Accessories Collection Accessories Collection · Decorative Objects Lighting Coat Racks & Shelves...

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Accessories Collection 2020

Transcript of Accessories Collection Accessories Collection · Decorative Objects Lighting Coat Racks & Shelves...

Page 1: Accessories Collection Accessories Collection · Decorative Objects Lighting Coat Racks & Shelves Pillows & Blankets Small Furniture 1 2 6 10 14 22 24 28 32 Accessories Collection

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#VITRAACCESSORIES

Introduction Dining Home Office & Stationery ClocksDecorative Objects Lighting Coat Racks & Shelves Pillows & BlanketsSmall Furniture

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New Vitra Accessories.

There’s no place like home – the only place where we can truly be ourselves. Our interiors reflect our personality: every object has its own story and is an expression of our individual identity. At Vitra, we believe in the principle of collage – the idea that a vibrant living space is not achieved by conforming to a unified plan, but rather gains character through a mix of old and new, classic and contemporary, favorite mementos and found objects.

The Vitra Accessories Collection embodies this conviction. It ranges from timeless creations by Charles and Ray Eames, Alexander Girard and George Nelson to the newest products by Ronan and Erwan Bouroullec, Stockholm-based design studio Front and Raw-Edges.

Eames “Sea Things” Collection. Products available for a limited time only.

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‘The role of the designer is that of a very good,

thoughtful host anticipating the needs of his guests.’

CHARLES EAMES

Dining 1

2

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5

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12345

High TraysRotary TraysTraysHerringbone BowlsHerringbone Trays

Morrison, 2017Morrison, 2014Morrison, 2017Raw-Edges, 2019Raw-Edges, 2019

Ø 300 x 140Ø 300 x 120

Ø 180/290/400Ø 195 x 120Ø 355 x 35

Item Designer mm

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9101112

Round GeometricSquare GeometricRound Lace

Table RunnersCoffee MugsAngel Candle HoldersCandle Holder

Girard, 1961Girard, 1961Girard, 1961

Girard, 1964Girard, 1971Girard, 1953Girard, 1963

Ø 13001200 x 1200

Ø 1300

400 x 1500Ø 75 x 95

120 x 161Ø 94-103 x 30-55

11

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12

15

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17

1314151617

Paper Napkins smallPaper Napkins largeClassic Trays largeClassic Trays mediumClassic Trays small

Various, 1947-1972Various, 1947-1972Girard/Eames, 1947-1974Girard/Eames, 1947-1974Girard, 1952-1974

250 x 250400 x 400460 x 360360 x 280280 x 280

10

9

6

7

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Tablecloths

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Home Office & Stationery

‘Inspired by cartoons and sculptures, my office products add a cheerful touch that will

brighten up any setting.’MICHEL CHARLOT H

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ToolboxO-TidyS-Tidy

Morrison, 2018Levy, 2010Charlot, 2016Charlot, 2016

90 x 35/70/100327 x 167

Ø 220 x 80315 x 250

Item Designer mm

1

2

4

3

Hexagonal Container, set of 3

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Happy Bin LHappy Bin SGreeting Cards largeGreeting Cards squareGreeting Cards mediumGreeting Cards small

Charlot, 2016Charlot, 2016Various, 1955-1971Various, 1955 -1971Various, 1955 -1971Various, 1955 -1971

Ø 300 x 375Ø 235 x 295

150 x 220220 x 220

115 x 17082 x 120

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Jongerius, 2016Jongerius, 2015Girard, 1966Girard, 1961-1971

Ø 37,5120 x 7940 x 80

370 x 400

Magnet Dots, set of 5

12

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Key Ring ElephantKey Ring SunGraphic Bags

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Clocks

‘The simple joy of taking an idea into one’s own

hands and giving it proper form – that’s exciting.’

GEORGE NELSON Clo

cks

1 2 3 4

5 6

123456

78910

111213

OrangeBeechMulticoloredRedBlack/BrassCherry

MulticoloredRedWalnutBlack

Asterisk ClockAsterisk Clock, BrassStar Clock

Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960

Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960

Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960

Ø 330Ø 330Ø 330Ø 330Ø 330Ø 330

Ø 470Ø 470Ø 470Ø 470

Ø 250Ø 250Ø 610

Item Ball Clock

Sunburst Clock

Designer mm

7

8 9 10

11 12 13

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Clo

cks

Clo

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1415161718

192021222324

25262728293031323334353637

Polygon ClockSpindle ClockWheel ClockSunflower Clock birchSunflower Clock black ash/brassFlock of ButterfliesPopsicle ClockPetal ClockTurbine ClockFan ClockEye Clock

Night ClockNight Clock BlackTripod ClockDiamond ClockChronopakCone BaseCone ClockCeramic Clock, Model #1Ceramic Clock, Model #2Ceramic Clock, Model #3Elihu the ElephantOmar the OwlFernando the Fish

Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960

Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960Nelson, 1948-1960

Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1953Nelson, 1953Nelson, 1953Nelson, 1965Nelson, 1965 Nelson, 1965

Ø 430Ø 577Ø 455Ø 750Ø 750

Ø 610Ø 350 Ø 448Ø 765Ø 384

760 x 340

105 x 150105 x 150110 x 165

255 x 170170 x 115170 x 135150 x 170130 x 190155 x 225150 x 170

320 x 320270 x 255280 x 250

15

18 19

212022

16

17

14

24

25 2726 28

29 30 31

35 36 3723

32 33 34

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Decorative Objects

‘I suppose my fascination with figures began with my fondness for Nativity scenes when I was

a little boy. I guess I thought they were real people. There were

wonderful creches in the churches of Florence, and I started to

collect my own.’ALEXANDER GIRARD D

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Plywood Mobile, APlywood Mobile, B Eames House BirdEames House Bird, walnutEames House WhaleEames Elephant (Plywood)Eames ElephantEames Elephant (small)

Eames, 1941Eames, 1941

Eames, 1945Eames, 1945Eames, 1945

320 x 400460 x 335 278 x 276278 x 276700 x 140785 x 415785 x 415390 x 210

1

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Item Designer mm

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AlgueL’Oiseau marble*L’Oiseau ceramicL’Oiseau natural mapleVessel plainVessel rippedNuage céramique largeNuage céramique mediumNuage céramique smallNuage largeNuage medium Nuage smallCork Bowl largeCork Bowl small

Bouroullec, 2004Bouroullec, 2019Bouroullec, 2011Bouroullec, 2011Raw-Edges, 2019Raw-Edges, 2019Bouroullec, 2017Bouroullec, 2017Bouroullec, 2017Bouroullec, 2016Bouroullec, 2016Bouroullec, 2016Morrison, 2020Morrison, 2020

257 x 320245 x 150 245 x 150 245 x 150125 x 320133 x 250 195 x 270 195 x 160195 x 80

195 x 300195 x 240195 x 130

Ø 600 x 90Ø 300 x 55

1415161718192021222324252627

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Resting BearResting CatResting Cat, smallResting BirdResting Bird, small

Front, 2018Front, 2018Front, 2019Front, 2018Front, 2018

918 x 531343 x 264270 x 210138 x 218132 x 126

* Limited Edition* Color Update

*

*

*

*

*

*

*

*

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Girard Ornament, MouseGirard Ornament, HeartGirard Ornament, DoveGirard Ornament, MoonGirard Ornament, SunGirard Ornament, StarGirard Ornament, RabbitGirard Ornament, Angel

Girard, 1965Girard, 1965Girard, 1965Girard, 1965Girard, 1965Girard, 1965Girard, 1965Girard, 1965

103 x 4279 x 7097 x 4579 x 8579 x 7981 x 77

33 x 10183 x 76

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Herringbone Collection

2019

Raw-Edges

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Herringbone Collection

Raw-EdgesRaw-Edges

Created by Raw-Edges, the Herringbone Collection emerged from the studio‘s interest in the technique of immersion dyeing. The transformation of objects when they are dipped in a dye bath exert an almost magical fascination for the design duo

Shay and Alkalay and Yael Mer.

In 2018, Raw-Edges conceived the furnishings and layout for an entire fl oor of the VitraHaus on the Vitra Campus. For this project, they developed a series of pillows and small, tree-like wooden objects with patterns based on the immersion dyeing

technique. These pieces met with great interest, which led to the decision to further refi ne the designs for mass production.

The resulting Herringbone Collection consists of the Herring-bone Pillows and the Herringbone Vessels. The color scheme and sharpness of the pattern contours vary depending on the

respective material.

Q&A Raw-Edges

In one interview, I read that you prefer surprises over clear messages (similar to contemporary dance) – how is

this inscribed in the Herringbone Collection?

«Surprise can also mean not having full control over the design. For example, the ceramic Herringbone pieces for

Vitra are all made by hand in an uncontrolled process. Each item will end up looking slightly diff erent; the quality

of the glaze line will have an unpredictable result. One line will be straight while another turns out wavy and curled. It is a fascinating result for ‘industrial’ products that are normally supposed to end up identical, but in this case

the outcome is more organic.»

What was the motivation for using a wide palette of materials (wood, textile, ceramic) in the Herringbone Collection?

Was that because you wanted to achieve diff erent goals and end eff ects?

«When we develop a system, a principle with certain rules, the motivation is to see how far we can push it and where

it can be applied and on what materials and shapes. It’s almost like checking an algorithm on diff erent

applications, investigating the potential for surprises and anticipating where disappointing results might occur.

Here the rule was to work with materials that can ‘hold’ a layer of color … wood, textile and ceramic being the

most obvious ones for home accessories.»

Credits:Interview by Eva Slunečková, published in ELLE Decoration Czech Republic 04/2019

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Charles & Ray EamesRaw-Edges

Designer

Upon earning their degrees from the Royal College of Art in 2007, Israeli designers Shay Alkalay and Yael Mer founded the design studio Raw-Edges in London. They

develop furniture, installations and products, always placing an emphasis on playfulness and provocative illusion. Colors, patterns and movement are essential elements in the design duo’s award-winning work for

customers across the globe.

Sea Things

Charles & Ray Eames

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Sea Things Sea Things

Charles & Ray EamesCharles & Ray Eames

Sea Things is a pattern created by Ray Eames in 1945. It shows a lovingly designed undersea world full of starfi sh,

jellyfi sh, crustacea, algae and other whimsical creatures. The pattern is conceived so that it can be repeated

horizontally or vertically, or only used in part – still always forming a lively underwater universe.

Ray Eames submitted Sea Things together with her design Crosspatch to the ‘Competition for Printed Fabrics’

organised by the New York Museum of Modern Art in 1947. Sea Things received an honourable mention and was

included in the exhibition ‘Printed Textiles for the Home’.

Vitra is reviving the cheerful motif for a limited period in close collaboration with Eames Demetrios, grandson

of Charles Eames and Director of the Eames Offi ce: Sea Things in a blue-green color will appear on the Paper

Napkins, Classic Trays and Table Runner, evoking a fresh, yet subtle ocean mood.

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Designer

Charles & Ray Eames

Charles and Ray Eames are counted among the most important fi gures of twentieth-century design.

Their work spans the fi elds of furniture design, fi lmmaking, photography and exhibition design.

The infl uence of Charles and Ray Eames was

fundamental to the development of Vitra. Its activity as a furniture manufacturer began in 1957 with the production of their designs. Yet it was not only the

products of Charles and Ray Eames that left their mark on Vitra. With their approach to and understanding of design, they made an ongoing contribution to the

values and goals of the company.

Cork & Marble

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Cork Marble

Marble is a natural stone that occurs in many parts of the world. Formed in the earth’s turbulent interior, each piece has a grain as unique as a fi ngerprint. Likewise, it comes in a vast range of colors, from bright white to amber, emerald green to pink and even, more rarely, black. Although rela-

tively commonplace, marble is diffi cult to extract and cut, so is associated with the idea of luxury.

Because it is extremely hard and very resistant marble is perfect for domestic use. Like all carbonate stones, it can withstand temperatures as high as 600° C and its dense

surface is easy to wipe and collects no dust, making it ideal for those with allergies. And, in the unlikely event it is dam-aged, marble can be polished back to perfection time and

time again.

Cork is a natural renewable material obtained from the bark of cork oak trees. Cork oaks are indigenous to the western

Mediterranean region, can attain an age of 250 to 350 years, and have been protected as a species in Portugal since the thirteenth century. The properties of cork make it ideal for furniture and interior objects: the material is hard-wearing, lightweight, pleasant to touch, food-safe, fl ame retardant,

waterproof and does not absorb surrounding odours.

Vitra uses premium-grade recycled cork, whose coarse grain gives the material a lively surface pattern.

Cork Bowls & Cork Family by Jasper MorrisonL’Oiseau by Ronan & Erwan Bouroullec and

Occasional Table LTR by Charles & Ray Eames

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36373839404142

Metal Wall Relief, HeartMetal Wall Relief, SunMetal Wall Relief, Little HeartMetal Wall Relief, DoveMetal Wall Relief, ArrowMetal Wall Relief, SnakeQuotes Posters

Girard, 1966Girard, 1966 Girard, 1966Girard, 1965Girard, 1966Girard, 1968Eames, 1950

430 x 380 Ø 600

270 x 240403 x 181

400 x 240966 x 99

500 x 700

36 37

40

41

38 39

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5253545556575859606162636465

Standard Chair

Organic ArmchairDCWLa ChaiseDSWRARButterfly StoolCoconut ChairLounge Chair & OttomanHeart-Shaped Cone Chair

Wiggle Side Chair

Prouvé, 1930Hans Coray, 1938Eames & Saarinen, 1940Eames, 1945Eames, 1948Eames, 1950Eames, 1950Yanagi, 1954Nelson, 1955Eames, 1956Panton, 1959Panton, 1959/1960Gehry, 1972Bouroullec, 2008

70 x 13590 x 125

130 x 15580 x 120

250 x 13580 x 135105 x 11580 x 70

160 x 140140 x 135130 x 14085 x 14065 x 145101 x 130

Miniatures Collection Designer mm

62

63 64 65

See the entire Miniatures Collection at vitra.com

52 53 54 55

56 57 58 59

60 61

Landi Chair

Vegetal, set of 3

Panton Chairs, set of 5

4344

45464748495051

Silhouette Mermaid Silhouette Bull

Wooden DollsLittle DevilMother Fish & Child CatCat largeDog largeDog

Girard, 1965Girard, 1965

Girard, 1952Girard, 1952Girard, 1952Girard, 1952Girard, 1952Girard, 1952Girard, 1952

129 x 286129 x 279

80 x 145 – 45 x 305 46 x 140

180 x 52/125 x 3550 x 170

110 x 390110 x 39050 x 170

Wooden Dolls

45

46 47

43 44

48 49 50 51

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Petite PotencePotenceLampe de Bureau

123

Prouvé, 1947Prouvé, 1950Prouvé, 1930

1040 x 3002030 x 755

240 x 225

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Coat Racks & Shelves

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‘The same way that we hang our belongings on a rock jutting from a cliff before diving into the sea,

we need small, informal storage in everyday life too.’

RONAN & ERWAN BOUROULLEC

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Corniches largeCorniches mediumCorniches small

Bouroullec, 2012Bouroullec, 2012Bouroullec, 2012

455 x 86352 x 88210 x 116

Item Designer mm

1

2

3

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Uten.Silo IUten.Silo II

Jongerius, 2013Becker, 1969Becker, 1969

Ø 50670 x 870520 x 680

5

6

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Coat Dots, set of 3

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Pillows & Blankets

‘If you design a textile you don't have to design an entirely new piece. The skin alone can make the design new. That’s

why I find textiles interesting and also an important subject for

the future.’HELLA JONGERIUS

123

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EyesSnake, ultramarineLove, red

Home Sweet HomeDouble Heart 2Double Heart

Herringbone Pillows

Girard, 1961Girard, 1961Girard, 1961

Girard, 1952Girard, 1952Girard, 1952

Raw-Edges, 2019

400 x 300400 x 400400 x 400

400 x 300400 x 300400 x 400

400 x 400

1 2 3

4 5 6

Embroidered Pillows

Designer mmItemGraphic Print Pillows

7

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Seat DotsColor Block BlanketsEames Wool Blankets

Jongerius, 2016Jongerius, 2016Eames, 1947

Ø 380 2040 x 13002000 x 1350

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Small Furniture

‘It’s about continually striving to make products better than

what already exists. That’s not always possible, but it’s what

motivates me.’JASPER MORRISON S

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Leather Side Table smallLeather Side Table mediumMetal Side Table smallMetal Side Table small*Metal Side Table mediumMetal Side Table medium*Metal Side Table largeMetal Side Table large*Wooden Side Table smallWooden Side Table mediumWooden Side Table large

Bouroullec, 2014Bouroullec, 2014Bouroullec, 2004Bouroullec, 2004Bouroullec, 2004Bouroullec, 2004Bouroullec, 2004Bouroullec, 2004Bouroullec, 2015Bouroullec, 2015Bouroullec, 2015

330 x 380415 x 445315 x 380315 x 380

400 x 445400 x 445700 x 355700 x 355315 x 390

400 x 445700 x 365

Item Designer mm

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141516

NesTableRise Table

Table 35Table 45Table 55

Morrison, 2007Morrison, 2014

Morrison, 2016Morrison, 2016Morrison, 2016

500 x 574-770 Ø 500 x 475-660

Ø 500 x 350Ø 500 x 450Ø 500 x 550

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Occasional Low Table

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Prismatic TablePanton Junior

Noguchi, 1957Panton, 1959/60

410 x 375376 x 628

18

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Elephant StoolHockerTabouret Solvay

Yanagi, 1954Herzog & de Meuron, 2005Prouvé, 1941Morrison, 2004

515 x 370 395 x 421

400 x 450Ø 310 x 330

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20

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Cork Family, model A/B/C/D/E

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Imp

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All of the designs shown in this publication are protected by copyright. Vitra and the Vitra Design Museum have authorisation from the owners of the intellectual property rights to manufacture and distribute these designs and hold the exclusive worldwide rights for their production and sale. The following restrictions apply: Charles & Ray Eames → Worldwide distribution for the Organic Chair, La Chaise, Eames Elephant, Plywood Mobile, Classic Trays, Paper Napkins, Eames Quotes Posters, Eames Wool Blankets and for the Miniatures Collection, distribution rights for all other designs exclusively for Europe and the Middle East. For other regions, please contact Herman Miller Inc. | Alexander Girard → Worldwide distribution rights, with the exception of the Environmental Wall Hangings, for which the distribution rights are restricted to Europe and the Middle East. For other regions, please contact Herman Miller Inc. | George Nelson → Worldwide distribution rights for all clocks and Miniatures Collection; distribution rights for other designs exclusively for Europe and the Middle East. For other regions, please contact Herman Miller Inc. | Isamu Noguchi → Distribution rights for Akari Light Sculptures restricted toVitra holds the distribution rights in Australia, Austria, Belgium, Czech Republic, Denmark, Finland, Germany, Greece, Iceland, Ireland, Italy, Liechtenstein, Luxembourg, Malta, the Netherlands, Norway, Portugal, Sweden, Switzerland, Turkey and the United Kingdom. Distribution rights for the Coffee Table held by Herman Miller Inc. for North America; distribution rights for the Dining Table held by Knoll Inc. for North America. | Sori Yanagi → Distribution rights for the Butterfly Stool restricted to Europe, Africa and North and South America. | Classic Pillows → Distribution rights for Europa and Japan. For other regions, please contact Maharam Inc.

The design of the Panton Chair and the Panton name are registered trademarks.® All copyrights and intellectual property rights, including trademarks, patents

and copyrights, remain the property of Vitra and are explicitly reserved.

Vitra International AG strives to respect the rights of third parties at all times. If we have inadvertently used material without acknowledgement, we will correct the omission immediately upon notification. No part of this brochure may be reproduced without prior written permission from Vitra.

Prices valid until 31 December 2020; prices subject to change without notice.

Vitra International AG, Klünenfeldstrasse 22, CH–4127 Birsfelden+41 61/377 00 00, [email protected], www.vitra.com

Art Direction:Benjamin Sprich

Concept:Apartamento Studios

Photography: Connie Hüsser (styling), Lorenz Cugini (interiors), Marc Eggimann (products), © Eames Office, LLC, © Mark Cocksedge

2020, art. no. 91879042020, art. no. 9187909

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VITRA.COM

Alexander GirardArik Levy

Charles & Ray EamesDorothee Becker

FrontGeorge NelsonHella Jongerius

Herzog & de MeuronIsamu NoguchiJasper Morrison

Jean ProuvéMichel Charlot

Raw-EdgesRonan & Erwan Bouroullec

Sori YanagiVerner Panton

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