advanced encoding and transcoding

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advanced encoding and transcoding Encoding and transcoding are at the heart of any streaming project. VOLUME 1, NO. 3 of a series of guides to streaming products and services

Transcript of advanced encoding and transcoding

Page 1: advanced encoding and transcoding

advanced encoding and

transcodingEncoding and transcoding are at

the heart of any streaming project.

VOLUME 1, NO. 3 of a series of guides to streaming products and services

Page 2: advanced encoding and transcoding

ADVANCED ENCODING AND TRANSCODING • JUNE 2021 SPONSORED CONTENT

W ith the explosion of streaming services, there’s never

been a greater need to prepare high-value VOD content

for viewing across all broadcast and OTT platforms.

The cloud is an obvious solution for supporting this massive

scale. But can these complex workflows including conformance,

transcoding, packaging, and QC run securely in the cloud and

integrate seamlessly with existing media supply chains?

Yes, with Encoding.com.

The industry’s most trusted cloud media processing platform,

Encoding.com offers a comprehensive set of B2B microservices

focused on the fast output of broadcast-ready VOD content

for media supply chains. With just a few lines of JSON or XML,

our API makes it easy to transcode and package VOD assets

from nearly any source material, and then stream it with the

confidence that it will pass the most stringent of conformance

checks and be free of errors during playout on all linear systems

and OTT devices.

Encoding.com support for B2B workflows includes MPEG-2,

XDCAM, XAVC, and ProRes transcodes, as well as passthrough

muxing of pre-encoded content. All frame rates and resolutions

are supported, as well as offering advanced filters for interlacing,

pulldown, and de-interlacing content, along with explicit support

for marking or modifying color space parameters.

We’ve also developed a number of automated features

specifically for media supply chain processing, including

the following:

• CableLabs compliance

• Complex multi-channel audio management

• Caption extraction, modification and insertion

• Conformance and assembly

• BATON and proprietary QC

• Advanced source clipping

• Black-frame trimming and padding

CABLELABS COMPLIANCEProducing content for linear or VOD playout that is compatible

with the breadth of CableLabs standards is often considered the

exclusive domain of proprietary on-premises video workflow

systems. But these systems require expensive investments to

purchase, maintain and replace on regular schedules, and,

because of restrictive licensing models and rigid deployment

frameworks, do not integrate well with content-prep platforms that

have migrated to and benefit from the efficiencies of operating

in the cloud. The Encoding.com API resolves those issues.

A simple API call to produce CableLabs output will handle the

vast majority of requirements for playback devices, but expansive

support for systems that vary from the standard or possess other

specific requirements are also supported. Transport stream

parameters can be modified, including PID, PCR deltas and

presence, PAT/PMT frequency and versioning. The same deep

exposure we provide for D2C video codec parameters is also

present for B2B transport streams, with hundreds of options

available in case a specific parameter needs to be overridden.

MULTI-CHANNEL AUDIO MANAGEMENTCommonly, audio data from multiple sources arrives for

assembly and final processing with very little consistency.

Camera formats, editing software, and satellite feeds can have

CLOUD-BASED VIDEO PROCESSING FOR MEDIA SUPPLY CHAINSA Complete Suite of Services for Preparing Broadcast-Ready Content

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SPONSORED CONTENT JUNE 2021 • STREAMINGMEDIA.COM

between two and 16 actual audio tracks, each of which may

contain anywhere from one to 16 audio channels, resulting in

a huge range of possible combinations. Inaccurate or missing

metadata is also common. Not surprisingly, many broadcasters

and streaming media companies run into conformance

violations that fall upon editors to fix. What’s more, once

assembly is completed, bringing the composite asset into

conformance across all audio tracks, languages, and channel

layouts requires a significant person-hour investment.

An Encoding.com workflow automates the process of

identifying known and unknown variants of all provided audio

assets. We support both lossless and lossy codecs through

commercial and open-source audio engines. Codec support

includes PCM, Dolby Digital (AC-3), Dolby Digital Plus (E-AC-3),

Dolby Atmos, AAC LC/HE/HEv2, MPEG-2, and MP3, among

others. Loudness normalization is also available for these

outputs, and Nielsen watermarking can be applied wherever

needed. Outputs can be downmixed or layouts inferred from

other fixed surround information, as well.

CLOSED CAPTIONS AND SUBTITLINGThe Encoding.com API lets you automate the manipulation and

conversion of the most-used caption formats, including extracting

and modifying multiple caption services and languages. You

can re-time captions, modify caption frame rates to match your

content, upconvert from EIA-608 to 708, and convert captions to

a broad range of formats, letting your engineers break away from

traditionally mundane manual tasks in desktop applications.

In addition to rich support for sidecar and fragmented/

packaged caption data for common formats such as fMP4 and

HLS, we offer the ability to extract and insert a variety of ancillary

and frame-based caption formats, including SCTE 128, SCTE 20,

DVB, and SMPTE 334-2. Whether inside CableLabs-compliant

transport streams, MPEG-2 program and transport streams,

MXF containers, or H.264 and H.265 video streams, your video

processing workflow can now support caption requirements for

content distribution to all broadcast and OTT devices.

CONFORMANCE AND ASSEMBLYEncoding.com supports a comprehensive and growing

portfolio of origin and playout standards to fully automate the

task of content conformance. We also enable the preparation

of master camera or edit files targeting various distributors with

features that let you trim leaders; physically insert, replace and/

or remove ads and titles; stitch videos together; and more.

Specific to edit workflows, Encoding.com users can take

standard broadcast/camera codec, mezzanine, and delivery

files and apply frame-accurate trim, splice, and concatenation

rules. Black/solid color and silence generation conforming to

the output spec is also available. Timecode can be modified to

support the same frame rate or retimed content. With support

for high-end broadcast containers and codecs, these workflows

produce output that’s as lossless as the ingested material.

BATON QCInterra Systems’ BATON is an AI-enabled automated QC

platform that provides comprehensive quality and compliance

checks for VOD content for linear and streaming workflows.

The BATON test suite is now integrated into Encoding.com’s

automated QC service, allowing you to run custom BATON test

plans or report templates and generate a PDF or HTML report.

ADVANCED SOURCE CLIPPINGWhen concatenating source files, the ability to trim each

source part individually can be a real time-saver. Our platform

makes it possible to automatically combine a segment from one

source with another segment from a second source, a capability

that can shave minutes, if not hours, off the workflow.

BLACK FRAME TRIMMING AND PADDINGOur new black-frame-detection capabilities let you detect

and trim black frames from the start and end of the video.

Black frame padding is also available for appending a specified

number of black frames before and after the output video. If

closed captions or audio channels are present, they will be

trimmed or padded accordingly.

ABOUT ENCODING.COMWith more than 100 million assets a month produced on the Encoding.com platform, you can be assured that a highly available, resilient solution that possesses no upper limits on scalability is ready to support your media supply chain workflow. We run in 15 data centers around the world, providing a level of efficiency that helps you minimize costs, latency and bandwidth.

Contact Encoding.com today at [email protected] or +1 800-513-1740 to see how we can help optimize the revenue-generating potential of your library.

CLOUD-BASED VIDEO PROCESSINGFOR MEDIA SUPPLY CHAINSA Complete Suite of Services for Preparing Broadcast-Ready Content

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ADVANCED ENCODING AND TRANSCODING • JUNE 2021 SPONSORED CONTENT

For information on participating in the next white paper in

the Innovation Series, contact:

Joel Unickow, VP & Publisher • [email protected] Old Marlton Pike, Medford, NJ 08055TEL: 250.933.1111 • MOBILE: 250.797.5635

SPONSORED BY

encoding.com 525 E. Cooper AveSuite 204Aspen, CO 81611 1 (800) 513-1740 [email protected] www.encoding.com

For more information and articles about Encoding.com, see go2sm.com/encoding.

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