Aaron Pulkka The Art and Science of Developing Licensed Games.
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Transcript of Aaron Pulkka The Art and Science of Developing Licensed Games.
![Page 1: Aaron Pulkka The Art and Science of Developing Licensed Games.](https://reader036.fdocuments.in/reader036/viewer/2022062500/5697bfb81a28abf838c9f12c/html5/thumbnails/1.jpg)
Aaron PulkkaThe Art and Science of Developing Licensed Games
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The Art and Science of Developing Licensed GamesAaron Pulkka | Director of Production | Activision
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Aaron Pulkka
Overview
• Benefits vs. Pitfalls• Background– Can licensed games innovate?
• Framework–Deconstruction–Exploration
• Conclusions3
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Aaron Pulkka
Developing Licensed Games
Benefits Pitfalls
Brand ElementsProvide Head Start
ConstraintsProvide Focus
Additional Resources
OversimplifyingAccepting Stereotypes
Violating LicenseIgnoring Core
Miscommunication
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Aaron Pulkka
Background5
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Aaron Pulkka
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Aaron Pulkka
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LicensedOwned Call of Duty
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Aaron Pulkka
Innovation?8
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Aaron Pulkka
Framework
1.Plan Communication
2.Deconstruct License
3.Explore Boundaries
4.Make a Great Game!9
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Aaron Pulkka
Communication Plan
• Contacts– Publisher or Licensor contact for
discussion and approvals– Escalation path for exceptions
• Submission Process– Format for submissions by type• Documents, Images, Video, Builds
– Submission Method• Email, SFTP, rsync
– Feedback Timing• Typical and maximum review times
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Aaron Pulkka
Communication Plan
• Licensor’s Areas of Focus– Logos, Presentation, Likeness, Story,
Theme, Gameplay, …
• Level of Detail Required– Individual Assets or Playable Builds?
• Frequency of Communication–Weekly calls, Monthly meetings,
Milestone based submissions, ad-hoc chats
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Aaron Pulkka
Deconstruction
Identification:License TypeLicensor MotivationAvailable Assets
Analysis:Underlying StoryCharacters
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Aaron Pulkka
Technical IP13
• Rules based Intellectual Properties (IP)• Sports, Fitness, Professional Racing,
Military Simulation, etc.
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Aaron Pulkka
Story Based IP14
• License based on a specific story, or placed within the world created within series of stories
• Movies, TV shows, Books, Comics, etc.
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Aaron Pulkka
Personality Focused IP
• License based on a character or personality that transcends the stories they appear in
• Barbie, Mickey Mouse, Bugs Bunny, Mario, Hello Kitty, etc. 15
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Aaron Pulkka
Identification
• Types of licensed IPTechnicalStory BasedPersonality FocusedCrossovers
• Licensor MotivationsBrand GoalsCore Brand Elements
• Available Assets 16
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Aaron Pulkka
Brand Goals
• Fan Service– Game meant to appeal to existing
customers
• Brand Expansion– Licensor is hoping to expand audience
through game
Guides demographic and directionDesired balance determines how much
you can rely on player’s knowledge
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Aaron Pulkka
Core Brand Elements
• Target Demographic– Kids, Teens, or Adults?– Male or Female?– Interest groups?
• Brand Identity– Key phrase or slogan– Core principles– Exclusions (what is off-brand?)– Appearance
• Art Style, Character Likeness, Logo, Fonts
Constraints Provide Focus18
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Aaron Pulkka
Licensed Assets
License resources save time and help establish boundaries
• Request Assets:• Style Guide• Concept Art and 3D models• Scripts, Storyboards, Movies• VO, Sound Effects, Music
• Understand Usage Rights:• Some assets can only be used as reference• Some assets require additional fees
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Aaron Pulkka
Deconstruction
Identification:License TypeLicensor MotivationAvailable Assets
Analysis:Underlying StoryCharacters
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Aaron Pulkka
Analysis of Story and Character
Understanding of Western cultural references will help explain license
• Classic Literature– Greek Philosophy and Mythology
• Socrates, Plato, Aristotle, Homer– Shakespeare– Basic Plot Structures– Archetypes
• Pop Culture– Historical/Current Events– Movies/TV– Comics
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Aaron Pulkka
The Iliad
• Epic poem by Homer, following Trojan warrior battling army to rescue woman captured by Greek King
• Parallels in many stories, including Road Warrior and Super Mario World
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Aaron Pulkka
PygmalionGreek Myth that inspired Frankenstein, Pinocchio, the play “Pygmalion” by George B. Shaw (1912)
and many more …
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Aaron Pulkka
Shakespeare24
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Aaron Pulkka
7 Basic Plots of Western Literature
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Basic Plots
GameExamples
1. Overcoming the Monster 2. Rags to Riches 3. The Quest4. Voyage5. Comedy6. Tragedy 7. Rebirth
Donkey KongFarmvilleZeldaSyberiaSimpsonsHeavy RainEpic Mickey
Many stories and games combine multiple basic plots
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Aaron Pulkka
Character Analysis
• Stereotype– Oversimplified image of type
• Archetype– Original model on which other
characters are patterned– Used as building blocks
While some characters are Stereotypes, most are layers of Archetypes
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Aaron Pulkka
Basic Jungian Archetypes
• The Father: Authority figure; stern; powerful.
• The Mother: Nurturing; comforting.• The Child: Longing for innocence; rebirth;
salvation.• The Wise Old Man: Guidance; knowledge;
wisdom.• The Hero: Champion; defender; rescuer.• The Maiden: Innocence; desire; purity.• The Trickster: Deceiver; liar; trouble-
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Aaron Pulkka
Advanced Archetypes• Many possible archetypes exist• Compound archetypes create deeper,
more believable characters:– Hero/Child: Champion; Rescuer; Longing
for innocence– Father/Trickster: Authority Figure; Liar
• Schmidt’s Master Classes– Building on Jungian archetypes with
good/bad, male/female, friend/rival and symbolic versions
– Described through pop culture references Recognizing archetypes helps
determine character motivation and predict how characters will react to new situations
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Aaron Pulkka
Framework
Plan Communication
Deconstruct License
3.Explore Boundaries
4.Make a Great Game!29
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Aaron Pulkka
Exploring Boundaries
• Establish Boundaries– Output from license
deconstruction
• Push the Edges– Consider what has not been
done before within brand
Replication vs. Innovation
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Aaron Pulkka
Established Boundaries
• Core Brand Principles• Tone and Style• IP Type– Technical, Story, or Personality
• Available Assets• Story Settings and Structure• Character Archetypes• Audience / Age Rating• Brand Awareness 31
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Aaron Pulkka
Exploring Boundaries
• Unique aspects of interactive medium• What hasn’t been done before?
– Break rules!– Innovate on gameplay mechanics– Consider alterative genres
• Action, Adventure, Role-playing, Simulation, Strategy, Party, Puzzle, …
– Change art style– Fill in story gaps or re-visit back-story– Established archetypes in new stories or settings
• Interweave cultural references
Be cautious of violating core brand principles or changing archetypes
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Aaron Pulkka
Cultural References
• Pop Culture– Increases relevance to modern audience
for older/established licenses– Improves immersion or realism
• Literary– Provides familiar structure– Creates illusion of greater depth
Can be serious or comedic 33
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Aaron Pulkka
Framework
Plan Communication
Deconstruct License
Explore Boundaries
4.Make a Great Game!34
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Aaron Pulkka
Great Licensed Games
Batman Arkham Asylum succeeded through a combination of a deep understanding of the settings, themes, and characters of the Batman universe with a highly polished execution Average Review Score: 92% Previous average of Batman games: 63% Lowest Reviewed Batman Game: 22%
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Transformers: War for Cybertron achieved critical acclaim by allowing players to explore part of the never before experienced back-story, with high production values and attention to detail staying true to the license Average Review Score: 79%
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Aaron Pulkka
Conclusions
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Aaron Pulkka
Developing Licensed Games
Art Science•License Analysis
•Underlying Story•Character Archetypes
•Pop cultural References
•Pushing Boundaries
•Innovation
•Genre Selection
•License Identification•License Type•Brand Goals•Core Elements
•Defining Boundaries
•Communication Plan
•Balancing Time vs. Quality
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Aaron Pulkka
Licenses Maximize Resources
Games can be developed faster or higher quality, with same expenditure of resources
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Brand Assets
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Aaron Pulkka
Western Licensed Games Developed in China
39… ?
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Aaron Pulkka
Questions?
• Contact:aaron . pulkka @ activision . com
• References: Heroes, Gods, and Monsters of
the Greek Myths By Bernard Evslin
The Portable Jung Edited by Joseph Campbell
45 Master Characters: Mythic Models for Creating Original Characters By Victoria Schmidt
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