Waiblingen "1L2T and 1N1#. (ecorated ceiling is a highlight in thecitys architecture. /he medieval masons have chosen eystones decorated in red and bluecolors.

%reemasonary 

• >lue and Red Symbolism in 'reemasonary Kublished3 $D ' $ ' #$$ Reads3 D 

/he starting point for early religion as an ncient Symbol Worship. ncient peoples erected

 pillars and created circles as religious symbols! representing the male respectively femalereproductive organs.

3lluminated 2anuscripts

• +lluminated Manuscripts Kublished3 $ ' #D ' #$$ - Reads3 G 

Most decorations of all medieval manuscripts are often in two or three primary colors! inwhich red and blue are the dominant colors for initials! decorations and illuminations.

;otitia Dignitatum

• >lue and Red in %otitia (ignitatum Kublished3 $ ' # ' #$$ 

/he >oos E,odus and ?hronicles reveal a great number of symbolic colored wovenmaterials "red! blue and purple twining# in the divine instructions for the ?ovenant tent andfor Solomons temple. Medieval paintings and illuminated manuscripts provide us with avast number of red and blue colored illustrations.

6olored 3dols

• ?olored +dols Kublished3 $ ' ' #$$ - Reads3 D# 

/he international e,hibition >unte $tter "colored $odsj#! organiqed by the Munich$lyptothe in 2L

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!tA Peter 

• Oellow for Saint Keter  Kublished3 $ ' $F ' #$$ - Reads3 $ 

/here are a number of paintings in which Keter has been dressed in yellow! obviously for histhreefold denying of Jesus.

•

Symbolism in the Kaintings by ieronymos >osch Kublished3$ ' $# ' #$$

 - Reads3##$G

 /he following rules seem to be valid for all >osch paintings3

- "E,cept for the Marriage at ?ana# Jesus as a ?reator and almighty $od is dressed in red.- +n contrast the moced "suffering# Jesus is wearing white or green-white- +n contrast the suffering Jesus "wearing a crucifi,# is wearing blue garments- s an unnown visitor at /he Marriage at ?ana Jesus is dressed in blac- /he irgin Mother Mary is wearing a blue or a red dress.

• ?apita Selecta for the religious symbols Red and >lue Kublished3 $ ' # ' #$$ 

Most of the illuminated medieval manuscripts do contain scriptures in alternated red and

 blue lines! initials or letters. Sometimes gold! purple or green will be applied for e,tradecorations. Oellow will largely be reserved for a traitors symbol "e.g. Judas#.

• (yeing Kurple in the Middle ge Kublished3 $ ' # ' #$$ - Reads3 #F 

>etween the 1th and the 1Nth century the red-dyers and blue-dyers have beenmanufacturing precious te,tiles in 'landers and the neighbouring countries. /he chemical

 processes re0uired separate guilds for these dyers.

• /he ermetic ?ode, Kublished3 $ ' ' #$$ - Reads3 #G 

/he K+E-System has been designed as a bipolar concept of an androgynous deity! whichcreated an androgynous human being according to its own image! consisting of a male and a

female half. /he first androgynous human being has been encoded in the divine name "e.g.(iu#! in the corresponding pronoun of the first person singular "e.g. iu# and in the colorsred "male#! blue "female# and purple "androgynous! divine#.

• /hreads of >ipolar Symbolism in Religion Kublished3 $ ' $# ' #$$ - Reads3 FG 

>ipolar symbols found in ancient documents reveal a vast religious movement developing parallel to the mainstream medieval religion. +n this overview additional information has been grouped according to regional areas to allow the identification of historical threads inEuropean countries. /hese threads may allow to identify the se0uential steps in developingthe bipolar symbols.

Hieronymos osch

• Symbolism in the $arden of (elights by ieronymos >osch  Kublished3 $G ' # ' #$$  -Reads3 $# 

Rose-red and blue are the central symbolic elements! referring to human fertility and theandrogynous creation legend! identified in other documents and paintings! especially in theilluminated medieval >ibles manuscripts and medieval religious icons and other paintings.

illiam o$ 5range

•

/he MaGestic Singular in William of ranges )etter  Kublished3 $G ' #F ' #$$ +n a singular! rare case both the capitaliqation of the singular first-person pronoun! *+* andthe second-person pronouns! *&* may be found in a document! written in the 1Tth century

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 by William of range.

• Red and >lue in the Middle ge Kublished3 $G ' $G ' #$$ 

n analysis of the ornaments in medieval >ible-codices reveals an overwhelming number of red U blue scripting lines! garments and other ornaments! which are referring to divinecommands in the >oo E,odus.

,he Fing$isher

• /he œingfisher - /he etymology of ingfisher  Kublished3 $G ' $ ' #$$ - Reads3 D 

/he name *ingfisher* refers to the %orse roots *œungsfisare* and may have been defined by the %ormans. /he tombs at 'ontevraud in 'rance also refer to the etymology for theœingfisher birds.

6olor 6odes

•

>lue and Red in Roermond Kublished3$F ' # ' #$$

 /he colors red! blue and white may correlate to a couple of graves located at abbeys in'ontevrault and Roermond. /hese tombs belong to the royal clan of the Klantagenets and tothe counts of $elre.

,he 0ast !upper 

• ?olor ?odings in the )ast Supper "verview# Kublished3 $F ' ' #$$ - Reads3 #F# 

Judas wears yellow! green or blac "or combinations of these medieval evilj colors#.Sometimes the artist will dress Judas in goodj colors "blue and red# and applies evilj

colors for other disciples! in order to trigger the attention of the observers.• ?olor ?oding in the )ast Supper "by )eonardo (a inci# Kublished3 $F ' ' #$$ - Reads3

#GD 

/his analysis documents the color codes in the garments at /he )ast Supper ")eonardo dainci# to investigate the thesis that in the Middle ge red U blue may have symboliqed the$ood and yellow U green the Evil forces.

Cudas

• Oellow for Judas Kublished3 $F ' F ' #$$ - Reads3 #D$ 

+n ancient and medieval eras yellow is a betrayers symbol for the evil! which has beendocumented in a great number of e,amples in this manuscript.

• )anguage and Religion Kublished3 $F ' $ ' #$$ - Reads3 $GG 

/wo different versions of creation legends e,ist for manind3 /he first legend describes thecreation of a male person dam! from which subse0uently a female servant Eve has beene,tracted. /he second version of the legend describes the creation of an androgynous beingdam! which has been split in a male dam and a female person Eve.

• >lue and Red in Medieval $arments Kublished3 $F ' $# ' #$$ 

/he colors red! blue and purple have been defined as religious symbols in the divinecommands in the boos E,odus and ?hronicles.

• >ody Mirroring at >urials Kublished3 $ ' $ ' #$$ 

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>oth the œurgan period "Lth Millenium >.?.# and the *?orded Ware culture*-period "2^^>.?.-2 >.?.# buried their women left sided and their men right sided as mirrored images!

 both facing towards the east.

• Summary of some religious color ?odes Kublished3 $ ' # ' #$$ 

(erivation of color codes ranging from several coats of arms as referring to decorations in

medieval >ibles and the ancient garments coloring codes.• ?ross-references for (eities and Man Kublished3 $# ' ## ' #$$ - Reads3 # 

?ross-references between the most important pre-?hristian deities with respect to selected parameters3 - androgyny! duality! multiple-faced - permanent or temporary fetters!immobility - horns or antlers - references to time- and calendar-eeping.

• (ies 'asti - &nderstanding the 'astened Sculptures Kublished3 $# ' D ' #$$ 

/his document illuminates some of the ancient customs! which may be nown to scholars but remain hidden in the old and worn out boos! paintings and sculptures.

•

Katrism! Matrism and ndrogyny Kublished3$# ' # ' #$$

 - Reads3#$

 Struggle of patrism against matrism! in which the ancient ?eltic! matristic religions may aswell be characteriqed as androgynous philosophies. riginally all societies relied onandrogynous-matristic religions! but historical records clearly reveal the growing

 predominance of patristic religion! resulting in the eradication of the ?athars! a violentsuppression of se,uality and progressive! scientific research.

• /he Symbolic color $reen in +slam Kublished3 $# ' $# ' #$$ - Reads3 G 

$reen has been associated with +slam for many centuries. +t is not clear why this is so. /hecolors purple! red and blue "in use from early beginnings in ?hristianity# may be found inthe imperial garments! in the biblical decorations! in icons or paintings and in flags.

• )oss of Symbolism in ?ommunications Kublished3 $ ' #D ' #$$ 

Symbols reveal the matrimonial lin between man and woman! as a divine highlight to praise marriage! as a statue to praise fertility! as a bond lining peoplesk and yes! even as anorigin for an original and common (ivine Krinciple! which may even have been the sourcefor a common +ndo-European deity.

• compact verview of >ipolar Symbolism Kublished3 $ ' # ' #$$ 

Etymology in the K+E-language! the name OW! +&-piter! the ?eltic weaving technology!the >oo E,odus! Klatos Symposium! Oin U Oang! ?eltic sculptures! Janus U Jana!medieval >ibles! medieval $enesis documents! the Hohar! medieval garments for emperorsand ings! the peerage system and flags.

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AppendiJ K Calender ! #$$ K 3%aus, Colors,Jodus, lags, Hochdorf 

Red < lue-combinations

• $ender References for Kurple! Red and >lue Kublished3 $ ' D ' #$$ - Reads3 #DG 

Kurple has always been a divine and imperial color. /he divine commands in E,odus 2^-2^and I_ "-21!22!I# clearly reveal a preference of blue for aron and his sons.

• Etymology for 'lags Kublished3 $ ' F ' #$$ - Reads3 $ 

+n the Middle ge Europe may have nown a basic symbolism ruled by the biblical colors purple! red and blue! which must be considered as androgynous symbols.

• nother Etymology for Kurple Kublished3 $ ' $ ' #$$ - Reads3 GF 

(utch language provides us with a word paarsj for the color purplej! which may have been in use in ancient eras as religious symbols in analogy to the colors red and blue.

Red < lue < Purple in the ible

• Kaint +t Kurple - short istory of painting Red and >lue Kublished3 $ ' $ ' #$$ - Reads3#D 

ccording to a number of divine commands in the >oo E,odus and the second >oo of ?hronicles the colors Kurple! Red and >lue must have been religious symbols for a verylong time.

• $enesis - Weaving the Words in Red and in >lue Kublished3 # ' # ' #$$ 

/he published layout for the >oo $enesis e,plains the basic idea of weaving words liehuman beings symboliqed by male and female persons as married couples. +nitially man hadstarted as a couple of two individuals colored red and blue! which had to multiply.

• Secret color ?odes in the >ible Kublished3 # ' $G ' #$$ - Reads3 ##$ 

/he coloring codes for the garments in ancient oil paintings seems to be following thewealthy decorations in the medieval codices! which mainly consist of >ibles.

•  %otes to the Sacred Symbols of Mu Kublished3 ' #F ' #$$ - Reads3 F 

While studying these ind of manuscripts! which have been written before 1_N! + noticedsome problems in understanding these te,ts due to the bacground nowledge for modernreaders. /he main cause for these misunderstandings is a dramatic changeover in social

 position for women "voting! property! etcetera#.

• /he 'undamental ?olor Symbols >lue and Red Kublished3 $ ' # ' #$$ - Reads3 FFF 

great number of ancient -mostly religious - codings has been conserved in anti0uities. neof the fascinating topics in these areas is the use of colors as ancient symbols! which have

 been documented in writings such as the >ible! in ancient sculptures and in ancient buildings.

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Hochdor$ 

• ochdorf Revisited - reconstructed ?eltic Site Kublished3 $ ' $# ' #$$ - Reads3 #F 

/he museum is located in an area populated in the Tth century before ?hrist! but is famousfor the findings in an untouched imperial grave! which had been discovered in 1_\^.

rabant 

• /he >rabantian (ictionary Kublished3 $ ' $ ' #$$ - Reads3 # 

+n a study proGect + derived the following dictionary >rabantian F (utch F English F $ermanfrom three novels by ntoon ?oolen3 - *(e goede moordenaar* "1_I1#! - *un grondverwaait* "1_2\#! - *(e man met het Jan œlaassenspel* "1_II# and some other sourcesincluding3 - */elemachus in het dorp* by Marni, $iGsen "1_L\# and >eeman U >eemanj

 by /oon œortooms "1_N#

Dyaeus – Hermetic 6ode • /he ermetic ?ode, +++ - owel Symbolism Kublished I 2\ 21I

&pdated for  /he ermetic ?ode, with a reduced set of images

• /he ermetic ?ode, ++ - >ipolar Monotheism - Kublished 12 21 211

&pdated for  /he ermetic ?ode, 

• /he ermetic ?ode, Kublished T 1I 21 eads4 ,#

Religious symbolism may have been initiated in Egypt 11! >?. ccording to $eraldMassey there was a religion of the god +u or +ao in Egypt thirteen thousand years ago. /hat

god was tum-+u! born son of Ktah. e was the earliest father in heaven F the sy-deity! whomay have been inherited to the +ndo-Europeans.

• /he Sy-$od (yaeus Kublished3 $G ' G ' #$$ - Reads3

(yaeus is a common deity! shared by all +ndo-European communities. 'rom a great number of palaeolithic dual-headed divine sculptures! burial ceremonies! biblical 0uotations andcolor codes the author develops the characteristics for the androgynous sy-god (yaeus!whose *ermaphrodites* are referring to the famous androgynous creation legends in KlatosSymposium and in the œabbalistic >oo Hohar.

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Contents

?reation )egends..................................................................................................................................2$enesis.............................................................................................................................................2

Horoastrianism............................................................................................................................2

>rahma........................................................................................................................................2u................................................................................................................................................2owels..................................................................................................................................................I

owel-words as divine names..........................................................................................................Iowel-words as the European Ego-Kronoun...................................................................................Iowel ymn Recitations F documented by (emetrius ..................................................................I

Ego-Kronouns.......................................................................................................................................LStatistics of the Ego-Kronouns.........................................................................................................NRomanian Ego-Kronouns and divine names ...................................................................................T

/he Romanian Ego-Kronoun "€ie„#...........................................................................................T$ott "€qƒ„#.................................................................................................................................T

'rench Ego-Kronouns and divine names.........................................................................................\/he Savoyard dialect...................................................................................................................\(ius-day.................................................................................................................................\$od "€(yu#...........................................................................................................................\dieu......................................................................................................................................\/he Savoyard Ego-Kronoun "€(e#.......................................................................................^/he Walloon ego-pronoun €(Gi ...........................................................................................^/he &erdingen )ine ...............................................................................................................^

/he ego-pronoun €iu in illar-St-Kancrace.............................................................................^/he ego-pronoun Oiouj at %imes............................................................................................._

Ego-Kronouns and divine names in Sardinian language ...............................................................1

/he Sardinian dictionary...........................................................................................................1>abbu Mannu.......................................................................................................................11Mannus and /uisco...............................................................................................................11ugustine..............................................................................................................................11

/he Sardinian Ego-Kronoun......................................................................................................12+talian dialects................................................................................................................................1I

+talian Ego-pronouns.................................................................................................................1LSouth-+talian Ego-pronouns......................................................................................................1L

/urish Ego-pronouns...................................................................................................................1L/he >ase for +ndo-European Ego-pronouns..................................................................................1L

$raphical overview of the Ego-pronouns...........................................................................................1Nverview of the 'rench Ego-pronouns..........................................................................................1N

deterioration curve for 'rench Ego-pronouns.......................................................................1\Ego-pronouns and divine names in Scandinavia...........................................................................1^/he anomaly in the neighborhood of the Swiss city of ?hur........................................................1^

layer-model for the ego-pronouns...................................................................................................1_/he archaic layer for ego-pronouns...............................................................................................1_Modern ego-pronouns! which have been based on (yaus.............................................................1_

Summary.............................................................................................................................................2ppendi, F ?alender - 21L Synthesis Khase....................................................................................21

Etymology......................................................................................................................................21

verview of the Synthesis Khase...................................................................................................21verview of Symbolism in my Kaintings......................................................................................22+mplementing the Ego-concept......................................................................................................22nalyqing Emersons wor *%ature* U the Oahoos in $ullivers /ravels.....................................22

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Robert Musils Salvator "or Man without ualitiesj#-KroGect.....................................................22Heus U the pillars of the sy..........................................................................................................2IE-owel inscription at the mphalos of (elphi ...........................................................................2Indrogynous symbols...................................................................................................................2IRed U >lue in achen and Maastricht..........................................................................................2I

ppendi, F ?alender - 21I F owel Symbolism.............................................................................2L

 ›-words.........................................................................................................................................2Llphabetical hieroglyphs...............................................................................................................2L/he planetary symbolism...............................................................................................................2L/he %umber of owels in lphabet...............................................................................................2NK+E (esign.....................................................................................................................................2Nrchaic owel symbolism.............................................................................................................2N Review of owel symbolism in +&.........................................................................................2TSemiotics........................................................................................................................................2T

ppendi, F ?alender - 212 F owel-oriented Symbolism...............................................................2^Etymology......................................................................................................................................2^Savoy and %imes...........................................................................................................................2^

/he absburg E+&-device........................................................................................................2_/he K+E-/rinity-?oncept...............................................................................................................2_Retrospects.....................................................................................................................................2_?olor ?odes in Josephus records..................................................................................................I>ac to the Roots "rchetypes! /rinity! the ssyrian Ego- pronoun#...........................................I(esigning a igh-Krecision language............................................................................................I?olor Symbolism...........................................................................................................................I1Rainbows in the Stuppach Madonnaj..........................................................................................I1

 %ew Oear .......................................................................................................................................I2Salutations......................................................................................................................................I2/he (anish ›-pronoun..................................................................................................................I2Mithras )iturgy..............................................................................................................................I2/uesday and /hursday...................................................................................................................II/he K+E-concept............................................................................................................................IIRedundancy...................................................................................................................................II$oethes ?olor /heory...................................................................................................................II

ppendi, F ?alender - 211 F owel-oriented Symbolism...............................................................ILverview........................................................................................................................................IL?laudius letters..............................................................................................................................IL/he lpine Kronouns 2..................................................................................................................IL/he lpine Kronouns 1..................................................................................................................IN

 ›lfrics Sermon.............................................................................................................................IN(ante..............................................................................................................................................IT/he Mystery of the Seven owels.................................................................................................IT/ranslation Errors in E,odus.........................................................................................................IT/he owels Symbolism.................................................................................................................IT/he +&-?odes.................................................................................................................................IT(elphis )etter E............................................................................................................................I\Symbolism of ?olors.....................................................................................................................I\

ppendi, F ?alender - 21 F /he Ego-pronouns! K+E! Mir‡io........................................................I^Wycliffe..........................................................................................................................................I^/he Ego-Kronouns.........................................................................................................................I^

Widuinds /omb...........................................................................................................................I_K+E-?oncept...................................................................................................................................I_'rederi Mistrals poem Mir‡io.......................................................................................................L

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>oo of ?ommon Krayer...............................................................................................................LRed U >lue! Kurples Symbolism..................................................................................................L'ontevraud.....................................................................................................................................L1Waiblingen.....................................................................................................................................L1'reemasonary.................................................................................................................................L1+lluminated Manuscripts................................................................................................................L1

 %otitia (ignitatum.........................................................................................................................L1?olored +dols..................................................................................................................................L1St. Keter..........................................................................................................................................L2ieronymos >osch ........................................................................................................................L2William of range.........................................................................................................................L2/he œingfisher ..............................................................................................................................LI?olor ?odes...................................................................................................................................LI/he )ast Supper.............................................................................................................................LIJudas...............................................................................................................................................LI

ppendi, F ?alender - 2_ F (yaus! ?olors! E,odus! 'lags! ochdorf..........................................LNRed U >lue-combinations.............................................................................................................LN

Red U >lue U Kurple in the >ible.................................................................................................LNochdorf........................................................................................................................................LT>rabant...........................................................................................................................................LT(yaeus F ermetic ?ode,.............................................................................................................LT