A Journey Through FrenchStyle Critique

20
Page 1 of 20 A Journey Through French-Style Critique PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New York University; date: 12 February 2014 New Spirits of Capitalism?: Crises, Justifications, and Dynamics Paul du Gay and Glenn Morgan Print publication date: 2013 Print ISBN-13: 9780199595341 Published to Oxford Scholarship Online: Jan-13 DOI: 10.1093/acprof:oso/9780199595341.001.0001 A Journey Through French-Style Critique Luc Boltanski DOI: 10.1093/acprof:oso/9780199595341.003.0002 Abstract and Keywords This chapter outlines the programme of a sociology of critical practice. It distinguishes this from Bourdieu's critical sociology and the theory of domination by emphasizing the role of actors. In this perspective, the actors are very different from the agents to which the critical sociology of domination had been accustomed to analyze. In the sociology of critical practice, are always active, not passive, openly critical, condemning injustices. From this standpoint, the social world is no longer seen a place of passively accepted domination, or even of domination suffered unconsciously, but instead a site full of disputes, critiques, disagreements, and attempts to restore local, always contestable, harmony. The chapter argues that the effort to renew the contribution of sociology to social critique by relying in this way directly upon the criticism formulated by the actors has however had only modest success because it does not permit mounting a wider critique encompassing social reality regarded in its totality, with different components systematically linked one to another, a critique that would consequently advocate for a drastic change of the political order. It argues that this reflects not a failing of the theory but a realistic understanding by actors of the nature of the situation in which they find themselves. It is institutions that have the task of maintaining in working order the current formats and rules and, hence, the task of confirmation of the reality of the reality. However, institutions are always precarious in the sense that they claim to be timeless, disembodied and eternal but their rules etc. can only ever be articulated by embodied actors. This hermeneutical contradiction opens a breach within which critique can develop and the issue of emancipation can arise.

Transcript of A Journey Through FrenchStyle Critique

Page 1: A Journey Through FrenchStyle Critique

Page 1 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

New Spirits of Capitalism?: Crises, Justifications, and DynamicsPaul du Gay and Glenn Morgan

Print publication date: 2013Print ISBN-13: 9780199595341Published to Oxford Scholarship Online: Jan-13DOI: 10.1093/acprof:oso/9780199595341.001.0001

A Journey Through French-Style Critique

Luc Boltanski

DOI: 10.1093/acprof:oso/9780199595341.003.0002

Abstract and Keywords

This chapter outlines the programme of a sociology of critical practice.It distinguishes this from Bourdieu's critical sociology and the theory ofdomination by emphasizing the role of actors. In this perspective, theactors are very different from the agents to which the critical sociology ofdomination had been accustomed to analyze. In the sociology of criticalpractice, are always active, not passive, openly critical, condemninginjustices. From this standpoint, the social world is no longer seen aplace of passively accepted domination, or even of domination sufferedunconsciously, but instead a site full of disputes, critiques, disagreements,and attempts to restore local, always contestable, harmony. The chapterargues that the effort to renew the contribution of sociology to social critiqueby relying in this way directly upon the criticism formulated by the actorshas however had only modest success because it does not permit mountinga wider critique encompassing social reality regarded in its totality, withdifferent components systematically linked one to another, a critiquethat would consequently advocate for a drastic change of the politicalorder. It argues that this reflects not a failing of the theory but a realisticunderstanding by actors of the nature of the situation in which they findthemselves. It is institutions that have the task of maintaining in workingorder the current formats and rules and, hence, the task of confirmation ofthe reality of the reality. However, institutions are always precarious in thesense that they claim to be timeless, disembodied and eternal but their rulesetc. can only ever be articulated by embodied actors. This hermeneuticalcontradiction opens a breach within which critique can develop and the issueof emancipation can arise.

Page 2: A Journey Through FrenchStyle Critique

Page 2 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

Keywords:   critique, pragmatism, domination, institution, emancipation

French sociology, having lost after the Second World War the prominenceit claimed during the Durkheimian era, regained international recognition—especially in the United States—by taking up a programme of criticalsociology which had been, until then, associated with the Frankfurt School.This reimplementation of a critical orientation, launched in the Frenchcontext of May 1968, has taken a different path, however, from the onefollowed by the German heirs of the Frankfurt School.

Specific to the French style of critical sociology is the attempt to build asynthesis between Marxist and Durkheimian traditions, centred on the notionof institution. This synthesis entailed elements borrowed from Weberiansociology as well as approaches rooted in the phenomenological tradition.One can say without reservation that Pierre Bourdieu’s sociology presentedthe most visible aspect, both in France and abroad, of this diverse andproliferating archipelago constituted by the new French critical sociology ofthe 1970s.

This new critical sociology became, in turn, the target of numerous critiques.Some were inspired by political considerations that amounted, briefly,to a purely conservative dismissal of critical sociology for targeting theestablished political and social order. Other critiques, however, weregrounded not in political but instead in basic theoretical disagreements.These internal critiques were sometimes developed by sociologists who hadbeen—as was my case—close collaborators of Pierre Bourdieu, but were atodds with some of the theoretical postulates underlying the Bourdieusianconceptual system.

Such theoretically inspired critical stances did not imply, however, givingup the project of associating sociology and social critique. These critiquesrecognized, at least implicitly, the legitimacy of such a project, as oldas sociology itself. Despite the inner tensions and perhaps internalcontradictions of (p.44) such a project, it has defined what is unique to thesociological discipline. Arguably, sociology has always been caught, as ina pincer, between, on one hand, the requirement for scientific descriptionfrom an objective distance and, on the other, the need to adopt a normativestance allowing judgement of the prevailing social order.

It is in this context of debates about the relations between sociology andsocial critique that another programme—in which I was involved—tookform during the 1980s, namely, the pragmatic turn to a sociology of critical

Page 3: A Journey Through FrenchStyle Critique

Page 3 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

practice. This programme was not oriented against critique—contrary towhat has often been said—either in reproach or in praise. On the contrary,one of its main aims was to renew the possibility of a critical sociology, andthis by focusing on the critical capacities of ordinary actors and by takingas the subject of empirical research those situations, abounding in ordinarylife, in which actors put into play these capacities, especially in the course ofdisputes (Boltanski and Thévenot, 2006).

I will not recall the now well-known objections opposed to the Bourdieusianscheme, for example, by Jeffrey Alexander in the United States (Alexander,1995) and Jacques Rancière in France (Rancière, 2004). What wasparticularly objectionable for us was the excessive weight placed on thedelusion of the agents and the deep asymmetry between deluded actors andthe clear-minded sociologist.

Such a paradigm, moreover, by stressing a circular relationship between, onone side, underlying structures and, on the other, embedded dispositions,tends to ignore or underestimate the state of uncertainty that personsfrequently face when they are acting. Consequently, it precludes thepossibility of taking into account the very logic of social action and, thereby,analysing and understanding the disputes in which actors become engaged.

The programme of a sociology of critical practices

The main orientation of the programme of a sociology of critical practiceswas to pursue and enhance a critical sociology grounded in rigorousempirical fieldwork by offering fine-grained accounts of actors engaged insituations. The strategy implemented consisted of a return to the thingsthemselves, as phenomenology used to say. In the case of criticism, it meanttaking as one’s main object of research those situations in which people areproducing criticisms and justifications, in other words, studying disputes.We thus launched a series of ethnographic fieldwork studies, implementingmethods of direct observation borrowed from the anthropological tradition.The ethnographic field sites were deliberately chosen to provide access to awide array of disputes emanating from domains as diverse as possible, suchas firms, media, (p.45) schools and universities, town councils, trade unions,commissions for health or welfare, etc.

Another part of the programme was devoted to the study of ‘affairs’. Bythis term, we mean, in France, a big public debate, triggered by a caseentailing uncertain features and involving a question of justice, of which thefamous Dreyfus affair remains, up to our time, the paradigm. In the course

Page 4: A Journey Through FrenchStyle Critique

Page 4 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

of these affairs, a conflict, which is originally local, spreads and takes on ageneral significance. The conflicting parties seek, then, to mobilize as large agroup of actors as possible in support of their cause. Different incompatibleaccounts are publicly advocated, resulting in a persisting uncertainty about‘what really happened’.

The actors revealed by these inquiries were very different from the agentsto which the critical sociology of domination had accustomed us. Theywere always active, not passive. They were openly critical, almost in thestyle of critical sociologists, continuously unmasking the hidden foibles andintentions of their opponents, and, furthermore, not hesitating to adopt,when it suited them, the schemata of critical sociology that could havebeen popularized by education (often by post-school education) and by themedia. They pressed home their demands, condemned injustices, producedevidence to support their complaints, or developed arguments to defendthemselves against criticisms levelled against them. From this alternativestandpoint, the social world no longer seemed a place of passively accepteddomination, or even of domination suffered unconsciously, but instead asite full of disputes, critiques, disagreements, and attempts to restore local,always contestable, harmony, that is, a scene more in line with a lawsuit.

On methodological and theoretical grounds, this programme has drawnresources from different trends more or less inspired by the pragmatisttradition. These trends, taking different paths, were united in directingsociological attention towards actors in situations, and in viewing them asthe principal agencies performing the social. Inversely, they discouragedsociology from producing quasi-cartographic descriptions of the social worldviewed from an overhanging point of view and described as an alreadyformed solidified entity. Some of the trends informing our approach wereinspired by American pragmatism, such as interactionism or, less directly,ethnomethodology. But one must also mention other variants that wererooted in the French intellectual context. These approaches reprocessed apart of the pragmatist legacy frequently via tortuous paths by way of thework of Gilles Deleuze (e.g. as in Bruno Latour’s effort; Latour, 2005). Onemust mention also other orientations which, although not directly connectedto pragmatism, nonetheless directed sociological attention towards languageand the interpretative work implemented by actors in situations, as, forexample, analytical philosophy, the second Wittgenstein, or the attempts,developed (p.46) in France by Paul Ricoeur, at merging analytical philosophyand phenomenology (Ricoeur, 2008).

Page 5: A Journey Through FrenchStyle Critique

Page 5 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

Among this disparate array, we made particular use of linguistics. We firstdrew elements from pragmatic linguistics aimed at analysing indexicalityand the process of making sense within situations. But we also drew upongenerative linguistics, from which we borrowed (in a somewhat unorthodoxmanner) the notion of competence. This notion allowed us to infer thepresence of underlying cognitive schemes displayed in the capacity of actorsto produce criticisms and justifications within situations as well as theirability to discriminate between those that were appropriate to the situationand those that were not. We started then to build models of the manifestedsense of justice, or moral sense. One can also attribute to the pragmatistinfluence the tendency of the sociology of critical practices to describe thesocial world as if it were the scene of a trial, in the course of which actors,plunged in uncertain situations, implement inquiries, develop experiments,formalize their interpretations of the state of affairs into reports, determinequalifications, and subject one another to tests.

I would add that the programme of a sociology of critical practicesmaintained an objectivistic orientation, and even remained, in someaspects, rooted in the structuralist tradition. Such structuralist orientation,however, was redirected, by shifting the focus from the mapping of a socialmorphology, to modelling the cognitive resources and normative toolsavailable to actors. Relying upon these models, we tried to understand theway in which actors succeed in reaching a loose coordination of their actionsand making their interpretations more or less convergent, in the courseof the disputing process. The main task of sociology, considered from thisepistemological position, is, then, to make explicit the methods implementedby actors themselves by which they select a meaning from among a largearray of possible interpretations and, by this same operation, create or seversocial ties. From this perspective, the object of sociological research layin rendering explicit and delineating the generative grammar yielding theoperations implemented by actors in the process of making and unmakingsocial ties and associations. Thus, the kind of truth that such analysis soughtto reach can be compared to the notion of acceptability as it is used inlinguistics.

In terms of advancing a critical orientation, our intention was to makenormative stances emerge from the description itself. We thought thatanalysing disputes and clarifying the moral sense and the sense of justicepractised by actors would, in the long run, provide a firm ground onwhich sociology could base its claim to participate in social change. Thisparticipation would take the form of rendering generally accessible the

Page 6: A Journey Through FrenchStyle Critique

Page 6 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

frustrations and aspirations expressed by actors by translating such localclaims into (p.47) formulations whose general meaning could be recognizedand validated and hence have warranted political significance.

On Justification, a book originally published in French in 1991 and translatedand published in English only in 2006 by Laurent Thévenot and myself(Boltanski and Thévenot, 2006), can be seen as the core example of such anapproach. It develops a theoretical model, based on extensive fieldworks, ofthe sense of justice in our society. It outlines the cognitive tools implementedby people so as to generate criticisms and justifications and lays stress onthe plurality of the principles of evaluation and interpreted criticisms asbased on a conflict between these.

Without going into the details of the model, I will just point out that it seeksto describe not only the argumentation but also the procedures peopleuse to support their claims. We refer to these procedures as reality tests.These tests (e.g. exams or other selecting procedures) can be more or lessinstitutionalized and are more or less bound to conform to certain formats.Using such a frame, one can analyse the criticisms developed by the actorsin the course of their disputes. They can take two different directions: eitherchallenge the specific way in which the test is implemented by showing thatit does not conform to the approved correct format; or question the testformat itself.

Can a critical sociology be developed on the basis of asociology of critical practice?

This research programme has undoubtedly achieved a better description ofthe various critical practices evident in everyday life. Moreover, it facilitatedthe spelling out and modelling of the collective resources available todisputants. One can say, then, that the programme reached its objectives, atleast on the ground of descriptive adequacy. But, can we say the same thingwith regard to our second objective, which was to renew the contribution ofsociology to social critique by relying directly upon the criticism formulatedby the actors?

In terms of this second aim, the results seem rather modest. The programmemakes it possible to rely on the actor’s criticisms such as might be directed,for example, against selection tests in school or work that fail to conform totheir correct format. But, unlike a critical sociology of domination, it does notpermit mounting a wider critique encompassing social reality regarded in

Page 7: A Journey Through FrenchStyle Critique

Page 7 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

its totality, with different components systematically linked one to another,a critique that would consequently advocate for a drastic change of thepolitical order.

We have then to face a kind of paradox. We reproached critical sociology forpresenting people as subjected to mighty structures and for ignoring theircritical capacities as agents. But it seems that this critical sociology did open (p.48) the way to a radical critique, which could be appropriated by ordinaryactors in order to support their own bluntly critical claims.

Inversely, the sociology of critical practices wanted to really listen to thecritical activity developed by ordinary actors. But, it seems that it did notsucceed in fostering a form of critique of more salient potency that couldsupply actors with the resources needed to reinforce their critical will andtheir critical efficiency. This outcome is rather easy to understand and canbe attributed to the fact that, in ordinary times as opposed to exceptionalperiods of uprising or revolution, the critical stances formulated by socialactors and collected by the social scientist tend to be relatively limitedand directed towards local settings. Must we conclude from this, then, thatcritical sociology was right when it considered social actors to be plungedin a world of illusion, blinded by dominant ideologies, and not capable ofgaining an awareness of their subjected state?

Our interpretation is different. As frequently demonstrated by the sociologyand anthropology of resistance, actors can be aware of the general formsof injustice they suffer, without expressing strong claims, as individuals andin face-to-face interactions. And this can be noticed even when they are notparalysed by fear, enjoying political contexts where free speech is a right.And the reason for this, we would argue, is that actors are realistic. Theydo not ask for the impossible. Their sense of reality is constantly reinforcedby their ordinary experiences. They can appreciate to what extent theircondition can be said to be just or unjust, privileged or disadvantaged, byreferring to the situations of other actors they regard as comparable invarious respects.

Ordinary persons, at least in daily life, are rarely driven to question thegeneral frame that informs their particular state of affairs leading to protestor indignation. They can judge unjust the way a certain test was performed ina certain situation, but without questioning, for all that, the institutionalizedformats of tests and qualifications, taken as a whole. A first reason is thatthey do not have access to the kind of tools necessary to totalize. But theprimary reason is, more probably, that actors implicitly know that the tests

Page 8: A Journey Through FrenchStyle Critique

Page 8 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

and their institutionalized formats are stronger than they are as individualsand, hence, it would be irrational to demand, on their own behalf, effectivechanges that would require a drastic transformation of this wider frame.The actors, considered in the course of their ordinary life, seem to takeseriously the mere fact that what we call reality tests are grounded uponreality. A waiter in a café knows implicitly that it would make no sense toconsider unjust the fact of not being a university professor, because herealizes that, if tested, he would not, for instance, be able to cope withtrigonometry. Although, of course, it would be another matter if he took acorrespondence course and obtained a diploma. In such a case, his denialof opportunities normally opened up by the professional exam would be amatter of discrimination, for example, for being a Jew (p.49) in Vichy France,an Afro-American person in the racist states of the United States, or else awoman or a homosexual, etc.

Granting that actors are realistic does not mean, however, that reality, assuch, will always hold them prisoners as in an iron cage. As demonstratedby the literature on revolt and uprising, the pressure that reality imposesupon the aspirations and claims of actors is variable in different historicalcontexts. One can suggest that it depends, mainly, on the degree to whichreality appears robust or, seems to hold. Reality is robust when the veryexistence of each of its components is symbolically and practically sustainedand, consequently, confirmed by others. Inversely, it becomes fragile whenthis solidarity is weakened and the necessity of existing reality is no longerconstantly auto-confirmed; reality seems, then, to break up. Such contextsare favourable to the development of critique, seen as a questioning of thereality of reality. Similarly, what actors could only have considered, up tothat moment, as pure dreams can be transformed into aspirations, and theninto claims.

Up to this point, I have used the word reality to mean what sociology hasreferred to for nearly forty years as the ‘construction of social reality’. Byreality, I designate the social context in which actors are involved. But I mustpoint out that, by context, I mean a network of qualifications, definitions,standards, test formats, rules, selection procedures, etc. In contemporarysocieties, these different formats rely mainly upon a juridical logic, which isnot reducible to the laws of the state.

However, my position is that this constructed reality does not determine ina mechanical way all of an actor’s experiences. Certain experiences can beauthentically lived, even if they cannot be formulated in terms of, or given

Page 9: A Journey Through FrenchStyle Critique

Page 9 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

a place within, the web of constructed reality. The construction of socialreality—a process that involves symbolic operations of qualification andagency—makes it necessary to select, in the continuous flow of events, someelements treated as if they were the only relevant ones. In consequence, onecan say that reality is far from incorporating all that is happening, namely,the world. The experiences of persons are, thus, at the same time, rootedin reality and in the world, regarded—in Wittgenstein’s terms—as ‘all thatis happening’. Thus, against social reality, which can be mapped in a quasi-cartographic way, I oppose the world, which no one can conceivably totalize.If the project of building a representation of reality, as it unfolds in a certainhistorical context, does not seem absurd, all attempts to delineate thecontents of the world are doomed.

I think that this distinction between reality and world can be used in orderto get a better understanding of the role played by critical activity in theprocesses of social change. One would not be able to understand how, incertain situations, actors manage to access desires which seem the leastrealizable, consider them seriously, and, on this basis, launch a radicalcritique of a (p.50) reality that denies the satisfaction of these desires if theexperience of actors were entirely restricted within the shackles of reality.But these border situations become understandable if one acknowledgesthat the field of experience is also rooted in the world. Actors, relying upontheir experiences, reveal themselves capable of drawing from the worldarguments and examples that do not fit in with the qualifications, definitions,and test formats on which current social reality is based. They would, then,be able to question its necessity, to expose its arbitrary nature, and, finally,to propose other kinds of social arrangements.

The model proposed in On Critique

In order to develop this idea, I will outline now, very schematically, atheoretical frame (sketched in my last book, On Critique, published inFrance in 2009 and in English in 2011; Boltanski, 2011). This frame is ratherdifferent from the one presented, twenty years ago, in On Justification, butnot contradictory. It aims at designing a larger scheme that would makeit possible to integrate elements drawn, on one hand, from the criticalsociology of the 1970s and, on the other, from the more recently developedsociology of critical practices. It represents, by some of its aspects, anattempt at giving a theoretical basis to the analysis of the recent changeof capitalism presented in The New Spirit of Capitalism, in which these two

Page 10: A Journey Through FrenchStyle Critique

Page 10 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

kinds of perspectives were implemented but loosely integrated on theoreticalgrounds (Boltanski and Chiapello, 2005).

This framework starts from the question of institutions. Institutions, seenmainly from the point of view of critical sociology as a source of symbolicviolence, have been largely ignored by the sociology of critical practices. Inthe frame that I will outline now, institutions are two-sided. Their negativeaspects, namely, as sources of symbolic violence, are maintained. But, onthe other side, we recognize their positive functions, which are to providebeings, and, particularly, persons, with semantic security. One can say,briefly, that human beings enjoy semantic security when their social identity,and the social properties attached to it, are maintained whatever the contextin which they are plunged.

My argument will be that the pre-eminence given, in any specific context, toeither negative or positive aspects of institutions will depend on the placegiven to critical practices in the social setting. The research would then becentred on the relations between institutions and critique. Institutions havethe task of maintaining in working order the current formats and rules and,hence, the task of confirmation of the reality of the reality. But critique,drawing new resources from the world, questions this socially constructedreality and, when it succeeds in gaining a listening, transforms it.

(p.51) The frame outlined in On Critique starts from a statement, whichhas the status of a postulate. This statement lays stress on a radicaluncertainty concerning ‘the what is it of what is’. This uncertainty is seenas continuously besieging the course of social life. Such a statementchallenges numerous positions that take as granted that social life relieson a kind of tacit agreement which could be seen as original, even asquasi-natural, and consubstantial to sociality. It puts into brackets, first,the approaches that consider meaning as relying on the presupposition ofa common sense (borrowed from phenomenology and/or from analyticalphilosophy). Second, it puts aside the approaches that focus on the certaintyof group membership (as developed in social anthropology). This postulateof uncertainty must be seen as a thought experiment (rather like the state ofnature in contractualist political philosophy). The aim of such a strategy is tocompel us to problematize the making of arrangements that must be built inorder to create a common social world.

This postulate of uncertainty does not lay stress on the competitionof interests but, instead, on the incapability of human beings to reachspontaneously an agreement on a determinate way of fixing a relationship

Page 11: A Journey Through FrenchStyle Critique

Page 11 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

between symbolic forms and state of affairs—to use a distinction borrowed—once again—from Wittgenstein (Wittgenstein, 1958). Given such uncertainty,these differences of interpretations and, consequently, of usages alwaysinvolve the risk of dispute, which can lead to violence. A consequence of thispostulate is that different registers framing action—which I will examine now—will be regarded as tools aimed at reducing the effects of this uncertainty.

Practical and metapragmatical registers of action

The first register considered is practice. It implies, more or less, physicalproximity and is particularly activated in the course of interactions andencounters. During these practical moments, persons cooperate actively inorder to reduce the anxiety about the what is it of what is, which constantlyjeopardizes interaction. Interacting persons actively strive to ignore possibledifferences of interpretation about what is really happening and, aboveall, shut their eyes on the misbehaviours that might increase uncertainty.Tolerance, which is one of the main characteristics of this register, is linkedto a low level of reflexivity. One can say that, during such moments, actorscollaborate tacitly so as to reduce the level of reflexivity or, at least, itspublic expression.

In this register, language, of course, is made use of, but rather in an indexicalway combining naming and pointing towards what is referred to. Thediscourse includes few reports from a general point of view, either to recallpast (p.52) actions or to describe the current course of action, or, still more,to evoke future plans of action. Finally, the relation between symbolic formsand states of affairs is not explicitly addressed, so as to avoid questioningthe connection between, on one hand, the objects and, on the other, theterms used to qualify them.

This way of averting the possibility of a dispute and of maintaining theappearance of an agreement is rather efficient. However, it cannot besustained when there is too great a divergence in the interpretations givenby actors of what is really happening and the way they make use of thecommon surroundings. A dispute, or the threat of one, enforces, therefore,a shift towards other registers, which I call metapragmatic (a term borrowedfrom linguistic anthropology). These moments can be characterized, inparticular, by a change in the way language is used and its metapropertiesare activated, that is, the possibility of referring, at the same time, to anobject and to language itself (e.g. when one speaks of ‘a poet in the fullsense of the term’). During these metapragmatic moments, the level of

Page 12: A Journey Through FrenchStyle Critique

Page 12 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

reflexivity tends to increase and to take public forms. One witnesses, then, areshuffling of the dispute which amounts to questioning the way in which therelation between symbolic forms and states of affairs must be recalibrated tobe judged acceptable.

Two opposite modalities of metapragmatic interventions are proposed.The first ones are forms devoted to the establishing of what is, and to themaintaining of what has been established as really being, through time. Iwill call these forms confirmative agencies because they reduce uncertaintyby continuously confirming what is. These forms make a great use of quasi-tautologies. Epidictic discourses, which, according to Aristotelian Poetics,serve to announce publicly statements that everybody already knows, aretypical instances of this form.

The second are forms that enhance factors of uncertainty present in thesetting in order to contest the reality of what is given as really being. Inthese cases, I will speak of forms oriented towards critique.

These two opposite modalities, namely confirmation and critique, areinterdependent and, thus, must be considered in their dialogic relationship.The main task of confirmation is to prevent critique. As for critique, itwould lose its orientation and turn into a kind of nihilism if it cannot targetconfirmed statements. Confirming and maintaining reality can be seen asconstituting the main task of institutions. In our framework, institutions arethus considered, above all—as in John Searle’s work—from the point of viewof their semantic functions (Searle, 1969, 1971). They have to establish andconstantly confirm the relationship between symbolic forms and states ofaffairs, and to make it acceptable.

Why are institutions necessary to social life? The argument developed inthis frame starts from the question of the body. No individual has the (p.53)authority, and perhaps even the power, to state on behalf of others the whatis it of what is, and this for a very simple reason: because he/she has a body.Having a body, each person is necessarily situated in external time andspace, but also, in a way, relative to his or her own interiority, desires, tastes,dislikes, etc. In ordinary situations of interaction, the only thing that anindividual can do is to present his or her ‘point of view’. But, especially whena dispute is becoming explicit and threatens to lead to violence, confrontingviews are not sufficient to reach an agreement. I think that the rationalisthypothesis, which relies on the mere power of discussion as a device capableof selecting among different views, or of reaching a synthesis, is too strongand hardly realistic.

Page 13: A Journey Through FrenchStyle Critique

Page 13 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

The main characteristic of an institution, seen as such, is to be a bodilessbeing. And it is because institutions are bodiless beings that mere humanbeings—that is all of us—delegate to them the task of stipulating the what isit of what is. It follows that institutions must be seen, above all, as operatorsimplementing semantic functions, for example, when they set referencesor control qualifications. Allocating this role to institutions prevents usfrom confusing them with two other types of entities with which they areoften associated but from which they must be analytically differentiated:first, organizations, which carry out functions of coordination and, second,administrations, which carry out police functions.

It is because institutions are bodiless beings that, frequently, thephenomenological approach to institutions attaches to them the capacity ofsettled, long-lasting, and even eternal entities. Unlike the individual bodiesof those who speak on their behalf—their spokespersons—institutions aresupposed, at least ideally, to escape from the corruption of time. We willadd that institutions, being bodiless beings, are the only ones capable ofmaking real those non-existing beings that sociology cannot afford to ignore,namely nations, social classes, ethnic groups, etc. Institutions give to thesebeings (much contested by the approaches stemming from positivist logic)an opportunity to reach modes of existence far from being purely illusory.

The hermeneutical contradiction

The problem with institutions is that they are simultaneously both necessaryand fragile, useful, and always prone to abuse. Being bodiless, institutionscannot speak, except through their spokespersons—persons made of fleshand blood like you and me—such as judges, priests, deputies, professors,etc. These persons, even when delegated and legally authorized are,nevertheless, nothing but ordinary bodily people and, hence, situated andequipped with a libido, interests, tastes, etc. They are, for this very reason,doomed to express nothing more than a point of view, at least when they arenot supposed to (p.54) speak on behalf of the institution. It is for this reasonthat they generally assume specific symbolic marks (such as uniforms, turnsof phrase, tones of voice, etc.) so as to make manifest the case that theydo not speak personally but instead on behalf of an institution. Institutionaldelegation is supposed to invest their earthly frame with the properties of abodiless being (according to the twin bodies logic made famous by the workof Ernst Kantorowicz; Kantorowicz, 1957). Nonetheless, the appearance ofthese spokespersons cannot be thoroughly transformed. No sign can possiblygive direct access to their interiority and intentionality and, hence, assure

Page 14: A Journey Through FrenchStyle Critique

Page 14 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

the absence of deception. How can we know if the one who is speaking is anincarnation of the bodiless institution or if he is nothing more than a ‘nobody’like you and me carrying on in a perishable body?

From this follows a profound ambivalence with regard to institutions, which isinherent to all social life. Moreover, this ambivalence increases when the sizeof the settings considered is larger, so that anxiety can no longer be soothedby local arrangement as in the case of an interactive context. On the onehand, hence, we trust the institutions, we ‘believe’ in them. How could wedo otherwise, given that without their intervention our concern about whatis could only increase, with all the risks of discord or dissipation into privatelanguage that this would entail? But, on the other hand, we know all too wellthat they are fictions and that the only real beings are the humans they aremade of, who speak for them and who, having bodies, desires, impulses, etc.do not have any robust property that would allow us to trust them.

I propose to see in this tension a kind of contradiction which lies at the verycore of common social life and which we must tackle, at this moment ofour analysis, as impassable. I will call it the hermeneutical contradiction.By this term, I do not merely mean the divergence between differentinterpretations, which becomes evident in the course of disputes. I mean,rather, a problem inherent to the interpretation process, posing the followingdilemma: On one side, we can renounce the task of saying the what is itof what is in favour of a mere exchange of points of views, with the risk ofnever reaching closure, even a temporary one. Here the danger is, above all,the awakening of uncertainty, whose effect would be to trigger an anxiety offragmentation, the outcome of which could be the use of violence to imposean interpretation. The alternative side is—as we have seen—to delegate thetask of saying the what it is of what is to disincarnated beings, namely, toinstitutions, but, then, running the risk of another kind of anxiety no lessdisturbing. This anxiety regards the question of not knowing whether thespokespersons are really expressing the will of the bodiless being or whetherthey are doing nothing more, actually, than manifesting their proper will soas to satisfy their selfish desires.

(p.55) We must also note that the hermeneutical contradiction is notextraneous to the relation between semantic and pragmatic dimensionsof meaning. Instead, institutional operations, when involved in thecircumstances of ordinary life, come into tension—given their basicallysemantic nature—with the pragmatic dimensions of interpretation andaction. The way people grasp qualifications in the course of action has

Page 15: A Journey Through FrenchStyle Critique

Page 15 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

a pragmatic character. It follows that the tension between semanticqualifications and situated usages plays an important role in theuncertainties of social life. If a conception of social activity completelybased upon pragmatics is, as we have seen, unrealistic, it remains thatit is impossible to conceive a social world in which the manufacture ofmeaning could be thoroughly stabilized by semantic devices. Qualifications,definitions, test formats, rules, etc. generated by the institutions are not, assuch, susceptible of being processed in real situations. Their implementationrequires a process of interpretation that relies upon context. It follows thatthe maintenance of reality, particularly when it is jeopardized by critique,entails the dilemma of having determinate but easily criticized formats, or ofopening the stream of interpretation. But given the interminable character ofthe latter, there is a risk of constant distortion of semantic marks.

Critique and emancipation

This tension embedded in institutions opens a breach within which critiquecan develop. In the absence of the hermeneutical contradiction, personswould continuously be under the regime of formats generated by institutionsand, consequently, completely immersed in a social reality taken asgranted. It would be impossible for them to consider these formats froman exteriority, that is, to make them relative and call the social reality intoquestion. Critique can then be seen as the only defence against the kind ofdomination that institutions would, in its absence, necessarily exert.

Emancipation—in the sense given in our work—ensues from the defence andextension of the critical practices that contest and unsettle those formatson which reality relies. The implementation of these formats has, for themost part, asymmetrical outcomes, in the form of uneven distribution andrecognition and, thus, in many cases, strengthens exploitation. Critique isthus the main weapon that can be used by exploited or scorned people, or bygroups, so as to change the outlines of reality.

In more radical forms, critical practices draw from experiences of theworld heterodox elements that do not conform to the existing formats.This process can, in the beginning, have an individual character and, forexample, be triggered by works of art. Art, probably because it is not limited (p.56) by argumentative constraints, offers the possibility of outliningforms of life that are not yet encapsulated in the web of reality. But thisprocess takes a political expression when, through the mediation of inter-subjectivity, personal experiences are shared and associated with principles

Page 16: A Journey Through FrenchStyle Critique

Page 16 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

of equivalence which inform them and make possible their circulation in thepublic sphere.

Emancipation and hermeneutical contradiction

We will argue now that different kinds of asymmetries (between socialclasses, gender, ethnic groups, etc.) are linked to a more general oneregarding institutions considered as the main sources of qualifications,test formats, and rules. The analysis of that asymmetry could, perhaps,shed light on the rather obscure notion of ‘symbolic violence’. The basicassumption is that the relationship people have with institutional rules isutterly unequal according to the position they occupy in power relationships.A way of giving sense to the notion of ‘domination’ and of clarifying a labelsuch as ‘dominant classes’ (or dominant gender or dominant ethnic group,etc.) consists of examining the practical relations persons have with rules.Inequality in terms of rules is something evident in societies in which adifferent and unequal status is attached to different categories of agents,allowing different degrees of autonomy, even threatening thereby the ideaof a common humanity (e.g. as in a caste system). But the asymmetryregarding rules, supposedly common to all, is particularly thorny in theformally egalitarian and, even more, democratic societies, where importantasymmetries towards rules can be observed. Such tacit asymmetries rely,particularly, upon the distinction between the letter of the rules and the spiritof the rules and, for this reason, involve the question of interpretation.

In these societies, the activities of actors occupying a dominant position,as well as the actions of the dominated actors, are supposed to be framedby rules. But, with regard to those in a dominant position, the net of theregulatory frame is loose enough to tolerate a very large range of actions,implemented according to diverse modalities. This state of affairs, whencriticized, is generally justified by arguing that actors in a position of powermust be evaluated according to their ability to attain large objectives inuncertain situations. One of the outcomes is that the success or failure ofa series of moves depends, largely, on a global appraisal effected at thegame’s end.

It is not unusual that actors who have occupied dominant positions cometo confide in private encounters (or, e.g., in memoirs written at the end ofone’s life) the way in which they managed to perform great things. By doingso, they frequently disclose information that they could not publicly revealduring the (p.57) course of action. They describe, for example, how they

Page 17: A Journey Through FrenchStyle Critique

Page 17 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

were compelled to circumvent some rules, or to overstep them, in orderto reach their objectives. Nevertheless, they can justify afterwards theseinfringements of the rules by arguing that they would never have succeededin realizing such efficient actions—so useful, not only for themselves but,above all, for the common good—if they had remained trapped in the cage ofrules. But frequently, they also seem eager to mark the difference betweenthese mere ‘arrangements’ and what could be seen as clear transgressions,arguing that they had to withdraw from the ‘letter of the rule’ but did so withthe intention of remaining as close as possible to the ‘spirit of the rule’.

This fuzzy appreciation of the rules echoes the relation—not cynical butjust, instrumental, and devoid of any sacred aura—that the dominant onesfrequently adopt towards institutions—at least when they are not within sightof the dominated. They can then, rather easily, recognize that institutionsare nothing more than artefacts. And this disillusioned knowledge comesout from one of their very specific experiences, consisting in producingand imposing rules and in manufacturing institutions. They do not ignorethat institutions are human devices which can be built, transformed, orabolished. Their mode of relation to reality places them in connivancewith the hermeneutical contradiction. This contradiction is not altogetherabolished nor even disclosed, but—so to speak—tamed. And, as to thedistinction between the letter of the rule and the spirit of the rule, it endowsthem with a kind of moral plasticity, which is very convenient in order tocope with the tension between uncertainty and rules.

If we turn now towards the dominated, we have to face a very differentsituation. In this case, the network of rules surrounding actions is tighterand the control to which they are subjected is operated on a narrowerscale. They are supposed to ‘obey’, which means to respect the letter ofthe rules imposed from above, and they are also supposed to believe thatthe institutions supporting these rules are something similar to real beings,immutable and inviolable.

It is, of course, evident that the dominated can, no more than thedominating, pursue actions and remain in strict conformity with the rules,something well described by the anthropology of resistance or by thesociology of Taylorism. But, in this case, the distance they must necessarilytake with rules, if they want truly to act, is socially labelled as transgressing,and must, therefore, be masked so as to escape sanction.

These asymmetries regarding rules and institutions must be connected withthe capabilities of intervening upon reality. The mere fact of enjoying the

Page 18: A Journey Through FrenchStyle Critique

Page 18 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

possibility of modifying rules and institutions is the basis of the subjectiveand objective autonomy characterizing the dominants. But, vice versa, it isbecause they take liberties with the rules that they can effectively intervene (p.58) upon reality, modifying not only the course of their own life but alsothe lives of a more or less important number of other persons.

Emancipation in a pragmatic meaning

These brief remarks help us to see how emancipation must be understoodin this frame. It does not call for an appeal against the dominants requiringthem to respect, in fact, the rules they recognize as valid, in principle.Such exigencies, marked by moral indignation, are, nowadays, veryfrequent, at least verbally. It is the case, for example, when one demandsa strengthening of the power of the state in order to compel the persons incharge to respect the common rules and to give more transparency to theiractions. These proclamations are doomed either to remain wishful thinking orto lead to authoritarianism.

The direction we suggest is the opposite. A move towards emancipationwould consist in establishing a political context in which the dominated coulddemand and acquire the same kind of freedom with regard to rules thatcharacterizes the freedom enjoyed by the dominants. Such a conception ofemancipation does not however imply a radical contestation of institutions,the necessity of which we stressed. But the process of emancipation,considered at least since the Enlightenment as a path towards equality,supposes that everyone equally can establish the same kind of relationshipwith the hermeneutic contradiction and its outcomes. In other words, itmeans that those who are now dominated would be recognized as havingthe same capacities of action and, thus, of interpretation, which currentlyconstitute the privilege of the dominants. A move in this direction requirestwo things: first, everyone would be entitled to criticize the rules and, evenmore, to interpret and to adjust them, as the dominants actually do. Second,institutions, without being abolished, would be deprived of their intangibleand quasi-sacred aura so that everyone could regard them from the samedistance and with the same flexibility already assumed by those who havecontrol and power.

Such a decrease of asymmetry regarding the hermeneutic contradictionwould not suppress, all at once, all the different kinds of asymmetries,particularly the ones that derive from a very unequal distribution of propertyrights. But one can surmise that it would constitute, at least partly, a sort of

Page 19: A Journey Through FrenchStyle Critique

Page 19 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

pre-condition in this direction, by releasing capacities of acting that couldserve the struggles aimed at decreasing such inequalities. If one admits thatthe relation to rules and institutions is closely linked to the power of acting,one must recognize that the development of the capabilities of action ofordinary people would be both the condition and the result of such a turn.

(p.59) One of the consequences of the process of emancipation, expressedin these terms would be, probably, to modify the outlines of the sovereignnation state. This last form is still conceived as the institution of institutionsor, if one prefers, as the legitimate foundation of the administrative andorganizing powers which ensure, de facto, the maintenance of reality andthe perpetuation of social asymmetries. A policy aimed at equalizing therelation towards rules, and at establishing a dialogical relationship betweeninstitutional forms of confirmation and devices devoted to critique, would,perhaps, contribute to a weakening of state violence, thereby maintainingthe peacemaking and unifying functions fulfilled by institutions—functionsthat only institutions can ensure.

References

Bibliography references:

Alexander, J. C. (1995) Fin de Siècle Social Theory. New York: Verso.

Boltanski, L. (2011) On Critique: A Sociology of Emancipation. Cambridge:Polity Press.

—— Chiapello, E. (2005) The New Spirit of Capitalism. London and New York:Verso.

—— Thévenot, L. (2006) On Justification: Economies of Worth. Princeton, NJ:Princeton University Press.

Kantorowicz, E. H. (1957) The King’s Two Bodies: A Study in MediaevalPolitical Theology. Princeton, NJ: Princeton University Press.

Latour, B. (2005) Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press.

Rancière, J. (2004) The Philosopher and his Poor. Durham, NC: DukeUniversity Press.

Page 20: A Journey Through FrenchStyle Critique

Page 20 of 20 A Journey Through French-Style Critique

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2013.All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: New YorkUniversity; date: 12 February 2014

Ricoeur, P. (2008) From Text to Action: Essays in Hermeneutics, II. London:Continuum.

Searle, J. R. (1969) Speech Acts: An Essay in the Philosophy of Language.Cambridge: Cambridge University Press.

—— (1971) The Philosophy of Language. London: Oxford University Press.

Wittgenstein, L. (1958) Philosophical Investigations (2nd edn.). Oxford:Blackwell.