50 POPULAR SONGS · 2017. 9. 4. · 50 popular songs this publication is not authorised for sale in...
100
50 POPULAR SONGS
Transcript of 50 POPULAR SONGS · 2017. 9. 4. · 50 popular songs this publication is not authorised for sale in...
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50 POPULAR SONGS
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50 POPULAR SONGS
THIS PUBLICATION IS NOT AUTHORISED
FOR SALE IN THE UNITED STATES OF
AMERICA AND I OR CANADA.
WISE PUBLICATIONS PART OF THE MUSIC SALES GROUP
LONDON I NEW YORK I PARIS I SYDNEY I COPENHAGEN I BERLIN I MADRID I TOKYO
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AIN'T NO SUNSHINE BILL WITHERS ......................................... 9
AS TIME GOES BY FROM CASABLANCA .................................... 12
BLEEDING LOVE LEONA LEWIS ............................................ 14
BORN TO TRY DELTA GOODREM .......................................... 16
CALIFORNIA DREAMIN' THE MAMAS AND THE PAPAS ......................... 18
CAN'T HELP FALLING IN LOVE ELVIS PRESLEY .............................. 19
CIRCLE OF LIFE FROM WALT DISNEY PICTURES' THE LION KING ................ 20
CLOSE EVERY DOOR FROM JOSEPH AND THE AMAZING TECHNICOLOR®
DREAMCOAT ........................................................... 22
CRAZY PATSY CLINE .................................................... 24
DANCING QUEEN ABBA .................................................. 26
DON'T KNOW WHY NORAH JONES ......................................... 28
DON'T SPEAK NO DOUBT ................................................ 30
THEME FROM EASTENDERS .............................................. 32
EINE KLEINE NACHTMUSIK MOZART ....................................... 33
EYE OF THE TIGER SURVIVOR ............................................ 34
FEATHER THEME FROM FORREST GUMP ................................... 36
FOUNDATIONS KATE NASH .............................................. 38
GLASGOW LOVE THEME FROM LOVE ACTUALLY ............................. 40
GOD BLESS' THE CHILD ................................................. 42
GOLDFINGER FROM GOLDFINGER ......................................... 44
HALF THE WORLD AWAY FROM THE ROYLE FAMILY .......................... 46
HAPPY DAYS FROM HAPPY DAYS ......................................... 48
THE HEART ASKS PLEASURE FIRST FROM THE PIANO ....................... 50
HEY JUDE THE BEATLES ................................................. 52
HIT THE ROAD JACK RAY CHARLES ....................................... 54
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I GOT YOU (I FEEL GOOD) JAMES BROWN ................................... 56
I SAY A LITTLE PRAYER ARETHA FRANKLIN ................................ 58
I SHOULD BE SO LUCKY KYLIE MINOGUE ................................... 60
I WILL SURVIVE GLORIA GAYNOR ......................................... 62
THEME FROM .jURASSIC PARK ............................................ 64
LARGO (FROM 'FROM THE NEW WORLD' SYMPHONY) DVORAK ................. 66
MORNING (FROM PEER GYNT) GRIEG ....................................... 67
NOTHING COMPARES 2 U SINEAD O'CONNOR ............................... 68
ODE TO JOY (FROM SYMPHONY NO.9) BEETHOVEN .......................... 70
ON MY OWN FROM LES MISERABLES ...................................... 72
OOPS! ... I DID IT AGAIN BRITNEY SPEARS .................................. 74
THE PHANTOM OF THE OPERA FROM THE PHANTOM OF THE OPERA ......... 76
THEME FROM STAR TREK (THE MOTION PICTURE) ........................... 78
TAKE THE 'A' TRAIN . .................................................... 80
THAT'S LIFE FRANK SINATRA ............................................ 82
A THOUSAND MILES VANESSA CARLTON ................................... 84
THE TIDE IS HIGH BLONDIE .............................................. 90
UMBRELLA RIHANNA & JAY-Z ............................................. 87
THE VOICE WITHIN CHRISTINA AGUILERA ................................... 92
WHAT A WONDERFUL WORLD LOUIS ARMSTRONG ........................... 94
WHO DO YOU THINK YOU ARE? SPICE GIRLS ................................ 96
WHO WILL BUY FROM OLIVER! ............................................ 98
WILLIAM TELL OVERTURE (FROM WILLIAM TELL) ROSSINI ..................... 71
YELLOW COLDPLAY ................................................... 100
YOUR SONG ELTON JOHN .............................................. 102
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IE MINOGUE MOZ RT THE LION KING URRASIC PARK S PR SLEY
RAH JONES THE PIANO BEETHOVEN STAR TREK BLOND E
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BILL WITHERS
Ain't No Sunshine Words & Music by Bill Withers
Taken from his aLbum Just As I Am, this song proved to be the breakthrough hit for BiLL Withers and won him the 1971 Grammy for Best Rhythm & BLues Song, the first of three such awards. Inspired to take up singing during
nine years service in the US Navy, his songs are LargeLy autobiographical, with an earthy vocaL deLivery.
Hints & Tips: Mark in the crotchet beats with small Lines above the stave in bars 17-21 to heLp you master the syncopated rhythms. You couLd aLso tap crotchet beats with the Left hand during its rests to check you are pLacing
the notes in the right hand correctLy.
Slow rock blues .J = 80
NC 3 Am Em fJ I 2 I 1 I I I -.. ,. , "'::II: , -r~ ,. ... .-I - - --'>:~ "'::II: .-I -~ -
Ain't no sun - shine when she's gone. <
---"" ,. ,. t- -........ - -L ,. ...... I 3
3 Am 3
Em fJ I 2 I I I I I 11
• , - -r~ ... ..-I - - - ~ '..I' ..-I -t.J -It's not wann ~hen she's a - way.
-------- ---------- -L.I. --- I "" , . I-" .- J_ .. - -\
1 1 1 3 3
5 Am Em ~ fJ 3 4 I
11 - - - - _/ '- -• , - ~ ~ - I-" -r~ ... - - - .-I -,y "' ....I I. -t.J - -<
Ain't no sun - shine when she's gone, and she's al - ways gone too
---~- - • , . t- I-" I-" .. - - - - -"' • ~ I I I I 13 1 1 1 -4
5
7 Dm 2
Am Em Am fJ I 4 I I I I I -/ 11 - I""""" • - I-"" , - , - ..-I r~ - - ..-I - - ... ... .-I - - -'..I' - ..-I t.J I -
< long an - y - time_ she goes a - way. Won-der this time where she's
J. --. I ---~ .L.L , . - I_ t- I-"" - ,-.. - - - - -I I-" ~ I. I I 3 2 1 3 I
© Copyright 1971 Interior Music Incorporated, USA. Universal/MCA Music Limited.
All rights in Germany administered by Universal/MCA Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
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10 Am Em Am Em f) I - I I I ..
~ - • - -l -r r\ r~ ... -- - - J " V .... -t) -gone, won - der if she's gone to stay.
,..., I ~~- J..I. ,..., L . 1- r- ~ - .- r- I-.. - 'II - -I I I
13 Am Em fl ~ I .. \ - - - - _ ..... --- -, • - I-" I-" - I-" -r_ - - - -l -,y ..... tJ -
Ain't no sun - shine when she's gone, and this house just ain't no
~--------------- - • " , . r- ~ .. - - - - -- ~ I j I I I -15 Dm Am Em Am
2 3 f) I I 1 .. -~ - I-" - '- • - ...,. ... I rn'\ - - .-I • " V - .... - - - -t) I -home an-y - time_ she goes a - way. And I know, I know, I know,_ I know,
LL ,..., L ~ I ,",. - -I I-" ~ ~
I I I I
18 N.C. 3 3 f) - --.;;;;:= / .. , -r_ .-I _ .-I - . .". ..- - .... - ..- - .... --"- .... - .... - .... --,y - - - - .... - - - - .-I - -t) "'-.: ~
I know, I know, I know,_ I know,_ I know I know, I know, I know,_ I know, I know, I know,_
.:;, . .. - -I \
20 fl .. ,
". r\. -'_ .... - .... - .... - .... -. -"- .... - .... - .... - .... -" ,- .... - .... - -,y - - - - - - - - - -tJ
- I know, I know, I know, I know,_ I know, I know, I know, I know,_ I know, I know, I
'" , . .. I
10
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3 4 3 5 • ,---.... - - - - - - - - - - -- ., l- I- - I- - l- I- --- - • ~ ... ... ,. ---- ---= - [ -
knOW. Hey, I ought to leave the young thing a - lone,_ but ain't no sun - shine when she's
~ f'-~~~ ~ ~ f'- ~ f'-1fJ- -' .r-I ... .,;;;;;; =
3 5
Am Em Am 3 I I I I [ [
r-- - .-I (j ,; - .., - - --- .., ------gone. Ain't no sun - shine when she's --. -r- - r-- I -.. - I 5 1 5 3
Am Em Am
- [ I [ [ I I .., - I .. .-I - - - ~ .. .., --
on - ly dark-ness ev - 'ry day.
--...----------- J. --. L --.--t-"'" r- - t-"'" 1.-- -1 I
Em ~
2 Dm I
• _/ ---- - -r- l- • I- - - I-- ........ - -.... --gone, and this house just ain't no home an - y
• - • - -r- r-I I I - I I Am Em Am Em Am
I I , - ..., I • l- • .• I - .. .. • .., of'I"'" - .. - --I -way, an-y - time_ she goes a- way.
,.., L ,.., l.I. ....., r- J. r- • .• r--
I I
11
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Am Em I -~
gone,
--. L r- I. •
I
~ --- r-- -Ain't no sun-shine when she's
-----, r-[
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- time_
-l-I
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• .-I -she goes
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tL • I
CASABLANCA
As Time Goes By Words & Music by Herman Hupfeld
Play It Again Sam. The famous line was never spoken in the movie, but pianist Dooley Wilson would have been the man playing this song again if it had. Wilson was the movie's only leading player
who had actually been to Casablanca.
Hints & Tips: This song is best played with a light swing feel. Watch out for the accidentals.
~ = 80 Dm7 Dm7 C Am7
11 3 - 2 i ...., I ... '" " " , "':II: " ....01 r~ '" ....01 - ...I r~/ ,y "':II: ...I - ....01 - ,.... -~ - f - • ... f' f - • r 4 ________ r You must re - mem - ber this, a kiss is still a kiss, a sigh is just a sigh; __
11 I I ,. '" •• "":It .., .-l rl
I '" ....., .....,
('--I "":It a ('--I .....,
C Em7 Dm7 Dm7/G Cmaj7 Fmaj7 I 4 I I , 51 3
I r ~ ~r--ol .. ,., - "" ..... ,y t- -1'"' ... - r-.o. ~~ r I I ..... .. .. • r -f
the fun - da - men - tal things ap ply time by. - - as goes
I 1 11 11 ,. r~ I~r: .-l
L .., :.J rl .....,
I I - U
Em Dm7 Dm7
Ii 3 - ~ I .., " ;.. " -~ 11 -"'~ ...I -~ - f • .. f' f - • r ""U' And when two lov - ers woo, they still say "I love you," on
I, I ,.
rl .-l ....., ....., .., .-l -9
C Am7 C Em7 Dm7 Dm7/G Ii - I 51 I I 5 I I
I -'L - ....01 L - ....01 I - - ...I ....01 -~ - - .... r: -""~ ,y " -~ r -6'-,,- ;!T I I #' .. ~ .. f
that you can re - ly; no mat - ter what the fu - ture brings as time goes
I I 1 1\
'" ,. ." .-l \ I ,. rl - I I -
© Copyright 1931 Harms Incorporated, USA. Redwood Music Limited.
All Rights ReseNed. International Copyright Secured.
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C F fJ 41 .-.-.... ~ I I ;, , r~ - - - - "" ..... :; ,y ""- ""-f) ~
~ -e- ~-e--
-u:: --by. Moon -light and love songs, nev - er out of date, 11
", . .. I r~ ...... r~ :;
~
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Dm D#dim AmjE F fJ I .-.-.... l I I 4r--i I I ~ II - - -- -. ,- - - "" .... :; r: ,I. ~ .... -t) '11 I I
hearts full of pas - sion, jeal - ous - y and hate; worn - an needs man and
1
"', . .. I
-d -d ~-d -d 4 u
CjE D Gdim7 G7 Dm7 G7 fJ I I I I I ~ I I 3 II ...... - - .... - .... .., '" - - - .- - '" . J_ - .... .... ..... t) I I 'I #~ ~ -u. f ., · r ., -
< man must have his mate, that no one can de - ny. It's still the same old stor- y, a
3 11
I ......
*- ... -d - ~ ~
Dm7 G7 C Am C fJ - 2 I ., I I 4 .. .. '" , .., - ..... , .. r T"l .... ..... - - ..... : ... 1- 'rJ. ... - .... - - - '" -t) f - - r r 4-----. l.---d r
fight for love and glor - y, a case of do or die. The
11 I 2 , . .. '" I t-' U r~ ...... :; --I I - ~
Em7 Dm7 Dm7jG Dm7 G7 C fJ I I I I f.'.. - .... .... - ~ ~ t) I I • -d -d -d ~
< world will al - ways weI - come lov - ers as time goes by.
3 f.'.. ", . ..
I --I
-9 tJ4 -d -d - -
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LEONA LEWIS
Bleeding Love Words & Music by Jesse McCartney & Ryan Tedder
The biggest selling UK single of 2007, recorded by the winner of the third series of TV talent show The X Factor and Hello! magazine's 2007 Woman of the Year, this song was the UK No.1 single for six weeks and is included on
Leona Lewis's debut album Spirit, the fastest-selling debut album ever in the UK.
Hints & Tips: It would be easy for this piece to sound mechanical by virtue of the very straight rhythms. However, you can avoid this and create an expressive performance by emphasising the most important note in each phrase.
Underline the word in each phrase which you feel should carry slightly more weight, e.g. 'love' in bar 18.
Ballad ~ = 104 F Dm
fl 3 1 JI ,.. r---. po--. r---. ~ .... "'::II: , ~ l , L",-""" ;.. '\ ;.. ,y ..... • • • • • • • • • • ., ~ "-!' • • • • •
Closed off from_ love, I did - n't need the pain. Once or twice was e - nouglL
, ,. ,. -' - -' - -' - -' -.. ..... ~ r-; ~ r-; ~ r-; ~ r-; -' - -' -, n. ,. ~ r-; ~ ~ 1''''::11: ... ... ... ... 1 I ~ I ~
3
4 c fl 4 ~
/ JI ~ -, .... • , -I f~V ". • •• ;.. 'Y _. • • • • • • .• • • • -, ,,--~ • • • • • • •
_ and it was all in vain. Time starts to pass, r- be-fore you know it you're fro - zen.
I l I ~ , ,. '" '" '" '"
, , .. -' - -' -, n. ~ r-; ~ r-; .-I, .-I .-I, .-I .-I • .-I .-I' .... . ' • .' • \ v - - - - - - - -I ~ I r 5 4 8 F Dm
fl 1 3 II .. I'" -. - ~ • n. • ~ L .. ~ .. I f'T"\ v ". / • '\ 'Y ., .... - . • • • • • • • I • • • 4U ~ • • • • • • • • •
Ooh. __ But some -thing hap -pened for the ver-y first time with you, my heart melt -ed to the
I ~ I ~ ~. '\ '\ -' - -' - -' - -' --I· !- ~ !- ~ !- ~ !- ~ -' - -' .-/ ...... • . ' • I""'" ~ I""'" r-; \ .V" II" II" II" II"
1 I r I r
12 c fl ....... ~ JI l ~ ~ r--. \ , , .... , l ~ l , , ~ f~" , '\ .. ..I. ;.. ;.. .. S,Y • • • • • • • • • • • . -", .,.,-~ • • • • •
ground, found some -thing true, and ev-'ry - one's look-ing 'round think-ing I'm go-ing cra - zy. Ooh,_
I l I l ,. '" '" '" '" '\ '\ .. -' - -' - , , .... r- r-; r- r-; .-I ' .-I .-I ' .-I .-I ' .-I ..I. • .. ••• • v - - - - - - - -I ~ I ~
© Copyright 2007 Write 2 Live Publishing/Jambition Music. Kobalt Music Publishing Limited (66.67%)/Warner/Chappell Artemis Music Limited (33.33%).
All Rights Reserved. International Copyright Secured.
14
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t.J
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28 f'J J#
.. -' -' ".j - . - ---
'-" --- yeah, yeah.
I ~ I ~ , , .. . .. •
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F
...,
5 3 ',.......
..... • • • ... - - -' • • -But I don't care what they
-' - -' ~ ~ ~ v
1
5 11 .. ..,
"' • I - -• • • •
,........ • - ... ••• -' -' -• ••• "'!"'" - • "-'
say, I'm in love_with you.
- -' - -' -~ ~ ~ ~ r-" v v III'"
4 1
.... -' -' -' -' -' ...-I -' - - - - - - - -• • -
but they don't know the truth. My heart's crip -pled by the vein that I keep on
.... .... " -' - -' -~ ~ ~ r-;: -' ' -' -', -' -' ' -' -' . - - - - - - -I r I r
F
- 5 2_ 1 .. I"""" ......., " .. .., , I • ..., . - ' . • I I -' -' ;.. -' -' • • - - • • • - • ./ - • • I r I I You cut me o-pen and I keep bleed- ing, keep I-- keep bleed-ing love.
I l I l
"' "' -' - -' - -' - -' -r- r-; r- r-; r- r-; r- r-;-.' . . ' • .,. .,. v v 1
5 -.... .. ....., " "
Dm
fIIIIIIIIIII .. .., -- - - .-I • • • • • . - • They try to pull me a-way,
-' r-I
.... -''''' -----clos
" -' -
Dm
\.
• ...
-r-; r
c 5 1 --'..-I _ -",- ..
- ing.
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- r--1 ....., • .--..-I - •• I Keep bleed - ing, I keep_
-' - -' -r- r-;: ~ ~ I r I r
c ..
~ h.' '. • , I • ..., • .• • , frr\ v -' ,y - • • tJ I I
- keep bleed-ing love.
~. .. -' - -' -I h. r- ~ J- ~ V'
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You cut me o-pen and 1 _
t;;~. .. I h. .. ~
V'
;.. -' I -' - • ./ - • I r I I Keep bleed- ing, keep I-- keep bleed-ing
" " .... -' ' ..-I ..-I' ..-I ..-I' ..-I ..-I' - - - - - - -
Dm
5 5 - -....., ......., .. • ..., . ...... • ..., , -' I \ -' I ./ . - • ~ - • .... I , I I
_ keep bleed- ing, keep, _ _ keep bleed-ing love.
........ -""t:J"
1 5
....... ~
-
15
-' -' - • -... love.
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3
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l
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-
DELTA GOODREM
Born To Try Words & Music by Delta Goodrem & Audius Mtawarira
Delta Goodrem found fame in both Australia and the UK through her role as aspiring singer-songwriter Nina Tucker in cult Australian soap Neighbours. This, her breakthrough single taken from her debut album Innocent Eyes, was
even featured in the show.
I
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Hints & Tips: The octave leaps in bars 4 and 6 are probably the hardest thing in this piece. Practise these bars before you play the piece through and prepare yourself by looking ahead as you approach them.
I
3 .fl L )# 1.1 ,. n.
r n"\ .-,y @)
--,,--,.. •• II , n.
"
6 fl I )# 1.1
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~
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9 fl I JI II
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Ballad ~ = 66
N.C. 1
1.1 ". I k "1t Lj -~~ .... ". I ~
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FjA
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... ~ ,
• e
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"'ill
More un - der -stand - ing of
'" ... ~ -r . -r - - .. • Gm
~
- -"" "'.-I ", r- r- - -r t-- I and pro- tee - ted_ from the walls_ r-- of love.
'" .. r" ~ -r . -r
- ~ r- • -r-; r
FjA
- 4 1 2 - r---"'I -r - - - • -"'ill ..... • • go-ing by the rules that I've beer
'" ~ -r . -r - - -. ---Gm
~ ~ I -.-I .-I .-I -r
-r - --:- -r --- -r - \,. ~ - ." • what's a - round me,_
G
Cm
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# .... • - -- -r -r ,., , - - • ,.. r I
All that_ you see_ ..-.
I --r '" r-; • - .. -r . \ .... - - .. • d : : : - If'" 2
© Copyright 2003 Sony Music Publishing Australia PTY. Sony/ATV Music Publishing (UK) Limited.
All Rights Reserved. International Copyright Secured.
16
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12 fl L
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try,
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life.
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got - ta
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em F 2 1 ....-t ~ ~ I ~ 2
.,....., &t = ..,
'" - - - .-I .., -' '" - - - at .-I -- - -. .-I 0 ••• -... ... r - r r me. And all I tru - ly be - lieve. That I was born to
1
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FjA Om
~ .. .., .-I --.-I - 'I' - - ..... c;;. I've learned to love,
'" " .-I - -. • : .
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em 4 2 1~
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But you got - ta make choic- es,
"-
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sac - n - fice the
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things you
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be wrong or right.
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...-I -. - -and be - lieve in
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THE MAMAS AND THE PAPAS
California Dreamin' Words & Music by John Phillips & MicheLLe PhiLLips
The Mamas And The Papas' success Lasted from only January 1966 to January 1969. Their first singLe, CaLifornia Dreamin', went to No.4 and became a pop standard in the midst of what was rapidly becoming the psychedeLic
era. Their No. 1 hit Monday, Monday established the group as the hippest of contemporary harmonizers.
Hints & Tips: Try singing the Lower part in the right hand instead of pLaying it. Keep your Left hand very steady.
4 fl • , ...
r ~v-, t)
~-,-. .. I '" ....
8 fl • , ...
r ""' v-, t)
-'0.' • .. .L '" ....
12 ('j ."
~ '" .I " .... 'v 4U
-"', . .. v-
16 1)
Dreamily ( ~ = c. 108) Dm C BD C Asus4
fl 4 "
,. - - -, .... -r",v- ,. ,y .,., t.J
< All the leaves are
~. '" .. "":tt _ I "',.
.... "":tt
- - - -.... .~ ~ ~ , .. :; ..
I've been for a
-
• .-I - - - -1
" , ....I .. - - -: JIlL --I'd be safe and
-
- - - -A
1*" • -.... -, .. ... ....I
:; .. Ca - Ii - for-nia
-
- - - ---- 4
5 2 4 2-5
~ ....... - - - , ~ ~ - .... 1. Y - - ~ - v - - - - -I I r L.J''-~ .. - I LJ P r ~ ~~:::: brown, and the sky IS grey._ I--All the leaves are brown, I--
I I I I ....I ....I - • - ....I .... - -
F Dm 5
J.. I -~ ~ ~ - - ~ ~ -I I walk,
I've been
-.... 1
Dm
-....
]~I - n---- -I I warm,_
r' I r
for a walk, I I .- -
3
C
- - -P r V I'd be safe and warm,
I .-I -
Dm 5
~ --I
1 ....I -
I ,-I-~ -I
dream - in'
I I - -C
- - -P r V
on
I I .-I ....I ~
4
-.... ,- -if
-
.... .... - -
Ca - Ii - for-nia dream._ r---I I I I
.... .... ..L - - - - ....I -4 C Dm - • -
a
-.-I
I
..,. I
....I -
c
I I - -Asus4
5 -r-; ~ -' 'l.Y v r , t-
win- ter's day. I--
.... .... - - -4 C Asus4
2-5
-.... - - :J I
~ -was m L. A._ I--I I - - -3 C - • - • -!-:" .... ....
V
on such a win-ter's
i I - -C
- •
and the sky is grey.
-- -~ 1"" L.....J
on a
-- -LJ if
-Asus4
5
I
-- -~ ~ -V I p~
win- ter's day._
- -- - - -[.r r~r-:::: -
was in L. A._
- -2~
-8-' ....... ~
day.
- - - -Dm
4 2 1 -{ I
- - - r-; ..--.. !-:" ....... -' ... .-I ~ ~ 1- ..,. - ~ , ..,. - ~ '''' v- v .. v , v - .... t) I '-" - -All the leaves are - on such a win - ter' s day, on such a win - ter' s day.
I I I I I I I I , . .. .... .... -I ... ....I ....I - - - - - - ....I ....I - - ~ " - - -© Copyright 1965 Wingate Music Corporation, USA.
Universal/MCA Music Limited. All rights in Germany administered by Universal/MCA Music Publ. GmbH.
All Rights Reserved. International Copyright Secured.
18
-
ELVIS PRESLEY
Can't Help Falling In Love Words & Music by George David Weiss, Hugo Peretti & Luigi Creatore
This song featured in ELvis Presley's 1961 movie BLue Hawaii. ELvis would end his concert with this tune, based on a French folk song called PLaisir D'Amour. It went on to be a hit for Andy Williams, The Stylistics, and with the
addition of a reggae beat, for UB40.
Hints & Tips: The rhythm in bar 2 is much easier to play if you count a bar of four at the same time. Make sure the quaver (eighth note) triplets fit into the last (fourth) beat.
\
5 C flitJ,
, r rT"\ ,-y .ri
~ ....,
< I
I . •• /tIf
9 Bm
rJitJ, ff /tIf
r ~ 'v -. 4U I -
Like
13-.,../tIf •• /tIf
I
12 Bm flitJ,
, II'!' -, r-r rT"\ ,y tJ
< some
e; , ..... - •• /til I
Slowly G
Wise Shall
1 2
D
~
can't
I .ri ....,
3 _. - I""'" r- -r-.... .. -a flV - er
-/ _. r- r-I
things~
J. ,r~
Bm
~
r-
men I
-r--
Em
-I -
Em
-I. ... ~ --- .----
say stay,
r~
I 5
•
AmjC ~3---,
I
- -- r-I I
-I
3 Am G DjF# I
-' r~ --. - - U· I I on - ly fools rush In,
would it be a sin?
-r- r~ -I
To Coda-'
GjD GjB
I I -I ...., rJ .r-..
~
help fall - ing In love with you.
- -' I
5
J
flows
itJ,_
- ..... r-J-5 3
- r- -r- r-~ I ~
are meant to
I
r.
Bm
_. -r--. I .. -
sure - ly to
13-
Am 3
11.._
be.
-r- -I
-I""'" I 3
-r- r~ ...I
the sea,
itJ,_
- ..... 1""'" J-
D.C. al Coda D7
-- I""'" J-I
© Copyright 1961 Gladys Music Incorporated, USA. Manor Music Company Limited.
All Rights Reserved. International Copyright Secured.
19
r-
~ •
Bm
_. - r-r--. I .. -
dar - ling
;3-
-$-Coda G
fl ,j,j. (';\. 1/tIf I'
I'" .r-.. '-v ~ ~
so
< you.
~ ,./tIf ~._/tIf , .I ..
D
.~ ~
• but} If
- r- -r-I I
G
-r- r~
-I""'" U .....
it goes
,j,j. - /tIfr-r-
(';\. t':)
-r-I 5
-
\
<
I
THE LION KING
Circle Of Life Music by Elton John. Lyrics by Tim Rice
The opening number from the Disney smash hit film of 1994. More commonly known for his pop records, Elton John teamed up with Tim Rice in Elton's first film soundtrack since 1971.
Hints & Tips: The rhythm in bar 7 (repeated in bar 16) is quite tricky. Try practising the right hand alone whilst counting a bar of 4/4 aloud.
I
\
4
tl "
I
Moderately Bb
'I ,. -, n. Lt I"'" ~i"\'" ,. '-v Lt -' ~ • -
From the
--,. ,. .. I Lt -I n. ,.
.... Lt
• • day we
,.., ~ -. r-
I 1 4
FjA
PjA
r------,
-' " ~ • ' . • - • .-J -' .-I ..-I . , - ~ ---
- - -ar-nve_ on the plan- et and blink - ing, step in
I "., • " ,..-j I-"" .., ~ Ir; ~ -' .....-l ~ J- - '-' r .J I I
tl I Om7
4 .-..0'1
JL [L l , n. .., , - - - _/" --- - • .: r~"" r- r- r- r- r- -' • r-'-.1.' • -~ U' I I
sun, there's more to be seen_ than can ev - er be seen,_
I I I " - -.. II r- ..., ~ ...... r~ r.J.
I n. - u r- - - • - -I ...... ...... 3
7 F PjA tl I r-3---, )I II - . - - r------, , no .. • r- r- - tc~ I I"'" r~"" r- .. ...
'-.1.' ..... .-I • • - • .-J ~ I --- I • - ......
do than can ev - er be done. Some say, "Eat or be eat - en."
I I I --. --. • .. :1 r--A :JI .., l I-"" ~
I - iL Ir; Ir; ~ ... LL.-I r~ Ir~ r- I-"" I"'"' • • r I I I 11 PjA FjA Om
7
2 4 fl I )I II l , no ..., - - - ---- -..-r~"" .-I J- I"'"'
'- V -' -' - • • ~
~ - .-- f.-"U· I say, "Live and let live." _ I-- But all are a- greed_
I I I " ,. .-J -' - - ,-t .. II '--"'I ~ r- ..., ...... ...... I n. -.... r.J Q r- - - -- -- ,..-j I ~ ...... 3
© Copyright 1994 Wonderland Music Company Incorporated, USA. All Rights Reserved. International Copyright Secured.
20
r------,
-' ' . • -- to the
I ,..-j ~
CI
'~
..-I -' --
more to
• Some
" -' ,..-j - ......
~
.-I • -as they
-
<
<
<
<
14 Il ,
I [L r [..,. - - - -' '-,r" .... ~ " V f) I
join the starn - pede,~
I ,. ~. [L r~
I [..,. r.J v
17 Il L }I 11 ........ , [..,. ,~
'"' V"
tJ
life.
".". - '" .. I I'""" ..., , [..,. - • • .... ~ - -I 5
21 Il , }I II , [..,. ~- "., . Lm v ,..,
'v f) I I
,. -.. [I _ ..., - -L no V" ~ I ,. I
25 iJL I [I -I' [..,. I'""" - ".,' '''' I' r-'v tJ - I
\
~. .. , [..,. v
29 f'l 'iIIf
I no , "' V" ~y
4U
,. ..
place __
[I
,
-I2iL I'"""
I 3 5
-' [J I'"""
Clr
• l.-[I I'"""
~
-
..., , h L ....
- ---IS. r.oo; r-; r--,.. I
-,-..",
If'
de,_
• 0 I.- ---r-; t-If'
I L;A
-.. [
1 2
oJ
t.."t
1 3
F
2 3 3 '~ ,--3---, r-- --, -~ - - ~ I'""" -• - - ~ ~ - _. ~ ~ ..,.j - I'""" - IlL ......... I I [ you should nev- er take more than you gIVe, in the cir - de of
1 I I r~ r--i. "-
r~ 'Ir~ oJ
U c..
3 ~ ~------ - - ~ I'""" ~ .J. - - [-" -I I'""" I'""" I I'""" -' .. ~ - --- .--..
It's the wheel of for - tune. It's the leap of faith._
h_ - .h~ --- V" '" I'""" , .... -r- .... "'" ,-j - -- • .. irl ,-j I-'" "- - - - --I I I
r-- ~ - 3 ,..---, - - ,..---, I'""" -I [-" - '11.....1 ~ • .. .. - - - -.......... I It's the band of hope,_ - till we find our_
f"".) 10.--. loll-'" -.J ..L
1 I I 1
3 - --------~ -- .. .r I'""" r .~ "r . I I'""" [-" - -,.. [-" I'""" -- L.....J on the path un- wind - mg, m the
M. • n I(~). l I I,. • n '[- .. U -~ [)I'. __ .. oJ .... ..., .... I j - - r L ,
1
F7 5 4 5 r-3------, -.. - - - ~ ,.." I ..., , I'""" - -. - I-'" I .. .J:-'": ,~ - ~ I I I -the cir - de of life.
- - ,.., IS. IS. r.oo; t.. .. ...... [-" ..., .~ r- ,.., ..#. - "",' .. If' ....... I-'" ,
I
21
-
JOSEPH AND THE AMAZING TECHNICOLOR@ DREAMCOAT
(Lose Every Door Music by Andrew Lloyd Webber. Lyrics by Tim Rice
The show that gave rise to the careers of both Tim Rice and Andrew Lloyd Webber. The show had humble beginnings when in 1967, Lloyd Webber was asked to provide a pop cantata for his brother's school concert.
Hints & Tips: Pay close attention to the bars in which the left hand has important musical material (e.g. bars 8, 9, 11 etc.) These should be clearly heard. Also, there are lots of crescendi, diminuendi, and hairpins to observe.
I
I
<
flJ,Jr
Moderately ~ = 96 Em 1 5
;, "'" eJ , .J f~ ,. .-I 'v At - .... f) -,; -
Em Em 2
.-I - -... -,; -,; - ... -,; -.J < Close ev - 'ry door to me, hide all the world from me, bar
p with expression I r.,.,. """ eJ •• "'" eJ ,. • .-I' r~
" ,. ,-j • ,-j • At - '-'"
I I I
6 CmaF B Em flJ,Jr I I 1 5 . "'" "
f ~ - -. .-I .-I .-I , - - - .-I U· -40 - .... -win- dows and shut out the light. Do what you want
I ,.""" - -""" .-I ~- . ~ " -..,. .... - ""'- - .-I ,-j • - v '-'" I ---..
4 2
11 Em Em CmaF (lJ,Jr 2 4 I I ;, "'" " f~ .-I .-I - -. .-I .-I 'v - .... - - - -~ -,; - ... -,; y -
hate . me and laugh at me, dark - en my day- time and tor - ture
I r.,.,."", - - - -.. """ -. ~ - -. ~ -" .,.j. ,. . Y - v -. I ---... I ---.. 3
16 B G C D G D7jA G/B (l~ 2 I 2 ... I . """ - -, --. - - - - r- - - - r- -r- r- -. - r-,y f) I 1.......1 I I ---- I I "'---J
night. If my life were 1m - por-tant I would ask will I live or
= 1T!f I - I".) '" ,. """ - jWO .. "'" """..-I -L .-I - .-I .-I - - .-I - -- I 4 5
© Copyright 1969 The Really Useful Group Limited. All Rights Reserved. International Copyright Secured.
22
2 4
.-I .-I --all the
-jWO I
2
... -,; with me,
..-I -my
..--. "
.-I -- IlL G
3
" ...... .....L - -die, but
-
-
21 F Em C 1l~ I , I
I ;, oM'
" .-I 1m • .-I • - .-I .., /lJI. 'v - - .-I - I I. .-I t) - ~,..v -
< I know the an - swers lie far from this
-,9-' • '" ,. oM' ... ",. • J' •• oM' "'1-' • L '("~. 1
, I 3
26 Em 1'lJ,J, 2 , oM'
I ~ ~ ....I
'v • - ..- ~ ~ ... -.J -.J - ... -.J
door to me, keep those I love from me;
--"'--,. "'" • •• oM' .. ~ • , -' . ....J. \ - .,. , ------3
31 B G 1'litJ, 2 • oM'
~ -. - - - • I ~ .., r- r-'v • - .-I 4U I ~ I ,
nev - er a - lone. For I know I
= f ~ t,;"oM' " •• oM' oM'~ , .-I • .-I • oM'- • .-I \ •. ' - • - - .-I • -
5
rjJ,J, 4, , '~ 2 4 36 G/B F Em
I I • oM' -. r- .-I I r\ -'- IlL .... • ~ 'v - - .- .., . • u -
< mind, for I have been prom - ised
dim. ,
""oM' •• .w I rJ • , .rl r~· --~u· I
, 2 5
23
B
-. . I-'
I
world.
= oM' .-I
~ • .w- • -4
Em 1 2
-'--.J -chil- dren
-.. ~ 1
3
-r-
shall
---
-.J
a
C 5 3
LL '('J
,
.,.
find
j
U
rail. C
... -~ -
lanL
0
'('
I 1 4
3
.-I -of
Em 1 5
.., - .-I -,; -Close ev - 'ry
- • .. ~ -~ - .,. , -----
Cmaj7 4 I ,
.-I ~ -- -of Is - rael are
• • --- 2
• ---.J
my_
• 1
1
~+. my
....I -
,
r~·
3
D ,
•
own
r-
I
Em 3 1
....J • -u. own.
LL.· '('J'
,
G
- • r-I 1
peace of
....I • -
-
PASTY CUNE
Crazy Words & Music by Willie Nelson
The first performance of this song by country music superstar Patsy CLine at the Grand OLe Oprey in 1961 was acclaimed by three standing ovations, maybe partLy because she was then on crutches following a near fataL road
accident. Its success widened her crossover audience, but she died just two years Later in a pLane crash.
Hints & Tips: Practise the tricky finger manipuLations that this piece requires in order to span the wide vocaL range of the meLody Line sLowLy, onLy putting the two hands together when you are comfortabLe and confident.
<
5
9 l'JitJf . ..., ,
r !"\ ,y 4U
<
,."" .. ..., \
,
13 l'JitJf . "" ,
I -'-m. 'v t.J
I L'·..., .. "" ,
l'JitJf / "'-, r_ ,-y
t.J
,."" - .. ..., "'
A
Gently ~ = 67 D
5 1
"'t , -.. :.t
era - zy,
'" t. , ,.. -"'t -.... 2 1
-
era - zy,
~.J
2-1
D
5
-I
....
A
.J -
:.t knew
t.
-
I
-
, -..
q ... you
I I
- J_
2 .. .. then some - day you'd
-I"""" U
:.t ......
,
Keep you fingers curved and close to the keys.
B Em
2 1 2 3 5, ....... 5 ..-I '" . -..-I r- ;.. r--- - - , q ... -.T H" I I
I'm era - zy for feel - ing so lone - lYe I'm
I
" " t. J_ ..-I' ..-I "' " ..-I' " ..-I ..-I - - - - - -2 1 .. • .... ... .... . ... 4
D A Em A
1 3 1 5 I - -r- !- - - -era - zy for feel - ing so blue.
"' "' -. - ..-I. ..-I "' -. - - -- - -.T. -.T .... B Em
, .-.-~
..-I ,.. . --- - ;.. !-- - -... H" , I loved me as long as you want - ed, and
" " ..-I' ..-I "' " ..-I' ..-I "- ~ ..-I - - - - -.,. • .... ... .... ...
A D G D
2 3 5 - ~ I"""" , - -..-I ;.. ..-I - - ..-I ~ "* - - .,
leave me for some- bod- y new.
" .l'II. t. _. - ..-I' ..-I , .-I • ..-I - - .... ... - - ... ... ~. H· © Copyright 1961 Sony/ATV Music Publishing (UK) Limited.
All Rights Reserved. International Copyright Secured.
24
-
17 G D tlJ,lr 5 3 1 2 1 - 5 I }I iIII - I"""" - -I r- - - r- - - r- -,~ r- .-I r- r~· '- IJ' .... tJ I • - ---Wor - ry, why do I let my-self wor - ry?
1..,''''' " .. •• iIII roo. roo. , , .-I • .... , ..... .-I -. -- - •• • - - • "*' "* -.J ~ -.J ~-.J 1 4 3
21 E A tl~ 5 1 2~ 5
" iIII - -" r- - - .0001 r- - - I.~ -'''' r- "" .... -,y .-I iIII-t.J I - -....-
< Wond-'ring, what m the world did I do?
,."" - •• iIII , I roo. .. roo. ... .. roo. ,
"*. "* :J. :J ..... "* :J ~. ~. "*. .. ~ t~ it ~ 1 25 D B
tl~ 5 I -I .-I ,~ - -,-y - - -tJ ~ q .. -.J *.
era - zy for think - mg that my love eould
I I . .. .. "" '\ .... I - 1- .-I • .-I
•• 1 .. • 27 Em G
tlitJI I 3 5 r----. r---, 2 " "" -,. ...-I' - , - r- .-I - .. '\ . , .... ...., ... r- - .-I -,-y - - -t.J I
< hold you. I'm era - zy for try - mg, and
",."" roo. •• iIII I I\. ..... .... I\. .... - - - - ...-I ..... .... ..... .... ...., 0
30 Em Bm Em A D rjJ,lr 5 1 4 -.. iIII ..., ~
I -. " r- .... - .... r------"'1 ,-y - .-I - .-I - - - -4U I - - -.J -.J ~ '-J ( era - zy for ery - mg, and I'm era - zy for lov - ing you.
~'iIII .. "" I
-& =d -& ~ -u-1
25
-
<
ABBA
Dancing Queen Words & Music by Benny Andersson, Stig Anderson & Bjorn Ulvaeus
The ultimate disco song that finally made Abba big in the US, was originally called BoogaLoo. It was No.1 Stateside and almost everywhere else in 1976.
The drum part was inspired by George McCrae's 1974 disco hit, Rock Your Baby.
Hints & Tips: Take care with the rhythm of the melody. Sing or say the words as you play, to help you, and practise (especially the R.H.) slowly. Listening to the original recording may also help.
Strong rock .J = 120 BD
f) I 2 , I' ,.. ~ ,.........., I h. "'t I -I ~ ~I' IL .... ..- • • ,-y "'t • . ' .. • • • --..... ,/- w W·",w w w t.J • • .----
Fri- day night_ and the lights are low,_ - look - ing out_ for a place to go.~
I ~. II "'2: • • • '_ . -' h. ,.. .... ..... ..... ..... ..... .... \ - - -
I ....... ....... I 4 2
4 Gm F F 111. 3 5 .. I' I' h. I ....---. I = I • -r'~ I' ;.. ... ;.. ... r- • ,y t.J _u w~ ... ... ... _ ...... ... w • ... ...... --....... !;;; ... -
- Oh, __ where they play_ the right mus - ic, get - ting in __ the swing, you come to
,. - --' h.
v ..... ..... ..... ...J ...J ...J - - --- - - • • • • • • • • 7 Gm F Gm
f'J L - - 2 "I I , I' ... .. I"-Ln .. , ..... r rT"\ I' ..... ..... ..... ..-l - ...J ,y .. - - -", .;'-' • . , ' . w • • - ...... -' ~ •
t look for a king._ An - y - bod - y could be that guy,_
,. .. I' -' h. ..... ..... .... ....
I' .... .... .... .... .... .rI - - -• - - - • - --~ f'J I
Gm 1
11 II ----. I '"' - I I r rt'\ " ..-l ... ;.. ~y ...",- w w "'W w • • t.J • • U·
< - night IS young_ and the mus - ic's high;
- -.. I' .... ..... I' - - --..... ,/- - - - - - - ~ ~ ~ -
13 F F Gm f) I 2 5 - -, I' .., I h. ~ I I • -~ ~I' ;.. ;.. r- • ...J ..... .... ..-l ,y W· - - ---t.J ... ...... --......... • • ... ... ... --....... Ii:....I. ... -
with a bit_ of rock mus - ic ev - 'ry - thing_ IS fine, you're in the mood for a dance._
,. .. II -' '"' I' .... .... .... • • • • • • • • • - - -
© Copyright 1976 Union Songs AB, Sweden. Bocu Music Limited for Great Britain and the Republic Of Ireland.
All Rights Reserved. International Copyright Secured.
26
-
16 F G C 9 F7 fl I
m m
--------2 - 1 ~ -----. ., ~ . - ' / '. - .., • n - -' . ' ~ . r- .... .... • I r_V" r- ~. ... ... ., ,-y .;;;;iiI --- ~ .,. ---t.J ~ ..--- - - I
< And when_ you get the_ chance, you are_ the
I I I I ,-,. -I n ., • • • .... -' --l - - --~ - - - -
19 fl I - r---1 I - r---1 ~ - r---1 I -"I -"I -"I )I ,
• n ~ ~ ~ ... ... ... • - ... ... ... --l r_V" .,. --- --..., .,.,.-- ., . --- --..., ...... - ..-; .. --,y t.J I r
< danc - ing_ queen,_ young and~ sweet,_ on - ly sev - en - teen. __
",. .. " • • • • I n .... .... .... .... ... ... ... " - - - - - - - -
4 I I I I
22 r1 I - ~ I - r---1 ~ r ... -"I .,
" - .... -' ~. .L:l ... ... ., -I ""
.,. ---- --..., ...... - .. ---- -" ./- I""!" '-v 4U I r
Danc- ing_ queen,_ feel the_ beat_ from the
,. .. • I I • • • • I .... ... ..- ... ... " - - - -I I I I I I I I
25 F/A F fl I ~
-------4 ~ ---- ----- - -, n -.' .J"""" I-" ,... • r-.. ,... • •. ' . I r- • • ~., .... rr!"\ V" -..... ;..
t.J ....- - I ~ I ~ I < tam- bour - ine. You can dance, __ you can jive,
, . .. 1/ ,.----, I .... .... ... ...
V" - - - • -' -' - - - - - ------- - #- - ----- -2 4 3 29 Gm Gm/F
fl I 3 ~ / ---- r---::I r----t I ., • n -' • ' . -' . ' ' . ... ,... . ' ' . - -' .... .... --l rr!"\ " .... • .... • - • ..... .... . . -- - -...,.,.,.-~ ,-y -t.J ~ I.......J ~ I.......J '-----" '---.oJ --.J
< hav - ing_ the time of_ your life; ___ oh, see that_ girl,_
",. ~ .. I' ...t- I., • • • " . • ., ., " -r ..... I I I I I I I I
112. 32 Cm7 F7
fl I. r--=I r--"1 I ~ J......, I - -)I I' • .... ~ ... ... ... ... '"' -rr!"\ " .,. --- ----- .... • •. --- - ............ - ... .... .... -... .... .... '- - :::IiI :::IiI :::IiI .211 211 t.J 11::...1 - - --- - --
( watch that~ scene,_ dig in the danc - ing_ queen._
I I I - -,. -.. " ,... -I .... • • ... .... ... ... ... ... ... ... ... " - - - - - - --- - - - -> 27
-
NORAH JONES
Don't Know Why Words & Music by Jesse Harris
Taken from her hugeLy successfuL debut aLbum Come Away With Me, which soLd 20 milLion copies worLdwide, Don't Know Why was named Song of the Year at the Grammy Awards in 2003, one of eight Grammy Awards picked up by
Norah Jones that year.
Hints & Tips: There are many accidentaLs (sharps, flats and naturaL signs) in this piece in addition to the two fLats in the key signature. Remember that accidentaLs remain appLicabLe for the whoLe of the bar in which they occur.
<
I
4 fl I
/ JI r~ ~ h. ,~V'
" v ~
",. •• [~ -' h.
\ ."
7 fl I
/ JI IJ 1\ h. ,'"' V' '-.:y @)
<
,. .. IJ -' ~
"
10
Bluesy ~ = 88
B~ 4
fl I 11 ~ JI IJ ,..
1\ h. "it -' ,'"' V' ,.. . -'-.:y "it @) u
" ,. ,.. •• LI"it L.b h ,..j " ""t -
F
~ '\ ,.
u 2
Gm
3 2 1
.-T
~
".
1
'\
.-~ --T~T .. 4
3
~
r~.
c
'.
=d
-,;-----I
-,; • *-* -.J ~ don't know why
,-j - =6i
D
-' -
.. '\
•
• I
D Gm c 4 5 ~ --2 4 ..., .. , - ----' • -' r- - - ....I • ... - ,.'- '. • I • '. ""- ....I - h..-I • • 1 • I I "1----- V'-
,..j
-9 -d- - =6i 1 4
D
2 1 2 5 1
.. -• '" ...., • • ' . .. • I • ...----"'iII • *---~* -,; -,; T -,; I
wait - ed 'til __ I saw_ t-- the sun,
...-I '"' 1 =d -9 -,; H· 3
F F
--.-. .~ .. - , .. " • '\ • . , ' . • .. •• "'ill • .-
did - n't come. I left you by_ the house_
~ , -l -y •. • ~ • =d
Gm c F
don't know did - n't come, I
© Copyright 2002 Beanly SongsjSonyjATV Songs LLC, USA. SonyjATV Music Publishing (UK) Limited.
All Rights Reserved. International Copyright Secured.
28
-
13 fl I )# I~ ~ k r~ v ,-y
~
<
,. .. I~ I " v
16 fl I
/ )# r~ 1\ k r~ v '.:y
~
~. •• 1.1 \ L .~
19 fl I )# I~ ~ k r~ v 'Y t)
<
t;,. .. I~ I " \ v
22 fl I JI , ~ k rmv '.:y t)
<
£:;,. •• [~ L k
v
25 fl I )# I~ ~ k r~v ,y t)
<
~. •• LI L " v
Gm
... I
-,I
don't
,..j ~
C 4 2 1 ..
1"1_. "'..ji •
drenched
:6i:
Gm
, ~
c:. r:;..
you'll
~ ~
--., .
-
---,I.
Gm
l '\
~.
~ ~
-r-I
c
• ---~ -,I know why I
:6i:
.. ~ '\
• , . -' \. - • -----
~
III
-' ~ ... -
c
, ~ -. r ""_. r:;.. "'..ji .
be on
?J :6i:
F
I
r'\. ., ., ----..---- '-J er. __
l , -l ~
.-..-u
c ~
.-1/ -"'.-1 - - -' ""-' -' -~-------
:6i:
F
, "" ..
-,I ---
-,I.
did - n't come.
l '\
•• • :J
F
4 - I -l r- I~./ ... '\ • •
wine,
.. , 0 __________ •.
~I
.. -'\ . , / . -' - • ~
my
-'
~----
~
-' -' - [~., '., - • •
:rJ
F
....., l
" -' . ' / . --v- - ...
0
29
4
-r-I
My
•
----. r- . / -
••
F 4
.. mind
.,.
-# -' r- -
-&
l '\ -
Gm 5 2 1 ,. ~
r:;..
heart
,..j ~
.. ~I
r'\.
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-.. r-----
•
.-I. v - ,,-,,-
for
"" P"*"-,,
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.,
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r:;..
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but
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.. -,1---
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I ~~. ,. 1/ -' no ....
6 fl I
/ JI r.1 1\ no ,~ ... ,y
tJ
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I ~. ,. 1.1 Ih ...
9 fl I
/ JI 1.1 1\ no ,~ ... ,y tJ
~. ~ . [.1 , .....
....
<
I
No DOUBT
Don't Speak Words & Music by Eric Stefani & Gwen Stefani
Based on the end of the romantic relationship between No Doubt lead singer Gwen Stefani and bassist Tony Kanal, this bittersweet ballad remains the band's biggest hit to date.
n reached No.1 in the UK, Canada, Australia, France, Switzerland and Holland. Hints & Tips: Beware of the tricky rhythms in the right hand, especially on the first page.
Try clapping the rhythms before you play them rather than just guessing!
Moderate ~ = 80
em fl I
4 2
JI r.1 I no ~ ~~ ... [.1' ~~ -' -' -' -' ..,.j .-I ..,.j ..,.j t) ~ - ~ - ~ - -¥ - ~ - -¥ - ~ - -¥
"'ill 1III ... ... ... 1III ...
--"-1L' L· [.1 c· , ..... '- ~ ~, --~,
\ ... II - -em Gm Fm Gm
- -~ ...., ..-- ......, , ...,. , Lt [.1 -l ,. lc -l -' ,. -l -' 1 • - ." " . , • - .' .. -' - . - ." '. -l -..,' - .. - ..
You and me,_ we used to be_ to - geth - er, ev'-ry day_ to - geth- er,
I
I'.. .. • • .n .n II .-I ..I -' ~ -- --t - - - 0 ~ Fm em Gm Fm
- -I'.. ~ r- ...., I ...,. ...,. ...,. ...,.
r.1 -l ,. I lc ..,.j ~ -l I I'.. -l I -- .. • - • " . -l • - -..,' ~ -.J-.J .. .. - ways. I real-Iy feel that I'm los - ing my best friend.
~ I
" "-• .n .. -l -l .n II '-' -l - -l - -' '-' .. - - - 0 4
Gm em Fm em Gm 2 I 3 -~ ., I'.. I'.. ro--...,. , ...,. I'..
1/ -l ..,.j -' -l ,. -' • - • ' . -l - -: - •• -' ... ' .. -l ~ - .. "- ,....., - .~. ~ -can't be - lieve_ this could be the_ - end. It looks_ as though
I I
r~ --t r~ II .n -- --t -- 0 -
© Copyright 1996 Knock Yourself Out Music, USA. Universal/MCA Music Limited.
All rights in Germany administered by Universal/MCA Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
30
-1III
I'..
• .-1 --al -
A .. I
-" , ,.
-
12 Fm em Gm e
tl I 21 3 r---, 1 - - 2 1 -I }# [)'. r- ,.-. I hi ...... ... ~ -,'"' " :1 'SI - .... .... l.. ...... ...... ...... ...... ,y - 'SI - 'SI - - - - - - - 10'1 ...... ...-- ...... t) - fII~ -.J fII -.J fII~
< you're let - ting go,_ and if it's real then I don't want to know. __
I I I I .......... ~. .. II
1 h -l r~ A fII fII - - -" 'I ~ ~ Gil 15
Fm e e tl L ~ ~ -11 II .....,
~ h L I ~ ,~ I - 1'1. ..... - ..... ,;.. ..... ..... l.. ..-,y - - - - - "" ..... - - - - , "" .... - ..-tJ ___ L/-
---..,- -.J ... .,- -
< Don't speak, I know just what you're say- ing, so please stop ex - plain - ing. Don't tell me 'cause it
I I I I ~. - -•• [)' ,... r- - • J h .... .... - - ..- ...... - • " I - - - -1 1
18 Fm e Fm e
tl L ~ ~ 11 II ~ r-,. h L #
r,", ... II ..... - I "- ..... - .... ,;.. ..-,y - - - ~ - - - - - "" .... - fII tJ ---
L/.~ '-..-/ ___ L/" ... .,-
< hurts. No, no,~~~ no.~ Don't speak, I know just what you're think-ing. I don't need your
I I I ~. - - - -.. II r- !- r- r- - -I· h ..... - ..... ..... - fII ... II - - -
1 1
21 e Fm Fm
tl I - I 21 I ~ '# 1.1 ....., ~ ho ~ - - - - -f,!,,\" 1.1 ..- I r- r- - u ... ... - ..... .... ,y - fII ./ fII - \. "':" -4U r I I I I -
< rea - sons. Don't tell me 'cause it hurts. Hush, hush, dar - ling. I I I
". - - - -.. II !- !- r- r-f ho ..- ...... - - ..- - ..... .... v- 1.1 - - - - -
24 e e Fro
tl I I I - I I -]I [)' ~ ho ,'"' ... II - - - ..... ..... - - - .... ...... ,y .-I .-I "':"" - - - "":"" - ~ t) - - - -
< Hush, hush, dar - ling. Hush, hush, dar - ling. Oh.
I I I I ~. ...... -.. 1.1 - - ~ f ho fII fII ...... ...... - -" [)' - -1 1
31
-
EASTENDERS
Theme from EastEnders Music by Leslie Osborne & Simon May
The simple melodic structure of Simon May's theme music made it an instantly hummable hit tune. With lyrics later added by Don Black, and a vocal provided by one of the show's most popular actresses, Anita Dobson, it was
released as a single in the 1980s, reaching No.4 in the UK charts.
Hints & Tips: The rhythm in the first two beats of the right hand in bars 4, 8, 12 and 15, should not be confused with a triplet of crotchets-the two rhythms sound very similar, but are crucially different.
5 fl
, h. I '"" ... '.1.' ~
<
.. , h.
"
9 fl
f )I , h. '"" " " II ~
<
.. , h.
"
Freely .J = 106 ED Gm
fl I 2 1 -f I 'I ,. I""'" L ~ -:E "1"\ " ~I ,. ..... • ~...IL ..... • -
<
I
I
II .
II
I II
II
II .
II
t)
,. ~. II.
, h.'
2
..... -
r .;
I 1 2
Gm 1
-,I.
..... -
1
•
-
,. r--J '::It .; ,.
I
-..... • -
Cm
.. , .rl • ~
I
" .. ..... ....
fl L 2 1 )I II ~ h
I ' n." I " II .... ~ =If
,. ~. 1-1.
" h. ... II ....
Gm
- • I"" I I
.rl
""
l
•
3
.. .. , .' '. " " ..... ..... ----
- • r-I I
.rl ~
5
3 1
'LJ
~
.. 3
Gm7 2
•.
...... -
, - •
" • ..... -I
Fm 3 1 5_
.. ~ • ..... ~
.. , .. • • • 3
.. Fm 5_
• ... - •
.. • • ...... .. Cm7
l - - -' !-:' r- • .... r .... r I
I l
" •. • ..... - • •
1 2 4 5 3 1 ~
...... • - -:J- -,I - .-,1 ~
'LJ
1 .....,
I" .. • .... - - -.T -.T.
.. ~ ...... ... • - -
5 2 ,.......,
IiiiiiiI ... -... ...... ---
..
4 2 1
..... :I:
BD 5 3 1
-... ,
..... • -To Coda.-
BD 5 4 3 2 4 1 3~ ,......, 1 1 ..,
.. ..... ..... ...... .... - - -.f
.. " , ...... ..... •. • -
I ~
" .. ...... ....... - -
• • •
3 ,....., 5 1~ 3
...... .-' . - ..... -f r
r--J •
.--.
~ ..... -
•
4 2
r
..... -
..... '::. -..:: ..-...
.. , ... • • -D.C. al Coda
BD 5 4 3 2 1 1
'::. -..:: ..-...
• -
3 1
.-..
-iT
.. ~
.. ..
© Copyright 1985 ATV Music Publishing (UK) Limited. Sony/ATV Music Publishing (UK) Limited.
All Rights Reserved. International Copyright Secured.
32
-
Eine Kleine Nachtmusik Music by Wolfgang Amadeus Mozart
Composed in August 1978, in Vienna, this serenade was conceived around two years after the series of six quartets dedicated to Haydn that marked Mozart's mature style in this form. At the time Mozart was already preoccupied
with Don Giovanni as well as finding time to compose some of the finest string quintets ever written.
Hints & Tips: Make sure the notes in the first four bars sound exactly together. It may also be a good idea to practise bars 9 and 10 more thoroughly to get the semiquaver passages even.
1liJJ!
J = 128 N.C.
2 { , ~ ~ , "2: '"' ,. .-I ,y "2: -. ~.~ ~ ~
•• ..., "2: I ,.
fjJ,), -I ,..., , -;.~ -)tY -) .".. -, . ..., I""" -.. ..., ,... \ I
~ J,), -I , ..., ..., .... ,y -
Lt
Lt
--,...
I
-) . ~ .u ----< 1 fr fr , • ..., r~ ~ .. ..., \ I
G/B C fj J,), 2 ! .w ~ .. r~
.L I'-':Y tJ I I
L: G/B C
fjJ,), 2 I I..., " r.
1\ """ r:
)"J .-I I
I , . ..., .. ..., -\ I
to. .... -•
--r-; r
G 3
, ... .... -• 2
h ~ - , r- ...
I
1 J I -- -
D7
-,... - -- I 2 4 " IJII';
I
D7
-,... -2 4
" IJII'; .-I
.. 5 l l , Lt to. r- _L IlL Lt - Lt .-L .... - ~ - -- -• • I I
• .fL 1 .,. - 1'- -- r-; r-; Lt - ~ Lt Lt r-; I""" ... II" II"
r
G I. I ~ ~
.-I - .... .... .-I - - .-I .-I - - .... .-I .... - - .... ~ "'!"'" - - - - - - - ~ "'!"'" - "-' -L:L 19- ~ 0 0 ~- ~. ~ u
G G/B G G/B 1 - - -- - ,... -- - ,... , .-I .... .-I .-I .-L - - --'- -- ,... I""" I""" ... - - - - .... - - - -- L-..,j 1 4 • • - -'L - I""" - ,... , ...
Em Arn/C D7 G/B D G . roo--. I 3 l ~
" - - - .... OL .... - - - .... - -'""--I I 9- • r..J -f"..J r~ " j OL - OL r~ oJ'
r. I I r
Em Arn/C D7 G 3 - - - - - - --'-r- ,... ,... - - - - .... ..--... - - .-I --i9- 0
~- tc~ ~ ~ Ir.
~
I I
© Copyright 2008 Dorsey Brothers Music Limited. All Rights Reserved. International Copyright Secured.
33
-
SURVIVOR
Eye Of The Tiger Words & Music by Frank Sullivan III & Jim Peterik
This song was written at the behest of Sylvester Stallone by the two main songwriters of the group Survivor. The song was used in the third Rocky film as Rocky's trainer implored him to regain the eye of the
tiger'-his hunger to be world champion.
Hints & Tips: The rhythmic Jpunches' that make up the familiar riff at the beginning and end should be played forcefully, and with a tireless energy!
Solidly j = 112 Cm BDjC Cm BDjC Cm Gm AD
5 5
f'J I 3 3 1 - 1 ~ I~. ",. ::::I -, .... -s: I I I I -,~ v II,. ... ... ...... " .... • ..... ~ "' .... ;.. ..... '-.;y -s: 2iI 2iI' •. '. 2iiI 'Sf 2iiI' .' '. 2iiI 2iiI 2iiI' ..... ,.,. --- .... ~ ... ..... ::::. -----: f..-'-- ....... :::: ... ...----= :,..-...- .... 1:::::J: :!:~ /.-:...---
<
I I I I J -'o.~. ",. .. 'I ......,
L h ",. - - - - -" II......, ..... - - - --:i. -:i. -:J. -:J. -:J. -:J. -2 1 5
Cm FmjC BDjC Cm 5 4 5
f'J 4 - ............... 2 2 I I ~ 1 - 1 , I~ ~ " ,..---, r- ,-- ......... I h I ..... I I -I
,"' v I ... -' .... • ... ., Y 2iiI --- - ... - -..... - ... - ... • • • • - - ..... ~ - :8: - - - ....... ...... F -Ris - in' up,_ back on the street, did my time, took my chanc - es.
I I I I I I I I I ,. -.. II - - - - - - - -" I~
~ -:J. -:J. -:J. -:J. -:i. -:J. -:J.
9 FmjC Cm BDjC Cm
2 3...,! -!.. 3 2 5 4 4 4 2 3 4 5 f'J '- 1 2 ..2 ~ I I ;, II. ~ , .... I r-~~ v " • .... - .... ..... 1/ -.......,. , V 'Sf - ...... -- .... .... - --- - .... '::.i ~ ~ - - - - ... -
" - ~~ ....----
r r j' < I
Went the dis - tance, now I'm back on my feet. Just a man and his will to sur-vive. -I I I I I I I I
~. .. I " .... - - - - - - - -\ v I~ -.;J. -:i. :.t -:J. -:J. :.t -:J. -:J.
13 Cm FmjC BDjC Cm 2 f'J I 1 ~ 3 4 2
I " ..- .. r-----I ..., -, h ..,. ....
'""' " II. ,
-'~ '1 .... .... J .... .... ,y 'Sf 2iiI --- ..... - ... - - --' • • • • ... - ... -. ... ~ - - -e- - ~ • • • • - -- -
""0""
So man-y times, it hap-pens too fast;_ you trade your pas-sion for glor - y.-
I I I I I , .
•• I~
" .... - - ... ......L --I' I - - - --:J. -.;J. ~ ~ ~ :If -:i. -:i. 5 © Copyright 1982 Rude Music Incorporated/Ensign Music Corporation/Famous Music Corporation (50%)/Warner/Chappell Music Limited (50%).
All Rights Reserved. InternationaL Copyright Secured.
34
-
<
<
<
17 fl I 1 - 4 3 ~ }I II "
....., .. -' ., .• ..., r~I' II ..... ..... -'v ... ... ~ • .-I 41) - - r -
Don't lose your grip_ on the
". I "".
:;j:
Fm 21
fl I • II , "" ~ r "' I' II 'v
0)
,. .. [I I "" .,
Fm 25
fl I. .. }I I. , , h r~I' II • 'v t.J ...
last
,. I h
•
em 29
ti
33 em
I I
• • :;j:
\. ~ -, ....., • • . . ' ' . ..... - • -' ............ _ ... -
eye of the ti - ger, it's the
~
- -,.. ,.. .,
......... - ....., • • • ..... - • .-I ......... -
known sur - vi - vor stalks his
-
ger.
ger.
5 3 1
-.,
em
em
- -..... - • • -' .-I • r· - ... - I· ~ dreams of the past, you must fight
~ ~ ~
em Fm 3 3 1 1 ..
" ,
~ ~ ..... ..... • .-I • - • • --=- r ... r· thrill of the fight, ris - ing up
I
• .-I • ... I .,
em 3 1 2
" ~ ..... ... .-I • - • .. -t· ~ prey In the nIght, and he's
I • ..... • .-I -2
em
em
35
-,........., - 1""-• • • • ..... ::. 7· - ~-
just to keep them a-live.
..... .-I -~
....-.t -• • • .-I - • ..... ......... -to thechall-enge of our
-,.. ,.. •
Fm r--3-----,
I I 1 I I ..... • """" • - • - ,... r r
em
" ---,..// " -' .." ::.. ~r~p
~
em7 5
I
3 1 ,-,
-' ::.. • • r r flV - al.
I
• ..... -
I I • r .....
,../ . '-'
~
..
... -
3
" -I • -
It's the
I
•
3
" ..... • -
And the
... -
3 ~
.. .-I -watch-ing us all with the eye of the
I
U· ., ., ... ... 3
Gm
The eye of the ti-
Gm
-
FORREST GUMP
Feather Theme Music by ALan Silvestri
Composer Alan Silvestri and director Robert Zemeckis have one of the most successful director-composer relationships in the movie industry. Films such as Back To The Future and the Romancing The Stone series are just a
few. Forrest Gump gave Silvestri a chance to write a heavyweight, emotional, large-scale orchestral score.
Hints & Tips: There are lots of syncopated notes in this piece. When a normally weak beat is stressed in a passage of music, we say it is syncopated. In this piece, the syncopation should give a light, airy feel to the music.
<
<
I
I
5 tlJ,J, ''''' ,
-'r~. ,y
@)
Sweetly G5
tlJ,J, ~ "" ,. , "":a: -r~ ,. '-.;y "":a: t)
P .fi..
--'-1."" ,. '-., •• "" "":a:
" ,.
"":a:
CjG
- • • ' . • ~ j ...... , --'-,. "" '-., .. ""
9 G
tlJt'f I I "" - -----, ~ r-< --'r~ r- }
,y .., @) -
c; ,. "" '-. J •• /If
"
13 C tlJt'f l/If - • . - ' . I • ~ r~ ./ , v t) -
-e-C;,./If .. ""
\ "
• I
•
• I
-
.fi.. '-.,
•. ~r~ j
1*-U
--'"' ""'''' t-:' J:"': -.,.
rj •
3
./ 'I' -./ fr 1*-
G
- • -~ -'-.J
•
-r-
•
-~
Am
• -
~ ~
Em7 3
•
'-.,
Am 3
• -
'" t-'
-/ """--- ~/ ~ r-< - r-< ~ .., ..,
I
- • •. ' . ~ • j .... , I
- • .---. ~ • L ...... ,
AmjG
- • •. ' . ~ • ./ - , I
© Copyright 1994 Ensign Music Corporation/Famous Music Corporation, USA. All Rights Reserved. International Copyright Secured.
36
3
• "'- ----r-< r-< r-< -' ~ .., .., I
'-.L
3 1*- -----•. ' . ~
""" ---~ j j .,. , ,
r... "-'"
. ----. 1---• • .. ./ ./ ./ ./ , , , P-
~
I
~ I I , - --- '. . , ./ . ~ .. ./ ~
,
-.. r- ,.,
t-'
I 4
-
<
<
<
<
17 G fl~ '" ..... • ,.- ~
,-y ~---t.J
....... "
21 Dm
fl , , ,. "" .-I '-.1.' • -t.J
-P-.:;,. .. "
24 G f1 l '"
, -, r-. '" "'. '-v t.J
-,. . .. "
27 tJ '" • · ~ ,-y t.J
",. .. "
31 fl '" • · ~ ,-y t.J
~. .. "
r
Am
- • • r-I
-w--~ --
Dm 3
•
1""00. -...
-
- • r-I I
• •
3
_/" J-:'
r
. - ' . ,/
..I r
• . '
N.C.
-" P""""" v~
:J-:J--,J •
~ 'f"~ -
Dm/C f.. f.. I , ,
' . ., /r~ •
17- 0
G/B C
----J-:' .-I • - .-I • r -
0 17-
I I
• ' . . - ' . • • ,/ ,/ ,/ ,/ r r r r
------I-~ v"-'
l .\ ..
, . , • .-I .--~. -
r • -r-I
I.. ..,
= ..,
.-I -
I ..
C 3
.-I .-II I • -- ,-v
11if
17-
-
-r- •
C/B
" .-I .-I ---... ...--
0
F
.-I
• -
C/B 1
"-.-I .-I --- .-I -
~
FIA
.-I
• -
'" r-
" • .-I ---... I
l
• • ' .
~-----
. , --.
37
>< ~--
1 3
•
C 2
-e-:
I
• f'
Am7 Am/G
I'. " " " • .-I .-I .-I .-I ---... .,.-- --- .-I • I -
~
t-'
F f.. l
• • ' . • •
'"' r-
Am7 G
-...., ,/-
" -f'-t-' •
l I
• ~ •
------ :--~ ~ ---r- r- • I
- 1-"'-8-• .. ., I
-
KATE NASH
Foundations Words & Music by Kate Nash & Paul Epworth
A graduate of the BRIT School in Croydon, Kate Nash finished off some old songs whilst recovering from a broken foot, uploaded them onto MySpace, and soon found her career taking off. This song stayed at No.2 in the UK singles chart for five consecutive weeks and was the lead single from her 2007 debut album Made Of Bricks.
<
Hints & Tips: Although the L.H. jumps around quite a lot in this piece, you can retain the same hand shape and simply move this up and down the keyboard as required. Practise this until you can judge the distances and
thereby move to the correct positions without looking at your hand.
4 fl JI ~ ~ri'\ ,y
@)
~,.
J. , \
8 f1
I JI I ~ri'\ -",y
~
~.
Moderate J = 160 c F
fl 1 )# "" - • -~ "'t , • r • r-~~. ,... ;..
'-.:y -.: @) I ,.
< Thurs - day night, ev - 'ry -
\
F
-1""\ ....
~,. "" (.~ I' "'t (.~
L
•
"" (.J "'t
-1""\ ....
1 3 5
• • • -........!
look in your eye; when I'm
~ >< "-'"
F 2
Q -t.t • • r-I ./ ,. .....---
say. You go a -
~ ><
c r---3~ -• r- • I I
tell- ing a
4l'J 4l'J 4l'J
c
-• • I ----
~ >< '-'"
1 3 5
r--3---, • -r- •
I
sto - ry and
' . • I I
long with it __ then
(.J
c
• • , • ;.. ./ ,. I thing's fine, ex -
4l'J ,,~
,,~
F 1-3
r---3~ • ----, - r- • • r- • I I
you find it bor- ing, you're
_ft >< ~
F
- • I • • r- r. I I ..........
drop it and hu
~ ><
-
- -r- • ' . r- -./ ./ ---- ,. ,. cept you've_ got that
G r- 3 --,
• - r--3-----, •
think-ing
-R-4l'J
1 2 4
c
-1""\ J
r • I
mil - i
(.~
-
r- • -r- • I
of some -thing to
---1""\ r- • Y
I
ate_ me
I -.. ~ ~ -..... (.~ ,
12 f1
I JI , '"' ,y @)
I ". ~.
L
1 3 5
F
I ;..
~ >< "-'"
• ---- -r-~ ---in front_ of
4l'J ~J
c F G F 1
_/ ---- r~. - - - I ~ • r- r- ;.. ./ I I I ,. our friends. My
~ -H- ~ ,,~ .?'
-
17 F Am /) . -----. .-. ..---. JI - - • • - - - .. • -~ • r- . ~ ' . r- ~ ./ ./ ./ I-" • r- • ' . r- ./ ./ I r-r In \ , , , , \ , , ;.. ,y ./ ./ ./ III'" ./ ... tJ , , , I --.... , -
fin- ger - tips_ are hold - ing on __ to the cracks m our_ foun - da - tions, and I
- f: ~ ~ 1'-...... ~ :f • ~ -t"~ ~ ~ • ~ ,,~. ~ ~ ::Ii. ~ ~ ::Ii. - t-' r-'-. vr- t-' I-" L' r- J:"" --.... ___ r- t- -I
21 G F
11 .----. JI - - \ .. • -" '-1\ • r- • ' . r- ./ ./ , r- r- ./. - I -~ --r In \ , , ;. ;.. ,y ~ 10... ./ tJ I ---- , - I r
< know that 1 __ should let_ - go, but I can't. And
• e- .,;-.-"- :::s- a- • ~ ~ ~ ~ ~ ~ ~. • ~ ~.-" /~ ~ ~ ~ ~ ~ ,~ r~ .:;;. L' - r- - r-'-. ,../r- t-' I-" L
25 Am G /) . ----. . -. • I JI - - • • • - -1\ • r- • -. r- ./ ~ ./ • r- • I-" • r In , r , , v ./ ./ ./ - ./ ./ tJ , , , ----- , ,
< ev - 'ry time_ we fighL - I know_ it's not right, ev - 'ry time that you're -t i= ~ - 1 i= ~ • £- ~ :::: -",-. r- t- 1-"'-. .,- t- r- - U. ." .. -I
28 F /) • .---... .-----. • JI • --- _r" '"'" - • ' . • _ .... -... ~ ./ ~ • r- .r;: • r-; r-; .Lt'!1 r r ./
-"x - ..,. ..,. , III'" tJ ----- I <
up - set and __ I smile._ - I know_ I should for - get, ___ but 1_ ;::. £- • -~ ~ ~- ~ ~ • ". .. - ..I - IS; "'"' CIO. CIO. ~ ::Ii. -.. r- t-' I-" '-. /r- t- -I
31 G F G Am fl 11 ___
I r- ~. - - -r " "J '..I' -tJ I ~
- can't.
• £- ~ :::.s. -e- • ~ -R -e--::::-". • ~ ." /~ ~ - >.! ,,~ ~ -.. - ....... I
39
-
LOVE ACTUALLY
Glasgow Love Theme Words & Music by Craig Armstrong
Soon after writing his BAFTA-winning score for Baz Luhrman's Romeo and JuLiet, Armstrong embarked on the score for this Richard Curtis romantic comedy. The result in this particular case is a beautiful and atmospheric mood
piece for solo piano.
Hints & Tips: Spend some time practising the right-hand chords in the opening four bars, making sure you use the correct fingering. You will meet this fingering again later in the piece, but used with quavers (eighth notes).
I
<
<
Practise the left-hand chords in bars 5-8, which are also repeated later.
5 (}
I I Lh ,~" '-.v t)
",. ~.
.I' h.
10 (} , , h.
'"' V' '-.y
t)
,. ..
Slowly, very freely F
tl I ,. , h. At r~V' '-.v At
~
,. ,. .I' h.,.
... At
F
I I - -mp
fr ,.-
2 5
Drnje
4 I
-6
P
........
I
q~ --r-I 5
-r-I
-6
-r-I
~-p-r-
2 5
-
I
-
r- -- -' - ., ... I I I
.I' h. r.J r.J -' " -
11
--~ We;;..
.-.. -
F
I
rj
fr r-
I 5
-r-I
-I ~
I
-
I
-fr ,.-
G7jB
3 I -
i00i-1
F
--(..i -6
..-..
I - -- r- r-I I I q~ ~~
-- [,-, r- r-
I
-' -' -- - -
-I Ih. -I
3
© Copyright 2003 Universal Pictures Music. Universal/MCA Music Limited.
I -
.-I -
All rights in Germany administered by Universal/MCA Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
40
-&-
F
I
r~
fr r-
...J - -
-I
........ --...
W'-J
---...
Drn 4
-1"1,-, "1"-
I
F
-' -
.,
-' - ., ...
,-, ,.-
I
r~ - I I ,..,
r--
-
F 15 5 2 4
fl )I , n. .... .... .... M
,'" v - - - - -- -- --, v --tJ 1)'- - ... ... <
.:;,. ....... ....... .. --... I n.
20 F fl I I I )I ,
"'" , -- -- - .... .'" v ... -- - -- """ 'v tJ ~ I I
(
17- q.p. ~+2- 17-",. "'"' -. 1-- J.,-,. - .. I-' -- r- r--I v
F 25
fl I I , ho ,'" v -- .... .... -- .... .... .... - -- - - -- - -tJ
<
"',. .. I hoi"l-l -' ho -l -'
I' "'- - v'" '" 3 •
30 fl )I , .-I -- -- - --,'" v - - - r- r-,y --tJ 1)'- c.,. 1 I I
<
,. -. -. r...."'-.. r- ........ I ho
v
F
5 2 I
.-I .... --- - ---- --1)'- r:.. 11if
1*-".., '" t.-I-' I-' r-
Dm Dm/e 4
-- .... .... - • .... - •
I I
i"\-. -. loll-' r-- r~ r~
I I
r~ .-I .... .... --- -- --I 1I. --mp
I -. .r1o. I-' -.....
--
F
I I I
- -- U -I
n -r- r-5
41
I
---- I
1*-qt2-t.-r- "'"' I-'
1 5
....
F 4
....
~ --...
--
~.p.
-I
-r-
rho' -l ll' ~
--.....
~
...J -
I I .-I - --
~~ ~ - t.--2 5
r-
--I
-- --
F5
1'7'..
,"y
1'7'.. -e-
.r1o. -.....
-r-I
-l ....,
...
F
I
"""
17-"'"' I-'
I
--
----
-
God Bless' The Child Words & Music by Arthur Herzog Jr. & Billie Holiday
Billie Holiday possessed possibly the most distinctive voice in jazz. Her life was always difficult which must have contributed to her emotive and powerfully intense performances. Her two great compositions are this heart-rending
tune and Strange Fruit.
I
Hints & Tips: Try and keep the hands moving smoothly, practising one bar at a time.
Slowly
fl. L 3 4
"' 1,/. ,. -, .... ~ I
r,.~" 1./,. "V ~.-I • tJ -
Them that's
. .. 1.1. ""jt -I .... " \ .. 1.I""jt
3 fl 1 I I "' II .... ...1 ...I , no .,.- - • -' . -
~ -~i - ble Srid,!d it
pock - ets don't ev - er
•• 1.1 r- ~
I I
7 Gm? f} 1 r---I I
I "' 1.1 , .... .-I • .-I. .I"~ 1.1 -' - -'v -tJ r i
God bless'the child God bless'the child
J.." '" .. II ~ Jr1 .. 1.1 ---~ I 1
10 11. I.
ED6
fl I. "' II -.. , no r~" II
" V ,-,.".j. ...I •
t) ..::::... r
2 ,... . •. • - -r got shall strong gets
--&
2 5
• - ,-j -1)''' ~-&
still IS news; make the grade;
I r1
I-' Ir
II
Fm9
1 - ...I. • -' • -f - I
have, them that's not more, while the weak
I U
,-j
r.-; --&
A~maj7
I
3
-' -' - - . Ma - rna may have, Ma - rna may have,
I •
~ ,.....-, I .-I .-I ,-j - • --I)'i f ~r .r
that's got his own! That's that's got his own! That's
I I.lr: ,-j
-c.. 1 1 5 2
12.
3 'r--i ,... • • .-I -- •
shall f lose, So the
ones fade, Emp - ty I
rJ
3
• • - - . • ... Pa - pa may have, but Pa - pa may have, but
1/-' •
r-
-' .ri'--- --..
----- --u-_______
---------got his own. got his own.
I I .-I
,-j
r -& I
Cm/G Cm Cm(ma?) Cm?
'\ I .. • • • '~ • • •
.-,-j • ./ ..::::... r qr r I -----r r r Mon - ey, you got lots 0' friends,~
~ Yes, the - ; ~j ~j - I I I J ~j I
1:;" --. .-I - lot'" ~. r1. • r- • -I .... .-I '" • • - - • .. II - I-' ,,-,. I I I I f I
~ t I t I t I t I
© Copyright 1941 Edward B. Marks Music Company, USA. Carlin Music Corporation.
All Rights Reserved. International Copyright Secured.
42
-
14 GmjD Dm7(DS) Cm Cm(ma7) t1 I .. I~ . _. - .r.. .. • • • ~ ,. '" r- - r- - '-"" • • •
'''' v I~ ~ r- - • 'v • r- • ~ t) r I I I I 1\ r I -
< crow - din' 'round the door; when you'regone and spend- in' ends,_
bj j j J J ~j bj ~J ~tI ,. r~ ~ ~ ~ ... ~ - - -"' n. r- r- r- • • • v I~ I I I I I I I f' I f' I f' I f' I f' I f' I t I
18 Gm7 C7(D9) Fm7 fl I I I I I ~
f .. I~. -,. n. .-I • • • -' -'''' v II - .-I .-I .-I .... -,y U· - - - • ~ - - - -tJ I· vr f· ~t 1 f - 1 f < they don't come no more. Rich re - la - tions give, crust of bread and such. You can
I I I I I I I ~,. ,-j •
•• IJ. ..., 1- I~- - ,.j r~ r~ "' n. ~ '7'. ,..-j ,..-j v 'I -- t- ~I ~ r r I 1 I 061- -& 22
3 f'.J I I I I ~ I I .. I n..-I .-I "' .... I , '" v- - • .-I • 1'- .-I ;.. I'" v I~ - - ,-j .... -' ,y r~ - - - - - - ,..-j tJ I r vr V" ~061- -e- ~ < help your - self, but don't take too much! Ma - rna may have,
,..., I I I ,. --. r~ - r~ ~. -.. I'" "' '" ""'
,.., - III. ~ I I I 1\
25 3
Gm7
fl I r---, I ~ ,........, I .. I~ . I I. I' n. ;.. "' .-I - .-I. .-I .-I ,-j I~V IL .-I .-I - - - .-I - ---, - - - -tJ ~-e- .... r r vr f ~r r
< Pa - pa may have, But God bless' the child that's got his own! That's
I ,. .r... " .. II ~ ~ JU r ,-j "' II"'"" ',iII
-
<
<
GOLDFINGER
Goldfinger Words by LesLie Bricusse & Anthony NewLey. Music by John Barry
Shirley Bassey, who never knew how to give less than her all, outdid herself with this dramatic Bond theme. Of the many Bond movie songs, this is probably the most famous and almost certainly the Loudest.
fl .. I
tJ
,.
1'J .. I f,", '-v
<
fl ,
~ =92 F I
"Z .-.I~ '" ,-y "":It
~ -4
Gold
5
L .. "'-"":It .,.
E
~
touch
.,- ...
F
tJ -4
cold
\ ,.
.,.
E II .l.-
I f,", ..... .r.. '- .... ::>-.::: ~
~
sin,
.:;,. .. ...
Hints & Tips: In this song there are some rather surprising chord changes. Look out for the accidentals.
Cm F 5_ 51 I
.1'I.c - , • ;. • " - -. - ........ -. v- ... ., ., ., I - fin - ger, he's the man, the man with the Mi - das
\ 21 I ~ II l " - v~ v- - -. -IJ_· - v- -u u
C
, ;. ...... • 1"1..-... " ..... - - .... ...~ - ~ .... ...
A spi - der's touch. Such a
II l I
- - .. • v- -... - - ...
Cm F 5_ 51 I
" .., - , r-----t ..... .... ;. .... " v- -- -. - ........ -. v- ... ., ., ., I
fin - ger Beck-ons you to en - ter his web of
I I ~ 11 l .. , " u u
Am FIA FIA I 5 , - - • ;. ......... • .... .. ~ . ~~ . - -..,- - - -e- #. - .--/
But don't go in. Gold - en
I I I I ..,...-1 ~.-l "''''''1 ~""'I
-... © Copyright 1964 SonyjATV Songs LLC USA.
SonyjATV Music Publishing (UK) Limited. All Rights Reserved. International Copyright Secured.
44
-
Em Em Bm7
fj - .--.. I ,......... 1,........., I , ~ -~ r- • ...... -- ...... - - 'U· tJ - 1+ U ' - T ---...
( words he will pour III your ear But his lies can't dis- guise what you fear, For a
1 4
....... ...... -- - - - -1 1+ U -9 -9 +tr.,.l
E Cm Gm
fj , , , , r--I ~ 3 I 4 3 -, ...... '" , .... ...... ....J .... • - • , n. ..... ,~ ""''SI 'SI ..... - 101 .... • ;.. .... .... v-,y"",- - -- n. .....,. ""- - - .• .... ...I. t) V"-' Tl 11'. ( gold - en girl knows when he's kissed her, It's the kiss of death from Mis - ter
1 J ... I,
, . .. ...-l '" rJ .. • ..... .... .... .... -
F Cm F fj -'" ...... '" ,~. - n. ...... .. tJ -9 ....- ...
( Gold - fin - ger. Pret - ty girl, be -
1~ I I ~ I l ", . .. I; ....J 1; ....... .... I • .... - .... - - .. • I),., • .. r.,.I
E Am
fj , I (.\. w , r---""'I 1; .... ,
v- • ""' ...... '-..J - -tJ • • • r ~ -e-
( -ware of this heart of gold, This heart IS cold.
(.\. -,.. '"
.. . u .... ....
45
-
THE ROYLE FAMILY
Half The World Away Words & Music by Noel Gallagher
The Royle Family is a comedy series featuring the crude, but lovable Royles, who live in a council house in Greater Manchester. The majority of episodes take place in the family's living room, behind a cloud of cigarette smoke and
television hum! Its theme tune was performed by the UK hit band Oasis.
<
<
I
<
Hints & Tips: Try to emulate the sound of an acoustic guitar strumming, particularly in the opening four bars.
c 5
fl 1 )I
, "'" 'rT ~ tJ ..
I ,,-,. . " . -.
c 9
fl )I
~ 7
..., " ... ,v ~
I "-, . ... " r.J
Am 13
fl )I , I
, ,"'" ... "-.::..V -.c
tJ
,,~. .. " 7"T
The melody in the right hand should be emphasised over the left hand accompaniment.
With a lilt ~ = c.IIO C Fmaj7
4 - ..... .... ..... --I would like
And when l , -
G/B 3
3 1 - .... .... .... - .... -... • I can feel
I I
--I -
4 1 .--.
.... . ----thewam
Fmaj7
51
'" -- ... to leave this
leave this
0
Am 5 ,......., 1~ I • ..., .' :...I .... . .... ...-i v- ---"""
- mg signs~
2
-... . ci - ty, is-land,
•
I
c
c 3 -
--"c '" I .... .... .... ~ .... - ... " /-this old town_
book my - self into I L I , .. - --.... -
L -.... • ... .. .. --- 7
run-ning a-round my
Fmaj7
2
.... --don't
3 1
a I
-
~ .' -mind.
Fmaj7
41 1 2 -.. ... • smell too pret-ty and} soul a - sy-Ium and
.... 0 • -
F
....4('
~4( ,
~
_. --~ L '" ....... - .... ~ ....,. ,- .... I r I •• .--.' -
c E Am 3 3 1 4 3
1~ I l~ 11 I I I 1 ~I 3-- - • • • - _/ ,- -..... - .... ..... .' .... r.J. .. - --.: .. JIOI!' --- --... --... - .... -.... .-I • . , ~ . • • .. '-..., .-''-'' ...,..- .... ~ r - I I I....-J I --- r
So here I go,_ t--- still_ scratch -ing a-round in the same_ I-- old hole.~_ My
l I I L L
" -, ,n - '" .. .... - /_. -, /- ..... - .... ... -:; .. -© Copyright 1994 Creation Songs Limited/Oasis Music (G8).
Sony/ATV Music Publishing (UK) Limited. All Rights Reserved. International Copyright Secured.
46
-
<
<
<
(
<
17 Fmaj7 D G 3 3
f} 1 I ..-.-. 7IT - - - - _/" ---. ..... - _/ '--. --, ~ --.. .-:" - - • r- t- .... ""'-I''"' • I.- a,., V'~ • ..... -~ rT V ~ ~ f) - L.-:J ,. --- r' I r
bod-y feels young but my mind_ I-- IS ver - y old,
~. .. r.. -.I , r.. ~ . ,-j ...... ..... """ .....
4 •• • __ u -.J . -.J_-.J -.J - ...., - r - t'I'-
Am C/G E Am 21 3 5 2 2 2
f} I 1 I ~ II 1 I I I I I I I I I w - - • • • • ::;;;: ::;;;:? I": .... • ~ , --.: r- - .... r-: - ... - - • --f' 1-' '" -. • I.- .-l • .... """--. • ff' ~ rT r-" ./'-'" - """..- --.,. -0) r- I... I I 1......1 I -So what do you say? I--- You can't give me the dreams that are mine_ ~ a - ny- way,_
I ~. .. " 7 --I • ----- .....
3
Fmaj7 25
f} 2~ ~ 7IT --.. ..- -, r- ,;[~ ~- • • 7 • f) r ,.
half_ the world a - way,_ -
~ ,. , -.. r.. r-.I • .. • __ u ..
C G/B Am 29 5~
f} iii ~ I w ---- ~ .. ..... -~ - • - • rT~ - • /r~ v f) I ~ I
half_ the world a - way,_ I--
I CZ~ • ..
.I r.J .-l ...., r~
1
32 Fmaj7 f} 3 5 ..1_" 1
I - • ~ • .... .' ~, - r If".,.,. ~ ., J"'-~_ /,..-~ . II • 'v -tJ L--' r I I "'---I
- feel down, I don'L
;;:-".. .. r.. r.. 7" , , .' • __ 0 .' • __ u
....
I
•
2~
.... •
I've
raIl. Fm
• /. II • L.....I
~ feel
.. 47
" ... _*.
5
I 2~ I • -r- • II •
~
r ,.
half_ the
L "\ ., ..
5 I I • "'l1li • .• /r~ ~ I
been lost,_ ~
... -,J .
-.... • ., -r I down,
to.
• __ u
-. " - f.'
I ::;;: r..-... -II • 'Il , •. J;[~
L...-J
world a - way,_ f--
I
r.. J.' , • ____ u
I I 1 ::;;r - • - ...
I've been found,
L
-,J~v
-Il' ~
L
-, . -.-__ u
r..
•
3 -~ ,. but
C 5 I
"' -~
"' "' I 5
Jr.J
1 .--- ., ~
I don't_
-
HAPPY DAYS
Happy Days Words by Norman Gimbel. Music by Charles Fox
Truett Pratt and Jerry McClain had a 1976 hit with this theme tune, reaching No.5 in the US Billboard Top 40 Chart. The music is characterised by its flamboyant rock 'n' roll style and, together with its upbeat lyrics, it serves
to conjure up the optimism of 1950s America in which the show is set.
I
<
(
<
5 fl ..
~ h-TI"I"IiI7 '-v ~
Hints & Tips: Try to play this song at the tempo indicated. It should have a really lively, rock feel.
Zippy J = 100
~ F
fl 1 I 11 " --, ~.,., I'
1'_" " ... '-v ..... -.J ...
2 3, 4 -• - I < Sun-day, Mon-day,
, "" . " .. .... -7 --.;;
\ v.,., r 0
A Dm 4 1 21 3 4 • - ---• .-: .-: ,... .•
101" 101" ...I -- ,
Dm 4 i~ .... -.J'.
I
I -hap-py
.,.... ~
Gm c ~ I 1 2 3 4 4 -.... ~""" .... - - ... -'-- - I - ... ~ --,. 1,/ J - , --. r
days._ Tues-day,VVednes-day, hap-py days.
Ct .:, .. , 5
c c 2
" ... .... ..... .... II.. .... .... .... ...I ...I .... ....J - • • ---- - • • ----......
I ,.
Thurs- day, Fri - day, hap-py days,_ the week-end comes,_ my cy - cle hums,_
l 1 II.. , "' ..... " .... ,
" -W. I I I h- -.... ...I .... - ""AIIII ... ~. ... v .: .... - - - -
2
9 B C F Dm fl 1 3 .-.... , - -11 - I'" ..., , h- I ~ .... ....J ... ...I . , -. ...I ...I 'v ...I .... .... • , . -", ...-'-' • ---- -- • - ., ~ - - - TT '---- ~ r----
read - y to race to you. I-- These days are all
1 .......--. .......... '" . "". ,.." .. t- "" . ...I "'...I . , / . • ...I ..... v - 1004- - .... - • -,J 11 3 2 1 5
13 C F Dm f'l ..-.. , -.. - ..., ~ ... I
II' ~ .... ... ~ ----~ ;. ...I ...I "V ~. ...I • • - - - -tJ '-' • • • ---v- - ~ ~ t---- hap - py and free,_ I-- these days are all,
n. I I I I .,.,. "' ..... ,., . .. t- "" . I h- ...I • • • • I-' V -5 1 • 1 1 -.J- 11
2 5
2
© Copyright 1974 Bruin Music Company/Famous Music Corporation, USA. All Rights Reserved. International Copyright Secured.
48
-
(
(
(
(
17 c f'l }I -, h
,'"' v ,y -. ..... ~ '-'
., ., ., ----v-- share them with me._ I---
o· I ",. ~.
I h ..... • v -5 5
21 f'l 3 }I
1\ n. - - - .-. - -,'"' v r- ... ... ... r-:- ... r-; , v tJ r I r
noth - ing can hold_ me when
,. .. I h
v
25 fl }I , h
,y tJ
",. .. I ....
v
28 fl
, h
...
1
• •
rock-in'
• .. .. If' 1 3 5
Dm
I
~
. ,", v ... .-I '.1.' -tJ
- are
",. "." .. bO".' Lh ..-
v .... 11 2
, -"-
• . ' ~ . • j
r I
and roll - in'
• , , .. .. .. II'
.. .., .....
~- -. yours and mine,_ -
..... -5
-r-:-"
I
~
""-' -
I
•
-' ... I
hold
f:
1 3 5
To Coda'-
..... -
I I
-- •
A
2~ 2l , L
• I~-
you.
~:( ~b~:( r
~
"
F 1
"
Good- bye
-!:Ii. ... , ...
G
L I ..... -
Feels
n'" ---L ~ j
" " , . ' -. .. grey~ sky,
-
- , ..... ..... ... - -
so right,
" , -..
..
l I
• •
hel-Io
-!:Ii. ... 3 5
.....
..... -it
..... " ~ ~ ..... -'-" blue,_ there's
, -...
,....... ... - -...... - ..... -
I
can't be wrong,
n. .. L , -L ...
r
D.S. al Coda • Coda
.-----. j j .' 'LI r r
./ r I
all_ _ night long._
.........-t
• • ..... - • ..... -1
c 4 2
..... ..... ..... ..I • - -. ., ., ., --- ".,.- - .,. these hap - py days - are yours and my
o· ~ ..,. ..,. ..,. •• 1 1 2
49
F f'l
/ I h , , '"' v .. '.1.'
~
, . -_. I h
\ v .,
Gm
1
" • -Y >-
hap -
>-. / ~ . j
1
3
• •
These hap
,., . ." .
-'"'"
1
• ... >-
py
I
• >-
F 5 2 1
--:f :>
