A New Domestic Paradigm: Women become patrons Frank Lloyd Wright, Mies Van der Rohe … and...

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Winslow House, River Forest, II., Street Facade 1893-94 Froebel blocks University of Wisconsin -- 1885 John Silsbee's office -- 1887 Adler and Sullivan's office -- 1888 interest in Japanese art Radical though it may be, this work is dedicated to a cause conservative...At no point does it involve denial of the elemental law and order inherent in all great architecture; rather it is a declaration of love for the spirit of that law and order, and a reverential recognition of the elements that made its ancient letter in its time vital and beautiful. (FLW, 1908) A New Domestic Paradigm: Women become patrons Frank Lloyd Wright, Mies Van der Rohe, and Robert Venturi and the houses they designed for female clients This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes. ImagePage 1 of 7 Houses for New Women.shw

Transcript of A New Domestic Paradigm: Women become patrons Frank Lloyd Wright, Mies Van der Rohe … and...

Page 1: A New Domestic Paradigm: Women become patrons Frank Lloyd Wright, Mies Van der Rohe … and art/Houses for... · 2012-11-10 · A New Domestic Paradigm: Women become patrons Frank

Win

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Page 2: A New Domestic Paradigm: Women become patrons Frank Lloyd Wright, Mies Van der Rohe … and art/Houses for... · 2012-11-10 · A New Domestic Paradigm: Women become patrons Frank

Ro

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Page 3: A New Domestic Paradigm: Women become patrons Frank Lloyd Wright, Mies Van der Rohe … and art/Houses for... · 2012-11-10 · A New Domestic Paradigm: Women become patrons Frank

Ho

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Da

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:

190

2

Sp

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.)

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Page 5: A New Domestic Paradigm: Women become patrons Frank Lloyd Wright, Mies Van der Rohe … and art/Houses for... · 2012-11-10 · A New Domestic Paradigm: Women become patrons Frank

"Flo

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R.

Ven

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Page 7: A New Domestic Paradigm: Women become patrons Frank Lloyd Wright, Mies Van der Rohe … and art/Houses for... · 2012-11-10 · A New Domestic Paradigm: Women become patrons Frank

Thi

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