“A2-Type is a new type foundry set up by the London based design studio A2/SW/HK. Established to release and distribute over a decade’s worth of specially crafted typefaces the foundry offers access to a unique collection of fonts. Launching in Autumn 2010 with a selection of 15 fonts specially created for print, screen and environment. Scott and Henrik are members of Alliance Graphique Internationale, AGI.”

A2/SW/HK

Typocircle Speakers:

A2/SW/HK6 June - 10 August

Client: Ergonomics

Project: Real Design 2009 - 2010

Design Museum, LondonExhibition identity, applied graphics and brochure including bespoke display typefaceExhibition design by Michael MarriotPhotography by Luke Hayes & A2/SW/HK

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Client: Ergonomics

Project: Real Design 2009 - 2010

Design Museum, LondonExhibition identity, applied graphics and brochure including bespoke display typefaceExhibition design by Michael MarriotPhotography by Luke Hayes & A2/SW/HK

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Client: V&A Museum London

Project: Cold War Modern, Design 1945 - 1970, 2008

Art Direction, bespoke typefaces and design

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Client: Ergonomics

Project: Real Design 2009 - 2010

Design Museum, LondonExhibition identity, applied graphics and brochure including bespoke display typefaceExhibition design by Michael MarriotPhotography by Luke Hayes & A2/SW/HK

Client: Gavin Martin Associates & Colournet LTD

Project: Deliver a great idea

We suggested making use of an unused canvas - the humble proof bag. Used by printers to deliver wet proofs to their clients, the bags were screen printed with a life-sized collection of eccentric objects.

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Client: Foreground, Frome

Project: Intervation/ Decoration, 2008

Visual identity, bespoke typefaces and design

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Client: Foreground, Frome

Project: Intervation/ Decoration, 2008

Visual identity, bespoke typefaces and design

Client: Phil Collins

Project: “The world wont Listen”

Art Direction, bespoke typefaces and design

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Client: Phil Collins

Project: “The world wont Listen”

Art Direction, bespoke typefaces and design

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/HKTokyo Type Directors Club, 2 entries in annual, Antwerp typeface + A2-TYPE typeface specimenGraphis Poster 2012, 3 Gold AwardsType Directors Club of New York, 2012, 1 Certificate of Typographic ExcellenceLetter2 (ATypi 2011), Winner: New Rail Alphabet Type Directors Club of New York, TDC57, 2011, 2 Certificates of Typographic ExcellenceGranshan International Type Design Competition, 3rd prize in the Display Category (Zadie typeface), Armenia, 2010Type Directors Club of New York, TDC56, 2010, 1 Certificate of Typographic ExcellenceGranshan International Type Design Competition, 1st prize in the Display Category (Vogue Floral typeface), Armenia, 2009ISTD — 2009 International Typographic Awards 2009, 1 Premier Award & 4 Certificates of ExcellenceD&AD, Design & Art Direction, 2009 Annual, in book x 2Graphis Poster 2010, 1 Gold AwardTokyo Type Directors Club, 2009 Annual, in book x 1LAUS 08, ADG FAD, NominationZ-GRAF 10, Croatia, Honorable MentionADI Design Awards 2007, Art & Design Institute of China Academy of Art, ADI Achievement AwardTokyo Type Directors Club, 2008 Annual, in book x 2Kraszna-Krausz Photography Book Award, Kraszna-Krausz Foundation and the National Museum of Photography, Film & Television, Bradford, 1 NominationGraphis Logo Design 7, 2007, 1 Gold AwardGraphis Poster 2007, 1 Platinum Award & 1 Gold AwardThe Howard Smith Paper Graphic Design and Print Awards 01 (2007), Winner, Graphic Design, Books and MagazinesDesign Week Awards 2007, Branded Packaging, Commended, Nørrebro BryghusAIGA, American Institute of Graphic Arts, 50 best covers of 2006Print Magazine, USA, Regional Award, 2006TAMGA, International Trademark Contest 2005, Honorary mentionAXA Award, Nomination, 2005Type Directors Club of New York, 2005, 3 Certificates of Typographic ExcellenceISTD, International TypoGraphic Awards 2004, Winner: Overall TypoGraphic Award, 2 Premier Awards & 2 Certificates of ExcellenceThe Danish Design Prize 2004, Visual Identity, Winner, Nørrebro Brewery — in collaboration with Punktum DesignDesign Week Awards 2004, Temporary Exhibition Design, Winner, Turner Prize 2002Design Week Awards 2004, Poster Design, Winner, Teaching PostersDesign Week Awards 2004, Editorial Design, Nomination, Apparition, The Action of AppearingType Directors Club of New York, 2004, 1 Certificate of Typographic ExcellenceThe Consort Royal Graphic Design and Print Awards 2003, 2 Gold Awards, 1 Overall Gold Award (London region) Art Directors Club of New York, 2003, 1 Distinctive Merit Award, Exhibition design 2003Type Directors Club of New York,2003, 2 Certificates of Typographic ExcellenceDanish Design Centre, The Danish Design Prize 2002, 1 Nomination, Identity SchemeCommunications Arts Design Annual 2002D&AD, Design & Art Direction 2002 — 1 Silver Nomination, Identity SchemeDanish Design Centre, The Danish Design Prize 2001, 1 Nomination, Identity SchemeConsort Royal Awards 2002 — 2 Silver Awards, Corporate Literature & MiscellaneousADCNY, Art Directors Club New York 2002 — 1 Distinctive Merit & 1 Merit Award, Identity SchemesISTD, International TypoGraphic Awards 2001— 2 Premier Awards & 3 Certificates of ExcellenceADCNY, Art Directors Club New York 2001 — 1 Distinctive Merit Award, Editorial Design

Awards

Client: Jackson Gilmore

Project: Cook up a successful rebrand

Jackson Gilmour are a family run, award-winning catering company. With a prestigious client list that includes HRH the Queen and a staff of chefs with more than a few Michelin stars between them, they needed a rebrand that expressed their offer as one of the best in the business.

Client: Royal Mail

Project: How to- Spread the word

Our solution is inspired by the typographic beauty of the original King James Bible. A modern take on the 400 year old book resulted in a pocket-sized Bible with extracts relevant to the stamps. The stamps were then tipped-in by hand to form a crucifix.

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Client: Hayward Gallery

Project: The New Decor, 2010

Art Direction, bespoke typeface and designCover typeface: Flash by Edwin W. Shaar, Linotype

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Client: Royal Mail

Project: How to - Spread the word

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