Accelerated Light Fading Test Results€¦ · Epson 4800 Printer, Epson OEM ink ... Profile:...

Accelerated Light Fading Test Results

For more information please contact: [email protected]

Epson 4800 Printer, Epson OEM ink (Ultrachrome K3),Epson Exhibition Fiber 325gsm Paper

Sample # AaI_20080107_SN001260 Megalux-hours completed

Document #: AaI_20080107_SN001Lf.pdf Rev: October 3, 2012Test Print Prepared by: AaI&A Member, category: Professional

Copyright 2012. This report has been prepared for the exclusive use of members of Aardenburg Imaging & Archives. Members may share this information with other members, friends, colleagues, and individual clients. It may also be distributed to groups for educational purposes (classes, lectures, educational seminars. etc). However, all contents including but not limited to Conservation Display Ratings may not be posted to web sites and may not be reproduced or distributed for corporate research, marketing, or other promotional purposes without written permission from Aardenburg Imaging & Archives.

Conservation Display Rating *Lower Exposure Limit

(Megalux hours)Upper Exposure limit

(Megalux hours)

28 79 * Please read document AaI_2009_0118_TA-01.pdf, “An Overview of the AaI&A Conservation Display Ratings”, located on the Documents page of the AaI&A website for an explanation of the conservation display ratings.

About this Report

This report contains light fastness information about a single test print produced by a specific digital printing system. “System” refers to all hardware, software, and materials used to make the finished print. The hardware, software, material components, and printmaker’s skills contribute to the final image quality and image permanence. The tested sample is made with current or recently discontinued stocks of commercially available products unless otherwise stated. Each sample has been prepared by Aardenburg Imaging & Archives or one of its members in accordance with customary print making practices unless otherwise noted. The sample may also contain additional finishing materials such as overcoats and laminates which are also noted when used. Finally, the sample has been tested under standardized conditions that are defined on the Sample Description page (see page 2). AaI&A makes every effort to ensure but cannot guarantee that the samples are properly identified and documented and that test results are accurate. For this reason, AaI&A also strives to test independently produced sample replicates in order to increase sampling confidence and to provide information on process variability. Please compare the results in this report to replicate test samples when the data become available.

Understanding the Test Results

The magnitude and visual appearance of fading depends not only on the chosen printing system but the chosen image as well. In other words, different images are comprised of different colors, and the fading relationships between those colors dictate how the image will look as it fades. The sample print in this test report was made by reproducing the digital image shown on the left. It contains 30 standard colors. 24 of the colors are colorimetrically matched to the Macbeth ColorChecker™ chart viewed under D50 illumination. The remaining six colors supplement the ColorChecker™ array with four additional skin tone colors, one patch for paper white, and another for maximum black. The additional colors also round out the distribution of L* lightness values in the test target.

Information about the fading characteristics of the product is provided in three ways:

1) You can visually assess the fading. The target images reproduced in this report are digitally reconstructed from the spectrally measured color data rather than scanning or otherwise reproducing the physical print by conventional techniques. This method ensures a colorimetrically accurate representation of the print appearance as the print fades. A calibrated monitor is recommended to experience the best possible reproduction of the test sample appearance. The side-by-side presentation of the target images simulates looking at the light-exposed print along side a perfect duplicate of the unexposed original print. The “Before/After” Layer mode takes advantage of Adobe Reader Layer technology. Toggle the “Before/After” layer on and off using the layers feature of Adobe Reader to directly switch between the light exposed print colors and the initial print colors for the image located on the right side of each page. Also, use Adobe Reader’s full screen mode to cycle through the pages and “animate” the fading.

2) I* Color and tonal accuracy scores are reported. This report includes I* metric scores that compare the color and tonal re-lationships of the light exposed samples to the color and tonal relationships existing in the original print prior to light exposure. Perfect I* scores of 100% can be approached when no significant fading occurs. Average scores above 90% generally indicate excellent retention of original quality, 80% good, 70% fair, etc., but your conclusions may vary depending on your image quality requirements. I* color rates the retained color accuracy (hue and chroma) while I* tone rates the retained tonal accuracy (lightness and contrast). The score is on a percentile scale where 100% is a perfect match between the comparison image (e.g., “after” light exposure) and the reference image (e.g., “before” any light exposure). 0% I* color means no color accuracy is left. 0% I* tone means essentially no tonality remains and all image information content is lost. Negative I* values have significance as well and contribute to the average I* score when they occur. Negative I* color values mean false color has occurred, for example, when a skin tone turns green or a neutral gray becomes distinctly colorful. Negative I* tone scores mean visual contrast between colors has become inverted (i.e., like the tonal relationships in a photographic film negative). Serious image quality problems must arise before false colors and/or tones appear. For more information on the I* metric, please refer to the AaI&A web site.

3) Color changes are also reported using the classic color difference model, ∆E. Note that ∆E values lose perceptual scaling significance when they become large (e.g., > 15). Also, the ∆E equation does not unambiguously measure changes in image contrast. This limitation is generally not a problem for paints and textiles, but can be a serious oversight when evaluating photographic images. It was a major reason behind the development of the I* metric.

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AaI_StandardColorSet(v2)forSRGB.tif

Sample #: AaI_20080107_SN001Test Print Submission Category: Professional

Test Image: AaI_StandardColorSet(v2)forSRGB.tifRIP/Driver settings: 2880 dpi, high speed off, finest details ‘ON”, No color adjustment (NCA)Media Setting: “Premium Luster Photo”

Printed: January 07, 2008Original print colors measured on: January 08, 2008Test started on: January 10, 2008

Profile: SP4800_EPP_PK_2880.icc Rendering Intent: Perceptual with BPCProfile type: genericProfile Creation Software: n.a.

Light Source: Phillips Colortone F40T12/C50 Filter/Glazing: Sample framed under Glass*Light Exposure Cycle: 8 hours on, 4 hours off, twice per 24 hoursAverage Illuminance during “on” cycle: 11,725 LuxAverage Temperature: 23.2˚C over full test duration, 24.6˚C during light exposureAverage Relative humidity: 58.5% RH full test period, 59.1% RH during light exposureCIELAB measurements: D50 2˙ observer, Xrite Gretag/Macbeth Spectrolino/Spectroscan

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AaI_StandardColorSet(v2)forSRGB.tif

Replicates/Compare to: No Replicates are available at this time.

Printer: Epson 4800Ink: Epson OEM (Ultrachrome K3)Paper: Epson Exhibition Fiber 325gsm

Paper White Color (UV–included versus UV–excluded) and Maximum Printed BlackOptical Brighteners present?

yesL* a* b*

UV inc UV exc UV inc UV exc UV inc UV excMaximum Paper White (no colorants printed) 96.2 96.1 1.3 –0.4 –4.7 1.2

(1) ∆L*, ∆a*, ∆b* respectively 0.1 1.7 5.9(1) Calculated differences, especially for ∆b*, indicate the role and magnitude of fluorescence on original paper color

Maximum Printed black (UV included) L* = 5.5 a* = –0.5 b* = –1.1

Notes/Comments:

* The Phillips Colortone F40T12/C50 fluorescent light source and ordinary glass picture frame glazing yields UVA content and overall spectral power similar to natural 5000˚K daylight entering a window and then striking a print that has been framed by standard acrylic glazing rather than ordinary glass. Other light sources and/or different glazing options may yield greater or lesser fade rates (generally, a 2-5x increase in fade rate for direct sunlight compared to UV–excluded sources at the same Lux level). The spectral quality of the light can also affect individual colors differently.

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Table to Convert Megalux-hours of Light Exposure to estimated “Years on Display” Indoor Light Levels for Print Display Multiply

Mlux-hrs by

Megalux-hours in test

Light Exposure Description 10 20 30 40 50 60 70 80 90 100≤ 10 Lux

24 hours per dayInterior rooms, storage areas, or hallways without win-dows, illuminated sparingly by artificial lighting

11.42 114 228 342 457 571 685 799 913 1027 1142

50 Lux 12 hours per day

“Museum Standard” display condition

4.57 46 91 137 183 228 274 325 365 411 457

120 Lux12 hours per day

“Kodak Display Years” (1)

Average home illumination level for photos is ~ 60 lux. 90% of all displayed photos do not exceed 120 lux (1).

1.90 19 38 57 76 95 114 133 152 171 190

228 Lux12 hours per day

Relatively bright home or office. Note the simple 1:1 relationship between “years on display” and Mlux-hr values at this condition.

1.00 10 20 30 40 50 60 70 80 90 100


“WIR Display Years” (2)

Also equals 500 lux for 11.8 hours per day

A bright home or commer-cial office building illumina-tion level is 200-500 lux. Also, good illumination for color critical viewing and color matching tasks begins at about 500 lux.

0.51 5 10 15 20 25 30 35 41 46 51


Commercial Gallery. Also, critical color evaluation stan-dards call for 2000 lux and a D50 illumination source.

0.114 1.1 2.3 3.4 4.6 5.7 6.8 8.0 9.1 10.3 11.4


E.g., Sunlight through a win-dow striking print at an angle.

0.046 0.5 0.9 1.4 1.8 2.3 2.7 3.2 3.7 4.1 4.6

10,000 Lux 12 hours per day

South-facing window in U.S.A. , e.g., storefront display with photos directly facing window.

0.023 0.2 0.5 0.7 0.9 1.1 1.4 1.6 1.8 2.1 2.3

Light levels commonly encountered in the real world fluctuate widely throughout indoor print display environments and produce large variations in how long it takes for artwork to acquire light-induced damage. Use this table as a guide to estimate how many “years on display” (denoted in red text) it takes to accumulate the light exposure test dosage. Review the test results to decide which Megalux-hour dose has caused fading to your level of concern (e.g., just noticeable, easily noticeable, objectionable, etc.). Then choose the print display description that best represents how your print is likely to be displayed. You may want to obtain a lux meter and make some measurements in your own display environment!

Note that as the years of display time increase, light-induced fading can be eclipsed by other serious aging mechanisms such as fading and/or staining caused by heat, humidity, and air pollutants. Mould damage can also occur at high humidity. Even when colorants remain water fast, direct contact with liquids may result in physical deformation and staining of the substrate. Also, temperature and especially humidity cycling can cause physical cracks and/or flaking, etc. Handling damage such as scratching, abrasion, tears and creases, and catastrophic damage by smoke, fire, flood, etc., also degrade print quality over time. Thus, as illumination levels are reduced other forms of degradation take on greater proportion of risk and may appear in shorter time intervals.

(1) Eastman Kodak has cited this exposure condition and 90% confidence limit as a rationale for estimating print fading times of traditional color photo materials in typical home display environments. For recent light fading claims regarding its line of pigment-based inkjet print-ers, Kodak has adopted the higher level of 450lux/12 hours per day which is also used by Wilhelm Imaging Research, Inc. (See below).

(2) Wilhelm Imaging Research (WIR) has standardized its light fastness ratings on 450 lux for 12 hours per day in order to estimate the years on display necessary to reach “noticeable” fading. This average light exposure condition, an assumed 75˚F/60%RH temperature and humidity level, and WIR’s visually weighted densitometric endpoint criteria set V3.0 has become a de facto industry standard for most predictive light fading estimates in the absence of a published International Standards Organization (ISO) test standard.

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Original Print Colors(measured before light exposure)

100color /100tone

Original Print Colors as Measured and at Start of TestL* a* b*

Column/row Color Patch I*Color ∆E Before After Before After Before AfterA1 dark Skin 100 0.0 36.5 13.7 12.0B1 light Skin 100 0.0 63.9 17.8 13.5C1 blue sky 100 0.0 48.7 -4.4 -23.0D1 foliage 100 0.0 42.9 -13.7 25.1E1 blue flower 100 0.0 53.0 9.0 -26.6F1 bluish green 100 0.0 69.3 -30.9 -1.6A2 orange 100 0.0 60.3 34.6 55.1B2 purplish blue 100 0.0 36.4 10.4 -45.7C2 moderate red 100 0.0 46.6 47.2 11.4D2 purple 100 0.0 28.6 24.0 -24.0E2 yellow green 100 0.0 69.4 -23.7 59.4F2 orange yellow 100 0.0 69.4 17.4 68.6A3 blue 100 0.0 25.6 11.5 -49.0B3 green 100 0.0 54.2 -37.8 32.5C3 red 100 0.0 36.4 51.5 26.0D3 yellow 100 0.0 78.9 4.6 88.7E3 magenta 100 0.0 50.1 48.8 -14.8F3 cyan 100 0.0 50.3 -23.6 -27.1A4 white 100 0.0 92.8 1.6 -3.7B4 neutral 8 100 0.0 79.2 0.2 -2.4C4 neutral 6.5 100 0.0 65.9 -0.5 -3.2D4 neutral 5 100 0.0 49.9 0.8 -1.2E4 neutral 3.5 100 0.0 36.5 0.3 -2.2F4 black 100 0.0 21.7 1.0 -2.2A5 paper white 100 0.0 96.2 1.4 -4.8B5 skin highlight L*=89 100 0.0 85.2 13.6 7.3C5 skin highlight L*=75 100 0.0 72.6 20.1 13.8D5 skin shadow L*=25 100 0.0 25.2 16.5 18.4E5 skin shadow L*=11 100 0.0 15.8 12.6 9.2F5 Max Black 100 0.0 5.5 -0.5 -1.1

Summary Results I*Color I*tone ∆E

Average Score for all patches 100 100 0.0

Average Score for the Worst 10%(3 lowest scoring patches) 100 100 0.0


Colors at Zero Megalux-hours of Light Exposure(same as original print colors)”

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100color /100tone







Colors at Zero Megalux-hours of Light Exposure(same as original print colors)”Colors after 10 Megalux-hours

light exposure”

99.2color /96.0tone

10 Mlux-hrs Light Exposure (i.e., after) Compared to Original Print Colors (i.e., before)L* a* b*

Column/row Color Patch I*Color ∆E Before After Before After Before AfterA1 dark Skin 100.0 1.8 36.5 38.3 13.7 13.8 12.0 12.2B1 light Skin 99.9 1.4 63.9 65.2 17.8 17.3 13.5 13.2C1 blue sky 100.0 1.8 48.7 50.5 -4.4 -4.8 -23.0 -23.1D1 foliage 100.0 1.5 42.9 44.4 -13.7 -14.0 25.1 25.4E1 blue flower 100.0 1.8 53.0 54.7 9.0 8.6 -26.6 -26.2F1 bluish green 100.0 1.0 69.3 70.2 -30.9 -30.6 -1.6 -1.7A2 orange 98.9 1.8 60.3 61.6 34.6 33.4 55.1 54.7B2 purplish blue 99.0 2.3 36.4 38.5 10.4 9.5 -45.7 -46.0C2 moderate red 99.7 2.0 46.6 48.5 47.2 47.7 11.4 11.0D2 purple 99.0 2.0 28.6 30.4 24.0 24.5 -24.0 -24.8E2 yellow green 100.0 1.0 69.4 70.3 -23.7 -23.6 59.4 58.9F2 orange yellow 99.2 1.5 69.4 70.4 17.4 16.3 68.6 68.5A3 blue 98.6 1.9 25.6 27.1 11.5 10.8 -49.0 -50.0B3 green 100.0 1.5 54.2 55.7 -37.8 -37.9 32.5 32.5C3 red 98.9 1.7 36.4 37.7 51.5 52.6 26.0 26.1D3 yellow 99.8 0.8 78.9 79.4 4.6 4.0 88.7 88.8E3 magenta 100.0 1.9 50.1 52.0 48.8 48.9 -14.8 -15.2F3 cyan 99.4 1.8 50.3 51.9 -23.6 -24.4 -27.1 -27.2A4 white 96.6 0.8 92.8 92.8 1.6 1.3 -3.7 -2.9B4 neutral 8 98.6 0.9 79.2 79.8 0.2 -0.3 -2.4 -1.9C4 neutral 6.5 100.0 1.1 65.9 66.9 -0.5 -0.7 -3.2 -3.0D4 neutral 5 100.0 1.6 49.9 51.5 0.8 0.6 -1.2 -1.2E4 neutral 3.5 100.0 1.8 36.5 38.3 0.3 0.1 -2.2 -2.4F4 black 100.0 1.6 21.7 23.3 1.0 0.9 -2.2 -2.3A5 paper white 98.0 0.7 96.2 96.2 1.4 1.3 -4.8 -4.1B5 skin highlight L*=89 99.9 0.6 85.2 85.4 13.6 13.1 7.3 7.4C5 skin highlight L*=75 98.2 1.3 72.6 73.5 20.1 19.2 13.8 13.7D5 skin shadow L*=25 96.4 2.1 25.2 26.7 16.5 17.1 18.4 19.6E5 skin shadow L*=11 94.7 1.5 15.8 16.6 12.6 13.5 9.2 10.1F5 Max Black 100.0 0.3 5.5 5.8 -0.5 -0.5 -1.1 -1.3


Average Score for all patches 99.2 96.0 1.5

Average Score for the Worst 10%(3 lowest scoring patches) 95.9 94.3 2.1

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100color /100tone








light exposure”

97.6color /95.5tone






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100color /100tone













Colors after 30 Megalux-hours light exposure”

95.9color /95.2tone

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100color /100tone









Column/row Color Patch I*Color ∆E Before After Before After Before AfterA1 dark Skin 100.0 2.4 36.5 38.9 13.7 13.9 12.0 11.9B1 light Skin 99.6 1.8 63.9 65.6 17.8 17.3 13.5 13.7C1 blue sky 95.2 2.8 48.7 51.0 -4.4 -5.2 -23.0 -21.6D1 foliage 99.1 2.2 42.9 45.0 -13.7 -14.1 25.1 24.5E1 blue flower 92.0 3.5 53.0 55.2 9.0 8.3 -26.6 -23.9F1 bluish green 100.0 1.4 69.3 70.7 -30.9 -30.6 -1.6 -1.5A2 orange 96.1 3.5 60.3 62.0 34.6 33.0 55.1 52.5B2 purplish blue 95.5 3.6 36.4 38.9 10.4 8.5 -45.7 -43.9C2 moderate red 99.7 2.3 46.6 48.8 47.2 47.7 11.4 11.1D2 purple 100.0 2.3 28.6 30.8 24.0 24.2 -24.0 -23.7E2 yellow green 96.5 3.1 69.4 70.8 -23.7 -24.0 59.4 56.7F2 orange yellow 96.6 3.2 69.4 70.8 17.4 15.7 68.6 66.2A3 blue 97.4 2.4 25.6 27.2 11.5 9.7 -49.0 -48.7B3 green 97.6 2.6 54.2 56.2 -37.8 -37.9 32.5 30.8C3 red 98.6 1.9 36.4 37.7 51.5 52.7 26.0 25.6D3 yellow 98.4 2.2 78.9 79.8 4.6 3.2 88.7 87.4E3 magenta 98.1 2.6 50.1 52.2 48.8 48.4 -14.8 -13.3F3 cyan 96.4 2.6 50.3 52.2 -23.6 -24.9 -27.1 -25.8A4 white 64.6 3.9 92.8 92.7 1.6 0.7 -3.7 0.1B4 neutral 8 79.9 2.5 79.2 80.0 0.2 -0.9 -2.4 -0.2C4 neutral 6.5 85.8 2.2 65.9 67.1 -0.5 -0.9 -3.2 -1.4D4 neutral 5 96.6 2.2 49.9 52.0 0.8 0.5 -1.2 -0.4E4 neutral 3.5 100.0 2.3 36.5 38.8 0.3 0.2 -2.2 -2.1F4 black 100.0 1.9 21.7 23.6 1.0 1.0 -2.2 -2.3A5 paper white 65.0 3.8 96.2 95.9 1.4 0.7 -4.8 -1.0B5 skin highlight L*=89 94.9 1.3 85.2 85.4 13.6 12.7 7.3 8.2C5 skin highlight L*=75 96.0 2.0 72.6 74.0 20.1 18.7 13.8 13.6D5 skin shadow L*=25 96.6 2.3 25.2 27.0 16.5 17.3 18.4 19.4E5 skin shadow L*=11 91.0 2.2 15.8 16.9 12.6 13.9 9.2 10.6F5 Max Black 100.0 0.5 5.5 6.0 -0.5 -0.6 -1.1 -1.2





94.2color /95.0tone

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100color /100tone








light exposure”

93.0color /94.7tone


Column/row Color Patch I*Color ∆E Before After Before After Before AfterA1 dark Skin 100.0 2.5 36.5 39.0 13.7 14.0 12.0 11.7B1 light Skin 99.5 2.1 63.9 65.9 17.8 17.3 13.5 13.8C1 blue sky 93.9 3.1 48.7 51.1 -4.4 -5.2 -23.0 -21.2D1 foliage 98.4 2.4 42.9 45.1 -13.7 -14.1 25.1 24.2E1 blue flower 90.1 4.1 53.0 55.4 9.0 8.3 -26.6 -23.3F1 bluish green 100.0 1.6 69.3 70.8 -30.9 -30.5 -1.6 -1.5A2 orange 95.4 4.0 60.3 62.2 34.6 33.0 55.1 52.0B2 purplish blue 94.4 4.1 36.4 39.0 10.4 8.4 -45.7 -43.4C2 moderate red 99.5 2.4 46.6 48.9 47.2 47.8 11.4 11.1D2 purple 99.7 2.5 28.6 31.0 24.0 24.2 -24.0 -23.5E2 yellow green 95.8 3.5 69.4 71.0 -23.7 -24.0 59.4 56.3F2 orange yellow 96.0 3.7 69.4 71.0 17.4 15.6 68.6 65.7A3 blue 96.6 2.8 25.6 27.4 11.5 9.4 -49.0 -48.3B3 green 97.3 2.8 54.2 56.4 -37.8 -37.9 32.5 30.7C3 red 98.4 2.0 36.4 37.8 51.5 52.9 26.0 25.7D3 yellow 98.0 2.5 78.9 80.0 4.6 3.0 88.7 87.1E3 magenta 96.9 3.0 50.1 52.3 48.8 48.5 -14.8 -12.7F3 cyan 95.6 3.0 50.3 52.4 -23.6 -25.0 -27.1 -25.6A4 white 57.6 4.5 92.8 92.7 1.6 0.6 -3.7 0.7B4 neutral 8 74.6 3.0 79.2 80.1 0.2 -1.0 -2.4 0.3C4 neutral 6.5 81.9 2.6 65.9 67.3 -0.5 -0.8 -3.2 -1.0D4 neutral 5 96.3 2.4 49.9 52.1 0.8 0.5 -1.2 -0.4E4 neutral 3.5 100.0 2.5 36.5 39.0 0.3 0.3 -2.2 -1.9F4 black 100.0 2.3 21.7 24.0 1.0 1.0 -2.2 -2.1A5 paper white 56.9 4.6 96.2 96.0 1.4 0.6 -4.8 -0.2B5 skin highlight L*=89 93.3 1.6 85.2 85.5 13.6 12.6 7.3 8.5C5 skin highlight L*=75 95.4 2.3 72.6 74.2 20.1 18.5 13.8 13.5D5 skin shadow L*=25 96.8 2.4 25.2 27.3 16.5 17.4 18.4 19.3E5 skin shadow L*=11 91.1 2.2 15.8 17.1 12.6 14.0 9.2 10.5F5 Max Black 100.0 0.7 5.5 6.3 -0.5 -0.5 -1.1 -1.2





























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100color /100tone









Column/row Color Patch I*Color ∆E Before After Before After Before AfterA1 dark Skin 99.8 2.8 36.5 39.3 13.7 14.0 12.0 11.6B1 light Skin 99.3 2.3 63.9 66.1 17.8 17.2 13.5 13.8C1 blue sky 92.4 3.5 48.7 51.3 -4.4 -5.3 -23.0 -20.8D1 foliage 97.0 2.8 42.9 45.4 -13.7 -13.9 25.1 23.8E1 blue flower 88.1 4.7 53.0 55.7 9.0 8.3 -26.6 -22.8F1 bluish green 99.8 1.8 69.3 71.0 -30.9 -30.3 -1.6 -1.6A2 orange 94.4 4.6 60.3 62.4 34.6 32.8 55.1 51.4B2 purplish blue 93.2 4.7 36.4 39.2 10.4 8.2 -45.7 -42.8C2 moderate red 99.7 2.6 46.6 49.1 47.2 47.8 11.4 11.1D2 purple 98.7 2.8 28.6 31.2 24.0 24.2 -24.0 -23.1E2 yellow green 94.5 4.4 69.4 71.3 -23.7 -24.0 59.4 55.5F2 orange yellow 94.8 4.6 69.4 71.2 17.4 15.4 68.6 64.9A3 blue 95.9 3.3 25.6 27.6 11.5 9.2 -49.0 -47.8B3 green 96.0 3.5 54.2 56.6 -37.8 -37.7 32.5 30.0C3 red 98.3 2.2 36.4 38.1 51.5 52.8 26.0 25.5D3 yellow 97.2 3.3 78.9 80.3 4.6 2.8 88.7 86.4E3 magenta 96.0 3.5 50.1 52.6 48.8 48.4 -14.8 -12.2F3 cyan 94.9 3.3 50.3 52.6 -23.6 -25.0 -27.1 -25.2A4 white 51.9 5.1 92.8 92.9 1.6 0.5 -3.7 1.2B4 neutral 8 71.2 3.4 79.2 80.2 0.2 -1.1 -2.4 0.6C4 neutral 6.5 78.3 3.1 65.9 67.6 -0.5 -0.9 -3.2 -0.7D4 neutral 5 94.3 2.7 49.9 52.4 0.8 0.5 -1.2 -0.2E4 neutral 3.5 100.0 2.9 36.5 39.3 0.3 0.3 -2.2 -1.8F4 black 100.0 2.6 21.7 24.3 1.0 1.1 -2.2 -2.1A5 paper white 50.2 5.2 96.2 96.1 1.4 0.5 -4.8 0.4B5 skin highlight L*=89 93.2 1.7 85.2 85.8 13.6 12.5 7.3 8.4C5 skin highlight L*=75 94.8 2.6 72.6 74.5 20.1 18.4 13.8 13.3D5 skin shadow L*=25 97.7 2.7 25.2 27.6 16.5 17.3 18.4 19.0E5 skin shadow L*=11 92.4 2.4 15.8 17.5 12.6 13.8 9.2 10.3F5 Max Black 100.0 1.4 5.5 6.9 -0.5 -0.5 -1.1 -1.2





91.8color /94.4tone

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Column/row Color Patch I*Color ∆E Before After Before After Before AfterA1 dark Skin 99.1 2.9 36.5 39.3 13.7 14.0 12.0 11.5B1 light Skin 99.4 2.4 63.9 66.2 17.8 17.2 13.5 13.7C1 blue sky 91.1 3.7 48.7 51.4 -4.4 -5.3 -23.0 -20.5D1 foliage 95.9 3.0 42.9 45.4 -13.7 -13.9 25.1 23.5E1 blue flower 86.5 5.1 53.0 55.8 9.0 8.2 -26.6 -22.3F1 bluish green 99.1 2.0 69.3 71.1 -30.9 -30.1 -1.6 -1.8A2 orange 93.4 5.2 60.3 62.4 34.6 32.8 55.1 50.7B2 purplish blue 92.3 5.1 36.4 39.3 10.4 8.0 -45.7 -42.4C2 moderate red 99.6 2.7 46.6 49.1 47.2 47.7 11.4 11.1D2 purple 98.1 2.9 28.6 31.3 24.0 24.2 -24.0 -22.9E2 yellow green 93.4 5.1 69.4 71.3 -23.7 -24.0 59.4 54.8F2 orange yellow 93.6 5.4 69.4 71.3 17.4 15.3 68.6 64.0A3 blue 95.3 3.5 25.6 27.6 11.5 9.0 -49.0 -47.6B3 green 94.8 3.9 54.2 56.6 -37.8 -37.6 32.5 29.5C3 red 98.1 2.3 36.4 38.0 51.5 52.9 26.0 25.2D3 yellow 96.7 3.7 78.9 80.4 4.6 2.5 88.7 86.0E3 magenta 95.2 3.9 50.1 52.6 48.8 48.3 -14.8 -11.9F3 cyan 94.2 3.5 50.3 52.7 -23.6 -25.1 -27.1 -25.0A4 white 47.5 5.5 92.8 92.9 1.6 0.4 -3.7 1.7B4 neutral 8 68.6 3.6 79.2 80.2 0.2 -1.2 -2.4 0.8C4 neutral 6.5 75.2 3.4 65.9 67.7 -0.5 -0.8 -3.2 -0.4D4 neutral 5 92.8 2.8 49.9 52.5 0.8 0.5 -1.2 0.0E4 neutral 3.5 99.8 3.0 36.5 39.4 0.3 0.3 -2.2 -1.7F4 black 100.0 2.7 21.7 24.4 1.0 1.1 -2.2 -2.0A5 paper white 44.6 5.8 96.2 96.1 1.4 0.4 -4.8 0.9B5 skin highlight L*=89 93.5 1.6 85.2 85.7 13.6 12.4 7.3 8.3C5 skin highlight L*=75 94.1 2.7 72.6 74.5 20.1 18.4 13.8 13.0D5 skin shadow L*=25 97.8 2.6 25.2 27.6 16.5 17.4 18.4 18.9E5 skin shadow L*=11 92.4 2.3 15.8 17.4 12.6 13.9 9.2 10.3F5 Max Black 100.0 1.3 5.5 6.8 -0.5 -0.4 -1.1 -1.3





90.7color /94.2tone

AArdenburg ImAgIng

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100color /100tone









Column/row Color Patch I*Color ∆E Before After Before After Before AfterA1 dark Skin 97.7 3.1 36.5 39.5 13.7 14.0 12.0 11.2B1 light Skin 99.6 2.5 63.9 66.3 17.8 17.2 13.5 13.4C1 blue sky 90.7 3.9 48.7 51.5 -4.4 -5.2 -23.0 -20.4D1 foliage 94.5 3.3 42.9 45.5 -13.7 -13.9 25.1 23.1E1 blue flower 85.4 5.4 53.0 55.9 9.0 8.2 -26.6 -22.0F1 bluish green 98.2 2.2 69.3 71.1 -30.9 -30.0 -1.6 -2.2A2 orange 92.0 6.1 60.3 62.5 34.6 32.7 55.1 49.7B2 purplish blue 91.6 5.4 36.4 39.4 10.4 7.9 -45.7 -42.1C2 moderate red 99.3 2.8 46.6 49.2 47.2 47.8 11.4 10.8D2 purple 97.7 3.1 28.6 31.4 24.0 24.2 -24.0 -22.8E2 yellow green 91.9 6.0 69.4 71.5 -23.7 -24.0 59.4 53.8F2 orange yellow 92.2 6.4 69.4 71.4 17.4 15.1 68.6 63.0A3 blue 94.9 3.7 25.6 27.7 11.5 8.9 -49.0 -47.3B3 green 93.8 4.4 54.2 56.7 -37.8 -37.6 32.5 28.9C3 red 97.8 2.4 36.4 38.0 51.5 53.0 26.0 25.0D3 yellow 95.7 4.6 78.9 80.5 4.6 2.3 88.7 85.2E3 magenta 94.8 4.1 50.1 52.7 48.8 48.2 -14.8 -11.7F3 cyan 93.8 3.7 50.3 52.7 -23.6 -25.1 -27.1 -24.8A4 white 45.1 5.7 92.8 92.8 1.6 0.4 -3.7 1.9B4 neutral 8 67.5 3.7 79.2 80.2 0.2 -1.3 -2.4 0.9C4 neutral 6.5 73.7 3.6 65.9 67.8 -0.5 -0.8 -3.2 -0.2D4 neutral 5 92.1 2.9 49.9 52.6 0.8 0.6 -1.2 0.0E4 neutral 3.5 99.5 3.1 36.5 39.5 0.3 0.4 -2.2 -1.7F4 black 100.0 2.7 21.7 24.4 1.0 1.1 -2.2 -2.1A5 paper white 40.5 6.2 96.2 96.0 1.4 0.3 -4.8 1.3B5 skin highlight L*=89 94.4 1.5 85.2 85.7 13.6 12.4 7.3 8.0C5 skin highlight L*=75 92.9 2.9 72.6 74.5 20.1 18.3 13.8 12.6D5 skin shadow L*=25 98.2 2.7 25.2 27.7 16.5 17.3 18.4 18.7E5 skin shadow L*=11 92.4 2.4 15.8 17.5 12.6 13.9 9.2 10.2F5 Max Black 100.0 1.4 5.5 6.9 -0.5 -0.3 -1.1 -1.2





89.9color /93.9tone

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Column/row Color Patch I*Color ∆E Before After Before After Before AfterA1 dark Skin 96.8 3.3 36.5 39.6 13.7 14.1 12.0 11.0B1 light Skin 99.7 2.6 63.9 66.5 17.8 17.3 13.5 13.3C1 blue sky 89.9 4.1 48.7 51.6 -4.4 -5.2 -23.0 -20.2D1 foliage 93.1 3.7 42.9 45.7 -13.7 -13.9 25.1 22.7E1 blue flower 84.2 5.8 53.0 56.1 9.0 8.3 -26.6 -21.7F1 bluish green 97.3 2.4 69.3 71.3 -30.9 -29.9 -1.6 -2.5A2 orange 90.8 6.9 60.3 62.6 34.6 32.7 55.1 48.9B2 purplish blue 91.1 5.6 36.4 39.5 10.4 7.9 -45.7 -41.8C2 moderate red 99.0 2.9 46.6 49.3 47.2 47.9 11.4 10.7D2 purple 97.1 3.3 28.6 31.5 24.0 24.2 -24.0 -22.6E2 yellow green 90.5 6.9 69.4 71.7 -23.7 -24.1 59.4 52.9F2 orange yellow 90.8 7.4 69.4 71.6 17.4 15.0 68.6 62.0A3 blue 94.5 3.9 25.6 27.7 11.5 8.8 -49.0 -47.2B3 green 92.6 5.0 54.2 56.9 -37.8 -37.6 32.5 28.4C3 red 97.6 2.5 36.4 38.1 51.5 53.1 26.0 25.0D3 yellow 94.8 5.4 78.9 80.7 4.6 2.0 88.7 84.3E3 magenta 94.3 4.3 50.1 52.8 48.8 48.3 -14.8 -11.4F3 cyan 93.4 3.9 50.3 52.9 -23.6 -25.1 -27.1 -24.6A4 white 41.8 6.0 92.8 92.9 1.6 0.3 -3.7 2.2B4 neutral 8 66.4 3.9 79.2 80.3 0.2 -1.3 -2.4 1.0C4 neutral 6.5 70.8 3.9 65.9 67.9 -0.5 -0.8 -3.2 0.0D4 neutral 5 91.5 3.1 49.9 52.8 0.8 0.6 -1.2 0.1E4 neutral 3.5 98.8 3.3 36.5 39.7 0.3 0.4 -2.2 -1.6F4 black 100.0 2.9 21.7 24.6 1.0 1.2 -2.2 -2.1A5 paper white 35.6 6.6 96.2 96.1 1.4 0.2 -4.8 1.8B5 skin highlight L*=89 94.9 1.4 85.2 85.8 13.6 12.4 7.3 7.8C5 skin highlight L*=75 91.8 3.3 72.6 74.7 20.1 18.2 13.8 12.2D5 skin shadow L*=25 98.0 2.8 25.2 27.8 16.5 17.4 18.4 18.6E5 skin shadow L*=11 91.4 2.6 15.8 17.6 12.6 14.0 9.2 10.3F5 Max Black 100.0 1.3 5.5 6.9 -0.5 -0.4 -1.1 -1.2





89.0color /93.7tone

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87.8color /93.4tone

AArdenburg ImAgIng

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86.9color /93.2tone

AArdenburg ImAgIng

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Page 17


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86.0color /93.0tone

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Page 18


100color /100tone














85.1color /92.7tone

AArdenburg ImAgIng

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Page 19


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84.2color /92.5tone

AArdenburg ImAgIng

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Page 20


100color /100tone









Column/row Color Patch I*Color ∆E Before After Before After Before AfterA1 dark Skin 87.9 4.5 36.5 40.1 13.7 14.4 12.0 9.4B1 light Skin 90.9 4.2 63.9 67.2 17.8 17.6 13.5 10.9C1 blue sky 86.3 5.1 48.7 52.2 -4.4 -5.0 -23.0 -19.3D1 foliage 82.8 6.3 42.9 46.1 -13.7 -13.6 25.1 19.7E1 blue flower 79.4 7.4 53.0 56.9 9.0 8.3 -26.6 -20.3F1 bluish green 85.7 5.6 69.3 71.9 -30.9 -28.5 -1.6 -6.0A2 orange 80.6 13.4 60.3 63.1 34.6 32.7 55.1 42.1B2 purplish blue 87.7 7.2 36.4 39.9 10.4 7.6 -45.7 -40.2C2 moderate red 96.4 3.8 46.6 49.7 47.2 48.3 11.4 9.5D2 purple 94.8 3.9 28.6 31.8 24.0 24.4 -24.0 -21.8E2 yellow green 79.3 14.1 69.4 72.5 -23.7 -23.9 59.4 45.7F2 orange yellow 79.5 15.3 69.4 72.4 17.4 14.7 68.6 53.8A3 blue 92.3 4.9 25.6 27.8 11.5 8.1 -49.0 -46.2B3 green 83.8 9.2 54.2 57.4 -37.8 -37.2 32.5 24.0C3 red 95.7 3.5 36.4 38.2 51.5 53.6 26.0 23.9D3 yellow 86.9 12.4 78.9 81.5 4.6 0.8 88.7 77.2E3 magenta 91.7 5.7 50.1 53.3 48.8 48.2 -14.8 -10.1F3 cyan 91.9 4.6 50.3 53.3 -23.6 -25.0 -27.1 -24.0A4 white 32.2 6.9 92.8 92.9 1.6 0.2 -3.7 3.1B4 neutral 8 68.3 3.7 79.2 80.4 0.2 -1.3 -2.4 0.9C4 neutral 6.5 65.1 4.7 65.9 68.6 -0.5 -0.8 -3.2 0.6D4 neutral 5 88.7 3.7 49.9 53.3 0.8 0.8 -1.2 0.4E4 neutral 3.5 97.5 4.0 36.5 40.4 0.3 0.7 -2.2 -1.6F4 black 100.0 3.3 21.7 25.0 1.0 1.3 -2.2 -2.4A5 paper white 17.4 8.3 96.2 96.1 1.4 -0.1 -4.8 3.5B5 skin highlight L*=89 90.1 2.2 85.2 86.0 13.6 12.7 7.3 5.5C5 skin highlight L*=75 77.8 6.5 72.6 75.2 20.1 18.5 13.8 8.1D5 skin shadow L*=25 95.1 3.3 25.2 28.1 16.5 17.7 18.4 17.2E5 skin shadow L*=11 89.4 2.8 15.8 17.6 12.6 14.5 9.2 10.2F5 Max Black 100.0 1.1 5.5 6.6 -0.5 -0.3 -1.1 -1.5





83.2color /92.2tone

AArdenburg ImAgIng

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Page 21


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82.0color /91.9tone

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Page 22


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79.9color /91.3tone

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Page 23


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78.1color /90.8tone

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Page 24


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76.2color /90.2tone

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Page 25


100color /100tone









Column/row Color Patch I*Color ∆E Before After Before After Before AfterA1 dark Skin 73.9 6.9 36.5 41.0 13.7 15.1 12.0 7.0B1 light Skin 69.3 8.6 63.9 68.3 17.8 18.5 13.5 6.1C1 blue sky 82.6 6.6 48.7 53.5 -4.4 -4.3 -23.0 -18.4D1 foliage 63.4 11.7 42.9 46.9 -13.7 -12.6 25.1 14.2E1 blue flower 72.6 9.9 53.0 58.5 9.0 8.8 -26.6 -18.4F1 bluish green 65.3 11.7 69.3 72.6 -30.9 -26.0 -1.6 -11.7A2 orange 61.6 25.7 60.3 63.9 34.6 33.6 55.1 29.7B2 purplish blue 82.8 9.9 36.4 41.2 10.4 7.8 -45.7 -37.6C2 moderate red 91.1 6.2 46.6 50.4 47.2 49.0 11.4 7.0D2 purple 91.3 5.3 28.6 32.6 24.0 24.8 -24.0 -20.7E2 yellow green 55.2 29.6 69.4 74.1 -23.7 -22.1 59.4 30.3F2 orange yellow 57.5 30.9 69.4 73.7 17.4 15.3 68.6 38.1A3 blue 89.0 6.7 25.6 28.5 11.5 7.5 -49.0 -44.5B3 green 65.0 18.5 54.2 58.4 -37.8 -35.5 32.5 14.7C3 red 91.8 5.7 36.4 38.5 51.5 54.2 26.0 21.5D3 yellow 68.2 29.0 78.9 82.9 4.6 0.4 88.7 60.3E3 magenta 88.3 7.8 50.1 54.4 48.8 48.6 -14.8 -8.3F3 cyan 91.3 5.5 50.3 54.4 -23.6 -24.2 -27.1 -23.5A4 white 30.7 7.1 92.8 93.3 1.6 0.3 -3.7 3.3B4 neutral 8 81.1 2.7 79.2 80.7 0.2 -0.7 -2.4 -0.2C4 neutral 6.5 71.1 4.9 65.9 69.5 -0.5 -0.5 -3.2 0.0D4 neutral 5 91.2 4.7 49.9 54.4 0.8 1.3 -1.2 0.0E4 neutral 3.5 94.8 5.1 36.5 41.6 0.3 1.2 -2.2 -1.9F4 black 94.7 4.5 21.7 26.1 1.0 1.9 -2.2 -2.7A5 paper white 7.1 9.3 96.2 96.3 1.4 -0.2 -4.8 4.4B5 skin highlight L*=89 76.9 4.3 85.2 86.6 13.6 13.1 7.3 3.3C5 skin highlight L*=75 55.8 11.7 72.6 75.8 20.1 19.4 13.8 2.6D5 skin shadow L*=25 84.6 5.5 25.2 28.7 16.5 18.1 18.4 14.4E5 skin shadow L*=11 88.7 3.2 15.8 18.1 12.6 14.8 9.2 9.2F5 Max Black 96.5 1.9 5.5 7.2 -0.5 -0.2 -1.1 -1.9





74.5color /89.4tone

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Column/row Color Patch I*Color ∆E Before After Before After Before AfterA1 dark Skin 71.1 7.4 36.5 41.2 13.7 15.2 12.0 6.5B1 light Skin 64.5 9.6 63.9 68.5 17.8 18.6 13.5 5.1C1 blue sky 82.3 6.8 48.7 53.7 -4.4 -3.9 -23.0 -18.3D1 foliage 58.4 13.1 42.9 47.1 -13.7 -12.3 25.1 12.8E1 blue flower 71.8 10.1 53.0 58.6 9.0 9.3 -26.6 -18.1F1 bluish green 61.4 12.9 69.3 72.6 -30.9 -25.5 -1.6 -12.8A2 orange 57.5 28.4 60.3 64.2 34.6 33.9 55.1 26.9B2 purplish blue 82.1 10.2 36.4 41.4 10.4 8.3 -45.7 -37.1C2 moderate red 90.4 6.6 46.6 50.7 47.2 49.1 11.4 6.7D2 purple 89.9 5.8 28.6 32.9 24.0 25.0 -24.0 -20.2E2 yellow green 48.8 33.6 69.4 74.3 -23.7 -21.4 59.4 26.3F2 orange yellow 52.5 34.4 69.4 74.0 17.4 15.6 68.6 34.5A3 blue 88.8 6.9 25.6 28.7 11.5 7.8 -49.0 -44.1B3 green 59.8 21.0 54.2 58.5 -37.8 -34.9 32.5 12.2C3 red 91.3 6.0 36.4 38.8 51.5 54.2 26.0 21.2D3 yellow 63.4 33.3 78.9 83.2 4.6 0.6 88.7 56.0E3 magenta 87.1 8.5 50.1 54.8 48.8 48.8 -14.8 -7.7F3 cyan 92.3 5.3 50.3 54.4 -23.6 -23.7 -27.1 -23.8A4 white 31.7 7.0 92.8 93.2 1.6 0.3 -3.7 3.2B4 neutral 8 84.5 2.4 79.2 80.6 0.2 -0.5 -2.4 -0.5C4 neutral 6.5 75.1 4.7 65.9 69.6 -0.5 -0.3 -3.2 -0.4D4 neutral 5 92.7 4.8 49.9 54.6 0.8 1.5 -1.2 -0.2E4 neutral 3.5 93.1 5.6 36.5 42.0 0.3 1.4 -2.2 -2.0F4 black 91.9 4.9 21.7 26.4 1.0 2.1 -2.2 -2.9A5 paper white 7.2 9.3 96.2 96.3 1.4 -0.3 -4.8 4.4B5 skin highlight L*=89 75.7 4.5 85.2 86.7 13.6 13.1 7.3 3.1C5 skin highlight L*=75 53.1 12.4 72.6 76.0 20.1 19.5 13.8 1.9D5 skin shadow L*=25 82.1 6.2 25.2 29.0 16.5 18.1 18.4 13.7E5 skin shadow L*=11 88.7 3.6 15.8 18.6 12.6 14.8 9.2 8.8F5 Max Black 95.2 2.5 5.5 7.8 -0.5 -0.1 -1.1 -2.0





72.8color /89.1tone

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