Adam Vermeersch - undergaduate portfolio
-
Upload
adam-michael-vermeersch -
Category
Documents
-
view
245 -
download
1
description
Transcript of Adam Vermeersch - undergaduate portfolio
Adam Vermeersch | Selected Works AAddddaaaammmm VVVVeeeerrrrmmmmeeeeeeeerrrrsssscccchhhh |||| SSSSeeeelllleeecccttteeeddd WWWWoooorrrrkkksss
2
Adam Michael Vermeersch
Design Portfolio
University Of Detroit Mercy
School Of Architecture
3
TABLE OF CONTENTS
Studio A. Pitera
Quilt Analysis
Meditation Pod
Visual communications
Studio J. Odoerfer
UDM Tennis Facility
Studio A. C. Martinico
Library For Obsolete Concepts
Studio T. Heidgerken
Lofted Spaces
Studio A. Deines
Georgia Street Intervention
Screened Studios
Co-op Work
4
FOUNDATIONSWith A. Pitera
This Quilt from Gee’s Bend, Alabama
was the starting point for my Second
semester project.
4
5
FOUNDATIONSWith A. Pitera
We were told to analyze the quilts
for what they were using ink on
vellum.
5
6
FOUNDATIONSWith A. Pitera
The line drawings were then
transformed through the lens of
creativity in to paintings that were
rendered in both color and
grayscale.
6
7
FOUNDATIONSWith A. Pitera
The final project was to take the
paintings and project the informa-
tion held within them into a series
of sketch models.
7
8
FOUNDATIONSWith A. Pitera
8
The following project began in the
same manner but with a different
starting point. This time instead of an
object, the quilt, we were instructed
to explore a place, the Woodbridge
Neighborhood of Detroit.
9
FOUNDATIONSWith A. Pitera
9
The process began again with line
drawings, which were transformed
into sculpture.
10
FOUNDATIONSWith A. Pitera
111000
For the final project were instructed
to use all of the process material we
had to develop a pod for meditation.
This is my Meditation Pod
11
FOUNDATIONSWith A. Pitera
11
12
Visual Communications
111111112222222222222222222
With L. Blume
During this course I was exposed
to different drawing techniques
& mediums on a variety of
Different subjects.
13
Visual Communications
1111111133333333333333333
With J. Mueller
During this course we were
taught how to draw &
Render axonometric and the
shadows that the would cast
with graphite and
colored pencil.
14
Integrated studioWith J. Odoerfer
During this studio I was
instructed to design a tennis
complex for the University.
After selecting a site I began
site planning and schematic
design. During this process
the city’s zoning
Ordinance and ADA codes
were followed.
14
15
Integrated studioWith J. Odoerfer
First Floor Basement
As I laid out the programs
I decided to separate the four
courts in to two sets of two.
This allowed for a tournament
to be held while still allowing
practices to go on. The weight
room, shower facility, and, lobby
separate the courts
15
16
Integrated studioWith J. OdoerferWiiiiiiiiiithththt J.J.JJJ OOOOdodoodoooooooerfer
As part of the integrated studio we were asked
to design the mechanical and lighting systems
that would support the building.
16
17
Integrated studioWith J. OdoerferJ. Odoerrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrfefefeeeeeeeeeeeeeeeeeeefeeeeeeeeeeefffff rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr
17
18
Integrated studioWith J. Odoerfer
18
19
Spatial ReconstructionThe library of obsolete concepts
With A. C. Martinico
e
For this project I was asked
to design a library for obsolete
concepts and things. The site was
a fallow lot west of St. Aubin be-
tween Erskin and Hale. We read
Heidigger the next class period,
which prompted me to try my
hand at creating a Heideggerian
Site model.
My Model for site began as a
collage of photos from the site
that grew to incorporate texture
and a layering in an attempt to
capture the essence of the site in
the Heideggerian sense .
111999
20
Spatial ReconstructionThe library of obsolete concepts
With A. C. Martinico
After reading Jorge Luis
Borges I attempted to construct
a model of the intersect between
altered space and altered time.
2222000
21
Spatial ReconstructionThe library of obsolete concepts
With A. C. Martinico
Here is a progression of Deluzian experiments
which resulted from striating and smoothing the
spaces created from the altered space/time model.
2222111
22
Spatial ReconstructionThe library of obsolete concepts
With A. C. Martinico
First Floor Second Floor
The building that resulted from my
theoretical inquiries
had no formal programs for any of
the spaces except for the theater.
2222222
23
residualA Mixed-Use of Forgotten Elements
Residential
With T. Heidgerken
Residual Space
Occupied Space
Typical BuildingTypical Court Yard
During this studio I was
asked to design a mixed use build-
ing that would be erected near
the green alley in mid-town. The
building had to explore the
Possibilities of a buildings
courtyard and needed to satisfy
the needs of 6 fictional clients,
whom all had specialty shops in
the building.
22333
24
residualA Mixed-Use of Forgotten Elements
Residential
With T. Heidgerken
ements
The courtyard of the build-
ing is both a social space and
a productive space. The wide
porches and walk ways are
tiered to allow gathering
to happen in many locations,
while the core of the court-
yard is reserved as plots for
the residents to have elevated
garden space.
2244
25
residualA Mixed-Use of Forgotten Elements
Residential
With T. Heidgerken
The building that I developed
ended up using the retail spaces
of the development as a means
of elevating the one and two
story residences of the ground.
This elevation of the residences
allowed each residence to gain
their own patio area, which was
on the roof of a space adjacent
to the residence.
22555
26
With A. Dienes
While working on another project
I was made aware of this house on
Georgia st. in the historic Cava
Lupo Neighborhood of Detroit. The
House sits across the street from an
elementary school and is abandoned
and open to the elements and Kids.
222222222222222222226666666666666666
27
With A. Dienes
Not having the ability, or desire, to
demolish the building I decided to
use seize the opportunity to explore
how I could improve the Aesthetic
quality oft he house by boarding
it up, rather than diminishing and
Aesthetic qualities the house had
by boarding it up.
222222222222222222227777777777777777
28
With A. Dienes
PUBLIC
CIRCULATION
INTERSTICIAL
SPACES
PRIVET
STUDIOS
Paint
Shop
Carpentry
Shop
recieving
Hair &
Make-up
Costume
Shop
Resturant3 3
3 3
1
2
5
4
FIRST FLOOR PLANS
SCALE 1/6” : 1’
aa
BB
Theater
8
3
3
3
11
4
2
1
3
10 9
11
11
7 6 5
BB: SECOND FLOOR PLANS
SCALE 1/6” : 1’
aa
BB
2
3
4
5
6
1
1
1
1 4 5
5
6
2
5
3
3
THIRD FLOOR PLANS
SCALE 1/6” : 1’
aa
BB
With A. Dienes
The ideas that I was exploring during my time
on Georgia St. were expounded upon during
this project, which was to re-purpose the Globe
Trade Dry Dock into a modern Film
Studio, complete with support spaces.
22222222222222222222888888888888888
29
With A. Dienes
222222222222222222229999999999999999
30
With A. Dienes
I attempted to screen the views of the
inhabitants of the building through
the use of different materials and
techniques. some of the screens
are constructed out of reclaimed
wood and serve as a gallery space,
while others are constructed out of
stored movie costumes.
3333333333333333333300000000000000000000
31
DN UP
DN
DN
DN
UP
UP
UP
8
9
16
1A103
2A103
111213
14
15
181920
Basement Floor Plan
First Floor Plan
Second Floor Plan
During my co-op for Mr.
Ziegelman we received a quick
crash course on modular de-
sign shortly before he asked me,
and the four other students
working for him, to develop
an idea for an ‘urban’ Modular
house. Mine was created using
the module of 16’ X 48’.
33333331
32
North Elevation
South Elevation
LUNITUNIVERSITY OF DETROIT MERCY / SCHOOL OF ARCHITECTURE / SUMMER 2010
East Elevation West Elevation N-S Section E-W Section
Our aim was to have the home be as efficient
as possible in planning, while staying high end
and modern. With this in mind I chose to have
partially exposed and elevated basement which
would serve as the homes garage.
33333332
33
After presenting our design schemes
we worked with Mr. Ziegelman and
his staff to produce a complete set
of construction documents for a
modular home. It was composed of
four 12’ x 36’ modules and had two
possible configurations. These are
the construction documents for
one of the configurations.
33333333
3433333334
3533333335
3633333336
3733333337
3833333338
3933333339
40444444444440
41444444444441
42444444444442
43444444444443
44
Comments:
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________