A TPEFACE PRODUCED AND LICENSED B EMIGRE AMo · Program is a type designer’s typeface. It’s...

oMARPROP

PROGRAM

A TYPEFACE PRODUCED AND LICENSED BY EMIGRE

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PROG

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R)Book

Medium

Bold

Black

Regular

Medium

Black

PROGRAM

BookBook Italic

MediumMedium Italic

BoldBold Italic

BlackBlack Italic

PROGRAM & PROGRAM NARROW

The quick brown fox jumps over the lazy dog.














The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.The quick brown fox jumps over the lazy dog.

PROGRAMNARROW

RegularRegular Italic

MediumMedium Italic

BlackBlack Italic

PROGRAM has four weights, while Program Narrow has three. Instead of matching the overall

“color” in text settings between the Program and Program Narrow versions, as is often done, we

matched the stem weights. This allows for a more comfortable matching of stem weights when

combining the two versions at larger sizes on posters or in headlines.

Program is available in both OpenType and Web Font formats.

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ABCDEFGHIJKLMNOPQRSTUVWX YZ

abcdefghijklmnopqrstuvwxyz

0 1 2 3 4 5 67 8 9 ( ! @ # $ % * & )

ABCDEFGHIJKLMNOPQRSTUVWXYZ


0 1 2 3 45 67 8 9 ( ! @ # $ % * & )



0 1 2 3 45 67 8 9 ( ! @ # $ % * & )



0 1 2 3 45 67 8 9 ( ! @ # $ % * & )



0 1 2 3 4 5 67 8 9 ( ! @ # $ % * & )



0 1 2 3 45 67 8 9 ( ! @ # $ % * & )



0 1 2 3 45 67 8 9 ( ! @ # $ % * & )



0 1 2 3 45 67 8 9 ( ! @ # $ % * & )



0 1 2 3 4 5 67 8 9 ( ! @ # $ % * & )



0 1 2 3 45 67 8 9 ( ! @ # $ % * & )



0 1 2 3 45 67 8 9 ( ! @ # $ % * & )



0 1 2 3 45 67 8 9 ( ! @ # $ % * & )

M E D I U M M E D I U M

B O L D B O L D

B L AC K B L AC K

B O O K B O O K

PROGRAM PROGRAM ITALIC

Each Program font includes both lining and old style numerals,

as well as tabular lining and tabular old style numerals.


A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

a b c d e f g h i j k l m n o p q r s t u v w x y z

0 1 2 3 4 5 6 7 8 9 ( ! @ # $ % * & )



0 1 2 3 4 5 6 7 8 9 ( ! @ # $ % * & )


a b c d e f g h i j k l m n o p q r s t u v w x z v w x y z

0 1 2 3 4 5 6 7 8 9 ( ! @ # $ % * & )


a b c d g h i j k l m n o p q r s t u v w x y z

0 1 2 3 4 5 6 7 8 9 ( ! @ # $ % * & )



0 1 2 3 4 5 6 7 8 9 ( ! @ # $ % * & )



0 1 2 3 4 5 6 7 8 9 ( ! @ # $ % * & )


a b c d g h i j k l m n o p q r s t u v w x y z

0 1 2 3 4 5 6 7 8 9 ( ! @ # $ % * & )



0 1 2 3 4 5 6 7 8 9 ( ! @ # $ % * & )



0 1 2 3 4 5 6 7 8 9 ( ! @ # $ % * & )

R EG U L A R R EG U L A R

M E D I U M M E D I U M

B L AC K B L AC K

PROGRAM NARROW PROGRAM NARROW ITALIC

Each Program font includes both lining and old style numerals,

as well as tabular lining and tabular old style numerals.


RanyX68efPROGRAM is a type designer’s typeface. It’s about the craft of typeface design and the particular details and effects that type designers fret over when they design type. It mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. It features both rounded edges evoking the effects of reproduction, and ink traps, the technique used to counteract that effect. The idea was to create a series of fonts with strong individualistic features, challenging the constraints of a central theme that is usually imposed on a family of fonts, while still relating to each other in terms of overall look and feel.Program was designed and produced by Zuzana Licko.FO

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STRUCTURALLY, the Program type family would be difficult to classify as it mixes different

structural models. Program Book, for instance, with its low contrast, has the features of a Neo-

Grotesque with slight Humanist tendencies that are most visible in the calligraphic, brush-like

tail endings of the lowercase a, d, b, k, u, and capital R and K. Program Narrow is decidedly more

Modern in structure, with pronounced vertical stress carried throughout all characters.

PROGRAM AND PROGRAM NARROW diverge most notably in the design of the a, c, e and s in

both lowercase and capitals. In Program, the terminals of these curved characters are vertical.

This opens up the counter spaces and increases legibility, contributing to its fitness as a text font.

In Program Narrow the terminals are horizontal. Bending the curves into themselves like this

accentuates the verticality of Program Narrow. The effect also creates more compact letter shapes

making it a suitable headline font.

PROGRAM

a c e s

a c e s

a c e s

a c e s

PROGRAMNARROW

a c e s

a c e s

a c e s

PROGRAM

d n k w

d n k w

d n k w

d n k w

PROGRAMNARROW

d n k w

d n k w

d n k w

Book

Medium

Bold

Black

Book

Medium

Bold

Black

Regular

Medium

Black

Regular

Medium

Black

Program is a type designer’s typeface. It’s about the craft of typeface design and the particular details and effects that type designers fret over when they design type. It mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. It features both rounded edges evoking the effects of reproduction, and ink traps, the technique used to counteract that effect. The idea was to create a series of fonts with strong individualistic features, challenging the constraints of a central theme that is usually imposed on a family of fonts, while still relating to

Individualistic featuresProgram is a type designer’s typeface. It’s about the craft of typeface design and the particular details and effects that type designers fret over when they design type. It mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. It features both rounded edges evoking the effects of reproduction, and ink traps, the technique used to counteract that effect. The idea was to create a series of fonts with strong individualistic features, challenging the constraints of a central theme that is usually imposed on a family of fonts, while still relating to each in terms of overall look and feel.

FONTS WITH STRONG INDIVIDUALISTIC FEATURES, CHALLENGING THE CONSTRAINTS OF A CENTRparticular details and effects that type designers fret over whenWHEN THEY DESIGN TYPE. IT MIXES DIFFERENT STRUCTU tures, stem endings, and weight dis-tributions not usually employed

A CENTRAL THEME THAT IS USUALLY IMPOSED T’S ABOUT THE CRAFT OF TYPEFACE DESIGN AND THE particular details and effects that type designers fret over when they design type. It mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. It features both rounded edges evoking the effects of reproduction, and ink traps, the tec

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B AND THE PARTICULAR DETAILS ANDIt mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. counteract that effect. The idea was to create a series of fonts with central theme that is usually imposed on a family of fonts, while stillThe idea was to create a series of fonts with strong individualistic features, challenging the constraints of a central themef80RANDINXXL 12Al

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06123875It’s about the craft of typeface design and the particular details and effects that type designers fret over when they design type. It mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. It features both rounded edges evoking the effects of reproduction, and ink traps, the technique used to counteract that effect. The idea was to create a series of fonts with strong individualistic features, challenging the constraints of a central theme that is usually imposed on a family of fonts, while still relating to each other in terms of

FONTS WITH STRONG INDIVIDUALISTIC FEATURES, CHALLENGING THE typeface design and the particular details and effects that type designers fret over when they design type. It mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. It features both rounded edges evoking the effects of reproduction, and ink traps, the technique used to counteract that effect. The idea was to create a series of fonts with strong individualistic features, challenging the constraints of a central theme that is usually imposed on a family of fonts, while still relating to each other in terms of overall look and feel.

other in terms of overall look and feel. It’s about the craft of typeface design and the particular details and effects that type designers fret over when they design type. It mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. It features both rounded edges evoking the effects of

TICULAR DETAILS AND EFProgram is a type designer’s typeface. It’s about the craft of typeface design and the particular details and effects that type designers fret over when they design type. It mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. It features both rounded edges evoking the effects of reproduction, and ink traps, the technique used to counteract that effect. The idea was to create a series of fonts with strong individualistic features, challenging the constraints of a central theme that is usually imposed on a family of fonts, while still relating to each other in terms of overall look and feel.

It mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. It features both rounded edges evoking the effects of reproduction, and ink traps, the technique used to counteract that effect. The idea was to create a series of fonts with strong individualistic features, challenging the constraints of a central theme that is usually imposed on a family ogProgram

UnE116wkg aIt’s about the craft of typeface design and the partic usual details and effects that type designer fret over

when they design type. It mixes different structures, stem endings, and weight distributions not usually empl

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ORDER ON-LINEFor more info and pricing go to: www.emigre.com

WEB FONTSThe Emigre Font Library is available in Web Font format. Emigre Web Fonts are provided in WOFF and EOT formats for use with the CSS @ font-face rule. Our Web Fonts are licensed for self hosting. For more info and pricing go to: www.emigre.com/WebFonts

EMIGRE TYPE CATALOGTo order a copy of The Emigre Type Catalog go to: www.emigre.com/EmigreCatalog.php

EMIGRE MAGAZINE BACK ISSUESA few back issues of Emigre magazine remain available. These collectors’ copies (available in limited quantities) start at $25. Visit our web site for a full showing of available issues and prices.

EMIGRE NEWS Add yourself to the Emigre News email list. We use Emigre News to help keep you informed of new products, services, and special limited offers. To sign up go to: www.emigre.com/enews

MAILING LISTHelp us keep our email and mailing lists up to date. You can change your email address, or take yourself off our mailing list at: www.emigre.com/work/acct_login.php

THE EMIGRE BLOGCheck out the Emigre blog and find out what’s catching our attention:www.emigre.com/EmigreNews.php

CONTACT EMIGREEmigre1700 Shattuck Ave., #307Berkeley, CA 94709U.S.A.

[email protected]

COPYRIGHT © 2013 EMIGRE, INC. ALL RIGHTS RESERVED.

NO PART OF THIS PUBLICATION MAY BE REPRODUCED WITHOUT WRITTEN PERMISSION FROM EMIGRE, INC.

EMIGRE AND PROGRAM ARE TRADEMARKS OF EMIGRE, INC.

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A TPEFACE PRODUCED AND LICENSED B EMIGRE AMo · Program is a type designer’s typeface. It’s...

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