An Evening of Enchantment

Project Coordinator: SIMON MORRISONConductor: ANTHONY D.J. BRANKER

Musical Assistant: RUTH OCHSSet Designer: RICCARDO HERNANDEZ

Costume Designer: ANITA YAVITCHLighting Designer: AARON COPPDramaturg: MICHAEL CADDEN

Production Manager: DARRYL WASKOW

THIS PROJECT IS GENEROUSLY SUPPORTED BY

Office of the President, Princeton University Office of the Dean of the Faculty

Center for African American StudiesProgram in American Studies

Department of Comparative LiteratureThe Edward T. Cone Fund in the Humanities Council

Lewis Center for the ArtsDepartment of Music

PNC BankPrinceton University LibraryTiger Baron Foundation, lnc.

Program in Russian and Eurasian StudiesDepartment of Slavic Languages and Literatures

TABLE’S CLEAR

Director/Choreographer: Tina FehlandtMusic: Paul Lansky, Table’s Clear (1991)Dancers: Julie Rubinger ’09, Jennie Scholick ‘09, Elizabeth Schwall ‘09Choreographed in collaboration with the dancers

Music Note about Table’s Clear from Paul LanskyTable’s Clear is an electronic work in which the sound sources are those of my two sons, Caleb and Jonah, aged 8 and 13 at the time, in our kitchen banging on pots, pans and anything else they could get their hands on (including themselves). The sounds were then altered and arranged on the computer to create a fantasy that begins realistically, then becomes superhuman, and finally returns to reality. It is 18 minutes long and available on a Bridge CD entitled Homebrew.

Table’s Clear and Krazy Kat run together without a pause. Krazy Kat uses the last three minutes of the Table’s Clear music before the orchestra begins playing Carpenter’s music.

KRAZY KAT

Director/Choreographer: Tracy BersleyMusic: John Alden Carpenter, Krazy Kat: A Jazz Pantomime (1921)Musicians: Princeton University Concert Jazz Ensemble, Sinfonia, Orchestra and Invited Guest Musicians Dancers: Chloe Davis ‘12 (Walter Cephus Austridge), Sarah Fingerhood ‘11 (Krazy Kat), Arielle Sandor ‘12 (Officer Pupp), Molly Silberberg ’11 (Terry P. Turtle), Ana Sollitto ‘11 (Ms. Kwak Kwak), Joel Zinn ’13 (lgnatz Mouse)Choreographed in collaboration with the dancers

Music Note about Krazy Kat from Simon MorrisonJohn Alden Carpenter’s jazz pantomime Krazy Kat (1921) is based on George Herriman’s comic strip of the same name. The score, the first orchestral work to use the word “jazz” in its title, includes parodic allusions to Scott Joplin, Claude Debussy, and Richard Strauss, among other composers. The climatic ballroom scene of the original scenario bears the title “Katnip Blues.”

Director/Choreographer Note about Krazy Kat from Tracy BersleyWelcome to the world of George Herriman’s Krazy Kat, a comic strip published weekly from 1913-1944. The premise: a curious “love” triangle involving Krazy, Ignatz Mouse, and police dog Officer Pupp, where Krazy mistakes bricks thrown by the mouse as a sure sign of his affection, and Pupp strives to protect Krazy from Ignatz’s sinister plans. In the spirit of Herriman’s surrealism and playfulness, we created this piece through the lens of a NYC purgatory: the subway, where strangers meet and stranger things can happen.

INTERMISSION

THE TOY BOXDirector/Choreographer: Rebecca Lazier Assistant: Jennie Scholick ’09Music: Claude Debussy, The Toy Box (1913)Musicians: Princeton University Concert Jazz Ensemble, Sinfonia, Orchestra and Invited Guest Musicians Tableau I: Ensemble - Kathlyn Adamson ’11, Alexis Branagan ’11, Sarah Fingerhood ’11, Daniel Gilday ’11, Gretchen Hoffmann ’13, Chloe Markewich ’12, Margaret McNamara ’13, Yael Nachajon ’12, Ben Oliver ’10, Sydney Schiff ’10, Eva Marie Wash ’11 (Fri. Eve. & Sat. Mat.), Bridget K. Wright ’11 (Thur. Eve. & Sat. Eve.)Tableau II: Ensemble and Duet - A.J. Brannum ’13 and Eva Marie Wash ’11 (Thur. Eve. & Sat. Eve.) or Bridget K. Wright ’11 (Fri. Eve. & Sat. Mat.)Tableau III: DuetTableau IV: Ensemble and DuetChoreographed in collaboration with the dancers, Shawn Cruz ’10, Christine Mak ‘13 and Sarah Simon ’13

Music Note about The Toy Box from Simon MorrisonThe Toy Box is both a tribute to childhood and a look back at the composer’s favorite musical influences. The music is often restless, evocative of an inquisitive toddler, with toy-sized quotations from Igor Stravinsky jostling with others from Felix Mendelssohn, Modest Mussorgsky, Maurice Ravel, and Richard Wagner. The music dates from 1913 and was left partially un-orchestrated at the time of the composer’s death in 1918. Most available recordings use an orchestration completed by Debussy’s disciple Andre Caplet. I located an unknown version of the score at the Russian State Archive of Literature and Art that includes a “jazz overture” and diverges from the familiar orchestration. This performance is the first time this version of the score has been heard since the 1920s (the Moscow Chamber Theater premiered it in 1918, and then took it on tour).

Director/Choreographer Note about The Toy Box from Rebecca LazierThe choreography and narrative are original to this production. Between 1918 and today there have been many performances of the score with different choreographic, directorial and visual concepts, including productions with puppets, children and marionettes. For this production we worked collaboratively to create an imaginary and timeless space that furthers Debussy’s play with musical ideas with choreographic and physical play and builds an abstract narrative about being transformed by our sense of discovery and curiosity.

BIOGRAPHIES

Tracy Bersley (Director/Choreographer) received her MFA in directing from Syracuse University. She has directed: Alice! (Dorset Theatre); Sunjata (Loft); Tibet’s Red Box (HERE, Lincoln Center Lab); Awful Rowing Toward God (Ontological); A Winter’s Tale & A Streetcar Named Desire (Princeton); Macbeth (Syracuse Stage); Blood Wedding & Hair (NYU); Measure for Measure, Green Bird (Purchase Repertory, SUNY). Bersley has choreographed: Paris Commune (Civilians/Public); Pericles, Revenger’s Tragedy, Duchess of Malfi (Red Bull); Max and Ruby (Lortel/TheatreWorks); Jane Eyre, Tempest (Acting Company); Romeo & Juliet (Williamstown); St. Joan of the Stockyards (P.S. 122); Vendetta Chrome & Punk Play (Ohio Theatre); 12th Night (Juilliard); Perfect Wedding (NYU Grad); Quixote (Philadelphia).  Currently, On the Levee, (Lincoln Center, LCT3).

Anthony D.J. Branker (Conductor) holds the endowed chair of the Anthony H.P Lee ’79 P11 Senior Lecturer in Jazz Studies, serves as Associate Director of the Program in Musical Performance and is Conductor of University Jazz Ensembles at Princeton University. He has served on the faculties of the Manhattan School of Music, Rutgers University Mason Gross School of the Arts, Hunter College of the City University of New York, Ursinus College, New Jersey Summer Arts Institute, and was a U.S. Fulbright Scholar and visiting professor at the Estonian Academy of Music and Theatre in Tallinn, Estonia. As a conductor, Professor Branker has appeared with the Jugend Sinfonie Orchester (Bremen, Germany), Israel’s Kiryat Ono Symphonic Youth Band, Japan’s Fukui Junior Orchestra, and has led performances that have featured the Princeton University Orchestra, Sinfonia, Chapel Choir, Glee Club/Concert Choir, and Gospel Ensemble. He has also collaborated with the Juilliard Jazz Orchestra on joint big band performances of Duke Ellington and Billy Strayhorn’s Far East Suite and Ellington’s New Orleans Suite at McCarter Theatre in Princeton.

Michael Cadden (Dramaturg) is currently enjoying his 27th year of teaching at Princeton. For 16 years, he served as Director of the Program in Theater and Dance. Beginning in 2009-2010, with the appointment of Susan Marshall as the first Director of Dance, he became Director of the Program in Theater. He began his career at Yale, as a dramaturg at the Yale Repertory Theatre under Lloyd Richards and a lecturer in the dramaturgy, directing and acting programs at the Yale School of Drama. Since 1981, he has been on the faculty of the Bread Loaf School of English, teaching on their campuses in

Vermont, New Mexico, Alaska and at Oxford University. His work focuses on modern and contemporary playwrights, as well as classical theater in performance.

Aaron Copp (Lighting Designer) recently provided lighting designs for Yo-Yo Ma, Philip Glass, Merce Cunningham, Eliot Feld and Laurie Anderson. Copp designed the highly regarded Kennedy Center revival of The Glass Menagerie, directed by Gregory Mosher and starring Sally Field; he has also designed frequently at the Old Globe Theatre in San Diego, most recently winning a San Diego Theater Critics Award for Joe Hardy’s production of Bus Stop. Copp has worked extensively in the dance world, most recently receiving his second Bessie Award for Jonah Bokaer’s The Invention of Minus One. Hehad a long association with Merce Cunningham, designing such pieces as Ground Level Overlay, Windows and Biped, for which he also won a Bessie.

Tina Fehlandt (Director/Choreographer) is a Lecturer in Dance in the Lewis Center of the Arts at Princeton University.  She is a founding member of the Mark Morris Dance Group and danced with the company for 20 years.  Her choreography has been performed by Houston Ballet II, Barnard College, Trinity College, Deep Ellum Ensemble, and at the American Ballet Theatre Summer Intensives. Special thanks to the dancers for their fantastic contributions to the work; to Paul Lansky for use of his amazing music; and to Nathaniel and Samuel Lee for keeping the home fires burning.

Riccardo Hernandez (Set Designer), Tony-award nominee for his designs for Parade, has also created sets on Broadway for Tony Kushner’s Caroline, or Change (2007 Olivier, 2006 Evening Standard Award for Best Musical, London); Topdog/Underdog (2002 Pulitzer); Elaine Stritch at Liberty; Noise/Funk; The Tempest, all directed by George C. Wolfe; and Bells Are Ringing. Recent work includes: Will Power’s Fetch Clay, Make Man (McCarter), Des McAnuff director; Philip Glass’s Appomattox (San Francisco Opera); Let Me Down Easy , written and performed by Anna Deavere Smith (Second Stage); Lost Highway (English National Opera/Young Vic, London); Best of Both Worlds (A.R.T), both directed by Diane Paulus; Ethan Cohen’s Offices and Almost an Evening (Atlantic Theater), Neil Pepe director; The Seagull (A.R.T.) and Alice Vs Wonderland (MKhAT, Moscow), Janos Szasz director; Julius Caesar (A.R.T and Festival Automne, Paris), Arthur Nauzyciel director; Oresteia (CSC). Hernandez has designed sets for over 20 productions for Public Theater/Shakespeare Festival and over 200 hundred productions across the United States. He has an MFA from the Yale School of Drama.

Paul Lansky (Composer) is one of the pioneers of computer music and his electronic works are widely available on CD.  He is the William Shubael Conant Professor of Music at Princeton. In recent years he has been increasingly turning his attention to instrumental music, has been writing orchestral music and is currently composer in residence with the Alabama Symphony.  He is now completing Imaginary Islands, commissioned and to be premiered by that group in May 2010. 

Rebecca Lazier (Director/Choreographer) Senior Lecturer in Dance in the Lewis Center for the Arts, graduate of Juilliard, performed her solo work nationally and internationally before founding her company Terrain in 1999. Terrain has performed in New York at Joyce SoHo, Danspace Project, Symphony Space, The Kitchen, Guggenheim Museum, among other venues, and has toured from Jacob’s Pillow to Kalamazoo to Nova Scotia. Lazier has been artist-in-residence at Movement Research, The Joyce Theater Foundation, The Yard, and Djerassi Resident Artist Program, and she has recently been awarded grants from Brooklyn Arts Council and the American Music Center. She has taught at UCLA, Wesleyan College, and the Mimar Sinan Conservatory in Istanbul, and she has been a guest artist in many college/university and studio settings including James Madison University, Shenandoah Conservatory, Columbia College, ACDFA Festivals, Interlochen Arts Academy, and the Lincoln Center Institute. Special thanks to the dancers for their dedication, creativity and willingness to imagine; to Simon for daring me; to Susan and Tim for helping make it live, and to Price, Jasper, Sylvia, and Grace who inspire and teach me to play.

Simon Morrison (Project Coordinator) studies twentieth century music, withadditional interests in dance, cinema, and historically informed performance based on archival sources. He has conducted research in St. Petersburg, Stockholm, Paris, London, New York, and - extensively - Moscow. In 2008, Morrison restored the score and scenario of the original (1935) version of Sergei Prokofiev’s Romeo and Juliet for the Mark Morris Dance Group. He isat present working on a book titled L for Harcourt; he has commissions fromNorton for two additional books on Russian music.

Ruth Ochs (Musical Assistant) is a conductor and Ph.D. candidate in musicology, completing a dissertation on Polish music in the twentieth century. Serving in her eighth season as conductor of the Princeton University Sinfonia, she also leads the Westminster Community Orchestra. She holds degrees in music and conducting from Harvard University and the University of Texas at Austin.

Julie Rubinger ‘09 (Dancer) grew up in Bloomington, IN, and graduated from Princeton University in June 2009. She majored in East Asian Studies, with certificates in Theater and Dance and French. She now works at Education Through Music, a non-profit that provides arts education for underprivileged children, and takes full advantage of the NYC dance scene.

Jennie Scholick ’09 (Dancer) is from San Rafael, CA and graduated with an AB in Comparative Literature and certificates in Theater and Dance and European Cultural Studies.  At Princeton, she had the opportunity to work with Ze’eva Cohen, Rebecca Lazier, Meghan Durham, Zvi Gotheiner, Tina Fehlandt, and James Martin.  She choreographed the world premiere of Sergei Prokofiev’s “Music for Athletes” in the summer of 2009 and currently works as the Company Management Assistant at the McCarter Theatre.

Elizabeth Schwall ’09 (Dancer) graduated from Princeton in June 2009 with a major in History and certificates in Theater and Dance and Latin American Studies. She is currently working as a research assistant to an author, taking dance classes and exploring the New York dance scene.

Darryl Waskow (Production Manager) is pleased to be working on another collaborative project with faculty from Music, Theater, and Dance, as well as students from so many disciplines. For 16 years he has worked at Princeton in the Programs in Theater and Dance, now part of the Lewis Center for the Arts. Before coming to Princeton he worked professionally at Alaska Rep, The Oregon Shakespeare Festival and McCarter Theatre, among others. He holds an MFA from the Yale School of Drama and an MBA from Rider University.

Anita Yavich (Costume Designer), Anita Yavich (Costume Designer), an Obie award recipient, has created costumes for Anna In The Tropics (Broadway); Venus In Fur and New Jerusalem (Classic Stage Company); Henry V (The New Victory); Coraline, The Musical (Lucille Lortel); Iphigenia 2.0 (Signature); The Wooden Breeks (McCarter); Measure For Pleasure, Kit Marlowe, The Winter’s Tale, Civil Sex , and Pericles (Public); Coriolanus And Svejk (TFANA); Orphan Of Chao (Lincoln Center Festival); numerous ballets for Ballet Hispanico; Cyrano (La Scala, Metropolitan Opera, and Royal Opera); Les Troyens (Metropolitan Opera); Das Rheingold, Die Walküre, and Fidelio (Washington National Opera); Ainadamar (Tanglewood); and the international tour of Steve Reich’s Three Tales. Puppet and Costume Designer for The Sound Of Music (Salzburger Marionettentheater Theater).

For a listing of complete biographies visitwww.princeton.edu/arts/enchantment

PRINCETON UNIVERSITY CONCERT JAZZ ENSEMBLE, SINFONIA, ORCHESTRA AND INVITED GUEST MUSICIANS

 Violin 1 Meghan Todt ’11 (Krazy Kat, The Toy Box) Music major with certificates (Concertmaster) in Italian and Creative Writing Julianna Traicoff ’12 (Krazy Kat, The Toy Box) Houston, TX Megan McPhee ’11 (Krazy Kat, The Toy Box) Sudbury, MA; Woodrow Wilson School major with certificates in Spanish, Latin American Studies and Musical Performance Mary Fan ’10 (Krazy Kat, The Toy Box) Music major with a certificate in Finance Diana Shi ’13 (Krazy Kat, The Toy Box) Morgantown, WVSean Yi ’12 (Krazy Kat, The Toy Box) Hauppauge, NY YunSuk Chung ’12 (Krazy Kat, The Toy Box) Seoul, South Korea  Violin 2 Chou Chou ’13 (Krazy Kat, The Toy Box) Wynnewood, PADonna Park ’12 (Krazy Kat, The Toy Box) Scarsdale, NYSara Nason ’12 (Krazy Kat, The Toy Box) Fayetteville, NYJustine Chiu ’12 (Krazy Kat, The Toy Box) Montville, NJMina Kojima ’11 (Krazy Kat, The Toy Box) Weston, MA; Molecular Biology major with certificates in Quantitative and Computational Biology  Viola Ian Flaniken ’10 (Krazy Kat, The Toy Box) Pelham, AL; Molecular Biology major Julie Hwang ’13 (Krazy Kat, The Toy Box) Irvine, CA Maddy McMahon ’13 (Krazy Kat, The Toy Box) St. Louis, MOLela Tsinadze (Krazy Kat, The Toy Box) Clementon, NJ  Cello Ken Jenkins ’11 (Krazy Kat, The Toy Box) ; Binghamton, NY; Computer Science majorJohn Pardon ’11 (Krazy Kat, The Toy Box) Chapel Hill, NC; Mathematics major Francesca McNeeley ’12 (Krazy Kat, The Toy Box) Teaneck, NJ Diana Li ’13 (Krazy Kat, The Toy Box) Norfolk, VA

BassJack Hill (Krazy Kat, The Toy Box) Lawrenceville, NJ John Volz (Krazy Kat, The Toy Box) Princeton, NJ 

Flute/Piccolo Jessica Anastasio ’11 (Krazy Kat, The Toy Box) San Antonio, TX; Classics major with a certificate in Musical Performance   Alison Beskin ’13 (Krazy Kat, The Toy Box) Atlanta, GALucile Jarry ’12 (The Toy Box) Larchmont, NY

OboeBo-Won Keum ’13 (Krazy Kat, The Toy Box) Manila, Philippines Allison Hume ’13 (The Toy Box) Wynnewood, PA Justin Knutson ’11 (The Toy Box Overture) Orting, WA; Chemistry major with a certificate in Korean

English Horn Andrew Mayfield ’13 (The Toy Box) Dover, MA   ClarinetJulianne Grasso ’10 (Krazy Kat, The Toy Box) Mullica Hill, NJ; Music major with a certificate in Neuroscience Florence Hsiao ’13 (Krazy Kat, The Toy Box) Palo Alto, CA  BassoonGreg Rewoldt (Krazy Kat, The Toy Box) Plainsboro, NJPatrick Landy (The Toy Box) Kendall Park, NJ  Horn Julia Bumke ’13 (Krazy Kat, The Toy Box) Mountain Lakes, NJMax Jacobson ’13 (Krazy Kat, The Toy Box) Berkeley Heights, NJ  Alto Saxophone Alex Bourque ’11 (The Toy Box Overture) Norwell, MA; Music major with a certificate in Musical Performance Ethan Goldstein ’12 (The Toy Box Overture) Cherry Hill, NJ; Computer Science major Michael Bishop ’13 (The Toy Box Overture) Edmund, OK  

Tenor SaxophoneColby Pines ’13 (The Toy Box Overture) Lafayette, CA  TrumpetWill Livengood ’11 (Krazy Kat, The Toy Box Overture, The Toy Box) Blackwood, NJ; Philosophy major with a certificate in Musical Performance Greg Ketcham-Colwill ’12 (Krazy Kat, The Toy Box Overture, The Toy Box) Arlington, VA Andrew Boik ’13 (The Toy Box Overture) Winter Springs, FL Noel Swanson GS (The Toy Box Overture) Alamo, CA; Philosophy major  TrombonePeter Gustafson ’13 (The Toy Box Overture) South Setauket, NYChristopher Kennedy ’13 (Krazy Kat) Tucson, AZ

TubaAlex Gerson ’13 (The Toy Box Overture) Merion, PA  Timpani/Percussion Kevin Laskey ’12 (Krazy Kat, The Toy Box Overture, The Toy Box) Montgomery Township, NJBanjoPat Mercuri (The Toy Box Overture) Moorestown, NJ  HarpMichaela Shaw ’12 (Krazy Kat, The Toy Box) Agoura, CA  PianoAnna Tchetchetkine ’12 (Krazy Kat, The Toy Box Overture, The Toy Box) San Jose, CA   CelestaEdward Zhang ’13 (The Toy Box) Ottawa, Canada

DANCERS

Kathlyn Adamson ’11 (The Toy Box) Economics major with a certificate in DanceAlexis Branagan ‘11 (The Toy Box) Roselle Park, NJ; English major with a certificate in DanceA.J. Brannum ’13 (The Toy Box) Columbia, SCChloe Davis ‘12 (Krazy Kat) Atlanta, GA; Psychology major with certificates in Italian, European Cultural StudiesSarah Fingerhood ‘11 (Krazy Kat, The Toy Box); Saratoga, CA; Anthropology major with a certificate in Dance Daniel Gilday ’11 (The Toy Box) West Chester, OH; Classics major with a certificate in DanceGretchen Hoffmann ’13 (The Toy Box) Newtown, CT

Chloe Markewich ’12 (The Toy Box) New York, NY; Psychology major with certificate in Dance

Margaret McNamara ’13 (The Toy Box) Pittsburgh, PAYael Nachajon ’12 (The Toy Box) Ridgewood, NJ; Psychology major with a certificate in DanceBen Oliver ’10 (The Toy Box) Greensboro, NC ; Civil Engineering major with certificates in Geological Engineering and DanceArielle Sandor ‘12 (Krazy Kat) Teaneck, NJ; History Major with a certificate in Theater Sydney Schiff ’10 (The Toy Box) Bethesda, MD; History of Science major, with a certificate in DanceMolly Silberberg ‘11 (Krazy Kat) New York, NY; Comparative Literature major with a certificate in Theater Ana Sollitto ‘11 (Krazy Kat) Fort Lauderdale, FL; Psychology majorEva Marie Wash ’11 (The Toy Box) Metuchen, NJ ; Art and Archaeology major with a certificate in DanceBridget Wright ’11 (The Toy Box) Rancho Santa Fe, CA; Art and Archaeology major with certificates in American Studies and DanceJoel Zinn ‘13 (Krazy Kat) Indianapolis, IN

PRODUCTION TEAM

Stage Manager Pat ThomasBerlind Master Electrician Rob CraneBerlind Stage Carpenter Matthew PilsnerSound Engineer Chris SchulerRun Crew Jesse Parsons Hannah Woodward

Assistant Lighting Designer Christina Watanabe Production Assistants Elise Bonner GS Pilar Castro Kiltz ’10 Jennie Scholick ’09Costumer Stitchers Sue Kandziolka Megan MitchellCostume Assistants Kerry Brodie ’12 Julia Bumke ’13Assistant to the Costume Designer Nicole Smith

Scenery by McCarter Theatre Scene Shop Additional Costumes by McCarter Theatre Costume Shop

_________________________________________________________

SPECIAL THANKS

Elise Bonner GSPilar Castro Kiltz ’10The Dansmuseet, StockholmChris Gorzelnik Andrea Immel, Cotsen Children’s LibraryThe Russian State Archive of Literature and Art, Moscow Jennie Scholick ’09Darwin Scott, Mendel Music LibrarianKyle SubramaniamKarin Trainer, University Librarian

DEPARTMENT OF MUSIC

Chair Steven MackeyDepartment Manager Marilyn Ham

Professor Associate ProfessorV. Kofi Agawu Daniel L. TruemanScott G. Burnham Dmitri TymoczkoWendy Heller Rob C. WegmanPaul LanskySteven Mackey Assistant ProfessorSimon A. Morrison Noriko ManabeBarbara White

Senior LecturerAnthony D. J. Branker, University Jazz EnsemblesMichael J. Pratt, University Orchestra, University Opera Theater, and Composers’ EnsembleRobert Isaacs, University Glee Club, Chamber Choir

StaffConcert Coordinator Ernest Clark Technical Support Specialist Bryan FitzwaterOffice Assistant Cynthia MastersonAcademic Programs Manager Gregory SmithTechnical Director Jeffrey SnyderBusiness Manager Kyle SubramaniamAudio Specialist Andres Villalta Piano Technician Joseph Vizzini

Program in Musical PerformanceDirector Michael PrattAssociate Director Anthony D. J. BrankerExecutive Committee Caryl G. Emerson, Slavic Languages and Literature, Comparative Literature Steven Mackey, Music Kenneth Steiglitz, Computer Science

For more information about the Department of Music please visit: www.princeton.edu/music

Chair Paul MuldoonAssociate Director Fanny Chouinard

PROGRAMS IN DANCE AND THEATER

Director, Program in Dance Susan MarshallDirector, Program in Theater Michael Cadden

Dance FacultyZe’eva CohenTina FehlandtDyane HarveyPatricia HoffbauerRebecca LazierSusan MarshallJennifer Way Rawe, Class of 1932 Visiting LecturerEdisa Weeks

Guest Choreographers Camille A. BrownSusan Jaffe

Ballet InstructorsLaurie AbramsonMary BartonIlana Suprun-Clyde

StaffManaging Director Darryl WaskowProduction Stage Manager Carmelita BecnelProduction Assistant Rob Del ColleCostume Manager Catherine CannCostume Shop Assistant E. Keating HelfrichTechnical Director Timothy GodinMaster Carpenter William WilsonProps Carpenter Michael McLeanScenic Artist Sarah DonnerTheater Technician Kelly ArlinghausAcademic Support Joseph Fonseca Director of Communications Marguerite d’Aprile-SmithGraphic Design Kelly HuschkeWebmaster Paul Csogi

For more information about the Lewis Center for the Arts visit: www.princeton.edu/arts

LEWIS CENTER FOR THE ARTS

Theater FacultySuzanne AginsGabriel Quinn Bauriedel,Class of 1932 Visiting LecturerTracy BersleyMichael CaddenJill DolanRinde EckertJohn Guare,Princeton/McCarter Ford Foundation FellowRiccardo HernandezClass of 1932 Visiting LecturerMark Nelson,Class of 1932 Visiting LecturerJanice ParanJohn Rando,Class of 1932 Visiting LecturerRobert N. SandbergTim VasenStacy Wolf

Additional Staff: Program in Dance

Ballet Accompanists Beth Ertz Thomas GettyDoug Kramer

Curriculum AccompanistsVince di Mura Arthur Solari Matthew Ferry David Tenney Wesley Rast