A qu ART eRly oF wRiT inG & ideAs · Barbara Brooks, Jay Griffiths, at Hoffie, p Mette Jakobsen and...
Transcript of A qu ART eRly oF wRiT inG & ideAs · Barbara Brooks, Jay Griffiths, at Hoffie, p Mette Jakobsen and...
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‘as engaging as it is prescient.’ Weekend Australian
GriffithReview34 The annual Fiction edition
The Annual Fiction edition
GriffithR
eview
34
Claire aMan Mrs Dogwether’s bird momentroMy asH underwaterTony BirCH The loversGeorGia Blain enlarged + heart + childKaTHleen BleaKley islandssally Breen sunny lodgeBarBara BrooKs searching for MontyW H CHonG an abstract artCraiG CliFF offshore serviceDianne D’alpoiM archipelagoaMy espeseTH Free lunchasHley Hay elsie’s houseXavier HenneKinne The new capitalKaTe laHey The big one-eyed dorkBenJaMin laW post-nuclearMaya linDen ForgettingniColas loW octopusMelissa luCasHenKo Friday night at the nudgelMarGareT Merrilees sighting rottnestraCHael s MorGan TrystFavel parreTT no man is an islandJosepHine roWe The tankJulianne sCHulTz Time to don the bat wingsTHoMas sHapCoTT His grandfatherCory Taylor Continental driftelena WilliaMs Finding a florist in lidcombeJane WilliaMs a matter of instinctCHris WoMersley The middle of nowhere
picTuRe GAlleRyMirDiDinGKinGaTHi JuWarnDa sally GaBori Girt by water
www.griffithreview.comonline-only essays from laurie Brinklow, Barbara Brooks, Jay Griffiths, pat Hoffie, Mette Jakobsen and Miriam zolin
A quARTeRly oF wRiTinG & ideAs34
Georgia BlainCraig Cliff
ashley HayXavier Hennekinne
Benjamin lawMelissa lucashenko
Favel parrettChris Womersley
and more
TheAnnuAlFicTion
ediTionthe griffith
review emerging
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GR34_cover_FINAL.indd 1 26/09/11 3:26 PM
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Praise for Griffith REVIEW
‘This is a small literary magazine that amazingly – it is now in its eighth year – keeps getting better.’ Sydney Morning Herald
‘An always vibrant mix of creative writing, essays, photography and ideas, Griffith REVIEW has gone from strength to strength.’ Adelaide Review
‘Griffith REVIEW represents “the long game” in journalism, providing quality analysis in an age of diminishing journalistic integrity.’ Walkley Magazine
‘Griffith REVIEW is a wonderful journal. It’s pretty much setting the agenda in Australia and fighting way above its weight…You’re mad if you don’t subscribe.’ Phillip Adams
‘Once again, Griffith REVIEW has produced a stunning volume of excellent work. The pieces are diverse, the stories unique and real. But one thing remains constant – superb writing.’ Weekend Herald (NZ)
‘Griffith REVIEW brings together thought-provoking and articulate essays, outstanding memoir and creative work concerned with finding ways to address the complexity and urgency of twenty-first century problems.’ West Australian
‘Griffith REVIEW is the best literary journal in the country. Editor Julianne Schultz attracts writing of superior craftsmanship, intellectual and creative depth. If you care about writing, this is compulsory reading.’ The Age
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SIR SAMUEL GRIFFITH was one of Australia’s great early achievers. Twice the premier of Queensland, that state’s chief justice and the author of its criminal code, he was best known for his pivotal role in drafting agreements that led to Federation, and as the new nation’s first chief justice. He was also an important reformer and legislator, a practical and cautious man of words.
Griffith died in 1920 and is now best remembered in his namesakes: an electorate, a society, a suburb and a university. Ninety-six years after he first proposed establishing a university in Brisbane, Griffith University, the city’s second, was created. His commitment to public debate and ideas, his delight in words and art, and his attachment to active citizenship are recognised by the publication that bears his name.
Like Sir Samuel Griffith, Griffith REVIEW is iconoclastic and non-partisan, with a sceptical eye and a pragmatically reforming heart and a commitment to public discussion. Personal, political and unpredictable, it is Australia’s best conversation.
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GriffithREVIEW34THE ANNUAL
FICTION EDITIONEdited by Julianne Schultz
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INTRODUCTION 9 Time to don the bat wings JULIANNE SCHULTZ: Fly a little, imagine a lot
FICTION 13 Offshore service CRAIG CLIFF
26 The tank JOSEPHINE ROWE
30 A matter of instinct JANE WILLIAMS
34 Mrs Dogwether’s bird moment CLAIRE AMAN
39 Friday night at the Nudgel MELISSA LUCASHENKO
47 Octopus NICOLAS LOW
59 Continental drift CORY TAYLOR
65 Enlarged + heart + child GEORGIA BLAIN
72 No man is an island FAVEL PARRETT
74 Tryst RACHAEL S MORGAN
85 Free lunch AMY ESPESETH
96 Elsie’s house ASHLEY HAY
111 Underwater ROMY ASH
116 The lovers TONY BIRCH
121 The new capital XAVIER HENNEKINNE
139 Searching for Monty BARBARA BROOKS
145 The big one-eyed dork KATE LAHEY
154 Forgetting MAYA LINDEN
158 Sunny Lodge SALLY BREEN
166 The middle of nowhere CHRIS WOMERSLEY
GriffithREVIEW34
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MEMOIR 80 Finding a florist in Lidcombe ELENA WILLIAMS: Honouring the dead
101 Archipelago DIANNE D’ALPOIM: Other islands, other seas
149 Post-nuclear BENJAMIN LAW: Surviving the family Christmas
POETRY 54 His grandfather THOMAS SHAPCOTT
55 Sighting Rottnest MARGARET MERRILEES
64 Islands KATHLEEN BLEAKLEY
138 An abstract art WH CHONG
www.griffithreview.com
The proliferation of island studies LAURIE BRINKALOW
On the Colonial Verandah BARBARA BROOKS
Masks of fiction: love letter from a stray moon JAY GRIFFITHS
A bay of islands PAT HOFFIE
The island METTE JAKOBSEN
The dog of fiction and the wolf of memory MIRIAM ZOLIN
COVER IMAGE:Visual distraction, 2008by Jennifer Mills52 x 52 cm, watercolor, ink and oil pastel on paperCourtesy the artist and Darren Knight Gallery, Sydney
Griffith REVIEW gratefully acknowledges the support and ongoing generosity of our founding patron Margaret Mittelheuser.
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GriffithREVIEW34 SUMMER 2011GriffithREVIEW is published four times a year by Griffith University in conjunction with Text Publishing. eISSN 1839-2954
GRIFFITH REVIEW South Bank Campus, Griffith University PO Box 3370, South Brisbane QLD 4101 Australia Ph +617 3735 3071 Fax +617 3735 3272 [email protected] www.griffithreview.com
TEXT PUBLISHING Swann House, 22 William St, Melbourne VIC 3000 Australia Ph +613 8610 4500 Fax +613 9629 8621 [email protected] www.textpublishing.com.au
SUBSCRIPTIONS Within Australia: 1 year (4 editions) $111.80 RRP, inc. P&H and GST Outside Australia: 1 year (4 editions) A$161.80 RRP, inc. P&H Institutional and bulk rates available on application.
COPYRIGHT The copyright of all material published in Griffith REVIEW and on its website remains the property of the author, artist or photographer, and is subject to copyright laws. No part of this publication may be reproduced without written permission from the publisher. ||| Opinions published in Griffith REVIEW are not necessarily those of the Publisher, Editor, Griffith University or Text Publishing.
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ADVERTISING Each issue of Griffith REVIEW has a circulation of at least 4,000 copies. Full-page adverts are available to selected advertisers. To book your advert, in the first instance please email Griffith REVIEW: [email protected]
Publisher Marilyn McMeniman AM
Editor Julianne Schultz AM
Deputy Editor Erica Sontheimer
Picture Editor & Production Manager Paul Thwaites
Associate Editor David Winter, Text Publishing
Publication & WH Chong & Cover Design Susan Miller, Text Publishing
Text Publishing Michael Heyward, Kirsty Wilson, Megan Quinlan
Proofreader Alan Vaarwerk
Editorial Interns Harry Brumpton, Coco McGrath, Oliver Wykeham
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Contributions by academics can, on request, be refereed by our Editorial Board. Details: www.griffithreview.com
This project has received financial assistance from the Queensland Government throught Arts Queensland
This project has been assisted by the Australian Government through the Australia Council, its principal arts funding and advisory body.
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‘It cannot be said often enough: Griffith REVIEW is the best literary journal in the country ... Each essay and memoir is like a great meal. It fills the reader with thoughts and leaves them deeply satisfied.’ – Sydney Morning Herald
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non-fiction can be.’ – New Zealand Herald
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INTRODUCTION
Time to don the bat wings Fly a little, imagine a lot
Julianne Schultz
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JULIANNE SCHULTZ: Time to don the bat wings 9
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10 GriffithREVIEW34
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JULIANNE SCHULTZ: Time to don the bat wings 11
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Griffith REVIEW Emerging Writers’ Prize2011
Congratulations to the winners of the third annual GREW Prize. Thanks to the continuing support of the Copyright Agency Ltd, Text Publishing and Varuna Writers’ House, we are pleased to announce two winners in each category. The fiction award this year goes to Romy Ash and Rachael S Morgan. The winners of the non-fiction award are Meera Atkinson and Nicolas Low. You can learn more about these writers and the GREW Prize at www.griffithreview.com/GREW The winners have been selected from those emerging writers published in Griffith REVIEW this year whose work has been deemed most original and influential. The award includes a week-long writing residency, manuscript appraisal and mentoring.
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FICTION
Offshore service Craig Cliff
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CRAIG CLIFF: Offshore service 13
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14 GriffithREVIEW34
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CRAIG CLIFF: Offshore service 15
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16 GriffithREVIEW34
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CRAIG CLIFF: Offshore service 17
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18 GriffithREVIEW34
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CRAIG CLIFF: Offshore service 19
![Page 20: A qu ART eRly oF wRiT inG & ideAs · Barbara Brooks, Jay Griffiths, at Hoffie, p Mette Jakobsen and Miriam olinz A qu ART eRly oF wRiT inG & ideAs 34 Georgia Blain Craig Cliff ashley](https://reader031.fdocuments.in/reader031/viewer/2022011907/5f50ff5f21c3a713445785fd/html5/thumbnails/20.jpg)
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20 GriffithREVIEW34
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CRAIG CLIFF: Offshore service 21
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22 GriffithREVIEW34
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CRAIG CLIFF: Offshore service 23
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24 GriffithREVIEW34
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3'&6!*4!R/+!G/'('4"!B!+'5!'4#,-/.!6*4"!#;!&(/'456*4 !̂'4!/4:*4//.*4:!:.'"!+*,-!4#!/J9/.*/4&/!*4!,-/!;*/("!+-#2"!,'6/4!5*J!0#4,-5!#;;!';,/.!;*4*5-*4:!-*5!"/:.//!,#!,.'7/(<!W/&.%*,0/4,!':/4,5!E%/5,*#4/"!,-/!+*5"#0!#;!,-*5!.#%,/!V!+-$!-'"42,!B!'99(*/"!;#.!,-/!&#%4,(/55!:.'"%',/!./&.%*,0/4,!5&-/0/5!('5,!$/'.8!'4"!+#%("!B!A/!+*((*4:!,#!+'*,!,*((!4/J,!$/'.!,#!5,'.,1!V!A%,!,-*4:5!-'7/!'!+'$!#;!5#.,*4:!,-/05/(7/5!#%,<!!
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b!D'44'!+',&-*4:! ,-/!#,-/.! &-#99/.! &./+5! ;($*4:! '.#%4"! ,-/!A'$8! ,.$*4:! ,#! ;*:%./!+-*&-!+'$!,-/*.!.#,#.5!59*4!'5!,-/$!9'55!#7/.-/'"8!"./'0*4:!#;!,-/!"'$!,-/$!;($!#%,!'4"!;*4"!5-/!-'5!7'4*5-/"<!
Craig Cliff is a writer, columnist and public servant based in Wellington, New Zealand. His collection of short stories, A Man Melting (Random House, 2010), won Best First Book in the 2011 Commonwealth Writers’ Prize.
CRAIG CLIFF: Offshore service 25
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FICTION
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'-)!'"!)*#!9-)!8/)*!+!3+/4!'"!5'44'8#(!)8##<#4%7!+.(!%'0#*'8!)*/.&%!*+(!&'))#.!#+%/#4!+")#4!)*+)1!V.!)*#!8+6!5+9:!)'!)*#!0+/.$+.(!)*#!5'+)!3+%%#(!',#4!+!"#,#4!'"!%)/.&4+6%7! +.(! )*#! %/&*)! '"! )*#0! )*4'-&*! )*#! &$+%%! 8+%! #.'-&*! )'! 9'$'-4!#,#46)*/.&!#$%#7!+.(!'-)%)4/3!/)1!!
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!THE BREEZE COMING!'""!)*#!'9#+.!*+%!9''$#(!8*#.!*#!$/")%!*/0%#$"!'-)!'"!)*#!&4'',#!*#!*+%!0+(#!/.!)*#!%+.(1!F,#46!3+4)!'"!*/0!%)/$$!+9*/.&!"4'0!)*#!"'-4)##.!(+6%!'-)!8#%)1!R.!)*#!$'(&#!*#!)+:#%!)*#!)'8#$%!"4'0!)*#!5+)*4''0!+.(!%34#+(%!)*#0!+94'%%!)*#!5#(!%*##)%!5#"'4#!$6/.&!('8.1!X-%)!0+:#!)*#!$+%)!)*/.&!4/&*)7!*/%!"+)*#4!*+(!)'$(!*/0!+%!)*#6!8+)9*#(!)*#!%)/.&4+6%!)*4'-&*!)*#!&$+%%!"$''4!'"!)*#!5'+)1!J'-!&#)!)*#!$+%)!)*/.&!4/&*)7!+.(!)*#!4#%)!'"!/)!('#%.>)!0+))#4!%'!0-9*1!!
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Josephine Rowe is a Melbourne writer whose collection of short stories, How a Moth Becomes a Boat, was published in 2010 by Hunter Publishers. Her poetry, fiction and non-fiction have appeared in Best Australian Poems, Best Australian Stories, HEAT, Overland, Dumbo Feather, Island, The Age, Australian Book Review, harvest, Going Down Swinging and Griffith REVIEW 32. She is working on a second collection of stories, to be published by UQP in 2012.
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FICTION
A matter of instinct Jane Williams
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JANE WILLIAMS: A matter of instinct 31
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32 GriffithREVIEW34
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Jane Williams is the author of four collections of poetry and one of short stories. Her poetry has won the Anne Elder Award and the DJ O’Hearn Memorial Fellowship. Her most recent collection of poems is City of Possibilities (Interactive Press, 2011). She lives in Hobart.
JANE WILLIAMS: A matter of instinct 33
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CLAIRE AMAN: Mrs Dogwether’s bird moment 35
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36 GriffithREVIEW34
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CLAIRE AMAN: Mrs Dogwether’s bird moment 37
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Claire Aman lives in Grafton, New South Wales, working as a town planner and writing in her spare time. Her short stories have been published in two editions of New Australian Stories and in Best Australian Stories, Southerly, Island and HEAT, and broadcast on ABC Radio.
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FICTION
Friday night at the Nudgel Melissa Lucashenko
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42 GriffithREVIEW34
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MELISSA LUCASHENKO: Friday night at the Nudgel 43
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44 GriffithREVIEW34
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MELISSA LUCASHENKO: Friday night at the Nudgel 45
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Melissa Lucashenko is an award-winning novelist and essayist who lives between Brisbane and the Bundjalung nation. Her novels include Steam Pigs, Hard Yards and Killing Darcy (all UQP). Melissa writes regularly for Griffith REVIEW and her essay ‘The angry country’ was included in Best Australian Essays 2010. This story is an extract from her fifth novel, Mullumbimby, which will be published by UQP in 2012 – a modern story of romantic love and friendship set amid a native-title war in northern New South Wales. Melissa is a member of the Aboriginal and Torres Strait Islander Arts Board of the Australia Council.
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NICOLAS LOW: Octopus 47
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NICOLAS LOW: Octopus 49
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50 GriffithREVIEW34
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NICOLAS LOW: Octopus 51
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52 GriffithREVIEW34
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Nicolas Low is a Melbourne-based, New Zealand-born writer and installation artist of Ngai Tahu Maori and European heritage. His recent work has appeared in the Big Issue, Art Monthly, the Lifted Brow and Dumbo Feather. His essay ‘Notes from the feral edge’ appeared in Griffith REVIEW 23. www.dislocated.org
NICOLAS LOW: Octopus 53
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POEM
His grandfather Thomas Shapcott
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Thomas Shapcott AO is an award-winning poet and the author of fifteen collections of poems, eight novels and over twenty libretti. He was born in Ipswich, Queensland, and in 1989 was awarded an Order of Australia for services to literature and arts administration.
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POEM
Sighting Rottnest Margaret Merrilees
!"##$%&#'(&)*$+',-*+.%/012'3'4567'889648:;'3'8<'=/'">>'&?"@%'3'-%&#%@$'A0&#@*)B*'!!!"#"$%&&@"0C?'&%@B"0&'D)0%'&%*'1*)%'&=EF'1*)%'&1B@%'C@%%$'C@%E'B&)*$+''"##!$%&$!'(&)!*!+&,-%$!$%(!$)&./!$0!&/1!2)03!40)56!74&'./-!7.#(/$#'6!4&.$./-!20)!$%(!7$)($+%! 8($4((/! 90)$%! :)(3&/$#(! &/1! ;0$$(7#0(<! =)! ;0$$(7#0(! &/1! 90)$%!:)(3&/$#(<!"!-#.3>7(!02!$%(!*/1.&/!=+(&/!&/1!703($.3(7!02!?0$$/(7$<!!
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
MARGARET MERRILEES: Sighting Rottnest 55
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
MARGARET MERRILEES: Sighting Rottnest 57
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K?B#%'E*H?#&'@%+'&1B$$*=%@&'@%+'>@%BC?#%@''D%(/!4(!4()(!'0,/-!?0$$/(7$!/.-%$7!3(&/$!7(B!./!$%(!7&/1<!!P&$()6!20)!&!+#&/!02!3.11#(N&-(1!1'5(76!/.-%$7!4()(!/0$!70!7().0,7<!D(!>(1&##(1!,>!$%(!%.##!$0!$%(!#.-%$%0,7(!&/1!#&'!4.$%!0,)!%(&17!&-&./7$!$%(!$04()6!20)3./-!&!)./-! 02! 7>05(7<! A%(! #.-%$! &80@(! 7400>(1! )0,/16! &! +0##(+$.@(! &/1! ./[email protected],&#!8(/(1.+$.0/<!=/(!8#(77./-!20)!each 02!,7!(@()'!T<U!7(+0/17<!!>BI%')B$%&'">')BC?#N'>"0@'&?B1&'"$%'B&)*$+''*!7((!/04!$%&$!$%(!#.-%$!7$0>7!$%(!.7#&/1!2)03!1).2$./-!&4&'!./$0!$%(!0+(&/6!$%(!8(&37!02!#.-%$!&!#007(!300)./-<!!V(&N).7./-!$.3(7!%&@(!+03(!&-&./<!?0$$/(7$!4.##!7%)./5<!A%(!3&./#&/1!4.##!7%)./5<!A%()(!4.##!8(!3&/'!30)(!.7#&/17<!!D(!4.##!8(!/((1./-!#.-%$7<!!*$'B&)*$+'>)"*#&'"$'#?%'?"@BJ"$'&"/%#B/%&'H)"&%'%$"0C?'#"'.0/1'&"/%#B/%&'+B&#*$#'*&'*'+@%*/G'
!!
!!!
!!!
!!!
Margaret Merrilees’ short work has been published in Meanjin, Island and Wet Ink. Her memoir ‘The bone garden’ appeared in Griffith REVIEW 31. www.margaretmerrilees.com
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FICTION
Continental drift Cory Taylor
ALL!"#$!%#&'(#%!)*&'%!+)"!,$)-./(!0&1!2/(,)/34!5#$1$!+)"!/&+#$1$!$,"$!%&!(&4!67$1.8)9!&0!8&'1"$9!*'%!67$1.8)!+)"!*.(!)/3!*1)"#!)/3!"#$!+)"!/$.%#$14!:#$!+)"!)!"+$$%9!31$)7;!.//&8$/%9!"&!67$1.8)!+&',3!/&%!"'.%!#$1!)%!),,4!6%!,$)"%!%#)%<"!+#)%!='(#!").39!)/3!='(#!>/$+!$-$1;%#./(!)*&'%!#$14!
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
M@;!0,)%7)%$<"!)+);!./!@$,*&'1/$9<!"#$!").34!MD%<"!#$1!7&%#$1<"!*.1%#3);4<!
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CORY TAYLOR: Continental drift 59
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60 GriffithREVIEW34
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CORY TAYLOR: Continental drift 61
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62 GriffithREVIEW34
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Cory Taylor is a screenwriter and novelist based in Brisbane and Fukuoka, Japan. Her stories have appeared in Griffith REVIEW, Best Australian Stories 2010 and QWeekend. Her debut novel, Me and Mr Booker, was published by Text in March 2011. She is working on her second novel.
CORY TAYLOR: Continental drift 63
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POEM
Islands Kathleen Bleakley
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Kathleen Bleakley is descended from a lighthouse keeper. This poem is from her manuscript 'Lightseekers'. Her poetry has been widely published in Australia and overseas.
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FICTION
Enlarged + heart + child Georgia Blain
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GEORGIA BLAIN: Enlarged + heart + child 65
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GEORGIA BLAIN: Enlarged + heart + child 67
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Georgia Blain has written a number of novels, a memoir and a murder mystery for young adults, Darkwater, and her stories have appeared regularly in Griffith REVIEW. Her most recent novel, Too Close To Home, was published in 2011 (Random House). Her work has been shortlisted for various literary awards and her first novel, Closed For Winter, was released as a feature film in 2009
GEORGIA BLAIN: Enlarged + heart + child 71
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FICTION
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Favel Parrett is a Victorian writer who loves to surf in the Southern Ocean. Her short stories have been published in journals such as Wet Ink and Island, and her first novel, Past the Shallows, was published in May 2011 by Hachette Australia.
FAVEL PARRETT: No man is an island 73
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FICTION
Tryst Rachael S Morgan
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RACHEL S MORGAN: Tryst 75
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Rachael S Morgan is a full-time writer, based between the Gold Coast and Brisbane, with a background in entertainment journalism and arts and entertainment publicity. She is putting the finishing touches to her first full-length manuscript, working on a second novel and writing a screenplay. ‘Tryst’ won the 2011 Josephine Ulrick Literature Prize.
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MEMOIR
Finding a florist in Lidcombe Honouring the dead
Elena Williams
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80 GriffithREVIEW34
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ELENA WILLIAMS: Finding a florist in Lidcombe 81
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82 GriffithREVIEW34
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ELENA WILLIAMS: Finding a florist in Lidcombe 83
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Elena Williams is completing a master’s in the anthropology of gender and development at the Australian National University. Her fiction has appeared in Southerly and the UTS Writers’ Anthology, and her non-fiction in the Sydney Morning Herald, Inside Indonesia and the International Feminist Journal of Politics.
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FICTION
Free lunch Amy Espeseth
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AMY ESPESETH: Free lunch 85
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88 GriffithREVIEW34
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AMY ESPESETH: Free lunch 89
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90 GriffithREVIEW34
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AMY ESPESETH: Free lunch 93
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94 GriffithREVIEW34
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Amy Espeseth is the recipient of the Felix Meyer Scholarship in Literature, the Victorian Premier’s Literary Award for an Unpublished Manuscript and the QUT Postgraduate Creative Writing Prize. She is the publisher at Vignette Press. Scribe will publish her first novel, Sufficient Grace, in 2012. Born in rural Wisconsin, she immigrated to Australia in the late 1990s.
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Elsie’s house Ashley Hay
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96 GriffithREVIEW34
![Page 97: A qu ART eRly oF wRiT inG & ideAs · Barbara Brooks, Jay Griffiths, at Hoffie, p Mette Jakobsen and Miriam olinz A qu ART eRly oF wRiT inG & ideAs 34 Georgia Blain Craig Cliff ashley](https://reader031.fdocuments.in/reader031/viewer/2022011907/5f50ff5f21c3a713445785fd/html5/thumbnails/97.jpg)
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ASHLEY HAY: Elsie’s house 97
![Page 98: A qu ART eRly oF wRiT inG & ideAs · Barbara Brooks, Jay Griffiths, at Hoffie, p Mette Jakobsen and Miriam olinz A qu ART eRly oF wRiT inG & ideAs 34 Georgia Blain Craig Cliff ashley](https://reader031.fdocuments.in/reader031/viewer/2022011907/5f50ff5f21c3a713445785fd/html5/thumbnails/98.jpg)
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98 GriffithREVIEW34
![Page 99: A qu ART eRly oF wRiT inG & ideAs · Barbara Brooks, Jay Griffiths, at Hoffie, p Mette Jakobsen and Miriam olinz A qu ART eRly oF wRiT inG & ideAs 34 Georgia Blain Craig Cliff ashley](https://reader031.fdocuments.in/reader031/viewer/2022011907/5f50ff5f21c3a713445785fd/html5/thumbnails/99.jpg)
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ASHLEY HAY: Elsie’s house 99
![Page 100: A qu ART eRly oF wRiT inG & ideAs · Barbara Brooks, Jay Griffiths, at Hoffie, p Mette Jakobsen and Miriam olinz A qu ART eRly oF wRiT inG & ideAs 34 Georgia Blain Craig Cliff ashley](https://reader031.fdocuments.in/reader031/viewer/2022011907/5f50ff5f21c3a713445785fd/html5/thumbnails/100.jpg)
LATER, TAKING THE!5#5(!.3+!+.!:'#(!)*!+,%!/#&2%*1!K34(!:#3$%2!#+!+,%!+.:!.0!+,%!$+#)&$1!&%/)$+%&)*/!+,%!$+&#(!0'%46$!+,%!:#)*+!0&.-!+,%!0&.*+!2..&!,#2!'%0+!.*!+,%!"#''$!.0!+,%!,.3$%1!.*!+,%!:.&4,B$!5#'3$+%7!F34,!#!$+&.*/!4.'.3&1!#*2!$.!5'3%A!)+!'..6%2!')6%!)+!,#2!5%%*!')+! 0&.-!")+,)*7!F,%!$4&#+4,%2!#+!.*%!$+&%#61! '..$%*)*/!+,%!:#)*+!0&.-!3*2%&!,%&!0)*/%&*#)'!#*2!&.'')*/!)+!)*+.!#!')++'%!5#''7!<,%&%!"#$!$.!-34,!(.3!4.3'2!2.!")+,!#!,.3$%!')6%!+,)$7!<,%(B2!5%%*!'346(!+.!0)*2!)+7!@*2!$,%!'.;%2!+,%!"#(!+,%!$3*!+&#;%''%2!#&.3*2!)+!#$!%#4,!2#(!+3&*%21!4#'')*/!)*!#+!%;%&(!&..-7!
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Ashley Hay’s first novel, The Body in the Clouds (Allen & Unwin, 2010), was shortlisted for the Commonwealth Writers’ Prize, the New South Wales Premier’s Prize and the Western Australian Premier’s Book Awards. Her writing has appeared this year in Australian Geographic, The Australian, The Age, The Monthly and The Guardian, and previously in Griffith REVIEW editions 21 and 30. She lives in Brisbane.
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MEMOIR
Archipelago Other islands, other seas
Dianne D’Alpoim
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DIANNE D'ALPOIM: Archipelago 101
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102 GriffithREVIEW34
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DIANNE D'ALPOIM: Archipelago 103
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104 GriffithREVIEW34
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DIANNE D'ALPOIM: Archipelago 105
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106 GriffithREVIEW34
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DIANNE D'ALPOIM: Archipelago 107
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108 GriffithREVIEW34
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DIANNE D'ALPOIM: Archipelago 109
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Dianne D’Alpoim has worked as an artist, a teacher, in corporate public affairs, and as an activist in anti-nuclear arms campaigns and the women’s movement. Her interview of Simone de Beauvoir during the 1974 revolution in Portugal was her first publication, and her first televised video was of Sammy Davis, Jr. She is writing the biography of her father and three generations of family life in China from her residence in Brisbane.
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FICTION
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ROMY ASH: Underwater 111
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Romy Ash is a freelance writer. Her first novel, Floundering, was shortlisted for the 2011 Australian/Vogel Literary Award and will be published by Text in 2012. She has written for the Big Issue and frankie magazine. She writes a cooking column for Yen magazine and the blog Trotski & Ash.
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FICTION
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TONY BIRCH: The lovers 119
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Tony Birch is a Melbourne writer. His books include Shadowboxing (Scribe, 2006), Father’s Day (Hunter Publications, 2009) and Blood (UQP, 2011).
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XAVIER HENNEKINNE: The new capital 121
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XAVIER HENNEKINNE: The new capital 123
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124 GriffithREVIEW34
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XAVIER HENNEKINNE: The new capital 125
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XAVIER HENNEKINNE: The new capital 127
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!HE COULD NOT! -*$$! .&5! %&"*1! G*! 3&3'D-! 8'#%! %.*,*! -#! 5-+,-1! 2-! %+5! -##!>#<0$&>+-*31! G*! "*$-! $+U)! +'3! "*$-! -.+-! .*! %+5! '#-! (##3! +-! 50*+8&'(! +=#?-! .&5!"**$&'(57! *50*>&+$$)! -#!.&5!%&"*1!6-!3&''*,7! &'! +! 5<+$$! ,*5-+?,+'-!%.*,*! -.*)!%*,*!5&--&'(!#'!-.*!"$##,7!.*!5+&3J!^4)#-#!&5!=*+?-&"?$7!&5'D-!&-`D!
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!THE YOUNG ACOLYTE!&'!@&5.&<+D5!=##8!=?,'5!-.*!-*<0$*!3#%'!=*>+?5*!.*!>+''#-!5?""*,!-.*!=*+?-)!#"!&-5!-&<*$*55'*551!!
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128 GriffithREVIEW34
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XAVIER HENNEKINNE: The new capital 129
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HIS WIFE HAD!=**'!,&(.-J!.*!%+5!5$#%$)!,*+3&'(!)*"$+,-$./012/,1!6"-*,!.&5!=+-.!+'3!=*"#,*!3&''*,7!%.&$*!.&5!%&"*!%+5!%,&-&'(!0#5->+,35!#,!3#U&'(!#""7!$)&'(!3#%'!#'!-.*!-+-+<&1!ZG*!.+3!3*>&3*3!'#-!-#!,*+3!&'!-.*!=+-.1[!
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!SHE HAD WANTED! -#! (#! #'! =&>)>$*57! %.&>.! -.*)! 3&37! -.#?(.! .*! -.#?(.-!%+$8&'(!%#?$3!=*!<#,*!0,+>-&>+$1!G*!.+3!+,(?*3!-.+-!-.*!'+,,#%!+'3!>#==$*5-#'*3!5-,**-5! #"!K&'*':h+8+! +'3!9+''*':h+8+! >#?$3!'#-! =*! -,+C*$$*3!?0! +'3!3#%'!#'!=&8*51!B.*!(?&3*=##8!5+&3!&-!%+5!+!%+$8&'(!-#?,7!'#-!+!=&>)>$*!#'*7!.*!.+3!0#&'-*3!#?-1!9.*!.+3!5+&37!^I*D$$!5**1D!
130 GriffithREVIEW34
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XAVIER HENNEKINNE: The new capital 131
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132 GriffithREVIEW34
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XAVIER HENNEKINNE: The new capital 133
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%*,*!%*+,&'(!+!0&'8!5#>81!B.*'!.*!%#?$3!$&"-!-.*!#-.*,!$*(!#C*,!-.*!5&3*!#"!-.*!=+-.7!*'-*,!&-!+'3!5&-!#'!-.*!5?=<*,(*3!=*'>.7!.#$3&'(!.&5!=,*+-.!?'-&$!.&5!=#3)!-#$3!.&<!-.*!=?,'&'(!5*'5+-&#'!%+5!'#%!=*+,+=$*1!B.*!%+-*,!%#?$3!=?==$*!.*,*!+'3!-.*,*7!%.*,*!.#-!50,&'(!%+-*,!%#?$3!,?5.! &'-#! -.*!=+-.!#,!%#?$3!,?'7! $&8*! &'! -.*!ET(#!;'5*'!=+-.57!",#<!+!-+0!#,!0&0*!#'!+!%+$$1!!
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134 GriffithREVIEW34
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136 GriffithREVIEW34
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Xavier Hennekinne works as a human resources management advisor for a Geneva-based intergovernmental humanitarian organisaton. His short stories and essays have been published in Australia, including in Griffith REVIEW editions 18 and 25, and in France, where he was born.
XAVIER HENNEKINNE: The new capital 137
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POEM
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WH Chong is an award-winning Melbourne graphic designer. He designs books for Text Publishing, and the covers of Griffith REVIEW and Australian Book Review, and writes the blog Culture Mulcher for Crikey.
138 GriffithREVIEW34
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FICTION
Searching for Monty Barbara Brooks
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BARBARA BROOKS: Searching for Monty 139
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140 GriffithREVIEW34
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BARBARA BROOKS: Searching for Monty 141
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Barbara Brooks is a Sydney writer and scholar. She has published Leaving Queensland, a book of short prose, and a biography, Eleanor Dark: A Writer’s Life. Her essays and stories have been published in the UK, US, France and Malaysia. She teaches writing at the University of Technology, Sydney. ‘Searching for Monty’ is an extract from ‘Verandahs’, a fictional memoir which received the UTS Chancellor’s Award for an outstanding thesis in 2010.
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KATE LAHEY: The big one-eyed dork 147
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Kate Lahey is a freelance writer. She has worked as a city reporter for The Age and as a business reporter for the Sydney Morning Herald. Prior to that she was the Victorian political correspondent for Australian Associated Press. She lives in Sydney, and this is her first published short story.
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MEMOIR
Post-nuclear Surviving the family Christmas
Benjamin Law
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BENJAMIN LAW: Post-nuclear 149
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	#*!.39#-! 13.#(! 3*! 71/&'#-! (7133$(2! (3! %0! )/(! 01#! "%*(0! 0%.#! >! *#/$%(#-! 01/0!)1#	#*!(3.#01%&'!71/&'#-!%&!$%"#!%0!)/(!,#*./&#&02!/&-!01#(#!71/&'#(!)34$-!	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
61*%(0./(#(!5#7/.#!)#%*-=!F/-!)34$-!5#!/$$37/0#-!/!734,$#!3"!134*(!3&!01#!-/@=!P9#*!01#!@#/*(!)#?-!9%(%0!1%.!%&!01#!,$/7#!)%01!1%(!.301#*2!01#!,$/7#!/539#!01#! (13,(2! 01#! ,$/7#! %&! 01#! '/0#-! #(0/0#! /&-! 01#! ,$/7#! )1#*#! 1#! $%9#(! &3)=! T#!)3*8#-! 01*34'1! 61*%(0./(! F/@2! (3! )#?-! 3"0#&! D4(0! 9%(%0! 1%.! /0! 01#! *#(0/4*/&0!)1%$#!1#!)/(!-3%&'!,*#,=!J3.#0%.#(!M4.!%&(%(0#-!3&!73.%&'!)%01!4(2!)1%71!)/(!/$)/@(!/!5/-!%-#/=!Q1#!$/(0!0%.#!01/0!1/,,#&#-2!%0!"%&%(1#-!3""!)%01!,*#00@!.471!#9#*@3&#!(7*#/.%&'!/&-!7*@%&'!/&-!)%(1%&'!01#@!1/-!/!'4&!)%01!)1%71!03!8%$$!01#!301#*(!3*!01#.(#$9#(=!!
>&!013(#!#/*$@!@#/*(!F/-!.%'10!1/9#!5##&!/5(#&02!540!%&!1%(!,$/7#!)/(!.@!#$-#(0!(%(0#*?(!&#)!"%/&7Y=!M@!@34&'#*!(%(0#*(!/&-!>!$3/01#-!1%(!,*#(#&7#!/0!01#!0/5$#=!>0!)/(&?0!(3!.471!01#!"%/&7Y!1%.(#$"!E!1#!(##.#-!"%&#!E!540!01/0!(3.#3&#!"3*#%'&!1/-!(0/*0#-!%&0*4-%&'!3&!(3.#01%&'!/(!(/7*#-!/&-!,*%9/0#!/(!34*!61*%(0./(=!UP;?ZI!NPQ!P;Z!LCM>BU2!)#?-!01%&8=!HTCQ!CZI!UP;!FP>NS!TIZIX!>!-%-&?0!0/$8!03!1%.!.4712!/&-!>?.!(4*#!1#!"#$0!4&73."3*0/5$#2!)1%71!)/(!.@!%&0#&0%3&=!!
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U#/*(!$/0#*2!>!*#/-!/&!#((/@!5@!K3/&!F%-%3&!/5340!1#*!0/8%&'!1#*!,/*0&#*!K31&!03!(##! 1#*! "/.%$@! /&-!13)! 01#@! /$)/@(! 0*#/0#-!1%.! /(! /&! 340(%-#*2! #9#&! /"0#*! 01#@!./**%#-=!GM/**%/'#!%(!01#!7$/((%7!5#0*/@/$2?!(1#!35(#*9#-=!>!(0%$$!$39#!01/0!$%&#=!M/%&$@!5#7/4(#!%0!./8#(!.#!"##$!/(1/.#-=!
!BUT FAMILIES CHANGE!/&-!(3!-3!-#"%&%0%3&(=!Z#7#&0$@!>!)/(!/(8#-!03!(,#/8!/0!/!&/0%3&/$! 73&"#*#&7#!/5340!-%9#*(%0@! %&!C4(0*/$%/&! "/.%$%#(!/&-! >!&30#-! 01/02!)1%$#!&47$#/*!"/.%$%#(!/*#!(0%$$!01#!&3*.2!-%93*7#!*/0#(!1/-!*#7#&0$@!,#/8#-=!R40!)#?-!/$(3!"34&-!301#*!)/@(!03!5#73.#!"/.%$%#(2!)%01!01#!734&0*@!&3)!*/78%&'!4,!01#!.3(0!&3&<./**%#-! 731/5%0/0%3&! 734,$#(! %&! %0(! 1%(03*@2! 734,$#(!)%01!8%-(! "*3.!,*#9%34(!,/*0&#*(2!/(!)#$$!/(!(/.#<(#+!,/*0&#*(!*/%(%&'!71%$-*#&=!C*34&-!/!"%"01!3"!/$$!/-4$0!$#(5%/&!*#$/0%3&(1%,(!%&93$9#!*/%(%&'!8%-(=!F#"%&%0%3&(!3"!"/.%$%#(!/*#&?0!(3!*%'%-!/&@!.3*#2!/&-!>!$%8#!01/0=!>0!0/8#(!01#!,*#((4*#!3""=!!
>0! 1/(! 0/8#&! /! )1%$#! 03! /--*#((! .@! )#%*-$@! ,3((#((%9#! 73&0*3$! %&(0%&70:! GN3!340(%-#*(!"3*!61*%(0./([!01#@!7/&!'#0!;439+5=?!N3&#!3"!.@!(%5$%&'(!%(!./**%#-!@#0!E!&3!5#0*/@/$(! E! 540! .3(0! 3"! 4(! 1/9#! $3&'<0#*.! ,/*0&#*(=! 6/&-@?(! &3)! )%01! K/@(3&2!C&-*#)! 1/(! C.@2! M%71#$$#! 1/(! N/0! /&-! >?9#! '30! J7300=! H#! "3*.! /&! #+0#&-#-!�)3*8=! H1#&! 01#! "$33-(! 1%0! R*%(5/&#! N/0?(! "/.%$@! &##-#-! 1%'1#*! '*34&-2! /&-!(0/@#-!%&!M%71#$$#!/&-!Q/..@?(!,$/7#=!K/@(3&!.3)(!.@!.301#*?(!$/)&(!)1#&!1#!7/&!/&-!$/&-(7/,#(!.@!"/01#*?(!'/*-#&(=!J7300!/&-!>!)/9#!1#$$3!03!C.@!5#7/4(#!(1#!)3*8(!&#/*!01#!(,/7#!)1#*#!1#!*#1#/*(#(!.4(%7=!J7300!3&7#!$%9#-!)%01!Q/..@2!/&-!1%(!.301#*!1#$,(!4(!)%01!134(#)3*8!)1#&!)#!'#0!()/.,#-=!H#!(1/*#!#/71!301#*=!!
C0!34*!.3(0!*#7#&0!61*%(0./(!>!(0%$$!/&0%7%,/0#-!5$33-(1#-=!H1#&!>!)38#!4,!%&!.@!3$-!71%$-133-!5#-*33.2!(0%$$!1/$"!/($##,!>!(#&0!/!.#((/'#!340!3&!Q)%00#*:!G>!$338!"3*)/*-! 03!@34!'#00%&'!-*4&8! 01*34'1340! 01#!-/@2!/&-!@34*! 0)##0(!/5340! "/.%$@!5#73.%&'!%&7*#/(%&'$@!13(0%$#=?!V#3,$#!0)##0#-!5/78!/5340!13)!01#@!)#*#!'3%&'!03!8%$$! 01#%*!(%(0#*! %"!(1#!8#,0!1/*,%&'!3&!/5340!1#*!)3*8!/(!/! $/)@#*2!/&-!13)!01#%*!'*/&-"/01#*!'*##0#-!01#.!)%01!GU34?*#!'*3)%&'!3&#!'40!3&!@342!53@=?!!
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
N3!3&#!(/%-!%02!540!01/0!61*%(0./(!)/(!/$(3!5%&-%&'!4(!03'#01#*!5#"3*#!)#!/$$!(,$%0!/,/*0=!Q/..@!)/(!/5340!03!1#/-!03!01#!53*-#*!3"!Q1/%$/&-!/&-!R4*./!"3*!
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,1303'*/,1%7!)3*82!M%71#$$#!)/(!,*#,/*%&'! 03!.39#! 03!T3&'!O3&'!/&-! K/,/&2!/&-!>!)/(!'3%&'!03!>&-%/!"3*!/!.3&01=!M@!"/.%$@!)/(!/5340!03!'#0!#9#&!1/*-#*!03!,%&!-3)&2!540! /0! $#/(0! %0!)/(!&%7#! 03!8&3)! 01/0!.#.5#*(1%,!)/(!/0! /&!/$$<0%.#!1%'1=!
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
!!!!!!!!!!!!!!!!!!!!!!!
!
Benjamin Law is a Brisbane-based freelance writer. His debut book is The Family Law (Black Inc., 2010). His forthcoming book is a collection of journalism, looking at queer issues throughout Asia, titled Gaysia. www.benjamin-law.com
BENJAMIN LAW: Post-nuclear 153
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FICTION
Forgetting Maya Linden
WHEN!"#$%"!"&'((!)*'&'+,!*&!-./01!"#$!'"!2345$6!&3!*55$7&!&#*&!#$!)3+%&!8$!*44'9'+,.!:!5(3;6<!";+"$&!"$$7"!+,#!#*(2=54*5>$6!?$+$&'*+!8('+6"1!2'(('+,!&#$!433@!)'&#!@'(><!,3(6.!A#'+!8$*@"!32!(',#&!4$2($5&!3+!#$4!243@!&#$!2;((=($+,&#!@'4434.!B#$!"&*+6"!'+!243+&!32!'&1!@3&'3+($"".!C7*D;$!"&4$*>"!32!5*4$($""(<!*77('$6!#*'4"74*<!#*9$!64'$6!3+! &#$!,(*""!$*4('$4! '+! &#$!6*<.!E3)!&#$<!"7('&!#$4! '@*,$! '+&3!"('5$"!32! 2($"#!)'&#!;+$9$+!$6,$".!E3&#'+,!'+!&#$!433@!34!'+"'6$!#$4!*(',+".!
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154 GriffithREVIEW34
![Page 155: A qu ART eRly oF wRiT inG & ideAs · Barbara Brooks, Jay Griffiths, at Hoffie, p Mette Jakobsen and Miriam olinz A qu ART eRly oF wRiT inG & ideAs 34 Georgia Blain Craig Cliff ashley](https://reader031.fdocuments.in/reader031/viewer/2022011907/5f50ff5f21c3a713445785fd/html5/thumbnails/155.jpg)
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MAYA LINDEN: Forgetting 155
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156 GriffithREVIEW34
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!SHE PLACES HER!74$""$6!5#$@'"$!8*5>!'+!&#$!5(3"$&.! I&!"#'@@$4"!3+!'&"!#33>1!")*<'+,!&#$4$!8$"'6$!#$4!3&#$4!64$""$".!:((!32!&#$@!#*+,'+,!"32&(<!('>$!&#$!836'$"!32!)3@$+.!
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Maya Linden has lived and worked in the US and Australia. She recently completed a PhD at the University of Adelaide, and her writing has been published in Meanjin, Westerly and Australian Book Review, as well as several anthologies. ‘Forgetting’ won second place in the 2011 Josephine Ulrick Literature Prize.
MAYA LINDEN: Forgetting 157
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FICTION
Sunny Lodge Sally Breen
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SALLY BREEN: Sunny Lodge 159
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SALLY BREEN: Sunny Lodge 161
![Page 162: A qu ART eRly oF wRiT inG & ideAs · Barbara Brooks, Jay Griffiths, at Hoffie, p Mette Jakobsen and Miriam olinz A qu ART eRly oF wRiT inG & ideAs 34 Georgia Blain Craig Cliff ashley](https://reader031.fdocuments.in/reader031/viewer/2022011907/5f50ff5f21c3a713445785fd/html5/thumbnails/162.jpg)
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162 GriffithREVIEW34
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SALLY BREEN: Sunny Lodge 163
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Sally Breen is a lecturer in writing and publishing at Griffith University. Her writing has previously appeared in Griffith REVIEW editions 13, 14 and 20. Her memoir The Casuals was published by Harper Collins in 2011.
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FICTION
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174 GriffithREVIEW34
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Chris Womersley is a writer of fiction, reviews and essays. His work has appeared in Granta, The Age and Best Australian Stories 2006, 2010 and 2011. His second novel, Bereft (Scribe, 2010), was shortlisted for the Miles Franklin Award and the Australian Society of Literature Gold Medal, and won the Indie Award for Best Fiction. His stories have featured in Griffith REVIEW editions 20 and 25. www.chriswomersley.com
CHRIS WOMERSLEY: The middle of nowhere 175
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can purchase all three of our annual fiction editions for
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and 30 for just $39.50 plus postage (a saving of $10.40 on rrp).
Only available from www.griffithreview.com/online-store
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Future Editions of Griffith REVIEW
Griffith REVIEW 35: SURVIVING
In an ever more populous, urbanised and media-saturated world, it can feel as if the rate and scale of disasters is straight out of a doomsday movie. Inured by daily reports and images of devastation, it’s easy to lapse into compassion fatigue and a pattern of short-term responses or quick technological ‘fixes’.
Surviving will explore stories of our ability to adapt, survive and thrive in response to challenge.
Available February 2012
Griffith REVIEW 36: What is Australia For?
It is time to revive the debate about national identity. The clichés of old have long exceeded their use-by date.
This is a trying time of global transition and uncertainty, for societies and for individuals. Yet it is also a time when Australia has remarkable advantages – advantages it must build on if the nation is to prosper.
Instead of seizing the moment, and forging an exciting new future, public discussion is mired in the past. Politics is no longer the art of the possible. Whingeing has replaced can-do.
What is Australia For? will sketch out visionary ideas for the future, uncover neglected stories from the past, and provide an exciting forum for new voices to make their case.
Available May 2012
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Text Publishing, Melbourne AustraliaTEXTPUBLISHING.COM.AU
OUT NOVEMBER
‘The world is full of midlife crises but few of them are as good as this—and we have the hare to thank for it.’
Alan Saunders
A novel about one man’s existential journey away from his life and into the wild.
With a hare.
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Text Publishing, Melbourne AustraliaTEXTPUBLISHING.COM.AU
OUT NOVEMBER
Twenty-fi ve years ago, a zoologist from the Australian Museum in Sydney set off to research
the mammals of the Pacifi c Islands…
‘A rollicking adventure story...surprisingly funny.’ Bookseller+Publisher
‘Think Indiana Jones crossed with Charles Darwin.’ Financial Times
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‘as engaging as it is prescient.’ Weekend Australian
GriffithReview34 The annual Fiction edition
The Annual Fiction edition
GriffithR
eview
34
Claire aMan Mrs Dogwether’s bird momentroMy asH underwaterTony BirCH The loversGeorGia Blain enlarged + heart + childKaTHleen BleaKley islandssally Breen sunny lodgeBarBara BrooKs searching for MontyW H CHonG an abstract artCraiG CliFF offshore serviceDianne D’alpoiM archipelagoaMy espeseTH Free lunchasHley Hay elsie’s houseXavier HenneKinne The new capitalKaTe laHey The big one-eyed dorkBenJaMin laW post-nuclearMaya linDen ForgettingniColas loW octopusMelissa luCasHenKo Friday night at the nudgelMarGareT Merrilees sighting rottnestraCHael s MorGan TrystFavel parreTT no man is an islandJosepHine roWe The tankJulianne sCHulTz Time to don the bat wingsTHoMas sHapCoTT His grandfatherCory Taylor Continental driftelena WilliaMs Finding a florist in lidcombeJane WilliaMs a matter of instinctCHris WoMersley The middle of nowhere
picTuRe GAlleRyMirDiDinGKinGaTHi JuWarnDa sally GaBori Girt by water
www.griffithreview.comonline-only essays from laurie Brinklow, Barbara Brooks, Jay Griffiths, pat Hoffie, Mette Jakobsen and Miriam zolin
A quARTeRly oF wRiTinG & ideAs34
Georgia BlainCraig Cliff
ashley HayXavier Hennekinne
Benjamin lawMelissa lucashenko
Favel parrettChris Womersley
and more
TheAnnuAlFicTion
ediTionthe griffith
review emerging
wr
iter
s’ p
rize •
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