A Reduction by Jimmy Lo
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Transcript of A Reduction by Jimmy Lo
© Jimmy Lo 2011
L R Llittle red leaves textile editions
www.textileseries.com
© Jimmy Lo 2011
L R Llittle red leaves textile editions
www.textileseries.com
[3]
[3]
I wish to be microscopic. Not invisible, that,
but microscopic—and anonymous, among the
worms’ paths and their soft castings, to be
heading into the mite, their kin, next of their
kin miles no meaning. Two dimensions.
I wish to be microscopic. Not invisible, that,
but microscopic—and anonymous, among the
worms’ paths and their soft castings, to be
heading into the mite, their kin, next of their
kin miles no meaning. Two dimensions.
[4]
[4]
And among them, lesser and lesser of the self.
Of even gravity that is no object, and surfaces
according to other rules, where surfeit bodies
tumble against the hard of earth, that unbearable
distance to the cold sore of knowledge, where off
and off I slant until I reach my subject, my sub-
And among them, lesser and lesser of the self.
Of even gravity that is no object, and surfaces
according to other rules, where surfeit bodies
tumble against the hard of earth, that unbearable
distance to the cold sore of knowledge, where off
and off I slant until I reach my subject, my sub-
[5]
[5]
jectivity. Knowing by my step, which is a
measure, that step wherein suddenly life is
contained, within that other rule, which is
not a rule, but a thin spectrum of right angles
along my subatomic brain that answers just so,
like darling baby instructions, whereupon the
world is my step, and I upon it, being stepped
upon, being a grain, a world.
jectivity. Knowing by my step, which is a
measure, that step wherein suddenly life is
contained, within that other rule, which is
not a rule, but a thin spectrum of right angles
along my subatomic brain that answers just so,
like darling baby instructions, whereupon the
world is my step, and I upon it, being stepped
upon, being a grain, a world.
[6]
[6]
Say, the invisible forces that would work upon
me then! —would that it be so strong, a reli-
gion without reason, a mute and blinded spirit
sweeping me thither, wherein I would not
think to question. The unknown, therefore,
in its all-knowing density, soaking inwards
Say, the invisible forces that would work upon
me then! —would that it be so strong, a reli-
gion without reason, a mute and blinded spirit
sweeping me thither, wherein I would not
think to question. The unknown, therefore, in
its all-knowing density, soaking inwards
[7]
[7]
through everything. And at every level I would
fi nd friends, those hard of hearing, and a little
dumb, dumb-struck, or just lined with latent
potential, moving along in brevity to their own
in-steps, dialed to such n’such a number.
through everything. And at every level I would
fi nd friends, those hard of hearing, and a little
dumb, dumb-struck, or just lined with latent
potential, moving along in brevity to their own
in-steps, dialed to such n’such a number.
[8]
[8]
Yes, I would be okay in this
world and the next, I mumbled.
Yes, I would be okay in this
world and the next, I mumbled.
[11]
[11]
Wherever I am, I am comforted by the thought
that there would always be a stable landing,
—to rest is only human—settled against the
last one, or built upon a diff erent branch into
an odd looking structure. At this given time:
Wherever I am, I am comforted by the thought
that there would always be a stable landing,
—to rest is only human—settled against the
last one, or built upon a diff erent branch into
an odd looking structure. At this given time:
[12]
[12]
Only that which makes sense to me can be
known, though the other parts are there too,
equally working. Only that within reach of my
feelers, I mumbled.
Only that which makes sense to me can be
known, though the other parts are there too,
equally working. Only that within reach of my
feelers, I mumbled.
[13]
[13]
In that way limits are artifi cially placed like a
fence around my consciousness, even if I were
to be microscopic, which I am not, never will
be. Or perhaps have always been?
In that way limits are artifi cially placed like a
fence around my consciousness, even if I were
to be microscopic, which I am not, never will
be. Or perhaps have always been?
[14]
[14]
Here, I imagine a microscopic fence where no
fence is needed, only the infi nite circles of the
mind boring tracks of minute signifi cance, like
delicately rendered designs upon the rim of
my gilt teacup. The murkiness there—in the
tea: amber shot through with morning light.
Here, I imagine a microscopic fence where no
fence is needed, only the infi nite circles of the
mind boring tracks of minute signifi cance, like
delicately rendered designs upon the rim of
my gilt teacup. The murkiness there—in the
tea: amber shot through with morning light.
[15]
[15]
I am frozen inside of it, but all biology.
Almost always biological is my being, sup-
ported by the surface like dust on dust. An
imperceptible consciousness living in the hairs
of my tea.
I am frozen inside of it, but all biology.
Almost always biological is my being, sup-
ported by the surface like dust on dust. An
imperceptible consciousness living in the hairs
of my tea.
[16]
[16]
There I would wind down my days. Oh I
would perish alright, I would look back on the
seconds leading up to this second here. In the
center of the tea my consciousness has found a
home.
There I would wind down my days. Oh I
would perish alright, I would look back on the
seconds leading up to this second here. In the
center of the tea my consciousness has found a
home.
[17]
[17]
The politics of the body would sing its in-
justice. Though it would smile too, it would
smile on the great verve of its invective.
The politics of the body would sing its in-
justice. Though it would smile too, it would
smile on the great verve of its invective.
[19]
[19]
It would secretly be proud, so proud of its cur-
rent form, so smug. Such imagination! What
else would I know but the tea that is my tanned
world, and the rest looking up through a lens’
magnifi ed warp. I would sink into it like a
plumb line, a squiggle in the eye of a calf, newly
born, whose eyes are wet from the mere sight
of this side’s admixture of green-and-blue.
It would secretly be proud, so proud of its cur-
rent form, so smug. Such imagination! What
else would I know but the tea that is my tanned
world, and the rest looking up through a lens’
magnifi ed warp. I would sink into it like a
plumb line, a squiggle in the eye of a calf, newly
born, whose eyes are wet from the mere sight
of this side’s admixture of green-and-blue.
[21]
[21]
Jimmy Lo lives in Atlanta, Georgia, where he works for a
public library. In 2010 he co-created Free Poems On De-
mand (freepoemsatl.org), a pop-up venue where passersby
suggest poem topics and receive on-the-spot composi-
tions. More of his writing can be found on his website
(jimmylorunning.com).
Thanks to Nisa Asokan for her help taking microscopic
images of mustard seeds, onion skin, twigs, banana stalk,
turmeric, wildfl ower, string, and other items.
Special thanks also to Dawn Pendergast.
....................................................................This little red leaves textile series chapbook was lovingly
sewn with recycled bedsheets and shower curtains.
Jimmy Lo lives in Atlanta, Georgia, where he works for a
public library. In 2010 he co-created Free Poems On De-
mand (freepoemsatl.org), a pop-up venue where passersby
suggest poem topics and receive on-the-spot composi-
tions. More of his writing can be found on his website
(jimmylorunning.com).
Thanks to Nisa Asokan for her help taking microscopic
images of mustard seeds, onion skin, twigs, banana stalk,
turmeric, wildfl ower, string, and other items.
Special thanks also to Dawn Pendergast.
....................................................................This little red leaves textile series chapbook was lovingly
sewn with recycled bedsheets and shower curtains.