listeninglab.stantons.com · ABOUT THE COMPOSER Ferruccio Busoni (1 April 1866 – 27 July 1924)...
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Copyright © 2017 Southern Music Company (ASCAP). International Copyright secured. All rights reserved. FULL SCORE Ferruccio Busoni Op. 41 Suite from the Music to Gozzi’s Fairy Tale Drama TURANDOT Movement I – The Execution, the City Gate, the Departure from Act I transcribed for Symphonic Wind Band by R. Mark Rogers INSTRUMENTATION 1-FULL SCORE 1-PICCOLO 3-1st FLUTES 3-2nd FLUTES 3-3rd FLUTES 1-1st OBOE 1-2nd OBOE 1-ENGLISH HORN, doubling 3rd OBOE 1-CLARINET in E-flat 4-1st CLARINETS 4-2nd CLARINETS 4-3rd CLARINETS 2-BASS CLARINETS 1-CONTRA ALTO or CONTRA BASS CLARINET 1-1st BASSOON 1-2nd BASSOON 1-3rd BASSOON 1-SOPRANO SAXOPHONE 2-1st ALTO SAXOPHONES 2-2nd ALTO SAXOPHONES 2-TENOR SAXOPHONES 1-BARITONE SAXOPHONE 2-1st TRUMPETS 2-2nd TRUMPETS 2-3rd TRUMPETS 2-4th TRUMPETS 1-1st CORNETS 1-2nd CORNETS 1-1st HORNS in F 1-2nd HORNS in F 1-3rd HORNS in F 1-4th HORNS in F 2-1st TROMBONES 2-2nd TROMBONES 2-3rd TROMBONES 3-EUPHONIUMS in Treble or Bass Clef 4-TUBAS 1-STRING BASS 4-PERCUSSION: Timpani (two players– four drums), Snare Drum, Crash Cymbals, Bass Drum Grade 5 Duration: Approx. 3:40 Minutes
Transcript of listeninglab.stantons.com · ABOUT THE COMPOSER Ferruccio Busoni (1 April 1866 – 27 July 1924)...
Copyright © 2017 Southern Music Company (ASCAP). International Copyright secured. All rights reserved.
FULL SCORE
Ferruccio Busoni Op. 41
Suite from the Music to Gozzi’s Fairy Tale Drama
TURANDOT Movement I – The Execution, the City Gate, the Departure
from Act I
transcribed for Symphonic Wind Band by
R. Mark Rogers
INSTRUMENTATION
1-FULL SCORE
1-PICCOLO
3-1st FLUTES
3-2nd FLUTES
3-3rd FLUTES
1-1st OBOE
1-2nd OBOE
1-ENGLISH HORN, doubling 3rd OBOE
1-CLARINET in E-flat
4-1st CLARINETS
4-2nd CLARINETS
4-3rd CLARINETS
2-BASS CLARINETS
1-CONTRA ALTO
or CONTRA BASS CLARINET
1-1st BASSOON
1-2nd BASSOON
1-3rd BASSOON
1-SOPRANO SAXOPHONE
2-1st ALTO SAXOPHONES
2-2nd ALTO SAXOPHONES
2-TENOR SAXOPHONES
1-BARITONE SAXOPHONE
2-1st TRUMPETS
2-2nd TRUMPETS
2-3rd TRUMPETS
2-4th TRUMPETS
1-1st CORNETS
1-2nd CORNETS
1-1st HORNS in F
1-2nd HORNS in F
1-3rd HORNS in F
1-4th HORNS in F
2-1st TROMBONES
2-2nd TROMBONES
2-3rd TROMBONES
3-EUPHONIUMS in Treble or Bass Clef
4-TUBAS
1-STRING BASS
4-PERCUSSION:
Timpani (two players– four drums),
Snare Drum, Crash Cymbals, Bass Drum
Grade 5 Duration: Approx. 3:40 Minutes
ABOUT THE COMPOSER
Ferruccio Busoni (1 Apr il 1866 – 27 July 1924) (given names: Ferruccio Dante Michelangiolo Benvenuto)
was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation meant
that he met and had close relations with many of the leading musicians, artists and literary figures of his time (among
them, a very young Percy Grainger), and he was sought-after both as a keyboard instructor and a teacher of
composition.
Busoni was born in Empoli, just south of Florence; he was the son of professional musicians. Initially trained
by his father, he later studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. In the
ensuing years, after brief periods teaching in Helsinki and Moscow, he devoted himself to composing, teaching, and
touring as a virtuoso pianist in Europe and the United States. His writings on music were influential; they covered not
only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but
spent much of World War I in Switzerland.
Busoni was an outstanding (if sometimes controversial) pianist from an early age. He began composing in his
early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he
developed a more individual style, often with elements of atonality. His visits to America led to interest in North
American indigenous tribal melodies which were reflected in some of his works. His compositions include works for
piano, including a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian
Bach which appeared in the Bach-Busoni Edition. His other compositions include chamber music, vocal and
orchestral works, and also operas, one of which, Doktor Faust, was left unfinished at the time of his death. Busoni
died in Berlin at the age of 58.
PROGRAM NOTES
The Gozzi’s Turandot - in one form or another - occupied Busoni at various times in the years 1904-1917. He
was very fond of fantastical and magical tales: his immediately preceding work was the Piano Concerto, Op. 39
BV247, which included music from an unfinished adaptation of Adam Oehlenschläger's Aladdin. In 1904 Busoni
began sketching incidental music for Gozzi's Chinese fable. He also arranged a concert suite, which was first
performed in 1905 and published in 1906. A production of Gozzi’s play with Busoni's music was mounted by Max
Reinhardt in Berlin in 1911, and for the second and last time in London in 1913.
ABOUT THE TRANSCRIBER
R. Mark Rogers has degrees from Texas Tech University and the University of Texas. As Director of
Publications for Southern Music Company from 1993 through 2012 and Managing Editor with the firm from 2015, he
authored editions of the music of Percy Grainger and John Philip Sousa that have entered band repertory worldwide.
He is also widely published as an arranger and transcriber, with performances by all five of the Washington, DC
service bands. Dr. Rogers is the conductor of the Heart of Texas Concert Band and serves on the adjunct faculty of
San Antonio College, Texas Lutheran University and Trinity University, and prior to coming to San Antonio was on
the faculty of the University of South Alabama and a staff member with the University of Texas Longhorn Band. A
bassoonist, he performs with the orchestras of Corpus Christi, Victoria, Laredo, San Antonio and Austin, as well as
the Mid-Texas Symphony. He is active in church music and occasionally appears in music theater, including
numerous roles in the operettas of Gilbert and Sullivan. Sudie, his wife of more than forty years, his children, their
spouses and his grandchildren are the joy of his later years.
This transcription of the first movement of Busoni’s Turandot suite was created for George A. Treviño and his
superb Lopez High School Band of Brownsville, Texas. The piece was premiered in February 2017 at the Texas
Music Educators Association convention on the occasion of the Lopez band’s 6A Honor Band performance.
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CCCCCCCCCCCCCCCCCCCCCCCCCCCC
Piccolo
123
12
English Horn
Clarinet in Eb
1
2
3
Bb Bass Clarinets
Bb Contra BassClarinet
123
Bb SopranoSaxophone
12
Bb TenorSaxophones
Eb BaritoneSaxophone
12
34
12
12
34
12
Bass
Euphoniums
Tubas
String Bass
Timpani
Snare Drum
Crash CymbalsBass Drum
Flutes
Oboes
Bb Clarinets
Bassoons
Eb AltoSaxophones
Bb Trumpets
Bb Cornets
Horns in F
Trombones
∑Alla marcia (Allegro).
∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑Alla marcia (Allegro).
∑∑∑∑∑∑∑∑∑
œb œb œ œ œ
∑1
∑p poco cresc. al
∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑
œb œb œ œ œ
∑2
∑
∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑
œb œb œ œ œ
∑3
∑
∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑∑
œb œb œ œ œ
∑4
∑
5∑∑∑
Ó ‰ jœb . œ-∑∑∑∑∑∑
Ó ‰ Jœb . œb -
∑∑∑∑
5 ∑∑∑∑∑∑∑∑∑∑
œb œb œ œ œ
∑5
∑F
unis.1st & 2nd
Cue: English Horn
p
p
∑∑∑
œ œn . œ- œ œ. œ-∑∑∑∑∑∑
œ œn . œb - œ œ. œ-
∑∑∑∑∑∑∑∑∑∑∑∑∑∑
œb œb œ œ œ
∑6
∑Copyright © 2017 by Southern Music Company (ASCAP)
International copyright secured. All Rights Reserved.Digital and photographic copying of this publication is illegal.
Suite from the Music to Gozzi’s Fairy Tale Drama
TURANDOTMvmt. I - The Execution, the City Gate, the Departure
from Act I
Ferruccio Busoni, Op. 41transcribed for symphonic wind band
by R. Mark Rogers
Full ScoreS953
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Picc.
123
12
E. Hn.
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
7 ∑∑∑
œ œ. œ- œ œ. œ-∑∑∑∑∑∑
œ œ. œb - œ œ. œ-
∑∑∑∑
∑∑∑∑∑∑∑∑∑
∑œb œb œ œ œ
∑7
∑
Cue: English Horn
∑∑∑
œ œb . œb - œ œn . œb -∑∑∑∑∑∑
œ œb . œb - œ œn . œb -
∑∑∑∑
∑∑∑∑∑∑∑∑∑
∑œb œb œ œ œ
∑8
∑
∑∑∑
œ œ> œ œb œ œb œ œb3
3
∑Œ œ
>œ œb œ œ œ œb3
∑∑∑∑
œ. œb . Ó∑∑∑∑
∑∑∑∑∑∑∑∑∑
∑œb œb œ œ œ
∑9
∑
one player3
∑∑∑
œn œ œn œb œb œb œb œb œn œb œ œ∑
œn œ œn œb œb œb œb œ œn œb œ œ∑∑∑∑∑∑∑∑∑
∑∑∑∑∑∑∑∑∑
∑œb œb œ œ œ
∑10
∑
11Ó ‰ Jœb . œb -
∑Ó ‰ Jœb . œb -w>
∑
w> ∑∑∑∑∑∑∑∑∑
11 ∑∑∑∑∑∑∑∑∑
∑œb œb œ œ œ
∑11
∑
p
p1st
œ œn . œb - œ œ. œ-∑
œ œn . œb - œ œ. œ-w
∑
w∑∑∑∑∑∑∑∑∑
∑∑∑∑∑∑∑∑∑
∑œb œb œ œ œ
∑12
∑
4
S953 Turandot - I
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Picc.
123
12
E. Hn.
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
13 œ œn . œb - œ œ. œ-∑
œ œn . œb - œ œ. œ-jœ. ‰ Œ Ó
∑jœ. ‰ Œ Ó
∑∑∑∑∑∑∑∑∑
∑∑∑∑∑∑∑∑∑
∑œb œb œ œ œ
∑13
∑
œ œb . œb - œ œn . œ-∑
œ œb . œb - œ œn . œ-∑∑∑∑∑∑∑∑∑∑∑∑
∑∑∑∑∑∑∑∑∑
∑œb œb œ œ œ
∑14
∑
œ œb> œ œb œn œb œ œb3
3
∑œ œb> œ œb œn œb œ œb
33
∑∑∑∑∑∑∑∑∑∑∑∑
∑∑∑∑∑
Ó ˙̇bb∑∑∑
∑œb œb œ œ œ
∑15
∑
πmuted
two solo players
œn œb œn œb œb œb œb œb œn œb œb œ∑
œn œb œn œb œb œb œb œb œn œb œb œ∑∑∑∑∑∑∑∑∑∑∑∑
∑∑∑∑∑
ww∑∑∑
∑œb œb œ œ œ
∑16
∑
17wb>
∑wb>
∑∑∑∑∑∑∑∑∑∑∑∑
17Ó Œ œ œ∑∑∑∑
ww∑∑∑
∑œb œb œ œ œ
∑17
∑
dim.
dim.
Ftwo solo players
(open)
dim.
w∑
w∑∑∑∑∑∑∑∑∑∑∑∑
.˙ œœ œœ∑∑∑∑
ww∑∑∑
∑œb œb œ œ œ
∑18
∑
5
S953 Turandot - I
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Picc.
123
12
E. Hn.
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
19 ∑∑∑∑∑∑∑∑∑
∑
∑∑∑∑∑
ww∑∑∑∑∑∑∑∑∑
œb œb œ œ œ∑19
œœ Œ œœ Œp
∑∑∑∑∑∑∑∑∑
∑
∑∑∑∑∑
ww∑∑∑∑∑∑∑∑∑
œb œb œ œ œ∑20
œœ Œ œœ Œ
21∑∑∑
Œ ‰ . Rœb . ˙b>∑∑∑∑
wb
wb
Œ ‰ . Rœb. ˙∫>
∑∑∑∑
21 ∑∑∑∑∑∑∑∑∑
wbœb œb œ œ œ
∑21
∑
π
π
π
f
f1st
Cue: English Horn
Cue: String Bass
∑∑∑
‰ . Rœb . ˙b> œ œb œ3
∑∑∑∑
w
w
‰ . Rœb. ˙∫> œ œb œ
∑∑∑∑
∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑22
∑
3
∑∑∑
œb œ œb œn ˙3
∑∑∑∑
w
wœb œ œb œn ˙
∑∑∑∑
∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑23
∑
3
∑∑∑
w∑∑∑∑
w
ww
∑∑∑∑
∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑24
∑
6
S953 Turandot - I
&&&&&&&&&
&
?
&&&&
&&&&&?????
?ãã
Picc.
123
12
E. Hn.
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
25 ∑∑∑
œ. œ# œ œn œ. œ œ œ3 3
∑∑∑∑
w
wœ. œn œ œn œ. œ œ œ
∑∑∑∑
25 ∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑25
∑
più p
più p 3 3
Cue: String Bass
Cue: English Horn
∑∑∑
œ. œ# œ œ œ. œ. œ.3
∑∑∑∑
w
wœ. œ œ œ œ. œ. œ.
∑∑∑∑
∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑26
∑
3
∑∑∑
w#>∑∑∑∑
w#
w#w>
∑∑∑∑
∑∑∑∑∑∑∑∑∑
w#œb œb œ œ œ
∑27
œœ Œ œœ Œp
∑∑∑
w∑∑∑∑
wn
wnw
∑∑∑∑
∑∑∑∑∑∑∑∑∑
wnœb œb œ œ œ
∑28
œœ Œ œœ Œ
fz
fz
fz
∑∑∑
œ œn œb œb œ. œ. œb .3
∑∑∑∑
w
wœ œb œb œb œ. œ. œb .
∑∑∑∑
∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑29
∑
3
∑∑∑
>̇ œ œb œ œb œ œb3
3
∑>̇
œ œb œ œ œ œb3∑∑
w
w.œb ‰ Ó
∑∑∑∑
∑∑∑∑∑∑∑∑∑
wbœb œb œ œ œ
∑30
Ó œœ Œ
3
(one player)
7
S953 Turandot - I
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Picc.
123
12
E. Hn.
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
31 ∑∑∑
œn œ œn œb œb œb œb œb œn œb œ œb∑
œn œ œn œb œb œb œb œ œn œb œ œb∑∑
w
w
∑∑∑∑∑
∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑31
∑
Cue: String Bass
Cue: English Horn
32œ œb œ œb œn œb œn œ œb œ œb œ
œ œb œ œb œn œb œn œ œb œ œb œ
∑w
∑w
∑∑
w
w
∑∑∑∑∑
32 ∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑32
∑
dolce
dolce1st, one player
œb œb œn œb œb œb ˙œb œb œn œb œb œb ˙
∑˙ >̇
∑˙ jœ ‰ Œ
∑∑
w
w
Ó ˙b>∑∑∑∑
Ó Œ œœ œœ∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑33
∑
unis.1st & 2nd
F
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó∑
w∑∑∑∑
w
ww
∑∑∑∑
..˙̇ œœ œœ∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑34
∑
∑∑∑
w∑∑∑∑
w
ww
∑∑∑∑
ww∑∑∑∑
Œ œœbb . œœ. œœ. Jœœ. ‰ œœ. œœ. œœ.3 3Œ œb . œ. œ. jœ. ‰ œ. œ. œ.3 3
∑∑
wbœb œb œ œ œ
∑35
∑
πmuted
πmuted
8
S953 Turandot - I
&&&&&&&&&
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&&&&&&&&&?????
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Picc.
123
12
E. Hn.
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
36 ∑∑∑
w∑∑∑∑
w
ww
∑∑∑∑
ww∑∑∑∑
Jœœbb . ‰ œœ. œœ. œœ. Jœœ. ‰ œœ. œœ. œœ.3 3jœb . ‰ œ. œ. œ. jœ. ‰ œ. œ. œ.3 3
∑∑
wœb œb œ œ œ
∑36
∑
poco
poco
poco
Cue: English Horn
Cue: String Bass
37∑∑∑
œ œ œ œ œ œ∑∑∑∑
w
wœ œ œ œb œ œ
∑∑∑∑
37 ∑∑∑∑∑
œœbb . Œ Óœb . Œ Ó
∑∑
wœb œb œ œ œ
∑37
∑
∑∑∑
œ œ œ œ œ œ∑∑∑∑
w
wœb œ œ œ œ œ
∑∑∑∑∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑38
∑
∑Ó Œ œb œ œb
Ó Œ œb œ œbœb œb œ œ œ œ œ œ œb œ
∑∑∑∑
wb
wbœb œb œ œ œ œb œ œ œb œ
∑∑∑∑∑∑∑∑∑∑∑∑∑
wbœb œb œ œ œ
∑39
∑
p1st
(one player)
p1st
∑œb œb œ œ œ œb œ œ œb œ
œb œb œ œ œ œb œ œ œb œw
∑∑∑∑
w
ww
∑∑∑∑∑∑∑∑∑
Ó Œ œœbb . œœ. œœ.3
Ó Œ œb . œ. œ.3
∑∑
wœb œb œ œ œ
∑40
∑
ππ
9
S953 Turandot - I
&
&&&&&&&&&
?
&&&&
&&&&&??????ãã
Picc.
123
12
E. Hn.
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
41 ∑˙ Ó˙ Ó˙ >̇
∑∑∑∑
ww˙ ˙b>
∑∑∑∑
∑∑∑∑∑
Jœœbb . ‰ œœ. œœ. œœ. Jœœ. ‰ œœ. œœ. œœ.3 3jœb . ‰ œ. œ. œ. jœ. ‰ œ. œ. œ.3 3
∑∑
wœb œb œ œ œ
∑41
∑
Cue: String Bass
Cue: English Horn
∑
∑∑
œ .œn œ œ .œ œ∑∑∑∑
wnwnœ .œn œ œb .œ œ
∑∑∑∑
∑∑∑∑∑
œœbb . Œ Óœn . Œ Ó
∑∑
wnœb œb œ œ œ
∑42
∑
∑
∑∑
œ .œ œb œ œ œ∑∑∑∑
wwœb .œ œb œ œ œ
∑∑∑∑
∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑43
∑
∑
Ó ‰ œb œb œb œ œ
Ó ‰ œb œb œb œ œœb œ œn œ œ œ œ œ œ œ œ œ
∑∑∑∑
wwœb œ œn œ œ œ œ œ œ œ œ œb
∑∑∑∑
∑∑∑∑∑∑∑∑∑
wbœb œb œ œ œ
∑44
∑
pp
∑œb œ œn œ œ œ œ œ œ œ œ œbœb œ œn œ œ œ œ œ œ œ œ œb
>̇ .œ jœ∑∑∑∑
ww>̇ .œ Jœb
∑∑∑∑
∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑45
∑
10
S953 Turandot - I
&
&&&&&&&&&
?
&&&&
&&&&&??????ãã
Picc.
123
12
E. Hn.
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
46 ∑˙ Jœ. ‰ Œ˙ Jœ. ‰ Œw>
∑∑∑∑
œb> œ œ œ. œ. œ.œb> œ œ œ. œ. œ.w>
∑∑∑∑
46∑∑∑∑∑
Ó Œ œœbb . œœ. œœ.3
Ó Œ œb . œ. œ.3
∑∑
œb> œ œb œ. œ. œb .œb œb œ œ œ
∑46
∑
3
p
3
p
Cue: String Bass
Cue: English Horn
ππ
3
p
∑
∑∑
œ. Œ Ó∑
Œ œ œ# œ œ. œ œ œ∑∑
œb œ œ .˙œb œ œ .˙œ. Œ Ó
∑∑∑∑
∑∑∑∑∑
œœbb . Œ Óœb . Œ Ó
∑∑
œb œ œb .˙œb œb œ œ œ
∑47
∑
3 3
p(one player)
3
3
3
to 3rd Oboe
remove mutes
remove mute
∑
∑∑∑∑
œ# œ œ œ œ. œ œ œ∑∑
ww
∑∑∑∑∑
∑∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑48
∑
3 3
∑
∑∑∑∑
wn∑∑
œb œ œ œ. œ. œ.œb œ œ œ. œ. œ.
∑∑∑∑∑
Ó Œ œœ œœ∑∑∑∑∑∑∑∑
œb œ œb œ. œ. œb .œb œb œ œ œ
∑49
œœ Œ œœ Œ
π(two solo players)
3
π
3
3
ππ
p
∑
∑∑∑∑
w∑∑
œb œ œ œ. œ. œ.œb œ œ œ. œ. œ.
∑∑∑∑∑
..˙̇ œœ œœ∑∑∑∑∑∑∑∑
œb œ œb œ. œ. œb .œb œb œ œ œ
∑50
œœ Œ œœ Œ
3
3
3
11
S953 Turandot - I
&&&&&&&&&&?
&&&&
&&&&&?????
?
ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
51Œ œ œ œb œ. œ# œ œ
Œ œ œ œb œ. œ# œ œ
∑∑∑
œ. Œ Ó∑∑
œb œ œ .˙œb œ œ .˙
∑∑∑∑∑
51ww∑∑∑∑∑∑∑∑
œb œ œb .˙œb œb œ œ œ
∑51
∑
3
3 3π
3
3
3 3π(one player)
Cue: String Bass
œ œ œ# œ œ> œ œ œ œ œœ œ œ# œ œ> œ œ œ œ œ
∑∑∑∑∑∑
ww
∑∑∑∑∑
Ó Œ œœ œœ∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑52
∑
p
3
3
œ# œ œ œ œ œ œ œ œ œ œ œœ# œ œ œ œ œ œ œ œ œ œ œ
∑∑∑∑∑∑
ww
∑∑∑∑∑
..˙̇ œœ œœ∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑53
∑
œ# œ œ œ œ# œn œ œ œ œ œ# œœ# œ œ œ œ# œn œ œ œ œ œ# œ
∑∑∑∑∑∑
ww
∑∑∑∑∑
ww∑∑∑∑∑∑∑∑
wœb œb œ œ œ
∑54
∑
ten.
55jœ# . ‰ Œ Ójœ# . ‰ Œ Ó
∑∑∑
œœœb . œœœb . œœœ. œœœ. œœœ.∑∑
œ. œ. œ. œ. œ. œ. œb . œb .œ. œ. œ. œ. œ. œ. œb . œb .œœœbbb . œœœbb
. œœœ. œœœ. œœœ.
∑∑∑∑
55 ∑∑∑∑∑∑∑∑∑
œ. œ. œ. œ. œb . œ. œb . œb .∑∑55
∑
p
p
Cue: 3rd Bassoon
three solo players (lowest part cued in Tenor Sx.)
Cue: third solo clarinet
12
S953 Turandot - I
&&&&&&&&&&?
&&&&
&&&&&??????
ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
56 ∑∑∑∑∑
œœœb . œœœb . œœœ. œœœ. œœœ.∑∑
œ. œ. œ. œ. œ. œb . œb . œ.œ. œ. œ. œ. œ. œb . œb . œ.œœœbbb . œœœbb
. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑∑∑∑∑∑∑
œb . œ. œ. œ. œ. œb . œb . œ.∑∑56
∑
Cue: String Bass
Cue: 3rd Bassoon
Cue: third solo clarinet
∑∑∑∑∑
œœœb . œœœb . œœœ. œœœ. œœœ.∑∑
œ. œ. œ. œ. œ. œ. œb . œb .œ. œ. œ. œ. œ. œ. œb . œb .œœœbbb . œœœbb
. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑∑∑∑∑∑∑
œb . œ. œ. œ. œ. œ. œb . œb .∑∑57
∑
∑∑∑∑∑
œœœb . œœœb . œœœ. œœœ. œœœ.∑∑
œ. œ. œ. œ. œ. œb . œb . œ.œ. œ. œ. œ. œ. œb . œb . œ.œœœbbb . œœœbb
. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑∑∑∑∑∑∑
œb . œ. œ. œ. œ. œb . œb . œ.∑∑58
∑
59∑∑∑∑∑
œœœb . œœœb . œœœ. œœœ. œœœ.œ œ œb œb œ. œ œ œ œ œ.œ œ œb œb œ. œ œ œ œ œ.œ. œ. œ. œ. œ. œ. œb . œb .œ. œ. œ. œ. œ. œ. œb . œb .œœœbbb . œœœbb
. œœœ. œœœ. œœœ.
∑∑∑∑
59 ∑∑∑∑∑∑∑∑∑
œb . œ. œ. œ. œ. œ. œb . œb .∑∑59
∑
pp
∑∑∑∑∑
œœœb . œœœb . œœœ. œœœ. œœœ.œ œ œ œb œb . œ œ œ œ œ.œ œ œ œb œb . œ œ œ œ œ.œ. œ. œ. œ. œ. œb . œb . œ.œ. œ. œ. œ. œ. œb . œb . œ.œœœbbb . œœœbb
. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑∑∑∑∑∑∑
œb . œ. œ. œ. œ. œb . œb . œ.∑∑60
∑
13
S953 Turandot - I
&&&&&&&&&&?
&&&&
&&&&&??????ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
61 ∑∑∑∑∑
œœœb . œœœb . œœœ. œœœ. œœœ.œ œ œb œb œ. œ œ œ œ œ.œ œ œb œb œ. œ œ œ œ œ.œ. œ. œ. œ. œ. œ. œb . œb .œ. œ. œ. œ. œ. œ. œb . œb .œœœbbb . œœœbb
. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑∑∑∑∑∑∑
œb . œ. œ. œ. œ. œ. œb . œb .∑∑61
∑
Cue: third solo clarinet
Cue: 3rd Bassoon
Cue: String Bass
∑∑∑∑∑
œœœb . œœœb . œœœ. œœœ. œœœ.œ œ œ œb œb . œ œ œ œ œ.œ œ œ œb œb . œ œ œ œ œ.œ. œ. œ. œ. œ. œb . œb . œ.œ. œ. œ. œ. œ. œb . œb . œ.œœœbbb . œœœbb
. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑∑∑∑∑∑∑
œb . œ. œ. œ. œ. œb . œb . œ.∑∑62
∑
∑∑∑∑∑
œœœb . œœœb . œœœ. œœœ. œœœ.œ œ œb œb œ. œ œ œ œ œ.œ œ œb œb œ. œ œ œ œ œ.œ. œ. œ. œ. œ. œ. œb . œb .œ. œ. œ. œ. œ. œ. œb . œb .œœœbbb . œœœbb
. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑∑∑∑∑∑∑
œb . œ. œ. œ. œ. œ. œb . œb .∑∑63
∑
∑∑
Ó œb . œ. œb .∑∑
œœœb . œœœb .œœœ. œœœ. œœœb
.
œ œ œ œb œb . œ œ œ œ œ.œ œ œ œb œb . œ œ œ œ œ.œ. œ. œ. œ. œ. œb . œb . œ.œ. œ. œ. œ. œ. œb . œb . œ.œœœbbb . œœœbb
. œœœbbb . œœœ. œœœbb.
∑Ó Œ ‰ jœ.
∑Ó Œ ‰ jœ.
∑∑∑∑∑∑∑∑∑
œb . œ. œ. œb . œ. œb . œb . œb .
∑∑64
∑
cresc.
cresc.
cresc.
cresc.
cresc.
1st
p1st
14
S953 Turandot - I
&
&&&&&&&&&?
&&&&
&&&&&??????ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
65 ∑œœb œœ œœbb œœb œœbb .
Óœœbb . œœbb . Ó
∑∑
œœœb . œœœ. Óœb œ œ œ œ. Óœb œ œ œ œ. Óœ. œ. Jœ. ‰ Óœ. œ. Jœ. ‰ Óœœœbbb . œœœbb
.Ó
∑œ. œ. Jœ. ‰ Ó
∑œ. œ. Jœ. ‰ Ó
Ó ˙˙## .Ó ˙̇## .
∑∑∑
Ó ˙̇# .
Ó ˙# .∑∑
œ. œ. Jœb .‰ Ó
∑∑65
˙ Ó
psost.
two solo players
psost.
two solo players
psost.
two solo players
psost.
one solo player
f1st & 2nd
two solo players
Cue: third solo clarinet
Cue: String Bass
open
open
F
∑
∑∑∑∑∑∑∑∑∑∑∑∑∑∑
˙̇# . ˙̇# .˙̇n# . ˙̇# .
∑∑∑
˙̇. ˙̇# .
.̇ .̇∑∑∑∑∑66
∑
67∑
∑∑∑∑∑∑∑
œ œ œb œ œ œ œ# œ
œ œ œb œ œ œ œ# œœœœnn . œœœnn . œœœ. œœœ. œœœ.
∑∑∑∑
67ww#ww
∑œœ. œœ. œœ. œœ. œœ.œ. œ. œ. œ. œ.wwn
wÓ œ. œ.
∑œ œb œb œ œ œ œn œ
∑∑67
∑
ππ
ππ
sempre stacc.
p
pp
3rd
sempre stacc.
sempre stacc.
p
Cue: 3rd Bassoon
∑
∑∑∑∑∑∑∑
œ œb œ œ œ œ œ# œœ œb œ œ œ œ œ# œœœœ. œœœ. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑
œœ. œœ. œœ. œœ. œœ.œ. œ. œ. œ. œ.
∑∑
œ. œb . œ. œ.∑
œ œb œb œ œ œ œ œ∑∑68
∑
∑
∑Ó Œ ‰ Jœœn
Ó Œ ‰ Jœ∑
Ó Œ ‰ Jœœ#∑∑
œ œ œb œ œ œ œ# œ
œ œ œb œ œ œ œ# œœœœ. œœœ. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑
œœ. œœ. œœ. œœ. œœ.œ. œ. œ. œ. œ.
∑∑
Ó œ. œ.∑
œ œb œb œ œ œ œn œ
∑∑69
∑
f
fthree solo players
(two on upper note)
3rd Oboef
∑
∑˙̇ ..œœ Jœœ#˙ .œ Jœ#
∑˙̇# ..œœ Jœœ#
∑∑
œ œb œ œ œ œ œ# œœ œb œ œ œ œ œ# œœœœ. œœœ. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑
œœ. œœ. œœ. œœ. œœ.œ. œ. œ. œ. œ.
∑∑
œ. œb . œ. œ.∑
œ œb œb œ œ œ œ œ∑∑70
∑
15
S953 Turandot - I
&&&&&&&&&&?
&&&&
&&&&&??????ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
71 ∑∑
www
∑ww#
∑∑
œ œ œb œ œ œ œ# œœ œ œb œ œ œ œ# œœœœ. œœœ. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑
œœ. œœ. œœ. œœ. œœ.œ. œ. œ. œ. œ.
∑∑
Ó œ. œ.∑
œ œb œb œ œ œ œ œ∑∑71
∑
Cue: String Bass
∑∑
˙̇ Ó˙ Ó
∑˙̇# Ó
∑∑
œ œn œ# œ œ œ œ# œœ œn œ# œ œ œ œ# œœœœ. œœœ. œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑
œœ. œœ. œœ. œœ. œœ.œ. œ. œ. œ. œ.
∑∑
œ. œn . œ. œ.∑
œ œn œn œ œ œ œ œ∑∑72
∑
two players take mutes
∑∑
˙̇ ..œœjœœ
˙ .œ jœ∑
˙̇## ..œœ Jœœ
∑∑
œ œ œ# œ œ œ œ œ#œ œ œ# œ œ œ œ œ#œœœ. œœœ.
œœœ. œœœ. œœœ.
∑∑∑∑
∑∑∑
œœ. œœ.œœ# . œœ. œœ# .
œ# . œ. œ. œ. œ.∑∑∑∑
œ œ œ œ œ œ œ œ∑∑73
∑
F
F
F
74∑
œœœ# . œœœ# . œœœ. œœœ. œœœ.www
∑ww
∑∑
œ œ œ œ œ œ# œ# œœ œ œ œ œ œ# œ# œœ. œ. œ. œ. œ. œ. œ# . œ.
∑œœ## . œœ# . œœ. œœ. œœ.œ# . œ# . œ. œ. œ.Œ œ. œ. œ# . œ# . œ# . œ.
74 ∑∑∑∑∑∑∑∑∑
jœ ‰ œ œ œ œ œ# œ∑
œ œ œ œ œ74
∑
pizz.
unis.
p
very lightly
pp
all players
p1st, 2nd & 3rd
π
∑œœœn . œœœn . œœœ. œœœ. œœœ.
∑∑∑∑∑∑
œ# œ# œ# œ œ œ œn œ#œ# œ# œ# œ œ œ œn œ#œ. œ# . œ# . œ. œ. œ. œn . œ.
∑œœn# . œœ# . œœ. œœ. œœ.œ# . œn . œ. œ. œ.œ# . œ# . œ# . œ. œ. œ. œn . œ# .
∑∑∑∑∑∑∑∑∑
œ œ# œ# œ œ œ œn œ∑
œ œ œ œ œ75
∑
16
S953 Turandot - I
&&&&&&&&&&?
&&&&
&&&&&??????ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
76 ∑œœœ# . œœœ# . œœœ. œœœ. œœœ.
∑∑∑
œ œ# œ# œ œ# . œ œ œ œ# œ# .∑∑
œ œ œ œ œ œ# œ# œœ œ œ œ œ œ# œ# œœ œ œ œ œ œ œ# œ
∑œœ## . œœ# . œœ. œœ. œœ.œ# . œ# . œ. œ. œ.œ# œ œ œ œ œ# œ# œ
∑∑∑∑∑∑∑∑∑
œ œ œ œ œ œ œ# œ∑
œ œ œ œ œ76
∑
two solo players
Cue: String Bass
∑œœœn . œœœn . œœœ. œœœ. œœœ.
∑∑∑
œ# œ# œ# œ œn . œ œ œ œ# œ.∑∑
œ# œ# œ# œ œ œ œn œ#œ# œ# œ# œ œ œ œn œ#œ œ# œ# œ œ œ œn œ
∑œœn# . œœ# . œœ. œœ. œœ.œ# . œn . œ. œ. œ.œ# œ# œ# œ œ œ œn œ#
∑∑∑∑∑∑∑∑∑
œ œ# œ# œ œ œ œn œ∑
œ œ œ œ œ77
∑
∑œ œ œ œ œ. œœ œœ œœ œœ# œœ# .
œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ.∑
œ œ# œ œ œ# . œœ œœ œœ œœ# œœ# .∑∑
œ œ# œ# œ œ œ# œ œœ œ# œ# œ œ œ# œ œœ œ# œ# œ œ œ œœ œœ
∑œœ# . œœ# . œœ. œœ. œœ.œ# . œ. œ. œ. œ.œ# œ# œ# œ œ œ# œ œ
∑∑∑∑∑∑∑∑∑
œ œ# œ# œ œ œ œ œ∑
œ œ œ œ œ78
∑
p
unis.1st & 2nd only
p
∑œœ# œœ# œœ œœ œœ. œ œ œ œ# œ# .
œœ. œœ. œœ. œœ. œœ.
œ. œ. œ. œ. œ.∑
œœ## œœ# œœ# œœ# œœ. œ œ œ œ# œ.∑∑
œ# œ# œ# œ œ# œ œ œ#
œ# œ# œ# œ œ# œ œ œ#
œœ œœ## œœ## œœ œœ œœ œœ œœ∑
œœ# . œœ# . œœ# . œœ. œœ.
œ# . œ. œ. œ. œ.œ# œ# œ# œ# œ# œ œ œ#
∑∑∑∑∑∑∑∑∑
œ œ# œ# œ œ œ œ œ
∑œ œ œ œ œ
79
∑
unis.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
unis.
cresc.
17
S953 Turandot - I
&&
&&&
&&&&&
?
&&&&
&&&&&????
??ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
80 ∑œœ# œœ# œœ œœ œœ. Óœœ. œœ. Óœ. œ. Ó
∑œœ# œœ# œœ œœ## œœ# . Ó
∑∑
œ# œ# œ ‰ Óœ# œ# œ ‰ Óœœ## œœ## œœ ‰ Ó
∑œœ# . œœ# .
Óœ. œ. Óœ# œ# œ# ‰ Ó
Ó ˙˙ .Ó ˙# .
∑Ó ˙˙ .
∑
Ó ˙̇.∑∑∑
œ# œ# œ‰ Ó
∑∑80
˙ ÓFCrash Cymbals
muffle
p
pp
3rd
p
∑∑
∑∑∑
∑∑∑∑∑
∑
∑∑∑∑
˙̇. ˙̇# .˙n . .̇
∑˙̇. ˙̇# .
∑˙̇. ˙̇.
∑∑∑
∑∑∑81
∑
82∑∑
∑∑∑
∑
œ# . œ# . œ# . œ. œ. œ. œ# . œn .œ# . œ. œ. œ. œ. œ# . œ# . œ.œ# . œ. œ. œ. œ.œ# . œ# . œ. œ. œ.œ œ œ œ# œ# . œ œ œ œ œ
.œ. œ. œ. œ. œ.∑
∑∑∑
82ww##ww##
∑ww#
œ# . œ. œ. œ. œ.ww∑
œœ# . œœ# . œœn . œœ. œœ. œœ# . œœ# . œœn .
œ. œ. œ. œ. œ.œ. œ. œ. œ. œ.œ œ œ œ œœ. œ. œ. œ. œ.
∑82
∑Fp
muted
ππ
π
πmuted
4th
pp
1st & 2ndunis.
3rd
p
two solo players
two solo players
pp
arco
PP
∑∑
∑∑∑
∑
œ. œ# . œ# . œ. œ. œ. œ# . œ.œ# . œ. œ. œ. œ. œ. œ# . œ# .œ# . œ. œ. œ. œ.œ# . œ# . œ. œ. œ.œ# œ œ œ œ. œ œ œ# œ œ# .œ. œ. œ. œ. œ.∑
∑∑∑
∑∑∑∑
œ# . œ. œ. œ. œ.∑∑
œœ. œœ. œœ# . œœ. œœ. œœ. œœ# . œœ# .
œ. œ. œ. œ. œ.œ. œ. œ. œ. œ.œ œ œ œ œœ. œ. œ. œ. œ.
∑83
∑
∑Ó Œ ‰ . Rœ#
Ó Œ ‰ . Rœœ##
Ó Œ ‰ . Rœ#
Ó Œ ‰ . Rœ#
Ó Œ ‰ . Rœœ##
œ# . œ# . œ# . œ. œ. œ. œ# . œ# .œ# . œ. œ. œ. œ. œ# . œ# . œ.œ# . œ. œ. œ. œ.œ# . œ# . œ. œ. œ.œ œn œ œ# œ# . œ œ œ œ# œ# .œ. œ. œ. œ. œ.∑
∑∑∑
∑∑∑∑
œ# . œ. œ. œ. œ.∑∑
œœ# . œœ# . œœ. œœ. œœ. œœ# . œœ# . œœ# .
œ. œ. œ. œ. œ.œ. œ. œ. œ. œ.œ œ œ œ œœ. œ. œ. œ. œ.
∑84
∑
f
fthree solo players
(one on upper note)
f
unis.
f1st, 2nd & 3rd
f
18
S953 Turandot - I
&
&
&&
&
&&&&
&
?
&&&&
&&&&&
????
??ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
85 ∑˙ . .œ Rœ#
.
˙̇ . .. .œœ Rœœ##.
˙ . .œ Rœ# .˙# . .œ Rœ# .˙̇## . .. .œœ R
œœ## .
œ# . œ# . œ# . œ. œ. œ# . œ# . œ.œ# . œ# . œ# . œ. œ. œ. œn . œn .œ# . œ. œ. œ. œ.œ# . œ# . œ. œ. œn .œ œ# œ# œ œ. œ œ œn œ# œ.œ. œ# . œ. œ. œn .
∑∑∑∑
∑∑∑∑
œ# . œ. œ. œ. œ.∑∑
œœ# . œœ# . œœ## . œœ. œœ. œœ. œœn . œœn .œ. œ. œ. œ. œ.œ. œ# . œ. œ. œn .œ œ# œ œ œnœ. œ. œ. œ. œ.
∑85
∑
∑w
wwww#ww##
œ# . œ# . œ# . œ. œ. œ. œ# . œ.œ# . œ. œ. œ. œ. œ# . œ# . œ.œ# . œ. œ. œ. œ.œ# . œ# . œ. œ. œ.œœ#.œœ#.œœ. œœ
. œœ. œœ#
. œœ. ‰
œ. œ. œ. œ. œ.∑Ó Œ œœ## . œœ# .Ó œ# . œ. œ# . œ.Ó œ# . œ# . œ# . œ# .
∑∑∑
Ó œœ# . œœ# . œœ# . œœ.œ# . œ. œ. œ. œ.
∑∑
œœ# . œœ# . œœ. œœ. œ. œ. œ.œ. œ. œ. œ. œ.œ. œ. œ. œ. œ.œ œ œ œ œœ. œ. œ. œ. œ.
∑86
∑
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
∑w
wwwwww
œ. œ# . œ# . œ# . œ. Œ
œ# . œ. œ. œ# . œn . Œ
œ# . œ. œ# . œ. Œ
œ# . œ. œ# . œ. Œ
œœ## . œœ. œœ. œœ. Œ
∑œœ# . œœ# . œœ# . œœ## . œœ#n . Œœ# . œ# . œ. œ. œ. Œœ# . œ. œ# . œ. Œ
∑∑∑
œœ# . œœ. œœ# . œœ# . œœn . Œ‰ œ# . œ. œ# . œ. Œ
Ó œœ. ŒÓ œ. Œœ# . œ. œ. œ. Œ
œ# . œ. œ. œ. Œœ. œ. œ. œ.Œ
œ# œ œ œ Œœ œ œ œ Œ
∑87
∑ff
FF
f
fff
ffp
unis.
f
f
f
f
f
f
remove mutes
∑œ. Œ Ó
˙ .œ Jœ.
˙ .œ jœ.˙# .œ Jœ.˙̇## ..œœ J
œœ.
∑∑∑
∑
∑
∑∑∑∑
∑∑∑
˙ .œ Jœ.∑
∑∑∑∑
∑∑∑88
∑
unis.
unis.
89∑
∑wb
wbwww
∑∑
œ. œ. œ. œ.œ. œ. œ. œ.
wb∑∑∑
œ. œ. œ. œ.89 ∑
∑∑
w
wwwwbb>
∑∑
œb . œ. œ. œ.œb . œ. œ. œ.œb> œ œ œ
∑89
∑
ƒ
ƒ
ƒ
ƒ
3rd
f
f
fzp
f dim.
f
two playersopen
f
f
f
f
ƒ
∑
∑w
wwww
∑∑
œ. œ. œ. œ.œ. œ. œ. œ.
œ.Œ Ó
∑∑∑
œ. œ. œ. œ.∑∑∑
w
wwœœ. Œ Ó
∑∑
œb . œ. œ. œ.œb . œ. œ. œ.œb> œ œ œ
∑90
∑
p
p
19
S953 Turandot - I
&
&
&&&
&&
&&&
?
&&&&
&&&&&????
??ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
91 ∑
∑˙ .œ Jœb .˙ .œ jœb .˙ .œ Jœ.˙̇ ..œœ J
œœbb.
∑
∑
œ. œ. œ. œ.œ. œ. œ. œ.œœbb œœnn œœ ..˙̇
3
∑∑
œ œ# œ œ-. œ-. œ-.3
œ œ# œ œ-. œ-. œ-.3
∑∑∑
˙ .œ Jœb .ww
∑∑
œœbb œœnn œœ œœ-. œœ
-. œœ-.
3
œb . œ. œ. œ.œb . œ. œ. œ.œb> œ œ œ
∑91
∑
marc.
marc.
marc.
marc.
1st & 2nd
p
pp
popen
p
pp
p
marc.
∑
∑˙b> .œ Jœ.˙b> .œ jœ.˙b> .œ Jœ.˙̇bb> ..œœ J
œœ.
∑
∑
œ. œ. œ. œ.œ. œ. œ. œ.œœ œœ## œœ ..˙̇
3
∑∑
œ œ# œ œ-. œ-. œ-.3
œ œ# œ œ-. œ-. œ-.3
∑∑∑
˙b> .œ Jœ.ww
∑∑
œœ œœ## œœ œœ-. œœ
-. œœ-.
3
œb . œ. œ. œ.œb . œ. œ. œ.œb> œ œ œ
∑92
∑
∑
∑˙b> œ œ. œb . œ.
˙b> œ œ. œb . œ.>̇ œ œ. œb . œ.˙̇bb> œœ œœ
. œœbb . œœ.
∑
∑
œ. œ. œ. œ.œ. œ. œ. œ.œœ œœbb œœnn ..˙̇
3
∑∑
œ œ œ# œ-. œ-. œ-.3
œ œ œ# œ-. œ-. œ-.3
∑∑∑
˙b> œ œ. œb . œ.ww
∑∑
œœ œœbb œœnn œœ-. œœ
-. œœ-.
3
œb . œ. œ. œ.œb . œ. œ. œ.œb> œ œ œ
∑93
∑
3
3
3
3
3
∑
∑˙b> œ œ. œb . œ.
˙b> œ œ. œb . œ.>̇ œ œ. œ. œ.˙̇> œœ œœ. œœbb
. œœ.
∑
∑
œ. œ. œ. œ.œ. œ. œ. œ.œœ œœ œœbb ..˙̇
3
∑∑
œ# œ œb œ-. œ-. œ-.œ# œ œb œ-. œ-. œ-.
∑∑∑
>̇ œ œ. œb . œ.ww
∑∑
œœ œœ œœbb œœ-. œœ
-. œœ-.
œb . œ. œ. œ.œb . œ. œ. œ.œb> œ œ œ
∑94
∑
3
3
3
3
3
3
3
3
∑
∑.˙b> œb> œb œ œ
.˙b> œb> œb œ œ
.˙b> œb> œ œ œ
..˙̇bb> œb> œ œ œ
Ó œ œ œb œb œ œb œb> œ œ œ6
Ó œ œ œb œb œ œb œb> œ œ œ6
˙b Ó
˙b Ó
∑Ó œ œ œb œb œ œb œb> œ œ œ6
˙̇b Ó˙b Ó˙ Ó
∑∑
Ó Œ œb> œ œ œb.˙b> Œ˙̇bb Ó˙̇bb - Ó˙b - Ó˙̇bb Ó
˙bÓ
˙b Ó˙b Ó
∑95
∑
ƒf
ƒ
ƒ
ƒ
unis.
f
ƒf
fff
ƒ
F
FF
f
F
f
f
f
ƒf
ƒ
all players
all players
20
S953 Turandot - I
&&&&&&&&
&&?
&&&&
&&&&&??
??
??
ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
96 ∑∑
œb> œ œb œb œ œb> œ œ œ œ
œb> œ œb œb œ œb> œ œ œ œœ> œ œb œb œ œ> œ œ œ œœ> œ œb œb œ œb> œ œ œ œ
œ> œ œb œb œ œb> œ œ œ œœ> œ œb œb œ œb> œ œ œ œ
œb -->Œ œb ->
Œ
œb -->Œ œb ->
Œœœœbbb --> Œ œœœbbb
-> Œœ> œ œb œb œ œb> œ œ œ œœœbb --> Œ œœb -> Œœ--> Œ œb -> Œ
œb --> Œ œ-> Œ
∑∑
œ> œ œb œb œ œb> œ œ œ œœ-> Œ œb --> Œœœbb -> Œ œœbb -> Œœœbb --> Œ œœbb -> Œœb --> Œ œb -> Œœœbb -->
Œ œœbb ->
Œ
œb -->Œ
œb ->Œ
œb Œ œb Œ∑∑96
∑
pizz.
∑∑
œb> œb> œb œ œ œ> œ> œ œ œ
œb> œb> œb œ œ œ> œ> œ œ œœb> œ> œ œ œ œ> œ> œ œ œœb> œb> œ œ œ œ> œ> œ œ œ
œb> œb> œ œ œ œ> œ> œ œ œœb> œb> œ œ œ œ> œ> œ œ œ
œn ->Œ œ->
Œ
œn ->Œ œ->
Œœœœnnb -> Œ œœœbb -> Œœb> œb> œ œ œ œ> œ> œ œ œœœ# -> Œ œœn -> Œœ-> Œ œ-> Œ
œ# -> Œ œ-> Œ
∑∑
œb> œb> œ œ œ œ> œ> œ œ œœb -> Œ œœ-> Œœœbn -> Œ Óœœnb -> Œ œœ-> Œœn -> Œ œb -> Œœœnb ->
Œ œœbb-> Œ
œn ->Œ œb ->
Œ
œn Œ œb ŒÓ œb Œ
∑97
∑f
98∑
wb
wb
wbww
œ. œ. œ. œ.œ. œ. œ. œ.˙b . .œ rœb
˙b . .œ rœb
˙̇bb . .. .œœrœœbb
œ. Œ Óœ. œ. œ. œ.œ. œ. œ. œ.˙b . .œ Rœb98 ∑
∑œ. Œ Ó
∑∑
wwbb
wb
˙b . .œ Rœb
˙b . .œ rœb
˙b . .œ Rœb
œn Œ Œ ‰ . rœ∑98
∑
fp
fp
p1st
pfp
fπ
fparco
fp p
p
p
fp
fp
one player
one player
fπ
fp
1st
p
1st & 2nd
3rd
∑w
wœ Œ Óœ Œ Óœ Œ Ówœ Œ Óœ. œ. œ. œ.œ. œ. œ. œ.˙ . .œ rœb˙ . .œ rœb˙̇bb . .. .œœ
rœœbb
∑œ. œ. œ. œ.œ. œ. œ. œ.˙ . .œ Rœb
∑∑∑∑∑
www˙b . .œ Rœb˙b . .œ rœb˙b . .œ Rœb
wæ∑99
∑
∑w
œ. Œ Ó∑∑∑
w
œ. œ. œ. œ.œ. œ. œ. œ.wbwbwwbb
∑œ. œ. œ. œ.œ. œ. œ. œ.wb
∑∑∑
.˙ œb -
.˙ œb -www
wb
wbwbœ. Œ Ó
∑100
∑
one player
p
unis.
f sost.
To the fore!
unis.
f sost.
∑w
∑∑∑
w
œ. œ. œ. œ.œ. œ. œ. œ.˙n . .œ rœb
˙n . .œ rœb
˙̇nn . .. .œœrœœbb
∑œ. œ. œ. œ.œ. œ. œ. œ.˙n . .œ Rœb
∑∑∑
.˙b œ- œ-
.˙b œ- œ-wwwn
˙n . .œ Rœb
˙n . .œ rœb
˙n . .œ Rœb
œb Œ Œ ‰ . rœ∑101
∑
21
S953 Turandot - I
&
&&&&&&&
&&?
&&&
&&&&&&????
??ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
102 ∑w
∑∑∑
w
œ. œ. œ. œ.œ. œ. œ. œ.˙ . .œ rœb˙ . .œ rœb˙̇bb . .. .œœ
rœœbb
∑œ. œ. œ. œ.œ. œ. œ. œ.˙ . .œ Rœb
∑∑∑
˙b - ˙b -˙b - ˙b -www˙b . .œ Rœb˙b . .œ rœb˙b . .œ Rœb
wb æ∑102
∑
∑.œ Jœ
œb œn œ œ œb œ
∑∑∑
.œ Jœ œb œn œ œ œn œ
œ. œ. œ. œ.œ. œ. œ. œ.wwww
∑œ. œ. œ. œ.œ. œ. œ. œ.w
∑∑∑∑∑
wwww
w
wœb . Œ Ó
∑103
∑
104∑
wb
∑∑∑
w
œ. œ. œ. œ.œ. œ. œ. œ.˙ . .œ rœn
˙ . .œ rœn
˙̇ . .. .œœrœœnn
∑œ. œ. œ. œ.œ. œ. œ. œ.˙ . .œ Rœn104 ∑
∑∑∑∑
www˙ . .œ Rœn
˙ . .œ rœn
˙ . .œ Rœn
œn Œ Œ ‰ . rœ∑104
∑
∑w
∑∑∑
w
œ. œ. œ. œ.œ. œ. œ. œ.˙# . .œ rœ˙# . .œ rœ˙̇nn . .. .œœ
rœœ∑
œ. œ. œ. œ.œ. œ. œ. œ.˙# . .œ Rœ
∑∑∑∑∑
www˙n . .œ Rœ˙n . .œ rœ˙n . .œ Rœ
wæ∑105
∑
∑w
.>̇ œ-
.>̇ œ-∑
w
œ. œ. œ. œ.œ. œ. œ. œ.wwww
∑œ. œ. œ. œ.œ. œ. œ. œ.w
∑∑∑
.˙#> œn -
.˙#> œn -wwww
w
wœ. Œ Ó
∑106
∑
ƒ
ƒƒ
ƒunis.
∑
∑.>̇ œ# - œ-.>̇ œ# - œ-
∑∑
-̇ Ó
˙# -Ó
-̇ Ó
-̇ Ó
œœ Œ Ó∑
-̇ Ó˙# - Ó
-̇ Ó∑∑∑
.˙n> œ# - œ-
.˙n> œ# - œ-
..œœ#b -‰ Ó
.œ- ‰ Ó
-̇ Ó
-̇ Ó
-̇ Ó∑∑107
∑
f
f
f
two players
two players
FF
f
ff
f
f
f
f
22
S953 Turandot - I
&&
&&&&&&&&?
&
&&&
&&&&&????
??ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
108 ∑∑
.˙#> œ- œn -
.˙#> œ- œn -∑∑
˙# - Ó
˙# - Ó˙# - Ó˙# - Ó
∑∑
˙# - Ó˙# - Ó˙# - Ó
∑∑∑
.˙#> œ- œn -
.˙#> œ- œn -
..œœn - ‰ Ó
.œ- ‰ Ó-̇ Ó
-̇ Ó
-̇ Ó˙ Ó
∑108
∑ff
f
f
fff
fff
f
∑∑
.˙#> œ# - œ-
.˙#> œ# - œ-∑∑
˙# - Ó
-̇ Ó
˙# - Ó
˙# - Ó
∑∑
˙# - Ó-̇ Ó˙# - Ó
∑∑∑
.˙#> œ# - œ-
.˙#> œ# - œ-
..œœ# - ‰ Ó
.œ- ‰ Ó
-̇ Ó
-̇Ó
-̇ Ó˙ Ó
∑109
∑ff
f
f
f
ff
f
ff
f
110∑
Più vivo (quasi in uno).
∑
˙ Ó˙ Ó
∑∑
w#w#
.˙# œ# .
.˙# œ# .
.˙ œ.w#w#
.˙# œ# .
.˙# œ# .110œ# œ œ œ œ œ3 3
Più vivo (quasi in uno).
œ# œ œ œ œ œ3 3
∑˙ Ó.˙ œ# .˙ Ó.˙ œ# .˙̇# Ó˙ Ó.˙# œ...˙̇ œœ..˙ œ.˙ Ó
∑110
∑
ƒƒ
ƒ
ƒ
ƒƒ
ƒunis.
ƒƒ
ƒƒ
ƒ
ƒƒ
one player
all others
unis.
unis.ƒƒ
all players
unis.
∑w
ww∑
w#
w#ww
.˙# œ œ
.˙# œ œ
.˙# œ œww#.˙# œ œ.˙# œ# œ
œ# œ œ œ œ œ
œ# œ œ œ œ œ∑∑.˙# œ œ∑.˙# œ œ∑∑
.˙# œ œ
..˙̇## œœ œœ
.˙# œ œ∑∑111
∑
unis.1st, 2nd & 3rd
ƒ
ƒƒ
ƒ
∑.˙ œ...˙̇ œœ.
∑.˙ œ# ..˙ œ# ..˙ œ# ..˙ œ# .
˙# . ˙# .˙# . ˙# ..̇ .̇.˙ œ# ..˙ œ# .˙# . ˙# .˙# . ˙# .œ# œ œ œ œ œ
œ# œ œ œ œ œ∑∑˙# . .̇∑˙# . .̇∑∑
.̇ .̇˙̇. ˙̇..̇ .̇.̇ .̇
∑112
∑ƒ
∑.˙# œ# ...˙̇## œœ##
.
∑.˙# œ# ..˙# œ# ..˙# œ# ..˙# œ# ..˙# œ# ..˙# œ# ..˙ œ..˙# œ# ..˙# œ# ..˙# œ# ..˙# œ# .œ# œ œ œ œ œ
œ# œ œ œ œ œ∑∑.˙ œ# .∑.˙ œ# .∑∑
.˙ œ.
..˙̇ œœ.
.˙ œ.∑∑113
∑
23
S953 Turandot - I
&&&&
&&&&&&?
&&&&
&&&&&
????
??ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
114 ∑www
∑w#
w#w#w#
.˙# œ œ
.˙# œ œ
.˙# œ œw#w#.˙# œ œ.˙# œ# œœ# œ œ œ œ œ
œ# œ œ œ œ œ∑∑.˙# œ œ∑.˙# œ œ
∑∑
.˙# œ œ
..˙̇## œœ œœ
.˙# œ œ∑∑114
∑
∑.˙ œ...˙̇ œœ.
∑.˙ œ# ..˙ œ# ..˙ œ# ..˙ œ# .˙# . ˙# .˙# . ˙# ..̇ .̇.˙ œ# ..˙ œ# .˙# . ˙# .˙# . ˙# .œ# œ œ œ œ œ
œ# œ œ œ œ œ∑∑˙# . .̇∑˙# . .̇∑∑.̇ .̇
˙̇. ˙̇..̇ .̇.̇ .̇
∑115
∑ƒ
116∑
.˙# œ# .
..˙̇## œœ##.
∑.˙# œ# ..˙# œ# ..˙# œ# ..˙# œ# ..˙# œ# ..˙# œ# ..˙ œ..˙# œ# ..˙# œ# ..˙# œ# ..˙# œ# .
116œ# œ œ œ œ œ
œ# œ œ œ œ œ∑∑.˙ œ# .∑.˙ œ# .∑∑
.˙ œ.
..˙̇ œœ.
.˙ œ.∑∑116
∑
∑.˙ œ# ...˙̇ œœ## .
∑.˙# œ# ..˙# œ# ..˙# œ# ..˙# œ# .
.˙# œ œ
.˙# œ œ
.˙# œ œ
.˙# œ# .
.˙# œ# .
.˙# œ œ
.˙# œ# œœ# œ œ œ œ œ
œ# œ œ œ œ œ∑∑.˙# œ œ∑.˙# œ œ
∑∑
.˙# œ œ
..˙̇## œœ œœ
.˙# œ œ∑∑117
∑
∑.˙# œ...˙̇## œœ.
∑.˙# œ# ..˙# œ# ..˙# œ# ..˙# œ# .
.˙# œ# œ
.˙# œ# œ
.˙ œ# œ
.˙# œ# .
.˙# œ# .
.˙# œ# œ
.˙# œ# œœ# œ œ œ œ œ
œ# œ œ œ œ œ∑∑.˙# œ# œ∑.˙# œ# œ
∑∑
.˙ œ# œ
..˙̇ œœ## œœ
.˙ œ# œ∑∑118
∑
∑.˙# œ# ...˙̇## œ# .
∑.˙# œ# ..˙# œ# ..˙# œ# ..˙# œ# .
.˙ œ# œ
.˙ œ# œ
.˙ œ# œ
.˙# œ# .
.˙# œ# .
.˙ œ# œ
.˙# œ# œœ# œ œ œ# œ œ
œ# œ œ œ# œ œ∑∑.˙ œ# œ∑.˙ œ# œ
∑∑
.˙ œ# œ
..˙̇ œœ## œœ
.˙ œ# œ∑∑119
∑
unis.
24
S953 Turandot - I
&
&&&&&&&&
&?
&&&&
&&&
&&
????
?
?
ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
120 w#w#
w#∑
w#
w#w#w#
w#
w#w#w#ww##
w#w#œ# œ œ œ œ œ
œ# œ œ œ œ œ∑
∑w#∑w#
∑∑
w#
ww##
w#∑∑120
∑
˙ .œ Jœ#˙ .œ
Jœ#
˙ .œ Jœ#∑
˙ .œ Jœ#
˙ .œ Jœ#˙ .œ Jœ#˙ .œ Jœ#
w#,
œ œ
w#,
œ œ
ww˙ .œ Jœ#˙# .œ jœ#w#ww#, œ# œ
œ# œ œ œ œ œ
œ# œ œ œ œ œww#
˙# .œ jœ#w#˙# .œ jœ#www#>
ww
w>w, œ œ
œ> œ œ œ œ œ3 3
∑121
∑
fz
fzfzfzfz
fz
fz
fz
fz
ƒz
fzfz
ƒzƒz
fz
fz
ƒz
fz
fzfz
fz
ƒz
ƒz
ƒz
122˙ .œ Jœ#˙ .œ Jœ#
˙ .œ Jœ#∑
˙# .œ Jœ#
˙# .œ Jœ#˙# .œ Jœ#˙# .œ Jœ#
˙# Ó
˙# Ó
˙̇## Ó
˙# .œ Jœ#˙# Ó˙ Ó˙# Ó˙# Ó
122œ# œ œ œ œ œ
œ# œ œ œ œ œ˙̇## . Ó
˙ .œ jœ#.̇ Ó˙ .œ jœ#˙# . Ó˙̇# .
Ó˙# . Ó˙# Ó
˙# Ó
˙# Ó
˙ Ó∑122
∑
˙# .œ Jœ˙# .œ Jœ
˙# .œ Jœ∑
˙# .œ Jœ#
˙# .œ Jœ#˙# .œ Jœ#˙# .œ Jœ#
˙ Ó
˙ Ó
˙ Ó
˙# .œ Jœ#
˙̇## Ó˙ Ó˙# Óœ# œ œ œ œ œ
œ# œ œ œ œ œ∑
˙# .œ jœ˙# Ó˙# .œ jœ˙ Ó˙̇# Ó˙ Ó˙ Ó
˙Ó
˙ Ó
˙ Ó∑123
∑
unis.
.˙# œ# œ
.˙# œ# œ
.˙# œ# œ∑
.˙# œ# œ
.˙# œ# œ
.˙# œ# œ
.˙# œ# œ
˙#Ó
˙# Ó
˙ Ó.˙# œ# œ
˙̇## Ó˙# Ó
˙# Óœ# œ œ œ œ œ
œ# œ œ œ œ œ∑
.˙# œ# œ˙# Ó
.˙# œ# œ˙# Ó˙̇# Ó
˙ Ó˙ Ó
˙ Ó
˙ Ó
˙ Ó∑124
∑
.˙ œ# œ
.˙ œœ## œœ
.˙ œ# œ∑
.˙# œœ## œœ#
.˙ œ# œ
.˙ œ# œ
.˙ œ# œ
˙# Ó
˙# Ó
˙# Ó.˙ œ# œ
˙̇## Ó˙# Ó˙# Óœ# œ œ œ œ œ
œ# œ œ œ œ œ∑
.˙ œ# œ˙# Ó
.˙ œ# œ˙# Ó˙̇## Ó˙# Ó˙# Ó
˙# Ó
˙# Ó
˙ Ó∑125
∑
25
S953 Turandot - I
&
&
&&
&
&
&
&&&?
&&&&
&&&
&&????
??
ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
126 www
w
∑ww##
w#
w#
w#
˙# Ó
˙# Ó
˙̇ Ów#
˙̇## Ó˙# Ó˙# Ó
œ# œ œ œ œ œ
œ# œ œ œ œ œ∑
w#˙# Ów#˙# Ó˙̇## Ó˙ Ó˙ Ó
˙ Ó
˙ Ó
˙ Ó∑126
∑
127.˙ œn..˙̇ œn
.˙ œn
.˙ œn
..˙̇ œn
.˙ œn
.˙ œn
.˙ œn
wnwnwwnn.˙ œn.˙# œn
wnwn
127œœ#n œœ œœ œœ œœ œœœœ#n œœ œœ œœ œœ œœ.˙ œn.˙ œnœ œ œ œ œ œ
3 3.˙ œnœn œ œ œ œ œ3 3
wnwnwn
wnwnœ œ œ œ œ œ3 3
∑127
w
ƒz
ƒz
ƒz
ƒz
ƒz
ƒz
ƒz
ƒz
ƒzƒz
ƒz
ƒz
ƒzƒzƒz
ƒzunis.
ƒz
ƒzunis.
ƒzƒz
ƒzƒzƒz
ƒz let vibrate!
ƒz
.˙ œn œ
.˙ œn œ
.˙ œn œ
.˙ œn œ
.˙# œn œ
.˙ œn œ
.˙ œn œ
.˙ œn œ
wwww.˙ œn œ
.˙# œn œ
ww
œœ# œœ œœ œœ œœ œœœœ# œœ œœ œœ œœ œœ.˙ œn œ
.˙ œn œœ œ œ œ œ œ
.˙ œn œœ œ œ œ œ œ
www
ww˙ Ó
∑128
∑
.̇ .̇.̇ .̇
.̇ .̇
.̇ .̇.̇ ˙# ..̇ ˙# ..̇ ˙# ..̇ ˙# .
.˙ œ.
.˙ œ.
..˙̇ œ..̇ ˙# ..̇ ˙# ..˙ Œ.˙ œ.œœ# œœ œœ œœ œœ œœœœ# œœ œœ œœ œœ œœ.̇ ˙# ..̇ .̇œ œ œ œ œ œ.̇ .̇œ œ œ œ œ œ
.˙ œ.
.˙ œ.
.˙ œ.
.˙ œ.
.˙ œ.∑∑129
∑
.>̇ œ
..˙̇> œ
.>̇ œ
.>̇ œ
..˙̇> œ
.>̇ œ
.>̇ œ
.>̇ œ
.˙ œ# .
.˙ œ# .
.˙ œœ.
.>̇ œ
.>̇ œ
.˙ œ# .
.˙# œ# .œœ# œœ œœ œœ œœ œœœœ# œœ œœ œœ œœ œœ.>̇ œ.>̇
œ.œ œ œ œ œ œ.>̇
œ.œ œ œ œ œ œ
.˙ œ.
.˙ œ.
.˙ œ.
.˙ œ.
.˙ œ.∑∑130
∑
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙# œ œ
.˙ œ œ
.˙ œ œ
.˙ œ œ
w>w>ww>.˙ œ œ
.˙# œ œ
w>w>œœ# œœ œœ œœ œœ œœœœ# œœ œœ œœ œœ œœ.˙ œ œ
.˙ œ œœ œ œ œ œ œ
.˙ œ œœ œ œ œ œ œ
w>w>w>w>w>œ œ œ œ œ œ3 3
∑131
∑ƒz
26
S953 Turandot - I
&
&
&&
&
&
&
&&&?
&&&&
&&&
&
&????
??
ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
132 .̇ .̇.̇ .̇.̇ .̇.̇ .̇.̇ .̇.̇ .̇.̇ .̇.̇ .̇
.˙ œ.
.˙ œ.
..˙̇ œ..̇ .̇.̇ .̇.˙ Œ.˙ œ.œœ# œœ œœ œœ œœ œœ
œœ# œœ œœ œœ œœ œœ.̇ .̇.̇ .̇œ œ œ œ œ œ.̇ .̇œ œ œ œ œ œ.˙ œ..˙ œ..˙ œ..˙ œ..˙ œ.œ œ œ ˙3
∑132
∑
133.>̇ œ..˙̇> œ
.>̇ œ
.>̇ œ
..˙̇> œ
.>̇ œ
.>̇ œ
.>̇ œ
.˙ œ# .
.˙ œ# .
.˙ œœ.
.>̇ œ
.>̇ œ
.˙ œ# .
.˙# œ# .133œœ# œœ œœ œœ œœ œœ
œœ# œœ œœ œœ œœ œœ.>̇ œ.>̇
œœ œ œ œ œ œ.>̇
œœ œ œ œ œ œ.˙ œ..˙ œ..˙ œ..˙ œ..˙ œ.
∑∑133
∑
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙# œ œ
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ.
.˙ œ.
..˙̇ œ.Œ
.˙ œ œ
.˙# œ œ
.˙ œ.
.˙ œ# .œœ# œœ œœ œœ œœ œœ
œœ# œœ œœ œœ œœ œœ.˙ œ œ
.˙ œ œœ œ œ œ œ œ
.˙ œ œœ œ œ œ œ œ
.˙ œ.
.˙ œ.
.˙ œ.
.˙ œ.
.˙ œ.∑∑134
∑
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ# œ
.˙ œ# œ
.˙ œ# œ
.˙ œ# œ
.˙# œ.
.˙# œ.
..˙̇ œœ.
.˙ œ# œ
.˙ œ# œ
.˙# œ.
.˙# œ.œœ# œœ œœ œœ œœ œœ
œœ# œœ œœ œœ œœ œœ.˙ œ# œ.˙ œ œœ œ œ œ œ œ.˙ œ œœ œ œ œ œ œ.˙ œ..˙ œ..˙ œ..˙ œ..˙ œ.
∑∑135
∑
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ œ
.˙ œ# .
.˙ œ# .
..˙̇ œœ.
.˙ œ œ
.˙ œ œ
.˙ œ# .
.˙ œ# .œœ œœ œœ œœ œœ œœ
œœ œœ œœ œœ œœ œœ.˙ œ œ
.˙ œ œœ œ œ œ œ œ
.˙ œ œœ œ œ œ œ œ
.˙ œ.
.˙ œ.
.˙ œ.
.˙ œ.
.˙ œ.∑∑136
∑
w
w
w
˙ Ów#
w#
w#
w#
.˙# œ.
.˙# œ.
..˙̇## œœ.w#œœ## œœ œœ œœ œœ œœ
3 3
.˙# œ.
.˙# œ.œœ# œœ œœ œœ œœ œœœœ# œœ œœ œœ œœ œœw#
˙ Óœ œ œ œ œ œ
˙ Óœ œ œ œ œ œ.˙# œ..˙# œ..˙# œ..˙# œ..˙# œ.œ œ œ œ œ œ3 3
∑137
∑
27
S953 Turandot - I
&
&&&&&&&&&?
&&&&
&&&&&????
??
ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
138.˙ œ œ œ œmolto accentato
.˙ œ œ œ œ
.˙ œ œ œ œ
∑.˙ œ œ œ œ#
.˙ œ œ œ œ#
.˙ œ œ œ œ#
.˙ œ œ œ œ#
˙# Ó˙# Ó˙̇ Ó.˙ œ œ œ œ#
˙̇## Ó˙# Ó˙# Ó
138˙̇# Ómolto accentato
˙̇# Ó.˙ rœ ≈ ‰
∑˙# Ó∑˙ Ó
˙ Ó˙ Ó˙ Ó
˙ Ó˙ Ó˙ Ó
∑138
∑
.>̇ Rœ ≈ ‰
.>̇ œ œ œ œ
.>̇ œ œ œ œ∑
.>̇ œ œ œ# œ
.>̇ œ œ œ# œ
.>̇ œ œ œ# œ
.>̇ œ œ œ# œ
˙# Ó
˙# Ó...œœœ# ‰ Ó.>̇ œ œ œ# œ
˙̇# Ó˙ Ó˙# Ó
..œœ# ‰ Ó
..œœ ‰ Ó∑
˙̇ Ó˙˙# Ó..œœ# ‰ Ó.œ ‰ Ó˙ Ó
˙ Ó
˙ Ó∑∑139
˙ ÓF
∑.>̇ œ œ œ œ
.>̇ œœ œœ œœ œœ
.>̇ œ œ œ œ
.>̇ œ œ# œ œ
.>̇ œ œ# œ œ
.>̇ œ œ# œ œ
.>̇ œ œ# œ œ
˙ Ó
˙ Ó...œœœ ‰ Ó.>̇ œ œ# œ œ˙̇## Œ œ œ# œ œ
˙# Ó˙ Ó
..œœn ‰ Ó
..œœ# ‰ Ó∑
˙̇ Ó˙̇ Ó..œœ ‰ Ó.œ ‰ Ó˙ Ó
˙ Ó
˙ Ó∑∑140
˙ Ó
∑.>̇ œ œ œ œ..˙̇> œœ œœ œœ œœ.>̇ œ œ œ œ.˙#> œ œ œ œ#
.˙#> œœ œœ œœ## œœ
.˙#> œ œ œ œ
.˙#> œ œ œ œ
˙ Ó˙ Ó...œœœ# ‰ Ó
.˙#> œ œ œ œ
.˙#> œ œ œ œ#
˙# Ó˙ Ó
..œœ# ‰ Ó
..œœ# ‰ Ó∑
˙̇# Ó˙̇# Ó..œœ# ‰ Ó.œ ‰ Ó˙ Ó
˙ Ó
˙ Ó∑∑141
˙ Ó
∑˙# Ó..˙̇## œœ œœ œœ œœ.˙# œ œ œ œ.˙#> œ œ# œ# œ..˙̇##> œœ œ# œ œ
.˙#> œ œ# œ œ
.˙#> œ œ# œ œ˙# Ó˙# Ó...œœœ# ‰ Ó
.˙#> œ œ# œ œ
.˙#> œ œ# œ# œ˙# Ó˙# Ó
..œœ## ‰ Ó
..œœ## ‰ Ó∑
˙̇# Ó˙̇# Ó..œœ# ‰ Ó.œ ‰ Ó˙ Ó
˙ Ó˙ Ó
∑∑142
˙ Ó
28
S953 Turandot - I
&
&&&&&&&&&?
&&&&
&&&&&????
??
ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
143 ∑
∑..˙̇##> œb œb œ œb
.˙#> œb œb œ œb
.˙#> œ œ œ œb
.˙#> œb œ œ œb
.˙#>œb œ œ œb
.˙#>œb œ œ œb
˙ Ó
˙ Ó...œœœ ‰ Ó
.˙#> œb œ œ œb
.˙#> œ œ œ œb˙ Ó˙# Ó
..œœ#n ‰ Ó..œœ# ‰ Ó
∑˙̇b Ó˙̇b Ó..œœ# ‰ Ó.œb ‰ Ó˙ Ó
˙Ó
˙ Ó∑∑143
˙ Ó
unis.
∑
∑.˙n> œb œb œb œ
.˙n> œ œb œb œ
.˙n> œ œ œb œ
.˙n> œ œb œb œ
.˙n> œ œb œb œ
.˙n> œ œb œb œ
˙n Ó
˙n Ó...œœœbb ‰ Ó
.˙n> œ œb œb œ
.˙n> œ œ œb œ˙b Ó˙n Ó
..œœn ‰ Ó
..œœn ‰ Ó∑
˙̇b Ó˙̇b Ó..œœbn ‰ Ó.œb ‰ Ó˙b Ó
˙b Ó
˙b Ó∑∑144
˙ Ó
∑allargando
∑œb Œ ‰ œb œb œb œ œ3
jœb œ œ œb œb œ œb œ œ œ œn œ3
Jœ œ œ œb œ œ œb œ œ œ œn œ3
Jœ œ œ œb œb œ œb œ œ œ œn œ3
Jœ œ œ œb œb œ œb œ œ œ œn œ3
Jœ œ œ œb œb œ œb œ œ œ œn œ3
˙n - Ó˙n - Ó˙̇˙bbb
- Ó
œ œ œ œb œb œ œb œ œ œ œn œ3
œ œ œ œb œ œ œb œ œ œ œn œ3
˙b - Ó˙n - Ó
˙n - Óallargando
∑∑
˙̇b - Ó˙̇bb - Ó˙̇bb - Ó˙b - Ó˙b - Ó
˙b - Óœb Œ Ó
∑∑145
∑
f
∑
‰ œb œ œ œb œ œn œ œ œ œb œb3
œb œb œ œ œ œ œn œ œ œ œb œb
œb œb œ œ œ œ œn œ œ œ œb œb
œ œ œ œ œ œ œn œ œ œ œ œœ œ œ œ œ œ œn œ œ œ œb œ
œ œ œ œ œ œ œn œ œ œ œb œ
œ œ œ œ œ œ œn œ œ œ œb œ
-̇ Ó
-̇ Ó˙̇˙bbn
-Ó
œ œ œ œ œ œ œn œ œ œ œb œœ œœ œœ œœ
œœ œœ œœnn œ œ œ œ œ
˙n - Ó
-̇ Ó
˙̇- Ó∑∑
˙̇- Ó˙̇bn - Ó˙̇bb - Ó˙n - Ó˙̇bb - Ó
˙b -Ó
œb Œ Ó∑∑146
∑
∑œb œ œb œb œn œ œb œ œ œ œ œ
œbœ œb œb œn œ œb œ œ œ œ œ
œbœ œb œb œn œ œb œ œ œ œ œ
œb œ œ œ œn œ œ œ œ œ œ œœb œ œb œ œn œ œ œ œ œ œ œ
œb œœ œœbb œœ œœnn œœ œœ œ œ œ œ œœbœ œb œ œn œ œ œ œ œ œ œ
-̇ Ó
-̇ Ó˙̇̇b - Óœbœ œb œ œn œ œ œ œ œ œ œ
œb œ œ œ œn œ œ œ œ œ œ œ-̇ Ó
-̇ Ó
˙̇- Ó∑∑
˙̇- Ó˙̇b - Ó˙̇bb - Ó-̇ Ó˙̇b - Ó
-̇Ó
œ Œ Ó∑∑147
∑
29
S953 Turandot - I
&
&&&
&
&&&&&?
&&&&
&&&
&&
????
??ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
√
148
Œ ‰ . Rœb . ˙∫>Tempo I.
Jœb
‰ ‰ . Rœb . ˙∫>
Jœb ‰ ‰ . Rœ. ˙∫>
Jœb ‰ ‰ . Rœ. ˙∫>
Jœb ‰ ‰ . Rœ. ˙b>
Jœb
‰ ‰ . Rœb . ˙b>
Jœb ‰ ‰ . Rœ. ˙b>
Jœb ‰ ‰ . Rœ. ˙b>
œ. œb . œ. œ. œ.œ. œb . œ. œ. œ.œb . œb . œ. œ. œ.Jœb ‰ ‰ . Rœ. ˙b>
Jœb ‰ œœb œœ œœ ..˙̇!3
6
œb œ œ œ œ œ .!̇3 3
6
œ. œb . œ. œ. œ.148œœb œœ œœ œœ œœ œœ ..˙̇!
3 3
6
Tempo I.
œb œ œ œ œ œ .!̇3 3
6
Œ ‰ . Rœb . ˙b>
œœbb œœ œœ œœ œœ œœ ..˙̇!3 3 6
œœb œœ œœ œœ œœ œœ ..˙̇!3 3 6
wwwbb
œb . œb . œ. œ. œ.œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
∑148
˙ Óœ œ œ œ œ
ƒ
ƒ
ƒƒƒ
ƒ
ƒunis.
ƒƒ
ƒƒ
ƒƒ
ƒƒƒ
ƒƒ
divide as needed
ƒƒ
ƒ
ƒ
ƒƒ
two players
unis.
ƒ
ƒ
ƒ
œ. ≈ œb ˙∫ œ œb œ
œ. ≈ œb ˙∫ œb œb œ
œ. ≈ œb ˙∫ œ œb œœ. ≈ œb ˙∫ œ œb œœ. ≈ œb ˙b œ œ œ
œ. ≈ œb ˙b œ œb œœ. ≈ œb ˙b œ œb œœ. ≈ œb ˙b œ œb œ
œ. œb . œ. œ. œ.œ. œb . œ. œ. œ.œb . œb . œ. œ. œ.œ. ≈ œb ˙b œ œb œ
..˙̇b! ..˙̇!6 6
.˙b! .!̇6 6
œ. œb . œ. œ. œ...˙̇b! ..˙̇!6 6
.˙b! .!̇6 6
œ. ≈ œb ˙b œ œb œ
..˙̇bb ! ..˙̇!6 6
..˙̇b ! ..˙̇!6 6
œœœ Œ Ó
œb . œb . œ. œ. œ.œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
∑149
∑œ œ œ œ œ
3
3
3
3
3
3
3
3
3
3
œb œ œb œn ˙œb œ œb œn ˙
œb œ œb œn ˙œb œ œb œn ˙œb œ œ œn ˙
œb œ œ œn ˙œb œ œ œn ˙œb œ œ œn ˙
œ. œb . œ. œ. œ.œ. œb . œ. œ. œ.œb . œb . œ. œ. œ.œb œ œ œn ˙..˙̇b! ..˙̇!.˙b! .!̇œ. œb . œ. œ. œ...˙̇b! ..˙̇!.˙b! .!̇œb œ œ œn ˙
..˙̇bb ! ..˙̇!
..˙̇b ! ..˙̇!∑
œb . œb . œ. œ. œ.œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
∑150
∑œ œ œ œ œ
3
3
3
3
3
3
3
3
3
3
œ Œ Óœ œ- œ- œ-
œ œ- œ- œ-
œ œ- œ- œ-
œ œ- œ- œ-
œ œ- œ- œ-
œ œ- œ- œ-
œ œ- œ- œ-
œ. œb . œ. œ. œ.œ. œb . œ. œ. œ.œb . œb . œ. œ. œ.œ œ- œ- œ-
..˙̇b! ..˙̇!.˙b! .!̇œ. œb . œ. œ. œ...˙̇b! ..˙̇!.˙b! .!̇œ œ- œ- œ-..˙̇bb ! ..˙̇!..˙̇b ! ..˙̇!
∑
œb . œb . œ. œ. œ.œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
∑151
∑œ œ œ œ œ
∑appassionata
œ œn œ œ œ œ œ œœ œn œ œ œ œ œ œœ œn œ œ œ œ œ œ
œ œ# œ œ œ œ œ œœ œ# œ œ œ œ œ œœ œ# œ œ œ œ œ œœ œ# œ œ œ œ œ œ
œ. œb . œ. œ. œ.œ. œb . œ. œ. œ.œb . œb . œ. œ. œ.œ œ# œ œ œ œ œ œ
..˙̇b! ..˙̇!.˙n ! .!̇œ. œb . œ. œ. œ...˙̇b! ..˙̇!.˙n ! .!̇œ œ# œ œ œ œ œ œ..˙̇nb! ..˙̇
!..˙̇bn ! ..˙̇!wwwnbb >
œb . œb . œ. œ. œ.œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
∑152
∑œ œ œ œ œ
∑œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ
œ# œ# œ œ œ œ œ œœ œ# œ œ œ œ œ œœ œ# œ œ œ œ œ œœ œ# œ œ œ œ œ œ
œ. œb . œ. œ. œ.œ. œb . œ. œ. œ.œb . œb . œ. œ. œ.œ œ# œ œ œ œ œ œ
..˙̇b! ..˙̇!.!̇ .!̇œ. œb . œ. œ. œ...˙̇b! ..˙̇!.!̇ .!̇œ œ# œ œ œ œ œ œ..˙̇nb! ..˙̇
!..˙̇b ! ..˙̇!
∑
œb . œb . œ. œ. œ.œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
∑153
∑œ œ œ œ œ
30
S953 Turandot - I
&&
&
&&
&
&
&&&?
&&&&
&&&
&&
????
??ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
154 ∑œ œ ˙ œ>œ œ ˙ œ>œ œ ˙ œ>œ# œ# ˙ œ>œ œ# ˙ œ>
œ œ# ˙ œ>
œ œ# ˙ œ>
œ. œb . œ. œ. œ.œ. œb . œ. œ. œ.œb . œb . œ. œ. œ.œ œ# ˙ œ>
..˙̇b! ..˙̇!.˙b ! .!̇œ. œb . œ. œ. œ...˙̇b! ..˙̇!.˙n ! .!̇œ œ# ˙ œ>..˙̇bb! ..˙̇
!..˙̇bb ! ..˙̇!˙̇̇bbb >
Óœb . œb . œ. œ. œ.œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
∑154
∑œ œ œ œ œ
∑œ œb œb œb œ œ œ œbœ œb œb œb œ œ œ œbœ œb œb œb œ œ œ œbœ œn œb œb œ œ œ œœ œn œb œb œ œ œ œbœ œn œb œb œ œ œ œb
œ œn œb œb œ œ œ œb
œ. œb . œ. œ. œ.œ. œb . œ. œ. œ.œb . œb . œ. œ. œ.œ œn œb œb œ œ œ œb
..˙̇b! ..˙̇!.!̇ .!̇œ. œb . œ. œ. œ...˙̇b! ..˙̇!˙b jœ ‰ Œ.!̇ .!̇œ œn œb œb œ œ œ œb.˙b ! .!̇˙b Jœ ‰ Œ..˙̇b ! ..˙̇!˙̇̇bb >
Óœb . œb . œ. œ. œ.œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
œœbb . œb . œœ. œœ. œ.œœbb .
œœbb . œœ. œœ.œœ.
∑155
∑œ œ œ œ œ
156∑
molto agitato
œb œ. œ œ œb . œ
œb œ. œ œ œb . œ
œb œ. œ œ œb . œ
œ œ. œ œ œb . œœ œ. œ œ œb . œ
œ œ. œ œ œb . œ
œ œ. œ œ œb . œ
œb . ‰ jœ. œn . ‰ jœ.œb . ‰ jœ. œn . ‰ jœ.œb . ‰ jœœbb .
œœnn . ‰ jœœbb .œ œ. œ œ œb . œ
Jœœb Jœ. œ œ œb . œ
œ. ‰ jœ. œn . ‰ jœ.œb . ‰ jœ. œn . ‰ jœ.
156œœb . Œ œœ. Œmolto agitato
jœœb Jœ. œ œ œb . œœ œ. œ œ œb . œ
œœb . Œ œœb . Œœœbb . Œ œœbb . Œœœbb . Œ Óœb . ‰ jœb . œn . ‰ Jœb .
œb . ‰ jœb . œn . ‰ Jœb .œœbb .
‰ jœb . œn . ‰ jœb .œb . ‰ jœb . œn . ‰ Jœb .œœœœbbbb Œ œœœœ Œ
∑156
∑œ Œ Ó
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒunis.
ƒunis.
ƒ
ƒ
∑œ œn . œb œ œn . œ
œ œn . œb œ œn . œ
œ œn . œb œ œn . œ
œ œn . œ œ œn . œœ œn . œ œ œn . œ
œ œn . œ œ œn . œ
œ œn . œ œ œn . œ
œ# . ‰ jœ. œb . ‰ jœ.œ# . ‰ jœ. œb . ‰ jœ.œœnn . ‰ jœœ. œœbb . ‰ j
Jœ.
œ œn . œ œ œn . œ
œ œn . œ œ œn . œ
œ# . ‰ jœ. œb . ‰ jœ.œ# . ‰ jœ. œb . ‰ jœ.œœb . Œ œœ. Œœ œn . œ œ œn . œœ œn . œ œ œn . œ
œœbb . Œ œœ. Œœœbb . Œ œœ. Œ
∑œn . ‰ Jœ. œb . ‰ jœ.œn . ‰ Jœ. œb . ‰ jœ.œn . ‰ jœ. œb . ‰ j
œ.œn . ‰ Jœ. œb . ‰ jœ.œœœœbbbb Œ œœœœ Œ
∑157
∑
∑œ œb . œ œ œ. œ
œ œb . œ œ œ. œ
œ œb . œ œ œ. œ
œ œ. œ œ œ# . œœ œ. œ œ œ. œ
œ œ. œ œ œ. œ
œ œ. œ œ œ. œ
œb . ‰ jœ. œn . ‰ jœ# .œb . ‰ jœ. œn . ‰ jœ# .œb . ‰ jœœbb .
œœbb . ‰ jœœnn .œ œ. œ œ œ. œ
œ œ. œ œ œ# . œ
œb . ‰ jœ. œn . ‰ jœ# .œb . ‰ jœ. œn . ‰ jœ# .œœb . Œ œœ. Œœ œ. œ œ œ. œœ œ. œ œ œ. œ
œœbb . Œ œœ. Œœœbb . Œ œœ. Œ
∑œb . ‰ jœb . œb . ‰ Jœn .
œb . ‰ jœb . œb . ‰ Jœn .
œb .‰ jœb . œb . ‰ jœn .
œb . ‰ jœb . œb . ‰ Jœn .œœœœbbbb Œ œœœœ Œ
∑158
∑
31
S953 Turandot - I
&
&&
&
&
&&&&&?
&&&&
&&&&&????
??
ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
159 ∑œ œb . œb œ œn . œnœ œb . œb œ œn . œnœ œb . œb œ œn . œn
œ œ. œb œ œ# . œ#œ œb . œb œ œn . œ#œ œb . œb œ œn . œ#œ œb . œb œ œn . œ#
œ# . ‰ jœ# . œ. ‰ Jœ.œ# . ‰ jœ# . œ. ‰ Jœ.œœ## . ‰ jœœ## . œœ. ‰ J
œœ.œ œb . œb œ œn . œ#œ œ. œb œ œ# . œ#
œ# . ‰ jœ# . œ. ‰ Jœ.
œ# . ‰ jœ# . œ. ‰ jœ# .œœb . Œ œœ. Œœ œb . œb œ œn . œ#œ œb . œb œ œn . œ#œœbb . Œ œœ. Œœœbb . Œ œœ. Œ
∑œ# . ‰ Jœ# . œ. ‰ Jœ.œ# . ‰ Jœ# . œ. ‰ Jœ.
œ# . ‰ jœ# . œ. ‰ jœ.œ# . ‰ Jœ# . œ. ‰ Jœ.œœœœbbbb Œ œœœœ Œ
∑159
∑
∑œ >̇ œœ >̇ œ
œ >̇ œ
œ œ œ# œ# œ œ# œ œœ œ œ# œ# œ œ# œ œœ œ œ# œ# œ œ# œ œœ œ œ# œ# œ œ# œ œ
œn . ‰ jœ# . œ# . ‰ jœ.œn . ‰ jœ# . œ# . ‰ jœ.œœnn . ‰ jœœ## . œœ. ‰ jœœ.œ œ œ# œ# œ œ# œ œœ œ œ# œ# œ œ# œ œœn . ‰ jœ# . œ# . ‰ jœ.œn . ‰ jœ# . œ# . ‰ Jœ.œœb . Œ œœn# . ŒJœ ‰ ˙#> œ>œ œ œ# œ# œ œ# œ œœœbb . Œ œœnn . Œœœbb . Œ œœnn . Œ
∑œn . ‰ Jœ# . œ. ‰ Jœ.œn . ‰ Jœ# . œ. ‰ Jœ.œn . ‰ jœ# . œ. ‰ jœ.œn . ‰ Jœ# . œ. ‰ Jœ.
∑∑160
∑
∑œ ˙ œœ ˙ œœ ˙ œ
œ# œ ˙# œ#
œ# œ ˙# œ
œ# œ ˙# œ
œ# œ ˙# œ
œ# . œ. œ. œ. œ# . œ. œ. œ.œ# . œ. œ. œ. œ# . œ. œ. œ.œœ. œœ.
œœ. œœ.œœ## . œœ. œœ. œœ.
œ# œ ˙# œ
œ# . œ. œ. œ. œ# . œ. œ. œ.œ# . œ. œ. œ. œ# . œ. œ. œ.œ# . œ. œ. œ. œ# . œ. œ. œ.œœ# . Œ œœ# . ŒJœ ‰ œ#> Jœ ‰ œ>
œ# . œ. œ. œ. œ# . œ. œ. œ.‰ œ. œ. œ. œ# . œ. œ. œ.‰ œ. œ. œ. œ# . œ. œ. œ.œœ. Œ œœ. Œœ. Œ Óœ. œ. œ. œ. œ# . œ. œ. œ.œ. œ. œ. œ. œ# . œ. œ. œ.œ. œ. œ. œ. œ# . œ. œ. œ.
∑∑161
∑
unis.
unis.
ƒ
∑œ œb - œb - œ-œ œœb - œœbb - œœ-œ œb - œb - œb -œ œn - œb - œ-œ œb - œb - œ-œ œb - œb - œ-œ œb - œb - œ-œ. œ# . œb . œn . œ. œb . œb .̂œ. œ# . œb . œn . œ. œb . œb .̂œœ. œœ.
œœbb . œœnn .œœbb . œœbb . œœbb .̂
œ œb - œb - œ-œ. œ# . œ. œn . œ. œb . œb .̂
œ. œ# . œb . œn . œ. œb . œb .̂œ. œ# . œ. œn . œ. œb . œb .
^
Jœœ# ‰ Jœœ#b ‰ J
œœbn ‰ Jœœb ‰
Jœ ‰ Jœœb ‰ J
œœb ‰ Jœœ
œ. œ# . œb . œn . œ. œb . œb .̂œ. œ. œb . œn . œ. œb . œb .̂œ. œ. œb . œn . œ. œb . œb .̂
Jœœ ‰ Jœœ ‰ Jœœbb ‰ Jœœb ‰Œ J
œœbb ‰ Jœœbb ‰ J
œœbb ‰œ. œ. œb . œn . œb . œb . œb .̂
œ. œ. œb . œn . œb . œb . œb .^
œ. œ. œb . œn . œb . œb . Jœb ^ ‰Œ œb œ œ
∑162
∑
163Œ œb> œ œ œ œ œ œ
Jœb ‰œb> œ œ œ œ œ œ
jJœb ‰ œ> œ œ œ œ œ œ
jœn ‰ œb> œ œ œ œ œ œ
Jœ ‰ œ> œ œ œ œ œ œ
Jœ ‰œœ> œœ œœ œœ œœ œœ œœ
Jœ ‰ œ> œ œ œ œ œ œ
Jœ ‰ œ> œ œ œ œ œ œjœ ‰ jœb ‰ jœb ‰ Jœb ‰jœ ‰ jœb ‰ jœb ‰ Jœb ‰jœœœnbb ‰ jœœœbbb ‰ J
œœœbbb ‰ Jœœœnbb ‰
Jœ ‰ œ> œ œ œ œ œ œ
Jœœnn ‰ Jœœb ‰ Jœœb ‰ Jœœn ‰jœn ‰ Jœb ‰ Jœ ‰ Jœn ‰jœ ‰ jœb ‰ jœb ‰ jœ ‰
163œ œ œ .˙3
Jœ ‰ Jœb ‰ Jœ ‰ Jœ ‰Jœœ ‰ J
œœ ‰ Jœœ ‰ J
œœ ‰Jœ ‰ œ> œ œ œ œ œ œ
Jœœnb ‰ Jœœbb ‰ Jœœb ‰ Jœœ ‰œb œ œ .˙
3
Jœœb ‰ J
œœbb ‰ Jœœbb ‰ J
œœb ‰Jœb ‰ Jœb ‰ Jœb ‰ Jœb ‰
Jœœb ‰ Jœœbb ‰ Jœœbb ‰ Jœœnb ‰jœb ‰ jœb ‰ jœb ‰ jœb ‰
Jœb ‰ Jœb ‰ Jœb ‰ Jœb ‰
Jœb . ‰ Jœ. ‰ Jœ. ‰ Jœ. ‰∑163
˙ Ó
ƒ
ƒ
ƒ
ƒƒƒ
ƒ
f
ƒ
ƒ
ƒunis.
ƒƒ
32
S953 Turandot - I
&
&&
&
&
&
&
&&&?
&&&&
&
&
&&&??????ãã
Picc.
123
12
3
Eb Cl.
1
2
3
Bs.Cls.
CB.Cl.
123
S.Sx.
12
T.Sxs.
B. Sx.
12
34
12
12
34
12
Bs.
Euphs.
Tubas
St.Bs.
Timp.
Sn.Dr.
Cr.Cym.Bs.Dr.
Flutes
Oboes
Bb Clars.
Bsns.
A.Sxs.
Trpts.
Crnts.
Horns
Trbns.
164 œ> œ œb œ œ œ œ œ œ œœ> œ œb œ œ œ œ œ œ œ
œ> œ œb œ œ œ œ œ œ œ
œ> œ œb œ œ œ œ œ œ œœ> œ œ œ œ œ œ œ œ œ
œœ> œœ œœ œœ œœ œœ œœ œœ œœ œœ
œ> œ œ œ œ œ œ œ œ œ
œ> œ œ œ œ œ œ œ œ œjœ ‰ jœb ‰ jœb ‰ Jœb ‰jœ ‰ jœb ‰ jœb ‰ Jœb ‰jœœœbb ‰ jœœœbbb ‰ J
œœœbbb ‰ Jœœœbb ‰
œ> œ œ œ œ œ œ œ œ œ
Jœœ ‰ Jœœb ‰ Jœœb ‰ Jœœ ‰jœ ‰ Jœb ‰ Jœ ‰ Jœ ‰jœ ‰ jœb ‰ jœb ‰ jœ ‰
Œ œ œ œ ˙3
Jœ ‰ Jœb ‰ Jœ ‰ Jœ ‰
Jœœ ‰ J
œœ ‰ Jœœ ‰ J
œœ ‰œ> œ œ œ œ œ œ œ œ œ
Jœœb ‰ Jœœbb ‰ Jœœb ‰ Jœœ ‰Œ œb œ œ ˙
3
Jœœb ‰ J
œœbb ‰ Jœœbb ‰ J
œœb ‰Jœb ‰ Jœb ‰ Jœb ‰ Jœb ‰
Jœœb ‰ Jœœbb ‰ Jœœbb ‰ Jœœb ‰jœb ‰ jœb ‰ jœb ‰ jœb ‰
Jœb ‰ Jœb ‰ Jœb ‰ Jœb ‰
Jœb . ‰ Jœ. ‰ Jœ. ‰ Jœ. ‰∑164
˙ Ó
œ> œ œb œ œ œ œ œ œ œœ> œ œb œ œ œ œ œ œ œ
œ> œ œb œ œ œ œ œ œ œ
œ> œ œb œ œ œ œ œ œ œœ> œ œ œ œ œ œ œ œ œ
œœ> œœ œœ œœ œœ œœ œœ œœ œœ œœ
œ> œ œ œ œ œ œ œ œ œ
œ> œ œ œ œ œ œ œ œ œjœ ‰ jœb ‰ jœb ‰ Jœb ‰jœ ‰ jœb ‰ jœb ‰ Jœb ‰jœœœbb ‰ jœœœbbb ‰ J
œœœbbb ‰ Jœœœbb ‰
œ> œ œ œ œ œ œ œ œ œ
Jœœ ‰ Jœœb ‰ Jœœb ‰ Jœœ ‰jœ ‰ Jœb ‰ Jœ ‰ Jœ ‰jœ ‰ jœb ‰ jœb ‰ jœ ‰
Œ œ œ œ ˙3
Jœ ‰ Jœb ‰ Jœ ‰ Jœ ‰
Jœœ ‰ J
œœ ‰ Jœœ ‰ J
œœ ‰œ> œ œ œ œ œ œ œ œ œ
Jœœb ‰ Jœœbb ‰ Jœœb ‰ Jœœ ‰Œ œb œ œ ˙
3
Jœœb ‰ J
œœbb ‰ Jœœbb ‰ J
œœb ‰Jœb ‰ Jœb ‰ Jœb ‰ Jœb ‰
Jœœb ‰ Jœœbb ‰ Jœœbb ‰ Jœœb ‰jœb ‰ jœb ‰ jœb ‰ jœb ‰
Jœb ‰ Jœb ‰ Jœb ‰ Jœb ‰
Jœb . ‰ Jœ. ‰ Jœ. ‰ Jœ. ‰∑165
˙ Ó
œ œ œ .˙nœ œ œ .˙n
œ œ œ .˙n
œ œ œ .˙nœ œ œ Jœ#
.‰ Ó
Jœœ ‰ .˙n
œ œ œ .˙n
œ œ œ .˙n
œ. Œ œ. Œœ. Œ œ. Œœœœ. Œ œœœ# . Œ
œ œ œ .˙nœœn . Œ œœ# . Œœn . Œ œ. Œ
œn . Œ œ. Œ
œœ. Œ œœ# . ŒŒ .˙nœ. Œ œ# . ŒJœ ‰ .˙nœœ. Œ œœ# . ŒŒ .˙œœ. Œ œœ# .
Œœ. Œ œ. Œœ. Œ œ. Œœ. Œ œ. Œœ. Œ œ. ŒÓ œb Œ
∑166
˙ Ó
fzp
fzp
fzp
ƒ
˙ œ œb œn œ œ# œ
˙ œ œœbb œœnn œœ œ# œ
˙ œ œb œn œ œ# œ
˙ œ œb œn œ œ# œ
Ó ‰ œ œ# œ œ# œ3
˙ œ œ œ# œ œ# œ
˙ œ œ œ# œ œ# œ
˙ œ œ œ# œ œ# œ
œ. Œ œ. Œœ. Œ œ. Œœœœ# . Œ œœœ. Œ˙ œ œ œ# œ œ# œœœ# . Œ œœ. Œœ. Œ œ. Œ
œ. Œ œ. Œ
œœ# . Œ œœ. Œ
˙ œ œ œ# œ œ# œœ# . Œ œ. Œ˙ œ œ œ# œ œ# œ
œœ# . Œ œœ. Œ˙ Jœ ‰ Œœœ# .
Œ œœ. Œœ. Œ œ. Œœ. Œ œ. Œœ. Œ œ. Œœ. Œ œ. Œ
œb Œ œ Œ∑167
∑
cresc.
cresc.
œb .Œ Ó
œb .Œ Ó
wb
wb
w
w
w
w
œ. Œ Óœ. Œ Ó
wbœ.
Œ Óœœnn .
Œ Óœn . Œ Óœ. Œ Ó
wwwww
œœbb . Œ Óœœbb . Œ Ó
wb
wbœb . Œ Ówbœb . Œ Ówwbbæ
∑168
∑
unis.
unis.
∑
∑œ.
Œ Óœ.
Œ Óœ. Œ Óœ.
Œ Óœ.
Œ Óœ.
Π
œ. Œ Ó
∑∑∑∑
œœ. Œ Óœœ. Œ Óœ. Œ Ó
∑∑
œ. Œ Óœ. Œ Ó
∑œ. Œ Ó
∑œœbb . Œ Ó
∑169
∑
33
S953 Turandot - I
Selected Concert Band Publications
FULL ENSEMBLE WORKS
BARNES, JAMES
Caribbean Hideaway (Grade 4)S689CB HL3778075
This fun encore piece for symphonic band is full of lively syncopated rhythms, and offers a lot for the percussion in terms of both instrumentation and style.
BERLIOZ, HECTORRogers, Mark
March to the Scaffold (Grade 4)S762CB HL3778378
The best known work by Berlioz, "Symphonie Fantastique" for orchestra is a well-regarded example of programatic music. This transcription for band of the 4th movement, "March To The Scaffold", depicts the following scene of a young, dreaming musician: "He dreams that he has killed his beloved, that he is condemned to death and led to the scaffold. The procession moves forward to the sounds of a march that is now somber and fierce, now brilliant and solemn, in which the muffled sound of heavy steps gives way without transition to the noisiest clamor. At the end, the idee fixe returns for a moment, like a last thought of love interrupted by the fatal blow." This transcription by Mark Rogers carefully adapts the orchestral version in such a way as to best match the intent of the original, and is meant to set the standard by which all other scores of this sort may be measured. Three of the movements of "Symphonie Fantastique" have been transcribed for band and are available from he publisher: Movement II- "Un Bal", Movement IV- "March To The Scaffold", and Movement V- "Dream of a Witches Sabbath".
EWAZEN, ERIC
A Hymn for the Lost and the Living (band)
(Grade 4)
S817 HL3778602
After witnessing the tragic aftermath of the September 11, 2001 attack on New York firsthand, Ewazen composed this as a memorial to those who lost their lives, and as a tribute to the resilience and determination of those left behind. Available for band, orchestra, and solo trumpet with piano. (2002) Ca. 9'
Celtic Hymns and Dance (Grade 4)S671 HL3778012
GATES, GEORGERagsdale, Van
Sol Y Sombra (Grade 4)S480RVC HL3777283
The title of this paso doble refers to the cusom of selling bullfight tickets for the sunny (sol) or shady (sombra) side of the arena. Gates composed this work for the Richardson High School Band in 1958 during the time he served s director of that well-known organization. This edition was revised nationally recognized band director and writer Van Ragsdale in 2001. "Sol y Sombra" has been recorded by the Dallas Wind Symphony conducted by Frederick Fennell on the album "Marches I've Missed".
GIBSON, JOHN
Resting in the Peace of His Hands (Grade 4)S670 HL3778009
GOLDMAN, EDWIN FRANKORogers, Mark
Christmas March (Grade 4)S951CB HL172768
Among Goldman’s many contributions to the band’s repertoire, his pastiche marches such as “Children’s March” and the “Christmas March” have been especially popular. Familiar seasonal tunes include Good King Wenceslas, Adeste Fideles, Jingle Bells, It Came Upon the Midnight Clear, The First Noël, Deck the Halls and Hark! the Herald Angels Sing. An optional short coda reduces the playing time to approximately 4:00. A handsome full score and judicious rescoring of the upper woodwinds makes this an ideal alternative for community bands looking for new sounds in a classic, yet familiar style for their December programs.
GRAINGER, PERCY ALDRIDGECarson, William
Spoon River (Grade 4)S926CB HL3779032
This American folk-dance set for concert band is based on the tune "Spoon River", which a Captain Charles H. Robinson heard in 1857 being played by a rustic fiddler at a country dance in Brandford, Illinois. Passed to Grainger through poet Edgar Lee Masters in 1914, it is a very archaic tune in character; typically American, yet akin to certain Scottish and English dance-tune types. Grainger aims in his original setting at preserving a pioneer blend of lonesome wistfulness and sturdy persistence. This edition for band seeks to maintain the Grainger sound, while offering bands instrument substitutions for those that have become less common and making small additions such as clearer dynamics.
GRAINGER, PERCY ALDRIDGECramer, Ray E.
Near Woodstock TownS855 HL3778754
GRAINGER, PERCY ALDRIDGERogers, Mark
Colonial Song (Grade 4)S702 HL3778130
Grainger's art inextricably linkded to folk music, this composition, which uses no traditional tunes but is meant to express feelings aroused by thoughts of the scenery and people of his native Australia, is perhaps the finest, and may well be the most well-crafted, of any of his original works. Intended to be the first of a set of pieces written in a sweetly romantic vein called "Sentimentals", the composer dedicated this composition to his mother, though it remains the only piece in the set following her death. This edition returned to the original arrangement for band produced by Grainger to create the most authentic version, true to the composer's intentions, with small adjustments in instrumentation made to accommodate the contemporary band.
Shepherd's Hey (Grade 4)S667 HL3777995
"In agricultural districts in various parts of England, teams of 'Morris Men,' decked out with jingling bells and other finery, can still be seen dancing to 'Sheperd's Hey' and other traditional dance tunes played on the fiddle or on the 'pipe and tabor' (a sort of drum and fife).- Percy Aldridge Grainger, 1918. Part of the composer's British Folk-Music Settings, Grainger arranged the tune "Shepherd's Hey" for a variety of settings. The wind band version is considered to be largely derived with from his orchestra setting.
The Gum Suckers March (Grade 4)S684CB HL3778056
From Grainger: "Gum-suckers" is a nick-name for Australians hailing from the state of Victoria, the home state of the composer. The leaves of the 'gum' (Eucalyptus) trees are very refreshing to suck in the parching summer weather." The 4th movement of his "In a Nutshell" suite for orchestra, the composer himself arranged this piece for band, as he did for much of his orchestral music. However, due to some contemporary methods of transposing and the lack of a full score, that original version contains numerous errors. This edition was carefully crafted, pulling from all available resources and archives to determine the composer's original intent. In addition to corrections, this edition updates the instrumentation to reflect current bands and offers generous cross-cueing for those bands without the full instrumentation for which Grainger customarily wrote.
HERBERT, VICTORClarke, Herbert
March of the Toys (Grade 4)S739 HL3778286
JARRE, MAURICEReed, Alfred/ Rogers, Mark
Lawrence of Arabia (Grade 4)S947CB HL172752
David Lean’s epic film “Lawrence of Arabia” was nominated for ten Academy Awards and won seven, including Best Original Score for Maurice Jarre’s masterful musical depiction of the exotic world through which T.H. Lawrence passed. Alfred Reed’s setting of the music for concert band, available here for the first time in full score with newly edited parts, is built on two of the main themes: the Arabian motif, with its blazing color and almost-barbaric effects; and the Lawrence theme, a haunting, poignant melody that reflects both his love of the desert and his internal, psychological conflicts.
MCBETH, W FRANCIS
Masque (Grade 4)S407 HL3777047
Commissioned in 1967 by the State College of Arkansas Band, Dr. Silas Snow, President, for the dedication of the Fine Arts Center. It was premiered by the same band the same band, Homer Brown, conductor.
They Hung Their Harps in the Willows (Grade 4)S617CB HL3777804
Concert Band
SOUSA, JOHN PHILIPBrion, Keith
The White Rose March (Grade 4)S827 HL3778642
This edition was introduced as part of the New Sousa Band Editions series, designed to make the musical sound and legacy of Sousa more easily available for modern bands. The original march was commissioned by the civic committee of York, PA to celebrate "White Rose Day," 1917 to create one of the "March King's" jolliest and most rollicking marches.
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FULL ENSEMBLE WORKS
ALLEN, FRED
He's Gone AwayS691 HL3778086
BARNES, JAMES
Fantasy Variations on a Theme of Paganini
(Grade 5)
S612 HL3777785
Commissioned by the United States Marine Band, the set of twenty variations is based on the famous theme of Paganini's 24th Caprice in A Minor for solo violin, which is the same theme used by Brahms and Rachmaninoff for their famous compositions. The composer's overall concept was to use the variation technique to showcase every solo instrument and/or every instrumental section of the modern wind band. In doing so, creating a piece that could be played almost anywhere for almost any kind of audience: a piece full of energy, drama, and even a little humor.
Impressions of Japan (Grade 5)S661CB HL3777971
A tone poem in three sections expressing the composer's personal portrayal of his experiences in visiting Japan: I. Joetsu Asahi (Dawn in Joetsu)II. Todaiji (The Great Buddha at Nara)III. Askusa Matsuri (Festival in Asakusa)
Invocation and Toccata (Grade 5)S527CB HL3777458
Invocation and Toccata was commissioned by the New Mexico State University Wind Ensemble, Lawrence Henry, conductor.
Pagan Dances (Grade 5)S628 HL3777847
The "Pagan Dances" completes the cycle of four "primitive" works for symphonic band that also includes "Visions Macabre", "Invocation and Toccata" and "Torch Dance". All of these works employ highly dissonant harmonies, repetitive melodic material and driving rhythm. The work was premiered by the University of Central Arkansas. Movement titles: I. Ritual, II. Mystics, III. The Master of the Sword
Symphonic Overture (Grade 5)S647CB HL3777921
A Romantic-Style work of large proportions and challenging instrumental parts, Symphonic Overture was commissioned for the 50th Anniversary of the USAF Band in 1991 and has been performed since then at the band's anniversary concert.
BARNES, JAMESRogers, Mark
Fourth Symphony: Yellowstone Portraits (Grade
5)
S781 HL3778458
Commissioned by the Kansas City Youth Symphony, this work was intended to serve as a major contribution to the celebration of the orchestra's 40th anniversary. The wind band version of the symphony was completed in 2001. As the title suggests, the programatic work is a musical landscape portraying the majestic beauty of Yellowstone Park. It is set in three movements depicting natural scenes: 1. Dawn on the Yellowstone River, 2. Pronghorn Scherzo and 3. Inspiration Point.
BOYER, THORNTON BARNESBarnes, James
Joyce's 71st NY Regiment MarchS678 HL3778036
CAMPHOUSE, MARK
Whatsoever Things (Grade 5)S719 HL3778203
The title of this composition is taken from the motto of Northwestern University (from Philippians 4:8). The common thematic thread in all three sections is the varied employment of that school's alma mater hymn, the famous "St. Anthony Chorale". "Whatsoever Things…" was commissioned by the Revelli Foundation for the 1997 Honor Band of America as the inaugural commission of the Paynter Project. It is dedicated to the memory of John P. Paynter (1928-1996).
FREUND, DON
Jug Blues and Fat Pickin' (Grade 5)S937CB HL121335
Originally commissioned for the celebration of Tennessee's "Homecoming '86," Jug Blues & Fat Pickin’ is without peer in the wind band repertoire. Inspired by recording of the Memphis Jug Band, the most recorded and perhaps most popular of the jug bands to spring up on Memphis' Beale Street in the late 1920's, and bluegrass banjo pickin', Freund's composition is a unique musical offering that melds "blues elements" with minimalist technique.
GIBSON, JOHN
Radio FlyerS920 HL3779019
GRAINGER, PERCY ALDRIDGECramer, Ray E.
Near Woodstock TownS855 HL3778754
GRAINGER, PERCY ALDRIDGERogers, Mark
Children's March: Over the Hills and Far Away
(Grade 5)
S673 HL3778018
This critical performance edition of one of Grainger's greatest masterpieces for band captures the composer's vivid orchestration and delightful melodies. The unique feature of this publication is that in its preparation, three original sources were utilized including Grainger's own manuscripts of the compressed score and parts, restoring the music as closely as possible to the composer's original intentions within the context of the modern wind ensemble.
Molly on the Shore (Grade 5)S703CB HL3778136
The composer's love for music of the simple rural folk of the British Isles led to a series of forty-three pieces that Grainger grouped into a series called "British Folk-Music Settings", including this title as No. 23. This arrangement of the Irish Reel, through superb historical research of the composer's intent and the adaptations that have followed throughout the years, succeeds in offering an accurate version of the original while offering instrumentation options meant to enhance the experience for the musicians and audience alike.
HOLSINGER, DAVID
Liturgical Dances (Grade 5)S546CB HL3777531
A remembrance of an earlier time when the composer was a student at commissioning body Central Methodist College's Phi Mu Alpha Sinfonia music fraternity. The composition displays two images: the first a prelude of reflection on the emotional and spiritual bonds that unite men of like hearts; the second, exuberant praise and celebration for the service of men to their vocation and a glorious Lord, who created music that man would have a wonderful vehicle with which to exhibit his exhilaration with life!
MCBETH, W FRANCIS
Of Sailors and Whales (Grade 5)S629 HL3777850
"Of Sailors and Whales" is a five-movement work based on five scenes from Herman Mehlville's "Moby Dick". It was commissioned by and is dedicated to the California Band Directors' Assocation, Inc., and is sub-dedicated to Robert Lanon White, Commander USN (Ret.), who went to sea as a simple sailor. It is designed so that any portion of the five movements may be used. Movement titles include: I. Ishmael, II. Queequeg, III. Father Mapple, IV. Ahab, V. The White Whale
SMETANA, BEDRICHRogers, Mark
The Moldau (Grade 5)S741CB HL3778296
The second in a six cycle collection of symphonic poems titled "My Fatherland (Ma Vlast)", The Moldau (Vltava) is also the most popular. This composition depicts the course of the river Vltava as it passes through the composer's native Bohemia. Movements: I. The Two Sources of the Moldau, II. Hunt in the Forest, III. Peasant Wedding, IV. Moonlight; Dance of the Nymphs, V. St. John's Rapids, VI. The Moldau at its Greatest Breadth, VII. Vysehrad, Ancient Seat of the Kings of Bohemia
VERDI, GIUSEPPERogers, Mark
La Forza Del Destino (Grade 5)S516 HL3777415
This prelude to Verdi's first opera was composed in 1868 as part of an overall revision of the opera, and it is in the revised version that work is known today. This overture, while not in way following the tragic events of the opera, functions as a symphonic treatment of music heard within the opera. Originally transcribed by Mark Rogers in 1980, this newer edition has been revised to account for the changes in the concept of the wind band to better suit contemporary usage.
YOUNG, CHARLES
Tempered Steel (Grade 5)S726CB HL3778230
As we grow stronger and more resilient through hardship, we become "tempered." Tempered Steel is a celebration of our triumph over these unavoidable hardships and obstacles that we regularly face. As the title implies, the metallic sonorities of the wind band are continually explored and developed throughout the work, while the "tempest" is a symmetric hexachord that is exposed and developed through a variety of juxtaposed gestures and themes. Tempered Steel was "forged" in 1997 as the first work to be commissioned by the Big 12 Band Directors Association. This 2nd edition resulted from Dr. Young's request to make a few very minor changes in the work, based on his experience hearing dozens of performances, and hearing from conductors who have wrestled with the difficulties inherent in the score.
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