E tï,| | LE LITTL E Rbq arronqement withC H A P P E L L E C O . . L T

A New Musical

PRESE ' I 7S

L Y R I C S 8 Y

E.Y. HARBURGM U S I C B Y

B U R T O N [ A N EE O O K B Y

E . Y . H A R B U R G & F R E D S A I D Y

,ffiffiI

30

I t 's that o l d Dev- i l l l l oon -

loon - I t ' s tha t O ld

----;---1' t

d e e p i n y o u r e y e s b l i n d s m e w i t h

r--T----1 r----;--1

i \ l o o n d e c p i n y o u r e y e s b l i n d s m e w i t h

Justwhen I

tcol la, aoce r il lr t ,, î f,.co

3 8 6 9 9

gt

TO OPEN SCENE III

5Segue

Animato,?

lightr Bluck-

'#tbPiano

E

Chappell3S699

ENTR'ACTE

78

N9 16

Piano

(

Moderato

C h a p p e l I

--F

- (T ift It -J---'--- ------------z --\-----l ---_/.

I

? 8

I

(

l

,---,.-=\

Str ings t remolo

?

\-\_

1 :o Segue

Chappe l l

7g

Act IITO OPEN SCENE Vi IN917

Piano

ll{oderato

t i n i a n

I

-J-r

L-.".-q.:fd

ChapPel l

E

SONG (SHARON. (WHEN THE IDLE

with CHORUS) t ORNCEPOOR BECOIITE THE IDLE RICH' '

80

Ne t8

Cue: (Finian) "sh"u., and Robust"

Piano

:J8t i99

DANCE Steady TempoSusan dances

u

Chappell

> : > l " . i

-----------.\--

, - - -

L

?.--."92Yalse

'i: e J r.

-.---_--\

Ci , . rpp l i l

P.OLONAISE>

J*,> t I

l

II

19

wontt it be when ev - try onets poor

p i a s - t i c t e e t h , Horv wil l we de

be - comes fRock-e - fel - ler-t ivetta-nd

ter- mine whots

Chappel i

llt

And r l 'hen uP-pe r

Sc lo (Dead-Pan ,

You wontt know your

the day we drink that drink- ie

from your

i,=__

22 sharon

v

J E 6 9 9

J C

Du du du

dle poor be-come the i

d le poor be-come the

d le poor be-come the

a .

doot de durrffi

du du du doot de du

=-

i -,-----

r i c hd le

Cd u

U.de du

When a

man does-ntt wirnt to

Chappe l I

88

SHA.

!(EN

twantto work, Hets a loaf - er hets a 16u6'-çr hets a la - zygoodfornoth-ing

rich man los j es on a horse, is-'r it he ttre

r + ' . tB u t w h e n a POOr man l os - cs on a hôrset

Oh is - 'n' t he the sport

sam-bler hets a low- l i fe a rea-son for di - vorce.

jerk l

FI

C h a p p e i i3 3 6 9 9

T }l e

townt- But whcn a poor man af - ter

\r

bcund - er hets a round- er rot-ter and a lot of ajr'- iy namelr.

Cheppcll

26

4i . r -

cHo.

cHo.

d eDu d u i u d o o t d e d u

L h .

J '

r.ev - er know just who

nev - er know just who

t - - ' ----

-=------_

r i c h .

de du d u du du du doot de du

When the

When the

When the i - dle poor be - come the i - dle

de doot.Youtt l

d le poor be - come the i - d le

d le poor be - come the i - d te

o

LI7

a/

ilrrlttliiiià

3 5 6 9 e

-"---.-

9t

come nev - €r know iust

I

: ' : T ' * ' e e - d l e D u m r i c h T w e e - d l e D e e ,

when youtre on Park Av- e - nuerCor us and Mike - look a

Th. rs d is -c r im - i

When

t i c n w i l l

n a t l o n?

1if=--

/ r h r r n , l l

3=2 Cwcomlanied

hide thosc in-con-gru-i-t ies in cloaksfrom Ab-er-crom-bie

dle r ich,

poor- be - come the i - d l e.-

tbe

Itq)

É:. d

o ÀE Ec ) oo

o

È

Wbcn- the i poor- be - come the- i

d le poor- be - come the-

d l e

Chapp l l

l .

poof- b e i -

be - eome

be - come

be - come

When thel\-1-r

+-

t h e

tEt h e

hen

+æhen

w+I-L

;

€o

. 6

a ) Oo

d

the

r ich,

r i ch ,

Chappeli

g4

N9 18a

. ' \ \ 'H E \

Cue : ( t i n i an ; I ' l . , s r s S t - . ea rs and

ENCORE CHORUS

POOR BECOME THE IDLE RICH"

SHORT

T H E I D L E

Robus t "

SopranoÀl to

. J _

l loderat o

W h e n t h e r

Tenor

Bass

Piano 1

When the i p o o r b e - c o m e t h e

\ \ hen the i - d l e , w h e n t h e i - d l e p o o r b e

When the p o o r be-come the

be-conre the

p o c r b e - c o m e t h e

When the i d l e

W h e n t h e i - d l e , w h e n t h e i - d l e ,

p o o r b e - c o r n e t h e W h e n t h e i - d l e , w h e n t h e i - d l e ,

( _ - . - a . - : :

'ililffi

OPENING TO LONG ENCORE

'-'-.=-

( È È

rhq _+É-t-r r + t J

poo r becorne the

, : i . ' - . 4oor"

Çhapp e I I

06

N9 18c LONG ENCORE (SHARON with CHORUS)"wHEN THE IDLE pooR BEcoME THE IDLE RIoH"

Cue, (Fini an) " Formal dress required"

Moderato Sharon and Chorus

Let's toast tbe day, Tbe day we drink tbat drink-ie up, But with the l it- t le

Piano

wïen tie i - are doo,

$hen the i - d le , when the i - d le poor d l e ,

d le poor be-conre lbe

le poor be-come tho

dle poor be-come tbe

When the i - d le poor -

C h a p p e I I

g 7

W b e n t h e i - d l e be-corne the d l e ,

f V h e n t h e i - d l eV J . r L - r

whenthe i -d le , wben i - d le , when

when the

When the i - d le, whenthe i - d le,

goor be-come the

poor be-come the

3 8 ô 9 9 C h a p p e l l

t

9 8

N9 19 REPRISE (SHARON & \TOODY ). 'OLD

DEVIL MOON, '

C r r c : ( S h a f o p ) ' ' r f ' e t l i n t h a t c a s e I c a n t n t a r r v y o u . . . . . t w o h e a d s "

Piano

T

S t a r s i n t h e n i g h t , b l : r z i n g t h i e r

r---z.-'-1

g o t m e f l y - i n ' h i g h a n d w i d c

You and your glance nrake this romance

dJ r : -

You've

C h - r n r , .

t h i nk I h -

99

Woody r-l-r

Iove. _---

: l \ ô 9 9 C h a p p e l i

too

Nq20 INTRODUCTION TO SUSAN'S DANCE

-)a

Piano

--> Etit Sharon and Woody

Arranged bySONNY TERRT

1-.---z --\---F

DANCE OF THE GOLDEN CROCK (Susan)N9 20a

HARtrlONICAl lolto adugio

Al legro moderato

Poco meno mosso , t l a rmon ica b reahdoa ,n t

: ]s6 90C h a p p e l l

o ice

Yes

Y o i c e^

"o .K : '

Af legro

Yes,you know.

LONESOME TRAIN Gd I ib . )

END OF SUSATV'S ONXCE

Yes.l ou know

C h a p p e I I

L{J2

N9 2r TO OPEN SCENE VIII

/f,).

( t i=-

, J J A 1 ' n .bo--a

- nff

MAGIC MUSICMolto moderato

'llp " F idd,le - Faddl ei'

Nq22

614: t tNow fo r the mag ic cure"

Piano

FIDDLE . FADDLE!.03

'-7-- ,--i.--

"How are th ings in G locca Mor ra th is f ine'.rnugrc curc u)orhs,,

^ 2 ^

,d

" M e d i e v a l

" B ro ther hood "

Chappe l l

t04

N9 23

era.. (Senator) " I got i t , I got i t "

Moderato

Piano

out che

QUARTET (fne Three Gospeleers & Senator). .THE BEGAI ' '

They l i ved as f ree as the sum- mer

13 ilen

the Lord made A-dam, The

wi th- out pa - ja-masandwi th-

Un - t i l they stum-bled on the

Chapgcl l

__! I

aP - Ple Then she looked at him,- and he looked at

a n d t h e y k n e w i m . m e d . j e t - l y - w h a t t h e ç ' o r l d w a s f u r . -

Hesaidgiveme my cane, - He said give me my The time has

corne

S e n a t o rto be-g in The Be - ga t S o t h e y

>

T h e B e - g a t . So they

c

L

38699 Chappell

_i

and they Be-gat A - belwho Be - gat the rab-ble at tbe towi of Ba-bel Thev

Be-gat the Colrens andthey Be-gat O'Rourkesand they Be-gatthepeo-plervhobe - l ieved in storks.

2nd & 3rd Men g i l r l

Ho*'they did Be-gat E-venmorethanthat;whenthe Be-gat got

Howthey be be be - gat

un-der the daughters of the They Be-gat the Bab-bits of the

3 E 6 9 9 Chappe l l

the mis - be-got -ten

al s t M a n

in Du-luth.Tbough the

mul - t i-plied

cen-sorstr ied the facts to hide -

2nd & 3 rd i l en

Howthey mul - t i -pl ied

It pleased the leagueof Women Shop-pers

go - ers up and

Ho*' they

Ho*' they ed.

pp cresc.

Chappe l l

LO8 1(,lst t lan

mul - ti - plied Soon it swept tbe world,

tweeds Begat

2nd ilan

Ev- iy landand t in-go I t be -

It was big-ger than Bin - gol

The folkswhoshould a stood in bed

the Greeks Be-gX, The Swedes Begit, Whv ev-en Brit isbers in

And Lord-y Lord-y ç'hat their seeds

t Xen

II

tst [.

LappsandLi th-u- an - i - ans Be - gat, ScrantonPennsy l -va - n i - ans

Be - gat H o n - o r - a - r y A r - y - a n s Be - gat.

Fat f i l i - bus- ter-ers Be - gat In -come- tax -ad- jus - te r - e rs Be-gat. 'twas

Naf- 'che-ler aÀd naf-cha-ler - to e-ga t . and somet imes a ba-che- lo r

Be - gat

I

Start - ingfrom Ge-ne - sis. Be - gat

3 . . : 9 9 C h : p p e l l

did - nt mat-ter which-a - \ ,r 'a!.s o f h a - b i - t u - e s

l ïoderatoN9213

Piano

AFTER THE BEGAT

Segue

Chappe l ls8693

N9 24TO OPEN SCENE IX

REPRISE - (SHARON, \trOODY with ENSEMBLE)"LOOK TO THE RAINBOW"

Curtain risesAndante oon moto

111

Piano

I '"1=l 7 "i t *-* 11 71 l - l 7

3 S 6 9 s Chappell

C Chorus

TemD Wood

gi f t to

âFor tbe lure of that

true love's

3 S 6 9 9

ream:

d r e a m .

Fu l low

3 8 6 9 9 Chappell

5.L4

N? 25

Cuet (Fini an) "Leprechavn..... Nemesis"

Agitato

TO OPEN FINAL SCENE

- - - - - Y \ - / ; ' ; :

p

3 S 6 9 9 C h a p p e l l

tl5

p piir lranquillo

0g. Calls"Sharon"Scntimental

'Sutt'e slapt àand

E

Chappell

Lt6

N9 26

Cue: (09)'rl feel the same frenzy lo you"

SONG- OG (with SUSAN'S DANCE)"wHEN I'M Nor NEAR THE cIRL I LovE"

a t.empo

f lck and not toohearti ln a:\

fl

Chappell

What if they're tJll aod What i f theytre small and

O G

It

.oo

It

Chappell

C h a p p e l l

When ttru - not cloge lo

c l tng to tles lbatte clore

I m- not fac - Ing the face lbat I fan - cy,

hiss that

Chappell38690

1('

fan - cy

Itm- not nerr the girl-

For Sba - ron I'm carini- But

love- tbe girl

Su - zan ltm

3 S 6 9 0

ilI

L?,2

N9 27 THE CRACK OF DA\TN. . IF THIS ISN' î LOVE' '

Allegro subito>

Piano

r23

N9 27a

C u e : ( 0 9 . \ " C r a c k o f D a w n I '

REPRISE (rUrr" IF t t t ts tst t ' t

coMPANY)LOVE"

rouE-

If/u

the whole wor ld is

f i '

Cha ppe i I

"L24

cra - zy

th is is-ntt lovd

If this is - rft

If

l ove the whole world is cta g this whole2 . r D 2 ,

With moons

d id -d le d id - d l e t he

world is cra zy If this

and cows jump-ing o

- round and cows jump-ing o -

and the fid -

moors all a -

Chappell

L26

Therets some-thing a - and It l l

Therets

your hand

- thing

tb is is - ntt love

- miss and I'll kiss your hand

th is Poor boy if

love

Elove

N9 28:-r

Cuez(tin

P iano

BEFORE FINALE ULTIMO: hands

egiettha

siof me

r allt

' a lm €

Poco

i an)

IE

Chappell

{

LzA

N9 J9

Cna : (Sha ron ) " l t ' s a l l i n Fa the /s head"

Sharon

Gi r ls

Men

Piano

:1E699

FINALE ULTIMO REPRISE..HO\4I ARE THINGS IN GLOCCA MORRA''

Too

à 1e +

:-2--t

so to evjry r* 'eepin' wi l{ow, To eachbrook a-longthe way To each lad that comesa -

Ful l Company

May we meet in C locca d a y . -

I l lay we meet Mor - ra One f ine

L - oI5

,4-à- n a l =

CURTAII;

Chappe l l

N9 30

(Curtain

CURTAIN ACT II (FULL COMPANY). .THAT GREAT COME.AND.GET.IT-DAY' '

-\--l/

hay - That's the

Eet my

127

Chorus

Piano

Rlscs)

t .

donc and mon-ey is t h i n g s ' l l c o m e y o u r

Chappe l l

g'rounr- 'cause word has come - from Ga-bri-el's--...,-r

< > r

mule- that a-cre of'.-\

horn- The earth be -

(stilt rhythm)

com - in' for to st^y On that great. great Come and get i t , and keep

t29

j ca f {g Chappet l

r 3 0

N9 31

Piano

E X I T M U S I C. ,OLD DEVIL MOON' '

tsu{i99C h e p p e l l

"iil

r3 l

rI

II

Espressivo schmaltzandor1\ --

38699 Çhappell