American)Literature)in)the) University) · •Masters(of(American(Literature)(Gordon)RayY1959))...
Transcript of American)Literature)in)the) University) · •Masters(of(American(Literature)(Gordon)RayY1959))...
American Literature in the University
Rough History • First class taught at Amherst College in 1828, but closed a?er
a couple of years • By 1870s 6 courses on American Lit. in American colleges. But
dominance of philology sGll privileged older wriIen forms of English.
• MLA founded in 1883 by a small group of college teachers demanding study of modern literatures.
• In late 19th C, several women’s colleges had courses in American literature.
• In the 1920s, a group in MLA formed to promote American literature.
• From 1930s to 1980s study of American literature stabilized somewhat.
• Canon exploded in 1970s and 1980s. • Emergence of theory beginning in 1980s.
Changing Anthologies
• Fred PaIee’s Century Readings for a Course in American Literature (1919), a single volume work compiled at the close of WWI, contained hundreds of writers while later anthologies included many fewer.
• Masters of American Literature (Gordon Ray-‐1959) included 18 writers
• Major Writers of America (Perry Miller 1962) included 28
• Macmillan Anthology (1963) included 12
• Norton (1963) included 8.
• Macmillian editors wrote about their 12 choices: “In choosing Emerson, Thoreau, Hawthorne, Poe, Melville, Whitman, Mark Twain, James, Emily Dickinson, Frost, Eliot, and Faulkner, we can imagine liIle dispute.”
• Yet, in 1935, editors of Major American Writers state, “there can be no quesGon that Franklin, Cooper, Irving, Bryant, Emerson, Hawthorne, Longfellow, Whider, Lincoln, Poe, Thoreau, Lowell, Melville, Whitman, and Mark Twain consGtute the heart of any course in American literary history.”
• There has been quesGon. In addiGon to a sharp narrowing in the range and number of authors (up unGl about the beginning of the 1990s), there has been a virtual rewriGng of literary history, as enGre periods, genres, and modes of classificaGon disappear.
From PaIee (1919) to Miller (1962)
• A dozen authors dropped away in the Colonial period
From PaIee (1919) to Miller (1962)
• Only one of seven RevoluGonary authors makes it through. RevoluGonary songs and ballads are missing enGrely.
From PaIee (1919) to Miller (1962)
• Federalist Period disappears altogether, along with most of the first half of the 19th century.
From PaIee (1919) to Miller (1962)
• Songwriters are gone, historians are gone, southern writers and anG-‐slavery writers are gone.
• Etc., etc. etc.
30’s Anthologies
• Included cowboy songs, Negro spirituals, railroad songs, southwestern yarns, songs and prayers of NaGve Americans, leIers, journals, poliGcal speeches, etc-‐-‐things that haven’t appeared in anthologies again unGl recently.
30’s Anthologies (cont.)
• These editors write about wanGng to show a connecGon between our literature and American life and thought.
• Influenced by the social and poliGcal consciousness of the 30’s.
1950’s and early 1960’s
• This changed, though, in the fi?ies and early sixGes.
• With McCarthy Era, the Cold War, the Eisenhower years, criGcism responded to the more conservaGve temper of the country.
New CriGcs
• The new criGcs of the 1950’s aIempted to establish literary discourse as a special mode of knowledge.
• CriGcism became more scienGfic as science grew in presGge in the 20th century.
• Fi?ies arms race and launching of Sputnik added to the rivalry between the sciences and the humaniGes.
1950’s, early 1960’s (cont.)
• Close, analyGcal readings of the work itself seemed more scienGfic.
• Also, were more adaptable to teaching literature on a mass scale as college populaGon tripled with the GI Bill and postwar affluence.
So, ideas about literary excellence, what we value in literature, are related to social and historical condiGons of the Gme.
F.O. MaIhiessen • F. O. MaIhiessen wrote, in his popular book, American Renaissance:
"The half -‐decade of 1850-‐55 saw the appearance of Representa:ve Men (1850), The Scarlet Le?er (1850), The House of the Seven Gables (1851), Moby-‐Dick (1851), Pierre (1852), Walden (1854), and Leaves of Grass (1855). You might search all the rest of American literature without being able to collect a group of books equal to these in imaginaGve vitality."
Mathiesssen believed criGcism should “be for the good and enlightenment of all the people, and not for the pampering of a class.” He believed that the books he had chosen were truly representaGve of the American people, for these works, more than any others, called “the whole soul of man into acGvity.”
However, his list actually embodies the views of a very small, socially, culturally, geographically,
sexually, and racially restricted elite.
• None of the works named is by an orthodox ChrisGan, although that is what most Americans in the 1850’s were.
• No works by women, although women at that Gme dominated the literary marketplace. (Hawthorne’s comment about “the damned mob of scribbling women.”)
• No works by males not of Anglo-‐Saxon origin.
• No works by writers living south of NY, north of Boston, or west of Stockbridge, Mass.
Today’s Norton Anthology
• Shorter 7th ediGon has approximately 175 different writers
• Includes NaGve American songs, creaGon stories
• Includes excerpts from poliGcal speeches and tracts, leIers, diary excerpts, etc.