All Time Favorite Songs

263

description

all time favorite song

Transcript of All Time Favorite Songs

  • Reader's Digest

    All-Time Favourites Songbook

    MUSIC ARRANGED AND EDITED BY DAN FOX

    Published by The Reader's Digest Association limited, London

  • lS How your Songbook

    Programmed for Pleasure Everybody enjoys hearing music over the radio or on records or tapes; we even make folk heroes out of unusually gifted interpreters of songs, whether singers or instrumentalists. Yet there is nothing about music so satisfying as the involvement of playing and singing great songs together. Great in the sense of soaring melodies, rhythmic dances, dreamy romantic ballads - all the glittering facets of the musical diamond.

    This involvement in music is what the Reader's Digest All-Time Favourites Songbook is all about. Here, we give you a unique collection of 97 favourites for endless evenings of fun, relaxation and excitement. And this is what we mean when we say unique: in no other songbook will you find a selection of songs so enticingly programmed, with such easy and adaptable arrangements, with sur-prising musical twists. You will find they are simple to play and will delight your friends. We are really proud not only of the songs we have selected but of the way we are presenting them to you. And we are sure you will be pleased, too, when you run through the first few of these up-to-the-minute arrangements.

    Actually, simply by opening it, you will see one reason why the All-Time Favourites Songbook is something special. Rather than being stitched and bound together, the pages are hinged on a spiral binding that allows them to lie flat on a music rack. The result: no need to flatten down pages yourself and no danger of damaging the book's spine. Also, of the 97 selections included, no fewer than 57 have been so organised that they fit completely on either one or two pages, thereby eliminating page turning in the middle of a song. This has been accom-plished not by reducing the size of the typeface but by omitting the rarely played introductory verses or forestrains as well as any superfluous harmonic embellishments that might prove difficult for the average performer. On the other hand, the more

    experienced performer will probably want to add his own imaginative elaborations.

    Selecting just the right songs for a well-balanced compendium resulted in a list of 97 songs that constitute virtually an all-time musical hit parade. These are the songs that are almost as meaningful to us as pictures in a family album or pages in a diary. We have danced to them, sung them in schools, on birthdays, at sing-alongs, at family reunions, and at all kinds of social events. There is hardly one here that will fail to stir your memory of some treasured past event.

    We hope we have also increased your enjoyment of this songbook with the introductory paragraphs you will find with the songs in the book. These are crammed with stories about how a song was born, how it was introduced to the public, what musical and lyrical qualities have given the song its distinc-tion. Some players may want to read them aloud before the group singing gets underway.

    To make sure that these songs appear in the most useful and enjoyable way possible, the editors have been guided by the concept of pleasure program-ming. One of the features on this unique and exclusive Reader's Digest approach to music is to group together songs with common chronological' and musical traits. In this book, they fall into six major categories: 1. Down Memory Lane . .. Wonderfully nostalgic numbers which include favourites from before the First World War, the hectic days of the Jazz Age, and the 'protest' years after the Second World War.

    2. Melodies /rom the Tuneful Twenties .,. Memorable music and lyrics from the pens of the giants of musical shows: George and Ira Gershwin, Richard Rodgers and Lorenz Hart, Cole Porter, Noel Coward, Vincent Youmans, Ray Henderson, and Jerome Kern and Oscar Hammerstein.

  • 3. All-time Hits of the Thirties ... Haunting themes from dramatic hits, and hit tunes from the screen's happiest musicals ... Fond recollections of Fred Astaire and Ginger Rogers dancing, Eddie Cantor singing, and the lovely, lilting voice of British musical comedy star Jessie Matthews.

    4. Favourites from the Forties . .. From Second World War hits such as the Beer Barrel Polka (better known as Roll Out The Barrel) to cheerful, optimistic numbers which many of us sang while growing up after the war.

    5. Yesterday'S Hits: the Fifties, Sixties and Seventies ... How often a song triggers our memory of a cenain time, a cenain place, a certain person. These lovely melodies are so familiar it seems they were topping the charts just the other day. Can it really be so long ago since their words and runes first entered our lives, and came to sum up for many of us certain magical moments -moments which we will treasure forever.

    6. Magic of the Movies . .. Songs sung in the floridly romantic musicals of yesterday have never lost their appeal. And they bring back some

    .;bewitching scenes in screen history - when stars such as Frank Sinatra, Gene Kelly, Bing Crosby, Doris Day and Louis Armstrong sang what became well-loved classics from the cinema.

    Pleasure programming, however, does not stop with placing songs in these categories. We provide you here with many more cross-references to help you round out particular moods and occasions. Here you will find nostalgic songs and glad songs; songs for the panicular girl and songs for the particular boy; songs to stan musical panies off with a swing and songs to bring them to a close; and songs for all kinds of group singing from

    barbershop-style ensembles to 'choirs'. All the arrangements have been especially

    created to provide easy-to-play fingering so that the average home musician can perfonn to his best advantage. Many of the pieces, chiefly the older songs, have been updated for the first time through the use of smooth, modern harmonies and intrigu-ing rhythmic effects.

    Note, too, that each song has been arranged for three instruments: piano, guitar and organ. How-ever, these arrangements can easily be adapted to any treble-clef C instrument, such as accordion, ukulele, recorder, marimba and xylophone. Most of them can also be used for the chord organ.

    Any guitarist - or would-be guitarist - need only read the special guitar diagrams above the staves to be able to accompany the songs. As for the organ-ist, he should have no trouble finding the proper organ pedal merely by reading the small notes on the bass clef.

    The songs may also be performed on a keyboard instrument by playing the melody with the right hand and following the chord symbols to improvise a left-hand accompaniment. Piano srudents will probably recognise this as the 'popular piano' method widely used by music teachers today.

    It is also important to note that, in order to distinguish the melody from other symbols for the right hand, the stem of each melody note goes upward unless it stands alone.

    A songbook, of course, can simplify the arrange-ments, but it cannot play them. It can be a teaching aid, but it cannot teach. Nonetheless, everything possible has been done to assure the amateur musician's fullest enjoyment and proficiency. The rest is up to you ... Experienced pianists who have played these arrangements tell us: 'The notes seem to fall right under your fingers - no need for reaching or stretching. '

    We hope you will feel the same way.

    3

  • I ndex to Songs A Foggy Day .................................................................. 239 MterYou'veGone ........................................................... 30~ Alfie ............................................................................. 252 All Of Me ..................................... ; ................................ 24~ All the Things You Are ...................................................... 100 Almost Like Being in Love ................................................. 142 April in Paris .................................................................. 110 April Showers ................................................................. 34 Autumn Leaves ............................................................... 162 Beer Barrel Polka (Roll Out The Barrel) .................................. 134 Beyond the Sea ................. " .. ... ..... ..... ........ .. .... ... ........ .. .. . 139 Blowin' in the Wind. .. .. . .. .. .... .. ..... .. .......... .. . .. .. .. .. .. ..... ... .. .. 24 Blueberry Hill................................................................. 154 _ Blues in the Night ............................................................. 132 Bye Bye Blackbird ........................................................... 84 Can't Help Lovin' Dat Man ................................................ 81

    Caroli~a in the Morning... ........ ... .. .. .. .. . .. .. ....... ... ..... .. .. .. . . . .. 36 Charleston ..................................................................... 28 Charmaine ..................................................................... 178 Dancing in the Dark .......................................................... 112 Dancing on the Ceiling ...................................................... 96 Embraceable You ............................................................ 92 Fascinating Rhythm ......................................................... 78 Feelings ........................................................................ 172 For Me and My Gal .......................................................... 39 Getting To Know You ....................................................... 180 Gigi .............................................................................. 236 Heart and Soul ................................................................ 231-Hello, Dolly! .................................................................. 196' I Don't Wantto Set the World on Fire ................................... 146 I Get a Kick Out of You ..................................................... 114 I Only Have Eyes for You .................................................. 244 If .................................................................................. 16 .. . If Ever I Would Leave You ........ ~ ........................................ 188 If You Were The Only Girl In The World ................................ 10 I'll See You Again .................... ............ .......... ..... .. .. .. .. . ... ... 64 I'm Forever Blowing Bubbles.............................................. 12 I'm Looking Over a Four Leaf Clover .................................... 160 In a Shanty in Old Shanty Town .......................................... 102 Isle of Capri .................................................................... 98 It Had to Be You .............................................................. 204 It Might As Well Be Spring ................................................ 201 It's Only a Paper Moon...................................................... 223 Jeepers Creepers ................................................................ 250 Just One of Those Things ................................................... 118 Long Ago (And Far Away) ................................................. 228 Love Is Here to Stay ......................................................... 226 Love Story Theme (Where Do I Begin) ................................... 210 Lovely to Look At ............................................................ 206 Lover, Come Back to Me ................................................... 26 .. Lulu's Back in Town ........................................................ 234 Ma (He'S Making Eyes at Me) ............................................. 50

    4

  • ~ake Believe ................................................................... 76.JL Manhattan ..................................................................... 20 T Mona Lisa .................... , ............................. " ................ " 128 My Funny Valentine ............... , ............... , ....... , .. .... . . .. .. .. ... 220., My Heart Stood Still ......................................................... 56 My Melancholy Baby ........................................................... 46-My Prayer ............. ,. ..... .... ... .. .. .. ..... .... ........... .... .. .. .. .. ..... 104 Night and Day ................................................................ 89 Now is the Rour .............................................................. 130 Oh, What a Beautiful Mornin' ............................................. 144 On the Street Where You Live ............................................. 192 One Alone .................................................................. ~.. 52 Paper Doll ..................................................................... 44 People Will Say We're In Love ............................................ 157 Puff (The Magic Dragon) ................................................... 186 Put On a Happy Face ........................................................ 184 Red Sails in the Sunset ...................................................... 94 (Roll Out The Barrel) Beer Barrel Polka .......................... ;...... 134 's Wonderful .................................... .-............................. 58 Secret Love .................................................................... 246 Send In The Clowns ......................................................... 168 Shine On, Harvest Moon ................................................... 32 Smoke Gets in Your Eyes .. , ....... , .................... " ........ , .. .. .. .. .. 86 Some Enchanted Evening .................................................. 149 Someone to Watch Over Me ................................................ 66 Summertime .................................................................. 122 Tea for Two ...................................... ..... ........ ....... .......... 74 Tenderly ....................................................................... 152 The Blue Room ................................................................ 72 The Man I Love .............................................................. 53. The Nearness of You ........................................................ 213., The Sound of Music .......................................................... 198 The Way We Were ........................................................... 216 Thou Swell .................................................................... 70 Tie a Yellow Ribbon Round the Ole Oak Tree ......................... 164 Till We Meet Again .......................................................... 14 Too Marvellous for Words ................................................. 242 True Love...................................................................... 208. What Is This Thing Called Love? .......................................... 60 What Now My Love ......................................................... 175 When Day Is Done.. . ... .. ... .. ..... .. .. ... .. ..... .. .. .. ....... ........ .. .. . . 42 Who's Sorry Now? ........................................................... 18 With a Song in My Heart .................. , .......................... " .. , .. 62 You Do Something to Me ................................................... 68 You Go to My Head .......................................................... 107 You'll Never Walk Alone ................................................... 125

    List of Sections 1. Down Memory Lane 10-52

    2. Melodies from the Tuneful Twenties 53-85

    3. All-time Hits of the Thirties 8fr124

    4. Favourites from the Forties 125-163 5. Yesterday's Hits: the Fifties, Sixties

    and Seventies 164-200 6. Magic of the Movies 201-254

    5

  • Pleasure Programmes For a Special Girl Dr.Bo.Y After You've Gone ...... ' ....... ;.................................... 30 Alfie ................................................ 252 All the Things You Are ......... ,~.~ ............................. 100 Embraceable You ......................................... 92 For Me and My Gal ........... .............................. 39 Gigi ................................................................. 236 Hello, Dollyl ...................... ; .............................. 196 IDon'tWanttoSettheWorldonFire ...................... 146 lGetaKickOutofYou ... ~ ................. ; ................... 114 I Only Have Eyes for You ...................................... 244 If .................................................................... 16 If Ever I Would Leave You .................................... 188 If You Were The Only Girl In The World .................. 10 I'll See You Again ............................................... 64 Isle of Capri ...................................................... 98 It Had to Be You ................................................. 204 Lovely to Look At ............................................... 206 Lover, Come Back to Me ....................................... 26 Lulu's Back in Town ................................. -............ 234 My Heart Stood Still ............................................ 56 My Melancholy Baby ........................................... 46 My Prayer ......................................................... 104 Night and Day.................................................... 89 One Alone......................................................... 52 'S Wonderful ..................................................... 58 Someone to Watch Over Me ................................... 66 Tea for Two ............................... ..... ................... 74 The Man I Love.................................................. 53 Thou Swell ........................................................ 70 Till We Meet Again ........... :................................. 14 TooMarvellousforWords ..................................... 242 You Do Something to Me ...................................... 68 You Go to My Head ............................... '" ....... .... 107 When Day Is Done .............................................. 42 With a Song in My Heart ....................................... 62

    6

    Cheerful Songs Almost Like Being in Love ..................................... 142 Beer Barrel Polka (Roll Out The Barrel) ..................... 134 Carolina in the Morning ........................................ 36 Charleston......................................................... 28 For Me and.My Gal ............................................. 39 Getting To Know You .......................................... 180 Hello, Dolly! ...... ............................................... 196 I'm Looking Over a Four Leaf Clover ....................... 160 Jeepers Cr~pers ................................................. 250 Lulu's Back in Town ........................................ ;... 234 Ma (He's Making Eyes at Me) ................................. 50 Oh, Whata Beautiful Mornin' ................................ 144 Paper Doll............................................ ............. 44 Puff (The Magic Dragon) ...................................... 186 Put On a Happy Face............................................ 184 'S Wonderful..................................................... 58 Tea for Two ....................................................... 74 Tie a Yellow Ribbon Round the Ole Oak Tree............. 164 You Do Something to Me ...................................... 68

    Nostalgic Songs All Of Me .......................................................... 248 Autumn Leaves .................................................. 162 Beyond the Sea ................................................... 139 Blueberry Hill .................................................... 154 Charmaine ........................................................ 178 I'll See You Again ............................................... 64 I'm Forever Blowing Bubbles ................................. 12 Isle of Capri ....................................................... 98 Just One of Those Things ...................................... 118 Love Story Theme (Where Do I Begin) ..................... 210 Lover, Come Back to Me ....................................... 26 Red Sails in the Sunset.................................... ...... 94 Shine On, Harvest Moon....................................... 32 Smoke Gets in Your Eyes ...................................... 86 Summertime ...................................................... 122.1 Tenderly........................................................... 152 The Way We Were ............................................... 216 Till We Meet Again ............................................. 14 What Now My Love .............................................. 175 When Day Is Done .............................................. 42

  • Places to Sing About To Get Things Going A Foggy Day (in London Town) .............................. 239 April in Paris ..................................................... 110 Beyond the Sea ................................................... 139 Blueberry Hill .................................................... 154 Carolina in the Morning ........................................ 36 In a Shanty in Old Shanty Town.............................. 102

    April Showers .................................................... 34 Charleston......................................................... 28 Fascinating Rhythm ............................................. 78 Hello, Dolly! ..................................................... 196 I'm Looking Over a Four Leaf Clover ....................... 160 People Will Say We're In Love ................................ 157

    Isle of Capri ....................................................... 98 Beer Barrel Polka (Roll Out The Barrel) .................... 134 Manhattan......................................................... 20 On the Street Where You Live ............................... 192 The Blue Room ................................ ;................. 72

    The Party's Over Just the Right Time (Songs for special days, months and seasons)

    Mter You've Gone ............................................... 30 All Of Me .......................................................... 248 Heart and Soul ................................................... 231

    April in Paris . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110 Long Ago (And Far Away) ..................................... 228 April Showers .......................... ~......................... 34 My Melancholy Baby ........................................... 46 Carolina in the Morning ........................................ 36 My Prayer......................................................... 104 It Might As Well Be Spring .................................... 201 Now is the Hour ................................................. 130 My Funny Valentine ............................................ 220 Red Sails in the Sunset.......................................... 94 Night and Day.................................................... 89 Send In The Clowns .............................................. 168 Oh, What a Beautiful Mornin' ., .............................. 144 Red Sails in the Sunset .......................................... 94

    Some Enchanted Evening ...................................... 149 The Nearness of You ............................................ 213

    Shine On, Harvest Moon....................................... 32 Till We Meet Again ............................................. 14 Summertime ...................................................... 122 When Day Is Done .............................................. 42.

    Wedding Songs For Me and My Gal ............................................. 39 I Only Have Eyes for You ...................................... 244 If .................................................................... 16

    .. If You Were The Only Girlln The World .................. 10 Love Is Here to Stay............................................. 226 MyPrayer ......................................................... 104 Night IUld Day.................................................... 89 One Alone............ ............................................. 52

    -.:TeaforTwo ....................................................... 74 I! The Blue Room .................................................. 72

    True Love ......................................................... 208

    7

  • Index to First Lines A foggy day in London Town................... ............. 239 After you've gone and left me crying ..... .................... 30 All of me, why not take all of me? ............................. 248 April in Paris, chesrnuts in blossom......... ................. 110 Are the stars out tonight? ....................................... 244 Charleston, Charleston, made in Carolina ......... ......... 28 Come sweetheart mine, don't sit and pine ...... ............ 46 Dancing in the dark till the tune ends ......................... 112 Don't throw bouquets at me ...... ............................. 157 Embrace me, my sweet embraceable you! .................. 92 Fascinating rhythm, you've got me on the go! ............. 78 Feelings, nothing more than feelings ........................ 172 Fish gotto swim and birds gotto fly .......................... 81 For me and my gal, for me and my little sweetheart....... 39 Getting to know you, getting to know all about you ....... 180 Gigi, am I a fool without a mind .............................. 236 Gotta get myoid tuxedo pressed .............................. 234 Gray skies are gonna clear up ................................... 184 He dances overhead on the ceiling, near my bed .......... 96 Heart and soul I fell in love with you .............. ......... 231 Hello, Dolly, well, hello, Dolly............................... 196 How many roads must a man walk down.................... 24 I don't want to set the world on fire ........................... 146 I found my thrill on Blueberry Hill........................... 154 I get no kick from champagne ................................. 114 I give to you and you give to me ............................... 208 I have often walked down this street before ................. 192 Itook one look at you ........................................... 56 I wonder why you keep me waiting.... . . ....... .............. 178 If ever I would leave you, it wouldn't be in summer ...... 188 If they made me a king .......................................... 16 If you were the only girl in the world ......................... 10 I'll see you again whenever spring breaks through again. 64 I'm as restless as a willow in a windstorm ................... 201 I'm comin' home; I've done my time ........................ 164 I'm forever blowing bubbles ................................... 12 I'm goin' to buy a paper doll that I can call my own ....... 44 I'm looking over a four leaf clover ............................ 160 Isn't it rich? Are we a pair? ..................................... 168 It had to be you ................................................... 204 It was just one of those things .................................. 118 It's not the pale moon that excites me ........................ 213 It's only a shanty in old ShantyTown ........................ 102 It's very clear our love is here to stay ...................... ,.. 226 Jeepers Creepers! Where'd ya get those peepers? .......... 250 Long ago and far away .......................................... 228 Lovely to look at, delightful to know ........................ 206 Ms, he's making eyes at me! ......................... .......... 50 Mem'ries light the comers of my mind ...................... 216 Mona Lisa, Mona Lisa men have named you............... 128 My funny Valentine, sweet contic Valentine ............... 220 My mama done tol' me ......................................... 132 My prayer is to linger with you ................................ 104 Night and day you are the one ................................. 89 Nothing could be finer than to be in Carolina .............. 36 Now is the hour when we must say good-bye............... 130 Oh, shine on, shine on, harvest moon ....................... 32 Once I had a secret love ......................................... 246 One alone to be my own ........................................ 52 Pack up all my care and woe ................................... 84 Picture you upon my knee, just tea for two and

    ~b~ ............................................ ... ... ~ Puff the magic dragon lived by the sea ....................... 186

    8

    Red sails in the sunset 'way out on the sea .................. 94 'S wonderful! 'S marvellous! You should care for me! .... 58 Say, it's only a paper moon .................................... 223 Smile the while you kiss me sad adieu ....................... 14 Some enchanted evening you may see a stranger .......... 149 Someday he'll come along, the man I love .................. 53 .Somewhere beyond the sea somewhere waiting for me ... 139 Summer journeys to Niag'ra ................................... 20 Summertime, an' the livin' is easy............................ 122 The evening breeze caressed the trees ....................... 152 The falling leaves drift by the window ......... .............. 162 The hills are alive with the sound of music .................. 198 The sky was blue, and high above ............................ 26 There's a bright golden haze on the meadow ............... 144 There's a garden, what a garden .............................. 134 There's a somebody I'm longing to see ...................... 66 They asked me how I knew my true love was true ......... 86 Thou swell! Thou witty! Thou sweet! Thou grand! ....... 70 Though April showers may come your way ................ 34 'Twas on the Isle of Capri that I found her ................. 98 We could make believe I love you ........ .... ... ..... ........ 76 We'll have a blue room, a new room, for two room .. ..... 72 What a day this has been! ...................................... 142 What is this thing called love? ................................. 60 What now my love? ............................................. 175 What's it all about, Alfie? ...................................... 252 When day is done and shadows fall . .......................... 42 When you walk through a storm hold your head up high 125 Where do I begin to tell the story ............................. 210 Who's sorry now? .... ...... ..... ...... ........ ......... ...... .... 18 With a song in my heart I behold your adorable face...... 62 You are the prontised kiss of springtime... . . ..... . . ......... 100 You do something 10 me ........................................ 68 You go to my head and you linger like a haunting refrain 107 You're just too marvellous ..................................... 242

    Index to Composers Albert, Morris Feelings ....................................... 172 Arlen, Harold Blues in the Night ............................ 132

    It's Only a Paper Moon ....................................... 223 Ayer, NaID. IfYrYUWere The Only Girl In The Wurld . 10 Bacharach, Burt Alfie ......................................... 252 Bayes, Nora (also written by Norworth, Jack)

    Shine On, HarvestMoan ..................................... 32 Becaud, Gilberl WhatNowMyLO'lJe ....................... 175 Benjantin, Bennie (also written by Durham, Eddie; Marcus,

    Sol; and Seiler, Eddie) I Dan't Want to Set the W urld an Fire ...................... 146

    Black, Johnny S. Paper DoU ................................. 44 Boulanger, Georges (original melody adapted by Kennedy,

    Jintmy) My Prayer......................................... 104 Brown, L. Russell (also written by Levine, Irwin)

    Tie a Yellow Ribban Round the Ole Oak Tree............. 164 Brown, Lew (also written by Timm, Wladintir A.; Vejvoda,

    Jaromir; and Zeman, Vasek) Beer Barrel Polka (RoU Out The Barrel) .................. 134

    Burnett, Ernie My Melancholy Baby ........ ... ....... ...... 46 Carntichael, Hoagy HearcandSrYUl ........................ 231

    TheNearnessofYrYU ........................................... 213 Conrad, Con Ma(He'sMakingEyesatMe) .............. 50 Coots,J. Fred YrYUGotoMyHead ......................... 107

  • Coward, Noel I'll See You Again ............................ 64 Creamer, Henry (also written by Layton, Turner)

    After You've Gane ............................................. 30 Donaldson, Walter Carolina in the Murning ........... ... 36 Duke, Vernon April in Paris ................................. 110 Durham, Eddie (also written by Benjamin, Bennie; Marcus,

    Sol; and Seiler, Eddie) I Don't Want to Set the World on Fire ...................... 146

    Dylan, Bob Bluwin' in the Wind ............................ 24 Evans, Ray (also written by Livingston, Jay) MonaLisa 128 Evans, Tolchard If ................................. ........... 16 Fain, Sammy Secret Luoe ..................................... 246 Gershwin, George A Foggy Day ............................. 239

    Embraceable You .............................................. 92 Fascinating Rhythm ........................................... 78 Luoe Is Here toStay ........................................... 226 'S Wonderful ................................................... 58 Sameone to Watch Over Me .................................. 66 Summertime .................................................... 122 The Man I Love ....... ...... ....... ...... ...................... 53

    Gross, Walter Tenderly ....................................... 152 Grosz, Will Isle of Capri....................................... 98 Hamlisch, Marvin The Way We Were.................. .... 216 Henderson, Ray Bye Bye Blackbird ....... ................. 84 Herman, Jerry Hello, Do/Jy! ................................. 196 Johnson, Jimmy (also by Mack, Cecil) Charleston.... ... 28 Katcher, Dr Robert When Day Is Dane ................... 42 Kellette, John William (also written by Kenbrovin, Jaan)

    I'm Forever Blowing Bubbles . ............................... 12 Kenbrovin, Jaan (also written by Kellette, John William)

    I'm Forever Blowing Bubbles ................................ 12 Kennedy, Jimmy (musical adaptation by Boulanger,

    Georges) My Prayer ........................................ 104 Kern, Jerome All the Things You Are ....................... 100

    Can't Help Lovin' DatMan ................................. 81 Lovely to Look At .............................................. 206 LongAgo(AndFarAway) ................................... 228 Make Believe................................................... 76 Smoke Gets in Your Eyes ..................................... 86

    Kosma, Joseph (also written by Mercer, Johnny; and Prevert, Jacques) Autumn Leaves ........................ 162

    Lai, Francis Love Story Theme (Where Do I Begin) ...... 210 Layton, Turner (also written by Creamer, Henry)

    After You'veGane ............................................. 30 Levine, Irwin (also written by Brown, L. Russell)

    Tie a Yellow Ribbon Round the Ole Oak Tree ............. 164 Lewis, AI (also written by Rose, Vincent; and Stock, Larry)

    Blueberry Hill .................................................. 154 Lipton, Leonard (also written by Yarrow, Peter)

    Puff (The Magic Dragon) ..................................... 186 Little, Little Jack (also written by Siras, John)

    InaShantyinOldShanlN Town ............................ 102 Livingston, Jay (also written by Evans, Ray) MonaLisa 128 Loewe, Frederick Almost Like Being in Love ............. 142

    Gigi .............................................................. 236 If Ever I Would Leave You .................................. 188 On the Street Where You Live ............................... 192

    Mack, Cecil (also written by Johnson, Jimmy) Charleston ...................................................... 28

    Marcus, Sol (also written by Benjamin, Bennie; Durham, Eddie; and Seiler, Eddie)

    I Don't Want to Set the World on Fire ..... , ................ 146 Marks, Gerald (also written by Simons, Seymour)

    All Of Me ....................................................... 248 Mercer, Johnny (also written by Kosma, Joseph; and

    Prevert, Jacques) Autumn Leaves ....................... 162

    Meyer, GeorgeW. ForMeandMyGal ................... 39 Norwonh, Jack (also written by Bayes, Nora)

    Shine On, HarvestMoon .................................... 32 Pollack, Lew (also written by Repee, Erno)

    Charmaine ...................................................... 178 Poner,Cole I Get a Kick Out of You ....................... 114

    Just One of Those Things ..................................... 118 Night and Day ................................................. 89 True Love ....................................................... 208 What Is This Thing Ca//ed Love? ........................... 60 You Do Something to Me ..................................... 68

    Prevert, Jacques (also written by Mercer, Johnny; and Kosma, Joseph) Autumn Leaves ......................... 162

    Rape., Erno (also written by Pollack, Lew) Charmaine ., 178 Rodgers, Richard Dancing On The Ceiling................ %

    Getting To Knuw You ......................................... 180 It Might As Well Be Spring .................................. 201 Manhattan...................................................... 20 My Funny Valentine .......................................... 220 My Heart Stood Still ... ..... ....... ...... ....... ......... ...... 56 Oh, What a Beautiful Murnin' ............................... 144 People Will Say We're In Love .............................. 157 Some Enchanted Evening ................................... 149 TheBIueRoom ................................................. 72 The Sound of Music ........................................... 198 ThouSwell................................................. ..... 70 With a Song in My Heart ..................................... 62 You'llNeverWalkA/one ..................................... 125

    Romberg, Sigmund Lover, Come Back to Me ............ 26 OneA/one ....................................................... 52

    Rose, Vincent (also written by Lewis, AI; and Stock, Larry) Blueberry Hill ................................................ ,. 154

    Schwartz, Anhur Dancing in the Dark .................... , 112 Scott, Clement Now is the Hour...... . . ...... . ......... ..... 130 Seiler, Eddie (also written by Benjamin, Bennie; Durham,

    Eddie; and Marcus, Sol) I Don't Want to Set the World on Fire ...................... 146

    Silvers, Louis AprilShowers ................................. 34 Simons, Seymour All Of Me ...... ........... ......... ...... 248 Siras, John (also written by Little, Little Jack)

    In a ShanlN in Old ShanlN Town ............................ 102 Snyder, Ted Who's Sorry Now? ............................. 18 Sondheim, Stephen Send In The Clowns .................. 168 Stock, Larry (also written by Lewis, AI; and Rose, Vincent)

    Blueberry Hill .................................................. 154 Strouse, Charles Put On a Happy Face .................... 184 Timm, Wladimir A. (also written by Brown, Lew; Vejvoda,

    Jaromir; and Zeman, Vasek) Beer Barrel Polka (Roll Out The Barrel) .................. 134

    Trenet, Charles Beyond the Sea .. ........................... 139 Vejvoda, Jaromir (also written by Brown, Lew; Timm,

    Wladitnir A.; and Zeman, Vasek) Beer Barrel Polka (Roll Out The Barrel) .................. 134

    Warren,Harry I Only Have Eyesfor You ................. 244 Jeepers Creepers ................................................ 250 Lulu's Back in Town .......................................... 234

    Whiting, RichardA. TillWeMeetAgain ................. 14 Too Marvellous for Words ..................................... 242

    Williams,Hugh RedSailsintheSunset .................... 94 Woods,Harry I'm Looking Over a Four Leaf Clover .... 160 Yarrow, Peter (also written by Lipton, Leonard)

    Puff(TheMagicDragon) ..................................... 186 Zeman, Vasek (also written by Brown, Lew; Timm,

    Wladitnir A.; and Vejvoda, Jaromir) Beer Barrel Polka (Roll Out The Barrel) ................. 134

    Youmans, Vincent TeaforTwo ............................. 74

    9

  • I

    <

    I

    -------Section 1 . Down Memory Lane -------

    ~

    tJ

    ~'

    t.

    ~

    i

    10

    IF You WERE THE ONLY gIRL IN THE WORLD

    ~~~ Comic George Robey first posed this piece of melodic make-believe at the Alhambra Theatre, in the 1916 London musical The Bing Boys Are Here. The song ticked-over for some 13 years until American crooner Rudy Vallee got a bright idea: he changed its beat from a foxtrot to a waltz and successfully reintroduced it in his film debut, The

    Vagabond Lover, made in 1929.

    Words by Clifford Grey Music by Nat D. Ayer

    Moderate waltz j. I -l 1 ..l. 1 j I J I I I r--1 .

    . . .

    I I r r-. ,r" I If You Were The "~ (I) Ll I I. I p 1 J. ~

    r .

    I I .. I ........, f

    " n I r ~F-' Iqr f. r f. r ~ I I On

    -ly Girl In The World, And I were the on - ly boy, ~ou)

    I I I .1":. I . .

    . .

    . ~ r "'--

    -- r . " Gm7

    mm I J. I .J I J I J I I I

    -

    ~ r r f' I " r f. i i Noth - ing else would mat - ter in the world to - day,

    -

    ~. M 1 1

    . .

    r,- r . - r' --. . r r

  • 07

    m o aug.

    mm F

    mm ~ I J I I I I I I , I r-1

    .

    ~ ..- I r. . h W~y. r f' I We could go on lov - lllg In t e same old A Gar - den of I P I

    I

    .

    -- "r' ~r ,.

    ----

    f"----___ --- r D7

    mm G7

    mI 07 0

    m F

    mm ~ I I

    -

    I .......-! I .

    ~ ~ '11 1 q: ' t~,~r With ~ f 1- f " I I just ~ madefor l

    E - den noth - ing to mar our joy. I I ,. I

    . .

    . . .

    ~r~ r . I T r .

    ---r Dm Am mm elf 07 0 m ~ J J J J 3 I ~ I I

    .

    t. t- r r I I r -f- it- t -

    I would say such won-der-ful things to you,

    ". "'If I J I I J

    . . T~ . - . -----I f-------f

    07 0

    m Am 7-5

    M ~ I I I I 3 I ~ " ........ j J ) . I I r r I ~ Pi

    tfou , w!re The There would be such won-der-ful things t() do, If On - ly I .J I ~ (I) ~ , -6 ~.

    .

    I I $ $ Fmaj7

    mm Daug.

    * 07 0

    m F

    mm ~ I ~ I 1':\

    -) . . 'f I " Pi r f: -qt t- r r: Girl InThe World And I were the

    on -~:J boy. I I

    (I you) t .

    . . ..

    I . .... T /'- ...!!r $ $ 11

  • Slow walt.

    12

    I'm Forever Blowing Bubbles

    Th. IIllIm 'K

  • fI

    t.

    "

    fj

    t.J

    fl

    t.

    ~

    t t..

    <

    I f \

    ~

    I , t... ~ ) I

    \

    c o 0

    I m ~ 1 I I I

    They fly so

    ~J.: .

    j'

    I

    I 1 I dreams they

    -

    --__ I .J I I I

    .

    "'

    I

    t- F"-""':: hid - ing,

    ~

    I

    i,.it._ r I -

    - --J I; I. I

    D7

    mm . r I .

    T' I bub - bles

    ~.

    "

    .

    " r ~ I I high, near - ly reach the - -- ~J: I I b~ ..J I

    -

    .

    0 r G7

    00

    mm 1 Ir ,.. fade and

    ---- I I

    .

    " r

    I

    Vi"

    Ll 1 1..1 I ~ 1

    "

    artempo L L Jt3 I'm For- ev - er -

    .

    G'7 000

    mm "II

    in

    14 I.J

    ----J I I I .

    r

    -1

    the

    "

    j'

    1

    F'-

    die. r---I I I I I

    .

    -1 Am

    ~ J I ~ r I ve looked

    ~

    G'7 000

    mm ~ T"' Blow

    I - ing

    J ~ I ~ I .

    r c

    d 1

    [ I r .-an.

    .. .; rail. ~ I

    D7

    mm I r ':r I I

    sky, The~ like my

    I 1 j -' I I I "

    -

    . .

    ~ fm 1 l I

    I I I r : For

    -tune's al

    -ways fa little fas er ~

    - --E

    d J I

    , T , I

    ev - ry - where,

    c;,

    ~

    r r~ Bub - bles.. -

    1~"--l1 I

    ~ JI J --

    1

    -

    ~ r-: I IL I ]

    Am o 0

    ~ I

    ~f

    J .

    I

    ,.....,

    ~U-Pret-ty

    r~--------r 13

  • Till We Meet Again American compo$(:r Riclwd Whiting and lyricist Raymond Egan tho"8h{ so liu1( of {hi, song's commercial cun= ,hal they threw th. manuscript into ~ wa'to""per bask.!. Mrs Whiting, however, had other ideas. She fished il Out and, unknown to h~r husband, tool< it to publisher Jerome Romick. Her faith in (~ !lOng was "",n confirmed. E""n b
  • E7 A7

    mm fJ ~ I ,

    t. r he ;f r sfm m~re 'F" 'I I Then s ~ies WIll blue .J

    Down in I l ! I I 11 I tiJ J .J

    . . . .

    I r r 1---- ---D7 G

    ~~ mm til ., I t. r ~r r r I r led dfng F. r' loy - ers' lane,

    I b'Y dear

    -Ie.

    -bells will ~J J J j J ~ I I

    .

    . .

    ~I .

    , -r -r

    I l

    r L :r f r r ~-r r j. ~ r L' q!" { ring so mer - ri - 1y, Ev - 'ry tear. will be I a mem - 0-

    ~:~.~f~~~~~~~~~~~~f~.~~~i~r~~~~T~~~~~ E7

    ~~ m 'j " I

    t. r~i r i f r .,-, rail. ft ~r I rYe So wait I and pray I each nIght I me, I 11 . \ . . .

    -r 1 -r f! -6. r A7 Am7

    ~~ mw mm 1":\

    t. ~fa tempo (~)te ~f ~ ~t::: t::f ;rilll Meet - gaIn. I I -I

    \ . . 1--- -I I r--- --r , ~

    15

  • "

    t 4!) <

    t

    " I 4!)

    <

    ,

    ~

    t 4!J

    I \

    16

    Slow waltz 3

    =t ~ ......... I ~

    .f r; f' II ;-jJ :> :> :> J. J. :> ~ - ~

    C i ::> Em

    1 ~ I ...., d 3

    f' r ~

    Today a song can become a round-the-world hit within. a few weeks, but in 1934 tastes differed radically from country to country. In England, for example, the big hit was a dramatic ballad, If; in the United States the public ear was tuned to light love songs and swing-band rhythms. But by 1951 America's mood had changed and 'big' ballads became the rage. Perry Como remembered If, and recorded it and - after 17 years -the song became an 'overnight' best-seller in the United States as well.

    Words by Robert Hargreaves and Stanley J. Damerell Music by Tolchard Evans

    3 3 ~ - ......... I ~ - -,

    r; f' ... ~ ~r llJ-)j 1> J~jJ :> J. :> :> :> I slowing down

    L l- I " rr >- ~

    ~ - ... - 3 I

    G/B

    Arn/C

    1ft! Cdim

    3

    Am

    r ,. I r ,. r vr 11

    If they made me a king, I'd be but a slave r to you. If I had ev- 'ry-in te1po mf. I t:: --....

    . .

    - . I I r

    i Gm6/Bb A7

    r

    F/A

    1m _0 l

    .

    I r ~r ~ .. I f I r ~i thing, I'd still be a slave to you. If I ruled the -

    //~ .p cresco I L ----.. I

    "-r I

    i i i Still r I'd turn for light to

    f Copyright

  • Dm7/G

    Em

    1\ I I ) I ~ - I ~ -I 3 3 .

    I @) f' -r r ~ " ~ to ~i f. i

    < you. If the world to me bow'd, Yet humb-ly I'd

    I J I 1 1 I I

    "'r--L.. - . - . L 1 j. r Am

    G/B

    Am/e

    edim G/B

    Bbdim

    Ii F/A

    ~ ~ j ~ 3 I I . 4~ l- i - ~ I I- r T ~ r ~r ~ .. < plead to you. If my friends were a crowd, I'd turn in my need to

    [,., ~ -I -.

    .

    I I ,

    Gm6/Bb

    A7

    III Dm7

    1m Am/e

    B7

    1\ - ,......, I @) ~ f ~ r ~r r T'I r +tI-' you. If I ruled the earth, What would life be

    = mp cresco ~ I] II~ 1..--.... I I I ,...--...,., I 0 ""-r - ~ , I "1 r,,-.

    L ""1 Em Am Dm7 G7-9 Ab e

    - 1M 3 :> 3 1\ I ~ - I I I -~ :::=:...::> ::;- . . 0

    I . ~v r " f' [ to r f.-" ~ ~. slowing down

    worth If I had -nIt the right to you?::> J: r-::::\ I /J -

    I ~ -,

    -

    ~ ; l~J L.J ~ 0 0 0

    0

    .. 'to ~ L t r -[ t T t , ~ ~~. :> -

    L L

    17

  • I

    ~

    l

    I, <

    II ,

    It ) I ,

    Who's Sorry Now~

    Words by: Bert Kalmar and Harry Ruby Music by: Ted Snyder

    Written originally for a vaudeville team, Crafts and Haley, this number went on to become one of the top American hits of 1923. It was featured in a Marx Brothers film A Night in Casablanca in 1946; and in the 1950 film Three Little Words - the story of songwriters Kalmar and Ruby - it was sung by Gloria de Haven. About 35 years after it was first recorded, a young rock singer, Connie Francis, was looking for a song to launch her career. Her father remembered this old hit and suggested she record it. By early 1955 she had taken it toNo. 1 in the charts.

    Moderately, with a ragtime lilt (.rrn to be played like J. ~ J. ~) -

    ~ ~ ~ A A

    = ~

    = ~

    "11 ... m.f

    J ~r*" ~ r 1 - ~ I "I~'*" - ~ ... "I

    E7 A7

    I\. '" I I I tJ (' T i r- 1 r *.:. ~ .. ~1 (~)r r (;r- f ~r v

    Whose heart is v ing for ach - break v- ing each vow? I i 1

    --r~ I ~ .. 1'" 1~ I I ~ r ~ ~ .. 1- 7" D7

    G

    mm G#dim

    1m , .110 tJ (q1 = f r l- t 7f - ..IlL r .... '! - r J - >-

    Who's t sad and blue? Who's t cry - ing too? I

    -1

    -5

    --r J.,Jl"r I i 1 r J ~ I r ". I ,.

    r ~ -18 1923 Mills Music, Inc. Copyright renewed

  • A7 07 Ej,9 07

    mm liMo I , . I, tJ ", r r ~r- f r f ~r frl r f'-: V ~ Just like I aied t o - ver you. I 5 5 I I ~ I ~ I

    -I . . "'-..![

    --1'1' r ~ 17 r f r ~ r ~

    E7 Am E7

    m

    Am Cm6

    -

    ,

    A7 07 G G

    I I you're sor ry

    -I \

    r 19

  • One section of this song's lyrics has required updating - the lines referring to a current long-run-ning show on Broadway. In the original 1925 version the show' was Abie's Irish Rose. Mterwards, new lyrics referred to Rodgers'

    Words by: Lorenz Hart

    and Hammerstein's South Pacific. Then came a version that cele-brated My Fair Lady. For a later edition the publisher picked the controversial British revue Oh! Calcutta! Manhattan was Rodgers' and Hart's first big hit.

    Music by: Richard Rodgers

    MANHATTAN F Quickly

    t tJ "f ! < f~ t rJ I

    'f' ~ ~

    / 1'1

    t ~ I < to Ni - ag' - ra

    t ..-, I ,

    ~o

    Gm7

    M 1'1 i I I

    /

    ~ ~ u < We'll our t save 0 I . . ,

    20

    quickly ::::>

    I deliberately

    --... ""r V. f i ~

    ::::::=-..... .3 mp'

    I ~

    .. And to oth - er plac - es

    ~ -...

    U~ 00 --------------~

    F

    flI C7-9 W

    r .

    I

    -e- -~ i ~ r .

    Am7

    M-Sfr. I ,

    ag - gra- vate all

    -e-

    I

    Vi tr -- 1*;' if 2j ~r -, I I

    fjeS; I've a coz - y lit - tIe flat in J 1 .-:- -,.

    u .... O~ -

    ... --------~

    mm VERSE

    freely and rather quickly

    .. . Sum - mer jour - neys mf __ --_~

    ,,-- -

    uo

    -----------

    D7-9 W-4fr. I

    ~r i r our cares; J J j

    I

    I r , t what is known as

    ~ -.......

    u~

    ---------

    1925 Edward B. Marks Music Corp.

  • Am7

    1\ I I g-sfr.

    i I I

    ~ eJ !.d r I I ~ Man hat tan, We'll set tie t ~ -& I . . '\

    u~

    Fmaj7 m F maj7/A bass CHORUS FfHfl_Sf Moderately, in tempo ~ r.

    ,... h I ;'

    It eJ r I <

    We'll have Man hat tan,

    l We'll go to Green wich, -41 b.

    , t. 'f'

    I

    Gm7 g II i I

    ;'

    It tJ r I i I F --

    It's love Iy go ing < And Bowl ing Green you'll I --

    :-E br: ,bl" ,

    Gm7 C7 Fmaj7 g m m ~ -;'

    I t t. r~f r <

    --It's ver y

    I -- We'll bathe at J L"ll I I ,

    -r r c; 'P

    Gm7 C7-9 07-9 g-4fr. g glo S wer I I I

    vr r r u 11f r r down right here in town: J j J

    '" J J I

    -- -"U"

    C7-9 Fmaj7 Gm7 gm g .-.. . ~ .. .--.- [1' ,,- !{~Jf r

    The Bronx and Where mod ern

    .br:

    i

    1 r through see

    -E

    "1

    sImIle

    Fmaj7/Abass

    mm-Sfr. h

    I fan .

    I

    ..

    I

    cy Bright on

    : ...

    I

    i

    1

    b.

    Stat . en men itch

    r:

    -

    r

    I

    I the

    with

    ,

    ..... ~ .. On old

    Is land To be

    c;; 'f:'

    Fmaj7

    m -.T

    'I W Zoo; me;

    c; rf:'

    II

    too;_ free;_

    1:.-

    07-9 g-4fr.

    r r J

    r

    A7

    ;:-in .(;t

    The fish you'll fright en

    \'r:

    .. .,

    21

  • / ~

    t ~ <

    t I . . ,

    ~ ~

    I t ~ <

    .

    .

    \

    ~, 1\

    a -.> <

    I . . ,

    22

    ".

    Dm

    C/Ebass

    m Fmaj7 mm Edim Dm7 G7

    .mm ~i ;j ~i ~ r r ;j ~i ~f .,

    Street, you know; \ The sub - way cluirms us When you're in; \ Your bath - ing suit

    1\

    1: Ip" -6 .". c;. 'I" .. .".. ... i -"--I

    Gm7

    mm C7-9 Fmaj7

    mmmm Gm7

    .-. ..

    '* "---1 17' t~f i

    com -pares to Mott Street m Ju - Iy; sail on Ja - mai - ca Bay with you;

    br. , ,.,

    -r to 'I"

    B'maj7 mm-6fr. i

    C7+5 W-9fr. ~ :> J I

    F9

    ~-8fr. Cm6

    mm -8fr. D7 mm-3fr. l

    so

    r

    :-6

    I

    I I I

    1'-'1"-vI In!t-f so; thin. Will make the

    8va, ~ ~ ~ \J

    I r I Sweet push-carts And fair Can-

    ~r.

    Gm7

    mm I I

    I I I :

    street a

    Gm7

    I I r

    gent - Iy ar - sie's

    ,bt':

    ....... I

    Am7

    .-5fr. I

    I r glid -Lakes_

    -6

    1

    I I I I I...J r i r l' ~ r ~r r i r ing by: The great big cit - y's a wond - 'rous

    --

    we'll view: The cit - y's bus - tIe can -not des -:-" I':. I I I 1 11 I I

    'co 'P I~r UV

  • i, J -r '\ -

    t ~ vr '" < toy Just

    t troy The I I . . ,

    ~-

    Gm7

    mm

    Fmaj7

    m G7

    mm Fmaj7 Gm7

    >m mm ~ .-.... ~

    rur r I I I r I made for a girl and boy, We'll turn

    dreams of a girl and boy, We'll turn J ,......, I , ;~o 1,.

    U" ,. r

    C7-9 1. F F6/Abass A,dim Gm7 C7-9

    m II m-3fr. a mm m -

    Am7

    M-sfr h_

    I

    A,dim

    a I

    I Man-hat

    - tan Man-hat - tan

    -411 ~.

    ~t oj :~: :-Zle~1f JJ ~ L.J I I : 1 ru'r LY-_. I'~~~:~~b~~~in~-~to~a~n~j~re~:~f~~~~~~~~_~h~~~~b~~~~~~~~:~~~.o~~~-~~-~-~~-~-~~I~i~~~i~~~~

    to r r .. ...:.."~'U r r

    We'll go to Yonkers Where true love conquers In the wilds; And starve together, dear, in Childs' We'll go to Coney And eat bologny on a roll; In Central Park, we'll stroll Where our first kiss we stole, Soul to soul;

    o Though "Oh! Calcutta!" has raised a flutter on Broadway We both may see it clothed some day; The city's clamor can never spoil The dreams of a boy and goil We'll turn Manhattan Into an isle of joy.

    o Original Lyric: Our future babies we'll take to "Abie's Irish Rose." I hope they'll live to see it close.

    First Revision: And "South Pacific" is a terrific show they say: We both may see it close some day.

    Second Revision: And for some high fare we'll go to "My Fair Lady" say, We'll hope to see it close some day.

    23

  • ~

    ..

    fl

    I .. )

    <

    I .

    II

    I t.

    <

    ~ I . \

    24

    Words and Music by Bob Dylan

    Brightly

    ~ -

    'IT:! ~ ...J

    .,v

    -&

    13 10 win'

    -&

    in the Wind Among modem folk song balladeers, no one has made a stronger impact than Bob Dylan, whose Blowin' in the Wind, composed in 1962, practically became the anthem of the civil rights movement in the United States. The sensitive words, however, are equally applicable to any situation involving man's indifference to the basic rights of others. In 1964, Peter, Paul and Mary's recording of the song received awards both as the best performance by a vocal group and as the best folk song recording.

    f .,. , , -& """:& -- --

    ~l I -... ~ ~I

    -- -

    i

    -& ., ~ . -& -& ..

    How man-y roads must a man walk_ down- Be - fore you call him a

    ~I ~l ~I ~I ~~ ~I o 0

    G'7 c

    mm F

    ;m -

    -& -.,

    -U- I--U' -& -&

    man? Yes 'n' , how man-y seas must a white dove_

    ~ I ~I ~I ~I ~I

    ---------

    0

  • fI

    t. (

    t

    fl , j

    t. ( J I

    ~

    I t.

    I \

    fl

    t.J

    4 -& - -& ,... sail Be - fore she sleeps

    ~I ~i ----

    _. -

    .0

    c o 0 Ii'

    m ;m --~ -& -&

    -

    in the .I

    c o 0

    m -& -

    G7 000

    mm -8 ___

    sand? ~I

    ---

    ~ .

    --

    --

    --

    --

    Yes 'n' , how man-y times must the can-non balls_ fly Be -~, ~I ~, ~I ~I

    .

    -&

    fore ,

    they re ~I

    -

    c o 0

    m -&- -

    Blow-in' In The

    -&

    for - ev-er ------r

    .0

    Am o 0

    mm ~ . -eo

    -

    G7 000

    mm U

    o

    banned? ~

    -&

    an - s\\'er

    Ii' ;m G 000

    mm

    ~ - -& - ~. .. "'U' The friend, is an~y ~

    ..... ~I .0

    -

    c

    mm - -~ .... fl. -& 4--- ,... is Blow-in' Wind. Wind, The ~ ~ ~ /, " ~ I ~,

    .

    .

    I

    How many times must a man look up Before he can see the sky?

    -r

    Yes 'n' how many ears must one man have Before he can hear people cry?

    .0

    Yes 'n' how many deaths will it take till he knows That too many people have died? The answer my friend, is blowin' in the wind, The answer is blowin' in the wind.

    -

    How many years can a mountain exist Before it's washed to the sea?

    -

    Yes 'n' how many years can some people exist Before they're allowed to be free? Yes 'n' how many times can a man turn his head Pretending he just doesn't see? The answer my friend, is blowin' in the wind, The answer is blowin' in the wind.

    25

  • Lover, Come Back

    to Me

    The New Moon, a Hammerstein-Romberg operetta of 1928, was one of the few musicals. ever to close down completely and then, rewritten and restaged, become a standing-room-only attraction on Broadway. Unquestionably, much of the credit must go to the songs that were added, including the yearning Lover, Come Back to Me, sung by the show's prima donna, Evelyn Herbert. Words by Oscar Hammerstein II Music by Sigmund Romberg

    G Moderately and somewhat freely ~, C-:=:=--,

    A~

    @)

    <

    I lIIo1i"

    I r\~

    t .u <

    I\~

    I @)

    I '\

    I ~fI. , @)

    I

    26

    ,---

    -.. ~ ..J J r-1

    -

    1 ~

    mp ~J"JJJ t ~I"': .L

    -e- -

    r B7 Em

    ~r I r

    And high a - bove; The moon Love had its day. That day . ~ . .

    .

    I r

    -I I I

    G/D

    i A7

    1M r T~S P' ( eag - er heart of mine was sing

    This ach-ing heart of mine is sing j

    1;; ~ qr ~ L.. , L-- ,

    ---=-

    r f .. f. -

    I I -

    I. held back ..

    ~ n -i

    I

    ~r was new is past;

    ~t -

    -

    -

    I -

    -

    D9

    ~5fr.

    ( ~t ing, ing,

    -,

    ~ T -

    i i

    --

    .

    i

    I

    r The sky was blue r

    You came at last; p in tempo

    . .-r I

    A7

    Cm/Eb

    ~r ~

    And so was love. I You've gone a - way .

    . rz.

    . .

    I - " .. .,.

    G/F C/E Cm/Eb

    r - r r r

    "Lov-er, where can you "Lov-er, come back to

    I I I ~

    Am Em

    1m lim I I I i h

    I I be?'_' _

    fI r ~~ me." When I re - mem-ber ev- fry lit-tle thing you used to do,

    ~ ~ ~JbJJ J ~ I t Jfl.JJ ""'-

    '"'r -,; '"' 1;1 -e- I r f Copyright 1928 Warner Bros. Inc. Copyright renewed. All rights reserved.

  • i Ev-'ry road I walk a-long, I've walked a-long with you.

    r A7

    1M D7

    D~dim

    Ii G

    r\ I - I I I I ~

    I 4~ I ;jO - 1- q~r ro r ~ro I < No won-der I am lone - ly. The sky is blue; The night is cold;

    t l ~ Lo l Jl'i 0 iI

    0 0 0 0

    0 0 0

    l 1 -0- - r 0 I

    I r1 h I t\ 1'\.Il J i I .. r J I Em

    mm Fdim Am

    0

    0

    4V r The moon is I I I I

    I -\!,I , I

    new, But love is old. And while I'm wait-ing here, This cresco little by little slowing f 1:"1

    J. J.o ) n ) p

    f".o ~ .. /I -t - -I 0 0 0 .0

    .. ..

    0 r i ~io r I " ,

    I G G/F C/E Cm/Eb

    G

    ~J ~ I I 1 l :. 1 - - ---I 4~ r---'r r 0 {" r r r

    < heart of mine is sing - ing, "Lov-er, come back to me. " - -I -, -, 1:"1 I 0

    "I T ~ "t: '"f/ 0 ... - ~ \;,I li - I --, 27

  • ,

    <

    t

    Charleston The dance sensation that best typified the zestful spirit of the 1920s was the high-kicking Charleston, which also happened to be the name of a song. Introduced in the 1923 all-Negro revue Runnin' Wild, it soon became the favourite dance in ballrooms around the world. In the 1950 film Tea/or Two Billy De Wolfe and Patricia Wymore danced and sang the Charleston.

    With B~ spirit.

    '\ l

    Words and Music by Cecil Mack

    and Jimmy Johnson

    I

    @.. ~ t~~f ~ 111' ~fl ~ I~f. ~ '~f l' f .. I "-' .. ~ "-' Charles - ton,_ Charles - ton,- Made in__ Car - 0 - Ii

    .

    fl t

    @..

    .

    I'J I

    @..

    0 0

    \

    28

    -na,_

    I' r\ 1\ I

    I I' I l- I "I ",'-'I ~ -1 "I -P-I 1 I "I - p.....;::. r 07

    o Gdim. F7

    m mmmm ~ ~ r-= I ~ ~ ~ I ... I

    "'r I p-r r I'r I p-r Some dance,_ Some prance,_ b. .trJ ...I .ihJ

    ~

    Dm A7

    mm ir -

    I I 1 I --wr i ~"r

    C j

    i

    ~ I rr "'r I'll ~- .J .J

    "/ ~ r J-'r r G7 000

    mm

    r r"-'u ffr ,

    p Ev-ry step_ you do, Lea.ds to some - thing new, cresco

    'ff

    "r ~ ~'-'r r There's noth-ing fin - er than the

    J bJ J ~

    r

    D7 o ;m

    - - r "I f--f

    07 0

    m

    -

    r

    ~ql~ -r ~:.:rTl1' Man I'm tell - ing you,

    -o

  • ~ I

    t.

    1'1 I

    t.

    f1 ,

    @) <

    J ~

    \

    ~ I

    I t..

    <

    I \

    F'7

    mm ~""t" t"

    It's

    ....

    co ,p--G'7 000

    mm

    a

    ~:::::::U -, ~ la - pa - zoo,

    i'l0ii0..> >

    --L!r I

    J .

    ~r.~'~l' t ~ ~

    1 ~Ck

    ,

    ,.::::==- ,.,

    ~, ::::r dance,_

    ,.

    ~ . "If

    ~

    D'7 o

    mm

    "1" Wing

    , I

    ~ ~ ~l

    I p-r r

    ~~ ~ dance,_

    v- I J

    Fe

    mm ~ ~ MI r I ~I r

    Will be_ a back num - ber,_But the Charles - top,_ The newCharles-ton,_ lh.. ~b ~.... ~...l r'\ 1 ..l

    .. "1 .. . ~ -.:::0

    - r "1 - P "-"" r ~ Gdim. F'7

    mmmm ""

    I I _I ~ 1 ~ I .

    ~ I ~~r" "r IT ~ ~''-T ~ r" ' .~c-i l- l- r, r That dance_ is sure-Iy a com - er. S~e - tiine,_ You'U_ dance it .I ~.1 .I j 1hJ -:rff. :rr-.. ::::> h>

    I - - -

    Gdim. F7

    mmmm

    Made inSouth_Car-o-

    (No Chord) ~ ::::r , > :::r

    ...l JL. .- ~~ A

    i ' ~~i ~ r ~ ,~r (- "I -line! .. L !':hJ > I t\-. I > I ~ ~ >

    ..

    , .. . --

    .. -.

    _II" _I' J 'I ___ 11

    29

  • t <

    t

    I

    I

    ~AF I ER YOU'VE GONE~ Words and Music by Henry Creamer and Turner Layton

    This song, written by the American black vaudeville team of Henry Creamer and Turner Layton, became a standard almost before the ink was dry. AI Jolson introduced it at New York's Winter Garden in 1918, and both Sophie Tucker and Louis Armstrong included it in their repertoires during the 1920s. It

    " --

    @) I I I mf .:;:; ~j ~T JI,.1

    -- r r FmaJ7

    m Fm6

    "

    r I I v-. I I

    ~) I I f' I

    I

    Af-ter you've gone_ And left Af-ter I'm gone,_ Af - ter

    J::- :::::J J; J ~ J. .

    r ~ ~ r I A7

    If "

    ~ I

    became a Benny Goodman jazz classic in 1935, a Bing Crosby winner when he recorded it with the Paul Whiteman band, a Judy Garland favourite in the 1942 film For Me and My Gal, and it gave Shirley MacLaine a chance to show her musical talents in the 1958 film Some Came Running.

    3 r-r- 3 r-r- 3 ~ - l' '--"" 1~ - ,..~

    I I I ~I -

    .... .-. C

    I h I . ""'-

    --

    ....

    --I I .,

    - l_~i~r me cry - ing; Af-ter you've gone,_ we break up; Af-ter I'm gone,_

    J -I ~ . I I r ~

    ~I I ~ I

    I @) ~r . ~ ,..~ I ~~I 1~ I ~-I I 1'1 j There's no de - ny - ing; You'll feel blue;_ You'll feel sad;_ You're gon-na wake up. You will find_ You were blind_

    I I b .. ~ .. ~ r .. Lll J bl ~ j bJ

    \ I I P r p-r

    C

    r C7

    "

    ~ I I -

    @) r r r r V i ~---r I I You'll mISS the dear-est pal you've ev - er had._ There'll come a time,_

    To let some-bod - y come and change your mind._ Af - ter the years_

    -' I J I J I J 1 "

    b. ~ J~JbJ J- -..... JJJ

    - r I I -&

    30 Copyright 1918 Morley Music Co. Copyright renewed 1946 Morley Music Co. International Copyright secured. All rights reserved. Used by permission.

  • i A7 ~ .. I I I h I i ..

    I . 4~ , 'I I ~ i P-"- l~r~r ij r:r

    Now don't for-get it; There'll come a time_ When you'll re - gret it. We've been to-geth - er, Their joy and tears ,_ All kinds of weath-er.

    L..J. J .... I...--..L 1"'--

    I ,-,

    r I 1 I r I I i I Dm

    i Dm/F

    m C/G

    d E7/G#

    mm ~ J I r ..-..1 I I I J J I

    I , ~ II" I I J'-"I [-41'" r f' f' <

    Some - day, w hen you grow lone - ly, Your heart will break like mine and Some - d~~ blue and down-heart - ed, You'll long to be with me right

    I I.-J I L.. I'h ~ .. ~ .. . 1- ~ r r jO "-I 'r "-r

    Am

    1m F#dim

    C/G

    G7

    -.-.1 I I 1\ I I ---

    !J ~r r .. r' .... r I , ~ --.. f' I you'll want me on - ly. Af-ter you've gone,_ Af-ter you've gone a -

    < back where you start - ed. Af-ter I'm gone,_ Af-ter I'm gone a -

    ~~ ~ ~. I I ,-4 ~ 1 JJ;J .

    I 'I ... - r r

    C7

    C7

    m "

    r-- I =::::::--..... I ~~ ~ ~

    4 ~ I r r p~lr rr r I 1' ...... 1'....,7 <

    way. way. slowing down

    aJ J I'; J 1 )~.1 "~J.t~J,,J ~ ~ ~ ,,~ I i i '1" ...

    31

  • 12

    ON. HARVES"r MOON Words and Music by Nora Baru and lack Norworth

    ShiM 0.., Harwn MOO/! was wrinen by the " .. aknown Amc,;' can vaudeville team of Nora Bayes and her husband, Jack No,,,,orlh, in 1908. Later that year, tM highly temperamental Miss Rayes inl~rpoL",ed 1M ""'8 ;n (M ZiJ!gf./d FiJIlU!., and it ",main! d~ly linked to h(1 for Ihe rest of her CO!ttL lronicaUy, althougb tbey insisted upon being biUed as 'The Stage'. Happiest Couple', the Norworth. - who were always quarrelling _ w= divorced in 1913. As Wtll as becoming. popuLor ront2ntk ballad, the wag ~me one of the st.ple number. of lb. barbenhop quane,s which Were SO popular in America at Ihe lum of the cemury.

    Wi th a lilt; not too fast

    shine ,n, shine on,

    D7

    m

    A7

    Up in the

    ~c , ...... , ... _ ",.,--,-,_.,"' __ ""--' __ M_"-",, ",, ........ .,WM

  • G

    II Am7

    Bbdim

    i 1\.iIo I I t

    .

    @) r - ... r - ;r - U'-[JI .d r ';J

    < Jan - u-ar - y, Feb-ru-ar - y. June or Ju - ly._ Snow time

    t ~ I ..

    -..

    r I 1 -I ... .. ~ .. ' ... i i ~

    A7

    1\.iIo , I I ,

    @) r ,.. ,. i : q~~~~ -t#- ... ;1 ~. ~ I ~ ain't no time to stay Out-doors and spoon. So,

    - -- -

    ---.J. j j -. J. j

    -I .., ~ ..,

    -3 I .

    ..... i ~ ... ' .. I t I t I t I - ..

    D7 G C7

    m I ~ Mo_ I J I J It 4~ I ~. ~ .. I i f ~r -< shine on, shine on, har - vest moon, For me and my

    - - - - " " I ... ... ""'" .. -111 111 111 111 111 111 .... 111 - -i i

    C7 G

    mmll 1\.iIo I

    , @) qr ~r ~~r r ~r ~~~ -t ~ < . gal. :=> Oh, gal. :=>

    :=> :=> 3 . A ,

    t J~r - - .. Ii" -~p = ~ ~ "t_ - 111 :>

    - 33

  • 34

    IShowers When AI Johon wu ,n Broadway &bow, IOOiol>$ did nOl care I bit .bout Ibt 1I0I'Y_ TM aU-impOrWlt annction .... , lbctt bekr.-ed 'JoIit' ",..rna ODd downillll to bis _ and thrir-Man'u:omml. So il wuwith &mho, 11921 hit lhIot ()!'leDed ., ....... tbnm: named in Jo/Ion'. honour. n.. ni&h~y UIowJtopper, which Jobon sana from I platform jut!in& 0111 ,nil) the ludie",",. was April S~, h ....... also the Ia.r ""'8 he SIJlI in public - to

    [he US troops in Korea, shortly IItfo.., hi' death," October 19SO.

    Words by B. G. iHSyln Music: by Lou;! Silva.

    hIi.l'l1 no re -Ig;~;;-:~==:::I

  • C#m6

    d ~ ~ I , I I J J I , I I , I ,

    -

    -t. - t -r -~T "fr i

    ---

    -

    Be-cause it is - n't rain-ing rain you know (It's b'.:n- ing vi - 0 --

    I I ~ .no.

    ~-------~~ 0 or (N Oh d) Ifh )~ r l~! ., qr r~ t::r l ~! ., -u-----=::

    ----lets) . And where you see clouds up - on the hills

    I j f I ~

    Am

    mm ~ .u. I , , I I -

    t.. -

    l ~-=- - 'j I - I ~ tt-=- 1 ~-=- --

    You soon will see crowds_ ~ of daf-fo - dils. So keep on ,J ~-6 .0... ~ I JJ,

    -

    --Am7

    1 rtirf Om6

    1m Em

    II A7

    If ~ ~ I ~ I , I I I I 1":\

    t. - .. - u ~~ \9-. t look-ing for a blue - bird And list'-ning for his song', When-f ~ I I J

    .

    r r I J Am7 G

    ~ ~ fI I mI '---I j ~ t. ~-& - J~. ., r i r"-.-r I 1

    ev - er A - pril Show-ers come a -

    long. 1 I ,.J I ~ :>

    'tF ---

    ---r 'r r 35

  • The 19201 saw a profusioD of &ong' celebraling Ihe appeal of lb. Soulbland of Ih. United Slat ... Though Gus Kahn and Walt.r Donaldoon had never been in Carolina when th
  • t

    Dm'1

    fJ mm

    " "

    t.. sweet - i e when

    b-6 "

    r ~ F

    "

    mm -

    ,

    t.. I ..J I -Where the morn

    I ~

    r ~

    11

    ~ ~i r tt~

    Dm8

    mm

    I meet her

    hI!

    r

    I -

    ing -

    I ~

    r ~

    r

    D'1 o

    ~ q1t"

    --

    in the morn -

    . ing.

    .. ~ .. J J

    c 00

    ~ r

    glo -

    -

    r

    ~. . r - -p----,

    f" nes

    .,

    " .

    -r

    r-r '1 r

    F

    mm 1 -

    Twine I

    r G

    000

    mm I

    r

    -r ~

    I

    J I

    a- round ~

    ,

    I "

    ~

    .... I

    -

    r r

    I the

    I ~

    r ,

    .

    ~ r door, Whis - per - ing pret - ty sto - ries

    .

    I ~ ~ Am'1

    mM ~ ., l ... l J

    .

    ..

    ..

    f. T l'~ r I long to hear_ once

    ~ I I

    . I , 06

    m .r Cldun.

    mW ."

    .

    t.) - - -dew is pearl- y ear - ly in J ",J

    "

    r

    I.- I I

    r I c 00

    ~

    I

    r

    r r ~r r -Stroll-ing with more. ~ I -G

    "

    11

    -r

    ~

    -1

    the morn -

    .J ~ J

    r . .~

    I t\ I

    Itr ~ r

    " .

    - -

    my girl - ie where the t"':.

    r Dm

    mm

    :t t:..r'--t.r r lng, ~1

    -

    37

  • ~

    t

    \

    fl

    4t

    } (

    ~

    to

    ,

    38

    Dm o

    mr .

    But - ter-flies

    "

    r ~ E~dim.

    mm

    dawn

    all

    :---....

    -

    Dm+'7 o

    mm .

    flut - ter

    ~~ I

    G'7 000

    mm '" ing,

    up

    ~

    J r-:l-J J :> :::> :::> p . r - -~'---""'I

    0'7 0

    mm

    on - ly a day,_

    o 00

    mm

    -

    Noth - ing could '-6i P cresco

    #- G'7

    be

    r -

    F

    mm

    I'd

    fin - er than r.

    r l-

    r

    and

    :>

    -

    make

    r

    to /

    Dm'7'

    * .

    Dm6 00

    mr . .

    kiss each lit - tie but - tel- cup

    I~ k,.j

    r ~ r $ o

    m .

    .

    :~ h~d r ., r I A - lad - dm s lamp : -{-. J I -

    D7 Fme G7 0

    mmmm root

    a wish and ,

    I'd here s what say: __

    Am o 0

    mm ... I

    r -- r r be in Car - o - Ii - na In

    ib, -f' #-

    o 00

    1m

    at

    for

    ...

    The

  • For Me and My Gal In 1917, according to hard-up composer Meyer, 'I was writing songs for a living and I needed money, so I wrote this ballad'. Lyricist Edgar Leslie borrowed the title from the last line of the earlier hit, Shine On, Harvest Moon. When first introduced in vaudeville it 'laid an egg', until a hard-working song plugger placed it with such stars as AI Jolson, Sophie Tucker, Eddie Cantor and George Jessel. In 1942 it served as the title song of a film starring Gene Kelly (his first) and Judy Garland, and it became a hit allover again. It is one of the most popular melodies ever written about the joy and excitement of getting

    married and of anticipating the family to come.

    Words by: Edgar Leslie and E. Ray Goetz Music by: George W. Meyer

    Barbershop style optional arpeggio

    (For Me And My f

    Il.w. I 11 /

    I t tJ 1'1 r r lit - tIe sweet - heart) ~ .J ~ I J II

    I

    Ii",-~l l r--, /

    I tJ I I W r t -~ For Me And My t --

    -6 ,......, I I ,

    I r

    Gal, ~

    Sl Iy b t 'th a lilt ow u WI

    ..

    ---The bells mf

    I I

    G

    r- r-f -j-Gal; I I

    r i

    are

    I

    V~r

    For me and my

    D7

    mm I I

    ~ I ~ I ring

    -ing

    J.~ r~ -

    I f

    .r J AL The birds are

    1 1 I

    - -I r r r

    1917 Mills Music. Inc. Copyright renewed 39

  • 07

    mm G

    mm

    ing ___ -+-_ For

    f

    i know ing---+--

    r To a wed-ding they're

    Em

    " .... I I / I , tJ r t ~ r r ~ ing. I go -1.....---..1 -.1 1

    "-

    r I r A7

    / ",jj, - I ~t tJ Jr- t...:r ~ I Ev - 'ry Su - sie and I ~i

    , . .

    -#f' I 07 mm

    i 40

    A7

    ,..........,. -

    W- ~ f r ~1 ----r And for weeks they've been sew

    -

    -i :J J.

    r I 07

    mm 1 co r r "' I 1 I ~ Sal. They're

    ~ ~ cs

    1 ~ -

    -------------------r G

    mm

    .1

    r

    ~ f~ ing.

    I I

    --

    con - gre -I I

    r r

    r ~ -to V Gru ______________ 1

    i

  • D7

    mm .~ J,L I I I I .r--, I

    ;

    t tJ r 1 ..... ~ l ~ 1 ~I r U~r < The par - son's wait - ing For Me And My t - J 1 ...

    -1 .-.!!I 1 I

    .

    i r - I I ...... l:~ .... 1'.... .. i D7 G7

    mm 1m l1JJL .1 I I I I I I I

    I

    I, tJ ~ ,. ~r ~"i 1\''' ~ r 'I ~ ~ ~ ~ ~ ~ r r 1-" < Gal. And some - time I'm gon - na build a lit - tIe

    I' j I I I 1 I ,

    (q) i r c

    m I I I J

    !-~~ r r- tJ~ home for two,_ For three or four_ or more In

    I ~--I

    r i D7 G

    mm mm I II ~ I I I I r--,

    I, tJ {" 'ir r I I l' I I Ur r:....:l-./j -to rr love - land For Me And My Gal.

    I' ~ ; ; ~ .-& ,......, I 1 1 ,

    w ____

    --r u r . r F

    II ~ I n- ~J E~7 G

    mm mm /

    . , tJ I 1......1 L. .. I ~ I I I -

    < (For Me And My Gal!)

    I' r -:;rJ ~ I I

    ,

    i ~ r f ~ 41

  • J t

    I

    I

    t <

    I t \

    /

    When Day Is Done Although composer Katcher had written operettas in his native Vienna, and later spent more than ten years in Hollywood, his only lasting work is When Day Is Done. Called Madonna when first published in Vienna in 1924, it received its English title and lyrics years later - and became the signature tune of the pre-war English dance-band leader, Ambrose.

    English version by B. G. DeSylva

    Music and original text by Dr. Robert Katcher

    ~~

    t.J

    ~ ..

    tJ

    ~~

    G Softly and gently II

    . ~ I~~ If-e- I~~ : .. f'f' pp When Day Is Done and

    ~I ~I t J I ~I P ~I -~~~

    ---

    Am

    mm .

    qq~ f 19-. p. f dream of you; When

    ~I ~I -,

    "'0 i I

    D7 o

    mm

    fff "f ; r ~ f Day Is Done I think of all the

    ~ t -....... ..,-- I --....

    "'0 ~ E-';;-7-----.-::-- A 7 I Iff mm I

    #;" f1-shad-ows fall, I

    ~I ';::;-.

    G

    II I ~

    I r joys we

    ~\ - ........... ......----

    . t t.J ,. i ~ r 'GIl ~ i -1,- - - ;i ~. t ~ ~. knew. That yearn -ing, turn-ing, to hold you in'

    ,

    J re - my arms, Won t

    t rllp

    I I ~ I 11 I L , I I

    -----

    - ~'r 1 #:;;: f

    ~~ I I -, I

    D7

    mm C #dim.

    mm G6

    fir Gm7 G#dim.

    mmmm Bm7

    1m Am7 mm D7-9

    mm J'

    t ~ qr ~ r !'C t, ,kh- r~ ~_ I i i TT r _r ~J: I < go love, I of you night has lost its charms. When , crjsc. rafl. et decresc. j J I I I I .1 I I I 1 . .

    \ "0'___ __"U" --------

    42

  • I < ) \

    <

    ~

    I

    I

    .,

    1JJJ

    ~

    ~JJ

    ~

    ~ JJ

    It,)

    ) \

    II JJ

    t.

    , I

    G

    II Is Done and grass

    --------------------D'7 o

    mm

    Am

    mm

    F#m'7-5

    mr

    De 00 0

    mm

    tm ~ f f f f st-t 1b f I~ :e- I I~ lone - ly heart is the sun. Ai -

    ----

    I ----- -- ------

    -,j" -,to ----------------~ Dm'7/G

    'I I I I 1 . . .

    -21 I ' F- though I miss your ten - der kiss

    1 J 1 -----, j -

    ---

    .-:::-~

    Bm'7

    II Am'7 ml 1 I I. -, J 1 1 1

    Lss y~u .. [ rr , most all When Day .. b .. - -

    I I 1

    , ,Wll

    Gmaje

    Om6

    'I'~ I~ I'.e.

    ~, J I ~,

    R11 u

    I

    ,. i f the whole day ~

    ------' I

    .........

    ....b. .

    Om maj'7 00

    mm

    .. !i.

    through, J J -

    1

    1

    ~ I

    'I #

    ~---- ~ ----=j

    G

    II Am'7 ml I n -

    Is DO~ l JP. I I ~1 -

    -

    ------ --- ----

    Gmaj7

    mm t #- t iffeel) 000

    # -8:::::;: pH \;) ~,

    -

    --~

    - -~ ---~---------~ -------------------- ----------------~ Pe~ ________________________ ~1 43

  • , /

    I t ~ ~

    I I

    "

    fI

    ~ ~ ~

    I I

    "

    ,

    I. t)

    II ,

    44

    r~~~~~' PBperDol1

    r In 1930 in America composer Johnny Black sold Paper Doll to a pUblisher,'~ E.B. Marks, for a $100 advance against royalties, but neglected to mention that he himself had copyrighted the song back ii11915. It collected dust in Marks' . ' file until 1942, when the Mills Brothers recorded their hit version. Then ~

    ~ someone discovered that the copyright was due to expire and Marks would lose ~

    ~ the song unless he could sign up the renewal rights. But Johnny Black was dead and it was necessary to locate his heirs. The trail led to an elderly father ~ and an ex-wife. Both were persuaded to sign, but the ex-wife demanded a , ~ bonus - one week in New York for her and a friend as guests of the publisher. J. The bonus was paid and the song was saved. By: Johnny S. Black F D7

    mm mm ~3~ r3~ Slowly, with an easy swing (.rrrJ to be played like J ); ))

    -

    -I

    r r - --- TI i i ~ I'm goin' to buy a Pa - per Doll that I can call my own,

    ( .. ) lib.! L.~ ~ -(Ii b..l I - r 1 . r i

    C7 0

    ~ o E7 0

    m F6

    mm o E7 0 F6

    mmm ~ .. - ~ -#r - r -#- F --- #-U-~

    doll that oth - er fel - lows can - not steal. And then \.,~ ,.

    :.. ~ ~t 'r----'~,. ~ - . r F/Abass

    A"dim

    mm C/Cbass

    mm A7

    i r ~ .. f ~ .. - ;f ~vf

    flir - ty, flir - ty guys with their flir - ty, flir - ty eyes,

    I

    A

    ..

    the

    L

    Will

    :l 1915 Edward B. Marks Music Corp.

  • G7

    C7 0

    mm 1'1 I I I I

    / .

    t tJ ~f l' I r ~TTr J'--T f" < have to flirt with dol - lies that are real. When t oJ b. .. ~ .. ,

    , .

    " fl. - I I -

    It tJ [ J' ~ ~i _f r 1""- r ~r r I p-r r -e-

    II I come home at night she will . be wait - ing,_ She'll

    I ~ J ."l.-. .....

    , -r r - - -r-r r C7 0 A7 0

    mm ;m fl.

    /

    \ eJ [ jot i "1j r- r 11_ r ~r ~ i ~r r t; < be the tru - est doll in all this world. I'd t I I I I , ,

    -r B~ Bdim F/Cbass A7 D7

    mi ~ mm / Il. I 1 I I t eJ P~ _~ f t L ~-r i r I L TTl -I

    < rath - er have a Pa - per Doll to call my own,_ than have a I I-'""

    ~. ~:J~ 1 . .

    ,

    l..... --

    r r Gm7 C7-9

    M~ F

    Ii

    45

  • I ,

    I

    \

    1\

    @)

    Words by George Norton; Music by Ernie Burnett

    Over the years this tuneful song has become linked with a moving expression of end-of-the-evening feelings. Originally called Melancholy, it was first heard around 1912 at the Dutch Mill in Denver, Colorado, then one of the more elegant hight'spots in the West, and it went on to become a popular vaudeville riumber. During the late 1920s it was frequently featured by Tommy Lyman, an American cabaret singer who began work at midnight and continued to perform into the wee small hours. It was also sung by Priscilla Lane in the 1939 James Cagney gangster film, The Roaring Twenties.

    Freely C

    ~5fr.

    j. '~f Come sweet-heart mine,_

    C

    mmSfr.

    r Don't sit and

    Birds in the trees,_ ......--:: 1

    Whis - per - ing I"'"'" I I

    / Gaug .4fr. '~f plne, __

    breeze,_ ,.,.-::::: - I

    ;;.. 1 J

    -

    L l L-------------.I LL __ -------.' IL--------------. C/E Ab7/Eb Dm7/G

    Om

    am C#dim/A

    1m "

    I

    @ ) - - r ~r T r ~~-t Tell me of the cares that make you feel so blue. What have I done?_

    Should not fail to lull you in - to peace - ful dreams. So, tell me why __

    _t: .. ~ I I..J lo.. ~ ~

    r r ~ -r h LL------" LL-----.' Om

    1m C#dim/A

    1m 07

    am Dm7/G G7 II II ~~~r r ~ "[ J \~ L-..... 1"rL---.... 1_]

    Have I ev - er said an un - kind word to you? An-swer me, hon'j_ Sad - ly you sigh,_

    I~~~~~~~~~~~~~~~~~~~~ij~~ -,j{5

    Sit-ting at the win- dow where the pale moon beams.

    46 FL, __ -----., LL------.I Copyright 1911, renewed 1938 arid assigned to Shapiro, Bernstein $. Co. Inc. and Jerry Vogel Music Co., Inc.

  • <

    I

    I

    I

    <

    t \

    I

    I \

    I

    1'\

    4:)

    ~

    4~

    -

    "

    C

    mSfr. r-

    My love is You should-n't

    ..........

    L

    C

    mSfr. -

    I'd Life

    I'.:i

    L D7

    .,

    do al -is al -

    ~ "r r ~ r Dear, when you

    Be of good

    -E r

    "'0'

    A7

    " 4!J ~r

    Some-thing seems When you're sad,

    1

    Gaug _4fr.

    ~~r true_ grieve;_

    ~ I""'"

    I

    --J I .I

    I

    1

    C

    mll1Sfr.

    r-And just Try and

    L C/E

    r

    most an - y - thing at an ways sun - shine when the heart

    ~ J

    r ..., L ,

    J "--'I r i sigh_ Or when cheer; Smile throu gh

    ".-

    --~ --.. - I

    -

    -

    .. r-...,

    D7

    Dm7/G

    am qr " - I,

    to grip this ve - ry heart it makes me feel the same

    1

    Gaug _4fr.

    ++~ ,-"fj for you,_ be - lieve_

    ~ -

    I

    -

    ,1 Dm7/G

    II "j r

    - y time. beats true.

    L. J. -

    'r" l

    I

    ~r J'---j you cry,_ your tears;_

    ,-

    Ll b-.. ..

    --

    G7

    ~ .. - ..

    of mine. as you.

    I

    ~ -

    slowing down

    - - -

    J ..,

    -r ...,

    -......

    -

    47

  • Moderately, in 2 (J= 1 beat) C

    d f\Chorus I I

    Aaug

    I 4U r r ~l1r r T r r ~l1r I~~~

    A7

    Come to me my mel - an - chol - y ba - by;

    1,~~.~~~~~~~~.~~J~~~~l~~.~~~~.~~~~~.~~~~~~~~.~~~~ 09_ 09

    -------

    L Dm Dm7

    1ft 1\ I I ~ ~i ' r #t

    abd I -9-_

    -< Cud - de lp don't be blue.

    ~ J J L1 I J bJ J I J I

    ~- ~ ~ ---------------- ~----------- -

    Dm7/G ,. D9/A 1m5fr.

    J -

    1\ I I I ~

    I @) ~ r r r -- ... ~ ~ < fu your fears are fool - ish fan - cies may

    ~ .k... -~

    -

    C

    1 L

    l--~. ~

    1 J J~I ~ -

    G7

    mm I I ~ I I

    -&

    - be;

    """""

    v r f ~ f -.. i v ~~i '~~ r ~~ .. ~ You know, dear, that I'm love with you.

    I I I L I

    -

    48

    1

  • Aaug

    1m A7

    1\ I 1 I @) r r ~llr lir ~r r l' I~~ ~ ( Ev - fry cloud must have a sil - ver lin - ing;

    d. L. I I I

    ,

    ~~ f '-'1" tl1#Jr '-4i .". '~~ L. . .

    ~ ---, 1 I I ,

    Dm

    1m Dm7

    Fmaj7 m;5fr.

    1\ I I

    \ @) I '-r ~r ~r~llr rl If'~~i-----r ~r r 1 I ~ ~ .. dear While I kiss a - way each tear, Or else I shall be mel-an - chol-y

    I J..---..J I I I L1 I .-41 11 ~

    'i ~i . r 1:J '"'r r

    11. C6 Fmaj7 Em7 Dm7 W~ii Dm7 D'm7 Em7 F9 B.9 cg m m;5fr . 1m a mi8fr.

  • 1\

    t.

    ~

    ,

    ~ /

    I I tJ ~

    I I

    ,

    / 1'1

    t t tJ < t I

    ,

    / '

    It tJ <

    t I ,

    50

    Ma (He's Making Eyes

    atMe) Brightly, in 2

    1 2 3 5 "

    2 1 2

    .... - I f (like a finger exercise) 5 ", 3, .; ~ I, I I

    ~

    - r I r r r r r c

    ~ l ~ J

    ..... ---= rT r r .r -Ma, he's mak - ing

    - ~ - ~ G7

    I I -1---=

    ---

    /j , i , Ma, he's aw - ful

    ~ --.r

    ~r -411 ".. "lI ~ ~ r ~

    f f f. r Ma he's -

    most

    ~ \; ~ "r --r-

    Vaudeville was at the height of its popular-ity in the Roaring Twenties, and Eddie Cantor one of its top stars. In the 1921 revue The Midnight Rounders the ebullient Cantor style cried out for a novelty number, which would give him a chance to roll his 'saucer' eyes. Cantor's performance of Ma helped keep the show running for two years. In 1958 the song had a new lease of life as a rock 'n' roll number.

    Words by: Sidney Clare Music by: Con C~nrad

    ... I I

    , I J J I r I r i r r

    D7

    1 l'l ~ ~ -'~ '~~ v-

    eyes at me._ t--

    I I , .... - -:::.

    , I -I

    r

    i ~ +Ii ~ ..... 7" -411~ ~.'~ I I c

    ~ I

    ,- ~ I t-- '.--&-nice to me!_ r---

    .1 1 ~ t::::::"

    i ~ r ---- -r -111 .,.. "lI ~ G7

    T ~ r;: ~ ---break - ing my heart t--

    1 1 1 1 I "r r i r r r

    1921 Mills Music, Inc. Copyright renewed

  • G7 G7

    1\ I I -.l I / I t ~ P t t 1, ..... - --- i i I'm be Mer - cy! Let his con - science guide h , < - s e un. It I I I ~ f = I I I I 1 I

    '\

    r j r j r r r r I r r r c 07 g

    II I ~ I I /

    ~ ~ -- --rr r- r r- TIl ~ ~ ll~_ ;y ~ Ma, he wants to mar - ry me,_ I--I I 1 ~ b

    I ~ ~ r I IIi - "'11 'r ... ~ frj G7

    B7

    ---mm-7fr. A~7 G7 M-4fr. mm-3fr. 1\ I

    /

    I I ~ -IP r p- +tp- 11"1" q' i~ f ~ Be my hon - ey bee. I J.. I I

    '\ Ioj.'~ .... ~ II ~ ~ I

    c g G7

    c

    m G7