Presented by Kohler

Art Directors Guild18 thAnnual

18th

Excellencein Production Design

Awards

PARAMOUNT PICTURES CONGRATULATES

MARTIN SCORSESE2014 CINEMATIC IMAGERY AWARD RECIPIENTFOR YOUR INDELIBLE CONTRIBUTION TO FILM

BOB SHAWNOMINEE

EXCELLENCE IN PRODUCTION DESIGN CONTEMPORARY FILM

SCOTT CHAMBLISSNOMINEE

EXCELLENCE IN PRODUCTION DESIGNFANTASY FILM

TITLE SPONSOR

18th Annual Art Directors Guild Excellence in Production Design Awards

Presented by Kohler

February 8, 2014

5:00 pm COCKTAIL RECEPTION

6:30 pm DINNERFeaturing music by Johnny Crawford and His Orchestra

7:30 pm AWARDS PROGRAMHosted by Owen BenjaminSet Design by Bruce Ryan

Co-produced by Raf Lydon & Dave Blass

Opening Film

Welcome by John ShaffnerChair, Art Directors Guild Council

Owen Benjamin Introduction

Excellence in Production Design for an Episode of a Short Format, Live-Action Series

Excellence in Production Design for a Commercial or Music Video

Excellence in Production Design for an Episode of Multi-Camera, Variety, or Unscripted Television Series

Excellence in Production Design for an Awards, Music, or Game Show

Inductees to the Art Directors Guild Hall of FameROBERT CLATWORTHYHARPER GOFFJ. MICHAEL RIVA

Excellence in Production Design for an Episode of Half-Hour Single-Camera Television Series

Excellence in Production Design for a Television Movie or Mini-Series

Kohler Presents!

Lifetime Achievement Award Presented by Mimi Gramatky, Tristan Butterfield, Robert StrombergRICK CARTER

Excellence in Production Design for an Episode of a One-Hour Single-Camera Television Series

Outstanding Contribution to Cinematic Imagery Award: MARTIN SCORSESE Presented by Leonardo DiCaprio and Jonah Hill

Excellence in Production Design for a Period Feature Film

Excellence in Production Design for a Fantasy Feature Film

Excellence in Production Design for a Contemporary Feature Film

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Chris Miller323-963-5199 8240 Sunset BlvdLos Angeles, CA 90046

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A-004 1537F CHRISTINA SCHIERMANN

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ADG AWARDS JOURNAL

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CONGRATULATIONS TO OUR ART DIRECTORS GUILD AWARD NOMINEES

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MAD MEN

Production Designer: Dan Bishop

Episode: The Better Half

BREAKING BAD

Production Designer: Mark Freeborn

Episode: Felina

elcome to the 18th Annual Art Directors Guild Excellence in Production Design Awards. Tonight we are here to recognize the invaluable contribution our members, as leaders in the field of

narrative design, make in the creation of the art of moving imagery.

We are also here to celebrate two individuals whose exceptional body of work merits the most prestigious of honors the Art Directors Guild can bestow. For Outstanding Contribution to Cinematic Imagery, we pay tribute to Martin Scorsese; and this year our Lifetime Achievement Award is presented to Rick Carter. Both gentlemen are artistic and creative heros to many. It is a privilege and great pleasure for the Art Directors Guild to honor you both.

Again the Hall of Fame inductees all gifted us with an extraordinary legacy that will continue to inspire and energize all of us and the generations to come who choose to make Production Design and Art Direction their life’s work. With much admiration and respect, the Art Directors Guild admits Robert Clatworthy, Harper Goff, and J. Michael Riva into our Hall of Fame. Over the 77-year history of the Art Directors Guild, the delivery systems for the moving image narrative have never ceased to evolve. When we were founded in 1937, though television existed commercially, it was not the household commodity that it became in the 1950s. Art Direction for this nascent media was literally non-existent until the late 1940s. It was considered by some to be a threat to the motion picture industry, by others it was beneath their dignities to participate, and yet by some like Charles Lisanby (1924 - 2013) whom we lost this year, embraced the media, working as a pioneer to develop the field as its own art form and helping to define scenic design in early color television.

When these awards were established 18 years ago, television was a thriving sector of the world of visual storytelling for moving images. The Art Directors Guild, therefore, has always honored television’s leaders in Production Design and Art Direction. Tonight, for the first time, we launch a new award category to honor designers who are working in the newest of delivery systems, the fledgling province of Internet broadcasting and series created specifically for that media. Having designed one of these projects myself, I must say we all felt as though the experience must have been much like that of early television. Congratulations to all you pioneers.

Also tonight, I must thank our presenter Kohler for their generous contribution to our celebration. In my experience, Kohler has always been a major supporter for product placement for any show. Innately, they seem to understand the speed at which we must work, drop-shipping any of their product line with flawless immediacy.

To quote past president Tom Walsh, we are all “unique individuals who possess the gift of visualization that enables us to look at nothing and see everything!” Congratulations to all you wizards, pioneers, and masters of our profession.

Mimi GramatkyArt Directors GuildPresident

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Marty –

Cinema will be forever indebted to your vision,

which is in a class all by itself.

Congratulations on an iconic career and a

much deserved honor.

Welcome to the 18th Annual Art Directors Guild Awards, an evening celebrating the Artists and the Art of Production Design for the moving picture.

Tonight’s gala honors the achievements of 2013. The depth and variety of the work of our honorees tonight, the talents who brought these projects to visual life, staggers the imagination. It has been a rich year for visual storytelling on all sizes of screens! So much to see and so little time! Congratulations to all of tonight’s nominees.

Although we face constant evolution and change in the technologies used in our arts and the business models of production and distribution continue to grapple with economics and audience accession, the work remains true to its essence. The challenge we accept on each project to turn the imaginary into reality is proof of the unique and broad-ranging skills and talents of our colleagues.

Tonight we recognize Rick Carter with the Lifetime Achievement Award. His career has embraced the convergence of the physical environment and the computer-generated image and his talent to weave a seamless visual tapestry of the two worlds are a testament to his imagination, talent, and skill. His beginnings on Bound for Glory to his recent Oscar-winning designs for Avatar and Lincoln, and the list of projects between, identify landmarks in production design…Congratulations Rick!

This evening’s Hall of Fame inductees are Robert Clatworthy, Harper Goff, and J. Michael Riva. Robert and Harper’s impact on Production Design in the second half of the 20th century cannot be underestimated, and though J. Michael’s career was cut short, his work bridged both the last century and this and was prolific and profound. I know you will enjoy the work shown to you tonight of these three remarkable men.

It is a privilege to recognize Martin Scorsese with the Cinematic Imagery Award. His work as a director has always been innovative and passionate, insightful and surprising but most of all, centered in truth. His films are visually truthful, both figuratively and even literally and rich in detail. As the ally of the Production Designer and the rest of the artistic team, he is the best of friends, a great collaborator.

It is proper and correct that we gather once a year to celebrate the outstanding achievements of our colleagues in the magical art of Production Design. The Art Directors Guild, Local 800, is proud to present this evening of sharing the joy we find in the work, and congratulates all of tonight’s honorees.

John ShaffnerArt Directors GuildCouncil Chair

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A nother year, another embarrassment of riches to celebrate in the realm of design achievement in motion pictures, television and commercials. Front and center this year at ADG’s 18th Annual

Excellence in Production Design Awards, presented by Kohler, are, of course, the Designers (and their teams) of the nominated films referenced in the pages of this book.

Besides looking at their work, and watching, with great interest, as the winners are announced in their categories, we will also be honoring Martin Scorsese with our Cinematic Imagery Award, Production Designer Rick Carter with our Lifetime Achievement Award and Robert Clatworthy, Harper Goff and J. Michael Riva on their inductions into the Guild’s Hall of Fame.

Director Scorsese’s work speaks to generations of moviegoers as, in applying all of cinema’s tools at his disposal, he ennobles the human condition. And Rick Carter and our newest Hall of Fame inductees show in their work that the limits of what is possible in storytelling by design can, indeed, be transcended.

As always, it should be a great evening. Enjoy.

Scott RothArt Directors GuildExecutive Director

Letter From T

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Universal StudiosOperations Group

Proudly Congratulatesthe

18th Annual Art Directors Guild

Excellence in Production Design Awards Nominees

UniversalStudios_ADGAwardsJournalAd_1.27.14

filmmakersdestination.com

Exclusive Presenting Sponsor

Title SponsorParamount Pictures

Platinum SponsorsLBI EntertainmentSteven Spielberg

Gold SponsorsFox Studios Production

ICM PartnersNBC Universal Operations

United Talent Agency

Silver SponsorsAstek Wallcovering

The Bridgeman Art Library Ltd.Fox Searchlight

The Skouras AgencyWalt Disney Pictures

Warner Bros. Studio FacilitiesThe Weinstein Company

WME

Media SponsorsThe Hollywood Reporter

ShootVariety

The Art Directors Guild would like to thank the following companies for their contribution:

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10,000 DAYS “Salvation or Destruction”Mimi Gramatky, Production DesignerMike Denering, Scenic ArtistCraig Handschu, Set Decorator

BATTLESTAR GALACTICA: BLOOD AND CHROME “Pilot”Brian Kane, Production DesignerTyler Bishop Harron, Art DirectorJonathan Lancaster, Set Decorator

BLUE “The Truth Hurts”Rachel Myers, Production DesignerPhil Toolin, Art DirectorKurt Meisenbach, Set Decorator

DAYBREAK “Episode 5”Stuart Blatt, Production DesignerCameron Birnie, Art DirectorMarika Stephens, Assistant Art DirectorErica Wernick, Graphic ArtistNicole Buck, Graphic DesignerKaren Ohara, Set Decorator

H+: THE DIGITAL SERIES “Visions of What’s to Come”Andres Cubillan, Production DesignerAlejandra Ortiz, Art DirectorTania Leiva, Set Decorator

Excellence in Production Design for an Episode of a Short Format, Live-Action Series 2013

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Chris Miller323-963-5199 8240 Sunset BlvdLos Angeles, CA 90046

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A-004 1537F CHRISTINA SCHIERMANN

LAX FLIGHT PATH 9.01.08 N/A

250' w X 65' h 9.18.08 SUNDAY 150

68.75" X 17.875" 62.5" X 16.25" ALL

1/4"=1'4c

A-004 1537F BRIAN S.

LAX FLIGHT PATH N/A

250' w X 65' h 150

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Version:NETFLIX 3772 BRIAN S.

ADG AWARDS JOURNAL

8.5” X 11.5”

8.75” X 11.75 8.5” X 11.5” 7.5” X 9.75”

CONGRATULATIONS TO DAN BUTTSON HIS ADG AWARD NOMINATION

HALF HOUR SINGLE-CAMERA TELEVISION SERIESARRESTED DEVELOPMENT

PRODUCTION DESIGNER: DAN BUTTSEPISODE: THE B. TEAM

ARCADE FIRE “Reflektor”Anastasia Masaro, Production DesignerLouisa Schabas, Art Director

CALL OF DUTY: GHOSTS “Epic Night Out”Todd Cherniawsky, Production DesignerAaron Haye, Art DirectorAndres Cubillan, Assistant Art DirectorLouis Joseph Cameau IV, Assistant Art DirectorJonathan Bach, IllustratorPatrick Rodriguez, IllustratorIrina Frants, Set Decorator

DIEHARD “The Getaway”Tom Wilkins, Production DesignerJuliane Crump, Graphic DesignerBeth De Sort, Set Decorator

INFINITI “Factory of Life”Christopher Glass, Production DesignerJindřich Koči, Art DirectorMilena Koubkova, Assistant Art DirectorTomáš Polívka, Graphic DesignerImery Watson, IllustratorJonathan Bach, IllustratorShae Shatz, IllustratorMark Yang, IllustratorAdam Vukmanov, Set DesignerDaniel Fiala, Set DesignerPatrik Stasek, Set Designer

JUSTIN TIMBERLAKE ft. JAY Z “Suit & Tie”Richard Bridgland, Production DesignerCara Brower, Art DirectorTina Charad, Graphic DesignerKC Fox, Set Decorator

Excellence in Production Design for a Commerical or Music Video 2013

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™ and © 2014 Fox and its related entities. All rights reserved.

THE BIG BANG THEORY “The Bakersfield Expedition”John Shaffner, Production DesignerFrancoise Cherry-Cohen, Art DirectorAnn Shea, Set Decorator

HOW I MET YOUR MOTHER “The Lighthouse”Steve Olson, Production DesignerDaniel Saks, Set DesignerSusan Eschelbach, Set Decorator

PORTLANDIA “Missionaries” Tyler Robinson, Production DesignerSchuyler Telleen, Art DirectorKat Isom, Set Decorator

SATURDAY NIGHT LIVE “Justin Timberlake/Justin Timberlake”Akira Yoshimura, Production DesignerEugene Lee, Production DesignerKeith Ian Raywood, Production DesignerN. Joseph DeTullio, Production DesignerAndrea Purcigliotti, Film Unit Art DirectorTara Donnelly, Graphic DesignerMark Rudolph, Scenic ArtistHalina Marki, Scenic Artist

THE VOICE “The Live Playoffs, Part 1”Anton Goss, Production DesignerJames Pearse Connelly, Production DesignerDave Edwards, Art DirectorLydia Smyth, Art DirectorZeya Maurer, Art DirectorBrittany Macwhorter, Assistant Art DirectorEllen Jaworski, Assistant Art DirectorEd Strang, Scenic ArtistJose Ramirez, Scenic ArtistKristin O’Malley, Set Decorator

Excellence in Production Design for an Episode of Multi-Camera, Variety, or Unscripted Series 2013

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THE AMERICAN MUSIC AWARDS 2013Joe Stewart, Production DesignerTina Miller, Art Director

2013 BILLBOARD MUSIC AWARDSBrian Stonestreet, Production DesignerAlana Billingsley, Art DirectorMatt Steinbrenner, Art DirectorJohn Zuiker, Assistant Art DirectorJoe O’Neil, Set Designer

THE 65th PRIMETIME EMMY AWARDSBrian Stonestreet, Production DesignerKristen Merlino, Art DirectorAlana Billingsley, Assistant Art Director

THE 67th ANNUAL TONY AWARDSSteve Bass, Production DesignerSeth Easter, Art DirectorEmily Lange, Assistant Art DirectorBrandon Bell, Digital Set Designer

SUPER BOWL XLVII HALFTIME SHOW STARRING BEYONCEBruce Rodgers, Production DesignerDouglas Cook, Art DirectorShelley Rodgers, Art DirectorLindsey Breslauer, Assistant Art DirectorSeth Easter, Assistant Art DirectorAmber Stinebrink, IllustratorSean Dougall, IllustratorMaria Garcia, Set Designer

Excellence in Production Design for an Awards, Music, or Game Show 2013

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PERIOD FILMAMERICAN HUSTLE

JUDY BECKERPRODUCTION DESIGNER

FANTASY FILMOBLIVION

DARREN GILFORDPRODUCTION DESIGNER

CONTEMPORARY FILMHER

K.K. BARRETTPRODUCTION DESIGNER

TELEVISION MOVIE OR MINI-SERIESBEHIND THE CANDELABRA

HOWARD CUMMINGSPRODUCTION DESIGNER

HALF HOUR SINGLE-CAMERA TELEVISION SERIESARRESTED DEVELOPMENT

DAN BUTTSPRODUCTION DESIGNER

MULTI-CAMERA, VARIETY, OR UNSCRIPTED SERIESSATURDAY NIGHT LIVE

KEITH IAN RAYWOODPRODUCTION DESIGNER

We proudly congratulate our

18th Annual Art Directors Guild Award Nominees

Born in Illinois on the last day of 1911, William Robert Clatworthy began his film career as a unit art director at Paramount in the late 1930s, hired—like so many others—by the studio’s Supervising Art Director Hans Dreier. His first credit was a Paramount staple, Bulldog Drummond’s Peril (1938). Mr. Clatworthy worked steadily, assisting Dreier and the other unit art directors, but failed to advance in that highly talented and competitive art department.

In 1943, he accepted an offer from Supervising Art Director John Goodman to move to Universal. He thrived there and remained at the studio for 19 years. Often working with limited budgets, he created impressive sets—nightclubs, dark bars, oppressive offices and menacing urban landscapes, often shrouded in mist or fog, or awash in a hard, driving rain. Whatever the genre—noir thriller or science fiction—an expressionist style dominates his designs. Two of his earliest films, Christmas Holiday (1944) and the great Phantom Lady (1944), both directed by Robert Siodmak, set the standard for Hollywood film noir.

During his Universal years, he worked on some of that studio’s best hard-boiled melodramas. Orson Welles’ Touch of Evil (1958), set in the fictional Mexican border town of Los Robles, is typical of Mr. Clatworthy’s designs at their best. The seedy town’s dirt, dust, and garbage provide his mise-en-scène: a world where grime, trash and disarray become metaphors for evil. Mr. Clatworthy excelled in location design, and Los Robles was actually shot in Venice, a neighborhood in Los Angeles, “because part of the town resembled the covered walkways in Tijuana.”

His best known film of this period is unquestionably Alfred Hitchcock’s Psycho (1960). Its production design is among the most memorable in all of cinema: the haunting Bates mansion sitting alone atop a hill, inviting the unwary. The house, built on the Universal backlot specifically for the film using stock parts from buildings on Colonial Street, was based on a 1925 Edward Hopper painting, House By the Railroad, in the collection of New York’s MoMA.

Mr. Clatworthy was equally adept at other genres, including some colorful comedies that were completely devoid of his darker style. Midnight Lace (1960), The Parent Trap (1961), That Touch of Mink (1962), Bedtime Story (1964) and Cactus Flower (1969). Two dramatic films directed by Stanley Kramer stand out among Mr. Clatworthy’s later films: Ship of Fools (1965), a 1933 ocean voyage from Veracruz to Bremerhaven, shot entirely on a soundstage at Columbia’s Sunset and Gower lot; and Guess Who’s Coming to Dinner (1967), Spencer Tracy and Katharine Hepburn’s last film together, shot there as well.

Mr. Clatworthy was nominated five times for an Academy Award, for Psycho, That Touch of Mink, Inside Daisy Clover (1965), Guess Who’s Coming to Dinner and, winning his single Oscar® statuette, Ship of Fools.

He died March 2, 1992, at age 80 in La Cañada-Flintridge, California, but not a week goes by that at least one of his films isn’t screened in theaters or on television in most American cities.

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Illustrator and Art Director Ralph Harper Goff, a lifelong model train enthusiast, first met Walt Disney in 1951 at a model shop in London. “When he asked me what I do for a living, and I told him that I was an artist, he said, ‘When you get back to America, come and talk to me.’” Ultimately, Mr. Goff would join the artistic team of the Walt Disney Studios and embark on an exciting lifelong journey developing motion picture and Imagineering projects for the company, a relationship that continued until his death. His extraordinary work gave a distinctive character to a number of Disney productions.

Born in Fort Collins, Colorado, Mr. Goff later moved with his family to Santa Ana, California. He attended Chouinard Art Institute in Los Angeles and lived in New York for a time, working as a magazine illustrator for publications including Collier’s, Esquire, and National Geographic.

He returned to the West Coast to work as a set designer for Warner Bros., at a time when studio set designers drew illustrations as well as working drawings, on such films as A Midsummer Night’s Dream (1935), Errol Flynn’s Captain Blood (1935), Charge of the Light Brigade (1936), Sergeant York (1941), and the classic Casablanca (1942). Later he created the submarine, Proteus, for the film, Fantastic Voyage (1966), and was promoted to art director on Pete Kelly’s Blues (1955), The Vikings (1958) starring Kirk Douglas, and Willie Wonka and the Chocolate Factory (1971).

Initially, Mr. Goff was hired to sketch storyboards for a True-Life Adventures short called 20,000 Leagues Under the Sea. Instead, he designed sketches for a potential feature film he envisioned, based on the Jules Verne novel by the same title. After Mr. Disney studied the eight 4’ x 8’ storyboards filled with imaginative designs, the Walt Disney Studios produced its first all live-action film made in the United States. Mr. Goff is specifically credited with many of the finest inventive effects in the film, and is given the screen credit: “Production Developed by...” He designed the menacing exterior of the Nautilus submarine, along with plush Victorian interiors for every set and compartment within the vessel. In 1955, 20,000 Leagues Under the Sea won Oscars® for color art direction and best special effects.

He also contributed heavily to the early renderings and concept art for Disney’s proposed Mickey Mouse Park (which became Disneyland), including Main Street, U.S.A. and the Jungle Cruise. He worked closely with Mr. Disney throughout the entire design and construction of the Park. He also developed conceptual ideas for several areas of the Walt Disney World theme park, and in 1975 also contributed to Epcot Center, designing the layout of the World Showcase, and concepts for the Japan, Italy, and United Kingdom Pavilions.

Mr. Goff also played the banjo in the seven-piece Dixieland band called Firehouse Five Plus Two, formed by Disney staff members and led by trombonist Ward Kimball. They toured around the country and released 13 LP albums between 1949 and 1970. After he passed away on March 3, 1993, in Los Angeles, Harper Goff was posthumously named a Disney Legend.

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Hall of Fam

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THE 18TH ANNUALART DIRECTORS GUILD AWARDSWe Congratulate Our Client on His Nomination

EXCELLENCE IN PRODUCTION DESIGNFantasy Film

ANDY NICHOLSONGravity

John Michael Riva was more than just a great production designer; he was the ultimate industry insider: his father a Broadway scenic designer, his mother an actress, his grandmother...Marlene Dietrich.

Born in Manhattan, one of four brothers (John Peter, John Michael, John David, and John Paul), to William Riva and Maria Elisabeth Sieber, a German-born actress, Mr. Riva prepared at the Institute Le Rosey in Switzerland for six years before attending UCLA.

He did not rely on his connections, but built a long and prestigious career slowly, arriving in the industry at the start of the movement that came to be known as New Hollywood, when everyone wanted to make the next Easy Rider or Bonnie and Clyde. Low-budget films, shot on location, often with untested directors, became the backbone of the major studio release schedules, and Mr. Riva was a perfect fit. He worked in his early years for young directors such as Oliver Stone, Rick Rosenthal, Hal Ashby, and Richard Donner.

He met Robert Redford in 1980 while working on Brubaker and the following year, when Mr. Redford directed Ordinary People, he called Mr. Riva for one of the latter’s first large projects. The picture won four Oscars® and a host of film critics’ awards. In quick succession, he designed a couple of cult classics, Halloween II (1981) and The Adventures of Buckaroo Banzai Across the 8th Dimension (1984). Director Hal Ashby called him for Sluggers Wife in 1985, and Warner Bros. brought him in to work with Richard Donner on Goonies (1985). That film cemented a friendship and working relationship with Mr. Donner that would continue through a dozen films and, perhaps just as importantly, enabled Mr. Riva to work with the film’s producer, Steven Spielberg.

When Goonies wrapped, Mr. Riva moved on to Mr. Spielberg’s next directing project, The Color Purple (1985), and received one of the film’s 11 Oscar nominations. From that moment on, he was in nearly constant demand as one of the industry’s leading designers of immense, tent-pole franchises directed by Richard Donner, Sam Raimi, Rob Reiner, Jon Favreau—series such as Lethal Weapon, Iron Man, Charlie’s Angels and Spiderman. He designed Tango & Cash (2005) for Andrey Konchalovskiy and Michael Crichton’s Congo (1995).

In between films, Mr. Riva was called upon to design the opening ceremony of the 1996 Summer Olympics in Atlanta, and the 74th and 79th Annual Oscar show and telecast (2002 and 2007). He was nominated for an Emmy for both Oscar shows, and received the award for the 79th event. He was nominated by the Writers Guild of America for the original screenplay, Lily in Winter, a 1994 MOW produced by Showtime.

Mr. Riva suffered a stroke in New Orleans while preparing to head to the set of Quentin Tarantino’s Django Unchained. Nearly a week later, on June 7, 2012, the married father of four sons died, surrounded by his family.

His work will live on for generations, in nearly 50 imaginative audience-pleasing films that have brought in more than $3 billion at the box office. 23

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ARRESTED DEVELOPMENT “The B. Team”Dan Butts, Production DesignerKate Bunch, Art DirectorOana Bogdan, Set DesignerJennifer Lukehart, Set Decorator

CALIFORNICATION “The Unforgiven”Ray Yamagata, Production DesignerChikako Suzuki, Art DirectorGeorge Maya, Set DesignerTim Stepeck, Set Decorator

MODERN FAMILY “The Wow Factor”Richard Berg, Production DesignerClaire Bennett, Art DirectorBrian Kasch, Set Decorator

PARKS AND RECREATION “London”Ian Phillips, Production DesignerAdam Rowe, Art DirectorRob Sissman, Set DesignerStella Starlight, Graphic DesignerKimberly Wannop, Set Decorator

VEEP “Helsinki” Jim Gloster, Production DesignerE. David Cosier, Art DirectorKenneth Roman, Graphic DesignerBeth Kuhn, Set DesignerTiffany Zappula, Set Decorator

Excellence in Production Design for an Episode of a Half-Hour Single-Camera Television Series 2013

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MECHANICAL SIZEBLeeD: .125” ON aLL sIDesTRIM: 7.5"H X 9.25"WLIVe: .25" ON aLL sIDes

waltdisneystudiosawards.com

©2014 Disney

Walt Disney stuDios Motion PicturesTHANKS THE art Directors GuilD

AND PROUDLY CONGRATULATES OUR NOMINEE

MicHael corenBlitH eXcellence in ProDuction DesiGn

For a Feature FilM - PerioD FilM

AMERICAN HORROR STORY: COVEN “Bitchcraft”Mark Worthington, Production DesignerAndrew Murdock, Art DirectorMichelle Harmon, Assistant Art DirectorAdele Plauche, Set DesignerBrian Waits, Set DesignerMolly Mikula, Set DesignerWalter Schnieder, Set DesignerEllen Brill, Set Decorator

BEHIND THE CANDELABRAHoward Cummings, Production DesignerPatrick Sullivan, Art DirectorEric R. Johnson, Assistant Art DirectorKaren Teneyck, Graphic DesignerThomas Machan, Model MakerJohn Berger, Set DesignerEric Sundahl, Set DesignerGreg Berry, Set DesignerBarbara Munch, Set Decorator

BONNIE AND CLYDEDerek R. Hill, Production DesignerSean Jennings, Art DirectorEllen King, Graphic DesignerSamuel Froeschle, Set DesignerPhil Shirey, Set Decorator

MOB CITYGregory Melton, Production DesignerAlex Hajdu, Art DirectorGeoffrey Mandel, Graphic DesignerJohn Vertrees, Set DesignerRick Nichol, Set DesignerThomas Taylor, Set DesignerDorit Hurst, Set DecoratorMelissa Levander, Set Decorator

PHIL SPECTORPatrizia von Brandenstein, Production DesignerFredda Slavin, Art DirectorJeremy Rosenstein, Assistant Art DirectorScott Purcell, Graphic DesignerDiane Lederman, Set Decorator

Excellence in Production Design for a Television Movie or Mini-Series 2013

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5 N O M I N A T I O N S !

CONGRATULATIONSTO OUR 2013 ART DIRECTORS G U I L D A W A R D S N O M I N E E S

THANK YOU ADG MEMBERS FOR YOUR RECOGNITION.©2014 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc.

ONE-HOUR SINGLE CAMERA TELEVISION SERIES

BOARDWALK EMPIRE®

“OLD SHIP OF ZION”BILL GROOM, PRODUCTION DESIGNER

GAME OF THRONES®

“VALAR DOHAERIS”GEMMA JACKSON, PRODUCTION DESIGNER

TELEVISION MOVIE OR MINI-SERIES

BEHIND THE CANDELABRAHOWARD CUMMINGS, PRODUCTION DESIGNER

PHIL SPECTORPATRIZIA VON BRANDENSTEIN, PRODUCTION DESIGNER

HALF-HOUR SINGLE-CAMERA TELEVISION SERIES

VEEP®

“HELSINKI”JIM GLOSTER, PRODUCTION DESIGNER

AND CONGRATULATIONS AND KUDOS TO OUR FRIEND MARTIN SCORSESE ON BEING HONORED WITH THE PRESTIGIOUS CINEMATIC IMAGERY AWARD

With a great deal of pride, the Art Directors Guild gives Rick Carter the Lifetime Achievement Award this year. We thank you for the example you set in your industry and for your contributions to the Art Directors Guild. Enjoy the evening and “runon” all you like!

RICk CARTER grew up in Los Angeles where he was surrounded by the movie industry; his father was a publicist for Jack Lemmon. Carter attended UC Berkeley in the late 1960s, worked in New York City and became a world traveler for two years before settling in Los Angeles.

Carter’s first job in the Art Department was on Hal Ashby’s Bound for Glory in 1976 followed by The China Syndrome in 1979. In 1985, Carter met Steven Spielberg while art-directing The Goonies. This began his long association with Spielberg and Amblin. He designed 42 episodes of Amazing Stories, which partnered him with a virtual Who’s Who of Directors, including Spielberg, Martin Scorsese and Peter Hyams, to name a few.

Carter began working with Robert Zemeckis in 1989 on Back to the Future Part II and Part III and has continued to work exclusively with Spielberg and Zemeckis for the last 25 years. These films include Death Becomes Her, Jurassic Park and its first sequel The Los World, Forrest Gump, Amistad, What Lies Beneath, Cast Away, A.I. Artificial Intelligence, The Polar Express, War of the Worlds, Munich, War Horse and Lincoln.

Carter took on a three-year challenge with the groundbreaking Avatar in 2009 for another successful director—James Cameron. With this, he won his first of two Academy Awards for Art Direction (an honor he shared with Robert Stromberg). The second was for Lincoln in 2012.

Rick Carter is currently hard at work as the Production Designer for J.J. Abrams on the much anticipated Star Wars: Episode VII.

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Lifetime A

chievement A

ward

Rick Carter

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BOARDWALk EMPIRE “The Old Ship of Zion”Bill Groom, Production DesignerAdam Scher, Art DirectorDan Kuchar, Assistant Art DirectorEmily Beck, Assistant Art DirectorLarry Gruber, Assistant Art DirectorNeil Prince, Assistant Art DirectorAriel Poster, Graphic ArtistTed Haigh, Graphic DesignerJan Jericho, IllustratorJon Ringbom, Scenic ArtistCarol Silverman, Set Decorator

BREAkING BAD “Felina”Mark Freeborn, Production DesignerPaula Dal Santo, Art DirectorBilly W. Ray, Assistant Art DirectorDerek Jensen, Set DesignerDerrick Ballard, Set DesignerJoanna Maes-Corlew, Graphic DesignerMichael Flowers, Set Decorator

DOWNTON ABBEY “Episode 7”Donal Woods, Production DesignerCharmian Adams, Art DirectorMark Kebby, Art DirectorChantelle Valentine, Assistant Art Director Gina Cromwell, Set Decorator

GAME OF THRONES “Valar Dohaeris”Gemma Jackson, Production DesignerChristina Moore, Supervising Art Director, MoroccoAndrew Thomson, Supervising Art Director Ashleigh Jeffers, Art DirectorHeather Greenlees, Art DirectorTom Still, Art DirectorBrendan Rankin, Assistant Art DirectorCaireen Todd, Assistant Art DirectorMark Lowry, Assistant Art DirectorMax Berman, Concept ArtistSteve Summersgill, Concept Artist Michael Eaton, Graphic DesignerRohan Harris, Scenic ArtistWilliam Simpson, Storyboard Artist Robert Cameron, Set Decorator

MAD MEN “The Better Half”Dan Bishop, Production DesignerChristopher Brown, Art DirectorShanna Starzyk, Assistant Art DirectorEvan Regester, Graphic DesignerCamille Bratkowski, Set DesignerClaudette Didul, Set Decorator

Excellence in Production Design for an Episode of a One-Hour Single-Camera Television Series 2013

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The Art Directors Guild is grateful to have this opportunity to celebrate Martin Scorsese, with this year’s Art Directors Guild honorary Outstanding Contribution to Cinematic Imagery Award. Scorsese, an American film director, screenwriter, producer, actor, and film historian is hailed as one of the most significant and influential filmmakers of all time. Beginning with his breakthrough film Mean Streets in 1973 to Raging Bull in 1980 to Goodfellas in 1990 to The Departed in 2006 and now his most recent The Wolf of Wall Street, we can’t get enough. Thank you for making all our moments in the dark together so visual and memorable…“THE SHOW GOES ON!”

MARTIN SCORSESE is an Academy Award-winning director and one of the most prominent and influential filmmakers. He has directed critically acclaimed, award-winning films including Mean Streets, Taxi Driver, Raging Bull, The Last Temptation of Christ, Goodfellas, Gangs of New York, The Aviator, The Departed which garnered an Academy Award for Best Director and Best Picture, Shutter Island, and Hugo for which he won the Golden Globe for Best Director.

Scorsese has also directed numerous documentaries including No Direction Home: Bob Dylan and Elia Kazan: A Letter to Elia, both which have won the reputable Peabody Award; Italianamerican; A Personal Journey with Martin Scorsese Through American Movies; Il Mio Viaggio in Italia; Public Speaking; and George Harrison: Living in the Material World which received two Emmy Awards in 2012 for Outstanding Directing for Nonfiction Programming and Outstanding Nonfiction Special.

Scorsese currently serves as executive producer on HBO’s hit series Boardwalk Empire and in 2011, won an Emmy and DGA Award for directing the pilot episode of the series.

He was recently recognized for his latest film, The Wolf of Wall Street, by receiving DGA, BAFTA and Academy Award nominations for Best Director, as well as a Golden Globe and Academy Award nomination for Best Film. He is currently developing his next production, Silence, which is set to film summer 2014. Scorsese is the founder and chair of The Film Foundation, a nonprofit organization dedicated to the preservation and protection of motion picture history.

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Cinem

atic Imagery A

ward

Martin Scorsese

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AMERICAN HUSTLEJudy Becker, Production DesignerJesse Rosenthal, Art DirectorAudra Avery, Assistant Art DirectorDan Courchaine, Charge Scenic ArtistPaul Gorfine, Scenic ArtistBrandon Smith, Graphic ArtistHeather Loeffler, Set Decorator

THE GREAT GATSBYCatherine Martin, Production DesignerKaren Murphy, Associate Production Designer Ian Gracie, Supervising Art DirectorDamien Drew, Art DirectorMichael Turner, Art DirectorSimon Elsley, Assistant Art DirectorJenny Hitchcock, Assistant Art DirectorJacinta Leong, Assistant Art DirectorChristopher Tangney, Assistant Art DirectorAndrew Chan, Senior Set Designer (Draughtsman)Kate Wicks, Senior Set Designer (Draughtsman)Annet Mackie, Illustrator Geoff Kemmis, Model MakerMichael Wholley, Graphic Designer Matt Connors, Scenic ArtistBeverley Dunn, Set Decorator

INSIDE LLEWYN DAVISJess Gonchor, Production DesignerDeborah Jensen, Art DirectorHinju Kim, Assistant Art DirectorSteven Graham, Assistant Art DirectorNicholas Lundy, Assistant Art DirectorGregory Hill, IllustratorEric Helmin, Graphic DesignerSusan Bode Tyson, Set Decorator

SAVING MR. BANkSMichael Corenblith, Production DesignerLauren Polizzi, Art DirectorSamantha Avila, Assistant Art DirectorLorrie Campbell, Senior Lead Set DesignerStephen Christensen, Lead Set DesignerSally Thornton, Set DesignerMartin T. Charles, Graphic DesignerMark Bristol, Storyboard ArtistJoel Venti, Storyboard ArtistSusan Benjamin, Set Decorator

12 YEARS A SLAVEAdam Stockhausen, Production DesignerDavid Stein, Art DirectorMatthew Gatlin, Set DesignerWalter Schneider, Set DesignerCarl Sprague, Set DesignerJim Wallis, Set DesignerDouglas Cluff, Charge ScenicAlice Baker, Set Decorator

Excellence in Production Design for a Period Feature Film 2013

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The N

ominees

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Congratulations Rick

on receiving the

ADG Lifetime Achievement Award.

Thanks for imagining

so much movie reality.

“Nothing is real”–John Lennon

Love,Bob Zemeckis

ELYSIUMPhilip Ivey, Production DesignerDon Macaulay, Supervising Art Director Nancy Brown, Set Designer - Canada UnitRoss Dempster, Art Director - Canada UnitHania Robledo, Art Director - Mexico UnitCatherine Ircha, Assistant Art Director - Canada UnitLuis Antonio Ordoñez, Assistant Art Director - Mexico UnitSyd Mead, Conceptual ArtistDavid Clarke, Set Designer - Canada UnitMira Caveno, Set Designer - Canada UnitRavi Bansal, Concept Artist Ron Turner, Concept Artist Mitchell Stuart, Concept Artist Christian Pearce, Concept Designer Leri Greer, Concept Designer Stuart Thomas, Concept Designer Aaron Beck, Concept Designer Ben Mauro, Concept Designer Tyruben Ellingson, Conceptual Designer George Hull, Conceptual DesignerBrent Boates, Storyboard ArtistRobert Pratt, Storyboard ArtistRay Lai, Illustrator Rob Jensen, Illustrator Andrew Chung, Previsualization ArtistPeter Lando, Set Decorator - Canada UnitGabriela Matus Lopez, Set Decorator - Mexico Unit

GRAVITYAndy Nicholson, Production DesignerMark Scruton, Supervising Art DirectorGrant Armstrong, Standby Art DirectorNeil Floyd, Graphic ArtistAndrew Williamson, Concept ArtistChris Baker, Concept ArtistJon Bunker, Concept ArtistJulian Caldow, Concept ArtistPaul Threadgold, 3-D Concept ModellerJamie Martin, 3-D Concept ModellerIvan Weightman, 3-D Concept ModellerDan May, 3-D Concept ModellerRhys Pugh, 3-D Concept ModellerTemple Clark, IllustratorJane Clark, IllustratorJim Cornish, IllustratorMatt Sims, 3-D DraughtsmanHelen Koutas, Graphic ArtistNeil Floyd, Graphic ArtistRosie Goodwin, Set DecoratorJoanne Woodlard, Set Decorator

THE HOBBIT: THE DESOLATION OF SMAUGDan Hennah, Production DesignerSimon Bright, Supervising Art Director/ Set DecoratorAndy Mclaren, Art DirectorBrad Mill, Art DirectorBrian Massey, Art DirectorJosh Barraud, Assistant Art DirectorMichael Smale, Assistant Art DirectorHelen Strevens, Set DesignerPhillip Thomas, Set DesignerGavin Urquhart, Set DesignerJohn Howe, Conceptual DesignAlan Lee, Conceptual DesignAnthony Allan, Concept ArtistGarry Buckley, Model MakerMichael Jones, Model MakerKathryn Lim, Scenic ArtistMat Hunkin, Graphic ArtistRa Vincent, Set Decorator

Excellence in Production Design for a Fantasy Feature Film 2013

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OBLIVIONDarren Gilford, Production DesignerKevin Ishioka, Supervising Art DirectorMark W. Mansbridge, Art DirectorKevin Loo, Set DesignerTodd Cherniawsky, Set DesignerStephen Cooper, Set DesignerJoseph Hiura, Set DesignerLuis G. Hoyos, Set DesignerGeoff Hubbard, Set DesignerJeff Markwith, Set DesignerMaya Shimoguchi, Set DesignerRobert Johnson, Set DesignerGregory Jein, Set Design Model MakerEllen Lampl, Graphic DesignerIgor Knezevic, Concept IllustratorJim Martin, Concept IllustratorNick Pugh, Concept IllustratorDaniel Simon, Concept IllustratorThom Tenery, Concept IllustratorAndrée Wallin, Concept IllustratorRichard Bennett, Storyboard ArtistPhillip Norwood, Storyboard ArtistAdolfo Martinez Perez, Storyboard ArtistStephen Platt, Storyboard ArtistRonald R. Reiss, Set Decorator

STAR TREk INTO DARkNESSScott Chambliss, Production DesignerRamsey Avery, Supervising Art DirectorJames Clyne, Vfx Art DirectorLauren Polizzi, Art DirectorKasra Farahani, Art DirectorMichael E. Goldman, Art DirectorHarry E. Otto, Art DirectorAndrew E. W. Murdock, Art DirectorJason Baldwin Stewart, On Set Art DirectorNatasha Gerasimova, Assistant Art DirectorSteve Christensen, Assistant Art DirectorAndrea Dopaso, IllustratorJohn Eaves, IllustratorNathan Schroeder, IllustratorRyan Church, IllustratorChristopher Ross, IllustratorVictor Martinez, IllustratorSteven Messing, IllustratorKarl Strahlendorf, Set DesignerJohn Chichester, Set DesignerTex Kadonaga, Set DesignerKevin Cross, Set DesignerAndrew Reeder, Set DesignerAnne Porter, Set DesignerJane Wuu, Set DesignerRichard F. Mays, Set DesignerAllen Coulter, Set DesignerKarl Martin, Set DesignerScott Schneider, Set DesignerLorrie Campbell, Set DesignerEaston Smith, Set DesignerTammy Lee, Set DesignerTim Croshaw, Set DesignerClint Schultz, Lead Graphic DesignerKaren Manthey, Set Decorator

Excellence in Production Design for a Fantasy Feature Film 2013

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AUGUST: OSAGE COUNTYDavid Gropman, Production DesignerKaren Schulz Gropman, Art DirectorGiacomo Ghiazza, Storyboard ArtistThomas E. Brown, Charge Scenic ArtistNancy Haigh, Set Decorator

BLUE JASMINESanto Loquasto, Production DesignerMichael Goldman, Art DirectorDouglas Huszti, Art Director - NYChad Owens, Assistant Art DirectorDavid Hendrickson, Graphic ArtistJason Byers, Lead Scenic ArtistCarrie Nardello, ScenicJames Shefik, ScenicRegina Graves, Set Decorator - NYKris Boxell, Set Decorator

CAPTAIN PHILLIPSPaul Kirby, Production DesignerPeter Russell, Supervising Art DirectorSu Whitaker, Art Director - LondonAziz Hamichi, Art Director - MoroccoCharlo Dalli, Art Director - Malta UnitRaymond Pumilia, Art Director - Virginia UnitPaul G. Richards, Art Director - Boston UnitTom Goodwin, DraughtsmanAndrew Tapper, Graphic DesignerTrey Shaffer, Graphic DesignerLarry Dias, Set Decorator - Boston UnitDominic Capon, Set Decorator

HERK.K. Barrett, Production DesignerAustin Gorg, Art DirectorAllen Coulter, Set DesignerJane Fitts, Graphics DesignerJason Perrine, Graphics DesignerJosh Sheppard, Storyboard ArtistSonny Gerasimowicz, Concept IllustratorGene Serdena, Set Decorator

THE WOLF OF WALL STREETBob Shaw, Production DesignerChris Shriver, Art DirectorW. Steven Graham, Assistant Art DirectorDavid Meyer, Assistant Art DirectorAlexios Chrysikos, Illustrator/ Assistant Art DirectorJohn Pollard, Assistant Art DirectorJonathan Arkin, Assistant Art DirectorHolly Watson, Graphic ArtistPatricia Sprott, Scenic ChargeEllen Christiansen, Set Decorator

Excellence in Production Design for a Contemporary Feature Film 2013

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We congratulate our clients on their honors this Awards Season

JIM GLOSTER VEEP “Helsinki”

Art Director’s Guild Award Nomination – Half-Hour Single-Camera Television Series

JESS GONCHOR INSIDE LLEWYN DAVIS

Art Director’s Guild Award Nomination – Excellence in Period Film

ANASTASIA MASARO ARCADE FIRE “Reflektor”

Art Director’s Guild Award Nomination – Excellence in Music Video

BOB SHAW THE WOLF OF WALL STREET

Art Director’s Guild Award Nomination – Excellence in Contemporary Film

ADAM STOCKHAUSEN 12 YEARS A SLAVE

Art Director’s Guild Award Nomination – Excellence in Period Film

www.MurthaAgency.com – Phone 310 395 4600 1025 Colorado Avenue, Santa Monica, CA 90401

MATERIALS DUE: TUES., 1-28

ADG PROGRAM JOURNAL4C | FULL PAGE WITH NO BLEED

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SHIP: PDF X1A, 300DPI

4F 01/30/14

1014-75_UNI_ADGProgram_4C_4F

UNIVERSAL PICTURES

Salutes The Art Directors Guild And Proudly Congratulates Our Nominee

Fantasy Film

DARREN GILFORDProduction Designer

© UNIVERSAL STUDIOS

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to our clients

CONGRATULATIONS

J. MICHAEL RIVAHall Of Fame Inductee

BILL GROOMNominated for Excellence in Production Design in Television for a One Hour SeriesBOARDWALK EMPIRE, “Old Ship of Zion”

RICHARD BRIDGLANDNominated for Excellence in Production Design for Commercial, PSA or PromoJUSTIN TIMBERLAKE FT JAY-Z, “Suit & Tie”

RICK CARTEROn Receiving the Art Directors Guild

Lifetime Achievement Award

Beverly Hills | New York

CongratulationsTo All The

Nominees & HonoreesOf The 18th Annual

Art Directors Guild Awards

CongratulationsTo All The

Nominees & HonoreesOf The 18th Annual

Art Directors Guild Awards

STUDIO FACILITIESTHE SHOPS OF WARNER BROS.

CONSTRUCTION SERVICES • DESIGN STUDIO/SIGN & SCENIC ART • STAFF SHOP

METAL SHOP • PAINT • HARDWARE RENTALS • PROPERTY • DRAPERY • UPHOLSTERY

FLOOR COVERINGS • PHOTO LAB • ON SET VISUAL DISPLAYS • CABINET & FURNITURE SHOP

www.wbsf.com™ @2014 Warner Bros. Entertainment Inc.

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THE WEINSTEIN COMPANYCONGRATULATES

DAVID GROPMANON HIS NOMINATION FOR

EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2013 - CONTEMPORARY FILM

August: Osage County

FINALADG AWARDS JOURNAL4C / FULL PAGE

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ALLIED INTEGRATED MARKETING

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©2014 CBS Corporation

The art of success.Congratulations to our family of nominees.

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TNT PROUDLY CONGRATULATESART DIRECTORS GUILD NOMINEE

TM & © 2014 Turner Entertainment Networks, Inc. A Time Warner Company. All Rights Reserved.

GREGORY MELTONEXCELLENCE IN PRODUCTION DESIGN IN TELEVISION FOR 2013

TELEVISION MOVIE OR MINI-SERIES“A GUY WALKS INTO A BAR, REASON TO KILL A MAN”

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CARDINAL COMMUNICATIONS GRAPHICS STUDIO

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CONGRATULATES

SANTO LOQUASTOON HIS

ART DIRECTORS GUILD NOMINATION

EXCELLENCE IN PRODUCTION DESIGN

FOR A FEATURE FILM

PDFX1A

     

Perdido Productions

&

Woody Allen

Congratulate ADG Excellence in Production Design Award

nominee

Santo Loquasto

image. it’s everything.

bridgemanart.com

make your next project come to life with an archive of the world’s finest art and cultural images and a growing historical footage collection that is guaranteed to move your audience.

Congratulations to all the 2013 nominees!

SILVER

Congratulates the Winners and Honorees of the

18th AnnualArt Directors Guild

Excellence In Production Design Awards

The One-Stop-Shopping Source forStage Production & Set Décor Since 1842

NJ: 877-232-9426www.dazian.com

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E X C E L L E N C E I N P R O D U C T I O N D E S I G N F O R A F E A T U R E F I L M , P E R I O D F I L M

CATHERINE MARTINThe Great Gatsby

E X C E L L E N C E I N P R O D U C T I O N D E S I G N I N T E L E V I S I O N , T E L E V I S I O N M O V I E O R M I N I - S E R I E S

DEREK R. HILLBonnie & Clyde “Episode: Night 1 & Night 2”

E X C E L L E N C E I N P R O D U C T I O N D E S I G N I N T E L E V I S I O N , C O M M E R C I A L , P S A , P R O M O , A N D M U S I C V I D E O

CHRISTOPHER GLASSInfiniti“Factory of Life”

S P E C I A L C O N G R A T U L A T I O N S T O

MARTIN SCORSESECinematic Imagery Award Recipient

WE PROUDLY CONGRATULATE OUR CLIENTS ON THEIR ART DIRECTORS GUILD AWARDS NOMINATIONS

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N O W S E E K I N G T H E N E X T G E N E R AT I O N O F P R O D U C T I O N D E S I G N E R S

C I N E M A T O G R A P H Y | D I R E C T I N G | E D I T I N G | P R O D U C I N G | P R O D U C T I O N D E S I G N | S C R E E N W R I T I N G

A P P L I C AT I O N S AVA I L A B L E AT A F I . E D U F O R FA L L 2 014

AF I C L A S S O F 2008

WE PROUDLY JOIN THE ART DIRECTORS GUILD IN CELEBRATING TONIGHT’S HONOREES

AND RICK CARTER

ON RECEIPT OF THE LIFETIME ACHIEVEMENT AWARD

BUSH GOTTLIEB

Specializing in the Representation of Labor Organizations, Talent Guilds and Trust Funds

Counsel to the Art Directors Guild and the Motion Picture Industry Pension & Health Plans

500 N. Central Avenue, Suite 800

Glendale, California 91203 818-973-3200

www.bushgottlieb.com

309821.1 99900-1000

PRINT | DIGITAL | MOBILE | SOCIAL | EVENTS

T H E H O L L Y W O O D R E P O R T E R

salutes the 18th annual

ART DIRECTORS GUILD AWARDS

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iTalent Company proudly congratulatesour client

MARK FREEBORNBreaking Bad

on his nomination andapplauds all of the 2013 nominees

for their outstanding work.

ADG iTalent awards.indd 1 1/29/14 6:12 PM

Theatrical Stage Employees Local 16

240 Second Street

San Francisco, CA 94105

IS PROUD TO SUPPORT THE 18TH ANNUAL ART DIRECTORS GUILD

EXCELLENCE IN PRODUCTION DESIGN AWARDS

Steve Lutge / Business Agent-Secretary

Jim Beaumonte / President

Edward L. Raymond / Vice-President

Scott Houghton / Treasurer

Charles Sedgwick III / Sergeant at Arms

SERVING THE BAY AREA ENTERTAINMENT INDUSTRY FOR OVER 100 YEARS!

We thank the Art Directors Guildand proudly congratulate

our nominees

Dan HennahProduction Designer

The Hobbit: The Desolation of Smaug

Philip IveyProduction Designer

Elysium

www.clairebest.net

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congratulates the18th annual art directors guild

award nominees

LOCAL 600INTERNATIONAL CINEMATOGRAPHERS GUILD

Hollywood Center StudiosHollywood Center Studios

1040 North Las Palmas Avenue Los Angeles, CA 90038Info@HollywoodCenter.com www.HollywoodCenter.com

LA’s Premier Production Facility for Feature Film, Commercial & Television Productions.

Congratulates those Nominated & Honored in the 18th Annual Art Directors Guild

Excellence in Production Design Awards

Congratulations to the Nominees

and Honoreesof the

ADG 18th AnnualExcellence in

Production DesignAwards

SHOOT Magazine SHOOTonline.com SHOOT DIRECTORS/PRODUCERS Forum &New Directors Showcase SHOOT>e.dition The SHOOT Publicity Wire Brand New[s] SHOOT ScreenWork

www.SHOOTonline.cominfo@shootonline.comEast: (203) 227-1699West: (323) 445-6818

In Search of Magic Makers

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Congratulations to J. Michael Riva

This young live oak tree was planted as a memorial to J. Michael Riva at Evergreen Plantation in Louisiana. He spent many creative and thoughtful days here with us during the filming of Django Unchained. He became a dear friend to us all.

When he shall die,Take him and cut him out in little stars,And he will make the face of heaven so fine,That all the world will be in love with nightAnd pay no worship to the garish sun.

—William Shakespeare

Evergreen is a National Landmark, listed on the National Register of Historic Places with 37 buildings, including 22 slave cabins. We are open to the public. Website: evergreenplantation.org; Photograph by William Guion, Website: williamguion.com

61

In Mem

oriam

Ken Johnson1933 - 2013

Lisa Devlin1953 - 2013

Tom Lay1940 - 2013

James Roland Bayliss1947 - 2013

Richard Lawrence1929 - 2013

Jaroslav “Jerry” Gebr1926 - 2013

Charles Lisanby1929 - 2013

John “Johann” Shearer1962 - 2013

Roy Walker1931 - 2013

62

EVENT CO-PRODUCERSRaf LydonDave Blass

EVENT COMMITTEEJudy CosgroveJames Pearse ConnellyScott EngeJohn SabatoAugust SantistevanMichele SefmanJack TaylorMatt TognacciThomas A. WalshTom Wilkins

PRODUCTION CREDITSDebbie Patton – Manager, Awards & EventsTicket Sales – Blue Room EventsSponsorship – IngleDodd MediaBruce Ryan – Set DesignLarry Wiemer – Art DirectorMatt Tognacci – Art DirectorChristopher Ward – Art DirectorSimon Miles – Lighting DesignSet Construction: Scenic ExpressShow Director – Lionel PasamonteStage Manager – Josh WaderTalent Stage Manager – Kelly LovePublic Relations – Weissman/Markovitz CommunicationsTalent Executive – Robin KatzmanEntertainment – Johnny Crawford and His OrchestraEditing: Dennis Welch, Jack Tucker, ACE, Michael Sheridan, ACE, Patrea Patrick, Andrea Ureno and Nancy Brindley BhagiaHall of Fame Reel Edited by Dennis WelchLifetime Achievement Reel Produced by Cindi PetersCinematic Imagery Reel Produced by Thelma SchoonmakerOpening Reel Produced by Raf Lydon, Dave Blass and Owen BenjaminDirected by Greg Aronowitz Special thanks to Nicole Parker and Dan LauriaKohler Video Produced by LOGAN Ballots Certified by Votenet SolutionsVideo Production, Projection Equipment and Services – Encore Event TechnologiesLighting Rentals and Technicians – Encore Event Technologies Sound – Encore Event Technologies Teleprompter – Computer Prompting Services, Inc.Awards Programs Printer – Continental ColorcraftGraphic Artist – Aprile Lanza BoettcherCenterpieces – SoiréeRobert Schwab and Rachel Wolfe – Beverly Hilton

VERY SPECIAL THANKS TO KOHLER:Mr. Herbert V. Kohler, Jr.Natalie BlackDavid KohlerLisa BosioElizabeth BradyTristan ButterfieldAudra DeSombreScott EdmundsBridget EngelScott EdmundsMegan GordanMike HuibregsteMirjam LippunerJennifer NyeDianne Orlina Marji Sherman

OFFICERS AND EXECUTIVE BOARDMimi Gramatky – PresidentJim Wallis – Vice PresidentJudy Cosgrove – SecretaryCate Bangs – Treasurer Stephen Berger – Trustee Casey Bernay – Trustee Marjo Bernay – TrusteePaul Sheppeck – Trustee

C. Scott Baker, Pat De Greve, Michael Denering, Corey Kaplan, Gavin Koon, Adolfo Martinez, Norm Newberry, W. Rick Nichol, Denis Olsen, John Shaffner, Jack Taylor, Jr., Tim Wilcox

STAFFScott Roth – Executive DirectorJohn Moffitt – Associate Executive DirectorDoreen Austria – Field Representativedooner – OrganizerLydia Zimmer – Operations DirectorCynthia Paskos – Operations ManagerDebbie Patton – Manager, Awards & EventsAngelica De Vera – Assistant to Events ManagerLibby Woolems and Dag Flater – Website Sasha Aronson, Casey Bernay, Dana Bradford, Nicholas Hinds, Sandra Howard, Laura Kamogawa, Rosemarie Knopka, Christian McGuire, Nicole Oeuvray, Adrian Renteria, Alexandra Schaaf, Jacquelyn Thompson, Dennis Welch

ART DIRECTORS COUNCILJohn Shaffner – ChairCorey Kaplan – Vice ChairNorm Newberry – SecretaryJack Taylor, Jr. – TreasurerStephen Berger – TrusteeOana Bogden, Jack Fisk, Joseph Garrity, Adrian Gorton, John Iacovelli, Molly Joseph, Roland Rosenkrantz, Tom Walsh, Tom Wilkins

Ack

now

ledg

men

ts

We Proudly Support

Rick CarterLifetime Achievement Award

Martin ScorseseCinematic Imagery Award

Robert ClatworthyHarper Goff

J. Michael RivaHall of Fame Inductees

& All of the Nominees for the 18th Annual Excellence in Production Design Awards

Congratulates

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Local 871 congratulates the honorees and winners of excellence

Let Local 871 provide you with skilled Art Department Coordinators for your next project.

Script Supervisors/Continuity, Coordinators, Accountants & Allied Production Specialists Guild

in production design awards.

www.ialocal871.org

Congratulations to all the

18th AnnualArt Directors Guild Award Honorees and Nominees

Proudly Serving the

Art Directors Guild for 14 Years

IngleDodd Media

SILVER

CONGRATULATIONS, RICK.

#OnlyKohler

Kohler proudly congratulates production designer and art director Rick Carter as the recipient of this year’s Lifetime Achievement Award at the 18th Annual Art Directors Guild Awards, both presented by Kohler on February 8, 2014. Two-time Academy Award® winner, Rick Carter is acknowledged for his outstanding achievement in film including his work under the direction of Steven Spielberg, James Cameron, and Robert Zemeckis in films such as Lincoln, Avatar and Forrest Gump.