Accuracy and Implulse-Painting and Drawing the Head in Watercolor

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the head in watercolor Glenn Hirsch, Instructor

Transcript of Accuracy and Implulse-Painting and Drawing the Head in Watercolor

Page 1: Accuracy and Implulse-Painting and Drawing the Head in Watercolor

the head in watercolor

Glenn Hirsch, Instructor

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For 30,000 years in prehistoric caves, the face was taboo … no faces have been found. But the artists could draw animals very well.

Then in 1500 BC, the completely natural face appeared in Egypt.

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Leonardo da Vinci

Drawing the head takes study … even for the masters.

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Van Gogh studied … On the left below:

when he began and right after 2 years...

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Anatomy reveals basic structure under the skin …

“landmarks” to guide you

1. temple (forehead)

2. brow3. cheek4. jaw5. chin

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study the head in all positions…

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the head in ¾ view … how much of the other side do you see?

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the head in ¾ view … how much of the other side do you see?

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Everyone’s skull is different, but there are four basic shapes

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But to keep it simple, we can think of the head as both a ‘box’ and an ‘egg’

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Renoir

Include the neck in the beginning too!

To find the orientation of the head, you can think of the head as an EGG

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Renoir

Renoir

Include the neck

To find the orientation of the head, you can think of the head as an EGG

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you can think of the head as a BOXto define the difference between the side and front

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Oskar Kokoschka

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Raphael

Look for the difference between the side and the front

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Giovanni Tiepolo, 1760

the shape of the skull is much easier when you can see

where the light is coming from

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After Andrew Wyeth

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PROPORTION IS EASY WHEN YOU LOOK AT THE FACE FROM THE FRONT (NOT IN ¾ VIEW)

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Lucian Freud

1.Eyes are in shadow

2. Nose has a ‘ball’ at the end which overlaps the nostrils behind

3. Lips – upper in shadow, lower in light

4. Chin is rounded, suggests a ‘ball’

5. Ears are behind the cheekbones

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Lips – upper in shadow, lower in light

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Nose has a ‘ball’ on the end which overlaps the nostrils behind

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The eyelid covers most of the eyeball

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Step by Step

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skin color

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Skin color depends on the color of the light

Skin color depends on genes

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John Singer Sargent

Skin color is a blend of many browns, tans, and pinks

painted with plenty of water to keep it pale

shadows are the object’s color + cerulean (cool) blue

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Stephen Scott Young

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John Singer Sargent

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Emile Nolde

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Pay attention to the “value”

Theblack and white

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Skin is greasy and reflects light … so its color also depends on the colors reflected into it

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subtle touches

of green

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Jess Petrie

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Oskar Kokoschka

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Elizabeth Peyton

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Emile Nolde

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art school students

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Kady Monroe-Tracey

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Brad Kahlhamer

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Brad Kahlhamer

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Alessya Rose Bonder

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Alessya Rose Bonder

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Momo Yao watercolor, pencil, ink on paper