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A N D D E S I G NW E D N E S D AY • O C T O B E R 2 , 2 0 1 3

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Scott H. Shuford, TXL #13769 : Jerry W. Holley, TXL #10262


A M E R I C A N A R TE U R O P E A N A R T


P R E V I E W :September 30 | 10am - 5pm

October 1 | 10am - 5pmOctober 2 | 10am - 6pm

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C O N T E N T S

European Art 4

Modern Art 40

Prints, Photography and 20th Century Design 82

American and Regional Art 126

Guide for Prospective Buyers 146

Terms and Conditions 148

E U R O P E A N A R TL O T S 1 - 6 0

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1 • A U G U S T E R O D I N(French, 1840-1917) Homme accroupiBronze with dark brown and green patina, number 9 of 12. Conceived in 1890-1900; cast in1967 by Georges Rudier. Raised signature to underside “A. Rodin;” signed and numberedalong base at rear “A. Rodin No 9;” inscribed with copyright“by Musee Rodin 1966” and withfoundry inscription “Georges Rudier. Fondeur. Paris.”

Bronze: 5''H.

$10,000 - 15,000

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3 • H E N R I D E T O U L O U S E -L A U T R E C(French, 1864-1901)Le chirurgien Pean operantPencil on lined paper, 1891.Stamped with monogram lower right.

Sheet: 6.5''H x 4''W; Frame: 13''H x 10.5''W.

Provenance: Estate of the artist;Gabriel Tapie de Celeyran, Paris;Marcel Guiot, Paris; Paulette God-dard, New York; Sotheby’s NewYork, October 18 1985, Lot 16;Mr. and Mrs. Herbert Schimmel,New York; R.H. Ellsworth, Ltd.,New York; Sotheby’s New York,April 2001; Private collection; Lu-cien Goldschmidt Inc., New York;Christie’s New York, September12 2007, Lot 58.

Literature: M. Joyant, “Henri deToulouse-Lautrec, 1864-1901:dessins, estampes, affiches,” Paris,1927, p. 196 (illustrated p. 256);G. Mack, “Toulouse-Lautrec,” NewYork, 1938, p. 23; M.G. Dortu,“Toulouse-Lautrec et son oeuvre,”New York, 1971, vol. V, p. 520, no.D.3.190 (illustrated, p. 521).

Note: Gabriel Tapie de Celeyran,Lautrec’s cousin, served as an in-tern at Dr. Pean’s hospital, whereLautrec drew the doctor as hedemonstrated surgical tech-niques to his students (Natanson,“Un Henri de Toulouse Lautrec,”p. 230).

$2000 - 3000

2 • J E A N L O U I S F O R A I N(French, 1852-1931) L’affichage au clubGouache, pastel and ink on paper, 1888. Signed lower right “jl. forain;”titled lower center. With old unidentified exhibition label on the reverse dated 1938, Brussels.


Provenance: Sotheby’s New York, May 5 1999, Lot 378.

$1500 - 2500

8

5 • C A M I L L E P I S S A R R O(French, 1830-1903)PaysanneWatercolor over pencil on paper, circa 1883. Initialed lower right “C.P.”

Sheet: 6''H x 3.625''W; Frame: 25''H x 22.25''W.

Provenance: Titus Fine Art, Los Angeles; Ex-collection Russell Collection Gallery, Austin; Private collection; Christie’s New York, February 14 2007, Lot 15.

Note: Joachim Pissarro has confirmed the authenticity of this watercolor.

$3000 - 5000

4 • H E N R I D E T O U L O U S E - L A U T R E C(French, 1864-1901)NicoiseWatercolor and pencil on paper, 1881. Monogrammed lower left.

Sheet: 5.5''H x 4.125''W; Frame: 13.5''H x 12.25''W.

Provenance: Galerie Stiebel, Paris; Hammer Galleries, New York;Sotheby’s New York, June 24 1998, Lot 6.

Exhibited: Palms de la Mediterranee, Nice, 1957, catalogue #26.

Literature: M.G. Dortu, “Toulouse-Lautrec et son oeuvre,” vol. III, New York, 1971, no. A. 168, p. 490-1, illustrated.

$5000 - 7000

9

7 • E U G E N E B O U D I N(French, 1824-1898)Femmes a la plagePastel on blue paper. Initialed lower right “E B.”


Provenance: Private collection, Switzerland; Christie’sParis, May 26 2004, Lot 4; Private collection;Christie’s New York, February 14 2007, Lot 9.

Note: Robert Schmit has confirmed the authenticityof this work; it is registered in his archives under#6528.

$3000 - 50006 • M A R C C H A G A L L(Russian/French, 1887-1985)Tree and BoatInk with traces of green pencil on paper. Signed lower right“Marc Chagall.”

Sheet: 6.325''H x 3.875''W; Frame: 20''H x 18''W.

Provenance: Sotheby’s New York,February 16 1999, Lot 21.

$5000 - 7000

10

9 • C A M I L L E P I S S A R R O(French, 1830-1903)Paysage du midiWatercolor over pencil on paperlaid down on board. Stampedwith initials lower left “C.P.”


Provenance: Estate of the artist,Galerie Bernheim Jeune, Paris;Mme. C. Vegee, Paris; Joseph Edwards, New York; J.L. HudsonGalleries, Detroit; Christie’s NewYork, May 6 1998, Lot 253.

$6000 - 8000

8 • L E O N A U G U S T I N L H E R M I T T E(French, 1844-1925) Figure on a Cottage Lined PathPastel on paper laid down on board.Signed lower left “L. Lhermitte.”Board reverse with label “Jules Viel-lard, Dorure and EncadrementsArtistiques, 10 Rue de Louvois, presla Bibliotheque Nationale.”

Board: 10"H x 13"W; Frame: 16.5"H x 19.5"W.

Provenance: Private collection, Wichita Falls, Texas.

$5000 - 7000

11

1 0 • P I E R R E - A U G U S T E R E N O I R(French, 1841-1919)Esquisse de paysageOil on canvas mounted on panel. With a type-written label on the reverse inscribed “Figures dans ouvrage: Atelier de Renoir, Bernheim, pl. 182, cliche 279.”

Canvas: 3.25''H x 3.75''W; Frame: 25.5''H x 25.5''W.

Provenance: Galerie Barbazanges, Paris (label on reverse); Sotheby’s Arcade, June 30 2004, Lot 333.

Literature: Bernheim-Jeune, “L'Atelier de Renoir,” Tome II, plate 122, left center part of No. 379.

Note: This work will be included in the Renoir catalogue critique in preparation by the Wildenstein Institute from the François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein archives.

$10,000 - 15,000

12

1 1 • P I E R R E - A U G U S T E R E N O I R A N DL O U I S M O R E LDanseuse au tambourin ITerracotta relief plaque. Conceived in 1918,cast in 1946. Stamped with signature andnumbered lower right “Renoir 3.”

Plaque: 23''H x 15.375''W; Frame: 24.5''H x 17.5''W.

Provenance: Christie’s New York, May 8 2001, Lot 5.

Literature: P. Haesaerts, “Renoir Sculptor,” New York, 1947, p. 43, no. 22 (another cast illustrated, pl. XLIV).

Note: Renoir collaborated with Richard Guinoon roughly 20 sculptures until 1918, when he enlisted the talents of younger sculptorLouis Morel. Renoir and Morel created threeterracotta reliefs depicting Dionysian scenes,including “Danseuse au tambourin I” and “Le joueur de flute.”

$5000 - 7000

13

1 2 • P I E R R E - A U G U S T E R E N O I R A N DL O U I S M O R E LLe joueuer de fluteTerracotta relief plaque. Conceived in 1918,cast in 1946. Stamped with signature andnumbered lower right “Renoir 4.”

Plaque: 22.5''H x 16.625''W; Frame: 24.25''H x 18''W.

Provenance: Christie’s New York, May 8 2001, Lot 6.

Literature: P. Haesaerts, “Renoir Sculptor,” New York, 1947, p. 43, no. 24 (another cast illustrated, pl. XLVII).

Note: Renoir collaborated with Richard Guinoon roughly 20 sculptures until 1918, when he enlisted the talents of younger sculptorLouis Morel. Renoir and Morel created threeterracotta reliefs depicting Dionysian scenes,including “Danseuse au tambourin I” and “Lejoueur de flute.”

$5000 - 7000

14

1 3 • G E O R G E S R O U A U LT(French, 1871-1958)Silhouette de femmeWatercolor, brush and black ink on paper, 1915. Signedand dated upper right “G. Rouault 1915,” also stamped“35” upper right. Frame verso with label “The House ofHeydenryk, New York.”

Sheet: 11''H x 8''W; Frame: 22.75''H x 20.75''W.

Provenance: Corcoran Fine Art, Cleveland Heights,Ohio; Private collection; Christie’s New York, February14 2007, Lot 12.

Literature: B. Dorival and I. Rouault, “Rouault: L’oeuvrepeint,” Monte-Carlo, 1988, vol. I, p. 84, no. 271 (illustrated).

$8000 - 12,000

15

1 4 • M A U R I C E U T R I L L O(French 1883-1955)Fleurs dans un vaseGouache over pencil on paper, 1938. Signed, datedand inscribed lower right “Maurice, Utrillo, V., NOUVELAN 1938;” signed and dated again lowerleft, and dedicated “Avec toutes mes sympathies al’ami Paul Petrides, Maurice, Utrillo, V, 1938.”

Sheet: 12.75''H x 9.75''W; Frame: 23.25''H x 20''W.

Provenance: Paul Petrides, Paris; Christie’s New York, September 12 2007, Lot 1.

Exhibited: Galerie Charpentier, Paris, “Cent Tableaux par Utrillo,” 1959 (label on the reverse).

Note: Jean Fabris has confirmed the authenticity of this work.

$9000 - 12,000

16

1 5 • PA U L S I G N A C(French, 1863-1935)Vue de Seine, la passerelle DebillyWatercolor and gouache overpencil on paper laid down oncard, 1903. Label on the reverse“The House of Heydenryk, New York.”

Sheet: 5.5''H x 8.5''W; Frame: 13''H x 15.75''W.

Provenance: Private collection;Sotheby’s May 16, 2001; Privatecollection; Sotheby’s Arcade,June 29 2004, Lot 339.

Note: The bridge depicted in thiswork was commissioned for theExposition Universelle of 1900.Originally called “the Magdebour”or “de Billy Passerelle,” it was latermoved to its current locationnear the Eiffel Tower.

$6000 - 8000

1 6 • M A X I M I L I E N L U C E(French, 1858-1941)L'excavationOil on canvas. Signed lower right“Luce.” Inscribed sticker verso“From The Collection of Dr. andMrs. Robert Schermer, ShakerHeights, Ohio.”

Canvas: 5.25''H x 9.5''W; Frame: 11.75''H x 16''W.

Provenance: Sotheby’s New York,October 6 1998, Lot 44.

$2000 - 3000

17

1 8 • E U G E N E G A L I E N - L A L O U E(French, 1854-1941)Sunset LandscapeOil on canvas. Signed lower left “E Galiany.”


Provenance: Sotheby’s New York,July 16 1998, Lot 419.

$3000 - 5000

1 9 • J E A N D U F Y(French, 1888-1964)Bouquet de fleurs dans unevaseWatercolor on paper, 1919.Signed lower left “Jean Dufy,” inscribed and dated lower left“Dugny Meuse 1919.”


Provenance: Wiener Gallery, NewYork (stamp verso); the Collectionof Geoffrey Beene, Sotheby’s New York, September 24 2005,Lot 380.

Note: Jacques Bailly has con-firmed the authenticity of thiswork.

$2000 - 4000

1 7 • PA U L E M I L E P I S S A R R O(French, 1884-1972)Riviere PrintempsOil on canvas. Signed lower right“Paulemile Pissarro.”

Canvas: 21''H x 26''W; Frame: 30.5''H x 35''W.

Provenance: Wally Findlay Galleries, New York (label on reverse); Doyle New York, November 2 1998, Lot 91.

$3000 - 5000

18

2 0 • J E A N D U F Y(French, 1888-1964)View sur le canal a VeniseWatercolor on paper, 1928. Signed lower right “Jean Dufy.” With label verso “Roosevelt Field Art Center Inc., New Jersey.”

Sheet: 17.325''H x 20.5''W; Frame: 27''H x 31''W.

Provenance: Sotheby’s New York, June 9 1994, Lot 45.

Note: Accompanied by photocertificate No. 3058 signed by Leandre Quesnel and dated 1993.

$5000 - 7000

19

2 1 • J E A N D U F Y(French, 1888-1964)Clowns musiciensWatercolor and gouache on paper. Signed lower left “Jean Dufy.”


Provenance: Sotheby’s Olympia, March 20 2003, Lot 91; MadameQuenot, France; Sotheby’s New York, June 29-30 2004, Lot 348.

Note: This work is included in the second volume of the artist’s catalogue raisonne prepared by Jacques Bailly.

$5000 - 7000

20

2 2 • F E D E R I C O B A L L E S I O(Italian, 1880-1920)The ConcertWatercolor on paper. Signed and inscribed lower right “F Ballesio Roma.”

Sight: 20''H x 30''W; Frame: 32''H x 40.75''W.

Provenance: Butterfields, November 11 1992, Lot 3140.

$3000 - 5000

2 3 • B E R N A R D B O R I O N E(French, c. 1865)A Game of ChessWatercolor on paper. Signedlower left “B. Borione Paris.”

Sight: 11''H x 8.75''W; Frame: 24''H x 21.5''W.

$1200 - 1800

2 4 • C E S A R E D E T T I(Italian, 1847-1914)The CriticWatercolor on paper, 1872. Signed, dated and inscribedlower left “C. Detti Roma 72.”

Sheet: 14''H x 10"W; Frame: 23.25''H x 19.5''W.

$1000 - 1500

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2 5 • E T I E N N E P R O S P E R B E R N E - B E L L E C O U R(French, 1838-1910)A soldier with his horseOil on panel, 1903. Signed and dated lower right “E. Berne-Bellecour. 1903-.”

Panel: 19''H x 14''W; Frame: 29.5''H x 24.25''W.

Provenance: Christie’s New York, June 15 1999, Lot 67.

$1500 - 2500

2 6 • H E R M A N N M A U R I C E C O S S M A N N(French, 1821-1890)The GreetingOil on panel. Signed and inscribed lower left “M Cossmann Paris.”

Panel: 21.25''H x 15.5''W; Frame: 29.25''H x 23.25''W.

Provenance: Butterfield and Butterfield San Francisco,November 19 1997, Lot 4192.

$2000 - 3000

2 7 • J O H N B U R G E S S(British, 1830-1897)On the BalconyOil on canvas, 1875. Titled, signed and dated canvasverso “JB Burgess 1875.”

Canvas: 30''H x 20''W; Frame: 43.25''H x 33.25''W.

$1200 - 1800

22

Not Pictured2 8 • M A U R I C E B R I A N C H O N(French, 1899-1979)Le Ballet - Louis XIVOil on board. Signed lower right“Brianchon.”

Board: 14.25''H x 9''W; Frame: 17.5''H x 12.25''W.

Provenance: Findlay Galleries,New York (label on reverse).

$1500 - 2500

Not Pictured2 9 • W I L L I A M O L I V E R(British, 1823-1901)The InvitationOil on canvas, 1873. Signed anddated lower left “W. Oliver 1873.”

Canvas: 32''H x 26''W; Frame: 38''H x 32''W.

$2500 - 3500

3 0 • J O H N E M M A N U E L J A C O B S(British, fl. 1882-1898)Windsor CastleOil on canvas, 1885. Signed and dated lower left “J.E. Jacobs /85.”

Canvas: 48''H x 72.5''W; Frame: 63.25''H x 87''W.

Provenance: Phillips London, June 3 1997, Lot 112.

$4000 - 6000

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3 1 • E D M O N D - F R A N C O I SA M A N - J E A N(French, 1860-1935)Celine Adele MarillierOil on canvas, 1885. Signed andinscribed in gold upper right“Anno - MDCCCLXXXV/AmanJean pinxit/Imago Celine AdeleMarillier/Aetatis Suae/XXV.”

Canvas: 45.5''H x 35.5''W; Frame: 50''H x 40''W.

Provenance: Christie’s London,June 25 1998, Lot 292.

Note: Accompanied by a photo-certificate signed by RobertHellebranth, dated April 23, 1998,stating this work will be includedin the artist’s catalogue raisonne.

The book held by the sitter is “L’unique et sa propriete” by MaxStirner, originally published inGerman in 1845 as “Der einzigeund sein eigentum.” An extractfrom the book is inscribed on the stretcher verso.

$5000 - 7000

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3 2 • L E O N G A S PA R D(Russian/American, 1882-1964)Russian BoyOil on canvas laid down on canvas. Signed lower left “LSGaspard.”

Canvas: 9.5''H x 8''W; Frame: 16.5''H x 14.5''W.

Provenance: Fenn Galleries, Santa Fe, New Mexico (label on reverse).

$6000 - 8000

3 3 • J E A N B E R A U D(French, 1848-1935)Marguerite Fernand Bourdetet ses trois filsOil on panel, 1894-95. Signedlower center “Jean Beraud;” withold paper label on the reverseidentifying the sitters; panelverso stamped “F. DUPRE.”

Panel: 12.5''H x 15.75''W; Frame: 20.25''H x 23.5''W.

Provenance: Christie’s London,June 25 1998, Lot 299.

Note: This painting is included in the catalogue raisonne for theartist compiled by Patrick Offenstadt.

$3000 - 5000

3 4 • G U S T A V E J E A N J A C Q U E T(French, 1846-1909)Le chapeau rouge aux fleursOil on canvas. Signed upper left “G. Jacquet.”


Provenance: Doyle New York, May 20 1998, Lot 122.

$4000 - 6000

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3 5 • A L F R E D S T E V E N S(Belgian, 1823-1903)Le bijouOil on panel. Signed lower left “AStevens.”

Panel: 33''H x 24''W; Frame: 42''H x 32''W.

Provenance: Ex-collection Dr. and Mrs. O.K. Cosla, New York.

Exhibited: E. B. Crocker Art Gallery, Sacramento, CA “The Cosla Collection,” 1948; Maryhill Museum of Art, Maryhill, WA, 1950 (label on reverse).

$25,000 - 35,000

26

3 6 • H E N R I F A N T I N - L AT O U R(French, 1836-1904)La toiletteOil on canvas. Signed lower right “Fantin.”


Provenance: Gustave Tempelaere, Paris; Alex Reid, Glasgow; Watson Art Galleries, Montreal (label on reverse); Christie’s New York, June 15 1999, Lot 26.

Literature: Madame Fantin-Latour, “Catalogue de l’oeuvre de Fantin-Latour,” Paris, 1911, No. 1440, p. 152.

Note: This painting will be included in the forthcoming catalogue raisonne of the artist’s paintings and pastels in preparation by Galerie Brame and Lorenceau.

$4000 - 6000

3 7 • A F T E R A L B E R T E R N E S T C A R R I E R - B E L L E U S E(French, 1824-1887)MelodyBronze sculpture. Inscribed “A. Carrier Belleuse, Hors. Concours.”

30.75''H.

$2000 - 3000

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3 9 • N A R C I S S E V I R G I L E D I A Z D E L A P E N A(French, 1807-1876)Two Sisters Walking Through the WoodsOil on panel. Signed lower left “N Diaz,” obscured by frame.

Panel: 14''H x 10.5''W; Frame: 23''H x 19.75''W.

Provenance: Sotheby’s New York, May 1998, Lot 38.

$2500 - 3500

3 8 • H E N R I F A N T I N - L AT O U R(French, 1836-1904)Deux baigneusesOil on canvas, 1904. Signed lower right “Fantin.”


Provenance: Gustave Tempelaere, Paris (canvas stamp verso); E.J. van Wisselingh and Co., Amsterdam; Private collection, Barrington, IL.

Literature: Madame Fantin-Latour, “Catalogue de l’Oeuvre Complet de Henri Fantin-Latour,” Floury Editeur, Paris 1911, No. 2135, page 225.

Note: This painting will be included in the forthcoming catalogue raisonne of the artist’s paintings and pastels in preparation by Galerie Brame and Lorenceau.

$3000 - 5000

28

4 0 • H E N R I L E B A S Q U E(French, 1865-1937)Jeune fille la poupe antiqueOil on canvas, 1917. Signed lowerright “H. Lebasque.”

Canvas: 23.25''H x 17''W; Frame: 31.5''H x 25''W.

Provenance: Christie’s New York,May 5 1998, Lot 212.

Literature: Paul Vitry, “HenriLebasque,” Paris, ImprimerieGeorges Petit, 1928 (illustrated, p. 195).

Note: Denise Bazetoux has con-firmed the authenticity of thispainting.

This painting is a fragment of the fresco commissioned by the Beaux Arts, Paris.

$12,000 - 18,000

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4 1 • H E N R I M A R T I N(French, 1860-1943)Jeune femme au chapeauOil on panel, 1930. Signed anddated upper right “Henri Martin30.”

Panel: 18''H x 13''W; Frame: 26.75''H x 21.75''W.

Provenance: Madame Duhem;Sotheby’s New York, February 17 1999, Lot 142.

$15,000 - 20,000

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4 2 • E D O U A R D L E O N C O R T E S(French, 1882-1969)Place de la RepubliqueOil on board. Signed lower left “Edouard Cortes.”

Board: 6.25''H x 8.75''W; Frame: 13''H x 15.5''W.


Note: This painting will be included in Nicole Verdier’s forthcoming Edouard Leon Cortes catalogue raisonne Vol. III.

$7000 - 9000

4 3 • A N T O I N E B L A N C H A R D(French, 1910-1988)Place de la RepubliqueOil on canvas. Signed lower right “Antoine Blanchard;” inscribed canvas verso “H1274” and with an illegible stamp.


Note: This work was examined, via photograph, by Rehs GalleriesInc., New York, and has been included in their online catalogue ofAntoine Blanchard’s work.

$5000 - 7000

31

4 4 • A N T O I N E B L A N C H A R D(French, 1910-1988)Vue de Notre Dame aux bouquinistesOil on canvas. Signed lower right “Antoine Blanchard.”


Note: This work was examined, via photograph, by Rehs Galleries Inc.,New York, and has been included in their online catalogue of AntoineBlanchard’s work.

$5000 - 7000

4 5 • H U G H E S C L A U D E P I S S A R R O(French, b. 1935)Les palmiers des CannesPastel on paper. Signed lower left “H. Claude Pissarro.”

Sheet: 14''H x 20''W; Frame: 24''H x 29.5''W.

$3000 - 5000

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4 6 • H U G H E S C L A U D E P I S S A R R O(French, b. 1935)Les pommiers rosesOil on canvas. Signed and inscribed lower right “H. Claude Pissarro -le petit fils;” signed and titled canvas verso.


$6000 - 8000

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4 7 • Y V O N N E C A N U(French, 1921-2008)Port GrimaudOil on canvas. Signed lower right “Canu;” signed, titled and inscribed “227” canvas verso.


$1500 - 2500

Not Pictured4 8 • E M M A N U E L M A N E - K AT Z(Russian/French, 1894-1962)Boats in the HarborGouache on board, 1941. Signed and dated lower left “Mane-Katz 41.”

Board: 22''H x 28''W; Frame: 30''H x 36''W.

Provenance: Sotheby’s New York, February 24 1995, Lot 73; Private collection; Christie’s New York, May 8 2001, Lot 115.

$2500 - 3500

4 9 • H U G H E S C L A U D E P I S S A R R O(French, b. 1935)L'arrivee des modeles au jardin de VallaurisPastel on paper. Signed lower left “H. Claude Pissarro.”


$3000 - 5000

5 0 • H U G H E S C L A U D E P I S S A R R O(French, b. 1935)St. Aignan le Malherbe - vu de lacollineOil on canvas. Signed lower left “H.Claude Pissarro 'le petit fils';” signed andtitled canvas verso.


$5000 - 7000

34

5 1 • Y O L A N D E A R D I S S O N E(French, b. 1927)Floral LandscapeOil on canvas. Signed lower right “Ardissone.”


Provenance: Wally Findlay Galleries, New York (label on reverse).

$1800 - 2500

5 2 • Y O L A N D E A R D I S S O N E(French, b. 1927)Village SceneOil on canvas. Signed lower left“Ardissone.”


Provenance: Wally Findlay Galleries, New York (label on reverse).

$1400 - 1800

35

5 4 • Y O L A N D E A R D I S S O N E(French, b. 1927)Golfe du MorbihanOil on canvas. Signed lower left “Ardissone;” titled on stretcher verso.



$2000 - 3000

5 3 • H U G H E S C L A U D E P I S S A R R O(French, b. 1935)Le jardin d'Athis en JuilletPastel on paper. Signed lower left “H. Claude Pissarro.”

Sight: 19.25''H x 13.75''W; Frame: 29''H x 23.5''W.

$1800 - 2500

36

5 5 • S A Y E D H A I D E R R A Z A(Indian, b. 1922)Untitled (Workers Gathering Hay)Watercolor and graphite on paper. Signed lower right “S. H. Raza,” the reverse with a watercolor study depicting a river scene with fishermen and their boats.

Sheet: 12"H x 17.5"W; Frame: 18"H x 22.25"W.

Provenance: Ex-collection of Paul Reinhart Inc. of Richardson, Texas, one of the country’s largest cotton merchants; Sotheby’s New York,September 10 2012, Lot 57.

$5000 - 7000

37

5 6 • S A Y E D H A I D E R R A Z A(Indian, b. 1922)Untitled (Women Sorting Coffee)Watercolor and graphite on paper. Signed lower right “S. H. Raza.”

Sheet: 12"H x 18.25"W; Frame: 18"H x 22.25"W.

Provenance: Ex-collection of Paul Reinhart Inc. of Richardson, Texas, one of the country’s largest cotton merchants.

$5000 - 7000

38

5 7 • S A Y E D H A I D E R R A Z A(Indian, b. 1922)Untitled (Women Sorting Grain,Malabar Coast)

Watercolor and graphite onboard. Faintly signed lower left “S. H. Raza,” board stamp on thereverse “Winsor and Newton,Whatman Water-Colour Board.” Board: 13.5"H x 18.25"W; Frame: 18"H x 22.25"W.

Provenance: Ex-collection of Paul Reinhart Inc. of Richardson,Texas, one of the country’s largest cotton merchants.

$5000 - 7000

5 8 • G U Y B A R D O N E(French, b. 1927)Femme aux Paniers, JanitzioOil on canvas, 1965. Signed lowerleft “Bardone,” dated “65” andsigned on canvas verso, titled on stretcher verso.

Canvas: 28.75''H x 36.25''W;Frame: 36''H x 43.5''W.

Provenance: David B. Findlay Galleries, New York (label on the reverse).

$1800 - 2500

39

5 9 • L A Z A R O L O Z A N O(Portuguese, 1906-1999)RemerosOil on canvas, 1980. Signed lowerleft “Lazaro Lozano;” signed, titledand dated on canvas verso.


$1800 - 2500

6 0 • L A Z A R O L O Z A N O(Portuguese, 1906-1999)MaternidadOil on masonite. Signed lower left “Lazaro Lozano;” signed andtitled on the verso.

Masonite: 13.75''H x 10.75''W; Frame: 18.25''H x 15''W.

$1800 - 2500

M O D E R N A R TL O T S 6 1 - 1 3 9

42

6 1 • J A C Q U E S L I P C H I T Z(Lithuanian/French, 1891-1973)Prometheus et le vautourBrush and black ink and gray wash, pen and blue ink and colored wax crayons on paper. Signed upper right “JLipchitz.”


Provenance: Center Art Gallery, Honolulu; Christie’s New York, February 14 2007, Lot 126.

Note: Pierre Levai has confirmed the authenticity of this work.

$2500 - 3500

6 2 • E R N E S T O T AT A F I O R E(Italian, b. 1943)La vertuGouache and pencil on Japanpaper partially laid down on card, 1980. Signed upper left“tatafiore” and titled three times along right edge.


Provenance: Christie’s South Kensington, December 5 2005,Lot 176.

$1200 - 1800

6 3 • N I G E L H A L L(British, b. 1943)5.3.97Acrylic and charcoal on canvas, 1997. Signed and datedlower right “Nigel Hall 5.3.97.”

Canvas: 36''H x 30''W; Unframed.

Provenance: Annely Juda Fine Art, London (label on reverse); Bonhams and Butterfields San Francisco, November 6 2005, Lot 93.

$1000 - 1500

43

6 4 • J O H N H O Y L A N D(British, 1934-2011)UntitledAcrylic on paper, 1985. Signedand dated along bottom edge“John Hoyland 85.”


Provenance: Waddington Galleries, Ltd. (label on reverse); Bonhams and Butterfields SanFrancisco, October 25 2006, Lot 174.

$3000 - 5000

6 5 • J A C K J E F F E R S O N(American/California, 1920-2000)July '86Mixed media on paper, 1986. Unsigned; dated verso.


Provenance: Gallery Paule Anglim,San Francisco (label on reverse);Private collection, San Francisco;Bonhams and Butterfields SanFrancisco, November 6 2005, Lot 171.

$2500 - 3500

44

6 6 • E N R I C O D O N AT I(Italian/American, 1909-2008)RosettaOil and sand on canvas, 1983. Signed, titled and dated on canvas verso“Enrico Donati, Rosetta 1983;” titled and dated on stretcher verso.



$6000 - 8000

45

Not Pictured6 7 • A N T H O N Y W H I S H A W(British, b. 1930)Landscape through WindowAcrylic on masonite. Signed onboard verso “A Whishaw.”

Masonite: 35.25''H x 41.75''W;Frame: 36.5''H x 42.5''W.

Provenance: Bonhams London,Knightsbridge, October 25 2006,Lot 120.

$1000 - 1500

6 8 • C L A U D E S C H U R R(French, b. 1921)Le phare d'EckmuhlOil on canvas. Signed lower left“Claude Schurr;” titled and signedon stretcher verso.

Canvas: 10.5"H x 9"W; Frame: 16.5"H x 14.5"W.

Provenance: Private collection,Dallas, Texas.

$1000 - 1500

6 9 • E M I L B I S T T R A M(American, 1895-1976)AbstractGouache on paper, 1944. Signed and dated lower right “Bisttram 44.”

Sheet: 14''H x 11''W; Frame: 20.5''H x 17.5'W.

$1500 - 2500

7 1 • E M I L B I S T T R A M(American, 1895-1976)AbstractGouache on paper, 1939. Signed and dated lower right “Bisttram 39.”


$1500 - 2500

7 0 • F R A N K L O B D E L L(American/California, b. 1921)Untitled AbstractMixed media on paper, 1993. Initialed and dated lower right “L 11.23.93.”


Provenance: Campbell-ThiebaudGallery, San Francisco; Propertyof Mary Heath Keesling Trust, SanFrancisco; Bonhams and Butter-fields San Francisco, May 22 2007,Lot 341.

$2500 - 3500

46

7 2 • A N D R E V O LT E N(Dutch, 1925-2002)Composition nr.7Oil on canvas, 1955. Signed“Andre Volten,” titled, dated andinscribed “dahliastr, 11, Amster-dam, noord” canvas verso.

Canvas: 39.5''H x 51.5''W; Frame: 40''H x 52''W.

Provenance: Sotheby’s Arcade,October 7 2003, Lot 319.

$2000 - 3000

7 3 • C H A R L E S G R E E N S H A W(American/New York, 1892-1974)Identity 2Oil on canvas, 1963. Signed lower right “Shaw;” signed canvas verso “Charles Shaw;” dated and titled on a paper label verso.


Provenance: Bertha Schaefer Gallery, New York (label on the reverse); Doyle New York, April 17 2002, Lot 33.

$3000 - 5000

47

7 4 • PA U L H O R I U C H I(Japanese/American, 1906-1999)Yellow Covers BlueOil on paper and canvas collage on canvas, 1966. Signed and datedlower right “Horiuchi 66.”


Provenance: Nordness Gallery, Inc., New York (label on reverse);Christie’s New York, July 11 2006, Lot 31.

$3000 - 5000

48

7 5 • E M I L B I S T T R A M(American, 1895-1976)AbstractGouache on paper, 1944. Signedand dated lower left “Bisttram 44.”


$1500 - 2500

7 6 • L A D D I E J O H N D I L L(American/California, b. 1943)AbstractMixed media on heavy paper,1982. Signed and dated lowerright “Laddie John Dill 1982.”


Provenance: James CorcoranGallery, Los Angeles (label on reverse).

$1000 - 1500

7 7 • W I L L I A M M E T C A L F(American/California, b. 1945)Victim of RomanceAcrylic on canvas, 1988. Signedlower right “Wm Metcalf;” signed,dated and with artist’s copyrighton canvas verso “WM Metcalf1988;” titled on stretcher verso.


Provenance: Sena Galleries West,San Francisco (label on reverse);Bonhams and Butterfields LosAngeles, May 22 2007, Lot 73.

$1500 - 2500

49

7 8 • S A L O M E ( W O L F G A N GC I H L A R Z )(German/American, b. 1954)Overpowered Black AttackMixed media on canvas, 1983. Titled, signed and dated on canvas reverse “Salome 83.”


Provenance: Acquired directlyfrom the artist by a private collec-tor, Los Angeles; Galerie Bischof-berger, Zurich (label on reverse);LA Louver Gallery, Venice, Califor-nia (label on reverse); Sotheby’sNew York, September 29 2004,Lot 350.

$6000 - 8000

7 9 • J O S E P H S T E F A N E L L I(American/New York, b. 1921)DictumOil on canvas, 1962. Signed, dated and titled on canvas verso“Stefanelli ‘62.”

Canvas: 47"H x 31.5"W; Frame: 47.5"H x 32"W.

Provenance: McCormick Gallery, Chicago, Illinois (label on the reverse).

$2500 - 3500

50

8 0 • J A C K R O T H(American/New York, 1927-2004)UntitledAcrylic on paper, 1981. Signed lower right “Roth.”

Sheet: 30"H x 22"W; Frame: 33.75"H x 25.75"W.

$2500 - 3500

51

8 1 • S A M F R A N C I S(American/California, 1923-1994)Untitled AbstractAcrylic on paper, 1989. Signed and dated on the reverse “Sam Francis 1989.”


Provenance: Geri Obler, New York; Christie’s South Kensington,December 5 2005, Lot 75.

$10,000 - 15,000

52

8 2 • J A C K R O T H(American/New York, 1927-2004)UntitledAcrylic on paper, 1981. Signed and dated at lower center “Roth 81.”

Sheet: 30"H x 22"W; Frame: 33"H x 25.25"W.

$3000 - 5000

53

8 3 • S A M F R A N C I S(American/California, 1923-1994)UntitledAcrylic on paper, 1990. Stamped signature, Sam Francis estate stamp and estate number to the reverse “SF90-188.”

Sheet: 18''H x 12"W; Frame: 25''H x 18.5''W.

Provenance: Sam Francis Estate, Los Angeles; Manny Silvermann Gallery, Los Angeles; Christie’s South Kensington, December 5 2005, Lot 74.

$8000 - 12,000

8 4 • S A M F R A N C I S(American/California, 1923-1994) Untitled, “from Pasadena box #77”Gouache on paper, 1964. Signed on paper verso “Sam Francis.”


Provenance: Estate of Sam Francis; Manny SilvermanGallery, Los Angeles; Howard Russek Fine Art, Gladwynne, PA and Palm Beach; Private collection;Sotheby’s New York, October 7 2003, Lot 400.

$4000 - 6000

54

8 5 • M A R K T O B E Y(American, 1890-1976)UntitledGouache on paper, 1969. Signedand dated lower right “Tobey 69.”

Sheet: 9"H x 12"W: Frame: 19.5"H x 16.5"W.

Provenance: Private collection,Seattle, Washington.

$4000 - 6000

8 6 • M A R K T O B E Y(American, 1890-1976)UntitledGouache on paper, 1968. Signedand dated lower right ” Tobey 68.”

Sheet: 9"H x 12"W; Frame: 16"H x 18.75"W.


$4000 - 6000

55

8 7 • M A R K T O B E Y(American, 1890-1976)UntitledGouache on paper, 1965. Signedand dated lower right “Tobey 65.”

Sheet: 5.75"H x 9"W; Frame: 14.25"H x 17"W.


$3000 - 5000

8 8 • M A R K T O B E Y(American, 1890-1976)UntitledGouache on paper, 1964. Signedand dated lower right “Tobey '64.”

Sheet: 8"H x 11.25"W; Frame: 15.25"H x 18.5"W.


$4000 - 6000

56

8 9 • J O H N L I T T L E(American/New York, 1907-1984)CollageMixed media collage on paper,1962. Signed and dated at lowerleft “John Little ‘62.”


$2500 - 35009 0 • M I C H A E L L O E W(American/New York, 1907-1985)UntitledWatercolor on paper, 1959. Signed and dated lower left “Loew ‘59.”


Provenance: Meredith Ward Fine Art, New York.

$2500 - 3500

57

9 1 • G U N T H E R F O R G(German, b. 1952)Campo 2Watercolor and gouache onpaper, 1990. Signed and datedupper center “Forg 5/2/90;” titledlower left.

Sheet: 103.75''H x 59.75''W;Frame: 105.75''H x 61.75''W.


$8000 - 12,000

58

Not Pictured9 2 • F O R D B E C K M A N(American/New York, b. 1952)Untitled White PaintingAcrylic, enamel, wax and indus-trial varnish on canvas on wood,1990. Signed, titled and dated on reverse “Ford Beckman 1990.”

Panel: 88''H x 70''W; Unframed.

Provenance: Private collection,Los Angeles; Bonhams San Francisco, November 6 2005, Lot 96.

$2000 - 3000

9 4 • S T E P H E N E D L I C H(American/New York, 1944-1989)Untitled AbstractAcrylic, polymer, paper, ink and charcoal on printed cotton canvas.


Provenance: the Collection of Geoffrey Beene, Sotheby’s New York, September 23 2005, Lot 36.

$6000 - 8000

9 3 • J O H N G R I L L O(American, b. 1917)UntitledWatercolor on board, 1951.Signed and dated on the reverse“Grillo 1951.”


Provenance: Private collection,Darien, Connecticut.

$3000 - 5000

59

9 5 • T H E O D O R O S S T A M O S(American/New York, 1922-1997)I F J S XVIIAcrylic on paper, 1984. Initialed “T” lower right.


Provenance: M. Knoedler Zurich AG, Zurich, Switzerland (label on reverse); Bonham’s San Francisco, November 6 2005, Lot 161.

$6000 - 8000

60

9 6 • E R I C O R R(American/California, 1939-1998)Red Time WindowOil and blood on linen mounted on panel. Unsigned.

Overall: 60''H x 48''W.

Provenance: Collection of Anne McCarthy, Cambridge, MA, acquired directly from artist; Bonhams San Francisco, November 6 2005, Lot 97.

Exhibited: Waltham, Rose Art Museum, Brandeis University, “The Image of Abstract Painting in the 80s,” March 18-April 29 1990, page 23 (label on reverse).

$4000 - 6000

9 7 • M Y R O N S T O U T(American, 1908-1987)UntitledOil on two canvases framed together, 1957. Signed and dated “M Stout 57” on each canvas reverse.

Total canvas size: 23.5''H x 35''W;Total frame size: 36''H x 24.5''W.

Provenance: Private collection, ac-quired from the artist; Doyle NewYork, November 30 2005, Lot 13.

$2000 - 3000

61

9 8 • PA U L J E N K I N S(American/New York, 1923-2012)Phenomena Feel the HelmAcrylic on canvas, 1979. Signed lower left “Paul Jenkins;” signed, titled, dated and inscribed “St. Croix” on stretcher verso.


Provenance: Gimpel and Weitzenhoffer Ltd., New York (label on reverse); Joan G. Van de Maele, New York; Doyle New York, April 17 2002, Lot 46.

$9000 - 12,000

62

9 9 • H A S S E L S M I T H(American, 1915-2007)UntitledAcrylic on canvas, 1989. Signedand dated on the reverse “Hassel Smith 1989.”


Provenance: Private collection,Northern California; Bonham’sSan Francisco, May 22 2007, Lot 347.

Exhibition: Laguna Art Museum,Laguna Beach, California, “HasselSmith: 55 Years of Painting,” July27 - October 5, 2003 (label on reverse).

$6000 - 8000

1 0 0 • PAT S T E I R(American, b. 1938)Etruscan PaintingOil on canvas laid on board, fivepanels mounted together, 1982.Unsigned.

Each panel: 12"H x 8"W; Total canvas: 12"H x 40"W; Frame: 15''H x 43.25''W.

Provenance: John C. Stoller andCo., Minneapolis (label on re-verse); Christie’s New York, July 112006, Lot 49.

$5000 - 7000

1 0 1 • D O N A L D S U LT A N(American/New York, b. 1951)Three Red FlowersConte crayon on paper, 1996. Titled, dated and initialedalong upper edge “Three Red Flowers Nov. 19 1996 ds.”


Provenance: Greenberg Van Doren Gallery, St. Louis; Private collection New York; Bonhams and ButterfieldsSan Francisco, November 6 2005, Lot 129.

$4000 - 6000

63

1 0 2 • A L E X A N D E R C A L D E R(American/New York, 1898-1976)UntitledGouache on paper, 1969. Initialed and dated lower right “CA 69.”

Sheet: 14.5"H x 11"W; Frame: 22.75''H x 18.25''W.

Provenance: From the Estate of Larry Aldrich, Sotheby’s Arcade, June 30 2004, Lot 427.

$10,000 - 15,000

64

1 0 3 • PA U L J E N K I N S(American/New York, 1923-2012)Phenomena Signal ArchAcrylic on Arches paper, 1975.Signed lower right “Paul Jenkins.”


Provenance: Christie’s New York,May 7 1986, Lot 198; Christie’sNew York, July 11 2006, Lot 35.

$5000 - 70001 0 4 • PA U L J E N K I N S(American/New York, 1923-2012)Phenomena VeronicaAcrylic on cavas, 1968. Signedlower right “Paul Jenkins;” signed, titled and dated to canvas overlap.

Canvas: 63.25''H x 38''W; Frame: 68''H x 38.75''W.

Provenance: Doyle New York, December 3 2003, Lot 86.

$15,000 - 20,000

65

1 0 6 • PA U L J E N K I N S(American/New York, 1923-2012)Phenomena Cleopatra OmenWatercolor on heavy Archespaper, 1977. Signed lower right“Paul Jenkins;” signed, titled and dated on the reverse.

Sheet: 42"H x 30"W; Frame: 47''H x 35''W.

Provenance: Elaine HorwitchGallery, Scottsdale, Arizona.

$4000 - 6000

1 0 5 • PA U L J E N K I N S(American/New York, 1923-2012)Phenomena Katherine's GuardianAcrylic on canvas, 1974. Signed lower left “Paul Jenkins;”signed, titled and dated on canvas overlap.


Provenance: Gimpel and Weitzenhoffer Ltd., New York (label to the reverse); Sotheby’s Arcade, October 7 2003, Lot 401.

$15,000 - 20,000

66

1 0 7 • J O H N H O Y L A N D(British, 1934-2011)11/9/70Acrylic on canvas, 1970. Signedand dated on canvas overlap“John Hoyland 11.9.70.”


Provenance: Andre EmmerichGallery, New York (label on the reverse); Doyle New York, November 30 2005, Lot 61.

$10,000 - 15,000

1 0 8 • L E A N I K E L(Israeli, 1918-2005)CompositionAcrylic on canvas, 1987. Signed and dated lower right “87 Lea Nikel;”signed and dated canvas verso.

Canvas: 39.75''H x 39.5''W; Unframed.

Provenance: Christie’s South Kensington, December 5 2005, Lot 249.

$6000 - 8000

67

1 0 9 • A N G U S F A I R H U R S T(British, 1966-2008)Underdone/Overdone painting No. 24Acrylic and silkscreen on panel, 1998. Unsigned. With label verso“The Atara Collection, Israel, Acq. No. A-6141.”

Panel: 35.5''H x 23.5''W.

Provenance: Sadie Coles HQ, London (label on reverse); Ex-collection of the Israel Phoenix Assurance Company; Christie’s South Kensington,December 5 2005, Lot 153.

$1800 - 2500

1 1 0 • A N G U S F A I R H U R S T(British, 1966-2008)Underdone/Overdone paintingNo. 30Acrylic and silkscreen on panel,1998. Unsigned. With label verso“The Atara Collection, Israel, Acq.No. A-6140.”

Panel: 35.5''H x 23.5''W.

Provenance: Sadie Coles HQ, London (label on reverse); Ex-collection of the Israel PhoenixAssurance Company; Christie’sSouth Kensington, December 52005, Lot 153.

$1800 - 2500

68

1 1 1 • M A R L E N E D U M A S(Dutch/American, 1953-1997)The Luxury of TendernessGouache on board, 1986. Signed,titled and dated “the luxury of tenderness Marlene 86” on theframe mount.

Board: 25.75''H x 21''W; Frame: 31.5''H x 27''W.

Provenance: Galerie Paul Andriesse, Amsterdam (partiallabel on reverse); Christie’s SouthKensington, December 5 2005,Lot 251.

$20,000 - 30,000

69

1 1 2 • K A R E L A P P E L(Dutch, 1921-2006)Two FiguresWatercolor, gouache and pastelon paper, 1973. Signed and datedlower right “Appel 73.”

Sheet: 19"H x 30.25"W. Unframed.

Provenance: Acquired in January1985 at a Charity auction held byNOVA Southeastern UniversityMuseum of Art, Fort Lauderdale,Florida; Private collection, FortLauderdale, Florida.

$7000 - 9000

1 1 3 • B Y R O N B R O W N E(American/New York, 1907-1961)JesterOil on canvas, 1950. Signed anddated lower right “1950 ByronBrowne;” signed, titled, dated andinscribed “N.Y.C.” on canvas verso.


Provenance: Summit Gallery, New York (label on reverse);Doyle New York, December 32003, Lot 1.

Exhibited: Nassau County Mu-seum of Fine Art, Roslyn, NewYork, 1987 (label on reverse).

$2500 - 3500 1 1 4 • O T M A R A LT(German, b. 1940)Geschiehten aris dem Zanferland VIOil on canvas, 1970. Signed and dated lower center “O. Alt 70;” signed, titled and inscribed “Berlin” on the frame support.


Provenance: Private collection, Dallas, Texas.

$1400 - 1800

70

1 1 5 • D A L E C H I H U LY(American, b. 1941)

AbstractAcrylic on paper. Signed lowercenter “Chihuly.”

Sheet: 30"H x 22.5"W; Frame: 45.75"H x 38"W.

$3000 - 5000

1 1 6 • W I L L I A M T H O M A S L U M P K I N S(American/New Mexico, 1908-2000)AboranOil on canvas, 1959. Initialed lower center “WL;” signed, titled, datedand inscribed “La Jolla 1959” canvas verso; also signed and dated onstretcher verso.


Provenance: Heritage Auctions, May 24 2007, Lot 23191.

$2000 - 3000

71

1 1 8 • G A B R I E L G O D A R D(French, b. 1933)Arbres grisOil on canvas, 1971. Signed anddated lower left “G. Godard. 71.”

Canvas: 32''H x 39.5''W; Frame: 32.75''H x 40.25''W.

Provenance: David Findlay Galleries, New York (label on reverse); Doyle New York, November 30 2005, Lot 47.

$1500 - 2500

1 1 7 • C H R I S T O P H E R C O O K(British, b. 1959)Night LightOil on paper, 1986. Unsigned.

Sheet: 38.5''H x 30''W; Frame: 49.25''H x 39.75''W.

Provenance: Benjamin RhodesGallery, London (label on reverse); Bonhams London, October 25 2006, Lot 265.

$1000 - 1500

1 1 9 • R O G E R M U H L(French, 1929-2008)Campagne a GrasseOil on canvas. Signed lower right “Muhl;” titled canvas verso.

Canvas: 31.5''H x 33.5''W; Unframed.

Provenance: Findlay Galleries,New York (stamp on stretcherverso); Doyle New York, November 30 2005, Lot 48.

$2000 - 3000

72

1 2 0 • B E R N A R D C AT H E L I N(French, 1919-2004)Vallee du Morin en hiverOil on canvas, 1963. Signed and dated lower right “Cathelin 63.”


Provenance: David B. Findlay, New York (label on reverse);Christie’s New York, February 14 2007, Lot 86.

$6000 - 8000

73

1 2 1 • B E R N A R D B U F F E T(French, 1928-1999)Saint-Cast, cabines et tentessur la plageOil and pastel on paper laiddown on canvas, 1962. Signedand inscribed upper edge“Bernard Buffet St Cast.”


Provenance: Private collection,Paris; Sotheby’s New York, June 29 2004, Lot 365.

Note: This work is included in the artist’s catalogue raisonneprepared by Maurice Garnier.

$20,000 - 30,000

74

1 2 2 • B E R N A R D B U F F E T(French, 1928-1999) Nature morteWatercolor, brush, pen and India ink on paper, 1956. Signed and dated lower center “Bernard Buffet 56.”

Sheet: 19.75''H x 25.625''W; Frame: 31''H x 36.5''W.

Provenance: Christie's New York, February 20 2002, Lot 24.

Note: Maurice Garnier has confirmed the authenticity of this watercolor.

$14,000 - 18,000

75

1 2 4 • B E R N A R D D U F O U R(French, b. 1922)Untitled AbstractOil on canvas, 1957. Signed and dated lower left “Bernard Dufour 57.”


Provenance: Estate of Ira Kaufman, Beverly Hills, California; BonhamsSan Francisco, May 22 2007, Lot 68.

$1800 - 2500

1 2 3 • A N D R E B R A S I L I E R(French, b. 1929)Les coursesOil on canvas. Signed lower center “Andre Brasilier.”



$9000 - 12,000

76

1 2 6 • J E A N J A N S E M(Armenian/French, 1920-2013)Seated WomanOil on canvas. Signed lower right “Jansem.”


Provenance: Doyle New York, November 30 2005, Lot 44.

$2500 - 3500

1 2 5 • M A R C E L M O U LY(French, 1918-2008)La JaponaiseOil on canvas, 1973. Signed and dated lower right “M. Mouly 73;” signed, titled, dated and inscribed “Paris” on the verso.

Canvas: 36.5''H x 28.75''W; Frame: 47''H x 39.25''W.

$5000 - 8000

77

1 2 8 • M A R C E L M O U LY(French, 1918-2008)Le Bouzouki a l'EchiquierAcrylic on paper laid on canvas,1999. Signed and dated lowerright “M. Mouly 99;” titled on canvas verso.

Canvas: 30.5''H x 22.5''W; Frame: 39.75''H x 32"W.

$3000 - 5000

1 2 7 • N I C O L A S I M B A R I(Italian, 1927-2012)Lady with UmbrellaOil on canvas. Signed lower right “Simbari.”


$2000 - 3000

78

1 2 9 • PA U L A U G U S T I N A I Z P I R I(French, b. 1919)Petit arlequinOil on canvas. Signed lower left“Aizpiri;” titled on stretcher.


Provenance: Sotheby’s New York, February 21 1990, Lot 199; Private collection; Christie’s NewYork, February 20 2002, Lot 63.

$5000 - 7000

79

1 3 0 • PA U L A U G U S T I N A I Z P I R I(French, b. 1919) Head of a ClownOil on canvas. Signed lower right“Aizpiri.”


Provenance: the Collection of Geoffrey Beene, Sotheby’s NewYork, September 24 2005, Lot 441.

$5000 - 7000

80

1 3 2 • B E R N A R D L O R J O U(French, 1908-1986)Melon and compotier bleuOil on canvas, 1960. Signed lower right “Lorjou.” With label on the reverse “Norton Gallery and School, West Palm Beach, Florida.”

Canvas: 32''H x 39.5''W; Frame: 40.5''H x 48''W.

Provenance: Arthur Lenars and Co., Paris; Leonard Hutton Galleries, New York(label on reverse); Private collection; Estate of Joseph H. and Gioconda King,Christie’s New York, February 14 2007, Lot 84.

Exhibited: Leonard Hutton Galleries, New York, “Bernard Lorjou Paintings,” February-March 1964, no. 18 (illustrated in color, cover).

Note: Junko Shibanuma will include this work in her forthcoming catalogueraisonne for the artist.

$2500 - 3500

1 3 1 • B E R N A R D L O R J O U(French, 1908-1986)Tete d'arlequinOil on canvas. Signed lower left “Lorjou.”

Canvas: 36.5''H x 23.5''W; Frame: 44''H x 31.5''W.


$2000 - 3000

81

Not Pictured1 3 4 • J O H N W I L C O X(American/Texas, 1954-2012)Mother and ChildAcrylic on canvas. Titled andsigned “John Wilcox” on stretcherverso.

Canvas: 35.5"H x 27.25"W; Frame: 37.25"H x 29.25"W.


$1000 - 1500

Not Pictured1 3 5 • PA U L M A X W E L L(American/California, b. 1925)NBC-39Mixed media on canvas mountedon three panels, 1976. Signed anddated lower right “PMAXWELL-76.” With “Banc Texas, Dallas” inventory label on the reverse.

Overalll: 64.25''H x 81''W.

$1000 - 1500

Not Pictured1 3 6 • PA U L M A X W E L L(American/California, b. 1925)NBC-3Mixed media on canvas mountedon panel. Unsigned. With “BancTexas, Dallas” inventory label onthe reverse.

Canvas: 64"H x 64;” Frame: 66” H x 66"W.

$800 - 1200

Not Pictured1 3 7 • PA U L E . M A X W E L L(American/California, b. 1925)NBC-41Mixed media on canvas mountedon panel. Signed middle left “PMaxwell.” With “Banc Texas, Dallas”inventory label on the reverse.

36'' Dia. Unframed.

$500 - 800

Not Pictured1 3 8 • PA U L E . M A X W E L L(American/California, b. 1925)NBC-50Mixed media on canvas mountedon panel. Signed lower center “PMaxwell.” With “Banc Texas, Dallas”inventory label on the reverse.

36'' Dia. Unframed.

$500 - 800

Not Pictured1 3 9 • B R U C E E V E R E T T(American/California, b. 1942)TruckTwo panel oil on canvas, 1969.Unsigned.

Frame: 73"H x 96"W.

Provenance: Corporate Collectionof the Atlantic Richfield Com-pany, California.

Exhibited: Municipal Art GalleryBarnsdall Park, Los Angeles, CA,“Separate Realities,” 1974.

$1800 - 25001 3 3 • B E R N A R D L O R J O U(French, 1908-1986)Bouquet de fleursOil on canvas. Signed lower right “Lorjou.”


Provenance: Private collection, acquired directly from artist; Property from the collection of Helene Arpels, Christie’s New York, February 14 2007, Lot 133.

Note: Junko Shibanuma has confirmed the authenticity of this painting.

$3000 - 5000

P R I N T S , P H O T O G R A P H Y A N D

2 0 t h C E N T U R Y D E S I G NL O T S 1 4 0 - 2 2 9

84

1 4 0 • A N S E L A D A M S(American/California, 1902-1984)Cypress and Fog, Pebble Beach, California, 1967Gelatin silver print, printed circa 1970. Signed in pencil on the mount “Ansel Adams,” titled and dated in ink and with Carmel credit stamp on the reverse of the mount.


Provenance: Photography West Gallery, Carmel, California (label on the reverse); Private collection, Wichita Falls, Texas.

$7000 - 9000

85

1 4 1 • A N S E L A D A M S(American/California, 1902-1984)Clearing Winter Storm, Yosemite National Park, 1944Gelatin silver print, printed September 1978. Signed in pencil on the mount “Ansel Adams;” titled, dated in ink and with Carmel credit stamp on the reverse of the mount.

Sheet: 15.5"H x 19.375"W; Frame: 22.25"H x 28.25"W.

Provenance: Photography West Gallery, Carmel, California (label on the reverse); Private collection, Wichita Falls, Texas.

$30,000 - 50,000

86

1 4 2 • B R E T T W E S T O N(American/California, 1911-1993)Garrapata Beach 1954Gelatin silver print, from the Fifteen Photographs Portfolio, printed 1961. Signed and dated in pencil on the mount lower right“Brett Weston 1954.”

Sheet: 7.5"H x 9.5"W; Frame: 15"H x 19"W.

Provenance: Gift from the artist to Dr. Peters Strykers, California.

$3000 - 5000

1 4 3 • B R E T T W E S T O N(American/California, 1911-1993)White Sands 1947Gelatin silver print, from the White Sands Portfolio, printed 1949.Signed and dated in pencil on the mount at lower right “Brett Weston1947,” numbered 5/25 at lower left.

Sheet: 9.6"H x 7.6"W; Frame: 19"H x 15"W.

Provenance: Gift from the artist to Dr. Peters Strykers, California.

$2500 - 3500

87

1 4 4 • A A R O N S I S K I N D(American, 1903-1991)S.F. 24Vintage gelatin silver print, 1957.Signed, titled and dated in pencilverso “Aaron Siskind” and “4/57;”also with other pencil inscriptions.

Sheet: 14"H x 11"W; Frame: 20.25''H x 17.25''W.

$2500 - 4500

1 4 6 • P H I L I P P E H A L S M A N(American, 1906-1976)Dali Atomicus, 1946Gelatin silver print, printed 1981.Numbered 155/250 and with studio stamp on the reverse.


$1500 - 2500

1 4 5 • P H I L I P P E H A L S M A N(American, 1906-1976)

Marilyn with Barbells 1952Gelatin silver print, printed 1981. Studio stamped and numered 170/250 on the reverse.

Sight: 9.75''H x 12.75''W; Frame: 16"H x 20.25"W.

$1200 - 1800

88

1 4 7 • I R V I N G P E N N(American/New York, 1917-2009)Barn SaleGelatin silver print. Studio stamp on the reverse.

Sheet: 20"H x 16"W; Frame: 24.75''H x 23.5''W.

Provenance: Estate of Louis J. Gartner, Jr., Palm Beach, Florida.

$3000 - 5000

89

1 4 8 • I R V I N G P E N N(American/New York, 1917-2009)Still Life with Skull, Pitcher and Medicine Bottle, 1980Platinum-palladium print, flush-mounted on aluminum, printed March 1981. Penn copyrightcredit stamp on the reverse, titled and inscribed in pencil on the reverse “Platinum-palladiumStrathmore Paper on Aluminum, neg. 3-4-80,” numbered 9/53, and inscribed “For J. and M./ I.P.”


$6000 - 9000

90

1 4 9 • AT T R I B U T E D T O PA O L O B U F F A (Italian, 1903-1970)Italian mid-century marquetry inlaid secretary desk With marquetry inlay depicting three peasant women to the three doors opening to reveal a total of eight rows of shelves and three drawers, the flat desk pulling from beneath cabinet,the secretary supported by four tapered legs with inlaid fillets. Circa - Late 1940s.

60.75"H x 59"W x 17.5"D.

$4000 - 6000

91

1 5 0 • PA A V O T Y N E L LPr. large brass Paavo Tynell sconces Designed for Taito Oy, the perforated brass wallsconces in two tones with frost glass diffusers. Circa - 1950.

7.5''H x 13.5''W x 10''D.

$4000 - 6000

1 5 1 • 3 P C S . T E A G U E F O R S T E U B E N Bowl and candlesticksThe globular center bowl and pair of cut glass candlesticks designed by Walter Dorwin Teague for SteubenGlass Works. The bowl, Steuben pattern 7498, Teague design T117; the candlesticks, Steuben pattern 7492,Teague design T114. Etched signature to one candlestick. Circa - 1932.

All pieces 7''H.

$2500 - 3500

92

1 5 2 • F O R N A S E T T I A N D G I O P O N T I Coffee tableThe lithographic, transfer-printed wood top designed byPiero Fornasetti, the brass andwalnut x-form legs designedby Gio Ponti, Circa - 1950.

17.5''H x 39.25''W x 19.75''D.

$2000 - 3000

1 5 3 • H A N S J O R G L I M B A C H(Swiss, 1928-1990)Seated womanBronze sculpture with gilt mattepatina, 1958. Signed and datedon the bottom “Limbach 58.”

17''H x 11.75''W.

Provenance: Property from the Estate of Edith B. Weisz, Christie’sNew York, February 20 2002, Lot 72.

$2500 - 45001 5 4Plaster relief with oil and gold leafMounted on wood, depicting a pair of lovers, Circa - 20th C.

Provenance: the Collection of Geoffrey Beene,Sotheby’s New York, September 24 2005, Lot 494.

47''H x 22.5''W.

$1500 - 2500

93

1 5 6 • G I L B E R T R O H D E (American, 1894-1944)

Walnut valetFor Herman Miller, walnut valet, the early Rohde designwith rare brushed chrome and wood pulls, contrastingwalnut and burl pattern in a vertical stripe to the body,with original hinges, Circa - 1933.

42''H x 34''W x 18''D.

Note: The design is illustrated in Phyllis Ross’ “Modern Design for Modern Living,” Yale Press, 2009 as part of the 3305 series for Herman Miller, first introduced at theNovember Market of 1932, exhibited at the ChicagoWorld’s Fair of 1933.

$3000 - 5000

1 5 5 • AT T R I B U T E D T O G A E T A N O S C I O L A R IItalian brass and glass chandelier The modernist six-light chandelier with coiled branchesending in amber glass pendants. Needs to be rewired.Circa - 1950.

22''H.

$1500 - 2500

94

1 5 7 • AT T R I B U T E D T O J O S E F H O F F M A N NPr. Kubus leather chairs The original caramel tufted leather to the cube-form chairs, Circa - 1970.

28.5''H x 33''W x 28''D.

$4000 - 6000

95

1 5 8 • J O H A N T A P P Biomorphic olive ash tableThe rare four-tiered design in burlolive-ash wood, Circa - 1950.

36''H x 22'' Dia.

$2000 - 3000

1 5 9 • S T E P H E N S U R L S Craft desk and chairThe privately commissioned set designed and created by Stephen Surlswho worked in studio with his brother James Surls, Circa - 1970.

Desk: 29.5''H x 48''W x 32''D.

$3000 - 5000

96

1 6 0 • G E O R G E N A K A S H I M A (American/Pennsylvania, 1905-1990)Slab coffee tableIn American black walnut, Circa - 20th C.

Note: Accompanied by letter of authenticity signed by the artist’sdaughter, Mira Nakashima.

13''H x 73.25''W x 24.75''D.

$6000 - 9000

1 6 1 • G E O R G E N A K A S H I M A(American/Pennsylvania, 1905-1990)"New" rocking chairIn American black walnut, Circa - Late 20th C.

Note: Accompanied by letter of authenticity signed by the artist’s daughter, Mira Nakashima.

35.75''H x 24.5''W.

$2000 - 3000

97

1 6 2 • G E O R G E N A K A S H I M A (American/Pennsylvania, 1905-1990)Sliding door cabinet In American black walnut with five sliding doors opening to four interior compartments, Circa - 20th C.

Note: Accompanied by letter of authenticity signed by the artist’s daughter, Mira Nakashima.

27.25''H x 102''W x 18.5''D.

$7000 - 10,000

98

1 6 3 • A F R A A N D T O B I A S C A R PA F O R C A S S I N A Pr. Afra and Tobia Scarpa for Cassina lounge chairsModel 925, with wood frame and leather back and seat, Circa - designed 1966.

27.5''H x 25.75''W x 21''D.

$2000 - 4000

99

1 6 4 • J O H N P R I P F O R R E E D A N D B A R T O N Silver plate tea set The “Denmark” pattern tea and coffee service com-prising a teapot, coffee pot, creamer, covered sugarbowl, waste bowl and tray. Circa - designed 1958.

Coffee pot: 10''H; tray: 25.5''L x 16''W.

Note: An example of this set is in the collection of TheDallas Museum of Art, in the collection of Museum ofArts and Design, New York and is featured on page249 of Jewel Stern’s book ‘Modernism in American Sil-ver - 20th Century Design.’

$1200 - 1800

1 6 5 • G U N N I O M A NTeak cabinet, model 13One door slides to reveal six cutlery drawers, the other doors open to one large storage area with three adjustable shelves inside, over splayed legs, Circa - 1960.

47.5''H x 71.875''W x 17.75''D.

$3000 - 5000

100

1 6 7 • E E R O S A A R I N E N F O RK N O L LSmall tulip tableOf enameled aluminum, withwhite marble top. With Knoll Studio stamp under base, Circa - designed 1956.

20.25''H x 16'' Dia.

$500 - 700

1 6 6Early Arredoluce brass Triennale floor lampThe articulating arms in the original brass and brown leather,the shades in white, black andbrown, Circa - 1950.

72''H x 36''W x 36''D.

$7000 - 9000

101

1 6 8 • H A R V E Y P R O B B E R(American, 1922-2003)Nuclear tableIn two semi-circular parts supported by four solid legs, orientable in an S-form or around formation with the hole to the center, Circa - 1949-1950.

14.5''H x 48'' Dia.

$2000 - 3000

1 6 9 • C H A R L E S P O L L O C K F O RK N O L L Pr. Charles Pollock "657"leather sling chairs for KnollWith tan leather seats and de-tachable black padded leathercushions, black coated armrestsand tubular chrome frame. With“Knoll International” sticker under seat, Circa - designed 1960.

28''H x 25''W x 26''D.

$700 - 900

102

1 7 0 • R O B E R T S O N N E M A NF O R R E G G I A N IPr. Sonneman for Reggianichrome floor lampsWith four articulating, adjustablearms each with a socket end designed by Robert Sonneman,Circa - 1970.

68''H x 24''W x 11.5''D.

$3000 - 5000

1 7 1 • PA U L M C C O B B(American, 1917-1969)walnut and steel entry pieceWith mirror and lighted top, thelow shelf of one board supportedby four steel legs and surmountedby a shelf concealing a lightingelement within.

77.5''H x 73.75''W x 13''D.

$2500 - 3500

103

1 7 2 • G E R H A R D M E R Z(German, b. 1947)BuddhaScreenprint on canvas with copper artist’s frame, 1984.

Unsigned. 82''H x 65''W overall.

Provenance: Galerie KonradFischer, Dusseldorf; Private collection; Christie’s South Kens-ington, December 5 2005, Lot 96.

$3000 - 5000

1 7 3 • G A E A U L E N T I F O R K N O L LPr. Gae Aulenti leather lounge chairs for KnollThe enameled red aluminum tubular frames supporting upholstered red leather cushions, Circa - 1975.

28.5''H x 32''W x 33.75''D.

$1000 - 1500

1 7 4 • R O B E R T I N D I A N A(American/New York, b. 1928)Classic LoveHand woven wool rug, 1995. Signature lower right; also signedon the reverse. Number 25/100,handcrafted to artist’s specifica-tions by Master ContemporaryOriginal Artist Rugs. Labeled onthe reverse.

96''L x 96''W.

$3000 - 5000

104

1 7 53 Pcs. after Mies van der Rohe "Barcelona" style black leather furnitureIncluding a chair, an ottoman and a bench, Circa - Contemporary.

Chair: 29''H x 29.75''W x 37''D; Ottoman: 16''H x 23''W x 23.5''D; Bench: 16''H x 71''W x 20.5''D.

$1000 - 1500

Not Pictured1 7 7 • F E L I C I A N O B E J A R(Mexican, 1920-2007)(2) Feliciano Bejar magiscopesof glass and metal machineparts, 1983 Each glass disc with etched signature and dated “FelicianoBejar 1983.”

Tallest: 36''H x 14.25'' Dia.

$800 - 1200

1 7 6 • AT T R I B U T E D T O V A NK E P P E L - G R E E NPr. two-tier side tablesWith black lacquer finish. Unmarked, Circa - 1950.

23.75''H x 36''W x 18''D.

$800 - 1200

105

1 7 8Pr. acrylic and glass two-tierend tablesThe top and bottom with an applied brick pattern under glass, Circa - Contemporary.

24.5''H x 26''W x 38''D.

$300 - 500

1 8 1Pr. leather reclining double seat chaises.(One Pictured) With adjustable backs, Circa - Contemporary.

49.5''W x 72''L

$1000 - 1500

Not Pictured1 8 0Pr. Machine Age style chromecocktail tablesThe mirrored tops with a three-circle motif, Circa - Contemporary.

19''H x 54.25''W x 22''D.

$700 - 900

1 7 9 • F E L I C I A N O B E J A R(Mexican, 1920-2007)(2) Feliciano Bejar magiscopesof glass and metal machineparts Each glass disc with etched signature “Feliciano Bejar,” one dated 1987 and the otherdated 1981.

Tallest: 40''H x 14.25'' Dia.

$1000 - 1500

1 8 4Art Deco style marble horse head With a green marble pedestal, Circa - 20th C.

23''H with base Pedestal: 42''H x 23.25''W x 13.25''D.

Provenance: Sothebys, December 23 2005, Lot 30.

$3000 - 5000

106

1 8 2Pr. Mexican sterling modernistcandelabrasEach with five lights, the armssupported by ball feet, the can-delabra fitting together in a sun-burst form. Marked for sterling,“Hecho en Mexico,” Circa - 1950.

6''H x 18'' Dia.

$1500 - 2500

1 8 3Set of (3) Modernist black circular coffee tablesCirca - Contemporary.

Tallest: 18''H; ranging from 37'' - 47.75'' Dia.

$2000 - 3000

107

1 8 5 • A L E X A N D E R C A L D E R(American/New York, 1898-1976)L'elephant noirAcrylic on bronze mobile,1973/2002. Initialed “CA” andnumbered on right hind foot615/999.

12.5''H x 20.5''W.

Note: Accompanied by a certifi-cate of authenticity signed byGeorge Gordon, of Calder Air-plane Project, dated 2008.

$2500 - 3500

1 8 6 • S O N I A D E L A U N A Y(Russian/French, 1885-1979)HeliceCeramic vase. Designed for Limogesand with their stamp on the under-side, numbered 602/900.

11.5"Hx12.5"W.


$800 - 1200

1 8 7Venini "Pezzato" glass vasePossibly by Fulvio Bianconi, of blue, red, clear and eggplant patchwork. Inscribed on base “venini italia” and with old paperlabel, Circa - 1966-1970.

8.5''H.


$2000 - 3000

108

1 8 8Vistosi Murano large glass bowl With a multicolored murrine patternand a cranberry lip. Inscribed to base“Vistosi ‘76", Circa - 1976.

5.5''H x 13.75'' Dia.

$1800 - 2500

1 9 0 • A L E S S A N D R O P I A N O N "Pulcini" glass sculpture for Vistosi, Murano, ItalyWith two applied murrine eyes, raised on copper feet. Unmarked, Circa - 1960s.

11.125''H.


$2000 - 3000

1 8 9 • A L E S S A N D R O P I A N O N"Pulcini" glass sculpture forVistosi, Murano, Italy With two applied murrine eyes,raised on copper feet. Unmarked,Circa - 1960s.

10''H.


$2000 - 3000

109

1 9 1 • PA B L O P I C A S S O(Spanish, 1881-1973)Oiseau no. 82Partially glazed ceramic plate,1963. Inscribed and numberedon the underside “N. 82/EditionPicasso/Madoura/133/150.”

10” Dia.


$3000 - 4000

1 9 2 • PA B L O P I C A S S O(Spanish, 1881-1973)Cruchon HibouGlazed ceramic pitcher painted in black, blue andbrown, 1955. from the edition of 500, inscribed on the underside “Edition/Picasso/Madoura,” with the “Edition Picasso” and “Madoura Plein Feu” potterystamps underneath.

10''H.


$4000 - 6000

110

1 9 3 • PA B L O P I C A S S O(Spanish, 1881-1973)Visage D'HommePartially glazed terracotta plaque, dated “17.12.66”upper left; stamped and numbered on the under-side “Madoura Plein Feu/Empreinte Orignale de Picasso/155/500.”

6.25''H x 4.25''W.


$1400 - 1800

1 9 5 • S A L V A D O R E D A L I(Spanish, 1904-1989)Crazy HorseColor lithograph, 1968. Signed in pencil lower right“Dali” and numbered 101/250 lower left.

Sight: 28.25''H x 20.5''W; Frame: 43.75''H x 35.5''W.

$1400 - 1800

1 9 6 • PA B L O P I C A S S O(Spanish, 1881-1973)Peintres aux champsFrom the 347 series, aquatint,1968. Signed in pencil lower right “Picasso” and numbered40/50 lower left; dated in reversein the plate upper left “18.9.68.I.”

Platemark: 8.25''H x 10.5''W;Frame: 22.75''H x 26''W.

$3000 - 5000

1 9 4 • PA B L O P I C A S S O(Spanish, 1881-1973)Mains aux fleursLithograph, 1958. Signed in pencil lower right “Picasso” andnumbered 2/200 lower left; plate signed and dated lower right“Picasso, 21.4.58.”

Sight: 24''H x 19''W; Frame: 31.5''H x 26.25''W.

Note: Proceeds from the sale of thislot will benefit Grid Earth Project,www.GridEarth.org.

$5000 - 7000

111

Not Pictured1 9 7 • PA U L G A U G U I N(French, 1848-1903)Te AtuaColor woodcut, circa 1899 andprinted in 1995. Numbered inpencil 48/100 lower right; pub-lished by des Amis du MuseeGaugin, Tahiti; printed by LucGuerin, Paris.

Platemark: 9.5''H x 9''W;Sheet: 19.75''H x 13''W; Frame: 27''H x 20.5''W.

$800 - 1200

1 9 8 • P I E R R E - A U G U S T E R E N O I R(French, 1841-1919)L'Enfant au biscuitLithograph in colors with extensive hand-coloring in watercolor and pastel, circa1898-1899, on laid Ingres d’Archeswatermark MBM. Signed in pencil lower right margin “Renoir.”

Sheet: 22.125"H x 17"W; Frame: 27.5"H x 25.25"W.

Provenance: Sotheby’s Parke Bernet, New York, November 13, 1981, lot 391; Christie’s New York, May 5, 2005, lot 111;Private collection, Dallas, Texas.

Note: The child depicted is Jean Renoir, the artist’s son.

$18,000 - 25,000

112

1 9 9 • M A R C C H A G A L L (Russian, 1887-1985)Pr. of etchings from "Fables of la Fontaine,” 1952 From the unsigned and unnumbered edition of 325, including:

(1) Le cerf se voyant dans l'eau, #160 in the series, plate signed lower left “Chagall.”

Platemark: 11.75''H x 9.5''W; Frame: 24''H x 21.5''W

(2) Le renard ayant la queue coupee, #149 in the series, plate signed lower right “Chagall.”

Platemark: 11.5''H x 9.75''W; Frame: 23.5''H x 22''W.

$1200 - 1800

113

2 0 2 • M A R C C H A G A L L(French/Russian, 1887-1985)Sacrifice de NoeEtching with hand coloring inwatercolor on Arches paper, from“La Bible,” 1931-1939. Initialed inpencil lower right “M. Ch.” andnumbered lower left 24/100.

Platemark: 11.5''H x 9.25''W;Frame: 27''H x 24.25''W.

$2500 - 4500

2 0 0 • M A R C C H A G A L L(French/Russian, 1887-1985)Jacob wrestles with the AngelEtching, from “La Bible,” 1956.Plate signed lower left “Chagall;”signed in pencil lower right mar-gin “Marc Chagall.”

Platemark: 11.625''H x 9.375''W;Frame: 28.25''H x 25.25''W.

$1400 - 1800

2 0 1 • M A R C C H A G A L L(French/Russian, 1887-1985)La vision d'ElieEtching with hand coloring onArches paper, from “La Bible,”1958. Initialed in pencil lowerright “M. Ch.” and numberedlower left 24/100.

Sheet: 21''H x 15.25''W; Frame: 40.25''H x 34.25''W.

$1500 - 2500

114

2 0 5 • M A R C C H A G A L L(French/Russian, 1887-1985)La famille au coqColor lithograph 1969. Signed in pencil lower right “Marc Chagall” and numbered 7/50 lower left.


Provenance: Gerhard Wurzer Gallery, Houston, Texas (label on reverse).

$3500 - 5500

2 0 3 • M A R C C H A G A L L(French/Russian, 1887-1985)Les sirenesColor lithograph, from “L’Odyssee,” 1974-75. From the unsigned and unnumbered edition of 250; published by Fernand Mourlot, Paris.

Sight: 15.25''H x 24''W; Frame: 27.125''H x 38''W.

$2500 - 4000

2 0 4 • M A R C C H A G A L L(French/Russian, 1887-1985)Nice Soleil FleursLithographic poster, 1962. Signedand dated in ink lower right“Marc Chagall 1962;” publishedby Mourlot, Paris.


$1800 - 2500

115

2 0 6 • M A R C C H A G A L L(French/Russian, 1887-1985)Bonjour ParisColor lithograph, 1972. Artist’sproof aside from the edition of10,000. Inscribed, dated andsigned in blue crayon lower margin “1972 Pour Gerard - Marc Chagall.”


$14,000 - 18,000

116

2 0 7 • J O A N M I R O(Spanish, 1893-1983)Famille d’oiseleursLithograph, 1955. Signed and dated lower right “Miro 1955” and numbered 6/50 lower left; published by Maeght, Paris, printed byMourlot, Paris.


Provenance: Bonhams and Butterfields San Francisco, May 23 2007, Lot 134.

$3000 - 5000

2 0 8 • J O A N M I R O(Spanish, 1893-1983)SculpturesColor lithograph, 1974. Signed in pencil lower right “Miro” and inscribed lower left “H.C.,” published by Maeght, Paris.

Sheet: 21"H x 29.5"W; Frame: 30.5"H x 38"W.


$1000 - 1500

117

2 0 9 • J O A N M I R O(Spanish, 1893-1983)Pasadena Art MuseumLithograph, 1969. Signed lower right “Miro” and numbered 71/100lower left. With a Butterfields lot label on the reverse.

Sight: 28.25''H x 20''W; Frame: 37.25''H x 27.25''W.

Note: Accompanied by a bill of sale and certificate of authenticity from the Pasadena Art Museum committee dated 1969.

$3000 - 5000

2 1 0 • J O A N M I R O(Spanish, 1893-1983)Miro Lithographe IColor lithograph, 1972. Signed in pencil lower right “Miro” and numbered LXI/LXXX lower left.


$1500 - 2500

118

Not Pictured2 1 1 • B E R N A R D B U F F E T(French, 1928-1999)Le papillon orangeLithograph on Arches paper,1964. Signed in pencil lower right“Bernard Buffet” and numbered60/150 lower left.

Sight: 21''H x 27''W; Frame: 28.75''H x 33.75''W.

Provenance: Bonhams and Butterfields San Francisco, May 11 2009, Lot 42.

$1000 - 1500

2 1 2 • A N T O N I T A P I E S(Spanish, 1923- 2012)Croix BlancheColor etching. Signed in pencillower right “A. Tapies” and num-bered in pencil lower left 13/40.



$1000 - 1500

2 1 3 • R I C H A R D S E R R A(American/New York, b. 1939)SchlaunEtching with aquatint, 1997.Signed and dated lower right “R Serra 97” and numbered 46/75 lower left.

Sheet: 23.625'H x 31.5''W; Frame: 27.5''H x 35.25''W.


$2500 - 3500

119

2 1 4 • R O B E R T M O T H E R W E L L(American/New York, 1915-1991)Game of ChanceColor aquatint, lithograph and collage. Signed in pencil lower right “R. Motherwell” and numbered 45/100; with the blindstamp of thepublisher, Tyler Graphics Ltd., Mount Kisco, New York.


Provenance: Leanne Hull Fine Art, Toronto (label on reverse); Bonhamsand Butterfields San Francisco, May 11 2009, Lot 308.

$4000 - 6000

2 1 5 • R O B E R T M O T H E R W E L L(American/New York, 1915-1991)Oy/YoColor etching, aquatint and collage on buff Rives paper, 1978. Signed andnumbered 55/78 in pencil lower right, with Robert Motherwell Editionsblindstamp lower right.

Sheet: 26.75"H x 22"W. Unframed.

Provenance: Galerie Ninety-Nine, Bay Harbor Islands, Florida.

$1500 - 2500

120

2 1 6 • E L L S W O R T H K E L LY(American/New York, b. 1923)Red-Orange (Axsom 6)Lithograph on BFK Rives paper,1964-65. Signed in pencil lowerright “Kelly” and numbered 57/75 lower left; published byMaeght, Paris.

Sheet: 23.625''H x 35.125''W;Frame: 24''H x 35.5''W.

Provenance: the Collection of Geoffrey Beene, Sotheby’s NewYork, September 24 2005, Lot 384.

$3000 - 5000

2 1 7 • A L E X A N D E R C A L D E R(American/New York, 1898-1976)Black PyramidsLithograph, 1974. Signed in pencil lower right “Calder” and numbered 12/100 lower left.


$1400 - 1800

2 1 8 • A L E X A N D E R C A L D E R(American/New York, 1898-1976)Pyramids and CloudsLithograph, 1970. Signed in pencil lower right “Calder” and numbered 67/95 lower left.


Provenance: Bonhams and Butterfields San Francisco, November 6 2007, Lot 297.

$1800 - 2500

121

2 2 0 • F R A N K S T E L L A(American/New York, b. 1936)FiglefiaLithograph, etching, aquatint and relief in colors on handmade paper, 1994. Signed and dated in pencil lower right margin “F. Stella 94” and numbered 9/75.

Sheet 24"H x 21"W; Frame: 34"H x 30.25"W.

Provenance: Jeanne Fagadeau Fine Art, Dallas, Texas; Private collection, Dallas, Texas.

$3000 - 4000

2 1 9 • A L E X A N D E R C A L D E R(American/New York, 1898-1976)Red and Blue SpiralLithograph, 1970. Signed in pencillower right “Calder” and numbered100/150 lower left.

26''H x 37.75''W.

Provenance: Bonhams and Butterfields San Francisco, November 6 2007, Lot 299.

$1500 - 2500

122

2 2 1 • R O Y L I C H T E N S T E I N(American, 1923-1997)Crying Girl (mailer)Color offset lithograph, 1963, used as an invitation to the artist’s exhibition at Leo Castelli Gallery, New York, September 28th - October24th, 1963. Unsigned. Unframed.

17''H x 23''W.

$1800 - 2500

123

2 2 2 • A N D Y W A R H O L(American, 1928-1987)MarilynColor screenprint, 1981, used as an invitation to the artist’s retrospective at Castelli Graphics, New York, November 21st - December 22nd, 1981.Signed along lefthand side “Andy Warhol.”

7''H x 7''W.

$3000 - 5000

124

2 2 3 • A N D Y W A R H O L(American, 1928-1987)Flowers (mailer), 1964Used as an invitation to theartist’s exhibit at Castelli Graphics, New York, November21st - December 17th. Unsigned.Unframed.

21.5''H x 22''W.

$2500 - 3500

2 2 4 • D O N A L D S U LT A N(American/New York, b. 1951)MimosaScreenprint with colors, 2008. Titled, dated and initialed alongleft edge; numbered lower right 67/108.

Sheet: 27.5''H x 39''W; Frame: 31''H x 43''W.

$2000 - 3000

125

2 2 5 • A N D Y W A R H O L(American, 1928-1987)Jean CocteauColor screenprint, 1985. Signed inpencil lower right “Andy Warhol,”numbered in pencil lower left179/250. Published by AndyWarhol, New York; printed by Rubert Jasen Smith, New York,Feldman 392a.

Sheet: 38.5"H x 32"W; Frame: 41.25"H x 34.75"W.

$2000 - 3000

2 2 6 • A N D Y W A R H O L(American, 1928-1987)Pepper Pot Soup (mailer) Color offset lithograph, 1962, used as an invitation to the artist’sexhibition at Ferus Gallery, Los Angeles, July 8th, 1962. Unsigned.Unframed.

Sheet: 13.375''H x 10''W.

$1000 - 1500

Not Pictured2 2 7 • A N D Y W A R H O L(American, 1928-1987)SH Green Stamps (mailer)Color offset lithograph, 1965,used as a mailer for the artist’s exhibition at the Institute of Contemporary Art at University of Pennsylvania, October 8th -November 21st. Unsigned. Unframed.

Sheet: 22.875''H x 22.75''W.

$1000 - 1500

Not Pictured2 2 8 • C H R I S T O A N D J E A N N E - C L A U D E(Bulgarian/Moroccan, both b. 1935)Wrapped Statues - AegenaTempleProject for dei Glyptothek-Munchen West Germany, colorscreenprint with photocollage,1988. Signed lower right “Christo”and numbered 199/300.

Sheet: 26.75''H x 34.75''W; Frame:37.75''H x 29.5''W.

Note: Jeanne-Claude passed away in 2009.

$800 - 1200

Not Pictured2 2 9 • L E R O Y N E I M A N(American, 1921-2012)Muhammed AliColor serigraph. Signed in pencillower right “LeRoy Neiman,” numbered lower center “581/850,”titled lower left.

Sight: “45"H x 30"W; Frame: 57.5"H x 42.5"W.

$1500 - 2500

A M E R I C A N A N D R E G I O N A L A R TL O T S 2 3 0 - 2 7 9

128

2 3 1 • E D M U N D W I L L I A M G R E A C E N(American/New York, 1877-1949)The PrintOil on canvas. Signed lower left “Edmund Greacen.”


Provenance: Terra Museum of American Art, Daniel J. Terra Collection, Chicago, IL, No. 1987.22 (label on the reverse); Barry-Hill Galleries, Inc., New York (label on the reverse); Sotheby’s New York, September 14 1995, Lot 118.

$6000 - 8000

Not Pictured2 3 0 • F R E D E R I C K W A U G H(American, 1861-1940)Too LateOil on canvas, 1891. Signed, datedand with artist’s copyright lower

right “Frederick J. Waugh 1891;” titled, signed, dated and with copyright on canvas verso.

Canvas: 16''H x 27''W; Frame: 23''H x 33.75''W.

$2500 - 3500

129

Not Pictured2 3 3 • M I LT O N A V E R Y(American/New York, 1885-1965)Portrait of a man and womanInk on paper, 1958. Signed anddated lower right “Milton Avery1958.”


$1500 - 2500

2 3 4 • L O U I S R I T M A N(Russian/American, 1889-1963)Figure ArrangementOil on canvas board. Signedlower left “L Ritman;” with artist’sestate stamp verso.

Board: 14.75''H x 18.25''W; Frame: 21.5''H x 24.75''W.

$3000 - 5000

2 3 2 • F R E D E R I C K C A R LF R I E S E K E(American, 1874-1939)Lady SittingWatercolor on paper, 1922-24.Signed lower left “FC Frieseke.”

Sheet: 9.375''H x 12.375''W;Frame: 17''H x 19.25''W.

Provenance: Christie’s New York,May 5 1999, Lot 79.

Note: Nicholas Kilmer, the artist’sgrandson, will include this workin his forthcoming catalogueraisonne of Fresieke’s work, spon-sored by Hollis Taggart Galleries,New York.

$3000 - 5000

130

2 3 5 • A R T H U R D R U M M O N D(British, 1871-1951)Bathing BeautiesOil on canvas. Signed lower right“A Drummond.”


$2500 - 3500

2 3 6 • H O B S O N P I T T M A N(American, 1890-1972)SummerOil on panel. Signed upper right“Hobson Pittman.”

Panel: 30"H x 42"W; Frame: 39.5"H x 51"W.

$8000 - 12,000

2 3 7 • G E O R G E O B E R T E U F F E R(American, 1878-1940)River VillageOil on canvas. Signed, dated and inscribedlower left “G Oberteuffer 1923 to MorleyHicks;” with same inscription on the reverse.


$2000 - 3000

131

2 3 8 • A L B E R T B I E R S T A D T(American, 1830-1902)Mountain LandscapeOil on paper laid on board. Signed lower right “ABierstadt.”

Board: 14''H x 19''W; Frame: 20.75''H x 25.75''W.

Provenance: Butterfields and Butterfields, June 25 1998, Lot 5025.

$10,000 - 15,000

132

2 3 9 • A L F R E D F I T C H B E L L O W S(American, 1829-1883)The Ferry LandingOil on canvas laid down on masonite.Signed lower left “AF Bellows.”

Canvas: 18''H x 30.5''W; Frame: 26''H x 38.25''W.

Provenance: Sotheby’s New York,April 23 1998, Lot 4.

$3000 - 5000

2 4 0 • E D W I N L O R D W E E K S(American/Massachusetts, 1849-1903)In the Olive GroveOil on canvas, 1876. Signed and dated lower left “E.L. Weeks 1876.”



Note: Dr. Ellen K. Morris will include this painting in her forthcoming catalogue raisonne for the artist.

In reference to this painting Morris states, “Weeks was only twenty-sevenwhen he executed this work, but it already shows his developing skills as a fine painter of the figures and animals, as well as his penchant forscenes set in bright sunshine with cool shadows. This can be clearly seenin the luxuriant costume of the standing shepherdess, whose vivid cloth-ing contrasts markedly with the verdant setting."

$6000 - 8000

133

2 4 1 • H O M E R D O D G E M A R T I N(American, 1836-1897)The River at DuskOil on canvas. Unsigned.


Provenance: Alexander Gallery,New York (label on reverse);Christie’s New York, October 11998, Lot 5.

$4000 - 6000

2 4 2 • E D W A R D M O R A N(American/New York, 1829-1901)Ship at SeaOil on canvas. Signed lower left“Edward Moran.”


Provenance: Sotheby’s New York,September 24 1998, Lot 10.

$2500 - 3500

Not Pictured2 4 3 • C E C I L G A S PA R(American/California, b. 1951)Arroyo Burrooil on board, 2001. Signed lowerleft “Cecil Gaspar;” signed, titled,dated “2001” and with artist’scopyright on board verso.


Provenance: Bonhams and Butter-fields San Francisco, June 9 2002,Lot 8349

$1200 - 1800

134

2 4 4 • G E R A L D H A R V E Y(American/Texas, b. 1933)After the TheaterOil on canvas. Signed and with artist’s copyright lower left “G. Harvey;” signed and titled on canvas and stretcher verso.


$6000 - 8000

2 4 5 • G E R A L D H A R V E Y(American/Texas, b. 1933)The Flower CartGouache on paper. Signed lower right “G. Harvey;” with artist’s copyright stamp verso.

Sheet: 3''H x 4''W; Frame: 13.5''H x 14''W.

Provenance: Altermann and Morris Galleries, Dallas, Houston, Santa Fe (label on reverse).

$2000 - 3000

2 4 6 • J O H N PA U L S T R A I N(American/Texas, b. 1955)Evening at the TheaterGouache on paper, 1989. Signed and with artist’s copyrightlower left “John Paul Strain;” signed, titled, dated “89” andwith artist’s copyright verso.

Sheet: 10.5''H x 18''W; Frame: 23.5''H x 31''W.

Provenance: Altermann and Morris Galleries, Dallas, Houstonand Santa Fe (label on reverse).

$1000 - 1500

135

Not Pictured2 4 7 • T H O M A S H A R T B E N T O N(American, 1889-1975)Old Man ReadingLithograph, 1939. Signed in pen-cil lower right margin “Benton”and plate signed “Benton” lowerright, from the edition of 250;published by Associated Ameri-can Artists, New York.

Sheet: 10''H x 12.625''W; Frame: 16.75''H x 20.75''W.

$1500 - 2500

Not Pictured2 4 8 • C L E M E N T I N E H U N T E R(American/Louisiana, 1887-1988)Haulin CottonOil on canvas board. Monogrammed at right edge.


Note: Accompanied by photo-graph of the artist holding thisparticular painting.

$1000 - 1500

Not Pictured2 4 9 • C L E M E N T I N E H U N T E R(American/Louisiana, 1887-1988)Pickin CottonOil on canvas board. Mono-grammed at right center edge.With framer’s label on the reverse “The Waddell Company,Shreveport, LA.”


$800 - 1200

Not Pictured2 5 0 • C L E M E N T I N E H U N T E R(American/Louisiana, 1887-1988)The Cotton GinOil on canvas board. Mono-grammed at right center edge.With framer’s label on the reverse “The Waddell Company,Shreveport, LA.”


$800 - 1200

Not Pictured2 5 1 • C L E M E N T I N E H U N T E R(American/Louisiana, 1887-1988)Doin LaundryOil on canvas board. Mono-grammed at right center edge.With framer’s label on the reverse “The Waddell Company,Shreveport, LA.”


$800 - 1200

Not Pictured2 5 2 • C L E M E N T I N E H U N T E R(American/Louisiana, 1887-1988)Pecan ThreshingOil on canvas board. Mono-grammed at right center edge.With framer’s label on the reverse “The Waddell Company,Shreveport, LA.”


$800 - 1200

Not Pictured2 5 3 • C L O V I S H E I M S AT H(American/Texas)Cows in a LandscapeOil on canvas. Signed lower right“Heimsath.”

Canvas: 48"H x 36"W; Frame: 55"H x 43.25"W.

Provenance: The collection ofDerrill Osborn; Private collection.

$1500 - 2500

2 5 4 • K E N T R . W A L L I S(American/Utah, b. 1945)Movement Through ColorOil on canvas. Signed lower left “Kent R. Wallis;” inscribed with title on canvas verso.


$2500 - 3500

136

2 5 6 • K E N T R . W A L L I S(American/Utah, b. 1945)Essence of Santa FeOil on canvas. Signed lower right“Kent R. Wallis.”


$1500 - 2500

2 5 7 • E D K U C E R A(American/Colorado, b. 1961)The Pink ShawlOil on board. Signed and with artist’s copyright lower right “DE Kucera.”


Provenance: Mountain Trails Gallery, Santa Fe, New Mexico (label on reverse).

$3000 - 5000

2 5 5 • K E N T R . W A L L I S(American/Utah, b. 1945)Santa Fe Street SceneOil on canvas. Signed lower left“Kent R. Wallis;” verso inscribedwith title and artist’s name.


$3000 - 5000

137

2 5 8 • W I L L I A M A C H E F F(American, b. 1947)Sweet Corn and Hot ChileOil on canvas, 1994. Signed, titled and dated on canvas overlap “Wm. Acheff 1994.”

Canvas: 30"H x 20"W; Frame: 38''H x 28''W.

Provenance: Altermann and Morris Galleries, Houston, Texas(label on the reverse).

$20,000 - 30,000

138

2 5 9 • E D K U C E R A(American/Colorado, b. 1961)In Light of the Holy ManOil on canvas, 1995. Signed, dated and with artist’s copyright lower right “Ed Kucera 95;” signed, dated and with artist’s copyright on canvas overlap.


Provenance: Mountain Trails Gallery, Santa Fe, New Mexico (label on reverse).

$4000 - 6000

2 6 0 • S T A N D A V I S(American/California, b. 1942)Grandmother Prays for her ChildrenOil on canvas. Signed and with artist’s copyright lower left “Davis.”


$3000 - 5000

Not Pictured2 6 1 • PA L F R I E D(Hungarian/American, 1893-1976)The LookoutOil on canvas. Signed lower left“Fried Pal;” titled on canvas versoand with artist’s copyright stamp.


$1000 - 1500

139

2 6 2 • L O R E N Z O G H I G L I E R I(American, b. 1931)First JumpBronze sculpture, 1999. Signed, dated and with artist’s copyright“Lorenzo Ghiglieri 1999” and numbered 30/135.

22''H x 28''W.

$1800 - 2500

2 6 3 • M A R T I N G R E L L E(American/Texas, b. 1954)Waiting on the HayOil on canvas, 1978. Signed and dated lower right “Martin Grelle '78.”

Canvas: 18"H x 24"W; Frame: 27"H x 32.75"W.

Provenance: Texas Art Gallery,Dallas, Texas (label on reverse).

$4000 - 6000

140

2 6 4 • G E O R G E H A L L M A R K(American/Texas, b. 1949)

Sometimes It's Hell GettinStartedOil on board, 1981. Signed, datedand with artist’s copyright lowerleft “Hallmark 81;” titled on TexasArt Gallery label on the reverse.


Provenance: Texas Art Gallery,Dallas, Texas (label on reverse).

$3000 - 5000

2 6 5 • G L E N N A G O O D A C R E(American/Texas, b. 1939)FlamencoBronze sculpture, 1996. Signed,dated and with artist’s copyright“G Goodacre 1996” and numbered 22/25.

42''H including base.

$5000 - 7000

141

2 6 6 • M E L V I N C H A R L E S W A R R E N(American/Texas, 1920-1995)

The PrizeOil on canvas, 1984. Signed, dated and with artist’s copyright lower right “Mel Warren 1984.”

Canvas: 14"H x 20"W; Frame: 24.25"H x 30.25"W.

Provenance: Altermann Galleries, Santa Fe, New Mexico (label on reverse).

$9000 - 12,000

142

2 6 7 • X I A N G Z H A N G(Chinese/American, b. 1954)Holding TightOil on canvas. Signed and withartist’s copyright lower left “Xiang Zhang OPA.”


Provenance: Altermann Galleries,Santa Fe, New Mexico (label onthe reverse).

$4000 - 6000

2 6 8 • C L A R K K E L L E Y P R I C E(American/Wyoming, b. 1945) Watering HoleOil on canvas, 1983. Signed, dated and with artist’s copyrightlower left “Clark Kelley Price 83.”


Provenance: Trailside Galleries,Jackson, Wyoming.

$2500 - 3500

143

2 6 9 • C U R T W A LT E R S(American/New Mexico, b. 1950)FlamboyanceOil on canvas. Signed lower left “Curt Walters;” titled on stretcher verso.


$3000 - 5000

Not Pictured2 7 0 • A D R I A N O M A N O C C H I A(American/New York, b. 1950)Along the BankOil on board. Signed and with artist’s copy-right lower left “Adriano Manocchia.”

Board: 7.5''H x 12''W; Frame: 12.5''H x 17''W.

Provenance: Trailside Americana Galleries,Wyoming (label on reverse).

$1200 - 1800

Not Pictured2 7 1 • S T E P H E N H A N N O C K(American/New York, b. 1951)

Lake at SunrisePolished mixed media on board, 1994.Signed and dated lower right “StephenHannock 1994.”

Board: 4''H x 9.5''W; Frame: 12''H x 17.25''W.

$800 - 1200

2 7 2 • R O B E R T W I L L I A M W O O D(American/Texas, 1889-1979)Pueblo Scene at SunriseOil on canvas. Signed lower left “Geo. Day.”


$4000 - 6000

2 7 3 • D A W S O N D A W S O N - W AT S O N(British/American, 1864-1939)Desert LandscapeOil on canvas board, 1937. Signed and dated on board verso “DawsonWatson 37,” with “Newton” canvas board label on the reverse.

Board: 16"H x 20"W; Frame: 21"H x 24.5"W.

$2000 - 3000

144

2 7 4 • G R A N T M A C D O N A L D(American/Texas, b. 1944)Best Time of DayOil on canvas, 1996. Signed anddated lower right “Grant Macdonald1996;” signed and titled on reverse.


Provenance: Altermann and MorrisGalleries, Dallas, Houston, Santa Fe(label on reverse).

$3000 - 5000

2 7 5 • L A U R E N C E S I S S O N(American, b. 1928)Desert Landscape at SunsetOil on board. Signed lower left “L. Sisson.”

Board: 42''H x 60''W; Frame: 50''H x 67.75''W.

$1500 - 2500

145

2 7 6 • L A U R E N C E S I S S O N(American, b. 1928)Arizona DrifterOil on masonite 1979. Signed lower right “L. Sisson.”

Masonite: 46.5''H x 46''W; Frame: 56.5''H x 56''W.

Provenance: Butterfields San Francisco, June 9 2002, Lot 8103.

$2000 - 3000

2 7 7 • C H A R L E S T A Y L O R B O W L I N G(American/Texas, 1891-1985)Landscape at SunsetOil on board, 1928. Signed and dated lower right “Chas. T. Bowling 1928.”


$1000 - 1500

2 7 8 • W I L L I A M R O B E R TT H R A S H E R(American/Texas, 1908-1997)BluebonnetsOil on canvas. Signed lower left“WR Thrasher.”


$1500 - 2500

2 7 9 • G E R A L D H A R V E Y(American/Texas, b. 1933)Texas BluebonnetsOil on canvas, 1961. Signed anddated lower right “G. Harvey1961;” with artist’s copyrightstamp on the reverse numbered“387.”


$4000 - 6000

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GUIDE FOR PROSPECTIVE BUYERSDallas Auction Gallery is an established international antiques and fine artauction house known for integrity, simplicity and personal service for both thebuyer and seller.

When it comes to auctions, some people find the buying process complicated.Our experienced auction specialists are available to work with you personallyto ensure an experience that is clear and straight forward. We welcome you toattend an auction or two, in person before ever bidding on anything. Ask anauction specialist questions about the process and items. This will allow you tobecome comfortable and knowledgeable within the auction environment.

Today’s technology and global marketplace allow for buyers around the worldto participate in auctions.

Dallas Auction Gallery provides several options for you to preview items priorto the auction. You can view our online catalogues two weeks prior to eachsale. There is a detailed description and photographs of each lot offered in theauction.

In addition to our catalogues, Dallas Auction Gallery offers an open house pre-view for several days prior to each auction. Items are professionally displayedin the gallery and our auction experts are available to consult with clients. Weencourage you to inspect each item of interest carefully as all items are sold“as is.” Antiques by nature, show signs of use and age, which often enhancestheir unique characteristics and creates their value, as in a fine patina. If youare unable to inspect the items of interest in person, please request a condi-tion report and our experts will inspect the item for you and provide a writtenreport of its condition.

Items available at auction are valued at “auction estimates” in a range which isbased on the research of what similar items have sold at auction. They do notnecessary indicate the highest amount an item will sell for. The market andbidding will determine final hammer prices.

BID IN PERSONThe traditional form of bidding is live, in person during the auction offering anexciting and fast paced experience. All buyers must register prior to biddingand receive a bid card which is raised to indicate a bid to the auctioneer. Oncethe auction starts, the lots are offered in sequential order. You will receive aprinted catalogue to follow along. When your desired item is offered, be sure

to make your bid obvious by raising your card and make eye contact with theauctioneer. Auctions are fast paced and you must make decisions and com-municate quickly. If you are the winning bidder, the auctioneer will close theitem by saying “sold,” the final hammer price and announce your bid cardnumber.

TELEPHONE BIDDINGFor buyers unable to attend the auction in person, Dallas Auction Gallery of-fers phone bidding. You participate live on the phone with one of our trainedprofessionals who manages phone bids around the world during each auc-tion. Our auction professionals are fluent in English and Mandarin. Telephonebid requests must be placed at least 24 hours prior to the auction. All tele-phone bidders are encouraged to leave an absentee bid or safety bid in theevent a call should fail. Each registered phone bidder is bound by the termsand conditions of sale. Telephone Bid Form is available on our Website and bycalling an auction specialists 214-653-3900.

ABSENTEE BIDDINGFor buyers unable to participate in the live bidding process, Dallas AuctionGallery accepts Absentee Bids. We bid on your behalf just as if you were in the auction house, up to your pre-determined maximum bid. Dallas AuctionGallery will not use your maximum bid as a starting bid and always attempt to purchase your desired item at the lowest possible price.

You must provide a specified fixed maximum bid, we do not accept openended “buy” bids. We execute absentee bids as a convenience for our clients,however under no circumstances will we be responsible for inadvertently failing to execute bids or for errors relating to execution of bids includingtechnology related errors.

In the event of identical absentee bids, the earliest received will take priority.Completed and signed bid forms must be received by Dallas Auction Galleryno later than 5pm (EST) on the evening of the auction.

ABSENTEE BIDDING ONLINE AT DAGWhen leaving an absentee bid online on our website, please click on the “viewcatalog” link, and then click “new bidder”. You will be asked to resubmit yourpersonal information. Once registered online, you will be able to quickly log inand bid on any future auctions.

147

LIVE ON-LINE BIDDINGDallas Auction Gallery conducts auctions live online through LiveAuctioneers.You can participate in real time via a live audio and video feed. LiveAuction-eers does require you to register in advance to bid.

http://www.liveauctioneers.com/browse/seller/dallasauctiongallerySelect Dallas Auction Gallery (you may have to click the link to “View all auctions”). Follow auction registration instructions.

PAYMENT OPTIONSDomestic Clients: We accept bank wire transfers, cash, personal or companycheck with proper ID, cashier's check, travelers check, money order, Visa, Mas-terCard, or Discover. There is a maximum of $10,000 that may be charged tocredit cards, per client invoice.

(a) Items purchased in person must be paid for on the day of the auction. Ifyou leave without paying, your credit card will be charged the next day.

(b) For items purchased via phone or absentee bidding, your credit card willbe charged the day after the auction. If other payment arrangements havebeen made and good funds have not been received by the 5th businessday after the auction, your credit card will be charged.

(c) For items purchased online, you will be emailed an invoice the day after theauction. It is your responsibility to contact DAG via telephone 866-653-3900 or email at [email protected] to make payment.

(d) If paying by check, DAG reserves the right to hold all purchases until thecheck has cleared to the satisfaction of DAG and its bank.

International Clients: We accept wire transfers, Visa, MasterCard, or Discover.There is a maximum of $10,000 that may be charged to credit cards, perclient invoice.

(a) For items purchased via phone or absentee bidding, your credit card willbe charged the day after the auction. If other payment arrangements havebeen made and good funds have not been received by the 5th businessday after the auction, your credit card will be charged.

(b) For items purchased online, you will be emailed an invoice the day afterthe auction. It is your responsibility to contact DAG via telephone 866-653-3900 or email at [email protected] to make payment.

CONDITION REPORT REQUESTSDownload a Condition Request Form from our website. (requires Adobe Acrobat Reader)

Submit an Condition Request Form Online.

We encourage you to inspect each item of interest carefully as all items aresold “as is.” Antiques by nature, show signs of use and age, which often enhances their unique characteristics and creates their value, as in a finepatina. If you are unable to inspect the items of interest in person, please request a condition report via email ([email protected]) or telephone (866.653.3900) and our experts will inspect the item for you andprovide a written report of its condition, and additional images if needed.

BID INCREMENTS$0 – 999 $ 50

$1,000 – 2,499 $100

$2,500 – 4,999 $250

$5,000 – 9,999 $500

$10,000 – 24,999 $1,000

$25,000 – 49,999 $2,500

$50,000 – 99,999 $5,000

$100,000 – 249,000 $10,000

$250,000 – 499,999 $25,000

$500,000 – 999,999 $50,000

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The following as amended by any posted notices or oral announcements duringthe sale, constitutes the entire terms and conditions on which property listed inthe catalogue shall be offered for sale or sold by Dallas Auction Gallery, Ltd.(“DAG”) and any consignor of such property for whom we act as agent. By bid-ding at an auction, whether in person or by agent, absentee bid, telephone orother means, the buyer or bidder agrees to be bound by these Conditions of Sale.

TERMS AND CONDITIONS OF SALE1. All items are sold “AS IS, WHERE IS” with all faults. There are no warranties

or representations of merchantability, of fitness, nor of any other kind, ex-press or implied. All items are available for your examination prior to bid-ding. Written and oral descriptions are our opinions and should in no waybe construed as a guarantee of any kind as to authenticity, age, condition,materials or any other feature of items being sold. DAG attempts to cata-log every lot correctly and will attempt to point out any defects but willnot be responsible or liable for the correctness of the catalog or other de-scriptions of the lot. We recommend prospective bidders examine all itemsin which they have an interest. By placing a bid, either in person, by phone,absentee or via the Internet, you signify that you have examined the itemsas fully as you desire to or that you have chosen not to examine them. Ifyou require absolute certainty in all areas of authenticity, and the results ofyour evaluation leave uncertainty in your mind, we recommend you havean expert examine the lot for you or do not bid on the item in question. Ifyour item(s) are damaged in shipping, you will need to contact the shipperto file a claim. If your item(s) are being shipped and there is a conditionproblem upon receipt, you are expected to notify us immediately byphone at 866-653-3900. Any condition concerns will be null and void afterthe 10th business day following the end of the auction. Please note that ifyou pay late and thus receive your item(s) late, this does not qualify you forspecial privileges. We do not give refunds! All sales are final!

2. All property is sold “AS IS, WHERE IS” and neither DAG nor the consignormakes any warranties or representations of any kind or nature with respectto property or its value, and in no event shall be responsible for the cor-rectness of description, genuineness, attribution, provenance, authentic-ity, authorship, completeness, condition of property or estimate of value.No statement (oral or written) in this catalog, at the sale, or elsewhere shallbe deemed such a warranty or representation, or any assumption of re-sponsibility. All measurements are approximate.

3. The successful bidder is the highest bidder acknowledged by the auction-eer. In the event of any dispute between bidders, or in the event of doubton DAG’s part as to the validity of any bid, the auctioneer will have the finaldiscretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, DAG’s salerecord is conclusive. DAG records the audio portion of each auction.

4. The purchaser assumes full responsibility for items at the fall of the hammer.

5. As a convenience to customers, absentee bids and phone bids will be executed by DAG personnel in a competitive and confidential manner.Phone bid arrangements must be made 24 hours prior to start of theauction. DAG will not be responsible for failure to execute absentee orphone bids.

6. There will be a buyer’s premium of 25% added to the hammer price ofeach lot for the portion up to and including $50,000; 20% on the portionfrom $50,001 through $1,000,000, and 12% on the portion exceeding$1,000,000 and all will be considered part of the total purchase price. Allpurchases will be subject to an 8.25% Texas sales tax unless

(1) you are an out-of-state resident and your purchases are being shippedout of Texas or

(2) if you are a Texas resident and you possess a valid tax-exempt number.DAG must have a blanket exemption certificate with permit numberand signature on any tax exempt sale.

7. PAYMENT: DOMESTIC CLIENTS: We accept bank wire transfers, cash, personal or com-pany check with proper ID, cashier's check, travelers check, money order,Visa, MasterCard, or Discover. There is a maximum of $10,000 that maybe charged to credit cards, per client invoice. (a) Items purchased in per-son must be paid for on the day of the auction. If you leave without pay-ing, your credit card will be charged the next day. (b) For items purchasedvia phone or absentee bidding, your credit card will be charged the dayafter the auction. If other payment arrangements have been made andgood funds have not been received by the 5th business day after the auc-tion, your credit card will be charged. (c) For items purchased online, youwill be emailed an invoice the day after the auction. It is your responsibilityto contact DAG via telephone 866-653-3900 or email at [email protected] to make payment. (d) If paying by check, DAG reserves theright to hold all purchases until the check has cleared to the satisfaction ofDAG and its bank.

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INTERNATIONAL CLIENTS: We accept wire transfers, Visa, MasterCard, orDiscover. There is a maximum of $10,000 that may be charged to creditcards, per client invoice. (a) For items purchased via phone or absenteebidding, your credit card will be charged the day after the auction. If otherpayment arrangements have been made and good funds have not beenreceived by the 5th business day after the auction, your credit card will be charged. (b) For items purchased online, you will be emailed an invoicethe day after the auction. It is your responsibility to contact DAG via tele-phone 866-653-3900 or email at [email protected] to makepayment.

8. SHIPPING: It is the buyer’s responsibility to arrange for and pay for shipping. On the30th calendar day following the auction, all lots that have not been re-moved from DAG will be moved to an off-site storage facility and incurstorage fees of $10.00 per lot per day until removed. For a recommendedlist of shippers and a Shipping Authorization Form, please click the "Ship-ping" link under the "Services" tab of our homepage at www.dallasauc-tiongallery.com. We must have a signed, completed ShippingAuthorization to release your lots.

9. If we are prevented by fire, theft, or any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited tothe sum actually paid, by the purchaser for such property.

10. DAG reserves the right to withdraw any lot at any time before the auction without liability.

11. The auctioneer reserves the right to reject any bid not commensurate withthe value of the property offered.

12. A range of estimates is given on each lot with a low and a high estimate.Estimates should not be relied on as a prediction of the actual selling price.

13. If any applicable conditions herein are not complied with by the purchaser,in addition to other remedies available to it by law, including without limi-tation the right to hold the purchaser liable for the total purchase price,DAG at its option may either (a) cancel the sale, retaining as liquidateddamages all payments made by the purchaser or (b) resell the property at public auction without reserve or minimum selling price, and the purchaser will be liable for any deficiency and costs, including handlingcharges, expenses of both sales, the commission on both sales at regularrates, all other charges due hereunder and incidental damages.

14. In the unlikely event that we lose our internet connection, DAG reservesthe right in its sole and absolute discretion to cancel the remainder ofthe auction.

15. Some lots may be offered with a “reserve” which is the minimum pricebelow which the lot will not be sold. DAG may act to protect the reserveby bidding through the auctioneer. The auctioneer may open the biddingon any lot below the reserve by placing a bid on behalf of the consignor.The auctioneer may continue to bid on behalf of the consignor up to theamount of the reserve, either by placing bids in response to other biddersor by placing consecutive bids. In no event will the reserve exceed the lowestimate.

16. These terms and conditions of sale, as well as the respective rights and ob-ligations of DAG and any purchasers or bidder at any sale of DAG, shall begoverned by and construed and enforced in accordance with the laws ofthe State of Texas.

17. The auctioneer is licensed and regulated by the Department of Licensingand Regulation. Licensure with the Department does not imply approvalor endorsement by the State of Texas. If you have an unresolved com-plaint, it should be directed to: Texas Department of Licensing and Regula-tion, P.O. Box 12157, Austin, Texas 78711, 512-463-6599.

Scott H. Shuford, TXL #13769 : Jerry W. Holley, TXL #10262

214.653.39002235 MONITOR STREE T

DALLAS T X 75207

DALLASAUC TIONGALLERY.COM

VINTAGE COUTURE and CONTEMPORARY LUXURY GOODS

NOW ACCEPTING CONSIGNMENTS

CALL • CONSIGN • COLLECT214.653.3900

DALLASAUCTIONGALLERY.COM

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DEPARTMENT OF FINE ART:Michelle Castro, Director of Fine Art

[email protected]

Taylor Lucas, Fine Art [email protected]

PHOTOGRAPHY:Gary Heiner

CATALOGUE DESIGN:WinshipPhillips

www.winshipphillips.com


A M E R I C A N A R TE U R O P E A N A R T


D A L L A S A U C T I O N G A L L E R YC A L L • C O L L E C T • C O N S I G N

214-653-39002235 Monitor Street | Dallas, Texas 75207 | www.dallasauctiongallery.com

© 2013 Dallas Auction Gallery

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U P C O M I N G A U C T I O N :

N O V E M B E R 2 0 t h :

A n t i q u e s a n d F i n e A r t , V i n t a g e C o u t u r e a n d C o n t e m p o r a r y L u x u r y G o o d s

American Art European Art and Design

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