ABMP School Issues Forum Austin, 2012 RIGHT BRAINED TEACHING FOR CREATIVE CLASSROOMS.

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ABMP School Issues Forum Austin, 2012 RIGHT BRAINED TEACHING FOR CREATIVE CLASSROOMS

Transcript of ABMP School Issues Forum Austin, 2012 RIGHT BRAINED TEACHING FOR CREATIVE CLASSROOMS.

Page 1: ABMP School Issues Forum Austin, 2012 RIGHT BRAINED TEACHING FOR CREATIVE CLASSROOMS.

ABMP School Issues Forum Austin, 2012

RIGHT BRAINED TEACHING FOR

CREATIVE CLASSROOMS

Page 2: ABMP School Issues Forum Austin, 2012 RIGHT BRAINED TEACHING FOR CREATIVE CLASSROOMS.

Session Goals:

• Define art-based learning

• Discuss benefits of bringing art-based learning into classrooms

• Identify one art-based learning activity to use next week

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Art-based learning uses learner art-

making as a means for promoting learning in

non-arts subjects.

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Art-Based Learning Models

• Local community centers

• Whole school projects

• Classroom instruction

• Teacher development

• Special learner populations

• Business management

• Business teams

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Research Results

• Improved relationships and cooperation

• Increased learner participation and engagement

• Improved teacher quality of instruction

• Increased self-esteem and willingness to try new things

• Improved creativity, problem solving, and complex thinking

• Increased self-assessment, organization, and planning skills

• Improved higher-order thinking skills

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Higher-Order Thinking Skills

• Critical thinking • Creative thinking

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ABMP Instructors on the Front Lines Teaching Critical and Creative Thinking Skills to Massage

Students

Thinking tools are learned (or innate) approaches to thinking that are necessary for higher-order thinking.

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1. Observing 2. Generating Ideas 3. Asking Questions 4. Connecting 5. Solving Problems 6. Transforming and

Synthesizing

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Transforming and Synthesizing Defined:

The process of internalizing new information by linking it to prior experience and knowledge, translating it into your own language, and then presenting the knowledge in a different way.

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Art-Based Learning Examples

• Visual Dialogues

• Writing Activities

• Dance and Embodiment

• Theatre Activities

• Music Activities

• Installations

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Visual Dialogues

• Collages • Photography• Painting • Posters • Art Objects

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Poster Projects and Shows

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Be true to you. In the words of Allen Ginsberg: “Follow your inner moonlight; don’t hide the madness.”

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Project Goals

Organize time

Think creatively

Communicate a clear message

Eff ective Posters

Focus on a single message

Act as a source of information

Let graphics tell most of the story

Serve as effective conversation starters

POSTER PROJECT AND SHOWS

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Massage for Special

Populations

Massage for Condition Management

Massage and the Environment

Massage Making a Difference

POSTER PROJECTS AND SHOWS

Pick a Theme

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Guidelines

Posters must be 18 X 24 inches in size

Provide a 150-250 word typed description expressing the inspiration behind the poster.

Judging Criteria

Your poster will be judged on originality, clarity, relevance, clarity of the poster’s message, and use of graphics.

POSTER PROJECT AND SHOWS

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Plan a Show

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Psychology of Touch Project

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Project Goals

Recognize the role of touch in life

Identify touch histories

Recognize that clients have touch histories

Directions

Create an art object that represents your touch history and current relationship to touch

Prepare 200-300 word typed description of your inspiration for the project

PSYCHOLOGY OF TOUCH PROJECT

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Your Turn!

What types of visual dialogues are you currently using in

your massage classrooms?

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Writing Projects

• Free Writing • Journaling • Poetry • E-books

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Uses

Wake up thinking

Warm up before an exam

Develop comfort with writing

Bypass an inner critic

Discover new ideas

Capture feelings in a moment

Directions

Give students a topic

Example: Think about how your body feels now that you have received a massage – write about these feelings and any thoughts that come up.

Direct students to write non-stop for 10-15 minutes

Share some of their thoughts in a group discussion

FREE WRITING

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Your Turn!

What types of writing projects are you

currently using in your massage

classrooms?

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DanceMovement Activities Embodied Art

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Body Thinking

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Reenactment

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Your Turn!

What types of movement, dance, or

embodied art projects do you

currently use in your massage

classrooms?

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• Music • Rhythm• Sound • Song

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Dance Massage

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Do you currently use music, rhythm,

sounds or songs as part of your

teaching?

Your Turn!

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Theatre-Based Activities

• Skits • Role-playing • Reenactment• Videos

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Data Geek

Empath Pessimist

Optimist Doer Manager

Six Views Activity

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Your Turn!

What do you think about the Six Views

activity? Where might it be useful in

your curriculum?

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The Animal Game

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Do you have issues with learners excluding

others?

How do you address the issue now?

Do you see the Animal Game as a useful way to

frame topics of exclusion?

Your Turn!

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Installations

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Massage History Timeline

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Human Installation

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HUMAN INSTALLATIONS

Uses

Gives closure

Body learning

Collective experience

Requires teamwork

Creates lasting impression of learning

Directions

Give learners warning at the beginning of the class

Leave the room – allow students 15-20 minutes

Take pictures

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Your Turn!

You have 15 minutes to dialogue and plan an

installation that captures something that you learned here today .

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Around the Room What is the most important thing you’ll take home with

you as a result of our sessions today?

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THANK YOU!