3.3 Waves and Stuff
description
Transcript of 3.3 Waves and Stuff
![Page 1: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/1.jpg)
3.3 Waves and Stuff
Science of Music2007
![Page 2: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/2.jpg)
Last Time
Dr. Koons talked about consonance and beats.
Let’s take a quick look & listen at what this means ….
![Page 3: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/3.jpg)
Listen First
![Page 4: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/4.jpg)
Recall what a single frequency tone sounds like
Play on Sound Generator A=440 Hz. The Graph:
0.005 0.01 0.015 0.02
-1
-0.5
0.5
1
![Page 5: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/5.jpg)
440 Hz. and 450 Hz. Compared
0.005 0.01 0.015 0.02
-1
-0.5
0.5
1
0.005 0.01 0.015 0.02
-1
-0.5
0.5
1
440 Hz.
450 Hz.
![Page 6: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/6.jpg)
440 Hz. and 450 Hz. Together
0.005 0.01 0.015 0.02
-1
-0.5
0.5
1
![Page 7: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/7.jpg)
440 Hz. and 450 Hz. Togetherfor a longer time (0.1 second)
0.02 0.04 0.06 0.08 0.1
-1
-0.5
0.5
1
![Page 8: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/8.jpg)
440 Hz. and 450 Hz. Togetherfor an even longer time (0.5 second)
0.1 0.2 0.3 0.4 0.5
-1
-0.5
0.5
1Tbeat
From this graph we see that Tbeat = 0.1 seconds. fbeat = 10 Hz..
![Page 9: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/9.jpg)
Why??
0.02 0.04 0.06 0.08 0.1
-1
-0.5
0.5
1
In phase out of phase in phase again
![Page 10: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/10.jpg)
The Concept Two sounds start together (in
phase). After Tbeat seconds they get
back together again. One of the waves must have
gone through N cycles while the other went through (N+1) complete cycles.
They are therefore together again!
0.02 0.04 0.06 0.08 0.1
-1
-0.5
0.5
1
![Page 11: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/11.jpg)
The *(*@)$# math
121221
21
21
211
21
211
21
21
2211
2111
11
)(
)1(
ffTTTT
TTf
TT
TTT
TT
TTNT
TT
TN
TTTN
TNTN
beat
beat
The beat frequency between two simultaneous tones is equal toThe difference between the frequencies of the two tones!
![Page 12: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/12.jpg)
Back to
![Page 13: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/13.jpg)
The frequencies
Lm
T
LL
vvf
vf
L
/2
1
2
2
11
11
1
These are the frequencies at which theString RESONATES.
![Page 14: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/14.jpg)
RESONANCE
STRINGS HAVE MORE THAN ONE RESONANT FREQUENCY
![Page 15: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/15.jpg)
The RESONANT frequencies
L
vf
L
2
2
12
1
2
2
ff
SOL
f
BUT
![Page 16: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/16.jpg)
Standing Wave Produced by TWO waves traveling along a
string in opposite directions. Each wave reflects at the end of the string
and then goes the other way. Both waves travel with the same velocity
over the same length of string. Many pairs of waves may travel along the
string at the same time. More than one set of standing waves is
possible on the string at the same time.
![Page 17: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/17.jpg)
actual string shape
![Page 18: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/18.jpg)
fundamental
first overtone, second harmonic,second octave
second overtone, third harmonic,fifth above second octave
third overtone, fourth harmonic,second octave.
etc.
![Page 19: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/19.jpg)
Resonance of Strings
Multiple Frequencies Determine the Timbre
![Page 20: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/20.jpg)
![Page 21: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/21.jpg)
What does sound look like?
Repeats
![Page 22: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/22.jpg)
Music
For short periods of time, a musical sound is PERIODIC.
It has a weird shape. How do we produce a strange looking
but periodic shape? Answer: FOURIER
![Page 23: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/23.jpg)
Fourier’s Theorem Any periodic signal can be broken
down into a sum of simple sine waves at different frequencies and sizes (amplitudes).
This theorem allows us to understand why different instruments sound different even when playing what we perceive as the same tone.
![Page 24: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/24.jpg)
Square Wave
![Page 25: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/25.jpg)
How do we create weird periodic shapes??
FOURIER THEOREM
![Page 26: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/26.jpg)
For Example
![Page 27: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/27.jpg)
The FOURIER spectra for each of these consists of asingle frequency.
![Page 28: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/28.jpg)
When you strike the string All standing wave modes are excited
at the same time. “Non-Standing” waves die out quickly. This is a Fourier thing. If we could initially shape the string
exactly to one of these modes, then this would be the only one that would be excited.
But we can’t do this .. can we???
![Page 29: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/29.jpg)
We can! Sorta..
![Page 30: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/30.jpg)
Two different plucks would require different sets of harmonics to create the shape.
These will produce somewhat different instrument sounds.
![Page 31: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/31.jpg)
Modes
Place finger near thecenter of the stringand the strike it. Theodd overtones should be suppressed.
![Page 32: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/32.jpg)
![Page 33: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/33.jpg)
![Page 34: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/34.jpg)
Plucked atMidpoint
Touched atMidpoint
![Page 35: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/35.jpg)
![Page 36: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/36.jpg)
![Page 37: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/37.jpg)
So – How does the guitar work?
Each string that is plucked will vibrate in one of its fundamental modes. The shape of the initial string stretch determines which modes will be excited.
Each mode is established by waves bouncing back and forth along the instrument.
![Page 38: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/38.jpg)
More ..
The sound from the instrument depends on how and where along the string it is plucked.
The strings by themselves emit little sound. The connection to the bridge causes the sound box to move and resonate, a topic we will discuss later.
![Page 39: 3.3 Waves and Stuff](https://reader033.fdocuments.in/reader033/viewer/2022051518/56815a91550346895dc80740/html5/thumbnails/39.jpg)
So now you know!