6/4 Chords in Example - Iowa State University · Gm2. Lead sheet symbol with slash chord notation...
Transcript of 6/4 Chords in Example - Iowa State University · Gm2. Lead sheet symbol with slash chord notation...
PracticeAdvancedPlacementExamAnswerSheet
1. Typesofmotion:1.Contrary 2.Similar 3.Parallel 4.Oblique
2. Figuredbassrealization.Thisisjustonepossibleanswer—yourrealizationmaylookslightlydifferentdependingonyourchordvoicing.
3. Partwritingincludingseventhchords.
4. Analysis:(Nonchordtones:UN=upperneighbor,APT=accentedpassingtone,PT=passingtone,RT=reachingtone)
Cadence:Half
KeyG: I V6I6 V𝟒𝟑IIV
6I𝟔𝟒IVI6vii°II𝟔𝟒V
i vii6q i6 iv Vx VI 6i ii6% i6$ V7X i
z
i6 ii6% V4" i6 I V6$ I6 iv7 VII7 III7 vi&
Key: g
°
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e:
C: a:
2
i vii6q i6 iv Vx VI 6i ii6% i6$ V7X i
z
i6 ii6% V4" i6 I V6$ I6 iv7 VII7 III7 VI&
Key: g
°
1. 2. 3.
e:
C: a:
2
PracticeAdvancedPlacementExamAnswerSheet
1. Typesofmotion:1.Contrary 2.Similar 3.Parallel 4.Oblique
2. Figuredbassrealization.Thisisjustonepossibleanswer—yourrealizationmaylookslightlydifferentdependingonyourchordvoicing.
3. Partwritingincludingseventhchords.
4. Analysis:(Nonchordtones:UN=upperneighbor,APT=accentedpassingtone,PT=passingtone,RT=reachingtone)
Cadence:Half
i vii6q i6 iv Vx VI 6i ii6% i6$ V7X i
z
i6 ii6% V4" i6 I V6$ I6 iv7 VII7 III7 vi&
Key: g
°
1. 2. 3.
e:
C: a:
2
i vii6q i6 iv Vx VI 6i ii6% i6$ V7X i
z
i6 ii6% V4" i6 I V6$ I6 iv7 VII7 III7 VI&
Key: g
°
1. 2. 3.
e:
C: a:
2
4. Analysis:Inthefollowingexampledothefollowing:a. IdentifythemajorkeyandprovideaRomannumeralanalysis.b. Circleandlabelallnonchordtones.c. Identifythetwocadencesastotype.(Abovethestaff.)
Cadence_____________
Key:GIV6IV43IIV6I64IVI6vii°II64V
Cadence_____________
I V6IV43IIV6I64IVIV6I64VI5.Fortheexamplebelowprovidethefollowing: 1.KeyandRomannumeralanalysisbelowthestaff. 2.Leadsheetsymbolwithslashchordnotationabovethestaff. 3.Circleandlabelallnonchordtones.(6total)
6/4ChordsinExample
1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4
InMusicalExample
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6/4ChordsinExample
1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4
InMusicalExample
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1. 2.
3.
e:
D:
f:
4. 5.
6.
C: a: g:
lead sheet:
key:
UN APT PT
UN RT APT PTPT
Cadence:PAC
I V6I6 V𝟒𝟑IIV
6I𝟔𝟒IVIV6I𝟔𝟒VI
5. Secondanalysis:
Cadence:PAC
5. Secondanalysis:
4. Analysis:Inthefollowingexampledothefollowing:a. IdentifythemajorkeyandprovideaRomannumeralanalysis.b. Circleandlabelallnonchordtones.c. Identifythetwocadencesastotype.(Abovethestaff.)
Cadence_____________
Key:GIV6IV43IIV6I64IVI6vii°II64V
Cadence_____________
I V6IV43IIV6I64IVIV6I64VI5.Fortheexamplebelowprovidethefollowing: 1.KeyandRomannumeralanalysisbelowthestaff. 2.Leadsheetsymbolwithslashchordnotationabovethestaff. 3.Circleandlabelallnonchordtones.(6total)
6/4ChordsinExample
1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4
InMusicalExample
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&&/ 0 1&&'&&/ &&/.&&/ 0 1&
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Adagio
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6/4ChordsinExample
1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4
InMusicalExample
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1. 2.
3.
e:
D:
f:
4. 5.
6.
C: a: g:
lead sheet:
key:
UN APT PT
UN RT APT PTPT
i6 ii6% V4" i6 V vi I6 ii6% iv7 ii6% i6$ V7
I V6$ I6 iv7 VII7 III7 vi& VI7 ii4£ V7 i
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1. 2.
3.
e:
D:
f:
2. 3.
6.
C: a: g:
lead sheet: Dm Gm Dm Dm/F#
E7/G A7
Dm
key: d
Cadence:PAC
I V6I6 V!!IIV
6I!!IVIV6I!!VI
5. Secondanalysis:
Cadence:PAC
5. Secondanalysis:
4. Analysis:Inthefollowingexampledothefollowing:a. IdentifythemajorkeyandprovideaRomannumeralanalysis.b. Circleandlabelallnonchordtones.c. Identifythetwocadencesastotype.(Abovethestaff.)
Cadence_____________
Key:GIV6IV43IIV6I64IVI6vii°II64V
Cadence_____________
I V6IV43IIV6I64IVIV6I64VI5.Fortheexamplebelowprovidethefollowing: 1.KeyandRomannumeralanalysisbelowthestaff. 2.Leadsheetsymbolwithslashchordnotationabovethestaff. 3.Circleandlabelallnonchordtones.(6total)
6/4ChordsinExample
1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4
InMusicalExample
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!1. N 2. P 3. 4. 5. 6.
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1
Andante con espressione
()& *& & & &+& & &
& & & & & &+& & &
&&,-&&, .
&&/ 0 1&&'&&/ &&/.&&/ 0 1&
& & & & && &&& & &
!"
#
#& ()& *& & & &+& & &
& & & & & & &+& & &
&&,-&&,
& & & &'.&
&&/ &&/.&& 0 (&&!
& &2
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Adagio
(&' ' '& &&&&'&&&'
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6/4ChordsinExample
1. Neighboring6/42. Passing6/43. Passing6/44. Cadential6/45. Consonant–Arpeggiating6/46. Cadential6/4
InMusicalExample
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!1. N 2. P 3. 4. 5. 6.
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& & & & & &+& & &
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&&/ 0 1&&'&&/ &&/.&&/ 0 1&
& & & & && &&& & &
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#& ()& *& & & &+& & &
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Adagio
(&' ' '& &&&&'&&&'
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1. 2.
3.
e:
D:
f:
4. 5.
6.
C: a: g:
lead sheet:
key:
UN APT PT
UN RT APT PTPT
i6 ii6% V4" i6 V vi I6 ii6% iv7 ii6% i6$ V7
I V6$ I6 iv7 VII7 III7 vi& VI7 ii4£ V7 i
i iv i i6 ii6% V7 i
1. 2.
3.
e:
D:
f:
2. 3.
6.
C: a: g:
lead sheet: Dm Gm Dm Dm/F#
E7/G A7
Dm
key: d
i6 ii6% V4" i6 V vi I6 ii6% iv7 ii6% i6$ V7
I V6$ I6 iv7 VII7 III7 vi& VI7 ii4£ V7 i
i iv i i6 ii6% V7 i
1. 2.
3.
e:
D:
f:
2. 3.
6.
C: a: g:
lead sheet: Dm Gm Dm Dm/F
E7/G A7
Dm
key: d
UN
PTPT
UNSus4-3