American & European Paintings & Prints

402
American & European Paintings & Prints Sale 2493 January 29, 2010 Boston SKINNER

Transcript of American & European Paintings & Prints

Page 1: American & European Paintings & Prints

American & European Paintings & PrintsSale 2493 January 29, 2010 Boston

SKINNERA

Page 2: American & European Paintings & Prints
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AUCTION 2493

PREVIEW

Tel: 617.874.4318Fax: 617.350.5429

Online: www.skinnerinc.com

GENERAL INQUIRIES

617.350.5400

COVER: 608; FRONTISPIECE: 605; BACK COVER: 620

Robin S. R. StarrDepartment Director508.970.3259

Kathy Wong508.970.3297

American & European Paintings & Prints

SPECIALISTS IN CHARGE

American & European Paintings & Prints Department - 508.970.3206

General Inquiries: [email protected]

Elizabeth C. Haff - 508.970.3258

Wednesday, January 27, 2010 12 to 5 p.m.Thursday, January 28, 2010 12 to 7 p.m.

Friday, January 29, 2010 9 to 10:30 a.m.

Friday, January 29, 2010Prints & Photography at 12 noonPaintings & Sculpture at 4 p.m.

63 Park PlazaBoston, Massachusetts

ABSENTEE BIDDING

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Preview Online

Skinner makes previewing online anytime from yourhome or office easy and convenient. View all lots in theauction in order, many with multiple views. You canalso flip through the pages of our interactive virtualcatalog or download the catalog PDF to your desktop.

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Let Skinner’s Lot Alert do your searching for you! LotAlert continuously searches Skinner’s upcomingauctions for items that interest you, and automaticallyemails you when an item matches your interest profile.Visit www.skinnerinc.com and click on the Buy/Sell tabto find out more about Lot Alert.

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Skinner’s website accepts absentee bids up to onehour before an auction begins. Once you’ve placedyour bids, use “Track Lots” to track those items andsee their selling prices. You can also use “Track Lots”to track the selling price of items you’re simply curiousabout, whether you’ve bid on them or not.

Bid Live Online with Skinner-Live!

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TABLE OF CONTENTS

1 Auction & Specialist Information

2 Web Site & Online Bidding

4 Provenance

6 Event Announcement

7 Prints & Photography - Lots 1-296

111 Paintings & Sculpture - Lots 301-698

390 Glossary of Terms

391 Artist Index

395 Conditions of Sale

396 Company Directors & Specialty Departments

397 Administrative Staff & Client Services

398 Absentee Bid Form

399 Map & Driving Directions

400 Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 395 of this catalogue for the fullterms and conditions governing your purchase.

Copyright © Skinner, Inc. 2010All rights reserved

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Collection of Melvin B. Nessel, Boston, Massachusetts

Lots: 76, 81, 168, 256, 265, 572, 574, 595, 603, 609, 612, 614-616, 618-620, 624, 626-631, 633, 636, 638, 645, 669, 673

Melvin B. Nessel was a longtime Boston resident and founder of the Fenton Shoe Corporation of Cambridge, Massachusetts. Nessel traveled toEurope extensively in the 1960s and 1970s, particularly Italy, to develop the company’s import trade. It was during this decade that he acquiredmany works by notable Italian modernists such as Arnaldo Pomodoro and Ettore Colla, frequenting galleries in Rome and Florence. In hislifetime, Nessel was a major supporter of several Boston institutions such as Brandeis University, Massachusetts General Hospital, the Museum ofFine Arts, Boston, and the Dana Farber Cancer Institute. Nessel also made a substantial gift of eighty-one works from his American modern andcontemporary collection, including a Protractor series work by Frank Stella, to the Norton Museum of Art in Palm Beach, Florida.

Estate of Eleanor Kanegis Levin, East Gloucester, Massachusetts

Lots: 1-3, 46, 123-126, 130, 165, 177-180, 203, 248, 249

Eleanor Kanegis Levin was the co-owner of the Kanegis Gallery in Boston with her first husband Sidney Kanegis from 1955 to the mid-1970s,which was influential in representing Boston modernists.1 She also managed Retina Gallery in Cambridge from 1968 to 1971, which specializedin optical and kinetic works by such artists as Anni and Josef Albers and Victor Vasarely.2 A practicing modernist artist herself, she studied at theSchool of the Museum of Fine Arts Boston and in her later years, maintained a studio and art gallery in East Gloucester called “TheGuild/Sacred Cod”.

1. Lafo, Rachel Rosenfield, Painting in Boston, 1950-2000, Amherst: University of Massachusetts Press, 2002, p. 204.2. Lawrence, J.M., “Eleanor K. Levin, 82, artist, gallery owner” [obituary], Boston Globe, June 10, 2008.

Estate of Anna Eleanor Braman Grasso, Essex, Connecticut

Lots: 210, 269, 569, 571, 605, 611

Anna Eleanor Braman was raised on Long Island and Old Chatham in the Hudson River Valley, attended Vassar College in the late 1940s, and in1951, married Dr. Thomas Arthur McGraw, a graduate of Yale and Cornell Universities. The newlyweds spent their first married year in NorthCarolina, but subsequently lived in New York City for over a decade, until Dr. McGraw’s passing in 1966. During this time, the McGraws wereardent gallery-goers, and Ms. Braman was active in the art scene as a reviewer for a Manhattan publication called “Park East.” Ms. Bramancontinued to collect with her second husband Mr. Graham H.R. Jenkins of Connecticut, and her last husband of eighteen years, Dr. Thomas A.Grasso of Connecticut, the widower of Connecticut’s first woman governor Ella Tambussi Grasso. In her middle to late age, she promoted theartistic and literary life of her community in Essex, Connecticut as the owner of the Clipper Ship Bookshop and member of the Connecticut RiverMuseum.

Estate of N. David Scotti, Providence, Rhode Island

Lots: 101-112, 320, 337, 338, 339, 341, 358, 374, 387, 391, 392, 394, 395, 397, 445, 492, 514, 526, 534-536, 550, 558, 562, 566, 581

N. David (Nino) Scotti was a lifelong antiques collector and enthusiast, as well as a Southern New England history aficionado. Scotti, born andraised in Providence, first began attending auctions with his mother in his teens. In his twenties, he co-founded a company in downtownProvidence that became Associated Appraisers Inc., an estate auctioneer.1 In the company’s last thirty years, Scotti was the primary owner andmanager as well as principal auctioneer. He was active in Providence’s cultural scene, and was an avid supporter of societies such as the HopeClub, the Turk’s Head Club, the Providence Art Club, and the Providence Athenaeum.

1. Providence Journal, “N. David Scotti” [obituary], August 26, 2008.

Provenance

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Session IPrints & PhotographyLots 1-296

to be sold Friday, January 29th, 2010 at 12 noon

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SKINNER presents a

Fine Art Gallery WalkPresented by Robin Starr, Director of Skinner’s Paintings Department

Thursday, January 28, 2010

5:30 p.m. Reception/6:00 p.m. Gallery Walk

63 Park PlazaBoston, MA

R.S.V.P. 617.350.5400Reservations are Limited

Gallery Walk held in conjunction with a preview of Skinner’sJanuary 29th auction of American & European Paintings & Prints

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1.Anni Albers (German, 1899-1994)

Lot of Five Images: A, 1968, edition of 50; B, 1968, editionof 50; two impressions of Camino Real, 1967-69, edition of90; and F, 1969, edition of 60. Each signed and dated “AnniAlbers...” in pencil l.r. and titled and numbered in pencil l.l.Color screenprints on paper, image sizes to 22 x 18 3/4 in.(55.8 x 47.5 cm), unmatted, unframed.Condition: Margins over 3 inches.

$1,000-1,500

2.Pierre Alechinsky (Belgian, b. 1927)

Figure, 1953, edition of 15. Numbered, signed, dated, anddedicated “11/15 Alechinsky/’53 a Madame Franck...” inpencil beneath the image, identified on a label from theNielsen Gallery, Boston, on the reverse. Aquatint andetching on paper, plate size 5 x 7 in. (12.5 x 17.5 cm),framed.Condition: Toning, not examined out of frame.

$200-300

3.Pierre Alechinsky (Belgian, b. 1927)

Facteur Rhésus, 1967, edition of 75 (Rivière 342).Numbered and signed “43/75 Alechinsky” in pencil l.c.(within the image), annotated on the mat. Aquatint in red,green, and black on paper, plate size 20 3/4 x 27 1/8 in.(52.5 x 68.8 cm), matted, unframed.Condition: Narrow margins, minute nicks, creases and tearsto corner l.r. (just affecting the plate mark).

$700-900

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4.American School, 20th Century

The White Slave, 1911. Identified within the matrix. Colorlithographic poster on paper, sheet size 27 x 36 3/4 in. (68.5x 93.3 cm), unmatted, unframed.Condition: Mounted on paper backed with linen (tostabilize/repair tears, losses, and/or creases), minor handlingcreases.

$300-500

5.Niels Yde Andersen (Danish/American, 1888-1952)

Lot of Four Harbor Scenes: Sailing with the Setting Sun,1935, edition of 4; Ship at the Pier; Dock View with Tugs;and Near the Hold. The first signed and dated“NYAndersen 35” in pencil l.r. and numbered “2/4” in pencill.l., the other three unsigned. Etchings on paper, plate sizesto 12 x 9 7/8 in. (30.4 x 25.0 cm), unmatted, unframed.Condition: Most edges deckled, unobtrusive soiling, nicks,tears and creases to some edges, additional handling marksand/or creases.

$250-350

6.Niels Yde Andersen (Danish/American, 1888-1952)

Lot of Four Images of Factory Workers: Smelting;Unloading the Cars; Masonry; and Working the Pulleys.All unsigned. Etchings on paper, plate sizes to 8 3/8 x 7 5/8in. (21.2 x 19.3 cm), unmatted, unframed.Condition: Most edges deckled, unobtrusive soiling,unobtrusive handling marks and/or creases, losses tomargins on Unloading.

$300-500

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7.Niels Yde Andersen (Danish/American, 1888-1952)

Lot of Four Genre Scenes: Horse Power and Industry; SleighRide; Out of the Barn; and The Stone Breaker. All unsigned.Etchings on paper, plate sizes to 9 7/8 x 7 in. (25.0 x 17.5 cm),unmatted, unframed.Condition: Most edges deckled, unobtrusive soiling, minor handlingmarks and/or creases.

$200-300

8.Niels Yde Andersen (Danish/American, 1888-1952)

Lot of Three Images of Factory Workers: Charcoal Man, 1936,edition of 12; Valve Repair; and Construction According to Plan.The first signed and dated “NYAndersen - 36” in pencil l.r. and titledand inscribed in pencil l.l., the other two unsigned. Etchings onpaper, plate sizes approximately 10 x 12 in. (25.5 x 30.5 cm),unmatted, unframed.Condition: Most edges deckled, unobtrusive soiling, nicks, tears andcreases to some edges, additional handling marks and/or creases.

$250-350

9.Niels Yde Andersen (Danish/American, 1888-1952)

Lot of Three Images of Factory Workers: All Together Now; ShiftWorkers; and At the Pits, 1935, edition of 12. The last signed anddated “NYAndersen, 35” in pencil l.r. and numbered “2/12” in pencill.l., the other two unsigned. Etchings on paper, plate sizes to 14 x 93/4 in. (35.5 x 24.7 cm), unmatted, unframed.Condition: Most edges deckled, unobtrusive soiling, nicks, tears andcreases to some edges, additional handling marks and/or creases.

$250-350

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10.Stanley Anderson (British, 1884-1966)

The National Gallery, edition of 109. Signed “Stanley Anderson” inink l.c., signed in the plate, titled in ink l.l., inscribed “Edition 109proofs.” in ink l.r., identified on a label affixed inside the mat. Etchingon paper, plate size 8 7/8 x 11 3/8 in. (22.4 x 28.7 cm), matted,unframed.Condition: Margins over 2 inches, subtle staining to upper corners.

$300-500

11.Richard Anuszkiewicz (American, b. 1930)

Triangulated Orange, 1977-78, edition of 50, printed by EditionsLassiter-Meisel, New York. Signed, numbered, and dated“ANUSZKIEWICZ 32/50 1977” in pencil (within the image) l.r.,stamped “© RICHARD ANUSZKIEWICZ” and “ELM” (the printer’smonogram) on the reverse, inscribed “23” on the reverse. Colorscreenprint on paper mounted onto board, image/support size 84 x48 in. (213.4 x 121.3 cm), unframed.Condition: Surface grime, rubs, and losses.

$500-700

12.John Taylor Arms (American, 1887-1953)

Saint Paul Alpes Maritimes, 1927, final state of two, edition of 259(Fletcher, 201). Signed and dated “John Taylor Arms - 1927” inpencil l.r., titled, signed, and dated in the plate. Etching on paper,plate size 7 1/2 x 11 1/2 in. (18.9 x 29.2 cm), framed.Condition: Mat burn, unobtrusive toning, not examined out of frame.

$300-500

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13.Milton Avery (American, 1885-1965)

Hen, 1954, edition of 25 (Lunn, 57). Signed and dated “Milton Avery1954” in pencil l.r., numbered “18/25” in pencil l.l. Identified on labelsfrom The Alpha Gallery, Boston, and the David Barnett Gallery,Milwaukee, on the reverse. Woodcut on paper, image size 12 x 9 5/8in. (30.2 x 24.3 cm), framed.Condition: Rippling, not examined out of frame.

$1,500-2,000

14.Leonard Baskin (American, 1922-2000)

View of Worcester, 1953, edition of 20 (Fern & O’Sullivan, 240).Signed “Baskin” in pencil l.r., inscribed “artists proof” in pencil l.l.Woodcut on paper, image size 9 7/8 x 8 5/8 in. (25.0 x 21.8 cm),framed.Condition: Toning, mat burn, not examined out of frame.

$300-500

15.Leonard Baskin (American, 1922-2000)

The Cry, 1960, edition of 300 issued by the New York GraphicsSociety. Signed Leonard Baskin” in pencil l.r., titled and numbered“...131/300” in pencil l.l. Woodcut on paper, image size 14 3/4 x 121/4 in. (37.3 x 31.0 cm), framed.Condition: Not examined out of frame.

$300-500

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16.Leonard Baskin (American, 1922-2000)

Lot of Three Portraits: William Morris, Camille Corot, andJacques Gamelin, from LAUS PICTORUM, 1969, total edition of525 (Fern & O’Sullivan; 416, 538 & 541). Each signed “Baskin” inpencil l.r. and numbered “123/175” in pencil l.l. Woodcuts on paper,image sizes to 7 1/4 x 4 5/8 in. (18.3 x 11.7 cm), unmatted,unframed.Condition: Minor soiling, minor folds to several margins at corners.

$200-250

17.Leonard Baskin (American, 1922-2000)

The Moby Dick Suite, 1970, edition of 200 (Fern & O’Sullivan, 569-577). Each signed “Baskin” in pencil l.r. and numbered “49/200” inpencil l.l. Lithographs (some in color) on paper, sheet sizes to 23 x17 in. (58.2 x 43.0 cm), presented in the original portfolio, unmatted,unframed.Condition: Good.

$500-700

18.Leonard Baskin (American, 1922-2000)

Hidatsa Medicine Man, 1972, edition of 160 (Fern & O’Sullivan,610). Signed “Baskin” in pencil l.r., numbered “124/160” in pencil l.l.,titled and dated in the matrix, dry stamp l.l. Lithograph on paper,image size 32 1/4 x 22 1/2 in. (81.8 x 57.0 cm), unmatted, unframed.Condition: Very minor handling creases.

$500-700

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19.Leonard Baskin (American, 1922-2000)

Pedro Cajete, 1972, edition of 160 (Fern & O’Sullivan, 611). Signed“Baskin” in pencil l.r., numbered “146/160” in pencil l.l., titled anddated in the matrix, dry stamp l.l. Lithograph on paper, image size 301/2 x 22 1/2 in. (77.3 x 57.0 cm), unmatted, unframed.Condition: Very minor handling creases.

$500-700

20.Leonard Baskin (American, 1922-2000)

Sharp Nose, 1972, edition of 160 (Fern & O’Sullivan, 612). Signed“Baskin” in pencil l.r., numbered “29/160” in pencil l.l., titled anddated in the matrix, dry stamp l.l. Lithograph on paper, image size 321/4 x 21 in. (81.8 x 53.2 cm), unmatted, unframed.Condition: Minor handling creases.

$500-700

21.Leonard Baskin (American, 1922-2000)

Sitting Bull, 1972, edition of 160 (Fern & O’Sullivan, 613). Signed“Baskin” in pencil l.r., numbered “69/160” in pencil l.l., dry stamp l.l.Lithograph on paper, image size 29 1/4 x 21 1/2 in. (74.2 x 54.5 cm),unmatted, unframed.Condition: Very minor handling creases.

$500-700

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22.Leonard Baskin (American, 1922-2000)

Swift Dog, 1972, edition of 160 (Fern & O’Sullivan, 615). Signed“Baskin” in pencil l.r., numbered “64/160” in pencil l.l., titled anddated in the matrix, dry stamp l.l. Lithograph on paper, image size 313/4 x 21 in. (80.5 x 53.4 cm), unmatted, unframed.Condition: Very minor handling creases.

$500-700

23.George Wesley Bellows (American, 1882-1925)

Study of Mary, 1923, edition of 50 (Mason, M.132). Signed “Geo.Bellows” in pencil l.r., signed “Bolton Brown imp.” in pencil l.l., titled inpencil l.c. Lithograph on paper, image size 11 3/8 x 10 in. (28.7 x25.4 cm), framed.Condition: Not examined out of frame.

$1,000-1,500

24.George Wesley Bellows (American, 1882-1925)

Married Couple, 1923, edition of 44 (Mason, M.141). Signed “Geo.Bellows” in pencil l.r., signed “Bolton Brown imp.” in pencil l.l., titled inpencil l.c. Lithograph on paper, image size 9 3/4 x 7 1/4 in. (24.6 x18.3 cm), framed.Condition: Not examined out of frame.

$1,000-1,500

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25.Frank Weston Benson (American, 1862-1951)

Wild Geese, 1917, published state, edition of 152 (Paff, 112).Signed “FrankWBenson.” in pencil l.l., numbered “44” in pencil l.r.Etching on laid paper with armorial watermark, plate size 6 3/4 x 103/4 in. (17.3 x 27.3 cm), matted, unframed.Condition: Margins 2 1/4 inches or more with deckled edges, toning,pale foxing, annotations to lower edge.

$400-600

26.Frank Weston Benson (American, 1862-1951)

Canoeman, 1919, published state, edition of 150 (Paff, 161). Signed“FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 7 7/8x 6 in. (20.0 x 15.2 cm), matted, unframed.Condition: Margins 1 3/4 inches or more with deckled edges,annotations to lower edge.

$800-1,200

27.Frank Weston Benson (American, 1862-1951)

Over Sunk Marsh, 1920, published state, edition of 150 (Paff, 188).Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 6x 7 3/4 in. (15.1 x 19.5 cm), framed.Condition: Gentle rippling, not examined out of frame.

$300-500

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28.Frank Weston Benson (American, 1862-1951)

Ducks at Play, 1923, published state, edition of 150 (Paff, 217).Signed “FrankWBenson.” in pencil l.l., initialed and dated in the plate.Drypoint on paper, plate size 10 3/4 x 13 3/4 in. (27.3 x 34.8 cm),framed.Condition: Unobtrusive mat burn, handling creases (some effectingthe image), rippling, not examined out of frame.

$1,000-1,500

29.Frank Weston Benson (American, 1862-1951)

Geese Over a Marsh, 1924, published state, edition of 150 (Paff,233). Signed “FrankWBenson.” in pencil l.l. Etching on laid paperwith “ENGLAND” watermark, plate size 7 7/8 x 9 3/4 in. (20.0 x 24.7cm), matted, unframed.Condition: Margins over 3/4 inches with two deckled edges, soilingto margins (primarily at corners), annotations to lower edge.

$500-700

30.Frank Weston Benson (American, 1862-1951)

Flying Brant, 1925, published state, edition of 150 (Paff, 241).Signed “FrankWBenson.” in pencil l.l. Drypoint on laid paper, platesize 4 3/4 x 6 7/8 in. (12.0 x 17.3 cm), matted, unframed.Condition: Margins 1 inch or more with two deckled edges,annotations to lower edge.

$400-600

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31.Frank Weston Benson (American, 1862-1951)

Pointer Dog, 1925, published state, edition of 150 (Paff, 251).Signed “FrankWBenson.” in pencil l.l., initialed and dated in the plate.Etching on paper, plate size 5 7/8 x 7 3/4 in. (14.8 x 19.5 cm),framed.Condition: Subtle mat burn, gentle rippling, fox mark c.l., notexamined out of frame.

$800-1,200

32.Frank Weston Benson (American, 1862-1951)

In Dropping Flight, 1926, published state, edition of 134 (Paff, 255).Signed “FrankWBenson-” in pencil l.l. Drypoint on paper, plate size10 7/8 x 13 3/4 in. (27.5 x 34.8 cm), framed.Condition: Scattered pale foxing/staining, pale mat staining, notexamined out of frame.

$500-700

33.Thomas Hart Benton (American, 1889-1975)

Tom Keefer, from the SWAMP WATER Series, 1941, edition of 100(Fath, 51). Dedicated and signed “To Charles E. McCarthy fromThomas H. Benton” in pencil beneath the image, signed in the matrix.Lithograph on paper, image size 8 1/4 x 6 3/8 in. (20.8 x 16.0 cm),framed.Condition: Margins over 1 1/2 inches, not examined out of frame.

$1,000-1,500

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34.Thomas Hart Benton (American, 1889-1975)

Jessie Wick, from the SWAMP WATER Series, 1941, edition of 100(Fath, 53). Dedicated and signed “To Charles E. McCarthy fromThomas H. Benton” in pencil beneath the image, signed in the matrix.Lithograph on paper, image size 9 7/8 x 6 1/2 in. (25.0 x 16.3 cm),framed.Condition: Margins over 1 1/2 inches, several small pale fox marks,not examined out of frame.

$1,000-1,500

35.Thomas Hart Benton (American, 1889-1975)

Island Hay, 1945, edition of 250, published by Associated AmericanArtists (Fath, 68). Signed “Benton” in pencil l.r. and in the matrix.Lithograph on paper, image size 10 x 12 1/2 in. (25.3 x 31.8 cm),matted, unframed.Condition: Margins approximately 1 inch, toning.

$1,000-1,500

36.Edouard Alexandre Bernard (French, 1879-1950)

Ascot Cycles. Signed and identified in the matrix. Color lithographicposter, image size 47 1/4 x 34 3/4 in. (119.8 x 88.2 cm), framed.Condition: Vertical and horizontal creases, minor tears (mostprobably repaired), unobtrusive toning, not examined out of frame.

$800-1,200

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37.Carroll Thayer Berry (American, 1886-1978)

White and Weatherworn - Maine Coast, 1960, edition possibly of300 (Dearborn, 121). Signed “Carroll Thayer Berry imp” in pencil l.r.,signed in the block, titled in pencil l.l. Chiaroscuro woodcut in blackand tan on paper, image size 11 x 12 1/2 in. (27.7 x 31.5 cm),framed.Condition: Unobtrusive toning, rippling, not examined out of frame.

N.B. A copy of Elwyn Dearborn’s The Down East Printmaker: CarrollThayer Berry (Down East Books: Camden, Maine, 1983)accompanies the lot.

$400-600

38.Isabel Bishop (American, 1902-1988)

Noon Hour, 1935, published by Associated American Artists 1946,edition of 250 (Teller, 18). Signed “Isabel Bishop” in pencil l.r.,identified on a label from AAA accompanying the lot. Etching onpaper, plate size 7 x 4 3/4 in. (17.5 x 11.9 cm), matted, unframed.Condition: Margins 2 inches or more, toning.

$400-600

39.Richard Evett Bishop (American, 1887-1975)

Federal Duck Stamp Design, 1936. Signed “RichardEBishop” inpencil l.r., signed in the plate, titled in pencil l.l. Etching on paper,plate size 5 x 8 1/8 in. (12.5 x 20.4 cm), framed together with a duckstamp.Condition: Toning, not examined out of frame.

$300-500

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40.Edmund Blampied (British, 1886-1966)

The Weary Cart Horse, 1926, edition of 100. Signed “E.Blampied”in pencil l.c., numbered “90/100” in pencil l.l., signed and dated in theplate. Etching on paper, plate size 7 3/4 x 11 in. (19.8 x 27.9 cm),framed.Condition: Mat burn, several fox marks, subtle rippling, not examinedout of frame.

$250-350

41.Edmund Blampied (British, 1886-1966)

Night in the Stable, edition of 100. Signed “E.Blampied” in pencill.c., numbered “11/100” in pencil l.r. Etching and drypoint on paper,plate size 10 x 12 1/8 in. (25.4 x 30.5 cm), framed.Condition: Subtle mat burn and rippling, not examined out of frame.

$400-600

42.After Georges Braque (French, 1882-1963)

Lot of Two Still Lifes: Verre et pichet, color lithograph (Maeght,1009); and Pommes, collotype. The former signed in pencil l.r., thelatter signed in the matrix and numbered “58/300” in pencil l.l. Imagesizes to 8 x 12 in. (20.3 x 30.5 cm), framed.Condition: Toning, fading to former, not examined out of frames.

$500-700

42A.After Georges Braque (French, 1882-1963)

Le paquet de tabac, 1914, edition of 150 (Maeght, 1048). Colorlithograph on paper, image size 13 1/2 17 5/8 in. (34.2 x 44.6 cm),framed.Condition: Laid down, margins 3/8 inch, central vertical crease.

$200-250

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43.Claude Buckle (British, 1905-c. 1973)

New Brighton & Wallasey. Identified within the matrix. Colorlithographic poster on paper, image size 37 1/8 x 47 1/4 in. (94.4 x120.1 cm), framed.Condition: Laid down or mounted (with areas ofbubbling/disadhesion), margins just over 1 inch, minor nicks andtears to edges, subtle toning, not examined out of frame.

$1,000-1,500

44.David Young Cameron (Scottish, 1865-1945)

Lot of Six Landscape Views from the COMPLETE ANGLER, 1902(Rinder 334, 335, 337, 338, 348 & 350). Four initialed in the plates.Etchings on paper, plate sizes approximately 3 1/2 x 6 in. (9.0 x 15.0cm), one matted, all unframed.Condition: Most margins approximately 1/2 inch, some with staining,toning, and/or pinholes to margins.

$300-350

45.Alois Carigiet (Swiss, 1902-1985)

Lot of Two Horse Subjects: Beim Gaden, 1969, edition of 300; andFalkner zu Pferd, 1970, edition of 200. Both signed and dated “A.Carigiet...” in pencil l.r. and numbered in pencil l.l. Color lithographson paper, image sizes to 24 x 17 1/2 in. (61.0 x 44.4 cm), framed.Condition: Subtle rippling and soiling, not examined out of frames.

$200-300

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46.Marc Chagall (Russian/French, 1887-1985)

Elijah and the Widow of Sarepta, from BIBLE, 1956, edition of 275plus proofs (Cramer, 29). Signed in the plate, identified on a labelfrom the Retina Gallery, Boston, on the reverse. Etching on paper,plate size 11 1/4 x 9 1/2 in. (28.4 x 24.0 cm), framed.Condition: Margins over 1/2 inch, not examined out of frame.

$500-700

47.Marc Chagall (Russian/French, 1887-1985)

David, portant la tête de Goliath, plate 64 from BIBLE, 1956,edition of 275 plus proofs (Cramer, 29). Unsigned. Etching andaquatint on paper, plate size 12 3/8 x 9 3/8 in. (31.3 x 23.7 cm),framed.Condition: Unobtrusive mat burn, not examined out of frame.

$400-600

48.Marc Chagall (Russian/French, 1887-1985)

Lot of Three Volumes: THE LITHOGRAPHS OF MARC CHAGALL,volumes II, III, and IV, by Fernand Mourlot et al., published by AndreSauret, 1963, 1969, and 1974, respectively, each with the originalcolor lithographs intact. 13 x 10 in. (33.0 x 25.4 cm), with jacketsand slip covers, cloth bound.Condition: Wear and ink annotations to slip covers.

$3,000-5,000

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49.Edgar Chahine (French, 1874-1947)

Demoiselle au tennis, 1899, edition of approximately 70 (Tabanelli,32). Signed “Edgar Chahine” in umber ink l.l., titled in pencil l.c.,identified on an exhibition label (see below) on the reverse. Drypointon paper, plate size 15 x 6 in. (38.1 x 15.2 cm), framed.Condition: Margins 1/2 inch or more, rub to image l.l., subtle toning,not examined out of frame.

Exhibitions: Images of Women: 19th Century French Prints, at theUtah Museum of Fine Arts, University of Utah, January 8–February19, 1978.

$800-1,200

50.Samuel V. Chamberlain (American, 1895-1975)

The Blacksmith Shop, edition of 100 plus proofs (Chamberlain &Kingsland, 3). Signed “Samuel Chamberlain” in pencil l.r., numbered“21/100” in pencil l.l. Etching on paper, plate size 8 7/8 x 11 1/8 in.(22.5 x 28.2 cm), matted, unframed.Condition: Margins 1 1/2 inches or more with deckled edges, subtletoning, annotations to lower margin, brown paper tape to sidemargins.

Provenance: Through the family of the artist.$150-200

51.Samuel V. Chamberlain (American, 1895-1975)

Amalfi, edition of 100 (Chamberlain & Kingsland, 8). Signed “SamuelChamberlain” in pencil l.r., numbered “87/100” in pencil l.l. Etchingon paper, plate size 7 x 7 in. (17.7 x 17.5 cm), matted, unframed.Condition: Margins over 1 3/4 inches with deckled edges, subtletoning, annotations to lower margin.

Provenance: Through the family of the artist.$150-200

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52.Samuel V. Chamberlain (American, 1895-1975)

Church of Saint Ayoul - Provins, 1924-28, edition of 68 plus proofs(Chamberlain & Kingsland, 11). Signed “Samuel Chamberlain” inpencil l.r., inscribed “epreuve d’artiste” in pencil l.l. Etching on paper,plate size 5 7/8 x 7 3/4 in. (14.7 x 19.7 cm), matted, unframed.Condition: Margins 1 1/2 inches or more with two deckled edges,annotations to lower margin.

Provenance: Through the family of the artist.$150-200

53.Samuel V. Chamberlain (American, 1895-1975)

The Church at Sezanne, c. 1925 (Chamberlain & Kingsland, 12).Signed “Samuel Chamberlain” in pencil l.r., numbered “68/100” inpencil l.l. Etching on paper, plate size 7 3/4 x 3 7/8 in. (19.5 x 9.7cm), matted, unframed.Condition: Margins over 2 1/2 inches with deckled edges, subtlesoiling or staining to margins, annotations to lower margin.

Provenance: Through the family of the artist.$150-200

54.Samuel V. Chamberlain (American, 1895-1975)

Soaring Steel, proof (Chamberlain & Kingsland, 79). Signed “SamuelChamberlain” in pencil l.r., inscribed “Epreuve d’artiste - I/V” in pencill.l. Etching on paper, plate size 12 1/2 x 9 5/8 in. (31.6 x 24.4 cm),matted, unframed.Condition: Margins over 1/2 inch with two deckled edges, stain tomargin along upper edge, annotations to lower margin.

Provenance: Through the family of the artist.

N.B. The view shows the construction of the Daily News Building inChicago.

$300-350

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55.Samuel V. Chamberlain (American, 1895-1975)

Oil, c. 1930, edition of 100, but most destroyed, plus proofs(Chamberlain & Kingsland, 80). Signed “Samuel Chamberlain” inpencil l.r., inscribed “Epreuve d’artiste - Third State 1/2” in pencil l.l.Etching on paper, plate size 9 5/8 x 6 3/4 in. (24.3 x 17.0 cm),matted, unframed.Condition: Margins over 1 inch with deckled edges, annotations tolower margin.

Provenance: Through the family of the artist.$300-350

56.Samuel V. Chamberlain (American, 1895-1975)

Lower Manhattan - Old and New (Chamberlain & Kingsland, 81).Signed “Samuel Chamberlain” in pencil l.r., inscribed “Epreuved’artiste 3rd State 1/2” in pencil l.l. Etching on paper, plate size 9 x 7in. (22.8 x 17.7 cm), matted, unframed.Condition: Margins 1 inch or more with deckled edges, subtle soiling,annotations to lower margin.

Provenance: Through the family of the artist.$300-350

57.Samuel V. Chamberlain (American, 1895-1975)

Boston Fish Pier (Chamberlain & Kingsland, 82). Signed “SamuelChamberlain” in pencil l.r., inscribed “Epreuve d’artiste” in pencil l.l.Etching on paper, plate size 5 5/8 x 8 5/8 in. (14.2 x 21.8 cm),matted, unframed.Condition: Margins 1 inch or more, foxing, staining to edges ofsheet, losses to both upper corners well within the margin,annotations to lower margin.

Provenance: Through the family of the artist.$150-200

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58.Samuel V. Chamberlain (American, 1895-1975)

Faneuil Hall - Boston (Chamberlain & Kingsland, 83). Signed“Samuel Chamberlain” in pencil l.r., numbered “44/100” in pencil l.l.Etching on laid paper, plate size 6 1/4 x 9 in. (15.8 x 22.8 cm),matted, unframed.Condition: Margins 1/2 inch or more with deckled lower edge,staining to edges of sheet, foxing, losses and tears to upper cornerswithin margins, annotations to lower margin.

Provenance: Through the family of the artist.$150-200

59.Samuel V. Chamberlain (American, 1895-1975)

Lot of Two Impressions of Mont-Saint-Michel, c. 1940, edition of1500 plus proofs (Chamberlain & Kingsland, 261). Unsigned, oneinscribed “Fourth State I/IV” in pencil l.l., the other inscribed “artist’sproof” in pencil l.l. Etchings on paper, plate size 5 3/8 x 4 5/8 in.(13.5 x 11.7 cm), matted, unframed.Condition: Margins approximately 1 inch, subtle toning, annotationsto lower margins.

Provenance: Through the family of the artist.$200-250

60.Samuel V. Chamberlain (American, 1895-1975)

Lot of Two Impressions of The Steps of Ara Coeli, Rome, c.1940, edition of 1500 plus proofs (Chamberlain & Kingsland, 264).Unsigned, one inscribed “First State III/IV” in pencil l.l., the otherinscribed “Artist’s Proof” in pencil l.l. Etchings on paper, plate size 63/4 x 4 1/2 in. (17.0 x 11.3 cm), matted, unframed.Condition: Margins approximately 1 inch, subtle toning.

Provenance: Through the family of the artist.$200-250

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61.Samuel V. Chamberlain (American, 1895-1975)

Summer Shadows, 1940, edition of 300 plus proofs (Chamberlain &Kingsland, 275). Signed “Samuel Chamberlain” in pencil l.r., inscribed“Ed. 300” in pencil l.l. Drypoint on paper, plate size 8 5/8 x 11 1/8 in.(21.8 x 28.2 cm), matted, unframed.Condition: Margins 1 inch or more, annotations to lower margin.

Provenance: Through the family of the artist.

N.B. The view depicts Bank Square in Marblehead, Massachusetts.$200-250

62.Samuel V. Chamberlain (American, 1895-1975)

Harborside, Friendship, Maine (Chamberlain & Kingsland, 276).Signed “Samuel Chamberlain/N.G.C.” by Narcissa GellatlyChamberlain in pencil l.r., inscribed “ed. 300” in pencil l.l. Drypoint onpaper, plate size 8 1/2 x 12 3/4 in. (21.5 x 32.0 cm), matted,unframed.Condition: Margins over 1 inch with deckled edges, annotations tolower and upper margins, stain to corner of margin l.l.

Provenance: Through the family of the artist.$150-200

63.Giorgio de Chirico (Italian, 1888-1978)

Castore, from I CAVALLI, 1948, edition of 94 (Vastano, 125).Signed “G. de Chirico” in pencil l.r., numbered “5/94” in pencil l.l.,signed in the matrix. Lithograph in black and cream on paper withFabriano watermarks, image size 19 x 12 1/2 in. (48.2 x 31.6 cm),framed.Condition: Margins over 3 inches, subtle toning or staining to edges,unobtrusive handling creases, not examined out of frame.

$800-1,200

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64.Giorgio de Chirico (Italian, 1888-1978)

Narciso Ippofilo, from I CAVALLI, 1948, edition of 94(Vastano, 131). Signed "G. de Chirico" in pencil l.r.,numbered "5/94" in pencil l.l., signed in the matrix. Colorlithograph on paper with Fabriano watermarks, image size 113/8 x 17 1/4 in. (28.8 x 43.7 cm), framed.Condition: Margins over 3 inches, nicks/losses to upperedge, subtle toning or staining to edges, unobtrusivehandling creases, not examined out of frame.

$800-1,200

65.Giorgio de Chirico (Italian, 1888-1978)

I figli dell’Arconte, from I CAVALLI, 1948, edition of 94(Vastano, 132). Signed “G. de Chirico” in pencil l.r.,numbered “5/94” in pencil l.l., signed in the matrix.Lithograph in black and cream on paper with Fabrianowatermarks, image size 11 1/2 x 17 1/8 in. (29.2 x 43.3 cm),framed.Condition: Margins over 3 inches, nicks/losses to upperedge, subtle toning or staining to edges, unobtrusivehandling creases, not examined out of frame.

$800-1,200

66.Giorgio de Chirico (Italian, 1888-1978)

Ippolito, from I CAVALLI, 1948, edition of 94 (Vastano, 133).Signed “G. de Chirico” in pencil l.r., numbered “5/94” inpencil l.l., signed in the matrix. Lithograph in black and blueon paper with Fabriano watermarks, image size 11 3/8 x 171/4 in. (28.8 x 43.6 cm), framed.Condition: Margins over 3 inches, unobtrusive toning,unobtrusive handling creases, not examined out of frame.

$800-1,200

Page 31: American & European Paintings & Prints

67.Roland Clark (American, 1874-1957)

Pintail. Signed “Roland Clark” in pencil l.r. Drypoint and etching onpaper, plate size 11 3/4 x 8 7/8 in. (29.8 x 22.5 cm), framed.Condition: Margins over 2 inches, laid down at edges, but withrippling to the image, annotations to lower edge.

$150-200

68.Antoni Clavé (Spanish, 1913-2005)

Profile Head, edition of 50. Signed “Clavé” in pencil l.r., numbered“1/50” in pencil l.l. Lithograph in black and tan on paper, image size28 x 20 in. (71.1 x 50.8 cm), framed.Condition: Subtle toning and mat burn, not examined out of frame.

$300-500

69.James Coignard (French, 1925-2008)

Presence, 1986, edition of 75. Signed “J. Coignard” in pencil l.r.,numbered “25/75” in pencil l.l., identified on labels on the reverse.Color aquatint with carborundum and collage on paper, image size 34x 27 in. (86.3 x 68.5 cm), framed.Condition: Subtle rippling, not examined out of frame.

$300-500

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70.James Coignard (French, 1925-2008)

Espace dynamique bleu, 1989, edition of 95. Numbered andsigned “6/95 J. Coignard” in pencil l.r., identified on labels on thereverse. Color carborundum on paper, image/sheet size 20 1/4 x 253/4 in. (51.5 x 65.3 cm), framed.Condition: Subtle rippling, not examined out of frame.

$300-350

71.James Coignard (French, 1925-2008)

Architecture, 1991, edition of 85. Signed “J. Coignard” in pencil l.r.,numbered “79/85” in pencil l.l., identified on labels on the reverse.Color carborundum on paper, image size 28 x 23 3/4 in. (71.0 x 60.2cm), framed.Condition: Subtle rippling, creases to edge of lower margin, notexamined out of frame.

$300-500

72.Lovis Corinth (German, 1858-1925)

Krönung Heinrich V, plate 30 from SHAKESPEARE VISIONEN,1917-18, published in GANYMEDE (Schwarz, 390). Unsigned,Ganymede dry stamp l.l. Drypoint on laid paper with partialwatermark, plate size 6 x 10 1/4 in. (15.3 x 26.0 cm), matted,unframed.Condition: Margins over 1 inch with deckled edges.

$250-350

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73.Alan Horton Crane (American, 1901-1969)

Lot of Two Landscapes: Winter Memory, edition of 40;and Harbor Fog, edition of 50. Both signed “Alan Crane” inpencil l.r. and titled and inscribed in pencil l.l. Lithographs onpaper, image sizes approximately 10 x 13 3/4 in. (25.4 x34.8 cm), unmatted, unframed.Condition: Margins approximately 1 inch, unobtrusive toningand staining.

$200-250

74.John Steuart Curry (American, 1897-1946)

Stallion and Jack Fighting, 1943, edition of 250(Czestochowski, C-39). Signed “John Steuart Curry” inpencil l.r., initialed and dated in the matrix. Lithograph onpaper, image size 11 3/4 x 15 3/8 in. (29.8 x 39.0 cm),framed.Condition: Not examined out of frame.

$1,000-1,500

75.John Steuart Curry (American, 1897-1946)

Sanctuary, alternatively titled Flood Relief, 1944, edition of250, published by Associated American Artists(Czestochowski, C-41). Signed “John Steuart Curry” inpencil l.r., initialed and dated in the matrix. Lithograph onpaper, image size 11 3/4 x 15 3/4 in. (29.8 x 40.0 cm),matted, unframed.Condition: Margins 3/4 inches or more with deckled edges,toning.

$700-900

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76.Salvador Dalí (Spanish, 1904-1989)

Begonia, from FLORDALI, 1968, total edition of 400 plus proofs(Löpsinger & Michler, 233). Signed “Dali” in pencil l.r., numbered“XXIII/XXV” in pencil l.l., signed within the plate. Etching with drypointand pochoir on paper, plate size 22 7/8 x 15 1/4 in. (55.2 x 38.8 cm),framed.Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$500-700

77.Salvador Dalí (Spanish, 1904-1989)

L’Aéroplane, from HOMMAGE A LEONARDO DA VINCI(AMERICAN INVENTIONS), 1975, edition of 450 plus proofs(Löpsinger & Michler, 810). Signed “Dalí” in pencil l.r., numbered“75/450” in pencil l.l. Drypoint and pochoir on paper, plate size 141/4 x 19 7/8 in. (36.3 x 50.5 cm), framed.Condition: Not examined out of frame.

$300-500

78.Adolf Arthur Dehn (American, 1895-1968)

Circus, 1942, edition of 30 or more (Lumsdaine & O’Sullivan, 336).Signed and dated “Adolf Dehn 1942” in pencil l.r., titled in pencil l.c.,inscribed “30 prints” in pencil l.l. Lithograph on paper, image size 123/4 x 17 1/4 in. (32.0 x 43.5 cm), framed.Condition: Toning, pale foxing, not examined out of frame.

$300-500

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79.Jane Leone Dickson (American, b. 1952)

Lot of Three Works: Globe Hotel Bar, Woman on Stairs, andBurlesque, all 1984, editions of 45. Each signed and dated “JaneDickson ‘84” in pencil l.r. and numbered “10/45” in pencil l.l. Coloraquatints on paper, plate sizes 29 1/2 x 16 7/8 in. (74.8 x 42.8 cm),all matted, the last framed.Condition: Good, the last not examined out of frame.

$1,000-1,500

80.Jim Dine (American, b. 1935)

Plate Four, from RACHEL COHEN’S FLAGS, STATE I, 1979(D’Oench & Feinberg, 41) Inscribed, dated, and signed “Trial prooffor Nardo from Jim 1979 Jim Dine” in pencil beneath the image.Drypoint on paper, plate size 15 1/2 x 21 3/4 in. (39.3 x 55.2 cm),framed.Condition: Margins over 2 3/4 inches with deckled edges, subtlecockling, not examined out of frame.

$800-1,200

81.Lazzaro Donati (Italian, b. 1926)

Garden Sculpture, 1966, edition of 50. Signed and dated“LAZZARO DONATI 66” in pencil l.l., numbered “6/50” in pencil l.r.Color lithograph on paper, image size 12 1/4 x 16 1/2 in. (31.1 x 41.9cm), framed.Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$150-250

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82.Otis Dozier (American, 1904-1987)

Crows in Melon Patch, 1939, edition of 30. Signed anddated “Otis Dozier ‘39” in pencil l.r., titled and numbered“...6/30” in pencil l.l. Lithograph on paper, image size 9 3/4x 12 in. (24.5 x 30.4 cm), framed.Condition: Not examined out of frame.

$200-250

83.Otis Dozier (American, 1904-1987)

Lot of Two Landscapes: Two Deer, 1942, edition of 20;and Morning Country, 1942, edition of 20. Both signedand dated “Otis Dozier ‘42” in pencil l.r., and titled andnumbered in pencil l.l. Lithographs on paper, image sizesapproximately 13 1/2 x 10 in. (34.0 x 25.5 cm), framed.Condition: Not examined out of frames.

$200-250

84.Jean Dubuffet (French, 1901-1985)

Banque de L’Hourloupe cartes à jouer et à tirer, 1967,edition of 350 plus proofs, published by Editions Alecto,London. Identified and numbered “210” on the interior of thebox. Color screenprints on cardboard, 9 7/8 x 6 1/2 in.(25.0 x 16.4 cm), presented in the original portfolio box.Condition: Minor wear.

$500-700

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85.Etienne Duperac (French, 1520-1604)

Hunter in a Landscape. Signed in the plate. Etching on paper,plate size 7 1/2 x 12 3/4 in. (19.0 x 32.3 cm), framed.Condition: Trimmed to or just within the plate mark, subtle ripplingand toning, not examined out of frame.

$300-350

86.Albrecht Dürer (German, 1471-1528)

The Last Judgment, from the SMALL PASSION, 1511 (Bartsch 52;Meder, 161; Hollstein 161b). Monogrammed in the block, with texton the reverse. Woodcut on paper, image size 5 x 3 3/4 in. (12.5 x9.5 cm), framed.Condition: Thread margins, rippling, small tear to corner (justeffecting image) l.l., not examined out of frame.

$300-500

87.Max Ernst (German, 1891-1976)

Sign for a School for Pirates, 1965, edition of 125 (Spies &Leppien, A12). Signed “max ernst” in pencil l.r., numbered “72/125”in pencil l.l., titled within the matrix. Color photo-lithograph on BFKRives paper with partial watermark, image size 23 3/4 x 19 3/8 in.(60.3 x 49.0 cm), unmatted, unframed.Condition: Margins 1 inch or more with two deckled edges, subtlesurface rubs to image, minor creases to margins near corners.

$200-250

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88.Lyonel Feininger (German/American, 1871-1956)

Off the Coast, 1951, second state of two, edition of 250 plus proofspublished for the Cleveland Print Club (Prasse L14). Signed “LyonelFeininger” in pencil l.r. Lithograph on paper, image size 9 1/4 x 141/2 in. (23.5 x 36.8 cm), framed.Condition: Not examined out of frame.

$1,500-2,000

89.Erna Fenkohl (Belgian, 1882-1975)

Lot of Four Still Lifes with Flowers and Insects. Each signed“Erna Fenkohl” in pencil l.r. and inscribed “Orig. Handdruck” in pencill.l. Color woodcuts on paper, image sizes 5 1/2 x 5 1/2 in. (13.8 x13.8 cm), framed.Condition: Subtle toning, not examined out of frames.

$600-800

90.Ernest Fiene (American, 1894-1965)

The Little Church Around the Corner. Signed “Ernest Fiene” inpencil l.r., identified on a label on the reverse. Lithograph on paper,image size 9 1/2 x 12 1/8 in. (24.0 x 30.6 cm), framed.Condition: Subtle rippling, not examined out of frame.

$300-500

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91.Sam Francis (American, 1923-1994)

Senza Titolo I, 1987, edition of 58, published by 2RC Edizioni d’Arte,Rome (Lembark, I.87). Signed “Sam Francis” in pencil l.r., numbered“43/58” in pencil l.l. Color etching and aquatint on paper, plate size34 5/8 x 39 1/8 in. (87.8 x 99.3 cm), framed.Condition: Not examined out of frame.

Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts,1988; to a private collector.

$4,000-6,000

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Page 40: American & European Paintings & Prints

92.Helen Frankenthaler (American, b. 1928)

Broome Street at Night, 1987, edition of 68. Signed and dated“Frankenthaler ‘67” in pencil l.r., numbered “54/68” in pencil l.l. Coloretching and aquatint on paper, plate size 27 x 28 1/4 in. (68.5 x 71.5cm), framed.Condition: Margins 2 1/2 inches or more, not examined out of frame.

Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts,1987; to a private collector.

$2,000-2,500

93.French School, 19th/20th Century

Apéritif Bacchus. Identified within the matrix. Color lithographicposter on paper, sheet size 62 x 46 3/8 in. (157.5 x 117.7 cm),unmatted, unframed.Condition: Mounted on paper backed with linen (to stabilize/repairtears and creases), toning, minor surface rubs, handling creases.

$400-600

94.French School, 19th/20th Century

La Mora y Manzano. Identified within the matrix. Color lithographicposter on paper, sheet size 55 3/4 x 39 1/4 in. (141.5 x 99.5 cm),unmatted, unframed.Condition: Mounted on paper backed with linen (to stabilize/repairtears and creases), minor rubs to image, subtle toning, minorhandling creases.

$500-70094

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95.French School, 19th/20th Century

Cycles Omnium. Signed “Emile Vidal” and identified within thematrix. Color lithographic poster on paper, sheet size 49 1/4 x 36 in.(125.0 x 91.3 cm), unmatted, unframed.Condition: Mounted on paper backed with linen (to stabilize/repairolder tears and creases), creases and tears, toning, staining, handlingcreases.

$400-600

96.French School, 20th Century

Remoncourt la Reine des Vosges. Identified “...J. Hirsch lith...”within the matrix. Color lithographic poster on paper, sheet size 48 x35 1/2 in. (121.8 x 90.0 cm), unmatted, unframed.Condition: Mounted on paper backed with linen (to stabilize/repairtears and/or creases), pale staining and foxing, minor handlingcreases.

$500-700

97.French School, 19th/20th Century

Scala C’est Dégoutant!! Identified within the matrix. Colorlithographic poster on paper, sheet size 44 1/8 x 33 3/4 in. (112.2 x85.5.0 cm), unmatted, unframed.Condition: Mounted on paper backed with linen (to stabilize/repairminor creases and minor tears), toning, minor handling creases.

$500-700

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98.Wanda Gag (American, 1893-1946)

Christmas Eve I, 1927 (Winnan, 53). Identified“GREETINGS FROM THE HOUSE OF WEYHE 1927...” in thetext within the matrix. Lithograph on paper, image size 5 1/4x 6 7/8 in. (13.3 x 17.3 cm), framed.Condition: Subtle toning, not examined out of frame.

$200-250

99.Sears Gallagher (American, 1869-1955)

Lot of Three Views: Rocks and Crashing Surf; The OldMill; and Wild Cherry Elder. Each signed “Sears Gallagher”in pencil l.c., the last identified on a label from Doll &Richards, Inc., Boston, on the reverse. Etchings on paper,plate sizes to 5 7/8 x 8 7/8 in. (14.8 x 22.4 cm), matted, thelast framed.Condition: The last not examined out of frame.

$300-500

100.Sears Gallagher (American, 1869-1955)

Lot of Three Views: Pickerel Pond; Grassy Dunes; andAcross the Pond. Each signed “Sears Gallagher” in pencill.l. Drypoints on paper, plate sizes to 6 3/4 x 8 3/4 in. (17.3x 22.3 cm), matted, unframed.Condition: Margins 1 inch or more.

$250-350

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101.Eliza Draper Gardiner (American, 1871-1955)

On the Boat, edition of 30. Signed and numbered “Eliza D. Gardiner1/30” in pencil l.l. (within the image) and l.r., titled in pencil l.c.,identified on labels from the Print Club of Philadelphia and TheWichita Art Association on the reverse. Color woodcut on laid graypaper, image size 10 1/2 x 12 3/8 in. (26.5 x 31.3 cm), matted,unframed.Condition: Margins 1 inch or more with two deckled edges, subtletoning, annotations in the artist’s hand verso.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$400-600

102.Eliza Draper Gardiner (American, 1871-1955)

Feeding the Geese. Unsigned. Color woodcut on paper, imagesize 9 1/2 x 7 3/8 in. (24.0 x 18.5 cm), unmatted, unframed.Condition: Margins 1/2 inch or more, foxing (primarily to uppermargin).

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$300-500

103.Eliza Draper Gardiner (American, 1871-1955)

Ginny + Lucky, edition of 50. Signed and numbered “Eliza D.Gardiner 5/50” in pencil l.l., titled in pencil l.c. Woodcut on laid paper,image size 8 x 6 1/2 in. (20.3 x 16.5 cm), matted, unframed.Condition: Margins 1/4 inch or more.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$300-500

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104.Eliza Draper Gardiner (American, 1871-1955)

Arrangement in Gray and Black. Unsigned. Woodcut on paper,image size 8 1/2 x 7 1/2 in. (21.5 x 19.0 cm), unmatted, unframed.Condition: Margins 1 inch or more with two deckled edges, subtletoning, annotations and pinholes to upper margin.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$200-250

105.Eliza Draper Gardiner (American, 1871-1955)

Boy with Cat, edition of 50. Signed and numbered “Eliza D.Gardiner 28/50” in pencil u.r. (within the image). Color woodcut onlaid gray paper, image size 10 x 7 1/2 in. (25.4 x 19.1 cm), matted,unframed.Condition: Upper and right margins trimmed to image, pale foxing(visible almost exclusively in remaining margins).

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$300-500

106.Eliza Draper Gardiner (American, 1871-1955)

Tansy, edition of approximately 20. Signed and numbered “Eliza D.Gardiner 3/19” in pencil l.l. (within the image), numbered “3/20” inpencil l.r. (within the image), titled on the mat. Color woodcut onpaper, image size 8 x 10 3/4 in. (20.3 x 27.3 cm), matted, unframed.Condition: Margins 1/4 inch or more, subtle toning.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$300-500

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107.Eliza Draper Gardiner (American, 1871-1955)

Baby and Mother, c. 1937, edition of 50. Signed and numbered“Eliza D. Gardiner 3/50” in pencil l.l., titled on the mat. Colorwoodcut on laid paper, image size 10 1/2 x 6 1/2 in. (26.5 x 16.5cm), matted, unframed.Condition: Margins 1 inch or more with deckled lower edge, subtletoning and/or soiling.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$400-600

108.Eliza Draper Gardiner (American, 1871-1955)

Candle Light, edition of 10. Signed and numbered “Eliza D.Gardiner-1/10” in pencil l.l., titled on the mat. Color woodcut onpaper, image size 11 7/8 x 7 1/4 in. (30.0 x 18.3 cm), matted,unframed.Condition: Margins approximately 1/4 inch, several tiny fox marks.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$300-500

109.Eliza Draper Gardiner (American, 1871-1955)

The Turtle, edition of 25. Signed “Eliza D. Gardiner” in pencil (withinthe image) l.l. and signed and numbered “Eliza D. Gardiner 9/25” inpencil l.r., titled in pencil l.c., identified on labels from the Print Club ofPhiladelphia and the New England Print Association on the reverse.Color woodcut on paper, image size 12 1/2 x 9 1/2 in. (31.6 x 24.0cm), matted, unframed.Condition: Margins 1 inch or more with three deckled edges, subtletoning.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$400-600

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110.Eliza Draper Gardiner (American, 1871-1955)

Lot of Eight Scenes: Provincetown, edition of 25; Apponaug, R.I.,edition of 25; Boy with Goose; Dories at Low Tide; The GardenShed; The Toy Boat; A Quiet Corner; and Waiting on the Dock.The first two signed, titled, and numbered “Eliza D. Gardiner...1/25” inpencil beneath the image, the rest unsigned. Etchings on variouspapers, plate sizes to 8 x 5 in. (20.2 x 12.6 cm), unmatted, unframed.Condition: Unobtrusive toning and/or soiling, some margins withpinholes to edges, some edges deckled.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$800-1,200

111.Eliza Draper Gardiner (American, 1871-1955)

The Forest Nunns, c. 1939, edition of 50. Signed and numbered“Eliza D. Gardiner 1/50” in pencil l.l., titled on the mat, identified on alabel from the Armour Gallery, Providence, Rhode Island, on thereverse. Lithograph on Rives paper with watermark, image size 8 7/8x 6 1/4 in. (22.4 x 15.6 cm), matted, unframed.Condition: Deckled edges to three sides, several fox marks tomargins.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$200-250

112.Eliza Draper Gardiner (American, 1871-1955)

Gone Fishing, edition of 25. Unsigned, numbered “19/25” in pencill.l. Woodcut on fine paper, image size 6 3/4 x 8 1/8 in. (17.0 x 20.5cm), unmatted, unframed.Condition: Subtle toning, crease to corner or margin u.l.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$200-250

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113.Eliza Draper Gardiner (American, 1871-1955)

Waiting by the Window, c. 1937. Signed “Eliza D. Gardiner” inpencil l.l., dedicated “To E. Cook with love ‘37” in pencil l.r.Lithograph on paper, image size 7 1/2 x 6 in. (19.0 x 15.2 cm),framed.Condition: Subtle toning and rippling, not examined out of frame.

$300-500

114.Albert Gleizes (French, 1881-1953)

Rue animée, 1914. Signed and dated “AGleizes 1914” in pencil l.r.,signed and dated in the plate, inscribed “épreuve d’artist” in pencil l.l.Etching on paper, plate size 8 7/8 x 6 3/4 in. (22.5 x 17.0 cm),matted, unframed.Condition: Margins 1 3/4 inches or more, minor soiling.

$5,000-7,000

115.Albert Gold (American, 1916-1972)

The Horse Cart, 1947. Signed and dated “Albert Gold ‘47” in pencill.r. Color monotype on paper, image size 12 x 15 3/4 in. (30.5 x 40.0cm), framed.Condition: Not examined out of frame.

$200-300

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116.Stephen Gooden (British, 1892-1955)

The Satyrs, 1937. Inscribed, signed, and dated “109 . 81 StephenGooden 1937” in pencil beneath the image, identified on label affixedinside the mat. Engraving on paper, circular format, plate diameter 61/4 in. (15.7 cm), matted, unframed.Condition: Margins over 1 1/2 inches with two deckled edges, subtletoning.

$200-250

117.R.C. Gorman (American, 1932-2005)

Beauty Way, 1990, edition of 225 plus proofs. Signed and dated“R.C. Gorman 1990” in pencil (within the image) l.l., inscribed “A.P. 9”in pencil (within the image) l.r., artist’s dry stamp l.l., “HOUSTON” drystamp l.r. Color screenprint on paper, image/sheet size 37 x 31 in.(94.0 x 78.5 cm), framed.Condition: Deckled edges, not examined out of frame.

$800-1,200

118.Gordon Hope Grant (American, 1875-1962)

Lot of Four Views: First Snow; Shadow of the Dock; Return ofthe Fishing Boat; and The Salt Bark - Gloucester. Each signed“Gordon Grant” in pencil l.r. Lithographs on paper, image sizesapproximately 9 x 12 in. (22.8 x 30.4 cm), three matted, all unframed.Condition: Some with unobtrusive toning, margins 3/4 inches ormore.

$200-250

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119.Frederick Landseer Maur Griggs (British, 1876-1938)

Sellenger, 1917, fourth state of six (Comstock, 18). Signed “F.L.Griggs” in pencil l.r., signed and dated in the plate, titled in pencil l.l.Etching on paper, plate size 5 x 6 3/4 in. (12.5 x 17.0 cm), framed.Condition: Unobtrusive toning, not examined out of frame.

$200-250

120.Yozo Hamaguchi (Japanese, 1909-2000)

Gypsy, 1954, edition of 50 (M. Gallery, 32). Signed “hamaguchi” inpencil l.r., numbered “31/50” in pencil l.l. Mezzotint and aquatint onpaper, plate size 11 3/4 x 11 3/4 in. (29.7 x 29.7 cm), framed.Condition: Subtle toning and rippling, not examined out of frame.

$800-1,200

121.Yozo Hamaguchi (Japanese, 1909-2000)

Mud Snails, 1960, edition of 50 (M. Gallery, 73). Signed“hamaguchi” in pencil l.r., numbered “9 50” in pencil l.l. Colormezzotint on paper, plate size 4 x 3 1/8 in. (10.1 x 7.8 cm), framed.Condition: Unobtrusive mat burn and toning, not examined out offrame.

$400-600

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122.Yozo Hamaguchi (Japanese, 1909-2000)

Black Cherries, 1964, edition of 50 (M. Gallery, 50). Signed“hamaguchi” in pencil l.r., numbered “36/50” in pencil l.l. Colormezzotint on paper, plate size 7 3/4 x 9 5/8 in. (19.5 x 24.4 cm),framed.Condition: Subtle toning and rippling, not examined out of frame.

$400-600

123.Hans Hartung (German, 1904-1989)

L 71, 1958, edition of 35. Signed “Hartung” in pencil l.r., numbered“11/35” in pencil l.l., annotated on the reverse. Lithograph on Archespaper with watermark, image size 20 3/4 x 29 in. (52.5 x 73.4 cm),unmatted, unframed.Condition: Deckled edges, subtle staining and toning, unpressedcreases to some corners.

$500-700

124.Hans Hartung (German, 1904-1989)

L 100, 1963, edition of 75. Signed “Hartung” in pencil l.r., numbered“26/75” in pencil l.l., dry stamp from Erker Presse, St. Gallen, l.l.,annotated on the reverse. Lithograph on BFK Rives paper withwatermark, image size 20 3/4 x 17 in. (52.6 x 43.0 cm), unmatted,unframed.Condition: Margins 2 1/2 inches or more with deckled edges, subtlestaining.

$500-700

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125.Hans Hartung (German, 1904-1989)

L 109, 1963, edition of 75. Signed “Hartung” in pencil l.r., numbered“28/75” in pencil l.l., dry stamp from Erker Presse, St. Gallen, l.l.,annotated on the reverse. Lithograph in brown on BFK Rives paperwith watermark, image size 22 5/8 x 14 3/4 in. (57.4 x 37.4 cm),unmatted, unframed.Condition: Margins over 3 inches with deckled edges, subtle stainingand/or soiling, thinning to corner u.r. on verso, minor nicks/creases todeckles.

$500-700

126.Hans Hartung (German, 1904-1989)

L 124, 1967, edition of 75. Numbered and signed “28/75 Hartung”in pencil l.l., dry stamp from Erker Presse, St. Gallen, l.l., annotatedon the reverse. Lithograph on BFK Rives paper with watermark,image size 18 1/4 x 25 in. (46.3 x 63.4 cm), unmatted, unframed.Condition: Margins over 2 inches with deckled edges, subtlestaining, minor nicks/handling creases to edges (primarily at corners).

$500-700

127.Joseph Hecht (Polish/British, 1891-1951)

Reclining Nude and Two Palms, edition of 30. Signed “JosephHecht” in pencil l.r., numbered “17=30” in pencil l.l. Etching anddrypoint on paper, plate size 9 3/4 x 8 1/8 in. (24.6 x 20.5 cm),matted, unframed.Condition: Margins 1 1/2 inches or more, handling marks andcreases to margins, hinged at upper corners, subtle soiling, inkannotations to l.r. corner.

$150-200

128.No lot.

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129.Erich Heckel (German, 1883-1970)

Bildnis E. H., 1917 (Dube, 306). Signed and dated “Erich Heckel17” in pencil l.r. Woodcut on paper, image size 14 1/4 x 11 3/4 in.(36.2 x 29.8 cm), framed.Condition: Margins 1 inch or more, horizontal crease into image(some with very subtle breaks to paper fibers), unobtrusive toning,pale staining to image.

$1,000-1,500

130.Dame Barbara Hepworth (British, 1903-1975)

Two Marble Forms (Mykonos), 1969, edition of 30. Signed“Barbara Hepworth” in pencil l.r., numbered “...23/30” in pencil l.l.,Curwen Studio dry stamp l.l., identified as “Blue Streak...” oninformation affixed to the reverse. Lithograph in blue, gray, and blackon paper, image size 29 x 19 in. (73.5 x 48.2 cm), framed.Condition: Minor soiling to margins, not examined out of frame.

$500-700

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131.Irwin D. Hoffman (American, 1901-1989)

Cigarette Underground. Signed “Irwin D. Hoffman Imp.” in pencill.r., titled and dedicated “...to Maestro Max Jacobs with best wishes”in pencil l.l. Etching on paper, plate size 10 7/8 x 7 7/8 in. (27.5 x19.8 cm), framed (without glass).Condition: Toning, subtle rippling, not examined out of frame.

$400-600

132.Lester George Hornby (American, 1882-1956)

Lot of Three European Landscapes: Le rond point, Paris;Seicheprey, 1918; and Bezaudun. Each initialed and titled withinthe plate, and with artist’s stamp l.l. Etchings on paper, plate sizes to7 x 9 7/8 in. (17.8 x 25.2 cm), matted, unframed.Condition: Margins 2 inches or more, scattered foxing (almostexclusively to margins).

$250-300

133.Lester George Hornby (American, 1882-1956)

Lot of Three City Views: By the Bridge; Les beaux choux; andFishing Along the Seine. The second initialed and titled within theplate, the last two with artist’s stamp l.l. Etchings on paper, platesizes to 7 3/8 x 8 5/8 in. (18.8 x 21.9 cm), matted, unframed.Condition: Margins 1/2 inch or more, toning to Bridge.

$250-300

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134.Alfred Heber Hutty (American, 1877-1954)

The Quiet Harbor. Signed “Alfred Hutty” in pencil l.r.Etching on paper, plate size 6 3/8 x 7 3/8 in. (16.3 x 18.8cm), framed.Condition: Subtle toning, not examined out of frame.

$200-250

135.Philip Kappel (American, 1901-1981)

Lot of Two Views: Lobsterman at Dawn and Chatham Bar- Cape Cod. Both signed “Philip Kappel” in pencil l.r. andtitled in pencil l.l. Aquatints on paper, plate sizes to 7 3/4 x 97/8 in. (19.7 x 25.2 cm), the latter matted, both unframed.Condition: Margins over 2 inches.

$250-350

136.Philip Kappel (American, 1901-1981)

Lot of Three Connecticut Views: Winter Tracery - NewMilford Green; Sugar Maples in Spring; and SundayMorning - New Milford Green. Each signed “Philip Kappel”in pencil l.r. and titled in pencil l.l. Etchings with drypoint onpaper, plate sizes to 9 1/8 x 12 1/8 in. (23.2 x 30.9 cm),unmatted, unframed.Condition: Margins over 1 inch, minor handling creases.

$250-350

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137.Philip Kappel (American, 1901-1981)

Lot of Three Seafaring Views: Lifting Fog - Down East; Shootingthe Sun; and Marine Pathway. Each signed “Philip Kappel” inpencil l.r. and titled in pencil l.l. Etchings with drypoint on paper, platesizes to 7 1/4 x 9 3/8 in. (18.4 x 23.8 cm), the last two matted, allunframed.Condition: Margins over 1 inch, staining to edges of Pathway.

$250-300

138.Luigi Kasimir (Austrian, 1881-1962)

Klosterneuberg, 1912 (H. Weiss, 32). Signed “Luigi Kasimir” inpencil l.r., numbered “...4/100” in pencil l.l., remarque in the plate l.l.Color etching with aquatint on paper, plate size 18 1/8 x 23 1/2 in.(46.0 x 59.7 cm), framed.Condition: Subtle toning, not examined out of frame.

$300-500

139.Luigi Kasimir (Austrian, 1881-1962)

Lot of Two Views: Bad Gastein, Kirche (Main Street), 1943,possibly a later printing; and Bad Gastein, Winter (H. Weiss, 92 &95). Signed “Luigi Kasimir” in pencil l.c. and l.r., respectively. Coloretchings with aquatint on paper, plate sizes approximately 19 x 131/2 in. (48.5 x 34.3 cm), framed.Condition: Staining (primarily to former), not examined out of frames.

$400-600

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140.Luigi Kasimir (Austrian, 1881-1962)

Cortina d’Ampezzo, 1925, edition of 250 (Weiss, 414). Signed“Luigi Kasimir” in pencil l.r., identified and dated in the plate,numbered “220/250” in pencil l.l. Color etching and aquatint onpaper, plate size 15 5/8 x 21 1/8 in. (39.5 x 53.4 cm), framed.Condition: Subtle toning, gentle rippling, not examined out of frame.

$300-500

141.Marguerite Kirmse (American, 1885-1954)

Down in Dixie/Two Pointers in a Landscape. Signed “MargueriteKirmse” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 7x 10 3/4 in. (17.5 x 27.2 cm), framed.Condition: Subtle toning and mat burn, not examined out of frame.

$300-500

142.Lot of Two Dog Prints:

Marguerite Kirmse (American, 1885-1954), Stymied; and CharlesM. Weissman (American, fl. 1933-1934), When Do We Eat, editionof 50. Both signed in pencil l.r. and titled in pencil l.l., the latteridentified on a label from the artist’s studio. Etchings on paper, platesizes to 9 1/4 x 11 3/8 in. (23.4 x 28.8 cm), framed.Condition: Mat burn, scattered foxing (primarily to Stymied), notexamined out of frames.

$400-600

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143.Moïse Kisling (French, 1891-1953)

Head of a Woman, edition of 100. Signed “Kisling” in pencil l.r.,numbered “70/100” in pencil l.l. Lithograph on paper, image size 161/4 x 13 3/4 in. (41.2 x 34.8 cm), framed.Condition: Staining, toning, foxing, not examined out of frame.

$500-700

144.Sacha Kolin (American, 1911-1981)

Lots of Two Compositions: Untitled, 1954; and Untitled withCrescent Moon, 1955. Both signed and dated “KOLIN...” in pencill.r. Woodcuts on Mulberry paper or similar, image sizes to 8 7/8 x 117/8 in. (22.4 x 30.0 cm), matted, unframed.Condition: Margins 1 1/2 inches or more.

$500-700

145.Kalman Kubinyi (American, 1906-1973)

Canal Rotterdam. Signed “Kalman Kubinyi” in pencil l.r., titled inpencil l.l. Etching and aquatint on paper, plate size 8 7/8 x 6 3/4 in.(22.4 x 17.0 cm), framed.Condition: Subtle toning, rippling, not examined out of frame.

$200-250

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146.Gustave Leheutre (French, 1861-1932)

Le pont de Bonnemort à La Rochelle (1re planche), c. 1910, firststate of three (Delteil, 85). Signed “G. Leheutre” in pencil l.r.,inscribed “8imp/no 8” and “1v etat” in pencil beneath the image, drystamp from Sagot, Paris, l.r. Drypoint on paper, plate size 7 5/8 x 107/8 in. (19.4 x 27.5 cm), framed.Condition: Subtle toning, several pinpoint fox marks, not examinedout of frame.

$150-200

147.Leonard Lehrer (American, b. 1935)

Lot of Three Garden Views: Formal Garden; Formal Garden,1966, edition of 15; and Vizcaya, 1969, edition of 50. Each signed,titled, and numbered or inscribed in pencil beneath the images.Etchings on paper, plate sizes to 11 3/4 x 8 3/4 in. (29.8 x 22.3 cm),framed.Condition: Toning/staining to the first, not examined out of frames.

$250-300

148.Leonard Lehrer (American, b. 1935)

Tepotzotlan, 1973, edition of 25 plus proofs (Tamarind, 73-670).Inscribed, titled, signed, and dated “Trial proof... Leonard Lehrer1973” in pencil (within the image) l.c. Lithograph on paper,image/sheet size 30 x 22 in. (76.2 x 55.8 cm), framed.Condition: Unobtrusive foxing and toning, not examined out of frame.

$200-250

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149.Leonard Lehrer (American, b. 1935)

Lazienki Park, 1973, edition of 25 plus proofs (Tamarind,73-727).Signed and dated “Leonard Lehrer 1973” in pencil l.r., titled in pencill.c., numbered “4/25” in pencil l.l., dry stamp from the TamarindInstitute, Albuquerque, l.l., dry stamp l.r. Lithograph on paper, imagesize 27 x 19 1/4 in. (68.5 x 48.8 cm), framed.Condition: Not examined out of frame.

$200-250

150.Clare Veronica Hope Leighton (Anglo/American, 1901-1988)

Landing, from the LUMBER CAMP SERIES, 1931, edition of 130(BPL, 195). Unsigned, inscribed “P” in pencil l.l. Wood engraving onpaper, image size 8 1/4 x 12 3/8 in. (20.8 x 31.4 cm), unmatted,unframed.Condition: Margins over 1 1/2 inches.

Provenance: Through printer Harold McGrath.$300-500

151.Jack Levine (American, b. 1915)

Judas Maccabeus, 1963-64, edition of 100 plus proofs (Prescott,15). Signed “JLevine” in pencil l.r., numbered “18/100” in pencil l.l.Etching on chine collé, plate size 9 3/4 x 7 3/4 in. (24.6 x 19.5 cm),framed.Condition: Unobtrusive toning, mat burn, not examined out of frame.

$200-250

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152.Jack Levine (American, b. 1915)

Self-Portrait with Muse, 1966, edition of 100 plus proofs (Prescott,37). Signed “JLevine” in pencil l.r., inscribed “Trial Proof” in pencil l.l.Mezzotint in green on Rives paper with watermark, plate size 10 x 123/4 in. (25.4 x 32.3 cm), matted, unframed.Condition: Margins over 3 1/2 inches with deckled edges, gentlecockling, minor handling marks and creases to margins, annotationsverso.

$200-250

153.Jack Levine (American, b. 1915)

Image from the DREIGROSCHENFILM Suite, 1967, edition of 100plus proofs. Signed “JLevine” in pencil l.r., numbered “92/100” inpencil l.l. Soft-ground etching in green on Rives paper withwatermark, plate size 11 3/4 x 8 7/8 in. (29.8 x 22.5 cm), unmatted,unframed.Condition: Margins over 2 1/2 inches with deckled edges to twosides, gentle soiling to margins, crease to corner of margin u.r.

$150-200

154.Jack Levine (American, b. 1915)

The Art Lover, 1967, edition of 100 plus proofs (Prescott, 46).Signed “JLevine” in pencil l.r., numbered “24/100” in pencil l.l. Colorlithograph on Arches cream paper with watermark, image size 22 1/4x 17 1/2 in. (56.4 x 44.4 cm), unmatted, unframed.Condition: Margins approximately 1 inch with deckled edges to twosides, gentle rippling, annotations verso.

$250-300

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155.Jack Levine (American, b. 1915)

Sacrifice of Isaac, 1974, edition of 100 plus proofs (Prescott, 60).Signed “JLevine” in pencil l.r., numbered “11/100” in pencil l.l., drystamp l.r. Etching with drypoint and engraving on Arches creampaper with watermark, image size 13 3/4 x 10 3/4 in. (34.8 x 27.3cm), unmatted, unframed.Condition: Margins 2 inches or more with deckled edges, subtletoning.

$200-250

156.Jack Levine (American, b. 1915)

Pygmalion, 1977, edition of 100 plus proofs (Prescott, 62). Signed“JLevine” in pencil l.r., numbered “14/100” in pencil l.l., dry stamp l.l.Lithograph on BFK Rives paper with watermark, image size 19 5/8 x12 3/4 in. (49.8 x 32.3 cm), unmatted, unframed.Condition: Margins 4 inches or more with deckled edges.

$200-250

157.Martin Lewis (American, 1881-1962)

Which Way?, 1932, edition of 50 plus 3 proof (McCarron, 99).Signed “Martin Lewis-” in pencil l.r., inscribed “to Mister Edmund B.from Martin L./Mar 40 With better wishes than I can tell-” in pencil l.l.Aquatint on paper, plate size 10 3/8 x 15 7/8 in. (26.3 x 40.2 cm),framed.Condition: Margins over 1 1/2 inches, toning, staining, glue residueto margins, very subtle rubs to image u.r., white cloth tape to upperedge on verso, adhered to facing mat at corner l.l.

$3,000-5,000

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158.Roy Lichtenstein (American, 1923-1997)

As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned,identified in the matrix and on the reverse. Offset color lithographs onpaper, each sheet measures 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm),unmatted, unframed.Condition: Minor handling marks and creases.

$700-900

159.Elyse Ashe Lord (British, 1900-1971)

Tiger Lily with Her Fan, edition of 75. Signed “Elyse Ashe Lord.” inpencil l.r., numbered “18/75” in pencil l.l. Etching with stencil color onpaper, plate size 10 1/4 x 7 in. (25.9 x 17.5 cm), framed.Condition: Toning, not examined out of frame.

$200-300

160.Elyse Ashe Lord (British, 1900-1971)

Mother and Daughter Under the Blossoms, edition of 75. Signed“Elyse Ashe Lord” in pencil l.r., numbered “66/75” in pencil l.l.Etching with stencil color on paper, plate size 12 7/8 x 11 1/8 in.(32.5 x 28.2 cm), framed.Condition: Toning, not examined out of frame.

$300-500

160

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161.Elyse Ashe Lord (British, 1900-1971)

The Dance, edition of 85. Signed “Elyse Lord” in pencil l.r.,numbered “83/85” in pencil l.l., identified on a label from ArthurAckermann & Son, Inc., New York, on the reverse. Etching anddrypoint with stencil color on paper, plate size 11 x 8 1/4 in. (27.8 x20.8 cm), framed.Condition: Subtle toning and rippling, not examined out of frame.

$250-350

162.Elyse Ashe Lord (British, 1900-1971)

By the Berry Bush. Signed “Elyse Lord” in pencil l.r. Etching withdrypoint and stencil color on paper, plate size 5 5/8 x 5 7/8 in. (14.3 x14.9 cm), framed.Condition: Not examined out of frame.

$250-300

163.Elyse Ashe Lord (British, 1900-1971)

Two Figures in a Landscape, edition of 75. Signed “Elyse Lord” inpencil l.r., numbered “44/75” in pencil l.l. Etching with drypoint andstencil color on paper, plate size 18 1/4 x 13 7/8 in. (46.4 x 35.3 cm),framed.Condition: Subtle toning, not examined out of frame.

$350-550

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164.Galerie Maeght, editor (French, 20th Century)

Lot of Fifteen Issues of DERRIERE LE MIROIR, featuring Braque,Calder, Chagall, Giacometti, Kandinsky, Kelly, Miró, and others,spanning 1948 to 1965. Each measures 15 x 11 in. (38.1 x 27.9cm).Condition: Very minor wear, soiling and/or handling nicks.

$1,000-1,500

165.Galerie Maeght, editor (French, 20th Century)

Lot of Seven Issues of DERRIERE LE MIROIR, featuring Calder,Kelly, and Miró, spanning 1961 to 1968. Each measures 15 x 11 in.(38.1 x 27.9 cm).Condition: Minor wear, soiling and/or handling nicks.

$700-900

166.Boris Margo (American, b. 1902)

Lot of Thirteen Prints: THE MONTHS Portfolio,1949, edition of 20. Each signed and dated “BorisMargo 49” in pencil l.r., and titled and numbered“...16/20” in pencil l.l. Color cellocuts on paper, sheetsizes 20 5/8 x 25 5/8 in. (52.3 x 65.0 cm), matted,unframed.Condition: Some with minor handling marks and/orcreases.

$2,000-3,000

165

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167.Boris Margo (American, b. 1902)

Lot of Four Prints: She, 1962, proof edition; She #2, 1962, editionof 25; Comet, edition of 25; and Message, 1964, proof edition.Each signed “Boris Margo...” in pencil l.r., and titled and numbered orinscribed in pencil l.l. Cellocuts with embossing on paper, sheet sizesto 22 1/4 x 30 in. (56.0 x 76.2 cm), unmatted, unframed.Condition: Some with handling marks and/or creases.

$700-900

168.Marino Marini (Italian, 1901-1980)

Acrobata, 1956, edition of 50 (Guastalla & Schulz-Hoffman, L65).Signed “MARINO” in pencil l.r., numbered “4/50” in pencil l.l.Lithograph in orange and black on paper, image size 24 x 18 5/8 in.(61.0 x 47.4 cm), framed.Condition: Deckled edges, subtle toning, not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$2,000-3,000

169.John Stockton De Martelly (American, 1903-1980)

Economic Discussion, 1937, edition of 200. Signed “John S. deMartelly” in pencil l.r. Lithograph on paper, image size 10 7/8 x 8 3/4in. (27.5 x 32.3 cm), framed.Condition: Unobtrusive toning, not examined out of frame.

$300-500

168167

169

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170.Henri Matisse (French, 1869-1954)

Nu pour Cleveland, 1932, edition of 250 published for the ClevelandPrint Club (Duthuit, 233). Signed and numbered “Henri Matisse133/250” in pencil l.r., identified on a label from The Print Club,Cleveland, Ohio, on the reverse. Etching on chine collé, plate size 141/2 x 11 3/8 in. (36.8 x 28.9 cm), framed.Condition: Subtle toning, minor disadhesion of chine at corner u.r.,supporting sheet with deckled edges to three sides, glued to backingmat along upper edge.

$3,000-5,000

171.Naoko Matsubara (Japanese/Canadian, fl. 1960-present)

Boston Public Library. Inscribed, titled, and signed “Artist’sProof...Naoko Matsubara” in pencil beneath the image. Woodcut onmulberry paper, image size 12 1/4 x 17 3/8 in. (31.0 x 44.0 cm),unmatted, unframed.Condition: Margins over 2 1/2 inches, several pale fox marks, minorcreases to edges of sheet.

$150-200

172.L. Matthey (French, 19th/20th Century)

Favor. Signed “L. Matthey” and identified within the matrix. Colorlithographic poster on paper, sheet size 61 1/2 x 46 in. (156.2 x116.6 x 100.8 cm), unmatted, unframed.Condition: Mounted on paper backed with linen (to stabilize/repairtears and creases), unobtrusive toning and foxing, surface rubs,handling creases.

$800-1,200

172

170

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173.James McBey (British, 1883-1959)

Encampment in the Sinai, 1917-19. Signed “James McBey” in inkl.r., numbered “XXXIX” in ink l.l., signed, identified, and dated in theplate. Etching on paper, plate size 7 x 13 in. (17.6 x 32.8 cm),framed.Condition: Subtle toning and staining, gentle rippling, not examineout of frame.

$300-500

174.Davis Paul Meltzer (American, 20th Century)

Lot of Three Prints: Icarus, edition of 25; Isaiah, edition of 50; andJeremiah, edition of 50. Each signed “...Meltzer” in pencil l.r., titledin pencil l.c. or l.l., and numbered in pencil l.l. Lithographs on paper,image sizes to 17 3/8 x 12 1/4 in. (44.2 x 31.1 cm), framed.Condition: Not examined out of frames.

$700-900

175.Peter Winslow Milton (American, b. 1930)

Child’s Play, 1966, edition of 75. Signed and dated “PWMilton ‘66”in pencil l.r., titled in pencil l.c., numbered “27/75” in pencil l.l.Etching with engraving on paper, plate size 23 x 35 3/4 in. (58.3 x90.6 cm), framed.Condition: Subtle toning, not examined out of frame.

$300-500

175

173

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176.Joan Miró (Spanish, 1893-1983)

Lot of Two Images from CAHIERS D’ART, 1934 (Dupin, 14 & 15).Unsigned. Color pochoir on paper, image/sheet sizes 12 1/8 x 9 1/2in. (30.6 x 24.0 cm), framed.Condition: Not examined out of frames.

$4,000-6,000

177.Joan Miró (Spanish, 1893-1983)

Image from FLUX DE L’AIMANT, 1964, edition of 75 (Dupin 372).Initialed “M.” in pencil l.r., numbered “41/75” in pencil l.l. Drypoint onpaper, sight size 18 1/2 x 21 3/4 in. (47.0 x 55.0 cm), framed.Condition: Scattered fox marks, not examined out of frame.

$1,000-1,500

176

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178.Joan Miró (Spanish, 1893-1983)

Lot of Four Images from FLUX DE L’AIMANT, 1964, edition of 75(Dupin 374, 375, 376, and 383). Each initialed “M.” in pencil l.r. andnumbered “41/75” in pencil l.l. Drypoints (the last with color aquatint)on BFK Rives paper with watermark, sheet sizes 19 x 23 in. (48.2 x58.3 cm), presented in the original portfolio together with the text andcolophon.Condition: Minor handling marks and/or creases.

$2,000-3,000

179.Joan Miró (Spanish, 1893-1983)

Image from FLUX DE L’AIMANT, 1964, edition of 75. (Dupin 377).Initialed “M.” in pencil l.r., numbered “41/75” in pencil l.l., identified ona label from Retina, Boston, Massachusetts, on the reverse. Drypointin black with aquatint in yellow on paper, sight size 18 1/2 x 22 3/8in. (47.0 x 56.7 cm), framed.Condition: Subtle rippling, not examined out of frame.

$1,500-2,500

178

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180.Joan Miró (Spanish, 1893-1983)

Two Images from SANS LE SOLEIL, MALGRE LESAUTRES ASTRES, IL FERAIT NUIT, 1965, edition of75 plus proofs (Dupin 400 & 401). Signed “Miró” inpencil on the accompanying colophon page. Aquatints(the framed one with color) on laid paper with“ORIGINAL a la MAIN” watermark, sheet sizes to 13 x10 in. (33.0 x 25.5 cm), one framed.Condition: Minor handling marks and/or creases,stains to some corners.

N.B. The lot is accompanied by the colophon pageand some additional text from the portfolio.

$300-500

181.After Joan Miró (Spanish, 1893-1983)

Composition sur fond vert, 1950, edition of 400,printed and published by Maeght, Paris (Maeght,1703). Signed and dated “Miró. 1950” in pencil l.r.,numbered “228/400” in pencil l.l. Color lithograph onArches paper with watermark, image size 13 5/8 x 183/8 in. (46.4 x 34.6 cm), framed.Condition: Margins over 2 1/2 inches with two decklededges, toning, staining, tear to lower margin, loss tocorner of margin u.l., not examined out of frame.

$300-500

182.Joan Miró (Spanish, 1893-1983)

Ceramiques monumentales de Miró et Artigas, fromDERRIERE LE MIROIR, deluxe hardcover edition, 13Juin, 1963, number 88, edition of 150. Signed “Miró”in pencil on colophon page. 15 x 11 in. (38.1 x 27.9cm), with slip cover.Condition: Very minor wear to slip cover.

$1,000-1,500

182

180

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183.Henry Moore (British, 1898-1986)

Eight Reclining Figures with Architectural Background, 1963,edition of 65 (Cramer et al., 44). Signed and dated “Moore 63.” inpencil l.r., numbered 23/65” in pencil l.l., identified on an exhibitionlabel (see below) on the reverse. Color lithograph on paper, imagesize 17 x 13 in. (43.2 x 33.0 cm), framed.Condition: Toning, mat burn, not examined out of frame.

Exhibitions: Henry Moore, DeCordova Museum, Lincoln,Massachusetts, January 22–February 19, 1967.

$1,000-1,500

184.Thomas Sidney Moran (American, 1837-1926), After AndrewFisher Bunner (American, 1841-1897)

Venice, 1887, published in 1889 by Radthe Lauckner & Co., NewYork, probably the final state of four (Morand & Friese, 64). Signed“T.Moran.” in pencil l.r. and “A.F. Bunner.” in pencil l.l., signed in theplate, remarque in the plate l.r., identified in publication text u.l.Etching on paper, sight size 21 3/4 x 30 1/4 in. (55.3 x 76.8 cm),framed.Condition: Rippling, subtle toning, not examined out of frame.

$300-500

185.Malcolm Morley (British, b. 1931)

Wind Surfers, 1987, edition of 56, published by Gemini G.E.L.Numbered and signed “15/56 Malcolm Morley” in pencil l.l., identifiedon a label from the Kristina Wasserman Gallery, Providence, on thereverse. Color lithograph on paper, image size 20 x 28 1/2 in. (50.8 x72.0 cm), framed.Condition: Not examined out of frame.

$800-1,200

185

183

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186.John J. A. Murphy (American, 1888-1967)

Sprinters, 1930. Signed “JohnJAMurphy” in pencil l.r. Woodcut oncream paper, image size 11 1/8 x 13 1/8 in. (218.2 x 33.2 cm),matted, unframed.Condition: Margins 2 3/4 inches or more with deckled edges, tear tolower edge.

$800-1,200

187.Elizabeth Murray (American, 1940-2007)

Blue Body, 1986-87, edition of 70 plus proofs, published by ULAE(Krakow, 16). Numbered, signed, and dated “12/70 Elizabeth Murray86-87” in pencil l.l., publisher’s dry stamp l.c. Color lithograph withetching, drypoint, and aquatint on paper, image/sheet size 48 x 311/2 in. (121.8 x 79.9 cm), framed.Condition: Not examined out of frame.

$1,000-1,500

188.Elizabeth Murray (American, 1940-2007)

Undoing, 1989-90, edition of 60 plus proofs, published by ULAE(Krakow, 24). Unsigned on the face, publisher’s dry stamp l.c. Colorlithograph with etching, drypoint, and aquatint on shaped paper,image/sheet size 28 x 22 3/4 in. (71.0 x 57.7 cm), framed.Condition: Not examined out of frame.

$1,000-1,500

188

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189.Louise Berliawsky Nevelson (American, 1899-1988)

Nightleaf, 1969, edition of 150 plus proofs, published by PaceEditions (Baro, 121). Identified and numbered “122/150” on labelsfrom The Pace Gallery, New York, and identified on a label fromRichard L. Eagan Fine Arts, New York, on the reverse. OpaquePlexiglas construction in shadow box, 13 1/4 x 13 1/4 in. (33.5 x33.5 cm).Condition: Minor soiling.

$3,000-5,000

190.William Nicholson (British, 1872-1949)

Lot of Eight Images: Lambs, Resting Ewes, and Six Images fromAN ALPHABET: C is for Countess; E is for Earl; H for Huntsman;M for Milkmaid; T for Trumpeter; and W for Waitress. Mostidentified within the matrix. Color lithograph on paper, sight sizes to 93/4 x 7 1/2 in. (24.6 x 19.2 cm), framed.Condition: Toning, not examined out of frames.

Provenance: From the collection of Frank Cook Adams, Boston,Massachusetts.

$150-200

191.William Nicholson (British, 1872-1949)

Lot of Twelve Portraits of British Notable Politicians and Figures:Miss Fotheringay and Captain Costigan; Krishna Mulvaney; andTen Images from TWELVE PORTRAITS: H.M. The Queen, H.R.H.The Prince of Wales, Prince Bismarck, The Archbishop ofCanterbury, W.E. Gladstone, Sir Henry Hawkins, Sir Henry Irving,Rudyard Kipling, Cecil Rhodes, and Lord Roberts. Each identifiedwithin the matrix. Color lithograph on paper, image sizes to 13 1/2 x10 3/4 in. (34.2 x 27.3 cm), all except Gladstone framed.Condition: Toning, not examined out of frames.

Provenance: From the collection of Frank Cook Adams, Boston,Massachusetts.

$150-200

191

189

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192.Ann Nooney (American, 1900-c. 1970)

Small Town. Signed “Ann Nooney” in pencil l.r., titled in pencil l.c.,stamped “FEDERAL ART PROJECT NYC WPA” l.l. Color lithographon paper, image size 11 7/8 x 14 1/4 in. (30.0 x 36.0 cm), framed.Condition: Toning, mat burn, rippling, not examined out of frame.

$400-600

193.Eugène Ogé (French, 1861-1936)

L’Astrolin. Signed “Ogé” and identified within the matrix. Colorlithographic poster on paper, sheet size 59 1/4 x 39 3/4 in. (151.8 x100.8 cm), unmatted, unframed.Condition: Mounted on paper backed with linen (to stabilize/repairtears and creases), minor toning, surface rubs, handling creases.

$500-700

194.Pablo Esteban O’Higgins (Mexican/American, 1904-1983)

Mercado en Cuautla, 1946, edition of 250. Signed “Pablo Higgins”in pencil l.r. Color lithograph on paper, image size 11 1/2 x 14 in.(29.2 x 35.6 cm), matted, unframed.Condition: Margins 2 inches or more, unobtrusive toning, minor nicksand creases to very corners.

$200-250

194

192

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195.Jean de Paléologue, known as Pal (American, 1855-1942)

Grand Magasins Dufayel, c. 1900. Identified within the matrix.Color lithographic poster on paper, sheet size 60 x 45 3/4 in. (152.4 x116.2 cm), unmatted, unframed.Condition: Mounted on paper backed with linen (to stabilize/repairtears, and creases), retouch, subtle toning, handling creases.

$400-600

196.Max Papart (French, 1911-1994)

Oval Acrobat, 1986, edition of 125. Signed “Max Papart” in pencil(within the image) l.r., numbered “74/125” in pencil (within the image)l.l., identified on a label on the reverse. Color lithograph withembossing on paper, image/sheet size 30 x 42 in. (76.2 x 106.5 cm),framed.Condition: Subtle rippling, not examined out of frame.

$200-300

197.Max Papart (French, 1911-1994)

Le Voyageur, 1987, edition of 95. Signed “Max Papart” in pencil(within the image) l.r., numbered “64/95” in pencil (within the image)l.l., identified on a label on the reverse. Color aquatint withcarborundum and embossing on paper, image/sheet size 30 1/4 x 23in. (76.7 x 58.4 cm), framed.Condition: Subtle rippling, not examined out of frame.

$200-300

197

195

196

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198.Max Papart (French, 1911-1994)

Japanese Birds, 1990, edition of 125. Numbered and signed“13/125 Max Papart-” in pencil (within the image) l.l., identified on alabel on the reverse. Color lithograph on paper, image/sheet size 231/2 x 45 in. (59.5 x 114.2 cm), framed.Condition: Subtle rippling, not examined out of frame.

$200-300

199.Philip Herschel Paradise (American, 1905-1997)

Lot of Two Figure Studies: Tomas and Maria, both published byAssociated American Artists. Both signed “Phil Paradise” in pencill.c. and in the matrix, both with dry stamp l.l. and identified on AAAlabel on the reverse. Lithographs on paper, image sizesapproximately 8 3/4 x 5 1/2 in. (22.0 x 14.0 cm), framed.Condition: Unobtrusive toning, not examined out of frames.

$250-350

200.Judy Pfaff (British, b. 1946)

Yoyogi II, 1985, edition of 75. Signed “J Pfaff” in pencil l.r., titled andnumbered “...75/75” in pencil l.l. Color woodcut on paper, image size30 1/2 x 34 3/4 in. (77.4 x 88.2 cm), framed.Condition: Rippling, not examined out of frame.

Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts,1988; to a private collector.

$1,200-1,800

200

198

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201.Pablo Picasso (Spanish, 1881-1973)

Le Picador II, from A LOS TOROS AVEC PICASSO, 1961 (Bloch,1017). Dated (twice) in the matrix. Color lithograph on paper, imagesize 8 1/8 x 10 1/2 in. (20.5 x 26.5 cm), framed.Condition: Mat burn, not examined out of frame.

$300-500

202.Max Pollak (Czech/Austrian, 1886-c. 1970)

New York, Devision [sic] Street, edition of 100. Signed “MaxPollak” in pencil l.r., titled in pencil l.l., numbered “30/100” in pencill.c. Etching with drypoint on paper, plate size 8 7/8 x 8 in. (22.5 x20.3 cm), framed.Condition: Prevalent toning, not examined out of frame.

$100-150

203.Odilon Redon (French, 1840-1916)

Et partout ce sont des colonnes de basalte...La lumière tombedes voûtes, from TENTATION DE SAINT-ANTOINE (TROISÈMESERIE), 1896 (Mellerio, 136). Unsigned. Lithograph on paper, imagesize 9 1/2 x 7 3/8 in. (24.0 x 18.8 cm), framed.Condition: Several fox marks, areas of staining or foxing aroundlower corners (into image, but visible primarily in the margins),rippling, not examined out of frame.

$400-600

203

201

202

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204.Rembrandt van Rijn (Dutch, 1606-1669)

Beggar Man and Woman Conversing, 1639, a later 18th centuryimpression (Hind, 7; Bartsch/Hollstein, 164). Initialed and dated in theplate. Etching on paper, plate size 3 x 2 5/8 in. (7.6 x 6.7 cm),framed.Condition: Margins approximately 1/4 inch, subtle rippling, notexamined out of frame.

$300-500

205.Walter Dubois Richards (American, b. 1907)

Lot of Six Views: Old Willow at Mead Park; God’s Acre; NewCanaan, God’s Acre; New Canaan II; Christmas Eve, NewCanaan, edition of 50; Greens Ledge As I Remember It; andStrawberry Festival. Each signed “Walter Dubois Richards” in pencill.r. and titled in pencil l.l. Lithographs on paper, image sizes to 20 x15 3/4 in. (50.8 x 40.0 cm), framed.Condition: Subtle mat burn, not examined out of frames.

$600-800

206.Auguste Rodin (French, 1840-1917)

Victor Hugo de face, 1885, published 1889 in the Gazette desBeaux Arts, fifth state of seven (Delteil, 7). Identified in the plate.Drypoint on laid paper, plate size 8 7/8 x 6 1/8 in. (22.2 x 15.6 cm),matted, unframed.Condition: Margins 1 inch or more with a deckled right edge, subtletoning.

$200-250206

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207.James Rosenquist (American, b. 1933)

Red Pyramid, 1978, edition of 41 plus proofs (Glenn, 155). Signedand dated “James Rosenquist 1978” in pencil l.r., inscribed and titled“presentation proof for Nardo...” in pencil l.l. Color lithograph onpaper, image/sheet size 22 3/4 x 44 3/8 in. (57.8 x 112.5 cm),framed.Condition: Deckled edges, not examined out of frame.

$800-1,200

208.Susan Rothenberg (American, b. 1945)

Untitled (Hartford), 1980, edition of 23 plus proofs, published by theartist and the Hartford Art School (Maxwell, 12). Signed and dated“S. Rothenberg 1980” in pencil l.r., inscribed “HAS I” in pencil l.l.Lithograph on paper, image size 31 1/8 x 27 1/4 in. (79.0 x 69.0 cm),unmatted, unframed.Condition: Margins over 1 inch with deckled edges, minor handlingmarks, several pinpoint fox marks and toning near edges.

$300-500

209.Susan Rothenberg (American, b. 1945)

Untitled, 1983, edition of 35 plus proofs (Maxwell, 14). Signed anddated “S. Rothenberg 83” in pencil l.r., numbered “23/35” in pencil l.l.Etching and aquatint on paper, plate size 25 1/2 x 21 5/8 in. (64.6 x54.8 cm), framed.Condition: Not examined out of frame.

$300-500

209

207

208

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210.Georges Rouault (French, 1871-1958)

Suaire, c. 1925 (cf. Wofsy, 82). Signed in the matrix. Color photo-lithograph on paper, image size 23 1/4 x 17 3/4 in. (59.0 x 45.0 cm),framed.Condition: Margins approximately 1 inch, toning, scattered moldgrowth.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso,Essex, Connecticut.

$500-700

211.Georges Rouault (French, 1871-1958)

Pédagogue, from RÉINCARNATIONS DU PÈRE UBU, published1932 (Wofsy, 294). Initialed within the plate, stamped “VENTE DEPARAITRE” in red l.l. Etching and aquatint on paper, plate size 12 x 73/8 in. (30.5 x 18.5 cm), framed.Condition: Rippling, not examined out of frame.

$250-350

212.David Row (American, b. 1949)

Untitled VI, 1992. Numbered, signed, and dated “1/1 David Row92” in pencil l.r., identified on a label from Betsy Senior ContemporaryPrints, New York, on the reverse. Monotype on paper, image size 61/4 x 8 5/8 in. (15.7 x 21.7 cm), framed.Condition: Margins 3 1/2 inches or more with deckled edges, notexamined out of frame.

$400-600

212

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213.Bengt Rumert (Scandinavian, 20th Century)

Tunneln, 1934. Identified in the matrix. Color lithographic poster onpaper, image/sheet size 39 1/4 x 27 1/4 in. (99.5 x 69.0 cm),unmatted, unframed.Condition: Mounted on paper backed with linen (to stabilize/repaircreases and minor tears), minor handling creases.

$500-700

214.Anne Ryan (American, 1889-1954)

New Bird, edition of 50. Titled, numbered, and signed “...17/50 ARyan” in white chalk or similar beneath the image. Color lithographon black paper, image size 4 1/4 x 3 1/8 in. (10.9 x 7.9 cm), framed.Condition: Not examined out of frame.

$250-350

215.Kiyoshi Saito (Japanese, 1907-1992)

Pagoda Beyond the Trees. Signed “Kiyoshi Saito” in white (withinthe image) l.l. and with chop mark. Color woodcut on paper, sightsize 14 1/2 x 20 1/2 in. (36.7 x 52.0 cm), framed.Condition: Not examined out of frame.

$400-600

215

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216.Kiyoshi Saito (Japanese, 1907-1992)

Village Road in Winter. Signed “Kiyoshi Saito” in pencil (within theimage) l.l. and with chop mark. Color woodcut on paper, image size10 1/8 x 15 5/8 in. (25.5 x 39.5 cm), framed.Condition: Subtle toning, not examined out of frame.

$250-350

217.Erhard Schön (German, 1491-1542)

Portrait of Albrecht Dürer in Profile, 1527, third edition (Bartsch156; Meder, p. 240; Hollstein (Dürer school), 32). Monogrammed anddated in the block. Woodcut of laid paper with double-headed eaglewatermark, image size 11 5/8 x 10 1/8 in. (29.4 x 25.5 cm), framed.Condition: Trimmed to or just into the border, several small repairsalong top of sheet, three creases (visible almost exclusively on verso),rippling, small tear to corner.

$400-600

218.Richard Serra (American, b. 1939)

Hreppholar IV, 1991, edition of 35 plus proofs, published by GeminiG.E.L. (Berswordt-Wallrabe, 77). Numbered, signed, and dated“16/35 R Serra 91” in pencil u.r., dry stamped with copyright mark,artist's initials, date, and Gemini mark u.r. Lift ground and aquatint onpaper, image/sheet size 31 1/4 x 39 5/8 in. (79.4 x 100.7 cm),framed (without glass).Condition: Minute handling creases to points of the corners.

$4,000-5,000

218

216

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219.Gino Severini (Italian, 1883-1966)

Nature mort du compas, edition of 125. Signed in the matrix,stamped “Kamberg Collection” on the reverse. Color pochoir onpaper, image size 13 x 8 1/4 in. (33.0 x 21.0 cm), framed.Condition: Margins over 1 1/2 inches, mat burn.

$300-500

220.José María Sicilia (Spanish, b. 1954)

Lot of Two Works: Fleur rouge VI and Fleur rouge VII, both 1988,editions of 25. Both signed and dated “Sicilia 88” in pencil l.r., titledin pencil l.c., and numbered in pencil l.l. Color woodcuts on paper,image size 44 1/2 x 17 in. (112.8 x 43.2 cm), framed.Condition: Not examined out of frames.

$1,200-1,800

221.Tavik Frantisek Simon (Czech, 1877-1942)

Lot of Two Views: The Market, 1912; and Rainy Day, Arc deTriomphe. Both signed “T.F. Simon” (the latter in pencil) l.r. Coloretching with aquatint on paper, sight sizes to 15 1/2 x 11 1/2 in. (39.3x 29.2 cm), framed.Condition: Toning, not examined out of frames.

$300-500221

219

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222.David Alfaro Siqueiros (Mexican, 1896-1974)

Portrait Head, 1941, edition of 50. Signed and dated in the matrix,inscribed “TRIAL PROOF - ED. 50” in pencil l.l. Lithograph on paper,image size 17 x 14 in. (43.0 x 35.5 cm), matted, unframed.Condition: Mat burn, masking tape to edges on verso.

$200-250

223.Pierre Soulages (French, b. 1919)

Eau-forte no. 7, 1957, edition of 100 (Rivière, VII). Signed“Soulages” in pencil l.r., numbered “13/100” in pencil l.l. Coloretching with aquatint and carborundum on BFK Rives paper withwatermark, plate size 21 1/4 x 15 1/4 in. (54.0 x 38.1 cm), framed.Condition: Margins over 1 1/2 inches with deckled lower edge, matburn, staining and toning, glue to facing mat in upper margin, nicksand tape to edges.

$700-900

224.Raphael Soyer (American, 1899-1987)

Three Portraits: Standing Figure, The Hair Bow, and Self-portraitwith Vignette, each editions of 150. Each signed “Raphael Soyer” inpencil l.r. and numbered “71/150” in pencil l.l. Color lithographs onpaper with small figural watermark, image sizes to 20 x 15 1/2 in.(50.8 x 39.3 cm), unmatted, unframed.Condition: Margins over 2 inches with two deckled edges each,minor creases near some corners.

$300-350

224

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225.Raphael Soyer (American, 1899-1987)

Two Images of Motherhood: Mother and Child, 1967, total editionof 175 (Gettings, 102); and At the Pier, edition of 150. Both signed“Raphael Soyer” in pencil l.r. and numbered “71/150” in pencil l.l.Color lithographs on paper with small figural watermark, image sizesto 16 1/2 x 10 1/2 in. (41.8 x 26.6 cm), unmatted, unframed.Condition: Margins over 2 inches with two deckled edges each,minor creases near some corners.

$250-300

226.Raphael Soyer (American, 1899-1987)

Temptation, edition of 150. Signed “Raphael Soyer” in pencil l.r.,numbered “27/150” in pencil l.l., BSA dry stamp l.r. Color lithographon paper, image size 22 1/2 x 16 3/4 in. (57.0 x 42.5 cm), unmatted,unframed.Condition: Margins over 1 inch with two deckled edges, minorcreases near some corners.

$200-250

227.Raphael Soyer (American, 1899-1987)

Dancing at the Social, edition of 150. Signed “Raphael Soyer” inpencil l.r. and numbered “71/150” in pencil l.l. Color lithograph onpaper with small figural watermark, image size 19 5/8 x 15 7/8 in.(49.8 x 40.3 cm), unmatted, unframed.Condition: Margins over 2 inches with two deckled edges, minorcreases near some corners.

$200-250

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228.Pat Steir (American, b. 1938)

Sunflower, 1986, edition of 100. Numbered, signed, and dated“24/100 Pat Steir 1986” in pencil l.r., inscribed in pencil l.l., chopmark l.l. Color woodcut on paper, image size 23 1/2 x 36 in. (59.6 x91.4 cm), framed.Condition: Margins over 3/4 inches, not examined out of frame.

Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts,1988; to a private collector.

$1,500-2,500

229.Andrew Stevovich (American, b. 1948)

Lot of Three Images: Smokers #1, 1981, edition of 25; Susan,1985, edition of 50; and Ardent Suitor, 1987, edition of 100. Eachsigned and dated “Andrew Stevovich 19...” in pencil l.r., titled in pencill.c., numbered in pencil l.l. Etchings on paper, plate sizes to 8 x 91/2 in. (20.3 x 24.0 cm), unmatted, unframed.Condition: Margins over 1 3/4 inches with deckled edges.

$200-250

230.Andrew Stevovich (American, b. 1948)

Carnival, 1985, edition of 70. Signed and dated “Andrew. Stevovich1985” in pencil l.r., titled in pencil l.c., numbered “42/70” in pencil l.l.,dry stamp l.r. Color woodcut on cream paper, image size 9 1/4 x 147/8 in. (23.4 x 37.5 cm), unmatted, unframed.Condition: Margins 1 1/4 inches or more with two deckled edges,minor handling creases to margins, nicks/creases to deckling.

$250-300

230

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231.Andrew Stevovich (American, b. 1948)

Zig Zag, 1986, edition of 80. Signed and dated “Andrew. Stevovich1986” in pencil l.r., titled in pencil l.c., numbered “39/80” in pencil l.l.,dry stamp l.r. Color woodcut on cream paper, image size 11 1/2 x17 in. (29.2 x 43.0 cm), unmatted, unframed.Condition: Margins 2 inches or more with deckled edges,unobtrusive handling creases to margins, nicks/creases to deckling.

$250-300

232.Andrew Stevovich (American, b. 1948)

Lot of Two Images: Fortune Teller, 1987, edition of 50; andHandsome Eddie, 1990, edition of 75. Both signed and dated“Andrew Stevovich 19...” in pencil l.r., titled in pencil l.c., numbered inpencil l.l. Etchings with aquatint on paper (Fortune on chine collé,Eddie on BFK Rives), plate sizes to 7 x 5 3/8 in. (17.7 x 13.5 cm),unmatted, unframed.Condition: Margins 3 inches or more, both with two deckled edges,stain to upper margin of Eddie.

$200-250

233.Andrew Stevovich (American, b. 1948)

The Recital, 1989, edition of 100. Signed and dated “AndrewStevovich 1989” in pencil l.r., titled in pencil l.c., numbered “2/100” inpencil l.l. Aquatint on paper, plate size 12 1/2 x 12 1/2 in. (31.6 x31.6 cm), unmatted, unframed.Condition: Margins approximately 2 1/2 inches with deckled edges,minor handling creases to margins (primarily at l.l. corner).

$200-250

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234.Andrew Stevovich (American, b. 1948)

Lucky Linda, 1989, edition of 80. Signed and dated “AndrewStevovich 1989” in pencil l.r., titled in pencil l.c., numbered “2/80” inpencil l.l. Aquatint on BFK Rives paper with watermark, plate size 9 x12 in. (22.8 x 30.2 cm), unmatted, unframed.Condition: Margins approximately 3 inches with two deckled edges,minor handling creases to margins (primarily at u.l. corner).

$200-250

235.Carol Summers (American, b. 1925)

Lot of Four Works: Arab’s Tent, 1963 edition of 200 plus proofs(Summers, 54); Sonoma, 1977, edition of 100 plus proofs (Summers,143); Delta, 1982, edition of 150 (Summers, 174); and SummerPasture, 1987, edition of 150 (Summers, 199). Each signed “CarolSummers” in pencil within the image and titled and numbered inpencil within the image. Color woodcuts on paper, image/sheet sizesto 29 3/4 x 23 3/4 in. (75.5 x 60.3 cm), unmatted, unframed.Condition: Minor handling marks and creases, nicks to edges(primarily to corners), unobtrusive staining to some near corners.

$700-900

236.Carol Summers (American, b. 1925)

Lot of Three Works: Strbske Pleso, alternatively titled High Tatras,1969, edition of 100 plus proofs (Summers, 96); Tantric Landscape,1971, edition of 75 (Summers, 106); and India, edition of 75. Eachsigned “Carol Summers” in pencil within the image and titled andnumbered or inscribed in pencil within the image. Color woodcuts onpaper, image/sheet sizes approximately 37 1/2 x 24 1/2 in. (95.0 x62.0 cm), unmatted, unframed.Condition: Minor handling marks and creases, nicks to edges (all ofthese primarily to corners).

$800-1,200

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237.Carol Summers (American, b. 1925)

Lot of Two Works: High Tatras, 1969, edition of 100 (Summers, 96);and Ravenna’s Palace Burning, 1984, edition of 125 (Summers,183). Both signed “Carol Summers” in pencil within the image andtitled and numbered in pencil within the image. Color woodcuts onpaper, image/sheet sizes approximately 24 1/2 x 37 1/2 in. (62.0 x95.0 cm), unmatted, unframed.Condition: Minor handling marks and creases, nicks to edges (all ofthese primarily to corners).

$600-800

238.Carol Summers (American, b. 1925)

Lot of Two Works: Nightfall, 1974, edition of 75 (Summers, 119);and Narrows, proof outside of the edition of 75 (Summers, 136).Both signed “Carol Summers” in pencil within the image and titledand numbered or inscribed in pencil within the image. Colorwoodcuts on paper, image/sheet sizes approximately 37 x 37 in.(94.0 x 94.0 cm), unmatted, unframed.Condition: Minor handling marks and creases (creases moreprevalent to Nightfall), nicks to edges, subtle staining.

$700-900

239.Carol Summers (American, b. 1925)

Lot of Three Works: Narrows, proof outside of the edition of 75(Summers, 136); and two impressions of Flowering Landscape,1988, edition of 100. Each signed “Carol Summers” in pencil withinthe image and titled and numbered or inscribed in pencil within theimage. Color woodcuts on paper, image/sheet sizes approximately37 x 37 in. (94.0 x 94.0 cm), unmatted, unframed.Condition: Minor handling marks and creases, nicks to edges, subtlestaining.

$800-1,200

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240.Carol Summers (American, b. 1925)

Sunset at Sea, edition of 75. Signed “Carol Summers” in pencilwithin the image u.r., titled and numbered “72/75...” in pencil withinthe image u.l. Color woodcut on paper, image/sheet size 36 x 49 in.(91.4 x 124.5 cm), unmatted, unframed.Condition: Minor handling marks and creases, nicks and creases toedges (the latter primarily to corners), hinging/residue on the reverse.

$500-700

241.Carol Summers (American, b. 1925)

Storm Over Mt. Meru, edition of 75. Signed “Carol Summers” inpencil within the image l.r., titled and numbered “32/75...” in pencilwithin the image l.l. Color woodcut on paper, image/sheet size 371/4 x 47 3/4 in. (94.4 x 121.2 cm), unmatted, unframed.Condition: Minor handling marks and creases, nicks and creases toedges.

$400-600

242.Chin Sung (Taiwanese, b. 1932)

Lot of Two Images: Les oiseaux #2, 1969, edition of 100; andInfinity IIe, 1969, edition of 100. Both signed and dated “CHINSUNG ‘69” in pencil l.r., numbered in pencil beneath the image, bothtitled in pencil. Woodcuts in red and black on paper, image sizes to17 1/2 x 9 1/2 in. (44.3 x 24.0 cm), matted, unframed.Condition: Margins 2 inches or more, tape to edge on verso ofInfinity.

$400-600

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243.Théo Tobiasse (Israeli/French, b. 1927)

Fleur de Cantique, 1980. Signed “Theo Tobiasse” in pencil l.r.,numbered “CIV/CXXXV” in pencil l.l. Color lithograph on paper, imagesize 37 x 26 3/4 in. (93.8 x 67.8 cm), framed.Condition: Not examined out of frame.

$300-500

244.Théo Tobiasse (Israeli/French, b. 1927)

Rebecca, from LES MERES BIBLIQUE, 1984, edition of 125.Signed “Theo Tobiasse” in pencil l.r., numbered “78/126” in pencil l.l.Color lithograph on paper, image size 39 1/2 x 27 in. (100.3 x 68.5cm), framed.Condition: Not examined out of frame.

$300-500

245.Théo Tobiasse (Israeli/French, b. 1927)

Rachel, from LES MERES BIBLIQUE, 1984, edition of 125. Signed“Theo Tobiasse” in pencil l.r., numbered “78/126” in pencil l.l. Colorlithograph on paper, image size 39 x 27 in. (99.0 x 68.5 cm), framed.Condition: Not examined out of frame.

$300-500

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246.Théo Tobiasse (Israeli/French, b. 1927)

La bas vers Canaan, 1991, edition of 200. Signed “Theo Tobiasse”in pencil l.r., numbered “54/200” in pencil l.l. Color lithograph onpaper, image size 29 x 20 3/4 in. (73.5 x 52.5 cm), framed.Condition: Not examined out of frame.

$300-500

247.Henri de Toulouse-Lautrec (French, 1864-1901)

Yvette Guilbert, from LE CAFE CONCERT, 1893, total edition of550 (Adriani, 17). Monogrammed within the matrix. Lithograph inolive on paper, image size 10 x 8 1/8 in. (25.4 x 20.7 cm), framed.Condition: Subtle toning, not examined out of frame.

$700-900

248.Jacques Villon (French, 1875-1963)

Le cheval, 1921, from a later (1947) edition (Ginestet-Pouillon, E295).Signed and dated in the plate, identified on a fragmentary label fromthe Retina Gallery, Boston, on the reverse. Etching on paper, platesize 3 x 5 in. (7.5 x 12.7 cm), framed.Condition: Margins 1 inch or more, foxing, not examined out offrame.

$500-700

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249.Edouard Vuillard (French, 1868-1940)

Album d’estampes originales, 1899, the first state of three (Roger-Marx, 47). Titled within the matrix. Lithograph in brown, ochre, andgreen on paper, image size 23 1/2 x 18 in. (59.5 x 45.7 cm), matted,unframed.Condition: Thread margins, scattered foxing and staining.

$1,000-1,500

250.Lynd Kendall Ward (American, 1905-1985)

American Petroleum Institute, c. 1945. Unsigned, identified ininformation affixed to the reverse. Wood engraving on paper, imagesize 8 x 9 3/8 in. (20.3 x 23.7 cm), matted, unframed.Condition: Margins approximately 1/4 inch.

$600-800

251.Andy Warhol (American, 1928-1987)

Cow, 1966 (Feldman & Schellmann, II.11). Signed in the matrix.Color screenprint on wallpaper, image size 46 x 28 1/8 in. (116.5 x71.3 cm), unmatted, unframed.Condition: Minor handling mark and creases.

$1,500-2,000

251

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252.Stow Wengenroth (American, 1906-1978)

Old Ships, 1937, edition of 65 (Stuckey, 71). Signed“Stow Wengenroth” in pencil l.r., inscribed “Ed/65” inpencil l.l. Lithograph on paper, image size 8 3/4 x 153/4 in. (22.2 x 40.0 cm), framed.Condition: Toning, not examined out of frame.

$300-500

253.Stow Wengenroth (American, 1906-1978)

Sunnyside - Tarrytown, New York, 1959, edition of 50(Stuckey, 253). Signed “Stow Wengenroth” in pencil l.r.Lithograph on paper, image size 8 5/8 x 15 7/8 in. (21.8x 40.3 cm), framed.Condition: Subtle toning and mat burn, not examinedout of frame.

N.B. Sunnyside was the home of writer WashingtonIrving.

$300-500

254.Stow Wengenroth (American, 1906-1978)

Forest Ferns, 1969, edition of 60 (Stuckey, 323).Signed “Stow Wengenroth” in pencil l.r., inscribed“Ed/60” in pencil l.l. Lithograph on paper, image size 9x 15 3/8 in. (22.7 x 39.0 cm), framed.Condition: Subtle toning and rippling, not examined outof frame.

$300-500

254

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255.Stow Wengenroth (American, 1906-1978)

Inner Harbor, 1970, edition of 50 (Stuckey, 329). Signed “StowWengenroth” in pencil l.r., inscribed “Ed/50” in pencil l.l. Lithographon paper, image size 14 3/4 x 11 in. (37.5 x 27.9 cm), framed.Condition: Not examined out of frame.

$400-600

256.Tom Wesselmann (American, 1931-2004)

Cut Out Nude, from 11 POP ARTISTS, 1965, edition of 200.Signed “Wesselmann” in pencil (on the over-mount) l.r., numbered“133/200” in pencil (on the over-mount) l.l. Color screenprint on vinyl,image size approximately 8 x 16 1/8 in. (20.3 x 41.0 cm), framed.Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$5,000-7,000

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257.James Abbott McNeill Whistler (American, 1834-1903)

Fumette, final state of four (Kennedy, 13). Signed and with publisherin the plate. Etching on chine collé, plate size 6 3/8 x 4 1/4 in. (16.2x 10.8 cm), matted, unframed.Condition: Margins 1 inch or more, thin spots to margins (primarily tothe upper margin and all away from the image), subtle toning.

$400-600

258.James Abbott McNeill Whistler (American, 1834-1903)

Street at Saverne, fourth state of five (Kennedy, 19). Signed andwith publisher in the plate. Etching on paper, plate size 8 1/8 x 6 1/4in. (20.7 x 15.9 cm), matted, unframed.Condition: Margins over 1 inch, foxing (more visible to verso), gentlerippling, subtle toning.

$600-800

259.James Abbott McNeill Whistler (American, 1834-1903)

La vieille aux loques, 1858, final state of three, possibly a laterimpression (Kennedy, 21). Signed and dated in the plate, identifiedon a label from the Vincent Price Collection on the reverse. Etchingon laid paper, plate size 8 1/8 x 5 7/8 in. (20.5 x 14.8 cm), framed.Condition: Subtle toning, margins over 1 inch.

$700-900

259

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260.James Abbott McNeill Whistler (American, 1834-1903)

The Title to the French Set (Whistler Sketching), 1858 (Kennedy,25). Signed and identified in the plate, collector’s stamp l.l. Etchingon chine collé, plate size 4 1/2 x 5 3/4 in. (11.4 x 14.5 cm), matted,unframed.Condition: Annotation to supporting sheet along lower edge, chinedisadhering along left edge.

$300-500

261.James Abbott McNeill Whistler (American, 1834-1903)

Billingsgate, 1859, probably the final state of eight (Kennedy, 47).Signed and dated in the plate. Etching on laid paper with partialwatermark, plate size 5 7/8 x 8 7/8 in. (15.0 x 22.5 cm), matted,unframed.Condition: Margins over 1 inch with deckled edges, unobtrusivelylight struck, stain prevalent to edges and verso, pinpoint fox marks,nicks and tiny deformations to upper margin.

$800-1,200

262.James Abbott McNeill Whistler (American, 1834-1903)

Reading, 1879 and 1887, the final state of four, probably from thepublished edition for NOTES (Chicago, 17). Monogrammed in thematrix. Lithograph on gray chine collé, image size 6 1/8 x 5 in. (15.6x 12.7 cm), matted, unframed.Condition: Margins over 3 inches, pale stain to image l.l., unobtrusivesoiling to supporting sheet.

$500-700

262

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263.James Abbott McNeill Whistler (American, 1834-1903)

The Doctor, 1894, the “small sheet” edition of approximately 3,000,published in THE PAGEANT (Chicago, 110). Unsigned. Lithographon paper, image size 7 x 5 1/8 in. (17.8 x 13.0 cm), matted,unframed.Condition: Margins over 1 inch, subtle soiling.

$400-600

264.Robert Wilson (American, b. 1941)

Medea, Plate 20, 1984, edition of 18. Signed and dated “Ro... ‘84”in pencil l.r., numbered “17/18” in pencil l.l., identified on a label fromthe Alpha Gallery, Boston, on the reverse. Lithograph in colors onpaper, image size 25 1/4 x 33 3/4 in. (64.0 x 85.5 cm), framed.Condition: Not examined out of frame.

$300-500

263

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265.Jack Youngerman (American, b. 1926)

Untitled, 1966, edition of 30. Initialed and dated “JY 66” in pencil l.r.,numbered “10/30” in pencil l.l. Embossing on paper, plate size 321/4 x 24 in. (82.0 x 61.0 cm), framed.Condition: Pale staining to image l.r., handling creases, not examinedout of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$300-500

266.Ossip Zadkine (Russian/French, 1890-1967)

La conversation, edition of 120. Signed “O. Zadkine” in pencil l.r.,numbered “55/120” in pencil l.l. Color lithograph on paper, imagesize 23 3/4 x 16 in. (60.3 x 40.5 cm), framed.Condition: Subtle toning and mat burn, not examine out of frame.

$400-600

267.-268.No lots.

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Photography

269.Henri Cartier-Bresson (French, 1908-2004)

The Decisive Moment, published by Simon and Schuster, New York,1952, first edition. Pictorial boards designed by Henri Matisse,containing reproductions of 126 photographs, with separatepamphlet of captions inserted, folio.Condition: Spine sunned and toned, hinges slightly weak, smudging.

Provenance: Estate of Anna Eleanor Roosevelt (neé Braman) Grasso,Essex, Connecticut.

$400-600

270.Harold Eugene Edgerton (American, 1903-1990)

Dove in Flight. Signed “HAROLD EDGERTON” in pencil on thereverse. Gelatin silver print, image size 6 3/8 x 8 3/8 in. (16.2 x 21.2cm), unframed.Condition: Subtle toning.

Provenance: From the artist to the family of the present owner.$1,000-1,500

271.Harold Eugene Edgerton (American, 1903-1990)

Left Handed Drive. Titled and signed”...H. Edgerton” in pencilverso, stamped verso. Gelatin silver print, image size 7 x 10 1/2 in.(17.8 x 26.6 cm), unframed.Condition: Minute loss c.r., minor scattered craquelure l.r.

Provenance: From the artist to the family of the present owner.$1,000-1,500

272.Harold Eugene Edgerton (American, 1903-1990)

Milk Drop Coronet. Signed and inscribed “For Jean HaroldEdgerton 1975” in ink (within the image) l.r. Color photograph,image/sheet size 9 7/8 x 8 in. (25.0 x 20.3 cm), unmatted, unframed.Condition: Good.

Provenance: From the artist to the family of the present owner.$3,000-5,000

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273.Harold Eugene Edgerton (American, 1903-1990)

Bullethole. Unsigned, stamped “H.E. EDGERTON APR 18 1963M.I.T. CAMBRIDGE - MASS” on the reverse. Gelatin silver print,image/sheet size 10 x 8 in. (25.4 x 20.3 cm), unmatted, unframed.Condition: Good.

Provenance: From the artist to the family of the present owner.$1,000-1,500

274.Harold Eugene Edgerton (American, 1903-1990)

Portrait of Edward Kennedy and Harold Edgerton. Unsigned.Gelatin silver print, image size 7 1/2 x 9 1/2 in. (19.0 x 24.0 cm),unmatted, unframed.Condition: Good.

Provenance: From the artist to the family of the present owner.$800-1,200

275.Harold Eugene Edgerton (American, 1903-1990)

Lot of Two Images of Golf Balls Hit by Drivers. One signed andinscribed “HAROLD EDGERTON” and “The golf ball elongates as itleaves the club.” in pencil on the reverse. Gelatin silver print, imagesizes 7 3/8 x 9 1/2 in. (18.7 x 24.0 cm), unmatted, unframed.Condition: Good.

Provenance: From the artist to the family of the present owner.$1,000-1,500

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276.Harold Eugene Edgerton (American, 1903-1990)

Gussie Moran Serves, c. 1939. Titled, inscribed, and signed“...HAROLD EDGERTON” in ink within the image. Photographicposter, sheet size 45 x 34 3/4 in. (114.3 x 88.2 cm), unmatted,unframed.Condition: Folded (with some paper losses and/or holes), staining,nicks to edges.

Provenance: From the artist to the family of the present owner.$400-600

277.Harold Eugene Edgerton (American, 1903-1990)

Golf Ball and Iron. Signed “HAROLD EDGERTON” in pencil on thereverse. Gelatin silver print, image size 12 1/8 x 9 5/8 in. (30.6 x 24.4cm), unmatted, unframed.Condition: Good.

Provenance: From the artist to the family of the present owner.$400-600

278.Harold Eugene Edgerton (American, 1903-1990)

Card Cut by Bullet. Signed “HAROLD EDGERTON MIT” in pencil onthe reverse. Gelatin silver print, image size 9 1/8 x 12 7/8 in. (23.0 x32.5 cm), unmatted, unframed.Condition: Good.

Provenance: From the artist to the family of the present owner.$1,000-1,500

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279.Walker Evans (American, 1903-1975)

Minstrel Showbill, 1936, probably a later impression. Signed“Walker Evans” in pencil (on mount) l.r., inscribed “P” in pencil (onmount) l.l. Gelatin silver print, image/sheet size 15 1/2 x 11 7/8 in.(39.0 x 30.0 cm), unmatted, unframed.Condition: Minor soiling to mount.

$5,000-7,000

280.Frank Jay Haynes (American, 1853-1921)

Grand Canyon. Unsigned, identified on artist’s label affixed to thebacking. Albumen print, sheet size 17 1/8 x 22 in. (43.5 x 55.9 cm),framed.Condition: Mounted, subtle fading, gentle surface rubs, nick/loss tolower edge (not effecting the image).

$600-800

281.Lewis Wickes Hine (American, 1874-1940)

A Madonna of the Tenement, 1904. Artist’s stamp on the reverse,titled and dated in pencil on the reverse. Gelatin silver print, sheetsize 7 x 5 in. (17.8 x 12.7 cm), framed.Condition: Subtle toning, not examined out of frame.

$1,000-1,500

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282.John S. Johnston (British/American, born c. 1839-1899)

Lot of Five Yachting Images: Columbia, 1899; Columbia,1899; Shamrock; 21-Footers at Start, 1894; and Norota.Unsigned, identified within the matrix. Albumen prints onpaper, approximate sizes 6 1/2 x 8 1/4 in. (16.5 x 21.0 cm),unframed.Condition: Minor wear/nicks to edges, subtle toning, mildrippling.

$600-800

283.John S. Johnston (British/American, born c. 1839-1899)

Lot of Five Yachting Images: Columbia & Shamrock,1899; Shamrock, 1899; Columbia, 1899; El Heirie, 1896;and Fidelio. Unsigned, each identified within the matrix.Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in.(16.5 x 21.0 cm), unframed.Condition: Minor wear/nicks to edges, subtle toning, mildrippling.

$700-900

284.John S. Johnston (British/American, born c. 1839-1899)

Lot of Five Yachting Images: Columbia & Shamrock,1899; Columbia & Shamrock, 1899; Columbia, 1899;Fidelio; and Kit. Unsigned, each identified within the matrix.Albumen prints on paper, approximate sizes 6 1/2 x 8 1/4 in.(16.5 x 21.0 cm), unframed.Condition: Minor wear/nicks to edges, subtle toning, mildrippling.

$800-1,200

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285.George Platt Lynes (American, 1907-1955)

Lot of Two Images of Dance, Probably from Ballet Errante orOrpheus. Unsigned, both inscribed on the reverse. Gelatin silverprints, sheet sizes to 10 x 8 in. (25.4 x 20.3 cm), matted, unframed.Condition: Minor wear to corners.

$800-1,200

286.Duane Michals (American, b. 1932)

A Letter From My Father, 1960-75, edition of 25. Inscribed, signed,and numbered “...Duane Michals 4/25” in ink surrounding the image.Gelatin silver print annotated with ink, sheet size 8 x 10 in. (20.3 x25.4 cm), framed.Condition: Subtle curling or rippling, not examined out of frame.

$200-300

287.Nicholas Nixon (American, b. 1947)

Still Life with Apples, 1987, edition of 50. Signed “NICHOLASNIXON” in pencil on the reverse, inscribed, dated, and numbered“Cambridge 1987 8/50” in pencil on the reverse. Gelatin silver print,image/sheet size 8 x 10 in. (20.3 x 25.4 cm), matted, unframed.Condition: Good.

$600-800

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288.Aaron Siskind (American, 1903-1991)

Lafayette Theater, Harlem, c. 1937, probably a laterprinting. Titled, dated, and signed “...Aaron Siskind” inpencil on the reverse. Gelatin silver print, image size 113/4 x 8 1/2 in. (29.8 x 21.5 cm), unmatted, unframed.Condition: Good.

$1,500-2,500

289.Aaron Siskind (American, 1903-1991)

Louise 28, 1974. Titled, dated, and signed “...AaronSiskind” in pencil on the reverse. Gelatin silver print,image size 10 1/8 x 9 7/8 in. (25.5 x 25.0 cm), unmatted,unframed.Condition: Good.

$2,000-3,000

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290.Aaron Siskind (American, 1903-1991)

Morocco 328, 1982. Titled, dated, and signed“...Aaron Siskind” in pencil on the reverse. Gelatinsilver print, image size 8 3/4 x 9 1/8 in. (22.0 x 23.0cm), unmatted, unframed.Condition: Good.

$1,500-2,500

291.Aaron Siskind (American, 1903-1991)

Morocco 167, 1982. Titled, dated, and signed“...Aaron Siskind” in pencil on the reverse. Gelatinsilver print, image size 9 3/8 x 9 in. (23.7 x 22.7 cm),unmatted, unframed.Condition: Good.

$1,500-2,500

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292.Bradford Washburn (American, 1900-2007)

After The Storm: Climbers on the East Ridge. Signed“Bradford Washburn” in pencil on the reverse. Gelatin silverprint, image size 17 3/4 x 22 1/8 in. (45.0 x 56.2 cm),unmatted, unframed.Condition: Good.

$1,500-2,000

293.Bradford Washburn (American, 1900-2007)

Mt. Huntington, North Face, Alaska. Signed “BradfordWashburn” in pencil on the reverse. Gelatin silver print,image size 17 1/2 x 22 5/8 in. (44.4 x 57.4 cm), unmatted,unframed.Condition: Good.

$1,500-2,000

294.Bradford Washburn (American, 1900-2007)

Barnard Glacier, Mt. Natazhat, Alaska Yukon Frontier.Signed “Bradford Washburn” in pencil on the reverse.Gelatin silver print, image size 17 1/4 x 22 1/4 in. (43.7 x56.3 cm), unmatted, unframed.Condition: Good.

$1,500-2,000

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295.Bradford Washburn (American, 1900-2007)

Snow Drifts. Signed “Bradford Washburn” in pencil on the reverse.Gelatin silver print, image size 17 1/2 x 22 3/4 in. (44.4 x 57.5 cm),unmatted, unframed.Condition: Good.

$1,500-2,000

296.Bradford Washburn (American, 1900-2007)

Summit of the Matterhorn, 1958. Signed “Bradford Washburn” inpencil on the reverse. Gelatin silver print, image size 17 5/8 x 22 1/4in. (44.5 x 56.4 cm), unmatted, unframed.Condition: Good.

$1,500-2,000

End of Session I

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Session IIPaintings & SculptureLots 301-698

to be sold Friday, January 29th, 2010 at 4 p.m.

Page 111: American & European Paintings & Prints

300.Manner of Jan Breughel the Younger (Flemish, 1601-1678)

Jacob Wrestling the AngelUnsigned, inscribed “O.../Breughel/N...i” on the reverse of the panel.Oil on panel, 6 9/16 x 8 in. (16.7 x 20.4 cm), framed.Condition: Surface irregularities, abrasions and losses, discolored varnish, panelbowed, craquelure.

$1,000-1,500

300

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301.School of Abraham van Beyeren (Dutch, 1620-1690)

Still Life with Crab, Fruit, Bread, and Wine Glass on aDraped TableUnsigned, inscribed "ABRAHAM VAN BEYEREN" on amodern label on the reverse.Oil on cradled panel, 21 1/2 x 16 5/8 in. (55.2 x 42.2 cm),framed.Condition: Varnish inconsistencies, surface irregularities,retouch, vertical crack to center of panel, pentimenti in u.r.quadrant.

$400-600

302.Italian School, 18th Century

Flora with an Abundance of Fruit and GameUnsigned.Oil on canvas, 21 3/4 x 15 1/2 in. (55.2 x 39.4 cm), unframed.Condition: Trimmed tacking margins, punctures, lined,punctures, scattered retouch, losses, craquelure.

$1,000-1,500

301

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303.Attributed to Melchior d’Hondecoeter (Dutch, 1636-1695)

A Mallard, Two Cockerels, and Ducklings in a LandscapeSigned or inscribed “M d hondecoeter” l.c.Oil on canvas, 30 x 28 1/4 in. (76.2 x 71.8 cm), framed.Condition: Lined, retouch, patch reinforcements, varnishinconsistencies, craquelure.

$8,000-10,000

303

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304.Italian School, 18th/19th Century Style

View of Figures in a Classical LandscapeUnsigned, inscribed indistinctly on a partial label and with alabel from Eben Smith, Boston, on the reverse.Oil on board, 11 1/2 x 19 in. (29.2 x 48.3 cm), framed.Condition: Craquelure, lifting, surface grime, minorlosses/abrasions, skinning, subtle varnish inconsistencies,subtle bowing to board.

$1,000-1,500

305.Manner of David Teniers the Younger (Flemish, 1610-1690)

Lot of Two Tavern ScenesOne with indistinct monogram signature and date “...1784” l.r.Oil on canvas, 10 1/2 x 12 3/4 in. (26.6 x 32.4 cm), framed.Condition: Retouch, craquelure with lifting, abrasions, surfacegrime.

$2,200-2,800

305

304

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306.Dutch School, 17th Century Style

Peasant Dance Before a TavernUnsigned.Oil on canvas, 28 5/8 x 26 3/16 in. (72.8 x 66.5 cm), framed.Condition: Lined, retouch, surface grime.

Provenance: Through the estate of Norton Asner, Baltimore,Maryland.

$800-1,200

306

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307.Italian School, 18th/19th Century Style

Figure Study of Male Nude with StaffUnsigned.Sepia ink on paper, sheet size 8 3/4 x 6 3/4 in. (22.2 x 17.1 cm),framed.Condition: Trimmed sheet, foxing, losses.

$400-600

308.German School, 18th Century Style

Mary Magdalene in the WildernessUnsigned.Oil on copper, 3 7/8 x 2 7/8 in. (9.8 x 7.3 cm), framed.Condition: Mounted to linen-covered mat, losses, retouch, surfaceabrasions.

$800-1,200

308

307

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309.Manner of Francesco Bianchi Bonavita (Italian, 1593-1658)

The Sacrifice of IsaacUnsigned, inscribed “Allori (Cristofano), Ecole Florentine, 1577-1621”on the reverse.Oil on canvas, 32 3/4 x 25 1/2 in. (83.2 x 64.8 cm), framed.Condition: Lined, retouch, craquelure with cupping, losses, surfacegrime.

N.B. This composition is related to a work of the same subject in theformer Scuole Leopoldine, in Florence.

$2,000-4,000

310.Neopolitan School, 17th Century Style

Christ Crowned with ThornsUnsigned.Oil on canvas, 29 1/2 x 24 1/4 in. (74.9 x 61.6 cm), framed.Condition: Lined, retouch, varnish inconsistencies, surface grime,craquelure.

$1,000-1,500

309

310

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311.Continental School, 17th/18th Century

Figure StudiesInitialed u.r., ink sketch of a horse verso.Ink, washes, and varnishes on laid paper, with single fleur-de-liswatermark, 12 1/2 x 7 5/8 in. (31.6 x 19.3 cm), framed.Condition: Scattered foxing, toning, creasing, worn along edges,nicked along bottom edge.

$700-900

312.Spanish or Spanish Colonial School, 18th Century Style

Portrait of the Virgin of GuadalupeInscribed “VERA EFFIGIES/B.[Beatae]V.[Virginis] MARIAE QUAM S.[Sanctus] LUCAS PINXT...” l.c.Oil on canvas mounted to board, 10 3/4 x 7 1/4 in. (27.3 x 18.4 cm),framed.Condition: Abrasions/losses, retouch, craquelure.

$700-900

312

311

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313.Spanish School, 16th Century Style

Ecco HomoUnsigned.Oil on panel, 14 1/8 x 9 1/4 in. (35.9 x 23.5 cm), framed.Condition: Restored vertical split to panel, finecraquelure.

Provenance: Purportedly acquired in Spain, then bydescent to the present owner.

$2,000-3,000

314.Italian School, 18th/19th Century

Madonna and Child Seated on a CloudUnsigned, indistinctly inscribed u.l., stamped“RESIDENTIA...” on the reverse.Sepia ink on laid paper, sheet size 8 1/4 x 6 3/4 in. (21.0x 17.1 cm), framed.Condition: Taped to window mat, trimmed sheet, foxing,losses.

$400-600

313

314

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314A

314A.Joseph Blackburn (Anglo/American, c. 1700-1780)

Portrait of Colonel Benjamin Pollard (1696-1756)Unsigned, identified on a partial label affixed to the reverse.Oil on canvas, 33 1/2 x 26 in. (85.1 x 66.0 cm), framed.Condition: Craquelure, lined, retouch.

N.B. The sitter descended from a Boston military family. Following inthe footsteps of his grandfather William Pollard, who was a 17th-century member of the Ancient and Honorable Artillery Company ofMassachusetts, Benjamin Pollard became the fourth sergeant of theArtillery Company in 1726. His uncle Edward Winslow was a sheriffof Suffolk County, and Pollard assumed his position for thirteen years,until 1756.1

1. Oliver Ayer Roberts, History of the Military Company of the Massachusetts, nowcalled the Ancient and Honorable Artillery Company of Massachusetts: 1637-1888,(New York: A. Mudge & Son), 1895, p. 424.

$12,000-15,000

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315.British School, 18th/19th Century

Portrait of a GentlemanUnsigned.Oil on canvas, 29 1/4 x 22 3/4 in. (74.3 x 57.8 cm), framed.Condition: Lined, losses, surface grime, varnish inconsistencies, withpossible retouch and craquelure.

$1,200-1,800

316.British School, 18th Century

Portrait of a Gentleman in a Red Cloak, Decorated with an Orderof NobilityUnsigned, partial label “Venable’s/...Washington 9, D.C.” on thereverse of the frame.Oil on canvas, 22 3/8 x 16 1/2 in. (56.8 x 42.0 cm), framed.Condition: Retouch, craquelure, paint loss.

$1,000-2,000

315

316

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317.Continental School, 18th Century Style

Portrait of a Woman in BrocadeUnsigned.Oil on canvas, 28 1/2 x 23 1/2 in. (72.4 x 59.7 cm), in an oval frame.Condition: Lined, retouch, varnish inconsistencies, craquelure.

$1,500-2,000

318.John Watson Gordon (Scottish, 1788-1864)

Portrait of Miss Elizabeth Mack, also known as Mrs. ThomasHenderson of Press Castle, EdinburghSigned or inscribed “Mrs. Thomas Henderson/Painted by WatsonGordon Edinburgh” and identified on a label on the reverse.Oil on canvas, 50 1/4 x 40 1/4 in. (127.6 x 102.2 cm), in a periodframe.Condition: Retouch, surface grime, retouch, canvas deformations,craquelure.

$5,000-7,000

317

318

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318A.Attributed to Bernardo Strozzi (Italian, 1581-1644)

Kopf einer Frau in mittleren JahrenUnsigned, wax seal on the stretcher.Oil on canvas, 21 1/2 x 16 1/2 in. (54.6 x 41.9 cm), framed.Condition: Lined, craquelure, retouch, losses/abrasions.

Provenance: Collection Eugen Platky, Leipzig, Germany, c. 1918,then by descent to the present owner.

Literature: Hermann Voss, “Die Samnlung Platky in Leipzig” inZeitschrift für bildende Kunst, October-November, 1918, p. 28.

$10,000-15,000

318A

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318B.Alex de Andreis (British, 1880-1929)

Portrait of a CavalierSigned “A. de Andreis” l.r., identified on a presentation plaque.Oil on canvas, 28 3/4 x 24 in. (73.0 x 61.0 cm), framed.Condition: Craquelure, minor surface grime.

$800-1,200

318B

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318C.Continental School, 17th Century Style

Portrait of a Man Holding LorgnetteUnsigned, inscribed “Kneller” on the reverse.Oil on panel, 20 1/4 x 15 1/2 in. (51.5 x 40.0 cm), framed.Condition: Scattered retouch, minor losses (primarily near edges),areas of possible skinning, fine craquelure.

$600-800

319.Continental School, 18th Century

Lot of Two Drawings for PunchinelloUnsigned.Ink and wash on laid paper, approximate sizes to 7 x 4 3/4 in. (17.7 x12.0 cm), in a common frame.Condition: One with tiny hole, both with foxing and toning, bothaffixed to window mat with tape.

$500-700

318C

319

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319A.James Wells Champney (American, 1843-1903)

Dreams of LoveSigned “J Wells Champney” l.r.Pastel on paper, sight size 23 1/2 x 19 1/2 in. (59.7 x 49.5 cm),framed.Condition: Not examined out of frame.

$800-1,200

320.Sydney Richmond Burleigh (American, 1853-1931)

Portrait of a Seated OdalisqueSigned “S.R. Burleigh” l.l.Watercolor on paper, sight size 4 3/4 x 2 3/4 in. (12.1 x 7.0 cm),framed.Condition: Not examined out of frame.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$300-500

321.School of Narcisse Virgile Diaz de la Peña (French, 1807-1876)

Woman with Cupid in a Woodland ClearingIndistinctly monogrammed l.l., identified on a presentation plaque.Oil on canvas mounted to paper/board, 10 1/2 x 8 in. (26.7 x 20.3cm), framed.Condition: Surface grime, craquelure.

$1,200-1,800

320

319A

321

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322.After Mark Matveevich Antokolsky (Russian, 1843-1902)

Nathan the Wise (Natan Mudryi)/A Posthumous CastingSigned or inscribed “M.M. ANTOKOLSKY” in Cyrillic l.r. and “L.A ©1927” l.l.Bronze with a brown patina, height 9 1/4 in. (23.5 cm), on a greenstone base.Condition: Felt adhered to the bottom, surface inconsistencies/surface grime.

Provenance: By family descent from the artist to his nephew LouisAntoville, Queens, New York, thence to Sol [Solomon] W. Antovilleand Sylvia Hepner Antoville, Manhattan, New York, thence by familydescent to private collection, Massachusetts.

$8,000-12,000

322A.Nathaniel Sichel (Germany, 1843-1907)

Portrait of an Oriental BeautySigned “N. Sichel.” u.r.Oil on canvas, 25 1/2 x 19 3/4 in. (49.5 x 50.2 cm), framed.Condition: Craquelure, patch reinforcements, surface grime, retouch.

$2,000-4,000

322

322A

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323.Adolphe Charles Edouard Steinheil (French, 1850-1908)

The ConnoisseursSigned “A. STEINHEIL” l.l., identified on a presentation plaque.Oil on canvas, 21 3/4 x 18 in. (55.2 x 45.7 cm), framed.Condition: Lined, retouch, skinning, subtle varnish inconsistencies,craquelure.

Provenance: Purchased from Comenos Fine Art, Boston.$10,000-15,000

323

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324.Franz (Francis H.) Heinrich (Austrian/American, 1802-1890)

Interior View of the Colonna Palace, RomeSigned “F. Heinrich.” l.r.Watercolor and graphite on paper, sight size 26 1/2 x 39 3/4 in. (67.3x 101.0 cm), framed.Condition: Not examined out of frame.

Provenance: Purchased from Comenos Fine Art, Boston.

N.B. Franz (Francis H.) Heinrich was a painter of genre scenes,architecture, and interiors, born in Nachod, Bohemia, in 1802. Hestudied at the Academy of Vienna from 1819 to 1830. Heinrichtraveled to Italy, Holland, Germany, Switzerland, Belgium, and theUnited States, before establishing himself in Vienna. He was a giftedwatercolorist, and is best known for his elaborate interiors of palacesand churches and for his street views of European cities. TheMuseum of Vienna holds several of his watercolors, including hisportrait and views of Rome and Venice.

$10,000-15,000

324

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325.Heinrich Breling (German, 1849-1914)

Quiet PursuitsSigned and dated “H. Breling/1891” u.r.Oil on panel, 9 1/2 x 7 in. (24.1 x 17.8 cm), framed (under glass).Condition: Alligatoring, abrasions, varnish inconsistencies.

$800-1,200

325A.Italian School, 19th Century

Portrait of a RestorerSigned indistinctly l.r.Watercolor and ink on paperboard, 17 x 13 in. (43.2 x 33.0 cm),framed.Condition: Subtle toning.

$800-1,200

325 325A

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325B.Oreste Cortazzo (Italian, 1836-1889)

A Corner at the Opera...Signed “Cortazzo” l.l., titled in an inscription on the reverse.Oil on paper/board, 10 x 7 1/4 in. (25.4 x 18.4 cm), framed (underglass).Condition: Minor surface grime, subtle bowing to board, minorabrasions.

$3,000-5,000

325B

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326.Continental School, 17th/18th Century Style

An Intimate ConcertUnsigned.Oil on canvas, 44 1/4 x 55 in. (112.4 x 139.7 cm), framed.Condition: Strip lined with patch reinforcement, retouch, scatteredabrasions, losses, craquelure, surface grime.

$1,500-3,500

327.Sir Frank Dicksee, P.R.A. (British, 1853-1928)

The DuetSigned and dated “F. Dicksee. 1897” l.l., with a label from M.Grindley, Liverpool, England, on the stretcher.Oil on canvas, 24 x 33 1/4 in. (61.1 x 84.3 cm), framed.Condition: Retouch, craquelure, small punctures/canvasdeformations, abrasions, surface grime, varnish inconsistencies.

$1,500-2,000

326

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328.Fr. de Leub (Continental, 19th Century)

The Love LetterSigned and dated “fr De Leub./1866” l.r.Oil on panel, 10 1/4 x 13 5/8 in. (26.0 x 34.6 cm), framed.Condition: Surface grime, craquelure, abrasions, alligatoring.

$2,000-3,000

329.Continental School, 19th Century

Her New LoveMonogram signature “JBach” l.l., identified on a presentation plaque.Oil on canvas, 25 x 37 in. (63.5 x 94.0 cm), framed.Condition: Lined, craquelure, retouch.

$1,800-2,220

329A.Virgilio Tojetti (Italian/American, 1851-1901)

The SwingSigned and dated “V. Tojetti 96” l.l.Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed.Condition: Surface grime, minor loss in the u.r. quadrant.

$800-1,200

329

328

329A

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329B.Attributed to Robert Farrier (British, 1796-1879)

Possibly a Study for The Recruit or Who’ll Serve the KingUnsigned, a print of this image after Farrier affixed to the reverse,labels including one from Walker’s Galleries Ltd., London, affixed tothe reverse.Oil on board, 11 3/4 x 15 in. (29.8 x 38.1 cm), framed.Condition: Retouch, craquelure.

$5,000-7,000

329B

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330.Fabio Cipolla (Italian, 1852-1935)

A Surprise EncounterSigned “F. Cipolla” l.r.Oil on canvas, 17 1/4 x 25 1/2 in. (43.8 x 64.8 cm), framed.Condition: Lined, retouch, abrasions beneath frame liner, craquelure.

Provenance: Purchased from Comenos Fine Art, Boston.$12,000-18,000

330

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331.Henry James Johnstone (British, 1835-1907)

Old RoverSigned “H.J. Johnstone” l.l., titled in a later hand on the reverse,inscribed “Rover Johnstone” on the back of the window mat, a labelfrom Thomas Agnew & Sons, London, Manchester, and Liverpool,affixed to the reverse.Watercolor on paper mounted onto board, sight size 7 1/2 x 5 1/2 in.(19.1 x 14.0 cm), framed.Condition: Subtle rippling/mounting bubbles, supporting boardadhered to window mat at edges.

$1,500-2,000

331A.George Henry Boughton (Anglo/American, 1833-1905)

The Little Dutch GirlsInitialed “GHB.” l.l.Conté crayon on paper, sight size 9 7/8 x 8 1/4 in. (25.1 x 21.0 cm),framed.Condition: Toning, not examined out of frame.

$800-1,200

331

331A

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332.Felix Schlesinger (German, 1833-1910)

The PetsSigned “F. Schlesinger.” l.l., identified on a presentation plaque.Oil on panel, 11 1/2 x 12 3/4 in. (29.2 x 32.4 cm), framed (within aliner).Condition: Craquelure, subtle varnish inconsistencies.

$8,000-12,000

332

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333.Continental School, 19th Century

Night Scene with Street MusiciansUnsigned.Oil on canvas, 16 x 11 in. (40.6 x 27.9 cm), framed in an oblonglunette format.Condition: Lined, retouch, varnish inconsistencies, abrasions, surfacegrime, craquelure.

$3,000-5,000

334.Attributed to Adolphe Piot (French, 1850-1910)

Portrait of a Young Girl with CherriesUnsigned.Oil on canvas, 21 3/8 x 18 in. (54.3 x 45.7 cm), framed in an ovalformat.Condition: Retouch, varnish inconsistencies, surface grime,craquelure.

$1,500-2,000

334A.Continental School, 19th Century

The Boys’ ChoirSigned indistinctly l.r., with a label from the Museum of Fine Arts,Boston, on the reverse.Oil on canvas, 34 1/2 x 24 in. (87.6 x 61.0 cm), framed.Condition: Lined, craquelure, retouch.

$800-1,500

334A

333

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335.Jan Walraven (Dutch, 1827-1863)

Girl with RabbitsSigned “J. Walraven” l.l. signed, dated, and identified in a paintedlabel “Je suis...est original et peint par moi...Bruxelles 1878 J.Walraven” on the reverse.Oil on panel, 13 3/8 x 10 7/8 in. (34.0 x 27.7 cm), framed.Condition: Patches of craquelure, surface grime.

$1,000-1,500

336.Charles Paul Gruppe (Canadian/American, 1860-1940)

Woman Polishing a KettleSigned “Chas. P. Gruppe” l.l.Oil on canvas, 16 5/8 x 13 3/8 in. (42.2 x 34.2 cm), framed.Condition: Craquelure, surface grime.

$800-1,200

335

336

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337.Ernest Guillemer (French, 1839-1913)

The Road HomeSigned “E. Guillemer” l.r., Paris canvas stencil on the reverse.Oil on canvas, 16 1/4 x 13 in. (41.3 x 33.0 cm), in a period frame.Condition: Retouch, craquelure, surface grime.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$4,000-6,000

337A.Henry Müller (American, fl. 1850-1852)

Return to the Mountain Village in WinterSigned, dated, and inscribed “H. Müller N.Y. 51.” l.l.Oil on canvas, 25 1/4 x 30 1/4 in. (64.1 x 76.8 cm), framed.Condition: Lined, retouch, craquelure.

$2,500-3,500

337

337A

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338.Alexandre Gabriel Decamps (French, 1803-1860)

Peasant Shacks with ClotheslineSigned “D. C.” l.l., identified on a presentation plaque.Oil on canvas, 11 7/8 x 15 1/2 in. (30.5 x 39.2 cm), framed.Condition: Minor paint loss, abrasions, surface grime.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.

N.B. Alexandre-Gabriel Decamps, an Orientalist, genre, andhistory painter, as well as a sometime caricaturist, was one of thefirst French painters of the 19th century to turn fromNeoclassicism to Romanticism. Born in Paris in 1803, Decampsspent time in the countryside as a youth, and there he developeda love of drawing. His art training was uneven, studying brieflywith Etienne Bouhot and Alexandre-Denis Abel de Pujol, but headmired the works of Rembrandt and Chardin and learnedextensively by studying their palette and use of glazes. Decamps’travels as a young man in the Near East and Asia Minor, as well asItaly, inspired his painting. As a result of his visit to the MiddleEast, he was among the first European artists to represent Biblicalscenes with natural, local backgrounds. While at Smyrna it is saidthat he made sketches enough to provide subject matterthroughout his career as an Orientalist painter. Decamps alsoproduced a number of genre scenes from France and Algeria. Hisexhibition record is extensive, beginning at the Paris Salon of1827, including many prizes, and he was elected an Officer of theFrench Legion of Honor in 1851.

$1,500-2,500

339.Attributed to George William Whitaker (American, 1840-1916)

View with a Figure in a Cobbled AlleyUnsigned, with a partial label inscribed “Near.../Geo. W...er/65W...ster St. ...” on the reverse.Oil on artist board, 12 5/8 x 9 in. (32.1 x 22.9 cm), framed.Condition: Abrasions, surface grime.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.

N.B. Whitaker, who maintained a studio at 65 Westminster Streetin Providence, was the first painting instructor at the Rhode IslandSchool of Design and a founder of the Providence Art Club alongwith Sydney R. Burleigh, Edward M. Bannister, and Charles W.Stetson.

$1,500-2,000

340.Paulus Adriaan Gildemeester (Dutch, 1858-1930)

Cottages on the RiverbankSigned “P. A. Gildemeester” l.r.Oil on canvas, 14 x 20 1/2 in. (35.6 x 52.1 cm), unframed.Condition: Scattered retouch, extremely fine craquelure, mildsurface grime.

$1,200-1,800

340

338

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341.Nicolas Toussaint Charlet (French, 1792-1845)

Napoleon’s Return from ElbaSigned “Charlet” l.l., inscribed on the stretcher.Oil on canvas, 9 1/4 x 12 1/2 in. (23.5 x 31.8 cm), framed.Condition: Craquelure, surface grime, retouch.

Provenance: Sotheby’s London, Wednesday, November 16, 1994,lot 171; through to the estate of N. David Scotti, Providence, RhodeIsland.

$800-1,200

342.Italian School, 19th Century

Arcadian Landscape with Figures by a FountainUnsigned.Oil on panel, 19 x 16 in. (48.3 x 40.6 cm), framed.Condition: Vertical splits to panel, losses/abrasion, varnishinconsistencies.

$800-1,200

341

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343.Robert Léopold Leprince (French, 1800-1847)

Le Retour du TroupeauSigned “Leopold Leprince 183-...,” identified on a presentationplaque and on a label from Kurt Schon, New Orleans, on thestretcher.Oil on canvas, 15 x 18 1/4 in. (38.1 x 46.4 cm), framed.Condition: Lined, craquelure, retouch.

$2,000-3,000

343A.Jacques Willem van Blarenberghe (Dutch, 1679-1742)

Lot of Two Works of Campaigns of Louis XIV: An Encampmentwith Troops and Camp Scene Beside a StreamUnsigned, identified on labels affixed to the backing.Gouache on paper mounted to paper/board, sheet sizes to 7 x 815/16 in. (17.8 x 22.7 cm), framed.Condition: Possibly trimmed sheets, minor surface grime, abrasions.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasuryunder President Harding), Boston, Massachusetts; then by descentwithin the family.

$3,000-5,000

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343B.Michelangelo Meucci (Italian, 1840-1890)

Lot of Three Trompe l’Oeil Bird StudiesEach signed and inscribed “-M. Meucci- Firenze-...” and dated“-1875-” or “-1876-” l.c.Oil on panel, oval formats, 8 1/2 x 6 3/4 in. (21.6 x 17.1 cm), twoframed, one unframed.Condition: Surface grime.

$1,500-2,500

344.William Cruickshank (British, 1848-1922)

Still Life with Bird and NestSigned “W. Cruickshank” l.r.Watercolor with gouache on paper, sight size 9 x 12 in. (22.9 x 30.5cm), matted, unframed.Condition: Sandwiched between mats, subtle rippling to paper, lightscattered staining/soiling.

$300-500

345.Continental School, 19th Century

Chickens and Ducklings in a LandscapeSigned “A-Franchin” l.l.Oil on canvas, 31 1/4 x 58 1/4 in. (79.4 x 148.0 cm), framed.Condition: Minor retouch, subtle surface grime, fine scatteredcraquelure.

$3,000-5,000

345

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346.Alexis Kreyder (French, 1839-1912)

Landscape with Grapes on the VineSigned and dated “A. Kreyder 83.” l.l., inscribed “Maison Merlin/PaulDenis Succr/Paris...” in a canvas stencil on the reverse.Oil on canvas, 38 1/4 x 30 1/2 in. (97.2 x 77.5 cm), framed.Condition: Craquelure, minor surface grime.

$4,000-6,000

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347.William Weekes (British, 1856-1909)

Darby and JoanMonogram signature “WWeekes.” l.l., titled and inscribed“...WWeekes” in pencil on the reverse.Oil on artist board, 9 1/2 x 6 1/2 in. (24.1 x 16.5 cm), framed.Condition: Subtle varnish inconsistencies, abrasions beneath theframe liner.

$2,500-3,500

348.Attributed to Benjamin Barker (British, 1776-1838)

Cattle in a Mountainous LandscapeSigned “B Barker” l.l.Oil on canvas, 11 1/2 x 16 in. (29.2 x 40.6 cm), framed.Condition: Tear in l.r. quadrant, craquelure, retouch, varnishinconsistencies.

$1,200-1,800

347

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349.John Frederick Herring, Jr. (British, 1815-1907)

Horses in a FarmyardSigned “J.F. Herring” l.l., identified on a label from Richard Green FinePaintings, London, on the reverse.Oil on panel, 6 5/8 x 8 1/2 in. (16.8 x 21.6 cm), framed.Condition: Minor surface grime.

Provenance: Purchased from Richard Green, London, 1975, thenthrough to the present collector.

Literature: Richard Green, Annual Exhibition of Sporting Paintings,1975, no. 41 (illus.), p. 86.

$3,000-5,000

349A.James Lees Bilbie (British, d. 1945)

Figures by a Country CottageSigned “Jas. L. Bilbie” l.l.Oil on canvas mounted to fiberboard, 14 1/4 x 21 1/4 in. (36.2 x 54.2cm), framed.Condition: Retouch, surface grime, craquelure.

$800-1,200

349

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350.William R.C. Watson (British, d. 1921)

By Loch Tay-PerthshireSigned and dated “W. Watson 1916” l.r., titled and signed “...WmWatson” on the reverse, a label from Wunderly Bros. Fine Art,Pittsburgh, affixed to the reverse.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), in a period frame (underglass).Condition: Retouch, varnish inconsistencies, possible areas of bloomin the varnish layer, not examined out of frame.

$3,000-5,000

350A.Alice Blair Thomas (American, 1857-1945)

Shepherd Leading His Flock Through the PassSigned and dated “Alice Blair Thomas 1901.” l.r.Oil on artist board, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Losses, flaking, surface grime, abrasions, craquelure.

$1,000-1,500

350

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351.Bryant Chapin (American, 1859-1927)

Loch Lomond/A View of ScotlandSigned, titled, and dated “BRYANT CHAPIN...1915.” l.l., identified ona label affixed to the reverse.Oil on canvas, 18 x 28 in. (45.7 x 71.1 cm), framed.Condition: Extremely mild scattered craquelure.

Provenance: From the collection of the Fuller Museum of Art,Brockton, Massachusetts.

$1,500-2,000

352.Alfred Fontville de Breanski (British, 1877-1955)

Snowden from Pen-y Gwryd, N. WalesSigned “A de Breanski Jun.” l.r., titled and signed “...A de BreanskiJun” on the reverse, identified on a presentation plaque.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Scattered retouch, craquelure with lifting, minor scatteredlosses.

$1,200-1,800

352

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353.Robert Salmon (Anglo/American, 1775-1844)

Ailsa Craig/A Firth of Clyde, Scotland, ViewSigned, inscribed, and dated “No. 818/Painted by R. Salmon/1835”on the reverse.Oil on panel, 10 x 12 1/2 in. (25.4 x 31.7 cm), framed.Condition: Fine craquelure, minor retouch.

Provenance: Mr. Henry Channing Rivers, Northeast Harbor, Maine,by family descent to a private New England collection.

Literature: John Wilmerding, Robert Salmon: Painter of Ship & Shore,Boston: Peabody Museum of Salem and Boston Public Library, 1971,p. 95.

N.B. Robert Salmon, an English-born marine artist, spent his earlyyears painting in England and Scotland, including the ports andshipbuilding centers of Liverpool and Greenock. His style was basedon the older English marine artists, themselves influenced by the

Dutch. In 1828 Salmon immigrated to the U.S., settling in Bostonwhere he established a successful career painting ship portraits andcoastal views. Salmon had a great impact on the direction ofAmerican marine painting. Using precise foreground detail anddevoting a large area of the composition to the atmospheric effects ofthe light-filled sky, Salmon’s works foreshadowed the Luminist style ofFitz Henry Lane. Salmon left Boston in 1842, returning to Britain,perhaps to the Scottish coast. In a catalogue of Robert Salmon’sPictures 1828-1840, which is reproduced as Appendix A of JohnWilmerding’s monograph on Salmon, the artist lists two paintings hemade of Ailsa Craig in March of 1840. The Craig is listed as thesubject of three other earlier paintings from his inventory, and was afavored subject, whether painted on location or from the artist’smemory. Ailsa Craig, rising some 1,100 feet high, is a well knownlandmark in the Firth of Clyde where it joins the Irish Channel.

$8,000-12,000

353

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353A.William Trost Richards (American, 1833-1905)

Coastal View, Possibly a Rhode Island LandscapeSigned “Wm T Richards” l.r.Watercolor on paper, sight size 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm),framed.Condition: Repaired tear c.r., subtle toning, broad rippling, notexamined out of frame.

$3,000-5,000

354.Alfred Thompson Bricher (American, 1837-1908)

Sailing off the Maine CoastMonogram signature “ATBRICHER:” l.l., a label from the VoseGalleries, Boston, on the backing.Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed.Condition: Retouch, varnish inconsistencies, craquelure.

Provenance: Purchased from Vose Galleries, Boston.

N.B. Born in 1837, Alfred Thompson Bricher grew up inNewburyport, Massachusetts. He was largely self-taught until 1851,when he enrolled in art lessons at the Lowell Institute in Boston.Bricher painted in both oil and watercolor. He began his careersketching and painting in the White Mountains and Maine. In 1868the artist moved to New York, but summers found him on paintingexcursions along the Maine coast, on Cape Ann, as well as in othercoastal regions of Rhode Island and Long Island. Bricher was amember of the American Water Color Society and the Boston ArtClub, and he was elected an Associate of the National Academy in1879. His paintings were exhibited at the Boston Athenaeum, theNational Academy, the Art Institute of Chicago, and the PennsylvaniaAcademy of Fine Art, and they are held in major museum collections.His work is associated with the second generation of Hudson RiverSchool painters and with Luminism.

$15,000-25,000

354

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355.Wesley Elbridge Webber (American, 1841-1914)

Paddle SteamerSigned “W. Webber” l.r.Oil on canvas, 16 x 25 in. (40.6 x 63.5 cm), framed.Condition: Punctures with losses, retouch, varnish inconsistencies,damage to tacking edge, wear to corners, mild canvas deformations,scattered surface abrasions, craquelure, surface grime.

$3,000-5,000

356.Addison Thomas Millar (American, 1860-1913)

Moonlight Sail/A New England Coastal ViewSigned “A.T. Millar” l.l., identified on a presentation plaque.Oil on canvas, 18 x 30 in. (46.0 x 76.5 cm), framed.Condition: Lined, scattered retouch, craquelure, subtle varnishinconsistencies.

N.B. Millar was a student of noted artist William Merritt Chase.$5,000-7,000

355

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357.Mauritz Frederik Hendrick De Haas (Dutch, 1832-1895)

Coastal View with CraftSigned and dated “MFH de Haas./1868” l.l.Oil on canvas, 12 1/8 x 20 in. (30.8 x 50.8 cm), framed.Condition: Craquelure, lined, retouch.

Provenance: Purchased from Vose Galleries, Boston.$8,000-12,000

357A.American School, 19th Century

Luminist Coastal ViewUnsigned, inscribed indistinctly on the reverse.Oil on canvas mounted to board, 5 x 9 in. (12.7 x 22.9 cm), framed.Condition: Surface grime, varnish inconsistencies, craquelure,trimmed board.

$800-1,200

357

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358.Charles Henry Gifford (American, 1839-1904)

Fishermen at Work by MoonlightSigned and dated “C.H. Gifford 86” l.r.Oil on canvas, 18 x 13 in. (45.7 x 33.0 cm), framed.Condition: Craquelure.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$1,000-1,500

359.George Wattles Waters (American, 1832-1912)

Moonlit HarborSigned “G. W. Waters” l.r.Oil on board, 7 1/2 x 10 1/2 in. (19.0 x 26.5 cm), framed.Condition: Minor abrasions along frame liner, subtle craquelure.

$1,800-2,200

358

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360.William Edward Norton (American, 1843-1916)

Night/A Boston Harbor ViewSigned and dated “William E. Norton 90.” l.l., identified on a label, probably in the artist’s hand, and with alabel from J. Eastman Chase, Boston, on the reverse.Oil on canvas, 23 x 30 in. (58.4 x 76.2 cm), framed.Condition: Surface grime, abrasions/losses, minor retouch.

N.B. Noted marine painter William Edward Norton was born in Boston and discovered his love of the seaand sailing as a young man aboard family-owned ships. He studied at the Lowell Institute and with GeorgeInness, before establishing a studio in Boston, where he was a member of the Boston Art Club, exhibitingthere from 1873 to 1909. In the early 1870s Norton left for Europe, living in Paris and then in London,building his reputation on views of the Thames and coastal and marine paintings. Returning to the UnitedStates around 1901, Norton settled in New York City and also spent time painting on Monhegan Island.“Norton’s Ledge” on the south side of the island is named for him. Norton exhibited at the Royal Academy,the Paris Salon, the 1893 Chicago Exposition, the Pennsylvania Academy, and the Art Institute of Chicago.1

A label on the stretcher of this nocturnal painting gives the artist’s address as 23 Camden Road NW, No. 4,suggesting that it may have been painted or exhibited during the artist’s time in London. A similar but smallernocturnal view by the artist (possibly a study for the present work) was sold at a Skinner auction onSeptember 11, 2009, lot 385.

1. Who Was Who in American Art, Peter Falk, Editor-in-Chief, Vol. II, p. 2441.$10,000-15,000

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361.Fritz Sigfried Georg Melbye (Danish, 1826-1896)

JunkSigned, inscribed, and dated “Fritz.G.Melbye Junk/Peking 1869” l.l.Oil on canvas, 16 1/8 x 27 1/4 in. (41.0 x 69.3 cm), framed.Condition: Strip lined, retouch, craquelure, surface grime.

$2,500-3,000

362.Robert Arthur (American, 1850-1914)

Crashing Waves at DuskSigned and dated “Robert Arthur-1907” in pencil l.l.Gouache on paper/board, 21 x 28 in. (53.3 x 71.1 cm), framed.Condition: Subtle toning, abrasions, not examined out of frame.

$800-1,200

361

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363.Earl E. Collins (American, 1925-1992)

View of a Clipper ShipSigned “Earl Collins” l.r.Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Craquelure, surface grime.

$800-1,200

364.James Gale Tyler (American, 1855-1931)

Off Grand Manan/A Canadian Coastal ViewSigned “JAMES G. TYLER” l.r., titled in pencil on the stretcher.Oil on canvas, 10 x 19 3/4 in. (25.4 x 50.2 cm), framed.Condition: Surface grime, craquelure.

$1,000-1,500

364

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365.Johann Hendrick van Mastenbroek (Dutch, 1875-1945)

Vessels in the HarborSigned “J.H. van. Mastenbroek” l.r., identified on a presentationplaque, and with a label from J.H. Miller Co., Inc., Springfield,Massachusetts, on the reverse.Watercolor on paper, sight size 15 x 21 in. (38.1 x 53.3 cm), framed.Condition: Foxing, toning, not examined out of frame.

$700-900

365

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366.Walter Lofthouse Dean (American, 1854-1912)

View of a Boat by a DockSigned and dated “W.L. DEAN./1889” l.l., also signed and dated“W.L. DEAN./18889.” [sic] with a label from Frost & Adams, Boston,on the reverse.Oil on canvas, 16 x 10 in. (40.6 x 25.4 cm), framed.Condition: Surface grime, craquelure.

$1,000-2,000

367.No lot.

368.Charles Augustus C. Lasar (American, 1856-1936)

Ship at HarborSigned “C. LASAR” l.r. and l.l., with a signature pentimento l.l.Oil on canvas mounted to board, 10 3/4 x 13 3/4 in. (27.3 x 34.9cm), framed.Condition: Subtle bowing to board, scattered retouch.

$1,000-1,500

368

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369.Attributed to Thomas Hewes Hinckley (American, 1813-1896)

Traders Surprised on the Yellow Stone RiverUnsigned, titled or inscribed and identified “...From Coopers novel -Thos. H. Hinckley/the Artist” on the reverse.Oil on panel, 15 x 17 in. (38.1 x 43.2 cm), framed.Condition: Retouch, craquelure, surface grime, mild warping ofpanel.

$2,500-3,500

370.John White Allen Scott (American, 1815-1907)

View in Conway, New Hampshire, 1868Initialed “S” l.r., titled, dated, and monogrammed “...68 J.W.A.S” inpencil on the reverse.Oil on artist board, 7 1/4 x 5 1/2 in. (18.4 x 14.0 cm), framed in anoval format (under glass).Condition: Surface grime, losses/punctures to support, abrasions,varnish inconsistencies, craquelure, alligatoring, minor retouch.

$700-900

369

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371.Wesley Elbridge Webber (American, 1841-1914)

Maine View with HuntersSigned and dated “W. Webber 1870” l.r.Oil on canvas, 20 x 36 in. (50.8 x 91.4 cm), framed.Condition: Scattered retouch/varnish inconsistencies, surface rubs,scattered craquelure, surface grime.

Provenance: Skinner, November 3, 1988 (sale no. 1224), lot 31.

Exhibitions: Nineteenth and Early Twentieth Century New EnglandPainters, Boston Athenaeum, Boston, February 7 to 28, 1983; TheArt of Collecting, The Danforth Museum of Art, Framingham,Massachusetts, September 13 to November 29, 1981.

$4,000-6,000

371A.William Ferdinand Macy (American, 1852-1901)

Sunset on the MarshSigned “W. Ferdinand Macy” l.r.Oil on canvas, 18 x 34 in. (45.7 x 86.3 cm), framed.Condition: Strip lined, retouch, craquelure, surface grime.

$4,000-6,000

371

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372.Jeremiah Wilson (American, 1824-1899)

Children Gathering by the WoodsSigned “J Wilson” l.r., G. R. Dodge & Co., Baltimore, stencil on thereverse.Oil on panel, 6 1/2 x 10 in. (16.5 x 25.4 cm), framed.Condition: Retouch, varnish inconsistencies.

$2,500-3,500

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373.Edward B. Gay (Irish/American, 1837-1928)

Fête ChampêtreSigned and dated “E. GAY. 56” l.r.Oil on canvas, 15 x 21 in. (38.1 x 53.3 cm), framed.Condition: Craquelure, surface grime.

$1,000-1,500

374.George Henry Smillie (American, 1840-1921)

A Recollection of Susquehanna Co. Pa.Signed and dated “Geo. H. Smillie. ‘66” l.l., titled and inscribed“...Painted by Geo H. Smillie. ‘66” on the reverse.Oil on canvas, 7 x 12 3/8 in. (17.8 x 31.4 cm), unframed.Condition: Surface grime.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$800-1,200

373

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375.George Arthur Hays (American, 1854-1945)

Lot of Two Works: Under the Oak and Mt. TobieSigned “G A Hays” l.l. and l.r., respectively, titled on labels on thepaper backing.Watercolor and gouache on paper/board, sight size to 8 3/8 x 10 in.(21.3 x 25.4 cm), framed.Condition: One with small tear in l.r. corner, toning, not examined outof frames.

$700-900

376.Joseph Foxcroft Cole (American, 1837-1892)

Cows by the Pasture GateSigned “J. Foxcroft Cole” l.r.Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.Condition: Retouch, lined, craquelure.

$800-1,200

375

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377.Charles Paul Gruppe (Canadian/American, 1860-1940)

Under the WillowsSigned “Chas. P. Gruppe” l.r., identified on a label from theSalmagundi Club Thumb Box Exhibition on the reverse.Oil on canvasboard, 9 x 12 in. (22.9 x 30.5 cm), a Newcomb-Macklinframe.Condition: Minor surface grime, minor loss to l.r. quadrant.

$800-1,200

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378.Charles Wilson Knapp (American, 1823-1900)

Cattle Grazing on a RiverbankSigned “C. W. Knapp” l.l.Oil on canvas, 20 x 36 in. (50.8 x 91.4 cm), framed.Condition: Craquelure with minute scattered losses, surface grime.

$4,000-6,000

378

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378A.David Birdsey Walkley (American, 1849-1934)

Cows in a LandscapeSigned “D B Walkley” l.l.Oil on canvas, 16 x 13 in. (40.6 x 33.0 cm), framed.Condition: Mounted onto Masonite, scattered retouch, finecraquelure, surface grime.

$2,500-3,500

379.John William Casilear (American, 1811-1893)

Cows in the WaterMonogrammed and dated “JWC 75” l.r., inscribed and titled “John-Ester Gallery/Casilear John W./.../oil 0.49” on a label affixed to thereverse.Oil on canvas, 8 7/8 x 13 1/4 in. (22.5 x 33.7 cm), framed.Condition: Repair/patch reinforcement c.r., retouch, varnishinconsistencies.

$2,500-3,500

378A

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379A.Samuel Lancaster Gerry (American, 1813-1891)

HayingSigned “S. L. Gerry” l.r.Oil on board, sight size 5 3/8 x 9 1/4 in. (13.7 x 23.5 cm), framed.Condition: Small scratch in sky u.r., surface grime.

$300-500

380.William A. McIlvaine, Jr. (American, 1813-1867)

Landscape Vista, Possibly PennsylvaniaSigned and dated “McILvaine./1860-” l.r.Watercolor and graphite on paper, sight size 8 x 16 3/4 in. (20.3 x42.5 cm), framed.Condition: Not examined out of frame.

$700-900

380

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380A.Albert Thompson (American, b. 1853)

The Hay WainSigned and dated “Albert Thompson 1877” l.r.Oil on canvas, 14 x 18 in. (35.6 x 45.7 cm), framed.Condition: Retouch, surface grime, craquelure.

$800-1,200

380A

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381.Melbourne Havelock Hardwick (American, 1857-1916)

Autumn LandscapeSigned “MELBOURNE H. HARDWICK” l.r.Oil on canvas, 36 1/2 x 29 in. (92.7 x 73.6 cm), framed.Condition: Retouch, flaking with losses, scattered craquelure.

$1,200-1,800

382.Benjamin Osro Eggleston (American, 1867-1937)

The Wood’s EdgeSigned “BENJAMIN EGGLESTON” l.r.Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed.Condition: Extremely fine scattered craquelure, surface grime.

$1,200-1,800

381

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382A.Ernest Christian Rost (American, 1867-1940)

A Glimpse of the ConnecticutSigned “E C Rost-” l.r., titled and identified on a label affixed to thereverse.Oil on canvas, 30 x 45 in. (76.2 x 114.3 cm), framed.Condition: Craquelure, scattered retouch.

$1,000-1,500

382A

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383.Richard Pauli (American, 1855-1892)

Cottage by the Water’s EdgeSigned “Richard Pauli” l.r.Oil on canvas, 16 x 24 in. (40.6 x 61.0 cm), framed.Condition: Craquelure, retouch, losses, flaking, reinforced signature.

$1,000-1,500

383

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384.Julian Walbridge Rix (American, 1850-1903)

Landscape StudySigned “RIX” l.r., stamped “From the JUL...SALE, MA...1913” on thereverse.Oil on board, 3 1/2 x 4 1/2 in. (8.9 x 11.4 cm), framed.Condition: Scattered retouch, surface grime.

N.B. There was a two-day estate auction of Rix’s work at theAmerican Galleries, New York, on March 10th and 11th, 1913.1 Thepartial stamp on the back indicates that is work was included in thissale.

1. New York Times, “$12,402 for Rix Pictures,” March 11, 1913.$1,200-1,800

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385.American School, 19th Century

Portrait of John Foster Williams Lane as a BoyUnsigned.Oil on canvas mounted on board, sight size 22 1/2 x 16 1/2 in. (57.2 x 41.9 cm),framed.Condition: Retouch, craquelure, surface grime, backing board lined with muslin.

N.B. The subject of this portrait, John Foster Williams Lane (1817-1861), son ofFrederick and Eliza (Bonner) Lane, was born in Boston. He was descended from (andnamed for) John Foster Williams (1743-1814), a Boston-born Naval officer in theRevolutionary War. As a youngster, Lane attended the Boston Latin School. In 1831,his parents, having thought him too young to enter college at the age of 13, sent himto Italy and France for further studies. Lane graduated from Harvard University in1837, where he was elected to the Alpha Chapter of Phi Beta Kappa, and he earnedhis medical degree in 1840. He was awarded the Boylston premium in 1841 for hisdissertation on the relationship between the chemical properties of blood and disease.He became a noted physician, who published on human anatomy and physiology andalso translated medical treatises.1

1. Memorials of The Class of 1837 of Harvard University, prepared for the Fiftieth Anniversary of theirGraduation by the Class Secretary, Henry Williams, pp. 36-37.

$2,500-3,500

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386.Anglo/American School, 19th Century

Portrait of a Boy with BookUnsigned.Oil on canvas mounted to Masonite, 30 x 25 in. (76.2 x 63.5 cm),framed.Condition: Retouch, varnish inconsistencies.

$1,200-1,800

387.American School, 19th Century

Still Life with Fish and ClamsUnsigned.Oil on canvas, 27 1/4 x 22 1/4 in. (69.2 x 56.5 cm), framed.Condition: Lined, craquelure, varnish inconsistencies.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$800-1,200

386

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387A.Harry Smith (American, 19th Century)

Trout and Rod in a LandscapeSigned “Harry Smith” l.l.Oil on board, 14 x 22 in. (35.7 x 55.7 cm), unframed.Condition: Retouch, varnish inconsistencies.

$2,200-2,800

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388.Charles Alfred Meurer (American, 1865-1955)

Trompe l’Oeil Still Life with Currency, Pipe, and PistolSigned and inscribed “CA Meurer Esq./Cincinnati Ohio” within the composition l.c., identified on a presentationplaque, and with a label from J.H. Strauss Art Gallery, New York, on the reverse.Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed.Condition: Craquelure, subtle varnish inconsistencies.

Provenance: Sotheby’s New York, September 14, 1995, lot 24.

N.B. Cincinnati-based artist Charles Meurer painted in the tradition of the American trompe l’oeil masters WilliamMichael Harnett and John Frederick Peto. The artist traced his fascination with trompe l’oeil painting to seeingHarnett’s still lifes at the Cincinnati Industrial Exposition of 1886, and other works by Peto in Cincinnati art galleriesin the 1890s. Born in Germany in 1865 to American parents, Meurer was raised in Tennessee. As a young artisthe received a pivotal commission from Adolph Ochs, editor of the Chattanooga Times, to paint a still lifeincorporating the front page of the paper along with books and other objects relating to the newspaper industry.Successful with the commission, Meurer continued to elaborate on this theme. The artist included paper currencyin many of his still lifes.1

1. Frankenstein, Alfred Victor, After the Hunt; William Harnett and other American still life painters, 1870-1900 [by] Alfred Frankenstein, Rev.ed., Berkeley, University of California Press, 1969.

$12,000-18,000

388

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389.William Preston Phelps (American, 1848-1923)

Headed for the FieldSigned “W. P. Phelps” l.l.Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), in a period frame.Condition: Scattered retouch, mild varnish inconsistencies, surfacerubs, craquelure, surface grime.

$3,000-5,000

389

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390.James Crawford Thom (American, 1835-1898)

The Knife GrinderPartial signature “J.C. Tho...” l.r., identified on a presentation plaque.Oil on canvas, 29 x 23 in. (73.7 x 58.4 cm), framed.Condition: Lined, trimmed canvas (through signature), retouch.

$800-1,200

390

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391.Hugo Breul (American, 1854-1910)

Leisure HourSigned “Hugo Breul” twice l.l., identified on a label affixed to thereverse.Oil on canvas, 47 1/4 x 33 in. (120.0 x 83.8 cm), framed.Condition: Craquelure, losses/abrasions, skinning l.l., canvasdeformations.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$3,000-5,000

391

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392.Henry Bacon (American, 1839-1912)

Outward Bound/A SketchSigned “Bacon” l.r., inscribed and dated “Colorado May 19/71” l.l.Oil on panel, 5 1/4 x 8 1/8 in. (13.3 x 20.6 cm), framed.Condition: Surface grime, retouch.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$1,000-1,500

392A.William Verplanck Birney (American, 1858-1909)

A Break from Child’s PlaySigned and dated “W. Verplanck Birney...” l.r.Oil on canvas, 16 x 12 in. (40.6 x 30.5 cm), framed.Condition: Surface grime, varnish inconsistencies, craquelure.

$800-1,200

392

392A

Page 182: American & European Paintings & Prints

393.American School, 19th Century

Still Life with Ginger JarSigned and dated “L.E. Foote. 1895” l.l.Oil on canvas, 10 x 14 in. (26.7 x 35.6 cm), framed.Condition: Lined, retouch, varnish inconsistencies.

$1,000-1,500

393A.John William Hill (American, 1812–1879)

Lot of Five Bird Studies for Zoology of New York, Part 2, Birds,including The Magpie (pl. 24, fig. 53), The Barn Swallow (pl. 29, fig.64), The Great-crested Kingbird (pl. 32, fig. 70), The Hermit Thrush(pl. 37, fig. 80), and The Green-winged Teal (pl. 112, fig. 249)Each signed “J.W. Hill” l.l., each numbered u.r., and annotated l.c.and on supporting boards.Watercolor and ink on paper laid down onto board, image sizesapproximately 6 3/4 x 4 1/2 in. (17.1 x 11.4 cm), two framed, threeunframed.Condition: Toning, scattered soiling/staining, two not examined out offrames.

$1,800-2,200

393A

393

Page 183: American & European Paintings & Prints

394.Sydney Richmond Burleigh (American, 1853-1931)

Interior of a Country StoreSigned or inscribed “S. R. Burleigh.” l.l., stray watercolor marks andinscription, possibly in the artist’s hand, on the reverse.Watercolor on paper, sight size 9 5/8 x 13 3/4 in. (24.4 x 34.9 cm),framed.Condition: Broad rippling, pale foxing, affixed to window mat withpaper tape verso.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$200-250

395.Emma Levinia Swan (American, 1853-1927)

Still Life with Peach and GrapesSigned “·E L SWAN·” l.r., inscribed “...Nino Scotti” and with a labelfrom Charles G. Calder, Providence, Rhode Island, on the reverse.Oil on canvas, 6 x 8 in. (15.2 x 20.3 cm), framed.Condition: Craquelure, surface grime, retouch.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$600-800

395A.Burr H. Nicholls (American, 1848-1915)

Chickens in the BarnSigned “Burr H. Nicholls” l.l.Oil on canvas, 16 x 12 in. (40.6 x 30.5 cm), framed.Condition: Lined, craquelure, retouch.

$1,000-1,500

395A

394

395

Page 184: American & European Paintings & Prints

396.Frank Henry Shapleigh (American, 1842-1906)

Old Kitchen in Scituate Mass./A Cottage InteriorSigned and dated “F. H. Shapleigh 1885” l.r., inscribed “Old Kitchenin Scituate Mass. by F H Shapleigh” on the lining canvas and“SHAPLEIGH, F.H. ‘OLD KITCHEN IN SCITUATE MASS.’...” on thestretcher.Oil on canvas, 10 1/4 x 16 1/8 in. (26.0 x 41.0 cm), framed.Condition: Lined with tape to tacking edge, retouch, varnishinconsistencies, craquelure (small area of lifting c.r.).

$3,000-5,000

397.Walter J. Sherwood (American, b. 1865)

The Workroom of the Henri Dore Studio, Cheapside Building,Providence, Rhode Island, c. 1927Signed “W. Sherwood” l.l., identified on a note affixed to the reverse.Oil on canvas, 14 1/4 x 16 3/4 in. (36.2 x 42.5 cm), framed.Condition: Surface grime, craquelure, canvas deformations,abrasions, losses.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$400-600

397

396

Page 185: American & European Paintings & Prints

397A

397A.Walter Gay (American, 1856-1937)

La Porte Ouverte, Chateau du BreauSigned “Walter Gay” l.r., titled on a label affixed to the backing.Watercolor and graphite on paper, sight size 21 x 17 1/2 in. (53.3 x44.4 cm), framed.Condition: Not examined out of frame.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasuryunder President Harding), Boston, Massachusetts; then by descentwithin the family.

$4,000-6,000

Page 186: American & European Paintings & Prints

397B.Walter Gay (American, 1856-1937)

Antichambre, Chateau du SaussaySigned “Walter Gay” l.r., titled and inscribed “...appartenant a laComtesse de Bourbon-Busse [sic] nee de Colbert” and “...Mrs.Walter Gay May 10th 1980- at 180 Marlboro St...,” on labels in laterhands affixed to the backing.Watercolor and graphite on paper, sight size 10 x 12 3/4 in. (25.4 x32.4 cm), framed.Condition: Not examined out of frame.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasuryunder President Harding), Boston, Massachusetts; then by descentwithin the family.

$4,000-6,000

397B

Page 187: American & European Paintings & Prints

398.Walter Gay (American, 1856-1937)

View of a French InteriorSigned “Walter Gay” l.r., with labels from R. Lerondelle and E.Bourdier, Paris, affixed to the backing.Watercolor on paper, sight size 18 x 22 in. (45.7 x 55.9 cm), framed.Condition: Not examined out of frame.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasuryunder President Harding), Boston, Massachusetts; then by descentwithin the family.

$7,000-9,000

398

Page 188: American & European Paintings & Prints

398A.Abbott Fuller Graves (American, 1859-1936)

Still Life with RosesSigned “Graves” l.r., inscribed “THIS FLOWER PIECE WASPRESENTED BY THE ARTIST ABBOTT GRAVES TO MR AND MRSEDWARD J. EGAN ABOUT 1891” on the stretcher.Oil on canvas, 18 x 30 in. (45.7 x 76.2 cm), framed.Condition: Craquelure, patch reinforcement, retouch, varnishinconsistencies.

$12,000-18,000

398A

Page 189: American & European Paintings & Prints

399.William Merritt Chase (American, 1849-1916)

Still Life: Fruit, alternatively titled Fruit and Porcelain, c. 1908Signed “Wm M Chase.” l.l., identified on labels from the Corcoran Gallery of Art, Bernard and S. Dean Levy, NewYork, and Maxwell Galleries, San Francisco, affixed to the backing.Oil on canvas, 29 x 36 in. (73.6 x 91.4 cm), framed.Condition: Lined, retouch, fine craquelure.

Exhibitions: Summer’s Lease, Corcoran Gallery of Art, June 13 to August 31, 1972, Ex-collection of Mr. and Mrs.Joseph H. Hennage; William Merritt Chase Memorial Exhibition, The Metropolitan Museum of Art, New York,February 19 to March 18, 1917, No. 30 (lent by Content Johnson); Exhibition of Paintings by William MerrittChase, National Arts Club, New York, January 5 to 13, 1910, No. 86 (lent by Content Johnson).

N.B. We wish to thank D. Frederick Baker for confirming the authenticity of the present work, and for hisassistance with cataloguing the lot. The work is included in Ronald G. Pisano’s The Complete Catalogue ofKnown and Documented Work by William Merritt Chase (1849-1916), Vol. 4 (Yale University Press, 2010, SL.127).According to Baker, “the work was either purchased by Content Aline Johnson from Chase, or more likely given bythe artist to Johnson, a student of Chase’s and close friend of the Chase family. Chase’s youngest daughter, MaryContent Johnson, born 1903, was named after Content Johnson. The painting is one of several by Chase thatwere owned by Miss Johnson, whose portrait was painted by Chase, ca. 1902.”

$30,000-50,000

399

Page 190: American & European Paintings & Prints

400.Ciro Mazini (Italian, 19th/20th Century)

The Cloth Merchant/An Oriental InteriorSigned and inscribed “Mazini Cairo” l.l.Watercolor and graphite on paper/board, sight size 12 1/2 x 19 in.(31.8 x 48.3 cm), framed.Condition: Not examined out of frame.

$800-1,200

400

Page 191: American & European Paintings & Prints

401.Adolf Schreyer (German, 1828-1899)

Arab HorsemenSigned “Ad. Schreyer” l.r.Oil on canvas, 23 1/2 x 33 in. (59.7 x 83.8 cm), framed.Condition: Lined, subtle canvas deformations, subtle retouch.

N.B. We wish to thank Dr. Christoph Andreas, who has kindly confirmed the authenticity of the lot.

Noted Orientalist and genre painter Adolf Schreyer (also referred to as Christian Adolf Schreyer) was born in Frankfurt,Germany, in 1828. After early education at the Institut Staedel in Frankfurt, he studied at the Academy in Düsseldorf,then settled in Vienna in 1849. During the Crimean War (1853-1856) Schreyer followed the Austrian Army through theWallachian frontier as a sketch artist.1 Schreyer went on to study in Paris and North Africa. In 1859 he traveledextensively in Egypt and Syria, learning Arabic and immersing himself in the culture, and in 1861 he visited Algiers. From1862 to 1870, Schreyer lived in Paris. He returned to Frankfurt in 1871. He was a member of the Academies inAmsterdam and Rotterdam. His works were awarded medals in Paris in 1864, 1865 and 1867, and in Munich in 1876.Schreyer died in Kronberg in 1899.

Schreyer painted the landscape and culture of foreign lands, from Russia to North Africa. His travels brought himinspiration and also gave his work authenticity. He is regarded as a great painter of horses in all their aspects.2 Hisworks, well-conceived compositions, brilliantly colored and vigorously painted, were very popular in his time, and werefound in European and American private collections. Schreyer’s paintings are found today in major museums in Europeand the United States, including museums in Frankfurt, Cologne, Hamburg, Paris, Boston, and San Francisco.

1. E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, Librairie Grund, 1976., Vol. IX, p. 439-440.

2. http://encyclopedia.jrank.org/SAR_SCY/SCHREYER_ADOLF_1828_1899_.html, originally appearing in Volume V24, p. 378 of the 1911Encyclopedia Britannica.

$20,000-30,000

401

Page 192: American & European Paintings & Prints

402.Marco Grubas (Italian, 1839-1910)

Lot of Two Venetian Views of San Giorgio Maggiore, Saint Mark’sSquare and Palazzo Santa Sofia, c. 1890Signed “M. Grubas” l.l., identified on labels and export stamped“...zum Ausfuhr freigegeben” on the reverse.Oil on panel, 5 1/2 x 10 1/4 in. (14.0 x 26.0 cm), framed.Condition: Surface grime.

$1,500-2,500

403.Paul Vernon (French, 1796-1875)

Coastal Scene with Fishing BoatsSigned “Paul Vernon” l.r., with a partial label from H. L. Ross ofPhiladelphia on the stretcher.Oil on canvas mounted to rigid support, 14 x 24 in. (35.5 x 61.0 cm),framed.Condition: Lined support, retouch, craquelure.

$2,000-3,000

402

403

Page 193: American & European Paintings & Prints

404.Martin Rico y Ortega (Spanish, 1833-1908)

Calle Dietro il CampanileSigned “RICO” l.l., identified within the composition.Watercolor and graphite on paper, sight size 13 1/4 x 20 3/4 in. (33.6x 52.5 cm), framed.Condition: Unobtrusive toning, staining, not examined out of frame.

$4,000-6,000

405.Charles Rowbotham (British, 1856-1921)

Italian Coastal ViewSigned “Chas Rowbotham.” l.r.Gouache on paper/board, sight size 9 x 19 3/4 in. (22.8 x 50.1 cm),framed.Condition: Toning, not examined out of frame.

$1,800-2,200

404

405

Page 194: American & European Paintings & Prints

406.Arthur J. Hammond (American, 1875-1947)

North Dome, YosemiteSigned “AJHammond” l.r., inscribed “North Dome...” and identified ona label from Vose Galleries, Boston, on the reverse.Oil on board, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Surface grime, craquelure, retouch.

$1,500-2,000

406A.Sheldon Parsons (American, 1866-1943)

Desert BloomSigned “-SHELDON PARSONS-” l.l., dated “Sept. 14” on the reverse.Oil on artist board, 9 x 12 in. (22.9 x 30.5 cm), framed.Condition: Surface grime, subtle bowing to board.

$1,000-1,500

406

406A

Page 195: American & European Paintings & Prints

407.Charles Furneaux (American, 1835-1913)

View of a Volcanic Eruption, Purportedly Kilauea Caldera on Mauna Loa, c. 1886Signed and dated “C. Furn.../188...” l.r.Mixed media on paper mounted to Masonite, 22 3/8 x 50 1/2 in. (56.8 x 128.3 cm),framed (without glass).Condition: Surface dust.

Provenance: Purportedly given as a gift from the artist to King David Kalakaua anddisplayed at the Iolani Palace; to the collection of Albert Solomon, Jr. and HarrietSolomon, former owners of the Kamuela Museum, Waimea, Hawaii, by descent in theSolomon family, and through to the present owners.

N.B. Although Furneaux was born and raised in Greater Boston, he is best known forhis work in Hawaii. In 1880, Furneuax traveled to Hawaii on the advice of, and as acompanion to William T. Bingham. The artist was immediately struck by the grandeur ofthe volcanoes, and made numerous sketches on site of lava flows and eruptions, againencouraged by Bingham who was a gentleman scientist and devoted student ofvolcanoes. Furneaux’s success garnered him commissions from King Kalakaua. Whilesome of these were landscapes, many were portraits. Furneaux spent the rest of his lifein Hawaii as a painter, teacher and coffee farmer.

$25,000-35,000

407

Page 196: American & European Paintings & Prints

408.Tim Solliday (American, b. 1952)

Two Native Americans in a CanoeSigned “Tim Solliday” l.l.Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), framed.Condition: Good.

N.B. We wish to thank the artist for his assistance with cataloguingthis lot.

$1,000-1,500

409.Ila Mae McAfee (American, 1897-1995)

Portrait of a Taos Pueblo Woman on HorsebackSigned and dated “Ila McAfee 1933” l.l.Oil on Masonite, 9 1/2 x 6 in. (24.1 x 15.2 cm), framed.Condition: Surface grime.

$1,000-1,500

409A.Paul Surber (American, b. 1942)

Indian EncampmentSigned “PAUL SURBER” l.r., with a label from Glacier Gallery,Kalispell, Montana, on the backing.Gouache on paper, sight size 7 3/8 x 11 1/2 in. (18.7 x 29.2 cm),framed (without glass).Condition: Very minor surface grime and abrasions, not examinedout of the frame.

$800-1,200

409A408

409

Page 197: American & European Paintings & Prints

410.Elling William (Bill) Gollings (American, 1878-1932)

Squaw/Landscape with Native American on HorsebackSigned "Gollings..." l.l., titled and inscribed "...M.H." on the reverse.Oil on canvas, 7 x 10 in. (17.8 x 25.4 cm), framed.Condition: Surface grime, minor craquelure, pigment fluorescence.

Provenance: Private collection, New Mexico.

N.B. By Golling’s account, his most vivid childhood memoriesrecalled ranch life, either on his grandmother's farm near St. Johns,Michigan, or his father’s homestead in Lewiston, Idaho.1 Though hisinterest in drawing Western subjects had been sparked as a child byhis older brother Oliver, he did not attempt it until junior high when hebegan to follow the work of Frederick Remington.2 At the age ofeighteen, along with a friend who also had the “western fever,”Gollings boarded a railcar from Chicago to the Great Plains state ofSouth Dakota, under an assumed name and misuse of a “drover'spass” (which allowed livestock caretakers to a free return fare).3

Gollings and his friend traveled through South Dakota and Nebraskawhere they worked seasonal jobs as ranch hands, and eventuallyGollings settled on his own in Montana, near the Northern CheyenneIndian Reservation.4 Gollings began painting in 1903 when heacquired some oil paints through the Montgomery Ward & Company

catalogue.5 Golling's brother DeWitt acted as his promoter, firstpitching his works locally and then in Chicago. After some successfulsales and favorable press, on the encouragement of his brother,Gollings attended The Chicago Academy of Fine Arts (now theSchool of the Art Institute of Chicago). After his schooling, Gollingsreturned to Sheridan, Wyoming, where he continued to work as acowhand, painting intermittently. By 1909, Gollings devoted himselfto art in earnest, building a studio, marketing his own works, andattending art exhibits.6

1. Scherger, R.H. (Bob), “Paint Bill: Elling W. Gollings, Working Cowboy and UnsungArtist, Finally Emerges From Some Self-Imposed Shadows,” Montana: The Magazineof Western History, Volume 15, No. 2, (Spring 1965), Montana Historical Society, pp.72-75.

2. Ibid., 76.

3. Ibid.

4. Ibid., 71, 79.

5. Ibid.

6. Ibid., 81-84.$30,000-50,000

410

Page 198: American & European Paintings & Prints

411.Earl Wesley Bascom (American, 1906-1995)

Rodeo’s First Hornless Bronc SaddleSigned, titled, and dated “...DESIGNED AND MADE BY EARLW. BASCOM/IN 1922/© 1982 EARL W. BASCOM.” andnumbered “23-100” within the cast on the base.Bronze, 11 1/2 x 9 3/4 x 7 1/4 in. (29.2 x 24.8 x 18.4 cm),mounted to a wooden plinth.Condition: Surface dust.

N.B. A certificate from John A. Bascom, son and trustee forthe Estate of Earl W. Bascom, accompanies the lot.

$2,000-3,000

412.Tim Solliday (American, b. 1952)

Through the Snow, alternatively titled The MountainmanSigned “Tim Solliday” l.r., titled, inscribed, and dated “...UOG-70...1983” on the reverse.Oil on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.Condition: Good.

N.B. We wish to thank the artist for his assistance withcataloguing this lot.

$1,000-1,500

411

412

Page 199: American & European Paintings & Prints

413.Earl Wesley Bascom (American, 1906-1995)

Five Minutes to MidnightSigned, numbered, and dated “AMIII... EARL W. BASCOM/© 1982”in the cast on the base.Bronze with dark brown patina, approximately 18 x 19 x 9 1/2 in.(45.7 x 48.3 x 24.1 cm), mounted to a wooden plinth.Condition: Surface dust.

N.B. A certificate from John A. Bascom, son and trustee for theEstate of Earl W. Bascom, accompanies the lot.

$5,000-7,000

413

Page 200: American & European Paintings & Prints

414.Aiden Lassell Ripley (American, 1896-1969)

TimberdoodlesUnsigned, graphite sketch of a hunting scene on the reverse, artistidentified on a label from The Guild of Boston Artists affixed to thereverse.Watercolor with graphite on board, sight size 8 3/8 x 6 3/8 in. (21.3 x16.2 cm), framed.Condition: Toning, soiling/staining, mild wear to edges.

$1,000-2,000

415.Aiden Lassell Ripley (American, 1896-1969)

The HuntUnsigned, pencil sketch of hunting scene on the reverse, artistidentified on a label from The Guild of Boston Artists affixed to thereverse.Watercolor with gouache and graphite on paper, sight size 5 7/8 x 93/4 in. (14.9 x 24.8 cm), framed.Condition: Extremely subtle toning, pinholes, possibly adhered orhinged to back mat along the top edge.

$2,000-3,000

415

414

Page 201: American & European Paintings & Prints

416.Aiden Lassell Ripley (American, 1896-1969)

View with Ruffled GrouseSigned and inscribed “Sketch A. Lassell Ripley” on the reverse,identified on a label affixed to the backing.Gouache, charcoal, and graphite on paper/board, 12 1/8 x 17 1/8 in.(30.8 x 43.5 cm), framed.Condition: Brown gum taped to window mat, gridded composition.

$1,000-1,500

417.Frank Vining Smith (American, 1879-1967)

White Tipped Coots, alternatively titled Sea FowlSigned “Frank Vining Smith” l.l. and l.r., titled and inscribed “Propertyof/Mildred L. Justice/June 1963” on the reverse.Oil on canvasboard, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Surface grime, varnish inconsistencies.

Provenance: Ex-collection of Mildred L. Justice, Hingham,Massachusetts.

$5,000-7,000

416

417

Page 202: American & European Paintings & Prints

418.Charles Albert Burlingame (American, 1860-1930)

View of a Pond on a Breezy DaySigned and dated “CA Burlingame 02” l.r.Oil on panel, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Minor skinning, retouch, varnish inconsistencies, signaturereinforced.

$1,200-1,800

419.Ferenc Olgyai (Hungarian, 1872-1939)

Rose Trees by the LakeSigned “Olgyai F.” l.r., identified on a label on the reverse.Oil on canvas, 23 3/4 x 21 1/2 in. (60.3 x 54.6 cm), framed.Condition: Craquelure, subtle canvas deformations, surface grime,alligatoring.

$800-1,200

418

419

Page 203: American & European Paintings & Prints

420.Hubert Vos (Dutch/American, 1855-1935)

Wooded PondSigned and dated “Hubert/VOS 1913” l.l.Oil on canvas, sight size 20 7/8 x 28 1/4 in. (53.0 x 72.0 cm), framed.Condition: Good.

$1,500-2,000

420

Page 204: American & European Paintings & Prints

421.Elizabeth Boardman Warren (American, 1886-1980)

Lot of Two Landscapes: Landscape with Stream and Beach atDuskStream signed and dated “E B Warren 1903” l.l., Beach signed “E.B.Warren” l.l.Watercolor and gouache on paper/board, sight sizes to 8 3/4 x 131/2 in. (22.2 x 34.3 cm), framed.Condition: Beach with rippling, toning, foxing, both not examined outof frames.

$1,800-2,200

422.Wayne Beam Morrell (American, b. 1923)

Spring Meadows Weathersfield [sic], Conn., alternatively titledMarshes in the Spring, 1963Signed and dated “1963 WAYNE MORRELL” l.l., inscribed, titled, andsigned “...by Wayne Morrell...” on the backing.Watercolor and pastel on paper, sight size 17 x 23 in. (43.2 x 58.4cm), framed.Condition: Subtle rippling, not examined out of frame.

N.B. A copy of the monograph The Morrell Sketches: Quick...theSpeed of Light is Faster than my Pen! by Wayne and Lisa Morrell,published by the Wayne Morrell Gallery, Rockport, accompanies thelot.

$300-500

422

421

Page 205: American & European Paintings & Prints

423.Hugh Bolton Jones (American, 1848-1927)

Landscape with StreamSigned “H. BOLTON JONES” l.r. identified on two labels from theDawson Gallery, Annapolis, Maryland, affixed to the reverse.Oil on board, 9 x 14 in. (22.9 x 35.6 cm), framed.Condition: Support mounted onto Masonite, retouch (includingrepairs to corners), varnish inconsistencies, surface grime.

$2,500-3,000

424.Thomas Jefferson Willison (American, 1864-1940)

Fields and StreamMonogram signature “TJWillison” l.l.Oil on board, 6 x 9 1/4 in. (15.2 x 23.4 cm), framed (under glass).Condition: Scattered retouch, mild surface grime.

$300-500

423

424

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425

426 (2 of 3)

425.Harold Broadfield Warren (American, 1859-1934)

View of the Homestead in Westminster, Possibly VermontSigned and dated “H.B. WARREN 1903” l.r.Watercolor on paper, 9 3/4 x 13 3/4 in. (24.8 x 34.9 cm), framed.Condition: Not examined out of frame.

N.B. A handwritten letter dated July 2, 1903, from the artist inDorset, Vermont, to his cousin Henry, regarding the present work,accompanies the lot.

$1,000-1,500

426.Eric L. (Frederic) Pape (American, 1870-1938)

Lot of Three Views of The Plains, Manchester-by-the-Sea, Homeof Eric PapeTwo signed and dated “Eric Pape 1925” and one signed and dated“Eric Pape 25” in pencil l.r., each stamped “ESTATE OF Eric Pape1870-1938” and identified on the backing.Graphite on paper, sight sizes to 17 3/4 x 12 in. (45.1 x 30.5 cm),framed.Condition: Not examined out of frames.

$800-1,200

Page 207: American & European Paintings & Prints

427

427.Attributed to Paul Cornoyer (American, 1864-1923)

Landscape with Sheep by a RiverIncised “PAU...” l.l., a plaque from Foster Brothers, Boston, affixed tothe reverse.Oil on board, 8 x 10 in. (20.3 x 25.4 cm), framed.Condition: Surface grime, varnish inconsistencies.

Provenance: Through the family of Mr. and Mrs. Francis J. Oakes,Jr., Brookline, Massachusetts, by family descent.

$1,000-1,500

Page 208: American & European Paintings & Prints

428.Carl Gordon Cutler (American, 1873-1945)

Scrub Pines with BoulderSigned “Carl G. Cutler” in colored pencil l.r., titled in a later hand onthe backing.Watercolor and conté crayon on paper, sight size 16 5/8 x 24 1/2 in.(42.2 x 62.2 cm), framed.Condition: Subtle rippling, not examined out of frame.

$700-900

429.Carl Gordon Cutler (American, 1873-1945)

Lily PadsSigned “Carl G. Cutler” in colored pencil l.r., titled in a later hand onthe backing.Watercolor and conté crayon on paper, sight size 18 5/8 x 24 in.(47.3 x 61.0 cm), framed.Condition: Subtle rippling, not examined out of frame.

$700-900

428

429

Page 209: American & European Paintings & Prints

430.Carl Gordon Cutler (American, 1873-1945)

Dead PinesSigned “Carl G. Cutler” l.l., titled in a later hand on the backing.Watercolor and graphite on paper, sight size 20 3/4 x 14 in. (52.7 x35.6 cm), framed.Condition: Subtle rippling, not examined out of frame.

$600-800

431.Carl Gordon Cutler (American, 1873-1945)

Quarry Stones, #2Signed “Carl G. Cutler” in colored pencil l.r., titled in a later hand onbacking.Watercolor and conté crayon on paper, sight size 16 1/2 x 25 in.(41.9 x 63.5 cm), framed.Condition: Subtle rippling, not examined out of frame.

$800-1,200

431

430

Page 210: American & European Paintings & Prints

432.Wayne Beam Morrell (American, b. 1923)

Cape Ann Lou-Striffe [sic] PondSigned and dated “-1987 WAYNE MORRELL-” l.r., dedicated, titled,inscribed, and signed “...Aug. 1987/One of my very finest oils byWayne Morrell” on the reverse.Oil on Masonite, 30 x 40 in. (76.2 x 101.6 cm), framed.Condition: Pigment fluorescence.

$3,000-5,000

433.Wayne Beam Morrell (American, b. 1923)

The Apple TreeIncised signature “WAYNE MORRELL” l.l.Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Good.

$1,000-1,500

432

433

Page 211: American & European Paintings & Prints

434.John Joseph Enneking (American, 1841-1916)

The Summer ForestSigned and dated “Enneking 90” l.r.Oil on artist board, 10 x 14 in. (25.4 x 35.6 cm), framed.Condition: Minor losses/abrasions to margins.

N.B. The work is registered in the Catalogue Raisonné of John J.Enneking by Patricia Jobe Pierce as number IV-A-255.

$1,500-2,500

435.Wayne Beam Morrell (American, b. 1923)

Tital [sic] Marsh Morning Mist, 1972Signed “WAYNE MORRELL” l.l., titled, inscribed, and dated “...JUNE1972” on the reverse.Oil on canvas, 18 1/4 x 24 in. (46.4 x 61.0 cm), framed.Condition: Good.

$1,800-2,200

434

435

Page 212: American & European Paintings & Prints

436.Emile Albert Gruppé (American, 1896-1978)

Rainy Day, VermontSigned “Emile A. Gruppé” l.r., titled and inscribed “...by Emile A.Gruppé” on the stretcher.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Minor surface grime.

$7,000-9,000

436

Page 213: American & European Paintings & Prints

437.Aldro Thompson Hibbard (American, 1886-1972)

Vermont Valley/An Autumn LandscapeSigned “A.T. Hibbard” l.l., inscribed and titled “4X-56...” on thereverse.Oil on canvas, 20 x 23 3/4 in. (50.8 x 60.3 cm), framed.Condition: Minor abrasions and surface grime, craquelure, pigmentfluorescence.

$8,000-12,000

437

Page 214: American & European Paintings & Prints

438.Ludwig Munninger (German, 20th Century)

Sunset on the LakeIncised signature “L. Munninger” l.l.Oil on canvas, 31 3/4 x 23 3/4 in. (61.0 x 60.3 cm), framed.Condition: Good.

$1,000-1,500

439.George Gardner Symons (American, 1863-1930)

View by a LakeInitialed “G.S.” l.r.Oil on artist board, 10 x 12 in. (25.4 x 30.5 cm), framed.Condition: Retouch.

$1,500-2,500

438

439

Page 215: American & European Paintings & Prints

440.Wayne Beam Morrell (American, b. 1923)

La Haska [sic] Pond, Pa., 1978Signed “WAYNE MORRELL” l.l., titled, inscribed, and dated “...Spring1978” on the reverse, inscribed “Pond in Ipswich, Mass 1979 byWayne Morrell” in a later hand on the backing.Oil on artist board, 22 x 30 in. (55.9 x 76.2 cm), framed.Condition: Minor surface grime.

$1,200-1,800

441.Stanley Wingate Woodward (American, 1890-1970)

Landscape with BarnSigned “St. Woodward” l.l.Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Surface grime.

$800-1,200

440

441

Page 216: American & European Paintings & Prints

442.Thomas R. Curtin (American, 1899-1977)

Autumn BirchesSigned “Thos. R. Curtin” l.r.Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.Condition: Craquelure, surface grime.

$1,000-1,500

443.Stanislaw Clastrier (French, 19th/20th Century)

Morning MistSigned “S. CLASTRIER·” l.r.Oil on canvas, 24 x 19 1/2 in. (61.0 x 49.5 cm), framed.Condition: Lined, retouch, craquelure.

$800-1,200

442

443

Page 217: American & European Paintings & Prints

443A.Paul Strisik (American, 1918-1998)

Autumn MantleSigned “P. Strisik” l.r., inscribed and titled “...#0-338” and stamped“PAUL STRISIK/10 MAIN STREET/ROCKPORT, MASS. 01966” and“REPRODUCTION RIGHTS RESERVED BY THE ARTIST” on thereverse.Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Good.

$1,000-1,500

443A

Page 218: American & European Paintings & Prints

444.Eric Sloane (American, 1905-1985)

The Old Covered Bridge in AutumnSigned “Eric Sloane” l.r.Oil on Masonite, 24 x 35 3/4 in. (61.0 x 90.8 cm), framed.Condition: Minor losses/abrasions along margins, surface grime,pigment fluorescence.

Provenance: From the artist to a member of the Rolls-Royce Owner’sClub (RROC), Connecticut; by family descent to a private NewEngland collection.

$10,000-15,000

444

Page 219: American & European Paintings & Prints

445.Sydney Richmond Burleigh (American, 1853-1931)

Autumn LandscapeSigned “S. R. Burleigh” l.r., a label from John W. Auty, Providence,Rhode Island, affixed to the reverse.Watercolor on paper/board, sight size 9 7/8 x 14 1/8 in. (25.0 x 35.9cm), framed.Condition: Mild foxing and toning, some subtle fading, not examinedout of frame.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$200-250

446.Pierre Emmanuel Damoye (French, 1847-1916)

Marais à ArleauxSigned, inscribed, and dated “Damoye Paris 93” l.l., identified onlabels on the reverse.Oil on canvas, 25 1/2 x 15 3/4 in. (64.8 x 40.0 cm), framed.Condition: Lined, retouch, craquelure.

$1,200-1,800

445

446

Page 220: American & European Paintings & Prints

447.Aldro Thompson Hibbard (American, 1886-1972)

Vermont Mountains at DuskSigned “A.T. Hibbard” l.r., stamped “REPRODUCTION RIGHTSRESERVED” on the reverse and inscribed, probably in a later hand,on the reverse.Oil on canvas mounted onto board, 17 x 19 3/4 in. (43.2 x 50.2 cm),framed.Condition: Mild surface grime.

$6,000-8,000

447

Page 221: American & European Paintings & Prints

448.Aldro Thompson Hibbard (American, 1886-1972)

Vermont Valley/A Winter LandscapeSigned “A.T. Hibbard.” l.r., inscribed, titled, and stamped “#9...REPRODUCTION RIGHTS RESERVED” on thereverse.Oil on canvas, 24 x 36 in. (61.0 x 91.5 cm), framed.Condition: Craquelure.

N.B. Aldro Hibbard was born in Falmouth, Massachusetts, in 1886, and grew up in Dorchester. A gifted artist, hediscovered his love of painting at an early age. He attended the Massachusetts Normal Art School and then theSchool of the Museum of Fine Arts where he studied with Edmund Tarbell, Frank Benson, and Joseph DeCamp, andwas awarded the prestigious Paige Traveling Scholarship (1913-15) for study in Europe. With the onset of WorldWar I, Hibbard returned to the United States, settling for a time in Provincetown. He relocated to Rockport in 1920,where he became very active in the art community. He and a group of other artists founded The Rockport ArtAssociation at a meeting in his studio in 1921. Hibbard was also a Founding Member and Director of the RockportArt Association (MA) Summer School of Drawing and Painting (1921-1928). Especially well regarded for his snowscenes, Hibbard spent a great deal of time Vermont, where he painted out-of-doors throughout the winter.

$12,000-18,000

448

Page 222: American & European Paintings & Prints

449.John Fabian Carlson (American, 1874-1945)

Winter... the WoodSigned “John F. Carlson” l.l., identified on a label from Henry M. Tochaffixed to the reverse.Oil on canvas mounted onto board, 8 1/4 x 10 1/2 in. (21.0 x 26.7cm), framed (under glass).Condition: Supporting board mounted onto Masonite, mild surfacegrime.

$2,500-3,500

449

Page 223: American & European Paintings & Prints

450.Aldro Thompson Hibbard (American, 1886-1972)

Winter StreamSigned “A.T. Hibbard” l.l., inscribed “8X26” in marker and with a labelfrom the A.T. Hibbard Collection, Ledgendsea Gallery, Rockport,Massachusetts, on the reverse.Oil on canvas mounted to Masonite, 16 3/4 x 21 in. (42.5 x 53.3 cm),framed.Condition: Very minor surface grime.

$5,000-7,000

450

Page 224: American & European Paintings & Prints

451.Carroll Leja Nichols (American, b. 1882)

Stream in WinterSigned “C.L. NICHOLS” l.l.Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm), framed.Condition: Retouch, patch reinforcements.

$3,000-5,000

451

Page 225: American & European Paintings & Prints

452.Churchill Ettinger (American, 1903-1984)

Out of the Chute-StrattonSigned “Churchill Ettinger” l.l., titled and with a label from Alice andWin Dibble, Shoreham, Vermont, on the backing.Watercolor and graphite on paper, 14 x 20 in. (35.6 x 50.8 cm),framed.Condition: Not examined out of frame.

$1,000-1,500

453.Frank Townsend Hutchens (American, 1869-1937)

An Ice Bound BrookSigned “Frank T. Hutchens” l.r., titled and inscribed “...FrankTownsend Hutchens/for...Elizabeth” on a label affixed to the stretcher.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Surface grime, retouch, lined, craquelure.

$1,200-1,800

452

453

Page 226: American & European Paintings & Prints

454.Robert Shaw Wesson (American, 1902-1967)

Winter Village at Tunbridge V.T.Signed “Robert Wesson” l.r., titled, signed, and dated “...RobertWesson 51” on the reverse.Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.Condition: Craquelure, varnish inconsistencies, surface grime.

$1,200-1,800

455.Paul Starrett Sample (American, 1896-1974)

Farm in SnowSigned “PAUL SAMPLE” l.r.Watercolor on paper/board, sight size 13 1/8 x 20 1/4 in. (33.3 x 51.4cm), framed.Condition: Not examined out of frame.

$2,500-3,500

454

455

Page 227: American & European Paintings & Prints

456.Robert Strong Woodward (American, 1885-1957)

Red Farm in Winter, alternatively titled Under the HillSigned and dated “Robert Strong Woodward...” l.l., identified on a presentation plaque.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Lined, retouch, craquelure.

N.B. Robert Strong Woodward was born in Northampton, Massachusetts, and lived in the area ofShelburne Falls and Buckland, where this landscape was painted. Red Barn in Winter is also known by analternate title, Under the Hill. Woodward kept a diary of his artwork and a scrapbook of newspaper andmagazine clippings. He described this painting in his diary, “Painted circa 1925. Winter view of the presentPeltier house (next to the ‘Lightning Splitter’) where the S.F.- -Buckland Road crosses the Clessons River(about halfway between S.F. and Buckland). Little dark red farm house under a tall slender elm, backed bythe rounded mountain dome and shoulder of the hill back of Leon Goodnow’s. This canvas was boughtfrom one of my early Boston exhibitions by Miss Eugenia B. Frothingham of Marlboro St. Boston.”1 There isa second, slightly later version of this painting, whereabouts unknown. Dr. Mark L. Purington, Jr., a lifelongfriend of the artist, created a website in 2002 to catalog, document, and preserve information about the lifeand work of Robert Strong Woodward.

1. From the artist’s diary, as transcribed on the Web site http://www.robertstrongwoodward.com/Gallery/u/1u.htm$4,000-6,000

456

Page 228: American & European Paintings & Prints

457.Carl Frederick Gaertner (American, 1898-1952)

October SnowSigned and dated “CARL GAERTNER/1945” l.r., inscribed “...104...”and identified on labels, including one from the Ohio Water ColorSociety Twenty-second Annual Circuit Exhibition, on the reverse.Watercolor and gouache on Masonite, sight size 22 x 30 in. (55.9 x76.2 cm), framed (under glass).Condition: Not examined out of frame.

$1,000-1,500

457

Page 229: American & European Paintings & Prints

458.Svend Rasmussen Svendsen (Norwegian/American, 1864-1945)

Country Road in WinterSigned “SVEND SVENDSEN.” l.r.Oil on canvas, 15 3/4 x 20 in. (40.0 x 50.8 cm), framed.Condition: Surface grime.

$1,000-1,500

459.Otto Bierhals (American, 1879-1944)

Winter View Through the GroveSigned “OTTO BIERHALS” l.r.Oil on Masonite, 17 x 22 in. (43.2 x 55.9 cm), framed.Condition: Surface grime.

$800-1,200

458

459

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460.Wayne Beam Morrell (American, b. 1923)

Vermont Mts. Near Middlebury Vermont, April 6 - 1987Signed “WAYNE MORRELL” l.l., dedicated, titled, signed, dated, andinscribed “To Our Good Friends EDITH & HENRY ROCK...by WAYNEMORRELL, 1987, ‘One of my Finer Vermont Snow Scenes’” on thereverse, identified on a label affixed to the reverse.Oil on Masonite, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Pigment fluorescence, surface grime.

$1,200-1,800

461.Bernard Corey (American, 1914-2000)

Winter LandscapeUnsigned, identified on a label from Royka’s Fine Art “From the Estateof Bernard Corey... This is an original work by Bernard Corey/Certifiedby Paul A. Royka/Paul A. Royka R525“ verso, estate stamps on thereverse.Oil on canvas, 12 x 16 in. (30.4 x 40.5 cm), framed.Condition: Good.

$700-900

460

461

Page 231: American & European Paintings & Prints

462.Emile Albert Gruppé (American, 1896-1978)

First Snow VermontSigned “Emile A. Gruppé” l.r., titled and inscribed “...by Emile A.Gruppé” on the stretcher.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Surface grime, craquelure.

$7,000-9,000

462

Page 232: American & European Paintings & Prints

463.Lawrence Nelson Wilbur (American, 1897-1988)

Rocky Coastal View with GullsSigned “LAWRENCE WILBUR” l.l.Oil on canvas, 27 x 36 in. (68.6 x 91.4 cm), framed.Condition: Craquelure, surface grime, pigment fluorescence.

$1,000-1,500

464.Paul Lauritz (Norwegian/American, 1889-1975)

After the Storm, CarmelSigned “PAUL LAURITZ” l.r., titled on a label on the back of the frameand on the stretcher.Oil on canvas, 26 x 39 in. (66.0 x 99.0 cm), framed.Condition: Surface grime, craquelure, stain on back of canvas.

N.B. A brochure about the artist is tacked to the back of the frame.

Provenance: Bonhams & Butterfields, San Francisco, December 8,2004, Lot 242.

$2,000-3,000

463

464

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465.John Whorf (American, 1903-1959)

Rolling Surf on a Rocky ShoalSigned “John Whorf.” in pen l.r.Watercolor on paper, 14 1/2 x 21 1/4 in. (36.8 x 54.0 cm), framed.Condition: Not examined out of frame.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasuryunder President Harding), Boston, Massachusetts; then by descentwithin the family.

$3,000-5,000

466.Roger William Curtis (American, 1910-2000)

Cape Ann ShoreSigned “Roger Curtis” l.r., identified on a label from North Shore ArtsAssociation Silent Auction affixed to the reverse.Oil on Masonite, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Minor surface grime.

$800-1,200

465

466

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467.Harry A. Neyland (American, 1877-1958)

The Lone Gate, Appledore Island, Isles of Shoals, NewHampshireSigned and dated “Harry Neyland. 07” l.r., titled “the loan [sic] gate...”on the reverse.Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.Condition: Lined, craquelure.

$3,000-5,000

468.Don Stone (American, b. 1929)

Rocky Coastal View with SailboatsSigned “Don Stone” l.l.Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Minor surface grime, subtle varnish inconsistencies.

$1,000-1,500

468

467

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469.Edmund Elisha Case (American, 1844-1919)

Coastal ViewSigned “EDMUND E. CASE.” l.r.Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), in a period frame.Condition: Retouch.

$4,000-6,000

469

Page 236: American & European Paintings & Prints

470.Jay Hall Connaway (American, 1893-1970)

Rocks and Surf at MonheganSigned and dated “Connaway/48” twice l.r., inscribed “Monhegan” l.l.,identified on labels from The English Gallery, Boston, Doll & Richards,Inc., Boston, and Vose Galleries of Boston on the backing.Tempera and oil on artist board, sight size 15 x 19 1/2 in. (38.1 x49.5 cm), framed.Condition: Not examined out of frame.

$1,000-1,500

471.Charles Herbert Woodbury (American, 1864-1940)

Sea SpraySigned “Charles H. Woodbury” l.r.Oil on canvasboard, 8 x 10 in. (20.3 x 25.4 cm), framed.Condition: Very minor surface grime.

$800-1,200

470

471

Page 237: American & European Paintings & Prints

472.Lillian Mathilde Genth (American, 1876-1953)

River TorrentSigned “L Genth” l.r., identified on a label from The New BritainMuseum of American Art on the backing.Oil on canvas, sight size 8 13/16 x 11 3/4 in. (22.3 x 30.0 cm),framed.Condition: Good.

Provenance: Mrs. Sanford Low to The New Britain Museum ofAmerican Art, New Britain, Connecticut.

Exhibitions: Lillian Mathilde Genth, 1876-1953, A Retrospective,Hickory Museum of Art, Hickory, North Carolina, March 17 to May 27,1990; St. John’s Museum of Art, Wilmington, North Carolina, June 8to August 26, 1990; Fine Arts Center at Cheekwood, Nashville,Tennessee, October 21 to December 30, 1990.

$1,800-2,200

472

Page 238: American & European Paintings & Prints

473.Yong Mun Sen (Malaysian, 1896-1962)

View of Fisherman with a CatamaranSigned and dated “MUN SEN 52” l.l.Watercolor and graphite on paper, sheet size 10 1/2 x 14 1/2 in.(26.7 x 36.8 cm), framed.Condition: Not examined out of frame.

$1,000-1,500

474.Fred Pye (American, 1882-1964)

Calm Sea, OgunquitSigned and inscribed “FRED PYE, OGUNQUIT, MAINE” in ink l.r.,inscribed “FRED PYE, 1931 BROADWAY, STUDIO 607, ...TRAF7139” in the artist’s hand on the reverse, titled on the artist’s invoiceaffixed to the backing.Oil on canvas mounted onto board, 12 1/4 x 16 1/4 in. (31.1 x 41.3cm), in a Newcomb-Macklin frame (under glass).Condition: Scattered retouch, mild surface grime, not examined outof frame.

$1,200-1,800

473

474

Page 239: American & European Paintings & Prints

475.Henry Curtis Ahl (American, 1905-1996)

Rocky Coastal SurfSigned “Ahl” l.r.Oil on canvas, 7 1/8 x 10 in. (18.1 x 25.4 cm), framed.Condition: Surface grime, retouch.

$1,000-1,500

476.Yong Mun Sen (Malaysian, 1896-1962)

Sailing Vessels on the BeachSigned and dated “MUN SEN 1952” l.l.Watercolor and graphite on paper, sight size 10 1/2 x 14 1/2 in. (26.7x 36.8 cm), framed.Condition: Not examined out of frame.

$1,000-1,500

475

476

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477.John Whorf (American, 1903-1959)

HurricaneSigned “John Whorf” l.r., indistinctly inscribed in pencil l.l., inscribedand titled “13...” verso.Watercolor with gouache on paper, sight size 14 1/2 x 21 1/2 in.(36.8 x 54.6 cm), framed.Condition: Subtle rippling, mild toning, pinholes to corners.

$4,000-6,000

478.Carlos Vierra (American, 1876-1937)

View of the Clipper Ship Shenandoah Assisted by the KittyMurphySigned “Carlos Vierra” l.l.Oil (en grisaille) on canvas mounted to panel, 19 1/2 x 27 1/4 in.(49.5 x 69.2 cm), framed.Condition: Tack holes to corners and tacks to margins, surfacegrime, minor abrasions to tacking margin, craquelure.

$2,000-2,500

477

478

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479.John Whorf (American, 1903-1959)

A Mackerel SmackSigned “John Whorf.” l.r., identified on a label from Grace HorneGalleries, Boston, affixed to the backing.Watercolor on paper, sight size 15 x 21 1/4 in. (38.1 x 54.0 cm),framed.Condition: Not examined out of frame.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasuryunder President Harding), Boston, Massachusetts; then by descentwithin the family.

$5,000-7,000

480.Vladimir Pavlosky (American, 1884-1944)

Boats at RestSigned “V. Pavlosky” l.l., identified on a label from Doll & Richards,Inc., Boston, on the reverse.Watercolor and graphite on paper, sight size 14 1/2 x 20 1/4 in. (36.8x 51.4 cm), framed.Condition: Not examined out of frame.

$800-1,200

479

480

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481.Ernest Lee Major (American, 1864-1950)

A Breezy DaySigned “Ernest L. Major.” l.l.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed.Condition: Small tears, surface grime, losses, flaking.

$1,000-1,500

482.Julian Walbridge Rix (American, 1850-1903)

On the Path to the WaterSigned “Julian Rix” l.r.Oil on board, 9 3/4 x 13 1/2 in. (24.8 x 34.3 cm), framed.Condition: Highly varnished, retouch, surface grime, bowing toboard.

$2,500-3,500

481

482

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483.Kate Leah Cotharin (American, b. 1866)

Day at the BeachUnsigned, identified on the backing.Pastel on paper/board, sheet size 4 1/2 x 10 1/2 in. (11.4 x 26.7 cm),framed.Condition: Surface imperfections.

$500-700

484.Margaret Baker (American, b. 1899)

Wharf RoadMonogram signature “MBaker” in ink l.r., identified on a label affixedto the reverse.Oil on artist board, 10 x 10 1/4 in. (25.4 x 26.0 cm), framed.Condition: Craquelure.

$1,200-1,800

483

484

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485.Don Stone (American, b. 1929)

From Wharf Hill, Monhegan Island, Me.Signed “Don Stone-” l.l., titled and inscribed “...by Don StoneA.N.A./A.W.S./All reproduction rights reserved by the artist” on thereverse.Oil on canvasboard, 10 x 14 in. (25.4 x 35.6 cm), framed.Condition: Good.

$1,000-1,500

486.Otis Pierce Cook, Jr. (American, 1900-1980)

Motif #1Signed “Otis Cook” l.l., identified on an invoice from the artist dated1975 affixed to the reverse.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Good.

$2,000-3,000

485

486

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487.Harry Aiken Vincent (American, 1864-1931)

Harbor View, Probably Cape AnnSigned “H.A. VINCENT” l.r.Oil on canvas, 20 1/2 x 24 in. (52.1 x 61.0 cm), framed.Condition: Lined, retouch, craquelure.

$6,000-8,000

487

Page 246: American & European Paintings & Prints

488.Wayne Beam Morrell (American, b. 1923)

Rockport Cove Sailboats, alternatively titled Off a Rockport Ma.Cove, 2008Signed “WAYNE MORRELL” l.l., titled and signed “...by WayneMorrell...” on the backing.Oil and graphite on artist board, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Good.

$1,000-1,500

489.Florence Leif (American, 1913-1968)

Still Life with ShellsSigned and dated “F. Leif ‘53” l.r.Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.Condition: Mild surface grime.

$1,200-1,800

488

489

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490.Wayne Beam Morrell (American, b. 1923)

A Rockport Beach, alternatively titled A Rockport Low-Tide BeachSigned “WAYNE MORRELL” l.l., titled in the artist’s hand on thebacking.Oil and graphite on artist board, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Subtle bowing.

$1,000-1,500

490

Page 248: American & European Paintings & Prints

491.Robert Strong Woodward (American, 1885-1957)

The Farm Yard, North HadleySigned “Robert Strong Woodward” in pencil l.l., titled l.r., identified ona label affixed to the backing.Pastel and conté crayon on paper, sight size 22 1/2 x 29 1/2 in. (57.2x 74.9 cm), framed.Condition: Not examined out of frame.

$1,000-1,500

492.Stacy Tolman (American, 1860-1935)

Yard View, Purportedly Providence, Rhode IslandSigned “Stacy Tolman” l.r.Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), unframed.Condition: Craquelure, lined, subtle skinning.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$1,000-1,500

491

492

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493.Samuel Peter Rolt Triscott (American, 1846-1925)

Fishing Shacks, Probably Monhegan, MaineSigned “S.P. Rolt Triscott” l.l.Watercolor and graphite on paper, sight size 15 x 21 in. (38.1 x 53.3cm), framed.Condition: Foxing, not examined out of frame.

$1,000-1,500

493

Page 250: American & European Paintings & Prints

494.Henry Martin Gasser (American, 1909-1981)

View from the Quarry House (Rockport)Signed “HGASSER/” in pencil l.r., titled and signed “...HENRYGASSER/NA.” on the backing.Watercolor, ink, and graphite on paper, sight size 8 3/4 x 11 1/4 in.(22.2 x 28.6 cm), framed.Condition: Not examined out of frame.

$500-700

495.Marshall Woodside Joyce (American, 1912-1998)

Motif #1/A Rockport Harbor ViewSigned and dated “MARSHALL W. JOYCE 78” in pen l.r.Oil on Masonite, 18 x 24 in. (45.7 x 61.0 cm), framed.Condition: Surface grime.

$800-1,200

494

495

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496.William Lester Stevens (American, 1888-1969)

Harbor at Vinalhaven, MaineSigned “W. LESTER STEVENS, N.A.” l.l., titled on the reverse.Watercolor and graphite on paper, sheet size 15 x 22 in. (38.1 x 55.9cm), unframed.Condition: Handling creases, tape residue on the reverse, cloth tapehinged to backing mat, toning, surface abrasions.

$1,000-1,500

497.Wayne Beam Morrell (American, b. 1923)

View of a Dory on the BeachSigned “WAYNE MORRELL” l.l.Oil on Masonite, 20 1/2 x 26 1/2 in. (52.1 x 67.3 cm), framed.Condition: Good.

$1,000-1,500

496

497

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498.Will Low Bacher (American, 1898-1982)

New Paltz S.T.C.Signed “Will Low Bacher” l.r., titled on the stretcher.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Surface grime.

$1,000-1,500

499.Lionel S. Reiss (American, 1894-1988)

Pigeon Cove HarborSigned “Lionel S. Reiss” in pen l.l., identified on a label affixed to thebacking.Watercolor and graphite on paper, sight size 18 1/4 x 23 1/4 in. (46.4x 59.1 cm), framed.Condition: Not examined out of frame.

$1,000-1,500

498

499

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500.Hazel (Mrs. William C.) Finck (American, 1894-1977)

Harbor View, Possibly Wellfleet, MassachusettsSigned “FiNCK” l.r.Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Craquelure, surface grime.

$1,000-1,500

500A.Lee M. Loeb (American, 20th Century)

Rockport HarborSigned “LEE LOEB” l.r., identified on a label from the SalmagundiClub Fall 1966 Auction Sale and Exhibition affixed to the reverse.Oil on canvas, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Surface grime, retouch.

$1,000-1,500

500

500A

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501.Laurence Philip Sisson (American, b. 1928)

Lot of Two Harbor Views: Low Moon and Moon FogBoth signed “L. Sisson” l.l., both titled and numbered verso.Watercolor on paper, sheet sizes to 22 5/8 x 30 5/8 in. (57.5 x 77.8cm), unframed.Condition: Minor tack holes in corners or along one margin.

$1,000-1,500

502.Laurence Philip Sisson (American, b. 1928)

Lot of Two Coastal Views: Seining and Fiddleheads andFiddlehead SunBoth signed “L. Sisson” l.r., both titled and numbered verso.Watercolor on paper, sheet sizes to 30 1/4 x 22 1/2 in. (76.8 x 57.2cm), unframed.Condition: Tack holes along edges.

$1,200-1,800

501

502

Page 255: American & European Paintings & Prints

503.John Cuthbert Hare (American, 1908-1978)

New Harbor, MaineSigned “John Hare” l.r., titled and inscribed “...John Hare paid July1965...” on the stretcher.Oil on canvas, 26 x 36 in. (66.0 x 91.4 cm), framed.Condition: Surface grime, craquelure.

$1,500-2,000

504.Laurence Philip Sisson (American, b. 1928)

Lot of Two Shore Views: Dance with Purple Moon and The InletBoth signed "L. Sisson" l.l., one signed "L Sisson" c.r., both titled andnumbered verso.Watercolor on paper, sheet sizes to 30 3/4 x 22 5/8 in. (78.2 x 57.5cm), unframed.Condition: Tack holes in corners or along edges, two small tears (to3/4 inch) l.c. along edge in The Inlet.

$1,200-1,800

504

503

Page 256: American & European Paintings & Prints

505.Attributed to Arthur Franklyn Musgrave (American, 1878-1969)

Coastal CliffsUnsigned.Oil on canvasboard, 20 x 24 in. (50.8 x 61.0 cm), framed.Condition: Abrasion with loss in u.r. quadrant, scattered craquelure,surface grime.

$1,500-2,000

506.Continental School, 20th Century

View of the French RivieraSigned indistinctly l.r., with a label from Haley and Steele, Boston, onthe reverse.Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm), framed.Condition: Subtle canvas deformations.

$3,000-5,000

505

506

Page 257: American & European Paintings & Prints

507.Maxime Maufra (French, 1863-1918)

Marine par temps de pluieSigned and dated “Maufra 94.” l.r., identified on a presentation plaqueand on labels from Durand-Ruel, Paris & New York, on the reverse,also with a label from Doll & Richards, Boston, affixed to the frame.Oil on canvas, 23 1/2 x 29 in. (59.7 x 73.7 cm), framed.Condition: Craquelure, surface grime, retouch.

$8,000-12,000

507

Page 258: American & European Paintings & Prints

508.Eastern European School, 20th Century

Summer Landscape with PoppiesUnsigned, stamped “...ZETI GALERIA/BUDAVARI PALOTA/...Dépület...,” probably from the Magyar Nemzeti Galéria [HungarianNational Gallery], on the stretcher bar.Oil on canvas, 23 1/4 x 31 1/2 in. (59.1 x 80.0 cm), framed.Condition: Lined, retouch, restored tear, craquelure, surface grime.

$1,500-2,000

508

Page 259: American & European Paintings & Prints

509.Yarnall Abbott (American, 1870-1938)

View of a Sun-dappled RoadSigned and dated “Yarnall Abbott 1...” l.r.Oil on canvas, 17 x 14 in. (43.2 x 35.6 cm), framed.Condition: Surface grime, craquelure.

$800-1,200

510.Attributed to Dawson Dawson-Watson (British/American, 1864-1939)

Giverny FieldUnsigned, stamped “Toiles et Couleurs F.../L.AUBE.../Rue Brea...” onthe reverse.Oil on canvas, 15 x 25 in. (38.1 x 63.3 cm), framed.Condition: Strip lined, retouch, surface grime.

$2,000-3,000

509

510

Page 260: American & European Paintings & Prints

511.Frank Cohen Kirk (American, 1889-1963)

Desert Hot Springs/A Southern California LandscapeSigned “F.C. KIRK” l.l., titled and inscribed “...Mrs. Kirk” on thereverse.Oil on canvasboard, 10 x 14 in. (25.4 x 35.6 cm), framed.Condition: Surface grime, craquelure, tack holes.

$500-700

512.Stanley Huber Wood (American, 1894-1949)

View of a Village in Taxco, MexicoSigned, dated, and inscribed “Stanley Wood/38/TAXCO- 723” l.l.Watercolor and graphite on paper, sight size 14 1/4 x 20 in. (36.2 x50.8 cm), framed.Condition: Not examined out of frame.

$800-1,200

511

512

Page 261: American & European Paintings & Prints

513.Samuel Colman (American, 1832-1920)

Distant Town, Possibly a View of MexicoSigned and dated “Sam. Colman 08” l.r.Watercolor on paper, sight size 7 x 14 in. (17.8 x 35.6 cm), framed.Condition: Toning, pale staining/foxing, pinholes along edges, tapedalong edge verso to window mat.

$1,500-2,000

513

Page 262: American & European Paintings & Prints

514.Attributed to Hezekiah Anthony Dyer (American, 1872-1943)

View with a Woman on a Path by a Country HouseUnsigned, with a label from Tilden-Thurber Co. Art Gallery,Providence, Rhode Island, on the backing.Gouache on paper/board, sight size 6 1/2 x 9 1/4 in. (16.5 x 23.5cm), framed.Condition: Toning.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$300-500

515.Raymond Quence (French/American, b. 1932)

A PaimpolSigned “Quence” l.l., with a label from Wally Findlay Galleries affixedto the backing.Oil on canvas, 13 1/4 x 16 1/4 in. (33.7 x 41.3 cm), framed.Condition: Good.

N.B. A guarantee from Wally Findlay Galleries, Inc. identifiying thepresent work accompanies the lot.

$1,000-1,500

514

515

Page 263: American & European Paintings & Prints

516.Louis Gustave Cambier (Belgian, 1874-1949)

Country LandscapeSigned and dated “Cambier 1930” l.r., canvas stamped “Louis G.CAMBIER....BRUXELLES” on the reverse, identified on a label on theback of the frame.Oil on canvas, 19 1/2 x 23 1/2 in. (50.0 x 49.5 cm), framed.Condition: Old repairs, paint loss, craquelure, surface grime.

$2,000-3,000

517.Wayne Beam Morrell (American, b. 1923)

Apple Orchards Near Giverny, France, 1988Signed “WAYNE MORRELL” l.l., titled, inscribed, and signed “(NearMonet’s Garden)... Spring-...by Wayne Morrell” on the reverse.Oil on Masonite, 10 x 14 in. (25.4 x 35.6 cm), framed.Condition: Good.

$1,000-1,500

516

517

Page 264: American & European Paintings & Prints

518.Roger Casse (French, 1880-1944)

Jardin du LuxembourgSigned and dated “Roger Casse 1911” l.r., identified on a labelon the reverse.Oil on canvas, 24 x 19 3/4 in. (61.0 x 50.2 cm), framed.Condition: Craquelure, minor abrasions, retouch, surface grime.

$1,000-1,500

519.Vladimir Lazarev (Russian/American, b. 1904)

Parisian Street View, Probably Le Boulevard des CapucinesSigned “V. LAZAREV.” l.l.Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Craquelure, subtle surface grime.

$800-1,200

518

519

Page 265: American & European Paintings & Prints

520.François Gall (French, 1912-1987)

Le Pont St. Michel a ParisSigned “F. Gall” l.r., titled and signed “...F. GALL” with stamps fromCarel Gallery, Miami Beach, Florida, on the reverse, identified on apresentation plaque.Oil on canvas, 21 1/4 x 25 1/2 in. (53.9 x 64.8 cm), framed.Condition: Minor surface grime.

$1,000-2,000

521.Andre Hambourg (French, 1905-1999)

Les Petits Anes de Champs Elysee or Les Petits Anes sur leChamps Elysee, ParisSigned “a. hambourg” l.r., titled l.l., inscribed and titled “a. hambourg39 rue Boissonade Paris XIV...7777...,” probably in the artist’s hand,on the backing, a label from Karnig Gallery, New York, affixed to thereverse.Ink and gouache on paper, sight size 17 5/8 x 23 3/4 in. (44.7 x 60.3cm), framed.Condition: Rippling, toning, not examined out of frame.

$4,000-6,000

520

521

Page 266: American & European Paintings & Prints

522.French School, 20th Century

Lot of Two Views of the Canal de la Giudecca, VeniceSigned “Maurice B...z” l.l., inscribed “Venise” l.r., titled on labels onthe reverse.Oil on panel, 10 1/4 x 13 1/2 in. (26.0 x 34.3 cm), framed.Condition: Partial split to panel, surface grime, craquelure.

$1,000-1,500

523.Marcel Mettenhoven (French, 1891-1979)

Les Régates de l’Ile aux MoinesSigned, titled, and dated “...Marcel Mettenhoven- 1910.” l.l.Gouache on laid paper, 21 x 15 in. (53.3 x 38.1 cm), framed.Condition: Not examined out of frame.

$700-900

522 (2)

523

Page 267: American & European Paintings & Prints

524.William Lee-Hankey (British, 1869-1950)

View of Sailboats by a RampartSigned “W LEE-HANKEY.” l.l.Oil on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.Condition: Minor surface grime.

$5,000-7,000

524

Page 268: American & European Paintings & Prints

525.Maurice Grün (French, 1869-1947)

Quai de la Gare, ParisSigned “M. Grün” l.l., titled on the stretcher and with stamps fromCarel Gallery, Miami Beach, Florida, on the reverse, identified on apresentation plaque on the backing.Oil on canvas, 25 1/2 x 21 1/4 in. (64.8 x 54.0 cm), framed.Condition: Surface grime.

$1,500-2,500

526.Hope Smith (American, b. 1879)

Lot of Four Genre Scene SketchesAll unsigned, artist identified on a label affixed to the reverse of each.Two oil on panel, two oil on canvasboard, approximate sizes to 5 1/2x 7 1/8 in. (14.0 x 18.2 cm), unframed.Condition: One with pigment fluorescence, surface grime, mild wearto edges.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$200-250

525

526

Page 269: American & European Paintings & Prints

527.Reginald Marsh (American, 1898-1954)

Hoboken PierSigned, dated, and inscribed “REGINALD MARSH ‘37/HOBOKENPIER” in pen l.r.Watercolor and graphite on paper, sheet size 11 1/2 x 15 5/16 in.(29.2 x 38.9 cm), framed.Condition: Laid down to mat board, tape residue to margins.

N.B. Correspondence from Dr. Norman Sasowsky accompanies thelot.

$7,000-9,000

527

Page 270: American & European Paintings & Prints

528.Jean Lareuse (French, b. 1925)

Au PaddockSigned and dated “Jean Lareuse 73” l.r., identified on a presentationplaque, titled and inscribed “J. LAREUSE...,” with a label from FindlayGalleries, Paris, on the reverse.Oil on canvas, 14 x 16 in. (35.6 x 40.6 cm), framed.Condition: Minor surface grime.

$300-500

529.Alfred Conway Peyton (American, 1875-1936)

The ThoroughbredSigned “A Conway Peyton” l.r.Gouache, watercolor, and graphite on paper, sight size 14 x 19 1/4in. (35.6 x 48.9 cm), framed.Condition: Not examined out of frame.

$800-1,200

528

529

Page 271: American & European Paintings & Prints

530.Jean Lareuse (French, b. 1925)

EquitationSigned “Jean Lareuse” l.r., identified on a presentation plaque,inscribed and titled “...J. laReuse...,” with a label from Wally FindlayGalleries International, on the reverse.Oil on canvas, 28 1/2 x 21 in. (72.4 x 53.3 cm), framed.Condition: Minor surface grime.

$300-500

530

Page 272: American & European Paintings & Prints

531.Nikolay Evgenyevich Lansere (Russian, 1879-1942)

Bell Tower of the Church of Vasiliy the Blessed in MoscowSigned, dated, and inscribed “N. Lansere/1906/Moscow” in pen and“Bell tower of Vas. the Bl./June 11, 1906” in pencil, both in Cyrillic l.r.,titled and inscribed “...Property of the author, E.K. Lansere...NicholasLanceray/Old Church at Moscow.” in Cyrillic and Roman alphabet onthe reverse.Watercolor and graphite on paper/board, 17 3/4 x 12 1/8 in. (45.1 x30.8 cm), framed.Condition: Toning, acid burn.

$1,000-2,000

532.Continental School, 20th Century

Balinese SceneUnsigned.Oil on canvas mounted to Masonite, 22 x 17 1/2 in. (55.9 x 44.4 cm),framed.Condition: Minor surface grime.

$600-800

531 532

Page 273: American & European Paintings & Prints

533.Jane Peterson (American, 1876-1965)

Market SceneSigned “JANE PETERSON” l.l.Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed (under glass).Condition: Possible pentimento l.l. (in area of signature), varnishinconsistencies, scattered craquelure, soiling/surface grime.

$5,000-7,000

533

Page 274: American & European Paintings & Prints

534.Sydney Richmond Burleigh (American, 1853-1931)

Cleaning the Shop Windows/A Street SceneSigned “S. R. Burleigh” l.r., indistinctly inscribed “George...Apl 2...” l.l.,inscribed “1902” on the reverse, partial gallery label affixed to theframe.Watercolor, gouache, and charcoal on paper mounted to board, 7 x10 1/4 in. (17.8 x 26.0 cm), framed.Condition: Subtle fading.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$300-500

535.Angela O’Leary (American, 1879-1921)

Lot of Three Homestead ViewsSigned “Angela O’Leary” in pencil l.l. or l.r., one titled or inscribed “AWinters Day” in pencil on the reverse.Watercolor on paper, sight sizes to 6 3/4 x 4 1/2 in. (17.1 x 11.4 cm),framed.Condition: Not examined out of frames.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$400-600

534

535

Page 275: American & European Paintings & Prints

536.Mabel May Woodward (American, 1877-1945)

The MarketplaceSigned “M.M. Woodward” l.r.Oil on artist board, 9 1/2 x 12 5/8 in. (24.1 x 32.1 cm), framed.Condition: Sandwiched between beveled mat and backing foamcore.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$1,500-2,500

536

Page 276: American & European Paintings & Prints

537.Kenneth Frazier (French/American, 1867-1949)

Winter DreamsUnsigned, inscribed “Kenneth Frazier...” in pen and with partial labelson the backing.Oil on canvas, 13 3/4 x 15 3/4 in. (34.9 x 40.0 cm), framed.Condition: Lined, cut down, scattered retouch, craquelure.

$4,000-6,000

538.Daniel Chester French (American, 1850-1931)

Portrait Bust of a WomanInitialed “D.C.F” within the cast l.r.Bronze with green patina, approximately 8 x 3 1/2 in. (20.3 x 8.9 cm).Condition: Minor surface grime.

Provenance: Gift from the artist’s daughter; Margaret French Cresson(1889-1973) to Dr. and Mrs. D.J. MacPherson, Brookline,Massachusetts; private New England collection.

$500-700

537

538

Page 277: American & European Paintings & Prints

539.George Henry (Scottish, 1858-1943)

Portrait of an Elegant WomanSigned and dated “GEORGE HENRY 1901” l.r.Oil on canvas, 52 x 39 5/8 in. (132.1 x 100.6 cm), framed.Condition: Retouch, varnish inconsistencies, losses to tacking margin, restretched, craquelure.

N.B. George Henry was born in Irvine (North Ayrshire), Scotland, in 1858. He trained at the Glasgow School of Art, and studied lifedrawing with William MacGregor, one of the “Glasgow Boys,” a circle of painters with whom Henry would soon join. Working atroughly the same time as the architect and designer, Charles Rennie Mackintosh, the “Glasgow Boys” revolutionized Scottishpainting from 1880 to about 1895, rebelling against Victorian sentimentality and painting everyday subjects in a fresh, new way,often working outdoors. Henry’s painting, A Galloway Landscape (1889), now in the collection of the Kelvington Art Gallery andMuseum in Glasgow, has been described as “the nearest to a masterpiece ever painted by any of the Glasgow Boys.”1 While Henryis known primarily as a landscape painter, he was also an able portraitist and figure painter. Using deft brushwork, he excelled atcreating rich surfaces and sparkling highlights. Henry shared a studio with Edward A. Hornel and together the artists traveled toJapan, staying 18 months in 1893-94. Many of Henry’s works were unfortunately destroyed on the voyage back to Britain, but theexperience of visiting Japan provided a font for future paintings created in Scotland.

Henry was an associate member of the Royal Scottish Academy. He was elected an associate of the Royal Academy (London) in1907, and a full member in 1920. He also exhibited with the Royal Scottish Painters of Watercolours in Scotland, the AberdeenArtists’ Society, the Royal Society of British Artists, the Royal Institute of Oil Painters, and at the Royal Glasgow Institute of Fine Arts.

1. www.artistsfootsteps.co.uk/artists_a_z.asp$20,000-30,000

539

Page 278: American & European Paintings & Prints

540.Wilton Robert Lockwood (American, 1861-1914)

The Lady in WhiteUnsigned, identified on labels including one from the Museum of FineArts, Boston, on the reverse.Oil on canvas, 39 x 31 1/4 in. (99.1 x 79.4 cm), framed.Condition: Lined, craquelure.

Provenance: Ex-collection of artist Charles Hovey Pepper.$5,000-7,000

541.Philip Leslie Hale (American, 1865-1931)

Fashionable WomanSigned “Philip L Hale” in pencil l.r., dated “1921” in pencil l.r.,identified on a presentation plaque, with labels from Pierce Galleries,Inc., Hingham, Massachusetts, affixed to the reverse.Graphite, colored pencil, and chalk on paper, sight size 17 x 13 in.(43.2 x 33.0 cm), framed.Condition: Toning, foxing, not examined out of frame.

Literature: Paintings and Drawings by Philip Leslie Hale, 1865-1931:from the Folts Collection at the Vose Galleries of Boston..., VoseGalleries of Boston, November 1 to December 2, 1966, no. 51 (illus.).

$1,000-2,000

540

541

Page 279: American & European Paintings & Prints

542.Clement Rollins Grant (American, 1848-1893)

Portrait of a Young Woman in ProfileSigned “C.R. Grant.” l.l., with a label from Goupil’s, NewYork, on the backing.Watercolor on paper, sight size 7 3/4 x 7 in. (19.7 x 17.8cm), framed.Condition: Not examined out of frame.

$800-1,000

543.Claudio Castelucho (American, 1870-1927)

Portrait of a Seated WomanSigned “C. Castelucho” l.r., also identified on a label on thereverse.Oil on canvas, 45 3/4 x 35 in. (116.2 x 88.9 cm), framed.Condition: Craquelure, surface grime, losses/abrasionsalong frame liner, weak tacking edges, subtle canvasdeformations, minor losses, retouch, subtle bloom.

$4,000-6,000

542

543

Page 280: American & European Paintings & Prints

544.Edward Chalmers Leavitt (American, 1842-1904)

Yellow Roses à Plein AirSigned and dated “E. C. Leavitt. 1886.” l.l., with a label fromCharles G. Calder, Providence, Rhode Island, on the stretcher.Oil on canvas, circular format, 10 in. diameter (25.4 cm),framed.Condition: Retouch, surface grime, craquelure.

$900-1,200

545.Attributed to Karl Storch (German, 1864-1954)

InteriorSigned or inscribed and dated “K Storch 1914” l.r., inscribed,possibly in a later hand, on the reverse.Oil on panel mounted onto a supporting panel, 24 5/8 x 19 1/2in. (62.5 x 49.5 cm), framed.Condition: Retouch (including reinforced signature), varnishinconsistencies, small splits to panel, surface grime.

$1,500-2,000

544

545

Page 281: American & European Paintings & Prints

546.Laura Coombs Hills (American, 1859-1952)

Yellow Zinnias and LarkspurSigned “Laura Hills” in pencil u.l., identified on a label from Doll & Richards, Boston, on the reverse.Pastel on paper/board, sight size 17 1/2 x 13 1/2 in. (44.5 x 34.3 cm), in original black frame.Condition: Not examined out of frame.

Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury under President Harding), Boston, Massachusetts; thenby descent within the family.

N.B. Laura Coombs Hills’ favored mediums were watercolor and pastel. Born in Newburyport, Massachusetts, in 1859, Hillsstudied at the Art Students League and later established her studio in Boston. Her first solo exhibition featured 16 pastels atthe J. Eastman Chase Gallery in Boston in 1889. After visiting England in 1893, Hills became fascinated with miniature paintingon ivory, which was enjoying a renaissance during the Arts & Crafts movement. Always gifted at working in tiny scale, Hillsentered a successful period of painting miniature portraits on commission that would last almost 30 years. She returned herfocus to rendering flowers in pastel after 1920. Using bouquets picked from the garden of her summer home in Newburyport,Hills painted floral still life arrangements set against textured backdrops based on scarves and fabrics she had collected on hertravels. These works earned for her the critical distinction of Boston’s leading pastelist of the early 20th century.

Literature: Laura Coombs Hills, A Retrospective, Historical Society of Old Newbury, 1996, with essays by Erica E. Hirshler,Sandra B. Lapore, and Martha D. Hamilton.

$6,000-8,000

546

Page 282: American & European Paintings & Prints

547.Elmer Wesley Greene (American, 1907-1964)

Portrait of Sara Athrop Thayer of Dedham, MassachusettsSigned “ELMER W. GREENE” l.r.Oil on canvas, 12 x 10 in. (30.5 x 25.4 cm), framed (under glass).Condition: Minor abrasions and surface grime.

Provenance: Gift from the sitter to the family of the present owner.

N.B. The depicted pair of gemstone chandelier drop earringsaccompanies the lot.

$1,500-2,000

548.George Frederick Kaber (American, 1860-c. 1951)

Portrait of Nellie Robie Kaber, the Artist’s Wife, in Elegant DressSigned “G.F. Kaber” l.r., inscribed “Christmas 1933” on the reverse.Oil on canvas, 60 x 40 in. (152.4 x 101.6 cm), framed.Condition: Losses/abrasions, surface grime, water staining to thereverse, craquelure.

Provenance: By family descent to the grandson of the artist.$400-600

547

548

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549.Albert Braitou-Sala (French, 1885-1972)

Standing Portrait of Young Woman with Red ShoesSigned, inscribed, and dated “Braitou-Sala/Paris 1926” l.r., inscribed“Braitou Sala” in pen on a partial label from Ch. Pottier, Paris, on thestretcher.Oil on canvas, 76 3/4 x 38 1/4 in. (194.9 x 96.7 cm), framed.Condition: Patch reinforcement, retouch, craquelure, surface grime.

$2,500-3,500

549

Page 284: American & European Paintings & Prints

550.Frank Convers Mathewson (American, 1862-1941)

The Parakeet, 1928Signed “F.C. Mathewson.” l.r., identified on labels including one fromthe Providence Art Club, on the reverse.Oil on artist board, 7 1/2 x 9 1/2 in. (19.1 x 24.1 cm), framed (underglass).Condition: Craquelure, subtle bowing to board.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.

N.B. A photograph of the artist and a letter concerning the artistaccompany the lot.

$400-600

551.Lynn Nelsen Aylsworth (American, 20th/21st Century)

Still Life with Vase and TeapotSigned “Lynn Nelson Aylsworth” in pen l.l.Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.Condition: Good.

$1,000-1,500

550

551

Page 285: American & European Paintings & Prints

552.Frank Cohen Kirk (American, 1889-1963)

Still Life with JarSigned “F. C. KIRK.” l.r.Oil on canvas, 30 x 30 in. (76.3 x 76.3 cm), framed.Condition: Good.

$2,000-2,500

552

Page 286: American & European Paintings & Prints

553.Marguerite Stuber Pearson (American, 1898-1978)

LiliesSigned “M S PEARSON” l.l.Oil on canvasboard, 20 x 16 in. (50.8 x 40.6 cm), framed.Condition: Retouch (including signature), varnish inconsistencies,rubs/losses at edges, surface grime.

$1,200-1,800

554.Mae Bennett Brown (American, 1887-1973)

Bouquet of Pink RosesSigned “M. BENNETT BROWN” l.r.Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Surface grime.

$800-1,200

553

554

Page 287: American & European Paintings & Prints

555.Eric L. (Frederic) Pape (American, 1870-1938)

Portrait of a ClownSigned and dated “Eric Pape/1930” l.r., estate stamped on the paperbacking.Oil on canvas mounted to mat board, 20 1/8 x 16 in. (51.1 x 40.6cm), framed.Condition: Minor abrasion u.r., wear at corners, surface grime.

Provenance: Sharon Boccelli and Co., March 12, 1995, Lot 198.$2,500-3,000

555

Page 288: American & European Paintings & Prints

556

556.Adelaide Cole Chase (American, 1868-1944)

Portrait of a Young Girl Seated with a BookSigned “Adelaide Chase” u.l.Oil on canvas, 43 x 33 1/2 in. (109.2 x 85.1 cm), framed.Condition: Paint and canvas losses/abrasions to the tacking edge,craquelure, subtle canvas deformations.

$4,000-6,000

Page 289: American & European Paintings & Prints

558.Marie Louise Chapin (American, 1843-1898)

Portrait of a Young Girl with a MuffSigned “Marie Louise Chapin.” l.c., inscribed “N.H.G. Temple” on thereverse.Oil on board, 7 1/2 x 4 in. (19.1 x 10.2 cm), framed.Condition: Minor surface grime, retouch.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$400-600

557.Sarah De St. Prix Wyman Whitman (American, 1842-1904)

Portrait of a Young Girl with a DollSigned and dated “SW WHITMAN MDCCCLXXXIII [1883]” u.l., with alabel from J. Eastman Chase, Boston, on the reverse.Oil on canvas, 17 x 13 3/4 in. (43.2 x 34.9 cm), framed.Condition: Patch reinforcement, losses, retouch, surface grime.

Provenance: Private Massachusetts collection.$3,000-5,000

557

558

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559

559.Cecilia Beaux (American, 1855-1942)

Portrait of Joseph B. Thomas IV as an Infant, 1917Dedicated and initialed “To Joseph Thomas and/hismother/from...C.B.” l.l.Charcoal on paper/board, 17 5/8 x 12 3/4 in. (44.8 x 32.4 cm),framed.Condition: Staining, foxing, toning.

Provenance: Through the estate of Joseph B. Thomas IV, BarHarbor, Maine.

$3,000-5,000

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560

560.Cecilia Beaux (American, 1855-1942)

Francesca with a Kitten, 1897Monogram signature “CB” l.l.Charcoal on paper, sheet size 14 5/8 x 9 1/4 in. (37.2 x 23.5 cm), framed.Condition: Mended tears to the corners, cloth tape hinged to backing mat recto, unobtrusive toning and acidburn.

N.B. Francesca Gilder Palmer was the daughter of Richard Watson Gilder, an editor of The Century Magazine,as well as a friend and patron of Beaux. Francesca is perhaps best known by her portrait with her older sisterDorothea in The Dancing Lesson, 1898, held in The Art Institute of Chicago permanent collection.

Provenance: By descent through the family of the sitter.

Literature: Tara Leigh Tappert, Cecilia Beaux and the Art of Portraiture, Washington, D.C.: SmithsonianInstitution Press, 1995, pp. 50-51 (illus. pl. 22).

Exhibitions: Cecilia Beaux and the Art of Portraiture, The National Portrait Gallery, Smithsonian Institution,October 6, 1995 to January 28, 1996, exh. no. 69.

$10,000-15,000

Page 292: American & European Paintings & Prints

561.Charles Allen Winter (American, 1869-1942)

Allegory of Victory over StruggleMonogram signature “CAW” l.l.Oil, graphite, and ink on canvasboard, 22 1/2 x 15 3/4 in. (57.2 x40.0 cm), framed.Condition: Surface grime, minor abrasions, trimmed board, varnishinconsistencies.

$800-1,200

562.Charles Constantine Hoffbauer (American, 1875-1957)

Christmas Eve, 1914Unsigned, inscribed “plus a...” in pencil l.r., identified on a label fromExeter Art Gallery, Marblehead, Massachusetts, affixed to thebacking.Gouache and graphite on paper, sight size 11 7/8 x 8 7/8 in. (30.2 x22.5 cm), framed.Condition: Not examined out of frame.

Provenance: Ex-collection of Mrs. George T. Metcalf; Estate of N.David Scotti, Providence, Rhode Island.

N.B. An exhibition pamphlet, Charles Hoffbauer: 1875-1957, August29 to September 26, 1964, Exeter Art Gallery, Marblehead,accompanies the lot.

$300-500

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563.Cecilia Beaux (American, 1855-1942)

Portrait of Joseph B. Thomas IIISigned and dedicated “To my friend/J.B. Thomas/Cecilia Beaux” l.l.Charcoal on paper, sight size 21 x 13 1/2 in. (53.3 x 34.3 cm), framed.Condition: Toning.

N.B. Cecilia Beaux was one of the most admired portrait painters of the turn of the 20th century.Educated in Philadelphia and in Paris, she was the first full-time female instructor at the PennsylvaniaAcademy of Fine Art. She had a very active career and was among the celebrated members of thenational and international artistic community of her time.1 In a letter from Cecilia Beaux thataccompanies this lot (dated Feb. 1914 and written on stationery bearing the address 20 GramercyPark), the artist addressed the sitter as “Dear Neighbor.” She wrote that she had signed the drawingand left it for him to find when he got back. Beaux goes on to say that she may “…sometime botheryou to lend me the drawing to appease the Exhibition Wolf, which is always growling about my door…”The artist compared the sitter to “the daring son of the Captain of the Bucentaure,” (the French flagshipat the Battle of Trafalgar). The letter is signed, “Your long-winded but true friend and neighbor, C.B.”

1. Who Was Who in American Art, Peter Falk, Editor-in-Chief, Vol. I, p. 252.$2,000-2,500

563

Page 294: American & European Paintings & Prints

565.Charles Allen Winter (American, 1869-1942)

The Making of a PotionMonogram signature “CAW” l.r.Oil on canvasboard, 28 1/4 x 20 1/4 in. (71.8 x 51.4 cm), framed.Condition: Surface grime, punctures, abrasions, trimmed board,varnish inconsistencies.

$600-800

564.Amleto Cataldi (Italian, 1882-1930)

Portrait of a Female Nude with TridentSigned “A. CATALDI.” within the cast on the reverse.Bronze with dark brown patina, approximately 44 1/2 x 13 x 13 in.(113.0 x 33.0 x 33.0 cm).Condition: Minor surface abrasions.

$3,000-5,000

564

565

Page 295: American & European Paintings & Prints

566.Mariano Alonso Pérez (Spanish, 1857-1930)

Allegorical View of a Bastille Day ParadeSigned “Alonso-PEREZ” l.l., inscribed “A450” on the reverse.Oil on canvas, 40 1/8 x 30 in. (101.9 x 76.2 cm), unframed.Condition: Craquelure, surface grime.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$8,000-12,000

566

Page 296: American & European Paintings & Prints

567.Vladimir Rozmainski (Russian, 1885-1943)

The MasqueradeSigned, inscribed, and dated “V. Rozmainski/Paris/1925” l.l.Oil on canvas, 61 x 36 in. (154.9 x 91.4 cm), unframed.Condition: Surface abrasions, craquelure, surface grime, subtlevarnish inconsistencies, tear to l.r. quadrant.

$8,000-12,000

567

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568.Sir William Russell Flint, RA (British, 1880-1969)

The Old Mill StudioSigned “W. RUSSELL FLINT” l.r., titled, signed, and inscribed “The Old Mill Studio/W. Russell Flint/Thisvery old tidal mill was mentioned in Doomsday Book shortly after 1066...Birdham Mill Interior Studio” inpencil on the reverse, a label from Arthur Ackermann & Sons, Inc., of London, New York, and Chicago,affixed to the paper backing.Watercolor on paper, sheet size 13 3/4 x 22 1/2 in. (34.9 x 57.2 cm), framed.Condition: Adhered to window mat with paper tape.

N.B. Noted British watercolorist William Russell Flint was elected a full member of the Royal Academyin 1933.1 He became President of the Royal Society of Painters in Watercolour in 1936 and wasknighted in 1947 by George VI. A retrospective of his work was held in the Diploma Gallery of theRoyal Academy in 1962 and was attended by more than 21,000 visitors.2 William Russell Flint wasborn in Edinburgh, Scotland, and attended the Royal Institution School of Art in Edinburgh. He beganhis career as an illustrator and designer, joining the staff of the Illustrated London News in 1903. In1907 the artist also began illustrating limited editions of classic books, such as Mallory’s Morte D’Arthurand Chaucer’s Canterbury Tales. After service in World War I, Russell Flint dedicated himself full timeto painting. He is best known for his skills as a watercolorist and as a painter of the female form.

1. www.racollection.org.uk

2. www.sirwilliamrussellflint.co.uk$22,000-28,000

568

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569.Henri de Toulouse-Lautrec (French, 1864-1901)

L’Amazone/An Illustration for Chasseur de CheveluresMonogram signature “TL” l.r., inscribed “...Amazone...” in pencil on the reverse, identified on a label affixed tothe backing.Ink on paper, sight size 14 1/4 x 9 1/8 in. (36.2 x 23.2 cm), framed.Condition: Cloth taped to backing mat, masking tape residue along top margin, fold along left edge.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

Literature: Catalogue des Tableaux modernes, aquarelles, pastels, dessins, lithographies...composant lacollection Alexandre Natanson, Hotel Drouot, Salles Nos. 9 et 10 Reunies, May 16, 1929, no. 39; TristanBernard, “Chasseur de Chevelures,” Revue Blanche, no. 32, June 1894 (illus.)

$8,000-12,000

569

Page 299: American & European Paintings & Prints

570.Oronzio Maldarelli (American, 1892-1963)

Portrait of a Dancer with MaracasSigned “O. MALDARELLI.” within the cast on the reverse.Bronze with dark brown patina, 9 x 4 x 2 1/2 in. (22.9 x 10.2 x 6.4cm).Condition: Minor surface grime.

$3,000-5,000

570

Page 300: American & European Paintings & Prints

571.Andre Dunoyer de Segonzac (French, 1884-1974)

Etude pour le Georgiques de “Virgile”Signed and inscribed “...A. Dunoyer de Segonzac” l.c.Ink on paper, sheet size 7 1/4 x 5 in. (18.4 x 12.7 cm), framed.Condition: Acid burn to four corners from tape verso, not examinedout of frame.

Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, NewYork; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex,Connecticut.

Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, TrèsBeaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs duMal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue108, no. 138, 1964.

N.B. The work was one of eight original drawings included in apresentation copy of Souvenirs d’un marchand de tableaux byAmbroise Vollard, published by Éditions Albin Michel in 1937, whichwas pen inscribed and gifted to his chauffeur Marcel Z. Méraud.

$1,000-1,500

571

Page 301: American & European Paintings & Prints

572.George Ehrenfried Grosz (German/American, 1893-1959)

Stille Nacht Heilige Nacht, c. 1922Signed “Grosz” in pen l.r., inscribed and titled “...ca. 1922...Eltern...”with a stamp from the George Grosz Nachlass on the reverse.Ink on paper, sheet size 23 1/8 x 15 3/4 in. (58.7 x 40.0 cm), framed.Condition: Center crease, subtle rippling and foxing, mat burn, subtletoning, cloth tape hinged to backing mat, tape residue to the reverse.

N.B. We wish to thank Ralph Jentsch who kindly confirmed theauthenticity of the lot and assisted with its cataloguing. The work isregistered as no. 3-10-2 with the George Grosz Estate, and will beincluded in Ralph Jentsch’s forthcoming catalogue raisonné of theartist.

The present work is a preliminary drawing related to a published workof the same year, which has been reproduced under the titles,“Gottes sichtbarer Segen ist bei mir.,” from Friedrich Schiller, DieRaüber (Act II, Scene 3), Plate 6, Der Malik-Verlag, Berlin, 1922; “Eintrautes Weib, ein herzig Kind, das ist mein Himmel auf der Erde.,”from George Grosz, Abrechnung folgt!, Der Malik-Verlag, Berlin, 1923,p. 31; and “Gottes sichtbarer Segen ruht auf uns,” from GeorgeGrosz, Die Gezeichneten, Der Malik-Verlag, Berlin, 1930, p. 43. Asingle plate from the portfolio Die Raüber has appeared annotated byGrosz with the same title of the present work.

Provenance: Purchased from Galleria dell’Obelisco Rome, Italy;collection of Melvin B. Nessel, Boston, Massachusetts.

$10,000-15,000

572

Page 302: American & European Paintings & Prints

573.François Gall (French, 1912-1987)

Woman in a CafeSigned and inscribed “F. Gall/Paris” l.r.Oil on canvas, 25 5/8 x 32 in. (65.0 x 81.0 cm), framed.Condition: Minor retouch.

$1,500-2,500

574.Lazzaro Donati (Italian, 1926-1977)

Figura in Grigio PorporaSigned, inscribed, dated, and titled “LAZZARO DONATI FIRENZE1960...” on the reverse.Oil and graphite on panel, 27 5/8 x 19 7/8 in. (70.2 x 50.5 cm),framed.Condition: Craquelure, surface grime.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$400-600

573

574

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575.Jean Pierre Cassigneul (French, b. 1935)

Au ParcSigned “CASSIGNEUL.” l.l., identified on a presentation plaque, inscribed and titled “WF-NY 61231...” on thestretchers, with a label from the Wally Findlay Galleries, Palm Beach, Florida, on the backing.Oil on canvas, 18 1/4 x 15 in. (46.4 x 38.1 cm), framed.Condition: Good.

N.B. We wish to thank the artist for kindly confirming the authenticity of the lot.

Jean-Pierre Cassigneul’s favorite subjects are women, often portraying them wearing large hats in garden settings.He is a painter and a lithographer, and since 1980, his works have also been woven into tapestries. Born in Paris in1935, Cassigneul began the study of art at the Academie Charpentier in 1954. He had already had his first privateshow at Galerie Lucy Krogh at the age of 17. Seeking more thorough training, Cassigneul took and passed theentrance exam for the Ecole des Beaux Arts de Paris and worked in the studio of Roger Chapelain-Midy from 1955-60. Cassigneul’s style has also been influenced by the expressionist painter Kees van Dongen.

In the 1960s and 70s, Cassigneul met two dealers who would be central in his career: Kiyoshi Tamenaga, whowould promote his work in Japan, and Wally Findlay, who would become his dealer in the United States. Since thattime the artist has had numerous exhibitions in the United States and Japan, as well as in France. In 2005 a majorshow of Cassigneul’s paintings, lithographs, and tapestries celebrated 50 years of work.

$15,000-25,000

575

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576.Charles Haslewood Shannon (British, 1863-1937)

Lot of Two Figure Studies of Bathers, Possibly Fan DesignsUnsigned.Watercolor on silk, sight sizes to 5 3/4 x 15 1/2 in. (14.6 x 39.4 cm),framed.Condition: Subtle rippling, taped to window mat.

Provenance: By descent within a family collection, New England.$1,500-2,500

577.Allan Albert Davidson (American, 1908-1988)

Corps de Ballet-Back StageSigned “Allan A. Davidson” l.l., titled and stamped “...ALLAN A.DAVIDSON, A.W.S....ROCKPORT, MASS.” on the stretcher.Oil on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.Condition: Good.

$1,000-1,500

576

577

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578.Jacques Wely (French, 1873-1910)

The DancerSigned twice and dated “J. Wely/05/J. Wely” l.r.Pastel on paper laid down onto canvas, sight size 21 x 17 in.(53.3 x 43.2 cm), framed.Condition: Tear/loss u.r., broad rippling, toning, not examined outof frame.

$2,500-3,500

579.Joseph Gary Sheahan (American, 1893-1978)

The SoloistSigned and dated “Gary Sheahan Dec. 1945” in pencil l.r.Graphite, whiting, and acrylic on paper, sight size 33 x 26 in.(83.0 x 66.0 cm), framed.Condition: Tears and restored tears, retouch, not examined outof frame.

N.B. Joseph “Gary” Sheahan studied at the University of NotreDame and the School of the Art Institute of Chicago. He was astaff artist for the Chicago Tribune where he worked for 33 yearsuntil his retirement in 1958.1

1. New York Times, “Rites Set for Gary Sheahan, 84, Retired Tribune Artist,”Jan. 17, 1978, p. B8.

$800-1,200

578

579

Page 306: American & European Paintings & Prints

580.William Baxter Palmer Closson (American, 1848-1926)

At the WoodSigned “Closson” l.l.Oil on board, 8 x 8 in. (20.4 x 20.4 cm), framed.Condition: Minor paint loss, surface grime.

$700-900

581.Elijah Baxter (American, 1849-1939)

Springtime/Bacchantes with Floral Garlands and HermSigned “E. Baxter...” l.r., inscribed and titled “No. 73...” on a label,possibly period, on the stretcher.Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed (in a liner).Condition: Surface grime.

Provenance: Estate of N. David Scotti, Providence, Rhode Island.$200-250

580

581

Page 307: American & European Paintings & Prints

582.William Baxter Palmer Closson (American, 1848-1926)

Lafayette SquareSigned “...losson” l.r., identified on a presentation plaque.Oil on copper sheet, 9 15/16 x 8 in. (25.2 x 20.4 cm), framed.Condition: Paint losses, one obscuring the “C” in the signature.

$1,000-1,500

582

Page 308: American & European Paintings & Prints

583.Allan Rohan Crite (American, 1910-2007)

Busy Street/A Study for a MuralSigned, inscribed, and dated “Study for pencil sketch “BusyStreet”/Allan R. Crite ARC/Feb. 8, 1933” in pencil l.l.Graphite on paper, sheet size 18 x 12 in. (45.7 x 30.5 cm), unframed.Condition: Toning, cloth tape hinged to backing mat, minor tears tothe margins.

N.B. A photographic reproduction of the mural cartoon accompaniesthe lot.

$800-1,200

583

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584.Donald Carlisle Greason (American, b. 1897)

Lot of Three Boxing Views of Al McCoy, Né FlorianLeBrasseur, Shadow Boxing at Sharkey’s Gym, 1936One signed and dated “Greason 36” l.r., two signed,inscribed, and dated “...November 1936/Greason” on thereverse.Oil on Masonite, 7 1/2 x 9 3/8 in. (19.1 x 23.8 cm), framed.Condition: Minor retouch, subtle varnish inconsistencies.

$1,800-2,200

584

584

584

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585.Harrison Cady (American, 1877-1970)

Letting Yourself...As a Hanging LampSigned “HARRISON·CADY” l.l., titled or inscribed “longlegs...” on alabel on the reverse.Watercolor and ink on paper, sight size 17 x 12 3/4 in. (43.2 x 60.3cm), framed.Condition: Subtle rippling, not examined out of frame.

$1,500-2,000

585

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586.Ethel Blanchard Collver (American, 1875-1955)

Central ParkSigned “Ethel Blanchard Collver” l.r.Oil on canvas, 40 x 50 in. (101.6 x 127.0 cm), framed.Condition: Scattered flaking and losses, light scattered surfacerubs/abrasions, surface grime.

$2,000-3,000

586

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587.Rosebee (American, 20th/21st Century)

After the SnowSigned “©Rosebee” l.r., dedicated and signed “...May I always bringyou love and joy through my miracle of painting./Love- Rosebee” onthe backing.Oil on Masonite, 8 x 10 in. (20.3 x 25.4 cm), framed.Condition: Good.

$800-1,200

587

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588.Ralph Eugene Cahoon, Jr. (American, 1910-1982)

Harbor View with MermaidsSigned “R. CAHOON” l.r.Oil on Masonite, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Good.

$5,000-7,000

588

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589.Isabel Bishop (American, 1902-1988)

Lot of Three Studies of Figures at a Drinking FountainEach initialed “IB.” l.l. or l.r.Ink, graphite, and wash on paper, sheet sizes to 3 1/2 x 3 5/8 in. (8.9x 9.2 cm), unframed.Condition: Cloth tape hinged to backing mat, subtle handlingcreases, former tape residue to margins, trimmed sheet, subtlesoiling.

Provenance: Ex-collection of the artist James Whitney Fosburgh,New York.

$800-1,200

590.Moses Soyer (American, 1899-1974)

Portrait of Lady Bird JohnsonSigned “M SOYER” u.r.Oil on canvas, 18 x 14 in. (45.7 x 35.6 cm), framed.Condition: Minor surface grime.

$1,000-1,500

591.Isabel Bishop (American, 1902-1988)

Lot of Five Studies of Figures at a Drinking FountainEach initialed “IB.” l.l. or l.r., two works double-sided.Ink, graphite, and wash on paper, sheet sizes to 5 1/4 x 6 1/4 in.(13.3 x 15.9 cm), unframed.Condition: Cloth tape hinged to backing mat, subtle handlingcreases, former tape residue and tack holes to margins, trimmedsheet, subtle soiling.

Provenance: Ex-collection of the artist James Whitney Fosburgh,New York.

$800-1,200

589

590

591

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592.Continental School, 20th/21st Century

Piccadilly CircusSigned “E. del Arroyo” l.l., inscribed “PICCADILLY CIRCUS” l.r.Oil on canvas, 36 x 30 in. (91.4 x 76.2 cm), framed.Condition: Good.

$1,000-1,500

593.David Burliuk (Ukrainian/American, 1882-1967)

Portrait of Frank BankerSigned “BuRLiuK” l.l.Oil on canvas, 8 x 8 in. (20.3 x 20.3 cm), framed.Condition: Surface grime, craquelure, varnish inconsistencies.

N.B. The sitter, a hobbyist painter and antiques dealer, was afriend of the Burliuk family in Quogue, Long Island.

$1,500-2,000

592

593

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594.David Aronson (American, b. 1923)

Ishmaelite, 1955Signed “Aronson” u.l., identified on labels including those from TheAmerican Federation of the Arts, New York, and the Rose ArtMuseum, Brandeis University, Waltham, Massachusetts, on thebacking.Graphite and charcoal on paper, sight size 17 1/4 x 11 3/4 in. (43.8 x29.8 cm), framed.Condition: Mat burn, not examined out of frame.

Provenance: Ex-collection of Daniel Weisberg, Boston,Massachusetts.

Exhibitions: David Aronson: A Retrospective, Rose Art Museum,Brandeis University, February 4 to March 18, 1979; The JewishMuseum, June 5 to September 4, 1979, catalogue no. 63.

$800-1,200

595.Lazzaro Donati (Italian, b. 1926)

Portrait of a Woman SeatedSigned “DONATI” within cast l.r.Bronze, approximately 12 1/2 x 14 1/2 x 9 in. (31.8 x 36.8 x 22.9cm).Condition: Surface grime.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$400-600

596.Conger A. Metcalf (American, 1914-1998)

Portrait of a BoySigned “Metcalf” u.l.Mixed media on paper, sight size 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm),framed.Condition: Not examined out of frame.

$300-500

594

595 596

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597.Cabot Lyford (American, b. 1925)

Standing NudeUnsigned.Carved granite, approximately 32 x 7 x 5 in. (81.3 x 17.8 x 12.7 cm),mounted to a wooden plinth.Condition: Minor surface grime.

$800-1,200

598.Pavel Tchelitchew (Russian/American, 1898-1957)

Portrait of a Seated FigureSigned and dated “P. Tchelitchew 54” l.r., inscribed “...KELLER” onthe reverse.Oil on canvas, 19 3/4 x 14 5/8 in. (50.2 x 37.1 cm), framed.Condition: Trimmed canvas, craquelure.

$1,500-2,000

597

598

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599.Henri Matisse (French, 1869-1954)

Femme nue allongée, 1928Signed “Henri Matisse” in pencil l.r., inscribed “...TR 955 1145.64...”in pencil on the reverse.Graphite on paper, sheet size 13 1/2 x 19 1/8 in. (34.3 x 48.6 cm),framed.Condition: Restored tears, cloth tape hinged to backing mat, subtlemat burn, tack holes to corners, deckled edges.

Provenance: Heinz Berggruen, Paris (by 1973), acquired by thefamily of the present owner c. 1975.

N.B. We wish to thank Wanda de Guébriant for kindly confirming theauthenticity of the lot.

$40,000-60,000

599

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600.Aaron Ashkenazi (Bulgarian/Israeli, 1912-1993)

Portrait of a Reclining NudeSigned “ASHKENAZI” within cast l.r.Bronze with dark brown patina, 12 x 14 3/4 x 9 1/2 in. (30.5 x 37.5 x24.1 cm), mounted to a travertine plinth.Condition: Minor surface grime.

$1,500-2,000

600

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601.Cabot Lyford (American, b. 1925)

Kneeling HorseIncised signature “Lyford” l.l.Carved marble, approximately 13 x 19 x 10 in. (33.0 x 48.3 x 25.4cm).Condition: Minor surface grime.

$800-1,200

602.Irving Petlin (American, b. 1934)

Study for the Clay Fountain... Morning, 1973Signed and dated “Petlin 73” l.r., identified on a label from GalleriaOdyssia, New York, on the backing.Pastel on paper, 19 x 25 1/4 in. (48.3 x 64.1 cm), framed.Condition: Not examined out of frame.

$800-1,200

601

602

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603.Antonio Bueno (Italian, 1918-1984)

Girl and White PipeIncised signature “A. Bueno” l.l., identified on a partial label from MonedeGallery, New York, on the reverse.Oil on canvas, 27 3/4 x 21 3/4 in. (70.5 x 55.3 cm), framed.Condition: Subtle craquelure and surface grime.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. We wish to thank Isabella Bueno, daughter of the artist, for kindlyconfirming the authenticity of the lot; a photo-certificate from Isabella Buenoaccompanies the lot.

$8,000-12,000

603

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604.David Burliuk (Ukrainian/American, 1882-1967)

Still Life with Flowers by the ShoreSigned and dated “BuRLiuK./1957.” l.r.Oil on panel, 10 x 8 in. (25.4 x 20.3 cm), framed.Condition: Surface grime.

$2,000-4,000

604

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605.Bernard Buffet (French, 1928-1999)

Flowers, alternatively titled Fleur dans un JournalSigned and dated “Bernard Buffet 59” c.r., identified on a label from Schoneman Galleries,Inc., New York, stamped “DAVID ET GARNIER” and inscribed “57.B” and “McGraw” on thereverse.Oil on canvas, 25 1/2 x 20 in. (64.8 x 50.8 cm), framed.Condition: Mild surface grime.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

N.B. We wish to thank Mr. Maurice Garnier for kindly confirming the authenticity of this lot; acertificate of authenticity from Mr. Garnier accompanies the lot.

$30,000-50,000

605

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606.Sol Wilson (American, 1896-1974)

Boats on the ShoreSigned “Sol Wilson” l.r.Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Minor surface grime.

$1,000-1,500

606

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607.Bonnie Whittingham (American, 20th Century)

Fishermen by the ShoreSigned “Whittingham” l.l.Oil on Masonite, 12 x 42 1/2 in. (30.5 x 108.0 cm), framed.Condition: Minor surface grime.

$700-900

607

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608

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608.Georgia O’Keeffe (American, 1887-1986)

Alligator Pear in White Dish, 1921Initialed, titled, and inscribed “OK...O’Keeffe...” on the backing.Oil on canvas-covered board, 12 x 9 in. (30.5 x 22.9 cm), framed.Condition: Very minor surface grime.

Provenance: From the artist to The Downtown Gallery, New York; thence to The Mayo Hill Galleries,Wellfleet, Massachusetts, thence to Katrina Grullemans, Chatham, Massachusetts; by family descentto present owners.

Literature: Barbara Buhler Lynes, Georgia O’Keeffe: Catalogue Raisonné, Volume Two, New Haven:Yale University, 1999, no. 35, pp. 1102 and 1115 (illustrated).

Exhibitions: The Anderson Galleries, 1924; The Downtown Gallery, New York; The Mayo Hill Galleries,Inc., Wellfleet, Massachusetts, July 1954.

N.B. In the forward to a 1936 exhibit at Alfred Stieglitz’s American Place gallery, Marsden Hartleydescribed the works of O’Keeffe’s earlier period—specifically her diminutive compositions of flowersand vegetables—as contending with “the border-line between finity and infinity” and describing “naturein her simplest appearance.”1 The present work illustrates these qualities recognized by Hartley, whichexplores the relationship between the organic and inorganic, as well as the sculptural and two-dimensional. The white dish is presented as full-bodied in its meticulously-worked modeling and yetethereal in its luminosity. The alligator pear, with its thin, reductive surface, is placidly poised both inand on the dish. Through the illusion of symmetry, the viewer is led to see the objects as ideal forms,and yet, as subtle irregularities reveal themselves, the materiality of the objects comes forth.

According to the stock book of The Downtown Gallery, as well as a letter from Georgia O’Keeffe toEdith Halpert dated December 2, 1953, the present work is dated 1921.2 The stock book and salesinvoice also indicates that the work was lent and exhibited at The Mayo Hill Galleries in Wellfleet in July1954, retained and sold to The Mayo Hill Galleries on September 7, 1954, and paid in full on October5, 1954.3 The work was purchased by Ms. Grullemans, a resident of Chatham in the 1950s,presumably around this time.

1. Hartley, Marsden, Georgia O’Keeffe: Exhibition of Recent Paintings, 1935 [January 7-February 27, 1936], New York: AnAmerican Place, 1936.

2. Downtown Gallery records, 1824-1974, bulk 1926-1969. Archives of American Art, Smithsonian Institution. Series 4:Business Records: Gallery Stock. Stock Books, Stock, C-R (6 of 7), 1941-1960s. 4.2: Gallery Stock, 1926-1974, undated(Box 62, reel 5606, frame 1017-1018). http://www.aaa.si.edu/collectionsonline/downgall/container197812.htm

3. Ibid.; Downtown Gallery records, 1824-1974, bulk 1926-1969. Archives of American Art, Smithsonian Institution. Series 4:Business Records: Sales Records, Artwork. Sales Slips (2 of 2), 1954, 4.3: Sales Records, Artwork, 1928-1972, undated (Box,72, reel 5627, frame 970). http://www.aaa.si.edu/collectionsonline/downgall/container198008.htm

$100,000-150,000

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609.Alexander Calder (American, 1898-1976)

Germination, 1962Signed and dated “Calder 62” l.r., inscribed and titled “331 Germination” in pencil and “coquelicots”in pen on the reverse.Gouache on paper, sheet size 29 3/8 x 43 1/8 in. (74.6 x 109.5 cm), framed.Condition: Tape hinged to linen-backed mat board, minor creases and losses to corners.

Provenance: Acquired from the artist by Nicholas Guppy, London; thence to Obelisk Gallery,Boston; thence to the collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. This work is registered with the Calder Foundation, application number A14124.$40,000-60,000

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610.Alexander Calder (American, 1898-1976)

Untitled, 1950Signed and dated “Calder 50” l.r.Ink, gouache, and graphite on BFK Rives paper, sheet size 29 5/8 x 41 1/2 in. (74.9x 105.4 cm), framed.Condition: Subtle mat burn, tape hinged to backing mat.

Provenance: Collection of Selma H. and Irving M. Sobin, Boston; private NewEngland collection by family descent.

N.B. This work is registered with the Calder Foundation, application number A24737.$10,000-15,000

610

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611.Yves Tanguy (French/American, 1900-1955)

Sans Titre, 1943Signed and dated “YVES TANGUY 43” l.r.Gouache on paper, sheet size 2 7/8 x 13 7/8 in. (7.3 x 35.3 cm), framed.Condition: Trimmed sheet (probably by the artist) along top margin, glued along several points on the margins’verso to backing mat.

Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.

N.B. The work is registered as no. 871-167 by the Yves Tanguy Committee of the Pierre and Tana MatisseFoundation, and the work will be included in the forthcoming revised edition of the Yves Tanguy catalogueraisonné.

Paris-born Tanguy immigrated to the United States at the onset of war in 1939 and settled in New Englandwith his American wife, painter Kay Sage. When Tanguy was asked in 1946 about how his American workdiffered from his European work, he pointed to an intensification of his color palette and “a feeling of greaterspace here—more ‘room’.”1 Roland Penrose elaborated on Tanguy’s comment, nothing that “his palettechanged in the sense that the earth colors began to give place to more strident reds and blues and the seamists cleared in the intense sparkling light of New England.”2 Penrose also noted a change in style fromTanguy’s animated biomorphism of the 1930s to more rigid and stark forms. The present work is punctuatedwith the bold colors noted, as well sharply-outlined, ossified forms which suggest that the viewer is looking atcast-offs instead of living inhabitants of the space.

1. Sweeney, James Johnson, “Eleven Europeans in America,” The Bulletin of the Museum of Modern Art, Vol. 13, No. 4/5, New York:The Museum of Modern Art, 1946, p. 23.

2. Penrose, Roland, Yves Tanguy: A Retrospective, New York: The Solomon R. Guggenheim Foundation, 1983, p. 13.$40,000-60,000

611

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612.Frank Stella (American, b. 1936)

Untitled [Study for a Painting], 1970-71Signed “F. Stella” in pencil l.r., identified on a label from Lawrence Rubin Gallery, New York, on thereverse.Crayon and graphite on paper, sheet size 17 x 22 in. (43.2 x 55.9 cm), framed.Condition: Affixed to backing mat at four corners, not examined out of frame.

Provenance: Purchased from Parker Street 470 Gallery Auction, Boston; collection of Melvin B.Nessel, Boston, Massachusetts.

$15,000-25,000

612

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613.Saul Steinberg (American, 1914-1999)

Art LoversSigned and dated “STEINBERG 63” l.r., identified on a label fromObelisk Gallery, Boston, affixed to the reverse.Ink and colored pencil on paper, sheet size 9 1/2 x 10 3/8 in. (24.1 x26.4 cm), framed.Condition: Subtle acid burn to u.r. and u.l. corners, glued to backingmat at u.r. and u.l. corners.

$3,000-5,000

614.Kenneth Noland (American, b. 1924)

Sailing, 1969Signed, titled, and dated “...Kenneth Noland 1969” in pencil and witha label from Solomon & Co., New York, on the reverse.Oil on canvas, 6 x 54 in. (15.2 x 137.2 cm), framed.Condition: Minor surface grime.

Provenance: Purchased from Thomas Segal Gallery, Boston;collection of Melvin B. Nessel, Boston, Massachusetts.

$20,000-30,000

614

613

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615.Beverly Stoll Pepper (American, b. 1924 )

Untitled/A Sculpture MaquetteIncised signature, date, and inscription “Beverly Pepper ‘70...II” l.l.Welded and brushed steel, approximately 25 x 78 1/2 x 8 in. (63.5 x199.4 x 20.3 cm).Condition: Minor surface dust, minor abrasions.

Provenance: Purchased from Obelisk Gallery, Boston; Collection ofMelvin B. Nessel, Boston, Massachusetts.

$5,000-7,000

615

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616.Allan M. D’Arcangelo (American, 1930-1998)

Constellation #7Signed, inscribed, dated, and titled “© A. D. Arcangelo NYC 1970...”on the reverse, identified on labels including one from Obelisk Gallery,Boston, on the reverse.Acrylic on canvas, 60 x 60 in. (152.4 x 152.4 cm), unframed.Condition: Surface grime and abrasions.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$5,000-7,000

616

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617.Igael Tumarkin (Israeli, b. 1933)

Untitled/A Sculpture Maquette, c. 1973Signed and dated “TUMARKIN...3” l.r.Mixed media (welded steel and acrylic), 3 x 13 3/4 x 6 7/8 in. (7.6 x34.9 x 17.5 cm), mounted to an acrylic plinth.Condition: Minor surface dust.

N.B. A copy of the exhibition booklet Made in U.S.A.: I. Tumarkin1974-1976, printed by Peli Printing Works, Ltd. accompanies the lot.

$1,500-2,500

618.Yaacov Agam (Israeli, b. 1928)

Hundred Gates/A Kinetic SculptureUnsigned.Nickel-chromed steel, 15 15/16 x 12 1/8 in. (40.5 x 30.8 cm), set in achromed base.Condition: Minor surface abrasions.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$4,000-6,000

617

618

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619.Victor Vasarely (French, 1908-1997)

TY-NEU, 1959Signed “vasarely-” in pen l.c. and r.c.Tempera on paper/board mounted to wooden panel, 25 x 17 1/4 in.(63.5 x 43.8 cm), framed.Condition: Minor losses, retouch, craquelure, mounting separation.

Provenance: Purchased from Obelisk Gallery, Boston, collection ofMelvin B. Nessel, Boston, Massachusetts.

N.B. We wish to thank Madame Michèle Vasarely who will beincluding the present work in the upcoming catalogue raisonné of theartist, and a photo-certificate accompanies the lot.

$40,000-60,000

619

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620.Arnaldo Pomodoro (Italian, b. 1926)

Rotante primo sezionale n. 1 [Rotating First Section No. 1], 1966Incised signature and number “Arnaldo Pomodoro -02 p.a.” on the plinth l.r., incised title and date “...1966-”on the plinth l.l.Bronze, 31 1/2 in. (80.0 cm) diameter, set on a cast acrylic plinth.Condition: Minor surface abrasions to bronze and acrylic surfaces.

Provenance: Purchased from Marlborough Galleria d’Arte, Rome; collection of Melvin B. Nessel, Boston,Massachusetts.

Literature: Flaminio Gualdoni and Arnaldo Pomodoro, Arnaldo Pomodoro: Catalogo ragionato della scultura,Milan: Skira, 2007, p. 524, no. 396 (illustrated); Sam Hunter, Arnaldo Pomodoro, New York: Abbeville Press,1982, no. 76 (final edition illustrated).

N.B. The present work is one of two artist proofs outside the edition of two, and is registered with the ArchivioArnaldo Pomodoro, Milan, Italy, as AP 263. We wish to thank the Arnaldo Pomodoro Studio for theirassistance with cataloguing the lot.

Pomodoro began his experiments with “sculpture in the round” in the mid-1950s, moving away from hiscarved bas-relief “tablets” toward penetrable, free-standing geometric volumes. This development forPomodoro was less a result of technical innovation than it was a search for “a more dialectical process of bothconstructing and destroying geometric forms.”1 Pomodoro considered his bas-relief carving to represent aform of abstract “writing,” and his search into the limit of this kind of symbolic representation resulted inexperiments with depth and surface.

By 1963, Pomodoro created his first sphere, which allowed him to express his “glyphs” in terms of an interiorand exterior dynamic. Inspired by Brancusi’s use of polished surfaces to unify a form, Pomodoro appropriatedthe highly polished exterior to underscore the sphere’s built-up and torn-down interior—and thus itsdisintegration of form. As in the present work, plaster debris from the casting process left deliberately on theinterior points to its own genesis, and yet, its crumbling texture alludes to its demise. Pomodoro saw his“surface erosions and irregularities as symbols of the destructive impulse” in a technological age where the“drama of erosion captures the sense of foreboding, of a certain anxiety about the course of events at thattime in our history.”2

1. Hunter, Sam, Pomodoro, New York: Abbeville Press, 1982, p. 194.

2. Ibid., 52, 57.$100,000-150,000

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621.Ernest Tino Trova (American, 1927-2009)

ALL UMANO E IL MIO SOLO RIMOR UNANO E IL MIO SOLORIMORSO E’SONO UMANO LUOMO E SOLO UNA MEMORIAUnsigned.Mixed media (metal, porcelain, glass, linen, and wood) installation, 241/2 x 23 1/2 x 8 in. (62.2 x 59.7 x 20.3 cm), in a glass case.Condition: Good.

$1,500-2,500

622.Ernest Tino Trova (American, 1927-2009)

Hinged Falling ManUnsigned, monogram stamped, and numbered “...3673” beneath thebust.Brass, 3 x 12 x 2 1/8 in. (7.6 x 30.5 x 5.4 cm), on a brass cradle.Condition: Uneven patina, surface imperfections, oxidation.

$2,000-3,000

621

622

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623.Ernest Tino Trova (American, 1927-2009)

Falling Man [Suspended Relief], 1969Monogram stamped “et” and numbered “102/175” at the center.Brass mounted to an acrylic panel, 11 3/4 x 11 x 3 1/8 in. (29.8 x 7.9 cm),set within a recessed acrylic plinth.Condition: Surface abrasions to acrylic panel, oxidation to brass.

$1,500-2,500

623

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624.Peter Anthony Chinni (American, b. 1928)

Hortus NaturaeSigned, numbered, and dated “CHINNI 1/8 1969” on the reverse.Chrome metal, approximately 43 x 14 x 13 1/2 in. (109.2 x 35.6 x34.3 cm), mounted to a plaster base.Condition: Chips to the base, minor rust/corrosion.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. We wish to thank the artist and Christine Chinni, daughter ofthe artist, for their assistance with cataloguing the lot.

$2,000-3,000

624

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625.Friedel Dzubas (American, 1915-1994)

Untitled, 1981Unsigned.Acrylic on canvas, 60 1/8 x 27 5/8 in. (152.7 x 70.2 cm), unframed.Condition: Very minor surface grime.

Provenance: Gift from the artist to the family of the present owner.

N.B. A limited edition silkscreen was produced of this painting tobenefit the Museum of Fine Arts, Boston.

$8,000-12,000

625

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626.Antoine Poncet (Swiss, b. 1928)

Arcturus, 1975Signed and numbered “1/8 Poncet” l.l.Carved white Carrara marble bas-relief, 12 1/2 x 6 1/2 x 2 1/4in. (31.8 x 16.5 x 5.8 cm), mounted to a black marble plaque.Condition: Minor surface grime.

Provenance: Collection of Melvin B. Nessel, Boston,Massachusetts.

N.B. We wish to thank Armelle Le Gendre, archivist to AntoinePoncet, for her assistance with cataloguing the lot.

$1,000-2,000

627.Jack Youngerman (American, b. 1926)

Aug 4 1969Initialed and dated “JY 69” in pencil l.r., inscribed “...Aug 4Youngerman” and identified on a label from Obelisk Gallery,Boston, on the backing.Acrylic on paper, sheet size 28 7/8 x 23 in. (73.3 x 58.4 cm),framed.Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston,Massachusetts.

$1,500-2,500

626

627

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628.Peter Anthony Chinni (American, b. 1928)

TrioSigned, numbered, and dated “CHINNI 1/8 1968” in the cast.Brass, 6 3/4 x 7 1/2 x 12 1/2 in. (17.1 x 19.1 x 31.8 cm), mounted toa stone plinth.Condition: Subtle surface impurities.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.

N.B. We wish to thank the artist and Christine Chinni, daughter ofthe artist, for their assistance with cataloguing the lot.

$3,000-5,000

628

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629

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629.Jesus Rafael Soto (Venezuelan, 1923-2005)

Struttura, 1968Signed and dated “Soto 1968” on the reverse, identified on a label from MarlboroughGalleria d’Arte, Rome, affixed to the reverse.Painted wood, steel, and nylon construction, 30 1/2 x 12 3/4 x 12 5/8 in. (77.5 x 32.4 x32.1 cm).Condition: Replaced strings to sixteen rods.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$30,000-40,000

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630.Ettore Colla (Italian, 1896-1968)

Senza Titolo [Meridiana quadrata], 1968Unsigned, inscribed “E. COLLA” in marker beneath the base.Iron, 28 1/2 x 20 x 8 1/2 in. (72.4 x 50.8 x 21.6 cm), on a whitepainted wooden plinth.Condition: Good.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.

Literature: Giorgio De Marchis and Sandra Pinto, Colla, Roma:Bulzoni, 1972, no. 224 (illustrated).

Exhibitions: 24 Presenze, Artisti romani non figurativi, Roma, IstitutoItalo-Latino-Americano (IILA), March 26 to April 9, 1969.

N.B. Colla’s abstract work was considered by James JohnsonSweeney, the late director of the Solomon R. Guggenheim Museum,

to be a contradiction in both classicism and “primitive directness.”His works showed “restraint and discipline” and “dedication to orderand form” but his technique and materials—which consisted ofreclaiming and reconfiguring industrial materials—were handled withthe “respect a cave artist gave the casual materials of his day.”1

The raw innovation and balance that Sweeney spoke of can be seenin the present work, where the surfaces have been exposed to theelements, and the basic geometric forms of circle and square arerepeated, rotated, and suspended in space. It was completed at theartist's home and studio at Viale Parioli, and is a larger version basedon a prototype created in 1967.2

1. Giorgio De Marchis and Sandra Pinto, Colla, Roma: Bulzoni, 1972, p. 9.

2. Ibid., 106.$30,000-40,000

630

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631.Louise Berliawsky Nevelson (American, 1900-1988)

Young Tree XXVII, 1971Unsigned, marked “WEYCO” on one end.Black painted wood, 27 1/2 x 6 x 5 3/4 in. (69.8 x 15.2 x 14.6 cm),mounted to a wooden laminate plinth.Condition: Minor chips.

Provenance: From the artist to Pace Gallery, New York (Pace Inv.#3084); purchased from Harcus/Krakow Gallery, Boston; collection ofMelvin B. Nessel, Boston, Massachusetts.

N.B. We wish to thank Mike Nevelson for his assistance withcataloguing the lot.

$15,000-25,000

631

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632.William Walton (American, 1909-1994)

CourthouseSigned “Walton” l.r., also titled, signed, and dated “...-WALTON-1961”on the stretcher.Oil on canvas, 33 1/4 x 50 1/4 in. (84.4 x 127.6 cm), framed.Condition: Surface grime.

$1,000-1,500

633.Joel Leonard Perlman (American, b. 1943)

Untitled/A Sculpture MaquetteInitialed and dated “JP 80” l.r.Welded and brushed steel, 15 7/8 x 10 1/2 x 4 1/2 in. (40.3 x 26.7 x11.4 cm).Condition: Surface dust.

Provenance: Purchased from Emmerich Gallery, New York; collectionof Melvin B. Nessel, Boston, Massachusetts.

N.B. The work is a study for an outdoor sculpture at 180 BeaconStreet, Boston, Massachusetts.

$400-600

632

633

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634.Beverly Stoll Pepper (American, b. 1924)

UntitledStamped “BP” on base l.r.Iron, 35 x 13 7/8 x 11 7/8 in. (88.9 x 35.2 x 30.2 cm), mounted to aniron base.Condition: Surface dust.

$6,000-8,000

635.Max Günther (Swiss, 1934-1974)

Lot of Two Works: Tableautin and Some November Day, 1961Both signed “Max Gunther” l.r., and signed, titled, dated, andinscribed “...MAX GUNTHER...” on the reverse.Oil on canvasboard, sizes to 5 3/4 x 7 7/8 in. (15.0 x 20.0 cm),framed.Condition: Surface grime.

$1,000-1,500

634

635

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636.Gregory Kavalec (American, b. 1945)

UntitledSigned “KAVALEC” in pencil l.r.Acrylic and graphite on paper, sheet size 30 x 22 in. (76.2 x 55.9 cm),within a Plexiglas frame.Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$300-500

637.Christopher Macdonald (American, b. 1957)

Untitled, 1988Unsigned, identified on a label from David Betzel Gallery, Inc., NewYork, on the reverse.Mixed media with pastel and graphite on paper, 10 x 6 3/8 in. (25.4 x16.0 cm), framed.Condition: Not examined out of frame.

$300-500

636

637

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638.Robert Arthur Goodnough (American, b. 1917)

K-7Signed and dated “Goodnough ‘86” l.r., also titled, inscribed, signed,and dated “...Goodnough 86...” in pen on the reverse.Oil and acrylic on canvas, 46 x 68 in. (116.8 x 172.7 cm), framed.Condition: Minor surface grime.

Provenance: Purchased from the artist; Collection of Melvin B.Nessel, Boston, Massachusetts.

$6,000-8,000

638

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639.Hannes Beckmann (German/American, 1909-1976)

RADIANTMonogrammed and dated “h.b. 63.” l.l., inscribed “‘RADIANT’ oil1963 Hannes Beckmann” on the reverse and on the stretcher,identified on a label from Kanegis Gallery, Boston, affixed to thestretcher.Oil on canvas, 18 x 18 in. (45.8 x 45.8 cm), framed.Condition: Minor abrasion to center, surface grime.

$2,000-4,000

640.Michiel Theobald Gloeckner (American, 1915-1989)

Pale FlowerMonogrammed “MG” l.r., titled, initialed, signed, and dated“...MG/Michiel Gloeckner 1971” on the stretcher.Oil on canvas, 20 x 18 in. (50.8 x 45.7 cm), framed.Condition: Surface grime.

$1,000-1,500

639

640

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641.Michiel Theobald Gloeckner (American, 1915-1989)

Of Forms and SunlightMonogrammed “MG” l.r., titled, signed, and dated “...MichielGloeckner 1971” on the stretcher.Oil on canvas, 20 x 18 in. (50.8 x 45.7 cm), framed.Condition: Surface grime.

$800-1,200

642.Alvin Demar Loving, Jr. (African/American, 1935-2005)

Untitled, 1981Signed and dated “July 11 81 Al Loving” in pencil on the reverse.Acrylic on canvas, 40 x 40 in. (101.6 x 101.6 cm), framed.Condition: Good.

$4,000-6,000

641

642

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643.Cleve Gray (American, 1918-2004)

UntitledSigned and dated “Gray ‘56” l.r.Oil on canvas, 8 x 13 in. (20.3 x 33.0 cm), framed.Condition: Surface grime, minor losses/abrasions.

$400-600

644.Yutaka Ohashi (Japanese/American, b. 1923)

Flight #6Signed “Ohashi” u.l., also signed, dated, and inscribed “YUTAKAOHASHI/1979...” in English and Japanese on the reverse.Oil, gold leaf, and paper collage on canvas, 16 x 20 in. (40.6 x 50.8cm), framed.Condition: Minor surface grime.

$800-1,200

643

644

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645.Peter Busa (American, 1914-1985)

Yellow Effussion [sic]Signed “Busa” l.r., titled or inscribed on the reverse.Oil on illustration board, 15 x 20 in. (38.1 x 50.8 cm), framed.Condition: Bowing to support, craquelure.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$300-500

646.Sylvia Miller (Ukrainian/American, 1910-1991)

FlatlandsSigned and dated “S. MILLER ‘64” l.r., titled on the stretcher.Oil on canvas, 22 x 28 in. (55.9 x 71.1 cm), framed.Condition: Craquelure, surface grime.

$1,000-1,500

645

646

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647.Jack Roth (American, 1927-2004)

Untitled [1201]Signed and dated “Roth 61” l.l.Oil on linen, 51 1/2 x 40 in. (130.8 x 101.6 cm), framed.Condition: Surface grime.

$1,000-2,000

648.Ronaldo de Juan (American, 1931-1989)

Untitled, 1985Signed, dated, and inscribed “R. DE JUAN/ NY. 1985” in penl.r., inscribed “RONALDO/DE JUAN/N.Y. 1985...” andidentified on a label affixed to the backing.Acrylic on paper/board, 60 x 40 in. (152.4 x 101.6 cm),framed.Condition: Minor flaking/losses, tack/staple holes to margins.

$2,000-3,000

647

648

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649.John G. Walker (British, b. 1939)

Untitled, 1992Signed, dated, and inscribed “Walker 92 OIL” with labels fromKnoedler & Company, New York, and Nielsen Gallery, Boston, on thereverse.Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), unframed.Condition: Good.

$3,000-5,000

650.No lot.

649

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651.Anne Ryan (American, 1889-1954)

UntitledSigned “A Ryan” l.r.Mixed media (paper and fabric) collage, 6 3/4 x 6 1/2 in. (17.1 x 16.5cm), framed.Condition: Not examined out of frame.

$1,500-2,000

651

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652.Robert G. Hamilton (American, 1916-2004)

Neanderthal Embrace, 1974Signed “R...” in pencil l.l., titled on the stretcher.Oil on canvas, 45 x 45 in. (114.3 x 114.3 cm),framed.Condition: Minor surface grime.

N.B. Hamilton attended the Rhode Island Schoolof Design, where he was also a painting anddrawing instructor for thirty-four years.

$4,000-6,000

653.No lot.

654.Peter Sobin (American, 20th/21st Century)

Untitled, c. 1983Signed “Sobi...” l.r.Acrylic and mixed-media collage, sheet size 40 x25 3/4 in. (101.6 x 65.4 cm), framed.Condition: Not examined out of frame.

$300-500

652

654

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655.Donald Castell Kelley (American, b. 1928)

UntitledSigned and dated “D.C. Kelley July 20, 08” in pencil l.l., signature anddate pentimento u.r.Ink and pastel on paper, sheet size 29 1/2 x 22 in. (74.9 x 55.9 cm),framed.Condition: Not examined out of frame.

N.B. Donald C. Kelley trained at the School of the Museum of FineArts, Boston, from 1952 to 1957. During a two-year period abroad,he met fellow Museum School alum Cy Twombly in Mykonos,Greece. Kelley attended Yale School of Art and Architecture in 1960where he received his Bachelors and Masters degrees. He has had anumber of one-man and group exhibits in New England, and severalart residencies at the Wurlitzer Foundation and The MacDowellColony.

Based on the signatures, the present work is both figurative andabstract from either vertical orientation.

$300-500

656.Faiq Hussain (Iraqi, 20th Century)

My Wilderness Open for OthersSigned in Arabic l.r., signed or inscribed and dated “No.178/BAGHDAD-IRAQ...FAIK HA HUSSAIN/1965” on the reverse.Oil on canvas, 18 1/2 x 41 1/4 in. (47.0 x 104.8 cm), framed.Condition: Mildewing.

Provenance: From the collection of Louis Albert McMillen.$5,000-7,000

657.No lot.

655

656

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658.Sylvia Miller (Ukrainian/American, 1910-1991)

BantuSigned “SYLVIA MILLER” l.r., titled on the stretcher.Oil on canvas, 42 x 33 in. (106.7 x 83.8 cm), framed.Condition: Patch reinforcement, surface grime, retouch.

$1,500-2,500

658

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659.Reba Stewart (American, 1930-1971)

River at Baños de Coamo/A Puerto RicoLandscapeSigned and inscribed “Reba Stewart San Juan. P.R.”in pencil l.r., titled and dated “...Jan. 24, 1971” l.l.Ink and graphite on paper, sight size 19 1/4 x 27 in.(48.9 x 68.6 cm), framed.Condition: Not examined out of frame.

N.B. The beaches of San Juan, Puerto Rico, left alasting impression on Reba Stewart, who vacationedthere regularly between 1963 and her untimely deathin 1971. Reba was fascinated by the localdriftwood, which she would assemble into mobilesand ship back to her studio in Baltimore, Maryland.1

The present work relates to a series of worksinspired by Puerto Rico which explore the fluctuatingboundaries between land, sky, and sea.

1. LaFleur, Helen Myrick, “Reminiscences of Reba Stewart,”Reba Stewart: A Legacy, Massachusetts College of Art, October9 to November 20, 2006 (exh. cat.), pp. 13-14, 22, 26.

$700-900

660.Elof Wedin (American, 1901-1983)

View of a Modernist HouseSigned and dated “Elof Wedin 1955” l.l.Pastel and charcoal on paper, sight size 19 1/4 x 231/4 in. (48.9 x 59.1 cm), framed.Condition: Not examined out of frame.

$1,000-1,500

660

659

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661.David Pearce (British, fl. 1987-present)

PlantlifeSigned and dated “David Pearce ‘94” on the reverse.Acrylic on stitched canvas patches, 48 x 48 in. (121.9 x 121.9 cm),unframed.Condition: Very mild wear to edges.

Provenance: Purchased directly from the artist.$1,500-2,000

661

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662.Laurence Philip Sisson (American, b. 1928)

Lot of Two Landscapes: Cloud Shapes and Cold SunBoth signed “L. Sisson” l.l., titled and numbered on thereverse.Watercolor on paper, sheet size to 30 1/4 x 22 1/4 in. (76.9 x56.5 cm), unframed.Condition: Tack holes in corners.

$1,000-1,500

663.Laurence Philip Sisson (American, b. 1928)

Lot of Two Evening Views: January Blue and MoonlitPilingsOne signed “L. Sisson” l.r., the other signed “Laurence Sisson”l.l., both titled and numbered verso.Watercolor on paper, size to 22 1/8 x 30 1/4 in. (56.3 x 76.5cm), unframed.Condition: Minor wear along edges, tack holes in corners.

$1,000-1,500

663

662

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664.Leonardo M. Nierman (American, b. 1932)

Prehistoric FireSigned “Nierman” l.l., titled on the reverse.Oil on Masonite, 23 1/2 x 31 1/2 in. (59.7 x 80.0 cm), framed.Condition: Craquelure, minor surface abrasions.

$800-1,200

664

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665.Irene Rice Pereira (American, 1902-1971)

Reclining Nude in a LandscapeIncised signature, inscription, and date “I. RICE PEREIRA/-WILTSHIRE/50” l.l.Oil on cardstock, 10 1/2 x 13 5/8 in. (26.7 x 34.6 cm), framed.Condition: Craquelure.

800-1,200

666.Karl Zerbe (American, 1903-1972)

Sitting Woman Variation #I, 1961Signed or inscribed “Zerbe” l.r., titled in pen on the stretcher andidentified on a label from Nordness Gallery, New York, on the reverse.Acrylic and collage on linen, 21 x 14 in. (53.3 x 35.6 cm), framed.Condition: Surface grime.

$800-1,200

665

666

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667.Romeo Villalva Tabuena (Filipino, b. 1921)

NocturneSigned and dated "TABUENA 1961" l.r., titled on the reverse.Oil on Masonite, 15 3/4 x 12 1/4 in. (40.0 x 31.1 cm), framed.Condition: Surface grime.

$800-1,200

667

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668.Joseph Piccillo (American, b. 1941)

Lot of Three Portraits: Witness #I, Witness #III, and Witness #IV,1968Signed, titled, and dated “...FEB 68 joseph piccillo” u.r., l.l., and l.r.,respectively, one with a signed and dedicated exhibition notice affixedto the reverse.Graphite on paper, sight sizes to 10 x 8 3/4 in. (25.4 x 22.2 cm),framed.Condition: Not examined out of frames.

$1,200-1,800

669.Walter (Sidney) Feldman (American, b. 1925)

Untitled [Heart-Shaped Lock]Signed and dated “Walter Feldman 1966” in pencil l.l.Mixed media on paper/board, sight size 10 3/4 x 10 3/4 in. (27.3 x27.3 cm), framed.Condition: Not examined out of frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$300-500

668

669

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670.Bonnie Whittingham (American, 20th Century)

Figures in ProfileSigned “Whittingham” l.l.Oil and tissue collage on canvas, 34 x 72 in. (86.4 x 182.9 cm),unframed.Condition: Minor surface grime.

$1,500-2,500

671.Francisco Toledo (American, b. 1940)

Lot of Two Works: Abstract Creatures and Interior SceneBoth signed “Toledo” l.r.Creatures gouache and ink on paper mounted onto board, sheet size8 3/4 x 12 in. (22.2 x 30.5 cm); Interior ink and watercolor on theback of lithograph portfolio cover sheet, 12 3/4 x 15 7/8 in. (32.4 x40.3 cm); both unframed.Condition: Creatures with bowing to support, Interior with decklededges, both with soiling/surface grime.

$1,500-2,000

670

671

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672.Peter Busa (American, 1914-1985)

Figure in ProfileUnsigned.Oil on Masonite, 17 3/4 x 12 in. (45.1 x 30.5 cm), framed.Condition: Surface grime, craquelure, losses/abrasions, retouch.

$2,000-3,000

673.June Bellamy (Burmese/Italian, 20th Century)

Natura Morta Con UvaSigned “Bellamy” l.l., also signed, inscribed, dated, and titled “JUNEBELLAMY/FIRENZE/1968...” on the reverse.Oil on panel, 14 x 16 in. (35.6 x 40.6 cm), framed.Condition: Alligatoring, minor abrasions along frame.

Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.$300-500

672

673

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674.Vito Acconci (American, b. 1940)

Mobius Bench/An Installation Study for the Shops at LakeAvenue, 401 Lake Avenue, Pasadena, CaliforniaInscribed, signed, and dated “Acconci Studio Vito Acconci ‘03” inpencil l.r.Ink and graphite on paper, sheet size 7 x 17 in. (17.8 x 43.2 cm),framed.Condition: Not examined out of frame.

Provenance: Acquired from the artist by commission, private NewEngland collection.

$1,500-2,000

674

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675.Gregory Amenoff (American, b. 1948)

Study for The Heart of the Matter II, 1982Signed, dated, titled, and dedicated “for Dan &Marlene...Gregory Amenoff 8/82...” in crayon onthe reverse and identified on a label from NielsenGallery, Boston, on the stretcher.Oil on canvas, 18 x 18 in. (45.7 x 45.7 cm),unframed.Condition: Good.

$1,000-1,500

676.Carl Sprinchorn (American, 1887-1971)

Red MapleSigned “CARL SPRINCHORN” l.r., identified on alabel from the New Bertha Schaefer Gallery, NewYork, on the backing.Watercolor on paper, sight size 22 1/2 x 18 in.(57.1 x 45.7 cm), framed.Condition: Toning, foxing, not examined out offrame.

$1,000-1,500

675

676

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677.Karl Knaths (American, 1891-1971)

Abstract GardenSigned “K. Knaths” and with a profile portrait sketch on the reverse,stamped “B. BEAMSDERFER GALLERY, HIGHLAND PARK, NEWJERSEY” on the backing.Oil on canvas, sight size 38 3/4 x 31 1/2 in. (98.4 x 80.0 cm), framed.Condition: Craquelure with lifting.

$1,500-2,000

677

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678.Chen Chi-Kwan (Chinese, 1921-2007)

Mother and SonsSigned “Chen Qi Kuan bi” in Chinese l.r. and titled “Muzi” in Chineseu.l.Ink on paper, sight size 11 3/4 x 19 1/4 in. (29.8 x 48.9 cm), framed.Condition: Subtle rippling.

Provenance: From the collection of Louis Albert McMillen.$1,500-2,500

679.Liu Tian Wei (Chinese, b. 1954)

Abstract CompositionSealed and dated “...1983” in Chinese l.l.Ink wash on paper, sheet size 37 3/4 x 70 1/2 in. (95.9 x 179.1 cm),framed.Condition: Not examined out of frame.

Provenance: From the collection of Louis Albert McMillen.$1,500-2,500

678

679

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680.Chen Chi-Kwan (Chinese, 1921-2007)

CockfightSigned and inscribed in Chinese l.l. and u.r.Ink wash on paper, sight size 11 1/2 x 19 1/4 in. (29.2 x 48.9 cm),framed.Condition: Toning, not examined out of frame.

Provenance: From the collection of Louis Albert McMillen.$1,500-2,500

681.John Way [Wei Letang] (Chinese/American, b. 1921)

Untitled [Abstract]Signed and dated “John Way ‘75” l.r.Oil on paper, 19 1/8 x 24 in. (48.6 x 61.0 cm), unframed.Condition: Good.

Provenance: Through the family of the artist.$4,000-6,000

680

681

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682.Walasse Ting (Chinese/American, b. 1929)

Grasshopper with WatermelonSealed “Cai Hua Da Dao” [thief who steals flowers] in Chinese u.l.Acrylic and ink on rice paper, sheet size 13 3/4 x 19 in. (34.9 x 48.3cm), framed.Condition: Subtle rippling, not examined out of frame.

$2,200-2,800

683.Noe Canjura (French, 1925-1973)

Éventaire au marchéSigned “CANJURA” l.l., titled and signed “...CANJURA” on thereverse, identified on a presentation plaque, with a label from FindlayGalleries, Inc., Chicago, on the backing.Oil on canvas, 60 x 50 in. (152.4 x 127.0 cm), framed.Condition: Craquelure, surface grime, minor losses/abrasions.

$2,000-2,500

682

683

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684.Noe Canjura (French, 1925-1973)

La composition du bouquetSigned “CANJURA” l.l., titled and signed “...CANJURA” on thereverse, with a label from Findlay Galleries, Inc., Chicago, onthe backing.Oil on canvas, 29 x 24 in. (73.7 x 61.0 cm), framed.Condition: Surface grime.

$1,000-1,500

685.Walasse Ting (Chinese/American, b. 1929)

Portrait of Two Beauties with a Red HorseSealed “Cai Hua Da Dao” [thief who steals flowers] in Chineseu.r.Acrylic and ink on rice paper, sheet size 14 1/4 x 19 in. (36.2 x48.3 cm), framed.Condition: Subtle rippling, not examined out of frame.

$2,500-3,500

684

685

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686.Walasse Ting (Chinese/American, b. 1929)

Portrait of Two Beauties with ParrotsSealed “Cai Hua Da Dao” [thief who steals flowers] in Chinese u.l.,with a label from Lefebre Gallery, New York, on the reverse.Acrylic and ink on rice paper, sheet size 70 x 38 in. (177.8 x 96.5cm), framed.Condition: Tape hinged to backing mat, subtle rippling, not examinedout of frame.

$15,000-25,000

686

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687.Walasse Ting (Chinese/American, b. 1929)

Portrait of a Reclining Woman with ParrotSealed “Cai Hua Da Dao” [thief who steals flowers] in Chinese withinthe composition.Acrylic and ink on rice paper, sheet size 38 x 70 in. (96.5 x 177.8cm), framed.Condition: Tape hinged to linen-covered mat, subtle rippling, notexamined out of frame.

N.B. Ting, whose first name is the Westernized version of hisChinese given name “Hua La Si,” adopted the moniker “thief whosteals flowers” to express his love of women and depicting the femaleform.1

The present work relates to Ting’s Jolies Dames series of spring 1987when he spent two months in Amsterdam photographing andsketching sixty-six female models as the basis for full-scale studiocompositions (replete with cats, parrots, grasshoppers, and melons)created in New York later that year.

1. Walasse Ting, Jolies Dames, Paris: Yves Riviere Editeur, 1988.$15,000-25,000

687

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688.Lincoln Perry (American, b. 1949)

Work: Late Afternoon in the CityInitialed and dated “LP84” l.l., identified on a label on the backing.Oil and graphite on canvas, 84 x 144 in. (213.3 x 365.8 cm), framed.Condition: Good.

Provenance: Commissioned by John Hancock Mutual Life InsuranceCompany, purchased from the John Hancock Corporate ArtCollection, Boston.

$5,000-7,000

688

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689.Lincoln Perry (American, b. 1949)

Leisure: Summer Afternoon, The EsplanadeInitialed and dated “LP84” l.r., identified on a label on the backing.Oil and graphite on canvas, 84 x 144 in. (213.3 x 365.8 cm), framed.Condition: Good.

Provenance: Commissioned by John Hancock Mutual Life InsuranceCompany, purchased from the John Hancock Corporate ArtCollection, Boston.

$7,000-9,000

689

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690.Richard Sheehan (American, 1953-2006)

New 100 Merit Ultra Lights, 1988Unsigned, identified on a label affixed to the stretcher.Oil on canvas, 22 1/4 x 28 in. (56.5 x 71.1 cm), unframed.Condition: Minor abrasions along the tacking margin.

Provenance: From the collection of Maria Christina Rago.$800-1,200

691.Richard Sheehan (American, 1953-2006)

New Bridge, 1985Signed and dated “Sheehan 85” l.l., titled l.r., also signed and titled“...Sheehan” and identified on a label from Alpha Gallery, Boston, onthe reverse.Oil on canvas, 13 x 15 in. (33.0 x 38.1 cm), framed.Condition: Craquelure.

Provenance: From the collection of Maria Christina Rago.$800-1,000

690

691

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692.Richard Sheehan (American, 1953-2006)

ElevatedUnsigned, titled and dated “...198...” on the reverse.Oil on canvas, 32 x 40 in. (81.3 x 101.6 cm), framed.Condition: Craquelure, flaking.

Provenance: From the collection of Maria Christina Rago.$1,000-1,500

692

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693.Reed Kay (American, b. 1925)

View of Boston Common, 1981-2Signed and dated “Kay 82” l.r., identified on labels from the AlphaGallery, Boston, on the reverse.Oil on Masonite, 18 x 22 in. (45.7 x 55.9 cm), framed.Condition: Good.

Provenance: From the collection of Maria Christina Rago.$600-800

694.Richard Sheehan (American, 1953-2006)

Arlington St., Hyde Park, 1978Incised signature “Richard Sheehan” l.r., dated, titled, and signed“1978...Richard S. Sheehan” in pencil on the reverse.Oil on canvas, 28 x 28 in. (71.1 x 71.1 cm), framed.Condition: Losses/flaking in the u.l. quadrant.

Provenance: From the collection of Maria Christina Rago.$1,000-1,500

693

694

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695.Reed Kay (American, b. 1925)

Boston Buildings I, 1983Signed and dated “R. Kay- ‘83” l.r., identified on a label from AlphaGallery, Boston, on the backing.Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.Condition: Good.

Provenance: From the collection of Maria Christina Rago.$500-700

695

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696.John Stuart Ingle (American, b. 1933)

Still Life with CookiesSigned, dated, and inscribed “John S Ingle 9/.../#6” in pencil l.r.Watercolor with gouache on paper, image size 14 x 19 1/2 in. (35.6 x49.5 cm), framed.Condition: Deckled edges, broad rippling, not examined out offrame.

Provenance: Purchased from Tatistcheff Gallery, New York.$6,000-8,000

697.Lowell Blair Nesbitt (American, 1933-1993)

Kilim Rug with FruitTitled, dated, inscribed, and signed “’77-’78... L. NESBITT” on thereverse.Oil on canvas, 32 x 40 in. (81.3 x 101.5 cm), framed.Condition: Surface grime.

$2,000-2,500

696

697

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698.Raymond Han (American, b. 1931)

The Pain SurpriseUnsigned.Oil on canvas, 32 x 36 in. (81.3 x 91.4 cm), framed.Condition: Minor surface grime.

Provenance: Purchased from Menconi & Schoelkopf Fine Art, NewYork.

$8,000-12,000

END OF SALE

698

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All items in this catalogue are described according to the following table ofterminology. Please note that all statements in this catalogue as to Authorship,Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways:

John Joseph Enneking. - In our judgment, the work is by the artist.

Attributed to John Joseph Enneking. - In our judgment, the work may beascribed to the artist on the basis of style, but leaves some question as to actualauthorship.

School of John Joseph Enneking. - In our judgment, a work of an unknownfollower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking. - In our judgment, a work executed inthe style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking. - In our judgment, an intended copy of thework of the artist.

American School, 19th Century. - In our judgment, the work of anunknown hand that can only be identified as to period and culture.

Other terms:

Bears Signature. - In our judgment, the signature not of the artist. This termis generally used separately, or together with a description of the work as“attributed to,” “school of,” “manner of,” or “after” the artist.

Glossary of Terms

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Artist Index

Abbott, Yarnall ..............................................................................509Acconci, Vito ................................................................................674Agam, Yaacov ..............................................................................618Ahl, Henry Curtis ..........................................................................475Albers, Anni ......................................................................................1Alechinsky, Pierre ..........................................................................2, 3Amenoff, Gregory ........................................................................675American School, 19th Century ..........................357A, 385, 387, 393American School, 20th Century ........................................................4Andersen, Niels Yde ......................................................................5-9Anderson, Stanley ..........................................................................10de Andreis, Alex..........................................................................318BAnglo/American School, 19th Century ..........................................386Antokolsky, Mark Matveevich (After) ..............................................322Anuszkiewicz, Richard ....................................................................11D’Arcangelo, Allan M. ..................................................................616Arms, John Taylor............................................................................12Aronson, David ............................................................................594Arthur, Robert ..............................................................................362Ashkenazi, Aaron ........................................................................600Avery, Milton....................................................................................13Aylsworth, Lynn Nelsen ................................................................551

Bacher, Will Low ..........................................................................498Bacon, Henry ..............................................................................392Baker, Margaret ............................................................................484Barker, Benjamin (Attributed to) ....................................................348Bascom, Earl Wesley ..........................................................411, 413Baskin, Leonard ........................................................................14-23Baxter, Elijah ................................................................................581Beaux, Cecilia ..............................................................559, 560, 563Beckmann, Hannes ......................................................................639Bellamy, June ..............................................................................673Bellows, George Wesley............................................................23, 24Benson, Frank Weston ..............................................................25-32Benton, Thomas Hart ................................................................33-35Bernard, Edouard Alexandre ..........................................................36Berry, Carroll Thayer ........................................................................37van Beyeren, Abraham (School of) ................................................301Bierhals, Otto ..............................................................................459Bilbie, James Lees ....................................................................349ABirney, William Verplanck ............................................................392ABishop, Isabel ................................................................38, 589, 591Bishop, Richard Evett ......................................................................39Blackburn, Joseph ....................................................................314ABlampied, Edmund....................................................................40, 41van Blarenberghe, Jacques Willem ............................................343ABonavita, Francesco Bianchi (Manner of) ......................................309Boughton, George Henry ..........................................................331ABraitou-Sala, Albert ......................................................................549Braque, Georges (After) ..........................................................42, 42Ade Breanski, Alfred Fontville ..........................................................352Breling, Heinrich ..........................................................................325Breughel, Jan, the Younger (Manner of) ........................................300Breul, Hugo ..................................................................................391Bricher, Alfred Thompson ............................................................354British School, 18th Century..........................................................316British School, 18th/19th Century..................................................315Brown, Mae Bennett ....................................................................554Buckle, Claude ................................................................................43Bueno, Antonio ............................................................................603Buffet, Bernard ............................................................................605Burleigh, Sydney Richmond ................................320, 394, 445, 534Burlingame, Charles Albert ..........................................................418Burliuk, David ......................................................................593, 604Busa, Peter ..........................................................................645, 672

Cady, Harrison ..............................................................................585Cahoon, Jr., Ralph Eugene ..........................................................588Calder, Alexander ................................................................609, 610

Cambier, Louis Gustave ..............................................................516Cameron, David Young....................................................................44Canjura, Noe ........................................................................683, 684Carigiet, Alois ..................................................................................45Carlson, John Fabian ..................................................................449Cartier-Bresson, Henri ..................................................................269Case, Edmund Elisha ..................................................................469Casilear, John William ..................................................................379Casse, Roger ..............................................................................518Cassigneul, Jean Pierre ................................................................575Castelucho, Claudio ....................................................................543Cataldi, Amleto ............................................................................564Chagall, Marc ............................................................................46-48Chahine, Edgar................................................................................49Chamberlain, Samuel V. ............................................................50-62Champney, James Wells ............................................................319AChapin, Bryant ............................................................................351Chapin, Marie Louise ....................................................................558Charlet, Nicolas Toussaint ............................................................341Chase, Adelaide Cole ..................................................................556Chase, William Merritt ..................................................................399Chen, Chi-Kwan ..................................................................678, 680Chinni, Peter Anthony ..........................................................624, 628de Chirico, Giorgio ....................................................................63-66Cipolla, Fabio ..............................................................................330Clark, Roland ..................................................................................67Clastrier, Stanislaw ......................................................................443Clavé, Antoni ..................................................................................68Closson, William Baxter Palmer ............................................580, 582Coignard, James........................................................................69-71Cole, Joseph Foxcroft ..................................................................376Colla, Ettore ................................................................................630Collins, Earl E. ..............................................................................363Collver, Ethel Blanchard ................................................................586Colman, Samuel ..........................................................................513Connaway, Jay Hall ......................................................................470Continental School, 17th Century Style ......................................318CContinental School, 17th/18th Century..................................311, 326Continental School, 18th Century..........................................317, 319Continental School, 19th Century ......................329, 333, 334A, 345Continental School, 20th Century..........................................506, 532Continental School, 20th/21st Century..........................................592Cook, Jr., Otis Pierce ..................................................................486Corey, Bernard ............................................................................461Corinth, Lovis ..................................................................................72Cornoyer, Paul (Attributed to) ........................................................427Cortazzo, Oreste ........................................................................325BCotharin, Kate Leah ....................................................................483Crane, Alan Horton..........................................................................73Crite, Allan Rohan ........................................................................583Cruickshank, William ....................................................................344Curry, John Steuart ..................................................................74, 75Curtin, Thomas R. ........................................................................442Curtis, Roger William ....................................................................466Cutler, Carl Gordon ..............................................................428-431

Dalí, Salvador ............................................................................76, 77Damoye, Pierre Emmanuel ..........................................................446Davidson, Allan Albert ..................................................................577Dawson-Watson, Dawson (Attributed to) ......................................510Dean, Walter Lofthouse ................................................................366Decamps, Alexandre Gabriel ........................................................338Dehn, Adolf Arthur ..........................................................................78Dicksee, P.R.A., Sir Frank ............................................................327Dickson, Jane Leone ......................................................................79Dine, Jim ........................................................................................80Donati, Lazzaro ..............................................................81, 574, 595Dozier, Otis................................................................................82, 83Dubuffet, Jean ................................................................................84Duperac, Etienne ............................................................................85

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Dürer, Albrecht ................................................................................86Dutch School, 17th Century Style ................................................306Dyer, Hezekiah Anthony (Attributed to) ..........................................514Dzubas, Friedel ............................................................................625

Eastern European School, 20th Century........................................508Edgerton, Harold Eugene ......................................................270-278Eggleston, Benjamin Osro ............................................................382Enneking, John Joseph ................................................................434Ernst, Max ......................................................................................87Ettinger, Churchill ..........................................................................452Evans, Walker................................................................................279

Farrier, Robert (Attributed to) ......................................................329BFeininger, Lyonel..............................................................................88Feldman, Walter (Sidney) ..............................................................669Fenkohl, Erna ..................................................................................89Fiene, Ernest ..................................................................................90Finck, Hazel (Mrs. William C.) ......................................................500Flint, RA, Sir William Russell ........................................................568Francis, Sam ..................................................................................91Frankenthaler, Helen........................................................................92Frazier, Kenneth ..........................................................................537French School, 19th/20th Century ......................................93-95, 97French School, 20th Century ..................................................96, 522French, Daniel Chester ................................................................538Furneaux, Charles ........................................................................407

Gaertner, Carl Frederick ................................................................457Gag, Wanda ....................................................................................98Galerie Maeght, editor ..........................................................164, 165Gall, François ......................................................................520, 573Gallagher, Sears ......................................................................99, 100Gardiner, Eliza Draper ............................................................101-113Gasser, Henry Martin ....................................................................494Gay, Edward B. ............................................................................373Gay, Walter ........................................................................397A-398Genth, Lillian Mathilde ..................................................................472German School, 18th Century Style ..............................................308Gerry, Samuel Lancaster ............................................................379AGifford, Charles Henry ..................................................................358Gildemeester, Paulus Adriaan ......................................................340Gleizes, Albert ..............................................................................114Gloeckner, Michiel Theobald ................................................640, 641Gold, Albert ..................................................................................115Gollings, Elling William (Bill) ..........................................................410Gooden, Stephen..........................................................................116Goodnough, Robert Arthur ..........................................................638Gordon, John Watson ..................................................................318Gorman, R.C. ................................................................................117Grant, Clement Rollins ..................................................................542Grant, Gordon Hope ....................................................................118Graves, Abbott Fuller ................................................................398AGray, Cleve ..................................................................................643Greason, Donald Carlisle ..............................................................584Greene, Elmer Wesley ..................................................................547Griggs, Frederick Landseer Maur ..................................................119Grosz, George Ehrenfried ............................................................572Grubas, Marco ............................................................................402Grün, Maurice ..............................................................................525Gruppe, Charles Paul ..........................................................336, 377Gruppé, Emile Albert ............................................................436, 462Guillemer, Ernest ..........................................................................337Günther, Max ................................................................................635

De Haas, Mauritz Frederik Hendrick ............................................357Hale, Philip Leslie ........................................................................541Hamaguchi, Yozo ..................................................................120-122Hambourg, Andre ........................................................................521Hamilton, Robert G. ....................................................................652Hammond, Arthur J. ....................................................................406Han, Raymond ............................................................................698

Hardwick, Melbourne Havelock ....................................................381Hare, John Cuthbert ....................................................................503Hartung, Hans........................................................................123-126Haynes, Frank Jay ........................................................................280Hays, George Arthur ....................................................................375Hecht, Joseph ..............................................................................127Heckel, Erich ................................................................................129Heinrich, Franz (Francis H.) ..........................................................324Henry, George ..............................................................................539Hepworth, Dame Barbara..............................................................130Herring Jr., John Frederick ..........................................................349Hibbard, Aldro Thompson ....................................437, 447, 448, 450Hill, John William ........................................................................393AHills, Laura Coombs ....................................................................546Hinckley, Thomas Hewes (Attributed to) ........................................369Hine, Lewis Wickes ......................................................................281Hoffbauer, Charles Constantine ....................................................562Hoffman, Irwin D. ..........................................................................131d’Hondecoeter, Melchior (Attributed to) ........................................303Hornby, Lester George ..........................................................132, 133Hussain, Faiq ..............................................................................656Hutchens, Frank Townsend ..........................................................453Hutty, Alfred Heber ........................................................................134

Ingle, John Stuart ........................................................................696Italian School, 18th Century ..........................................................302Italian School, 18th/19th Century ..................................304, 307, 314Italian School, 19th Century ................................................325A, 342

Johnston, John S...................................................................282-284Johnstone, Henry James ..............................................................331Jones, Hugh Bolton ....................................................................423Joyce, Marshall Woodside ............................................................495de Juan, Ronaldo ........................................................................648

Kaber, George Frederick ..............................................................548Kappel, Philip ........................................................................135-137Kasimir, Luigi ..........................................................................138-140Kavalec, Gregory ..........................................................................636Kay, Reed ............................................................................693, 695Kelley, Donald Castell ..................................................................655Kirk, Frank Cohen ................................................................511, 552Kirmse, Marguerite ................................................................141, 142Kisling, Moïse ................................................................................143Knapp, Charles Wilson ................................................................378Knaths, Karl ................................................................................677Kolin, Sacha ..................................................................................144Kreyder, Alexis ..............................................................................346Kubinyi, Kalman ............................................................................145

Lansere, Nikolay Evgenyevich ......................................................531Lareuse, Jean ......................................................................528, 530Lasar, Charles Augustus C. ..........................................................368Lauritz, Paul ................................................................................464Lazarev, Vladimir ..........................................................................519Leavitt, Edward Chalmers ............................................................544Lee-Hankey, William ....................................................................524Leheutre, Gustave ........................................................................146Lehrer, Leonard......................................................................147-149Leif, Florence ................................................................................489Leighton, Clare Veronica Hope ......................................................150Leprince, Robert Léopold ............................................................343de Leub, Fr. ..................................................................................328Levine, Jack ..........................................................................151-156Lewis, Martin ................................................................................157Lichtenstein, Roy ..........................................................................158Lockwood, Wilton Robert ............................................................540Loeb, Lee M. ............................................................................500ALord, Elyse Ashe ....................................................................159-163Loving, Jr., Alvin Demar ................................................................642Lyford, Cabot ......................................................................597, 601Lynes, George Platt ......................................................................285

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Macdonald, Christopher ..............................................................637Macy, William Ferdinand ............................................................371AMajor, Ernest Lee ........................................................................481Maldarelli, Oronzio ........................................................................570Margo, Boris ........................................................................166, 167Marini, Marino................................................................................168Marsh, Reginald ..........................................................................527De Martelly, John Stockton............................................................169van Mastenbroek, Johann Hendrick ............................................365Mathewson, Frank Convers ..........................................................550Matisse, Henri ......................................................................170, 599Matsubara, Naoko ........................................................................171Matthey, L. ..................................................................................172Maufra, Maxime ..........................................................................507Mazini, Ciro ..................................................................................400McAfee, Ila Mae ..........................................................................409McBey, James ..............................................................................173McIlvaine, Jr., William A. ..............................................................380Melbye, Fritz Sigfried Georg ........................................................361Meltzer, Davis Paul ........................................................................174Metcalf, Conger A. ......................................................................596Mettenhoven, Marcel ....................................................................523Meucci, Michelangelo ................................................................343BMeurer, Charles Alfred ..................................................................388Michals, Duane..............................................................................286Millar, Addison Thomas ................................................................356Miller, Sylvia ..........................................................................646, 658Milton, Peter Winslow....................................................................175Miró, Joan..............................................................................176-182Moore, Henry ................................................................................183Morley, Malcolm ............................................................................185Morrell, Wayne Beam ..................................422, 432, 433, 435, 440

................................................................460, 488, 490, 497, 517Müller, Henry ..............................................................................337AMunninger, Ludwig ......................................................................438Murphy, John J. A. ........................................................................186Murray, Elizabeth ..................................................................187, 188Musgrave, Arthur Franklyn (Attributed to) ......................................505

Neopolitan School, 17th Century Style ..........................................310Nesbitt, Lowell Blair ......................................................................697Nevelson, Louise Berliawsky ................................................189, 631Neyland, Harry A. ........................................................................467Nicholls, Burr H. ........................................................................395ANichols, Carroll Leja ......................................................................451Nicholson, William ................................................................190, 191Nierman, Leonardo M. ..................................................................664Nixon, Nicholas ............................................................................287Noland, Kenneth ..........................................................................614Nooney, Ann..................................................................................192Norton, William Edward ................................................................360

O’Higgins, Pablo Esteban..............................................................194O’Keeffe, Georgia ........................................................................608O’Leary, Angela ............................................................................535Ogé, Eugène ................................................................................193Ohashi, Yutaka ............................................................................644Olgyai, Ferenc ..............................................................................419

de Paléologue, Jean, known as Pal ..............................................195Papart, Max ..........................................................................196-198Pape, Eric L. (Frederic) ........................................................426, 555Paradise, Philip Herschel ..............................................................199Parsons, Sheldon ......................................................................406APauli, Richard ..............................................................................383Pavlosky, Vladimir ........................................................................480Pearce, David ..............................................................................661Pearson, Marguerite Stuber ..........................................................553de la Peña, Narcisse Virgile Diaz (School of) ..................................321Pepper, Beverly Stoll ............................................................615, 634Pereira, Irene Rice ........................................................................665Pérez, Mariano Alonso ................................................................566

Perlman, Joel Leonard ................................................................633Perry, Lincoln ......................................................................688, 689Peterson, Jane ............................................................................533Petlin, Irving ..................................................................................602Peyton, Alfred Conway ................................................................529Pfaff, Judy ....................................................................................200Phelps, William Preston ................................................................389Picasso, Pablo ..............................................................................201Piccillo, Joseph ............................................................................668Piot, Adolphe (Attributed to) ..........................................................334Pollak, Max....................................................................................202Pomodoro, Arnaldo ......................................................................620Poncet, Antoine ............................................................................626Pye, Fred ......................................................................................474

Quence, Raymond ......................................................................515

Redon, Odilon ..............................................................................203Reiss, Lionel S. ............................................................................499Richards, Walter Dubois ................................................................205Richards, William Trost ..............................................................353ARico y Ortega, Martin ..................................................................404van Rijn, Rembrandt......................................................................204Ripley, Aiden Lassell ..............................................................414-416Rix, Julian Walbridge ............................................................384, 482Rodin, Auguste..............................................................................206Rosebee........................................................................................587Rosenquist, James........................................................................207Rost, Ernest Christian ................................................................382ARoth, Jack ....................................................................................647Rothenberg, Susan ..............................................................208, 209Rouault, Georges ..................................................................210, 211Row, David....................................................................................212Rowbotham, Charles ....................................................................405Rozmainski, Vladimir ....................................................................567Rumert, Bengt ..............................................................................213Ryan, Anne ..........................................................................214, 651

Saito, Kiyoshi ........................................................................215, 216Salmon, Robert ............................................................................353Sample, Paul Starrett ..................................................................455Schlesinger, Felix ..........................................................................332Schön, Erhard ..............................................................................217Schreyer, Adolf ............................................................................401Scott, John White Allen ................................................................370de Segonzac, Andre Dunoyer........................................................571Sen, Yong Mun......................................................................473, 476Serra, Richard ..............................................................................218Severini, Gino ................................................................................219Shannon, Charles Haslewood ......................................................576Shapleigh, Frank Henry ................................................................396Sheahan, Joseph Gary ................................................................579Sheehan, Richard ........................................................690-692, 694Sherwood, Walter J. ....................................................................397Sichel, Nathaniel ........................................................................322ASicilia, José María..........................................................................220Sidney, Andrew Fisher Bunner, Thomas (After) ..............................184Simon, Tavik Frantisek ..................................................................221Siqueiros, David Alfaro ..................................................................222Siskind, Aaron........................................................................288-291Sisson, Laurence Philip ................................501, 502, 504, 662, 663Sloane, Eric ..................................................................................444Smillie, George Henry ..................................................................374Smith, Frank Vining ......................................................................417Smith, Harry ..............................................................................387ASmith, Hope ................................................................................526Sobin, Peter ................................................................................654Solliday, Tim ........................................................................408, 412Soto, Jesus Rafael ......................................................................629Soulages, Pierre ............................................................................223Soyer, Moses ..............................................................................590Soyer, Raphael ......................................................................224-227

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Spanish or Spanish Colonial School, 18th Century Style ..............312Spanish School, 16th Century/Style ..............................................313Sprinchorn, Carl ..........................................................................676Steinberg, Saul ............................................................................613Steinheil, Adolphe Charles Edouard ............................................323Steir, Pat........................................................................................228Stella, Frank ................................................................................612Stevens, William Lester ................................................................496Stevovich, Andrew ................................................................229-234Stewart, Reba ..............................................................................659Stone, Don ..........................................................................468, 485Storch, Karl (Attributed to) ............................................................545Strisik, Paul ................................................................................443AStrozzi, Bernardo (Attributed to) ..................................................318ASummers, Carol ....................................................................235-241Sung, Chin ....................................................................................242Surber, Paul ..............................................................................409ASvendsen, Svend Rasmussen ......................................................458Swan, Emma Levinia ....................................................................395Symons, George Gardner ............................................................439

Tabuena, Romeo Villalva ..............................................................667Tanguy, Yves ................................................................................611Tchelitchew, Pavel ........................................................................598Teniers, David, the Younger (Manner of) ........................................305Thom, James Crawford ................................................................390Thomas, Alice Blair ....................................................................350AThompson, Albert ......................................................................380ATing, Walasse ..............................................................682, 685-687Tobiasse, Théo ......................................................................243-246Tojetti, Virgilio ............................................................................329AToledo, Francisco ........................................................................671Tolman, Stacy ..............................................................................492de Toulouse-Lautrec, Henri....................................................247, 569Triscott, Samuel Peter Rolt ..........................................................493Trova, Ernest Tino ................................................................621-623Tumarkin, Igael ............................................................................617Tyler, James Gale ........................................................................364

Vasarely, Victor ............................................................................619Vernon, Paul ................................................................................403Vierra, Carlos ................................................................................478Villon, Jacques ............................................................................248Vincent, Harry Aiken ....................................................................487Vos, Hubert ..................................................................................420Vuillard, Edouard ..........................................................................249

Walker, John G. ............................................................................649Walkley, David Birdsey ..............................................................378AWalraven, Jan ..............................................................................335Walton, William ............................................................................632Ward, Lynd Kendall ......................................................................250Warhol, Andy ................................................................................251Warren, Elizabeth Boardman ........................................................421Warren, Harold Broadfield ............................................................425Washburn, Bradford ..............................................................292-296Waters, George Wattles ................................................................359Watson, William R.C. ....................................................................350Way [Wei Letang], John ................................................................681Webber, Wesley Elbridge ......................................................355, 371Wedin, Elof ..................................................................................660Weekes, William ..........................................................................347Wei, Liu Tian ................................................................................679Wely, Jacques ..............................................................................578Weissman, Charles M. ..................................................................142Wengenroth, Stow ................................................................252-255Wesselmann, Tom ........................................................................256Wesson, Robert Shaw ..................................................................454Whistler, James Abbott McNeill ..............................................257-263Whitaker, George William (Attributed to) ........................................339Whitman, Sarah De St. Prix Wyman ............................................557Whittingham, Bonnie ............................................................607, 670

Whorf, John ................................................................465, 477, 479Wilbur, Lawrence Nelson ..............................................................463Willison, Thomas Jefferson ..........................................................424Wilson, Jeremiah ..........................................................................372Wilson, Robert ..............................................................................264Wilson, Sol ..................................................................................606Winter, Charles Allen ............................................................561, 565Wood, Stanley Huber ..................................................................512Woodbury, Charles Herbert ..........................................................471Woodward, Mabel May ................................................................536Woodward, Robert Strong ..................................................456, 491Woodward, Stanley Wingate ........................................................441

Youngerman, Jack ................................................................265, 627

Zadkine, Ossip ..............................................................................266Zerbe, Karl ..................................................................................666

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397

1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor andSkinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceedthe estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not alot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature withrespect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, ofdescription, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement madeat the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputedbid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lotfor sale.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and thepurchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days ofthe date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. Ifany property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, andthe purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the threedays, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and afterdeducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bankauthorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal checkuntil the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by thedrawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of allitems for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, withoutlimitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b)offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation topay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by suchpurchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within theUnited States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items thatinclude material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting oflicensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitutecancellation or delay in payment for the total purchase price of these lots.

9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and otherqualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department ofCorporations and Taxation at 100 Cambridge Street in Boston.

10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium onproperty purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15%of the final bid over $200,000.

11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person,through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright orreproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. Thecopyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of thiscatalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without ourprior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts orchoice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner inconnection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or anyfederal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now orhereafter have to the venue of any such suit.

Skinner, Inc. - Conditions of Sale

Revised September 29, 2009

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Board of Directors

Administration

ExpertDepartments

SKINNER, INC.Auctioneers andAppraisers of Antiquesand Fine Art

63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429

274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100

www.skinnerinc.com

Chairman of the Board - Nancy R. SkinnerRichard AlbrightBarnet FainStephen L. FletcherKaren M. Keane

President/Chief Executive Officer - Karen M. KeaneChief Financial Officer - Don KellyExecutive Vice President - Stephen L. FletcherVice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives,Stuart G. Slavid, Stuart P. Whitehurst

American & European Paintings & Prints - Robin S.R. StarrAssistants: Kathy Wong, Elizabeth C. HaffAmerican Furniture & Decorative Arts - Stephen L. Fletcher, Martha HamiltonAssistants: LaGina Austin, Karen Langberg, Chris Barber, Susan ZachariasAmerican Indian & Ethnographic Art - Douglas DeihlAsian Works of Art - James F. CallahanAssistant: Tianyue JiangBooks & Manuscripts - Stuart P. WhitehurstAssistant: Sara C. WishartBottles, Flasks & Early Glass - Stephen L. FletcherCeramics - Stuart G. SlavidClassic Automobiles & Motorcycles - Jane D. PrentissCouture - Kerry ShrivesDiscovery Sales - Kerry ShrivesAssistants: Garrett J. Sheahan, Harry B. McNabb, Melissa RiebeEuropean Furniture & Decorative Arts - Stuart G. SlavidAssistants: Stuart P. Whitehurst, Sara C. WishartFine Wines - Marie KeepJewelry - Gloria LiebermanAssistants: Sheila Barron Smithie, F.G.A., G.G.; John ColasaccoJudaica - Kerry ShrivesModernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture -Jane D. PrentissMuseum & Collections Services - Martha HamiltonMusical Instruments - David BonseyOriental Rugs & Carpets - Gary RichardsScience, Technology & Clocks - Robert C. CheneyAssistant: Chris BarberSilver - Stuart G. SlavidAssistant: Sara C. WishartToys & Dolls - Kerry ShrivesAuctioneers - LaGina Austin, David Bonsey, Robert C. Cheney,Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman,Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney,Stuart P. Whitehurst

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Marlborough: Warehouse Manager - Jonathan Dowling, ext. 3280Property Manager - Samuel Combs, ext. 3262508.970.3000

Boston: Elisabeth Benson-Allott, ext. 4312; Kerryn Murphy, ext. 4329Property Distribution Manager - Jessica R. Lincoln, ext. 4308617.350.5400

Marlborough: Accounts Receivable - Denise Johnson, ext. 3269Accounts Payable - Kathleen Hayes, ext. 3268Credit Supervisor - Joe Monteyro, ext. 3266

Marlborough: Karen Skinner, ext. 3240508.970.3000

Appraisal & Auction Services - Patricia Walker King, Beth Zwicker,Katharine Holtman, Leah SkowronAdvertising Production - Pamela Van de HoutenBoston Gallery Director - Laura V. SweeneyAssistant Gallery Director: Paige LewellynGallery Assistant: Katharine E. HampsonCatalogue Production - Pamela Van de Houten, Kristina HarrisonAssistant: Cheryl FreemanCustomer Relations - Carol McCaffreyHuman Resources - Carol McCaffreyInformation Technology & Internet Auctions - Kerry ShrivesAssistants: Timothy Shaughnessey, Melissa RiebeConsignment Services - Deanna Williams, Megan J. Blomgren, Carol ZeiglerManaging Director - Marie C. KeepMarketing & Public Relations - Catherine Riedel, Anne M. Trodella,Karen SkinnerPhotographers - Stanley P. Bystrowski, Jeffrey R. AntkowiakReceptionists - Marlborough: Elizabeth H. Wilson, Judy McLeodBoston: Erica BoccardTransportation - Eric JonesAssistants: Mark McCaffrey, John Williams

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Page 398: American & European Paintings & Prints

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SKINNERAuctioneers and Appraisers of Antiques and Fine Art

63 Park Plaza , Bo s t on , MA 02116 Te l : 617 .350 .5400 Fax : 617 .350 .5429274 Cedar Hi l l S tre e t , Mar lborough , MA 01752 Te l : 508 .970 .3000 Fax : 508 .970 .3100

www. sk inner inc . c om

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids asa convenience, and will not be held responsible for any errors or failure to execute bids. I understand that

my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.

Absentee Bid Form

Marlborough Boston Phone Fax Mail Person Employee:

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Page 399: American & European Paintings & Prints

Directions to Skinner's Boston Gallery/63 Park Plaza, Boston, MATelephone: 617-350-5400

From the West:Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.

Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto

Charles Street South. Take your first left off of Charles St. South onto Park Plaza.Skinner is at 63 Park Plaza, one block up on the right.

From the South:Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. KneelandStreet becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.

Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport:Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in theramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn leftonto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto

Charles Street South. Turn left onto Park Plaza.Skinner is at 63 Park Plaza, one block up on the right.

From the North:Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 Southvia the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turnleft onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

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email address ______________________________________________ Tel: ( ) _____________________________

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Included with catalogue subscription

American Furniture & Decorative Arts $120 $143

European Furniture & Decorative Arts $120 $143

American & European Paintings & Prints $120 $143

Fine Jewelry $120 $143

20th Century Furniture & Decorative Arts $60 $73

Asian Works of Art $60 $73

Fine Oriental Rugs & Carpets $18 $25

American Indian & Ethnographic Art $60 $73

Fine Books & Manuscripts $30 $36

Toys, Dolls & Collectibles $60 $73

Fine Ceramics $60 $73

Fine Musical Instruments $60 $73

Science & Technology $60 $73

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All Above Departments $800 $975

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SKINNER CATALOGUE SUBSCRIPTION FORMPRICES EFFECTIVE JANUARY 1, 2008. Catalogue subscription price includes quarterly brochure. Subscription effectiveone year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

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DOMESTICATEDphotographs by AMY STEIN

January 22 through April 18, 2010

Harvard Museum of Natural History26 Oxford StreetCambridge, MA 02138617.495.3045

www.hmnh.harvard.edu

© Amy Stein

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