Almada Negreiros
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Transcript of Almada Negreiros
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http://www.authorstream.com/Presentation/sandamichaela-2006806-almada-negreiros1/
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Between the years of 1918-20 Almada-Negreiros lived in Paris, working as a dancer and as a factory worker to earn a living. Although he led a relatively isolated life, he established acquaintance with some of the most prominent artists of 20th century modern art
José Sobral de Almada-Negreiros was a Portuguese painter and writer, born in the then colony of São Tomé e Príncipe. Besides literature and painting, Almada composed ballet choreographies, and worked on tapestry, engraving, murals, caricature, mosaic, azulejo and stained glass. Having drawn inspiration from Cubism and Futurist movements, Almada-Negreiros is considered one of the pivotal figures of the Modernist movement in Portugal.Following the lead of other European vanguard movements of the early 20th century, Almada-Negreiros, along with writers Fernando Pessoa, Mário de Sá-Carneiro and painters such as Amadeo de Souza-Cardoso and Santa Rita Pintor, formed a group named "Orpheu’s generation". Intent on agitating, subverting and scandalizing the Portuguese conservative bourgeoisie and, by extension, all social conventions, the group launched a magazine – "Orpheu" – a journal of art and literature. Essentially, their aim was to produce a shift in the society’s mind frame, urging people to look to the future and to believe in their Man’s capacities.
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The Bathers (1925)
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Figurinos Para Cunha Taylors 1913
Untitled, 1948
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Study for a theatre decoration (Teatro Muñoz Seca de Madrid) 1929
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Untitled, 1930
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Sinceridade
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Acrobatas
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Bailarina
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Homenagem a Lucca Signorelli (1942)
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1941 nude painting
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Female nude (for the decoration of Bristol club), 1926
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1940 Familia
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Lendo Orpheu 2, colecção privada, Lisboa
Artista e Modelo, 1953 Leitura
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Double portrait
1936
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Maternity, 1935
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The fi
sherm
an -
tapest
ry
fish
erw
om
an
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Dese
nho d
e A
lmada N
egre
iros
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This exhibition features
tapestries designed in Portalegre
which recreate the works of
Almada Negreiros. The fresh paintings of the Gare de Alcântara and the Gare da Rocha are present in
these tapestries
works.
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The Portalegre Tapestries,
which claim the status of a work of art, are the
result of a division between the painter and the craftsmen who recreates
the narrative of the first artist.
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Integração racial, 1948Tapestry
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Auto-retrato com o grupo da Brasileira (1925)
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Três poemas desenhados
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Tapestry called "O Número"
(The Number) in
the Tribunal de
Contas building, Lisbon, 1958
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Tapestry called "O Número" (The Number) in the Tribunal de Contas building, Lisbon, 1958.
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'A sentença de Salomão', tapeçaria de Almada Negreiros (1962)
Azulejos de Almada
Negreiros
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Tapestry called "Lenda do Lethes”
According to the legend, when the Romans reached Rio Lima on their march through Iberia they had a great deal of trouble leaving because the soldiers were convinced the Rio Lima was the River Lethes - the mythical river of oblivion - and that if they crossed it they would forget everything. It was only after their leader, Decimus Junius Brutus, plunged ahead and shouted back their legionaries' names that they braved the waters
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Tapestry called "Lenda do Lethes”
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Tapestry called "Lenda do Lethes”
Decimus Iunius Brutus near river Lima- Tapestry
Pousada de Santa Luzia,
Viana do Castelo
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Painel de Azulejos "Lenda do Lethes” in Ponte de Lima
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Painel de Azulejos in
Ponte de Lima: Decimus Iunius
Brutus near Lima river
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Luís Vaz de Camões
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Retrato de Fernando Pessoa, 1964.
Retrato de Fernando Pessoa, 1954.
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Hall, wall panel Começar The lobby of the headquarters of the Calouste Gulbenkian Foundation in Lisbon
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Fundação Calouste Gulbenkian
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Sound: Miguel Poveda, Mariza y la ONE - Meu fado meu
Text and pictures: Internet
Copyright: All the images belong to their authors
Presentation: Sanda Foişoreanuwww.slideshare.net/michaelasanda