30415160 Rune Ceremonials

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Arm anen RunesRun e Cerem on ia ls

Co p y r i g h t 1 9 8 4 - 1 9 9 8 b y K ar l H a n s W el zAl l r i gh t s rese rved . Th i s course m ay no t be rep rod uced as a w ho le o r i n pa r t , t ransm i t t ed , o

u t i l i ze d i n a n y f o rm b y a n y m e a n s,ect r on i c , pho t ograph i c , o r mechan ical , i nc lud ing pho tocopy ing , reco rd ing , o r by any i n f o rm a

sto rage and re t r i eva l sys tem ,w i t h o u t p r i o r p e rm i ss io n i n w r i t i n g b y t h e au t h o r .

Publ ished by Magi t ech Press P.O. Box 1 298 , Woodst ock, GA 3018 8

Cont en t s o f t he Book

Wh a t t h i s b o o k w i l l d o f o r yo u

W hat a re t he Bas ics? - Od in ' s Run e Song, t he Mag ica l Poem

Access-Keyw ord s, Mean ings, and Cor e la t ion s o f Run es

Body- and Hand Posi t i ons o f Runes

Abou t Ce rem on ia ls, Abou t Ce rem on ia l U tens i l s ,Prepa ra t ions o f t he U tens i l s

The Basic Cerem ony

Cerem on ia l f o r Success

Cerem on ia l f o r Success, Sim p l i f ied Vers ion

Chant fo r Success

Cerem on ia l fo r Love

Cerem on ia l fo r Love , Sim p l i f ied Vers ion

Chan t fo r Love

Ri tua l t o Chang e Bad Luck in t o Good Ci rcum stan ces

Chant fo r Chang e

Ca l l i ng o f t he Sou lm a te

Cerem ony o f t he Gros t i c W edd ing

Chant fo r Successfu l Crea t iv i t y
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RUNE CEREMON I ALS

W h a t t h e se i n st ru c t i o n s w i l l d o f or yo u

Change ! A l l li f e i s con t i nuou s change ! Som e fo r th e be t te r , some fo r th e w orse . Every day w eare con f ron t ed w i th n ew s i tua t i ons . Som e p leasan t , o the rs l ess p leasan t ! W e have to dea lw i t h t h e m w h e t h e r w e w a n t t o d o so or n o t . W e ca n n e ver b e ce r t a i n a bo u t t h e o u t com e , b u t

w e a re w o rk i n g w i t h a l l t h a t w e h a ve a va il a b le t o g e t t h e b e s t o u t co m e p o ssi b l e t h a t o u rimag ina t i on can c rea te , and m ore , if w e keep the desi re open-ended .

To in f l uence the ou t come o f a speci f i c si tua t i on w e have many m eans ava i l ab le. Most o f th esm e a n s a re w e ll - kn o w n t o m o s t e ve ryb o d y . Usu a ll y w e e va lu a t e a s i t u a t i o n , o r ch a ll e n g e t h a tw e face , f i r s t . Then , based on th i s eva lua t i on w e can take w ha tever s teps i t t ak es to m ake thb e st o f t h e s it u a t i o n . I f , f o r i n s t a n ce , yo u w a n t so m e t h i n g ve ry b a d l y , t h e n yo u l o o k f o rm e t h o d s t o g et t h a t w h i ch yo u w a n t . I f , f o r so m e re aso n yo u h a ve t o f i n d o u t t h a t t h e m e a n stha t a re ava i lab le to you a t th e t im e be ing a re i nsu f f i c i en t f o r th e task , then you can take ono f t w o w a ys : Ei t h e r yo u a ccep t t h e f a c t t h a t yo u r m e a n s a re i n su f f i c ie n t a n d yo u set t l e f o rsecond-bes t , i . e. , you g i ve up , o r you l ook fo r new m eans to ach ieve tha t goa l .

Th e re a re ce r t a i n l y l ot s o f p e o p l e o u t t h e re w h o a l w a ys t r y t o t e l l yo u t h a t y o u r m e an s a rei n h e re n t l y l im i t e d a n d t h a t yo u sh o u l d n o t g o f o r t h e sky a n d t h a t i t ' s m o ra l l y b e t t e r i f yo u asa t i s f i ed w i th t ha t w h i ch you can ge t eas i l y . I n rea l Eng l i sh those fo l ks means tha t y ou shoub e sa t i sf i e d w i t h t h a t w h i ch t h e y d o n ' t w a n t a n yw a y w h i l e g i v i n g u p o n t h i n g s t h a t t h e y t r y tge t fo r t hem se lves . These serm ons a re i n most cases those fo l ks ' means o f keep ing you ou t a co m p e t i t i o n so t h a t i t w i l l b e e as ie r f o r t h e m t o g e t t h e t h i n g s t h e y w a n t . I t i s ce r t a i n l y b esto be susp i c ious o f such se rm ons and to have a c lose r l ook a t t he peop le wh o a re p ro f fe r i n gthem . Many o f those are fo l ks w ho sk i l l f u l l y cl o the the i r g r eed in to m ora l i z i ng sp i r i t u a lserm o n s ! N at u ra l l y t h e y t r y t o co n v i n ce yo u t o s t o p se a rch i n g f o r n e w m e an s a n d t o g i ve u pyour i n t en t i ons to have th e good l if e they asp i re to . Every shepherd ' s i n ten t i s to have asm any sheep as poss ib le !

Especia l l y i f you da re to t h ink o f t he l ess conven t i ona l means, m any o f your con tem pora r i est r y to conv ince you tha t such means a re "ev i l " . They te l l you th a t as t ro logy i s "ev i l " , becauset h e y m a y f e ar t h a t e xa ct l y a t t h e t i m e w h e n yo u a re w i l li n g a n d re ad y t o g i ve t h a t l a rg ed o n a t i o n , m a k i n g t h e i r l i ve s sw e et e r , yo u r a st ro l o g i ca l a sp e ct s co u l d sh o w t h a t so m e h o w yoa re p ro n e t o b e d ef ra u d e d o u t o f a l o t o f m o n e y a n d p ro p e r t y , a n d yo u m a y t h i n k o ve r yo u rg e n ero s i t y t w i ce b e f ore m a k i n g a m o ve t o f a t t e n t h e i r b i l lf o l d s eve n m o re !

On ce yo u o ve rcom e yo u se lf - i m p o se d l i m i t a t i o n s t o w h i ch yo u w e re i n d o ct r i n a t e d , yo u w i l lf i n d o u t so o n t h a t yo u h a ve m o re m e a n s a vai l ab l e t o g e t m a n y m o re g o o d t h i n g s i n l if e t h a nyo u e ve r m a y h a ve t h o u g h t p o ssi b l e.

Mag icka l o r p sych i c m ethods t o change a s i tua t i on i n on e 's favo r have been used successfu l lf o r a s l on g a s h u m a n k i n d ro a m e d t h i s p la n e t . Of t h e se m e t h o d s , t h e w o rk w i t h R u n e s h a s avery spec ia l im por t ance . Th i s i s so , because wor k w i th Runes can b r i ng y ou i n con tac t w i ththe rea lm s o f crea t i on , hence m ore poss ib i l i t y t o change a s i tua t i on f r om i t s roo ts , r i gh t a t t hbeg inn ing .

Over the cen tu r i es pas t , Run i c p rac t i ce deve loped many pow er fu l t echn iques to i n f l uence theou tcom e o f a s i tua t i on . Such m ethods can be a l o t mor e pow er fu l th an the usua l cal l i ng o fgods , ange ls , sp i r i t s , th e Ho ly v i rg in , e tc ., a l l en t i t i es tha t t rad i t i ona l l y h ave he lped th e r i cha n d t h e p o w e r f u l w h i l e ke e p in g t h o se w h o w o rsh i p p ed t h e m m o s t t o i l in g i n a lm o s t


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unbearab le pover ty .

The reason fo r t h i s t rem endous pow er o f Runes, as fa r as ad jus t i ng a s i tua t i on i s concerned ,i s tha t w i th Runes you tu ne i n to roo t causes a t the c rea t i ve l eve ls and to c rea t i ve l y w ork onyo u r d e s t i n y ra t h e r t h a n d e a li n g w i t h w e ll - d e f in e d t r e n d e n e rg i e s. W o rk i n g w i t h R u n e scompares w i th a card p laye r hav ing a hand fu l l o f w i l d ca rds , ra th e r than w e l l -de f i ned ca rdsSuch a p laye r can name h i s cards w h ichever w ay i s desi rab le fo r th e s itua t i on . Most peop lecan f e e l t h e ru n e s a lm o s t i m m e d ia t e l y , so i t i s ea sy t o g e t t h i s " f e el " w h e t h e r so m e t h i n g yo udo w ork s o r no t . Th i s i s especia l ly t rue w hen you u se a We lz Ch i Genera to r i n comb ina t i on

w i t h y o u r Ru n e w o r k .

Sh o u l d yo u n o t h a ve h a d t h i s e xp e r i en ce b ef o re , w e w i l l b e h ap p y t o co n n e ct y o u w i t h o n e othese dev i ces fo r a day a t no cos t i f you ask us t o do so ! Then you can f i nd ou t fo r you rse l f t ht r e m e n d o u s p ow e r o f t h e se sym b o l s t h a t co n n ec t yo u w i t h t h e re a lm s o f c rea t i o n -e t ern a l ,con se qu e n t l y h o w m u ch m o re p o w e r f u l Ru n e s can p e r f o rm yo u r w o rk !

Here you w i l l f i nd exam p les o f Run i c cerem on ia l s fo r m any s i tua t i ons . Consequen t l y i t w i l l beasy fo r you t o dev i se specia l Run i c ce remon ia l s to hand le j us t abou t eve ry s i tua t i on .Precond i t i on i s na tu r a l l y tha t you h ave know ledge o f Run ic p rac t i ce .

Rune energ ies can be genera t ed w i th ease . Fu r t he rm ore , most peop le , even beg inners o fRun ic p rac t i ce , can actu a l l y feel these energ ies im m ed ia te l y . To be ab le to w ork w i th t h i sbook you do n o need a tho r ough k now ledge o f Runes. Prac t i ca l ly eve ry t h ing you n eed fo rsuccess is cont a ined her e.

Of course , s i nce the i nven t i on o f t he We lz Ch i Genera to r , i t i s poss ib le to add an enor m ousboost o f l i f e fo rce to Run ic ce remon ia l s . We inv i t e you to t es t the pow er o f t h i s dev i ce byge t t i ng an i nd i v i dua l t rans fe r o f energy f o r a few hour s . You can ask to connec t th i s t rans fe rw i t h a R u n e o f yo u r ch o ice. W i t h t h i s e x t ra o rd i n a ry t e s t yo u w i l l ce r t a i n l y h a ve a Ru n i ce xp e r i en ce, t h e p o w e r o f w h i ch yo u w i l l su rp r i se .


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Rune Ceremonial Basics

Wh at a r e th e Bas i cs?

To be successfu l w i th a Run ic ce rem on ia l you need to be fam i l i a r w i th i t s e lement s . There fo ryo u w i l l n e e d t o g a in kn o w l e dg e o f1 . the 18 s tanzas o f the " Mag ica l Poem" , each o f w h i ch i s the t r i gg er o f one Runes2 . Th e m a n t ra s o f e a ch R u n e . W h e n ch a n t i n g i t s m a n t ra , yo u ca n t r i g g e r t h e p o w e r o f t h eRune.3 . Th e B o d y p o st u r e s an d h a n d p o s i t i o n s o f t h e R u n es w i l l t r a n s f orm yo u r b o d y o r yo u r h a n d

i n t o a "w i n d o w " t h ro u g h w h i ch t h e Ru n i c en e rg y can f l o w f r o m t h e re al m s o f c rea t i o n i n t oyour se tu p . Aga in , you can i nc rease the pow er o f th i s f l ow w i th t he he lp o f the l i f e fo rceg e n e ra t o r !4 . The m ean ings o f the Runes tha t a re descr i p t i ons o f the c rea t i ve energ ies tha t connec t w i teach Rune and i t s e f fec ts . Th i s know ledge i s i nd i spensab le i f you w an t t o des ign e f fect i veRune ce remon ia l s tha t have t he e f fect t ha t you env i s i on .5 . Bas i c kn ow ledge o f cerem on ia l s i n genera l and o f Rune ce remon ia l s i n pa r t i cu la r .6 . The p roper g r ound ing p rocedures tha t a re necessary t o ge t r i d o f Rune energ ies af te r t hew o r k i s d on e7 . The mean ing o f t he e lem ents i n genera l and o f Thor ' s Ham m er i n pa r t i cu la r .8 . An u n d e rs t a n d i n g o f t h e f u n c t i o n o f t h e Ru n e re a lm s a n d m e t h o d s t o co n n e ct w i t h t h e m .

I n a d d i t i o n t o t h e a b o ve it w i l l b e u sef u l t o g a i n kn o w l e dg e o f1 . Exac t r un i c f requ enc ies ( sound p i t ches)2 . Runes and chakras3. The Runic zod iacs4 . Know ledge o f li f e energy and i t s re lat i on t o l i gh t energy5. Odin 's Rune Song.6 . A l i gn ing th e e lem ents ( see the course on cosmic consciousness)

You w i l l f i nd a l l o f th i s in t he Bas i c Rune course and o th e r pub l i ca t i ons on ou r w eb s ites .

Odin ' s Rune Song

I kn o w m ysel f h a n g in g o n t h e w i n d co l d t r e e f or n i n e i cy n i g h t s .Woun ded by t he spear , consecra ted to W odanI co n se cra t e d t o m yse lf .I w a s h a n g i n g o n t h e m i g h t y t r e e w h i ch co n ce al s m a nW h e re m a n g re w o u t o f i t s r o o t s.

Th e y o f f e re d m e n e i t h e r b re a d n o r w i n eSo I b e n t d o w n i n sea rch .

I r e cog n i zed t h e R u n e s; w a i li n g I g ra sp ed t h e m .Un t i l I s an k d o w n f r o m t h e t r e e.

N o w I b e g an t o i n cre a se , t o b e w i se ,To g ro w a n d t o f e e l w e l l .Fr o m t h e w o r d , w o r d g r e w a f t er w o r dAnd deed shaped to deeds w i th deeds .

N o w I k n o w t h e s on g s li k e n o w i s e o n e k n ow sA n d n o n e o f t h e ch i l d re n o f m e n .And shou ld these songs , o hum an ch i l d , be un - l ea rnab le to you fo r sheer end less t im e ;


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Gra sp t h e m a s yo u g et h o l d o f t h e m , u se t h e m a s yo u h e ar o f t h e m .H ai l yo u i f yo u re t a i n t h e m !

The Song o f Od in , the Mag ical Poem , the Rune Songs and t he s t r uc tu r es o f Run i c cerem on ia lcon ta in deep c ryp t i c and symb o l i c si gn i f i cance . The w r i te r s o f the songs and poem s used suclanguage to descr i be tha t w h i ch pe r ta ins to the rea lms o f the phys io -psych i c , them etaphys i ca l , t he hy per phy s i ca l , and th e t ranscenden ta l . They used r i t u a l to t r i ggerexper ience o f th i ngs tha t w ords canno t descr i be easi l y .

Od in ' s Rune Song and the e igh t een s tanzas o f t he Mag ica l Poem show c lea r l y t he i n i t i a t i on -o r i en ted con ten t o f the pow er fu l anc ien t t r ad i t i on o f th e Runes. They a lso con ta in k eys fo r thp rac t i ca l use o f t he Runes. Persona l exper i ence w i t h Runes w i l l g i ve you a l l t he ev idence thayou need to u nders tand th i s aspect o f t he e igh teen Sacred Fu t hork Runes.

I n t h e i r g ra p h i c r e p resen t a t i o n R u n e s are d e r i ve d f r o m t h e H e xa g o n w i t h t h e t h r e e in scr i b e dd iamet e rs . Th i s shape i s o f ten re fe r r ed to as "The Wor ld Crys t a l " . I n th i s shape the e igh teenNum ber o f the ru nes , becomes apparen t : e i gh teen su r faces o f th i s c rys ta l !

Sing ing Runes compares to s i ng ing m an t r as o f pow er . Once you s ing a Rune consc iousl y , yout u rn o n a sw i t ch t h a t g i ve s yo u a ccess t o t r a n sce n d en t a l e n e rg i es , w h e t h e r yo u w a n t t h i s t oh a p p en o r n o t . Sl o w l y t h e Ru n e s w i l l t h e n co m m u n i cat e t o yo u h o w t o m a n a g e a n d h o w t ouse the i r energ ies , p rov ided , o f course , th a t you a re ready t o accep t t he Runes and t oo ve rco m e t h e b o n d a g e o f yo u r se lf - i m p o se d l i m i t a t i o n s a n d t h e re s t r i c t i o n s of t h e w o r l d t r e e

W h e n I r e f e r t o R u n e s a s t r i g g e rs an d sa y t h a t t h e y co m m u n i cat e w i t h yo u , t h i s d e sc r i b eson l y a pa r t i a l aspec t o f the Runes. Whatever descr i p t i on o f Run i c pow er you ge t f r om suchprac t i ce , th i s i s no t a l l t ha t t he Runes a re . Runes a re w ay beyond m app ings ! There fo re i t i si r re levan t h ow you v iew Runes, wh e ther as energ ies , as sp i r i t u a l be ings , as gods , as man t rao r a l l o f t h i s . Ru n e s w i l l r e m a i n b e yo n d t h e a t t e m p t s t o d e scr i b e t h e m , b eyo n d w o rd s , b eyo nm app ings , bu t open t o d i rec t connec t i on w i th t hem on t he un -speakab le leve l s o f exper i ence

Every Rune connects w i th W or lds o f Crea t i on and Form at ion . There fo re , w henever youconnect w i th a Rune you may exp ec t ma t e r i a l ef fec ts tha t r e la te to the speci f i c Rune w i t hw h i ch yo u a re w o rk i n g . B e a w a re t h e n t h a t t h e m o s t p o w e r f u l m e t h o d s a re a ll t o o o f t e n a l sot h e s i m p l e st o n e s ! I n f a c t , m a n y o f t h e se p o w e r f u l m e t h o d s are o f a s i m p l i ci t y t h a t m o s tpeop le canno t compr ehend . Consequen t l y t hey p rac t i ce fo r years to m aste r tha t w h i ch theycou ld have maste red i n a mat te r o f w eeks , i f no t days ! The deepest m ys te r i es a re o f ten a l sothe eas ies t ones to pene t r a te , bu t th ey sel f -p ro t ec t aga ins t m isuse and p ro fana t i on .

The mag ica l poem

F AI k n o w t h e So n g s t h a t n o w i s e w o m a n k n o w sA n d n o n e o f t h e ch i l d re n o f m e n .The f i rs t Song is HELP, and he lp i t w i l lAga inst so r row , hu r t , and any d i st r ess.

U RA secon d I kn o w ; q u i t e u se f u l t o t h e ch i ld re n o f m e nWho p r ac t i ce the hea l i ng hand :I t chases d i sease and a l l pa in ,I t cu re s h u r t s a n d al l w o u n d s .


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T H O R NA t h i r d So n g I kn o w : I f u rg e n cy t e ll s m eTo t i e t h e o p p o n en t w i t h m a g i cTh e n I d u l l t h e s t e el o f m y f o e sSo t h a t t h e ir sw o rd s w i l l n o t cu t a n ym o re .

O SA f ou r t h So n g I k n o w : I f a n en e m y p u t s

A t i e o f p l i ab le l imbs;Then I speak t he spe l l , t he shack les b reak on t he fee tA n d t h e f e t t e r s b re a k o n t h e h a n d s.

R I TTh i s I kn o w a s a f i f t h : I f i n h o s t i l e f l i g h tA n ar ro w sh o o t s i n t o t h e cro w d ;N o t m a t t e r h o w i t t h re a t e n s , I b l o ck i t s f o r ceB y g ra sp i n g i t t i g h t l y w i t h t h e l o o k o f m y e ye s.

K A

A si x t h o n i s m i n e : Sh o u l d a w a r r i o r h u r t m eW i t h t h e ro o t s o f so f t w o o d ;Th i s w a r r i o r w h o a w a k e n s t h e h at e w i t h i n m eSha l l be st r uck be fo re i t g e ts m e.

H A G A LA se ven t h I kn o w : I f t h e h a l l b la ze s h ig h i n f l a m e sAbove a l l t he peop le ;N o m a t t e r h o w i t b u rn s , I s t i l l sa ve t h e m a l l .Th e Ma g i c I kn o w t o p e r f o rm .

N O DAn e igh th one i s m ine : qu i te use fu l to hearFor a l l t he peop le i n danger and need .W h e re h a t e sh o u l d ar i se be t w e en m a n a n d m a nI set t l e i t f a s t .

I SA n i n t h o n e I k n o w : I d a n g e r i s o u t i n t h e seaTo p ro t ec t my d ear sh ipI co n j u re t h e w i n d o n t h e b i l lo w i n g f l oo d sA n I s i n g i n t o s lu m b e r t h e se a.

A RA t e n t h o n e I kn o w : W h e n i ll w i sh i n g sp ir i t sFl y h i g h i n t h e a i r ; I cau se t h e m t o t u rn a ro u n dBack t o the i r hom es, depr i ved o f th e i r covers ;B ack t o t h e i r r o o t s , b ew i l d ere d t h e i r m i n d s .

S I GTh i s I kn o w a s el eve n t h : Th e n I L ea dI n t o b a t t l e t h e f r i e n d , t h e b e l o ved ;I s in g i t i n t o h i s sh i e ld , so h e w i l l w i n i n b a t t l eA n d lu ck a ro u n d h i m e ve ryw h e re .


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T Y RA t w e l f t h o n e I k n o w : I f I s ee t h e h an g ed m a nOn t h e t r e e , sh a k i n g i n t h e w i n dThen I scra tch and I s ta in RunesTh e w a r r i o r ca n t a l k a n d d e sce n d s f r o m t h e t r e e .

B A R

A t h ir t e e n t h I n a m e : I f I w e t t h e So nW i t h h o l y w a t erWhen h e i s facing t he foes he canno t pe r i shA n d n o b l a d e can s t r i ke h i m i n t o t h e d u s t .

L A FA fou r teen t h I s i ng to a l l t he assemb led peop leW h e n I n a m e t h e D i v i n e n am e s;For nobody know s the characte rs o f A lbsAnd o f a l l Aesi r as w e l l as I do .

M A NA f i f t e en t h I co u n t : Th a t w h i ch V o lk ra s t , t h e g n o m eSang by t he ga tes o f the day ;To st r eng th f o r t he Aesi r , and to fo rce fo r t he A lbs ,And to c l ear m y ow n senses .

Y RA si x t e en t h I k n o w :I f f r o m w i se m a i d en I d e si r e j o y o f lo veTh e n I ch an g e t h e i n t e n t o f t h e m a i d enA n d I t u r n h e r f e el i n g aro u n d .

E HA se v en t e en t h I k n o w :To j o i n t o g e t h e r t w o l i vesI n l o v e t h r o u g h w i se l aw ;B ot h a re w i l li n g , an d n o o n e w i l l li g h t l y p a r t a f t e r t h i s .

G I B O RA n ei g h t e e n t h I l ea rn e d , b u t I w o u l d n o t l et t h i sKnow a j us t anyon e e lse ; fo r t he bes t Everyon e keeps fo r h im se lf .Tha t w h i ch l eads to the end o f th e songs .Th e o n e o n ly kn o w s w h o i s in m y a rm s a s m y o n l y l o ve r .

Obv ious ly th e na tu re o f th ese e igh teen s tanzas i s such tha t the s tud en t w ho can readb e t w e en t h e l in e s w i l l n o t i ce im m e d ia t e l y t h a t b o o ks co u l d b e w r i t t e n a b o u t t h e h i d d e n ,eso te r i c , m ean ings o f the s tanzas . To gain a tho r ough un ders tand ing o f these 18 Runestanzas, you need to open up t o th e i r sym bo l i c messages p lus the i r evoca t i ve m ean ings . Th iopen ing up w i l l happen na tu ra l l y as you con t i nue p rac t i c i ng Runes and the m ore you p rac t i cthe m ore these deep sym bo l i c m ean ings w i l l revea l them se lves to you .


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Access Keyw ords , m ean ings and co r r e lat i ons o f Runes .

Note : Be su re to read , med i ta t e , re - read , re -m ed i ta te th ese m ean ings and key w ords severat im es. As you tu ne i n to the Runes t im e and aga in , con t i nuou s l y new ins igh t s w i l l open up toyou and your pow er to hand le c rea t i ve energ ies w i l l inc rease!

The Run e FA

FA i s the Rune o f o r i g i na l f i re . I t i s a Rune tha t sym bo l i zes the cosmos and t he un i ve r se . FAsym b o l i ze s f ir e t h a t a ct s c re at i ve l y i n l o ve. I t i s w i l l t h a t sp arks m a n i f es t a t i o n d o w n t o t h em ate r i a l l eve l s. FA i s one o f the Runes tha t r u les the Sa lamanders , sp i r i t s o f th e f i re e lementI t sym bo l i zes change f rom w i th in t he c rea t i ve l eve l s and sp i r i t ua l c rea t i on . FA rep resen t s thPhoen ix t ha t r i ses f rom i t s ashes. I t r ep resen ts sp i r i t ua l c rea t i on , Fa te , and D iv ine Law . FA i sa Rune o f fa te , o f mob i l i t y , and o f w ea l th . I t i s said to connec t w i th t he Norse god Freyr and connec ts eas i l y w i th t he Rune KA.

Uses of FA:You can use FA to a t t rac t and absorb So la r and Lunar energ y as w e l l as the energ ies o f th e

p lane ts and f i xed s ta rs . Prac t i ce th i s absorp t i on o f energy w i th t he body pos tu re o f FA .

FA a l so s t reng t hens the pe rsona l m agne t i sm . On t he e the r i c p lanes i t sym bo l i zes the e lec t r i cf l u i d . Prac t i ce o f FA s t reng th ens the pe rsona l magne t i sm and the sp i r i t u a l pow ers tha t y oupro j ec t i n to your env i ronm ent . I t i s usefu l a t th e beg inn ing o f psych i c hea l i ng . Use FA toincrease wea l th !

FA i s one o f th e Runes tha t you use to t rans fe r energ ies . I t i s he lp fu l i n your p rac t i ce to un fothe o r i g i na l f i re .

T im e o f the Year : December 22 t h rou gh January 12 .

Runic Zod iac o f 18: 0 degr ees Capr icor n to 2 0 degr ees Capr icor n .No te : The co r re la t i on w i th t he degrees in th e zod iac i s an a f f i n i t y no t an ex ac tsuper im pos i t i on . Th i s means tha t t he ast r o log i cal zod iac may have i t s beg inn ing anyw here ith e Run ic zod iac. The Runic zod iac has 18 Runic m ont hs o f 20 degr ees each.

N u m b e r : 1

M an t r a : f f f f f f f f f ( v i su al i ze f i r e o r a b r i g h t r e d a n d f l a m i n g Fa sym b o l ) .No te : Pu t t he emph as i s on th e f -sound ! some peop le make th e m is tak e to chan t faaaaaaaaaa

w i t h h a rd l y an d " f " a t t h e b eg i n n i n g . Ch a n t : f f f f f f f f f f f f a aa (m u ch m o re " f " t h a n " a " ! )

The Rune UR

UR i s the Rune o f o r i g i na l cause, o r roo t -causes , o f cosmic and p lane ta ry even ts . I t i s t heRune o f o r i g i na l t ime a t th e th resho ld o f c reat i on , o r i g i na l ete rn i t y and roo t s o f e te rn i t y : T imles t ime w here space- t im e l oses i t s re levancy . UR connects w i th cause o f causes , w i t h o r i g i nc re at i o n , w i t h o r i g i n al i m m o r t a l i t y , an d w i t h o r i g i n a l la w o f v i b ra t i o n .

UR i s the th r esho ld o f crea t i on t ha t FA energ i zes w i th i t s impu lse . I t i s c reat i on fo r w h i ch


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crea ted de i t i es ( o r , even mor e r i d i cu lous , an th r opom orph i c co l l ec t i ve eg regors o f re l i g i ons -assum ed gaseous m amm als above the c louds) t ake undeserved cred i t . I t i s o r i g i na lkn o w l e d g e .

Mytho log i ca l l y speak ing t he roo t s o f the w or ld t ree , Yggdr as il , reach i n to t he Rune UR. I t i she re w here the t r ee Norns , goddesses o f fa te and des t i ny , a re sp inn ing t he th r eads o f th ew e b o f t i m e t h a t d e t e rm i n e s t h e f a t e s o f h u m a n s an d o f g o d s . H e re t h e f o u n t a in o f w i sdo m ir u n n i n g t o w h i ch d ep t h s t h e g o d s ( t h i n k h e re a l so o f t h e g o d s w i t h i n ! ) " d e scen d " t o g a i nkn o w l e d g e a n d w i sd o m .

Uses: From UR i s com ing fo r th con t i nuou s l y new ex i s tence . On the e th e r i c l eve ls i t rep r esen tthe h ea l ing Orgone energ y , l i f e fo rce , and i t s s t ruc t u ra l l i nk ages and m ag ical uses . UR opensc lai r -aud ience . Wor k w i th UR increases your capab i l i t y to r ecogn i ze the t r ue o r i g i n , o r roo t , the un i ve rse and the t r ue causes o f eve ry t h ing . Prac t i ce o f UR s t reng t hens your h ea l ingenerg ies.

Ti m e o f t h e ye a r : Ja n u a ry 1 3 t h ro u g h Fe b ru a ry 3

Run ic Zod iac o f 18 : 20 degrees Capr i co rn t o 10 degrees Aquar ius .

N u m b e r : 2

Mant ra : oo - oo - oo - oo r r r r . Em phas i s on t he oo -sound !

The Run e THORN

THORN i s the Rune o f ac t i v i t y and o f t he ac t i ve m ind . I n t h i s capac i t y , the Rune THORN i ssym bo l i zed as the Rune o f the m aste r o f the sw ords . I t i s a Rune o f ac t i ve exchange and oneo f t h e R u n e s t h a t r e p re sen t Th or ' s H a m m e r .

THORN i s a Rune o f p o la r i t i es . Wh i l e FA i s the spark o f c rea t i on and o r i g i na l s t ru c tu re , URconnects w i th t he chaos a t t he th r esho ld o f crea t i on , THORN sym bo l i zes the emer g ing o foppos i te po la r i t i es f rom th e ze ro po in t energy o f chaos as i t ga ins i t s f i r s t s t ruc t u re . From threa lm o f oppos i te po la r i t i es THORN reaches m uch deeper i n to m u l t i p l e po la r i t i es o f an i n f i n i to rd e r .

As Rune o f oppos ing po la r i t i es THORN represen ts l i f e and dea th , ho t and co ld , l i gh t anddarkn ess, etc . I t i s a Rune o f oppos i tes tha t ac tua l l y a re po la r i t i es o f one and t he sameprocess. There fo re THORN i s a l so a ru ne o f e t e rna l re t u rn and as such con ta ins i n i t se l f t hem yste ry o f t he tho r n th a t aw akens f rom s leep . The THORN tha t t ouches the zero energy o fchaos b r i ngs fo r t h con t i nuous c rea t i on .

THORN i s the Rune o f the dow s ing rod , o f li gh tn ing and thu nder , o f magn e t i c t rans fe r and o fm e n t a l t e l ep a t h y .

THORN aw akens i n us the w i l l t o ac t and to c rea t i ve l y ac t upon ou r un i ve rse . I t h e lps us ge t t o u ch w i t h t h e con t i n u o u s ch a n g e of d a y a n d n i g h t , w a n i n g a n d w a x i n g , li f e an d d e a t h .THORN pro tect s us aga inst a t tack s, especia l l y magica l a t t acks. The m ant ra o f THORNs t re n g t h e n s t h e a u ra .

Ti m e o f t h e ye a r : Fe b ru a ry 4 t h ro u g h 2 5


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N u m b e r : 3M an t r a : t h - t h - t h - t h - t h - o - o - o- o - r - r - r - n - n - n

The Rune OS

OS i s the Rune o f th e fou r t h e lement w h i ch i s th e e lement o f conscious man i fes ta t i on . I t i s aRune o f Od ic energy ( Ch i , Orgone) th a t f r ees us f rom th e bondage o f the pe rce i ved mat e r i a lw o r l d .

Being t he Rune o f conscious m an i fes ta t i on i t can g i ve us s t r ong m ag ical pow ers . OS teachesus to recogn i ze the l aw s tha t gov ern t he m ag ica l un i ve rse and the m ag ical hyper spaces. Fou= comp le t i on : Thes i s - an t i th es is - energe t i c exchange - syn t hes i s w h i ch i s th e " t hes i s" o f thn e x t f o l l o w i n g syst e m .

You can use OS to enhance the g r ow th o f your sp i r i t ua l pow ers . You may use OS a l so to d rawpow er fu l as t ra l and m enta l energ ies and t o m aneuver l i f e fo rce (od , ch i , o rgon e , m ana , . .. )

Ti m e o f t h e ye a r : Fe b ru a ry 2 6 t h ro u g h M a rch 2 0N u m b e r : 4

Mant ra : o -o -o -o -o -o -s -s -s -s -s -so -o -o -o - t h - t h - t h - t h -e e -e e -e e - l - l - l - lo -o -o -o -d -d -d -d -a -a -a -a - l - l - l - l

THE RUNE R I T

RI TA = r i g h t . RI T is t h e Ru n e o f o r i g i n a l la w , o f D iv i n e l aw . I t co n n e ct s w i t h t h e p o w e rs o f aj u st i ce. RI T sig n i f ies t r u e r e l ig ion , in n er st r en g t h , an d r i t u al . I t is t h e Ru n e o f t h e cosm icrh y t h m o f t h e w o r l d s . RI T sym b o l i ze s m o ve m e n t , r o t a t i o n , w h e el s , a n d sp ir a l i n g d e vel o p m eand un fo ld ing . I t i s the Rune o f th e ro l l i ng Sun-w hee l , o f rhy thm ic and o f th e dance o f l ivesand l i f e t imes.

U se s: RI T al l ow s yo u t o t u n e i n t o t h e rh y t h m s o f t h e w o r l d s , i n t o t h e rh y t h m s o f yo u r o w nu n i ve rses a n d t h e u n i ve rses o f o t h e rs . I t a w a ke n s h i gh e r p o w e rs . I t s t r e n g t h e n s i n n ergu idance and deep i ns igh t s . I t i nc reases exper ience o f r i t ua l . RI T d i rec ts though ts tow ardsi n n e r g u i d a n ce . I t s t r e n g t h e n s yo u r p o w e r o f v i su a li zat i o n a n d a s su ch i t t e a ch e s yo u h o w t oes tab l i sh and ma in t a in psych i c l i nks w i th any ta rg e t : pe rson , an im a l , p l an t , i nan imate m at t et r ends , " sp i r i t s " , gods , . .. any t h ing you l i ke to connec t w i th .

Ti m e o f t h e ye a r : Ma rch 2 1 t h r o u g h A p r i l 1 2 .

N u m b e r : 5

M an t r a : r r r r r r , r r r r i i i it

THE RUNE K A

KA is a sexua l Rune . I t i s th e Rune o f capab i l i t y and pow er , the Rune o f th e occu l t i s t , and o fh i g h e r m ys t e r i es .

Uses: L ike THORN, KA is a Run e o f pro tect ion aga inst m agica l a t t acks. KA g ives in t u i t ion ,

0


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i nsp i ra t i on , and it connec ts w i th th e un i ve rse . KA connects w i th h igher po la r i t y . I t i nc reasescourage .

Ti m e o f t h e ye a r : Ap r i l 1 3 t h ro u g h M a y 5 .

N u m b e r : 6

M an t r a : k - k - k - k -a a a a.

THE RUNE HAGAL

Fi re re fe rs he re to " th e f i re o f th i rs t . " HAG-ALL = take ca re o f the un i ve rse . I t con ta ins thesym bo l i sm o f t he om n ip resen t and a l l -pene t r a t i ng c rea t i ve energy . HAGAL i s the sym bo l i smof the bu i l de r -a rch i t ec t o f the w or lds . The seven is the rhy t hm o f the So la r Sys tem . I tconnec ts w i t h Venus-en t i t i es (Venus = 7 ) , wh o c rea te the w or ld i n an e te rna l NOW. HAGAL ithe Rune o f the w or ld t r ee , o f the w or ld , o f the t r ee o f l i f e . I t i s a comb ina t i on o f MAN and YNOD and EH. HAGAL i s ma in t enance and equ i l i b r i um o f t he m ov ing u n i ve rse . I t i s th e Rune othe zod iac , and m other o f a l l Runes tha t s i gn i f i es con t i nuou s change . HAGAL leads to th esp ir i t u a l l e ad e r . I n t h e m i cro co sm i t r e p re sen t s m a n , in t h e m a cro co sm i t r e p re sen t s t h e

un i ve rse .

Uses : HAGAL g i ves p ro tec t i on and harm ony. I t se rves as th e so l i d po in t w i th in t he f l i gh t o fp h e n o m e n a . I t e l i m i n a t e s t h e b u rn i n g t h i r s t f o r t h i n g s t h a t a re n o t i m p o r t a n t i n l if e . I tp rov ides consc iousness o f Oneness w i t h the D iv ine . I t b r i n gs sp i r i t u a l power s and w isdom. Ii nc reases the func t i ons o f th e p inea l g land and o f th e so lar p lexu s .

Ti m e o f t h e ye a r : Ma y 6 t h ro u g h M a y 2 8 .

N u m b e r : 7

Mant ra : hag-a l l

The Rune N O D

NOD i s th e Rune o f ka r m a. I n th e Nor the r n t rad i t i on , NOD i s the Rune o f t he Norn , goddess odes t i ny . I t i s the Rune o f ka rm ic deb ts ( th e Norn SKULD) , o f ka rm ic law , o f ka rm ic need . NOs ign i f i es D i v ine j us t i ce tha t b a lances . " Ha te " i n th e song re fe rs to un r eso lved ka r m a. Nodhe lps to m aste r your k a rm a af te r y ou have accep ted i t and recogn i zed i t as a s t ru c tu r i n gprocess ra th e r th an the p r im i t i ve assum pt ion o f cause-e f fec t . NOD sym bo l i zes the appearanco u t o f t h e i n f i n i t e, o u t o f t h e u n d e f i n ed . I t co n n e ct s w i t h t h e D iv i n e t h a t m a n i f es t s i t sel f

w i t h i n t h e f i n i t e u n i ve rse , f o r " a g o d w h o d o e s n o m a n i f e st i t se l f i s d e a d" ( Fe u erb a ch ) .

Uses : NOD m akes you aw are o f your k a rm ic deb ts and i t he lps d i sso l ve ka rm a. I t l eads tot r u t h and f i t t i ng i n to t he cosm ic o rder , o r th e D iv ine Plan . NOD br i ngs th e p ro tec t i on o f h ighsp i r i t ua l en t i t i es o f ou r So la r Sys tem . Use your k a rm a and l i ve i t consc ious l y . The em phas i shere i s on " use" . W i th NOD you can recogn i ze th a t ka rm a i s a s t ruc tu r i ng p r ocess ra th e r thas t r i ct ca u se-e f f ec t a n d t h a t t h e p o s t u l a t e ( " l a w " ) o f cau se-e f f e ct i s n o t h i n g b u t a h u m a nfa l l acy ! Especia l l y w i t h th e p rac t i ce o f NOD w i l l you ga in the i ns igh t o f j us t h ow pow er fu lw ork w i th t he crea t i ve l eve l s ( Runes) can be , espec ial l y w hen i t comes to the sh i f t i ng o fd i m e n s i on s o f t i m e !

1


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Ti m e o f t h e ye a r : Ma y 2 9 t h ro u g h Ju n e 2 0 .

N u m b e r : 8

M an t r a : n n n n n n n n , n n n n o o o o o d d d d d , ae p an d i n a m .

The Rune I S

Rune o f the ego , o f se l f -d i sc ip l i ne , o f d i scip l i ne . I S i s the Rune o f t he pe rsona l i t y , o f t hem ag ical pow ers o f se l f -consciousness. I t sym bo l i zes w i l l , ac t i on , power , and persona l i t y . I Sre fe rs to t he ego i n the m ic rocosm , the ONEness th a t connec ts every th ing c rea ted to ONE. I ti s ete rn a l D iv ine Love w i t h in t ha t t ranscends the l ow er ego . The Rune o f comp le t i on . Theu n i corn , t h e m a g i c w a n d , t h e n u m b e r o f t h e M o o n .

U se s: I S st r e n g t h e n s t h e p e rson a l it y ( sh i p ) b y cal m i n g e m o t i o n a l ly ch a rg e d t h o u g h t s ( t h ew i n d o n t h e b i l lo w i n g f l o o d s) , co n t ro l s t h o u g h t s . I S p ro cu re s p sych i c po w e rs t h ro u g h sel f -d i scip l i ne and th rou gh e l im ina t i on o f th a t w h i ch i s unnecessary . I S l eads to D i v ine Mag ic.

Ti m e o f t h e ye a r : Ju n e 2 1 t h ro u g h Ju l y 1 4 .

N u m b e r : 9

Mantra: i i i i i isssssss, i i i isssssi i i issss.

The Run e AR

Rune o f t he L igh t , o f the Sun . W isdom , beau ty , v i r tue , t r us t , honor , fam e. Rune o f t he i n i t i a teSym bo l i sm o f the So la r ch i ld tha t r e tu r ns hom e f rom dar kness . Rune o f the exp lo re r .

Uses : AR a l l ow s con t r o l o f subconscious thoug h t p a t t e rns and recogn i zes the i r po in t o f o r i g io r roo t s (m ed i ta te on t he s tanza ! ) . AR i s the Rune o f re f r amin g , o f re -assign ing subconsc iout r ends and ac t i v i t i es , o r usua l l y subconsc ious pa r t s o f t he pe rsona l i t y . AR can cause changef rom w i th in . You can use AR as a Rune o f ce r ta in ty tha t d i ssol ves doub ts . AR at t rac ts So la rp rana .

Ti m e o f t h e ye a r : Ju l y 1 5 t h ro u g h A u g u s t 7 .

N u m b e r : 1 0

Mant ra : aaaaaaaaaar r r r r r , r r r r raaaaaaaa

The Run e SI G

SI G i s the Rune o f t he l i gh t , t he Rune o f th e Sun , th e Rune o f v i c to ry , success , and o f goodluck . I t i s the So la r Ligh t i n sp i r i t ua l con tem p la t i on . I t sym bo l i zes the pa th " f rom God to Godthe pa t h o f t he sou l . Rune o f t he sp i r i t ua l ray , o f i nsp i ra t i on .

Uses : SI G b r i ngs success , ove rcom es mate r i a l l im i ta t i ons , inc reases pow er o f t he sp i r i t . I tg i ves kn ow ledge , w i sdom, i l lum ina t i on . I t i nc reases the pow er o f v i sua li za t i on , and psych i c

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Rune Meanings

p o w e rs .

Ti m e o f t h e ye a r : Au g u s t 8 t h ro u g h A u g u s t 3 0 .

N u m b e r : 1 1

Mant ra: ssssssssssss, ssssssssi i i i i i ig , s ig - s ig

The Run e TYR

Ru n e o f t h e g o d o f t h e sw o r d s . Ru n e o f t h e g o d (d e ss) w h o sa cr i f i ce s h i m / h e rsel f , ce r t a i n o fresu r r ec t i on . Rune o f i n i t i a t i on , o f re incarna t i on , o f be ing bo rn aga in .

Uses : Hamm er o f Thor . TYR he lps overcome th e mat e r i a l w or l d , the fea r o f m a te r i a l dea th .B r i ngs v i c to ry o f sp i r i t ove r m at t e r . Helps the reca l li ng o f pas t l i ves .

Ti m e o f t h e ye a r : Au g u s t 3 1 t h ro u g h S ep t e m b e r 2 2 .

N u m b e r : 1 2

Cor r e la t i on w i th th e Taro t : 12 ca rd , The Hanged Man. Od in ' s Song ( o f i n i t i a t i on ) : I kn ow howI hanged on t he w ind co ld t ree fo r n ine i cy n igh t s , w ounded by t he spear , . . . . . A shaman icm o t i f o f t h e d y i n g a n d re su r re c t i n g g o d , f ou n d i n m o s t r e l i g io n s .

M an t r a : t - t - t - t - t y y y y y y r r r r r

The Rune BAR

Rune o f reve la t i on , Rune o f b i r t h o f th e sp i r i t . Rune o f b ir t h , o f sp i r i t u a l reb i r th . Re tu r n to t hMothers , to t he emp i re o f HEL. L i fe, hopes , w i shes. Rune o f con t i nuous t rans fo rm at i on , dea tha n d re b i r t h .

Uses : Deve lopm ent o f h igh er sp i r i t ua l , my s t i ca l and psych i c capab i l i t i es . Lead to i nnerf reedom and ou te r i nd ependence. He lps b i r t h , sp i r i t u a l b i r th .

Ti m e o f t h e ye a r : Se p t e m b e r 2 3 t h ro u g h Oct o b e r 1 5 .

N u m b e r : 1 3Co r re l a t i on w i t h Ta ro t : 1 3 t h ca rd : D e at h - T ra n s f orm a t i o n - M et a m o rp h o s is .

M an t r a : b - b -b -b -b a a aa a ar r r r r r

The Rune LAF

The anc ien ts used the m yt ho log i ca l m e thod t o ta l k o f t ha t w h i ch i s psycho log i cal , psych i c , ansp i r i t ua l . LAF i s the Rune o f l i f e , o f th e l aw o f l i f e , o f the o r i g i na l l aw s o f th e un i ve rse , o f theor i g ina l w a te rs . Rune o f t he sea. Rune o f t he e the r i c pa r t o f the body . Rune o f i n i t i a t i on tha texper iences li f e on ea r th as a con t i n uous p rocess o f i n i t i a t i on .

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Rune Meanings

Uses: LAF b r i ngs u nders tand in g o f th e l i f e p rocesses , o f t ru e re l i g i on .

Ti m e o f t h e ye a r : Oc t o b er 1 6 t h ro u g h N o ve m b e r 7 .

N u m b e r : 1 4

Cor r e la t i on w i th t he Taro t : The 14 th ca rd o f t he Taro t : Temperance .

Mant ra : l l l l l l l l l aaaaaaaf f f f f f

The Run e MAN

M AN i s sym b o l ism o f m a n , o f m a n k i n d , o f h u m a n i t y , o f t h e re su r re c t e d g o d . I t s ig n i f i es t h eupper pa r t o f the w or ld t r ee Yggdras i l. Rune o f sp i r i t ua l pow ers , o f d i rec t i ng Mana pow ers .

Uses : MAN leads to D i v ine Mag ic and un f o ld ing o f l i f e ( see Sym bo l o f Man) . I t p r o tec ts aga inenemies . MAN increases and s t reng t hens the au ra . I t opens the m yste r i es o f M I MI R, the

m yste r i es o f o r i g i na l mem or ies , o r o f roo t -m emor ies. Use fo r l ev i ta t i on , eleva t i on , reach ing ithe spheres o f the D iv ine .

Ti m e o f t h e ye a r : N o vem b e r 8 t h r o u g h N o ve m b e r 2 9N u m b e r : 1 5Cor r e la t i on w i th t he Taro t : 15 th ca rd : The Dev i l .

M an t r a : m m m m m m a a aa aa aa n n n n n n , a ao o ou u u m m m m m m m m m a a an n n i ii p a ad m m m m e ee eh u u u m m m m m m

The Rune YR

Rune o f the un io my st i ca ( m ys t i ca l un ion , samadh i ) . Des i re fo r com p le t i on , and per fect i on .Rune o f the n igh t and o f the Moon . Rune o f ka rm a and o f ka rm ic tests . The coun te rpar t o fM AN , t h e g o d w i t h a n t l e r s . Ro o t s o f t h e w o r l d t r e e , f r o m w h i ch l i f e sp r i n g s ( " t h e m i g h t y t r e ew h i ch co n cea l s m a n , w h e re m a n g re w f r o m t h e ro o t s . . ." ) Go d in t h e w a t e rs at t h e w i n t e rso l st i ce . God descend ing t o th e m ate r i a l w or l d .

Uses : YR overcomes i l lus ion o f t he m ate r i a l w or l d , w h i ch i s o f ten a pa in fu l p r ocess b r i ng ingrad i ca l changes, and a sudden over tu rn ing o f a f fa i rs . Overcom es the i l l us ions o f neur o -semant i c env i ronm ents . I t recogn i zes m app ings as mapp ings .

Ti m e o f t h e ye a r : N ove m b e r 3 0 t h ro u g h D ecem b e r 2 1 .

N u m b e r : 1 6

Cor r e la t i on w i th t he Taro t : The 16 th ca rd : The Ci tade l , Li gh tn ing .

M an t r a : y y y y y y y y r r r r r r

The Run e EH

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Rune Meanings

Rune o f cosm ic un ion tha t t ranscends the 16 Runes o f the zod iac, o r the oc tagon w i th i t spo la r i t i es . I t i s th e Rune o f i dea l l ove , o f tw in sou l s , o f sou l m a tes . Tw o i n one , Sou l andcosm ic . God and hu m an.

Uses : Connects tw o l i ves, b r i ngs f rom th e Tw o to t he One . He lps f i nd t he sou l ma t e . B r i ngstoge t her sou l t w ins . Br i ngs success and i nc rease .

N u m b e r : 1 7No connect i on w i th th e year , re fe r r i ng t o po la r i t i es un i f i ed . Al so no connect i on w i th t he Taro

Mant ra : eeeeeeeeeeeeeeeeh

The Run e GI BOR

Rune o f t he w hee l o f l if e , o f un ion o f th e god and the w or ld , o f Crea to r and Crea ted .

Uses : GI BOR harmon izes the r e la t i ons o f tw in sou l s , un i f i es the energ ies o f th e I and YOU in

cosm ic con tex t , bo th reach ing i n to th e com m on un i ve r se , i n a t rue cosmic w edd ing . Leads tocosm ic consc iousness , v i s i on o f God , un io m yst i ca , the deepest m ys te r i es o f t he un i v e rse .

N u m b e r : 1 8

GI BOR has no re la t i on to any pa r t o f th e zod iac , bu t i t i s Sym bo l i sm o f w ho leness. Li kew ise,the r e i s no co r re la t i on to any s ing le card o f t he ta ro t .

Man t ra : gg i i i bbboooor r r r

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une magick positions

Arm anen Run es - - Post u r es

Co p y r i g h t 1 9 8 5 -1 9 9 8 b y K ar l H a n s W e lzAl l r i gh t s rese rved . Th i s course m ay no t be rep rod uced as a w ho le o r i n pa r t , t ransm i t t ed , o

u t i l i zed i n any fo rm by any m eans, e lect r on i c , pho t ograph i c , o r m echan ica l , i nc lud ingp h o t o co p y in g , r e co rd i n g , o r b y a n y i n f o rm a t i o n s t o ra g e an d re t r i e val sys t em , w i t h o u t p r i o r

p e rm i ss io n i n w r i t i n g b y t h e a u t h o r .Publ ished by Magi t ech Press P.O. Box 1 298 , Woodst ock, GA 3018 8

BODY POSTURES AND HAN D POSI TI ONS OF RUNES

By Kar l Hans We lzGran d Rune Mast er , The Kn igh t s o f Run es

I n ve n to r o f t h e Ch i Ge n era to r , a g en e ra to r o f Od ( l i f e f o r ce ) , O rg o n i t e , e tw w w . ru n e m a g i ck . co m , w w w . ru n e ra d i o n i cs . co m , w w w . m a g i t e ch . co m

As you kn ow by now , Runes can be v iew ed as shape-v ib ra t i ons . I n o the r w ords , spec if i cshapes can t r i gger the i r energ ies .Shapes, i n th i s respec t , are to be un ders tood i n a ve ry genera l w ay . The f i r s t t h i ng w h ichcom e s in t o t h e m i n d w h e n w e t a l k a b o u t sh a p e s, i s n o d o u b t t h e g ra p h i c o u t l in e o f a R u n e.Ano ther shape i s the m an t r a , wh i ch i s a shape o f sound . As you w i l l l ea rn soon , Man t ras canbe sung i n m any va r i a t i ons , w h i ch he lps you exper ience the va r i ous shades o f Run ic energ ieSim i l a r l y , you can add the shapes o f " co lo r " t o the Run ic sym bo l , o r env i ron m ents .

I n t h e a b o ve , w e sh o w e d yo u t w o e x t re m e s of sh a p es : f ir s t t h e g ra p h i c o u t l i n e , t h e n t h e

sound . Those shapes may be comb ined , o f course , w h i ch adds to the po t en t i a l s o f your Run icp rac t i ce .

One rea lm o f shapes , w h i ch i s c l ose l y connected w i th , o f ten de r i ved f r om , the g raph i c ou t l i no f Runes, are hand-and body pos i t i ons o f Runes. When pos ing t hose , someth ing f rom thepure l y g r aph i c ou t l i ne i s l os t , no doub t . How ever , if you cons ide r the conduc t i v i t y o f energy the hum an body , then m uch i s ga ined . Hand and body pos it i ons add ex t rem e ly va luab led im ens ions to you r Run ic p rac t i ce . Especia l l y w hen t hose pos i t i ons a re p rac t i ced i n aceremon ia l se t -up , by severa l pe rsons , each per son perhaps r ep resen t i ng on e speci f i c Rune ,

o r severa l pe rsons fo rm ing one s ing le Rune .

On th i s w eb s ite I am show ing you t he bas ic hand and body pos i t i ons o f Runes.

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THE RUNE FA

BODYPOSI TI ON: Stand ing u p r i gh t , fee t toge th er , bo th a rm s po in t i ng upw ard i n an ang le o fa p p ro x i m a t e l y 3 0 d e g re es f r o m h o r i zo n t a l li n e . L ef t a rm s l ig h t l y h i g h e r t h a n r i g h t a rm . Bo t hp a lm s p o in t f o rw a rd , d ra w i n g e n erg y .H AN D POSI TI ON : L ef t a rm s t ra i g h t u p . Th u m b a n d r i n g f i n g e r t o f o rm " FA " , l e an i n g f o rw a rd .Ot h e r f i n g e rs p o in t u p w a rd

THE RUNE UR

BODYPOSI TI ON: Bend ing over , a rm s and t i ps o f f i ngers po in t i ng t o the g r ound .H AN D POSI TI ON : L ef t h a n d ( p ra c t i ce w i t h t h e r i g h t a s w e l l ) 1 . Fo rm a U -sh a p e w i t h yo u rf i n g e rs, o p en e n d o f " U " p o i n t i n g d o w n w a rd . Ha n d a p p ro x . 8 i n ch e s f r o m e ye s. 2 . Th u m b a n dindex f i nger shape UR dow nw ard . Oth er f i ngers po in t i n same d i rec t i on as i ndex f i nger .

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THE RUNE THORN

BODYPOSI TI ON: Stand ing up r i gh t , fee t toge t her , l e f t a rm ang led , hand on h ip , pa lm tou chesh ipbone . HANDPOSI TI ON: The t i ps o f thu m b and r i ng f i nger o f t he l e f t hand tou ch each o theOt h e r f i n g e rs p o i n t i n g u p w a rd .

THE RUNE OS

BODYPOSI TI ON: Stand ing up r i gh t , l e f t l eg l i f t ed , po in t i ng fo rw ard , t i ps o f toes po in t i ngd o w n w a rd , l e f t a rm p a ra l l el w i t h l e f t l eg .HANDPOSI TI ON: Thum b and i ndex f i ng ers o f the l i f t h and fo rm c i rc l e.

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THE RUNE OTHI L ( Var ia t ion of OS)

BODYPOSI TI ON: Hands above head , pa lms touch ing each o the r , l egs apar t .HANDPOSI TI ON: Thum bs and i ndex f i ngers fo r m th e shape o f OTHI L , o the r f i ngers tou ch .Pract ice on so lar p lexu s.

THE RUNE RI T

BODYPOSI TI ON: Stand ing up r i gh t , l e f t a r m a t ang le ( l i ke THORN) , l e f t l eg l i f t ed .H AN D POSI TI ON : L ef t a rm u p r i g h t , l e f t i n d e x f i n g e r a n d t h u m b t o u ch o n t h e t i p s, o t h e r f i n g ep o i n t d o w n w a rd , p ara l l el t o p a l m .

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THE RUNE KA

B OD YPOSI TI ON: St a n d i n g u p r i g h t , b o t h a rm s p o i n t u p w a rd , p a lm s p o i n t d o w n w a rd . H an d st o u ch e a ch o t h e r .HANDPOSI TI ON: Lef t hand : a l l f i ngers po in t up w ard , thum b in r i gh t ang le to pa lm, po in t i ngu p w a r d .

THE RUNE HAGAL

BODYPOSI TI ON: Stand ing up r i gh t , a rm s c rossed i n f r on t o f ches t .HANDPOSI TI ON: Bo th hands fo rm ing the l e t te r " H" , pa lms para l l e l , t h um bs touch ing each

o t h e r .

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THE RUNE NOD

BODYPOSI TI ON: R igh t a r m in ang le upw ard , l ef t a rm dow nw ard . Var i a t i on : Righ t a rmupw ard , l ef t l eg to t he s ide . Var i a t i on 2 : Cross-pos i t i on , af te r speak ing " Aepand i nam" b r i nghands to h ips .

H AN D POSI TI ON : Ri g h t h a n d , f i n g e rs p o in t u p w a rd , t h u m b t o t h e s i d e , a b i t m o re t h a n w i t hKA. Var i a t i on : W i th bo th hands above head , i ndex f i ngers fo rm shape o f the Rune NOD.

THE RUNE I S

HANDPOSI TI ON: Hand to f i s t , i ndex f i nger po in t i n g upw ard .

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THE RUNE AR

BODYPOSI TI ON: Stand ing up r i gh t , r i gh t l eg to t he s ide , a rm s on s ide o f body . Var i a t i on :St a n d i n g u p r i g h t , r i g h t a rm t o t h e s id e , p o i n t d o w n w a rd . Va r i a t i on 2 : S t a n d in g u p r i g h t , a rm supw ard , pa lms facing each o th e r , r i gh t l eg to th e side .

H AN D POSI TI ON : Fi n g e rs o f r i g h t h a n d p o i n t u p w a rd , t h u m b s t re t ch e d o u t w a rd , i n r i g h t a n g lt o p a lm .

THE RUNE SI G

BODYPOSI TI ON: I n s i t t i ng pos i t i on , body shape I S.

H AN D POSI TI ON : Le f t h a n d u p , t h u m b p o i n t i n g o u t w a rd , r i g h t i n d e x f i n g e r t o t o u ch t h u m b ,t h u m b a n d a ll f i n g ers o f r i g h t h a n d p o i n t i n g u p w a rd .

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THE RUNE TYR

BODYPOSI TI ON: A rm s to the s ide , po in t i ng d ow nw ard , pa lms po in t to t he g roun d . Var i a t i onfo r S I G-TYR: A rm s i n ang le to s i de , pa lms po in t i ng tow ard head , o r ou t w ard .

HANDPOSI TI ON: Righ t a rm th um b, i ndex f i nger and m idd le f i nger to fo rm th e shape o f TYR,approx . 8 inches f rom so la r p lexus .

THE RUNE BAR

BODYPOSI TI ON: Stand ing up r i gh t , l e f t a rm a t ang le , as i n THORN or RI T , l e f t l eg a t an ang le

HANDPOSI TI ON: Bo th a rm s above head , Thum b and i ndex f i nger o f r i gh t hand t o fo rm c i rc l eo t h e r f i n g e rs o f r i g h t h a n d i n sa m e d i r e c t i o n a s i n d e x f i n g e r . I n d e x f i n g e r o f l e f t h a n d t o t o ul o w e r k n u ck l e of t h u m b , t h u m b o f l e f t h a n d t o t o u ch e n d o f h an d .

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THE RUNE LAF

BODYPOSI TI ON: Stand ing up r i gh t , bo th a rm s dow nw ard , f i nger t i ps po in t i ng t o g round . As ava r i a t i on , p o in t p a l m s u p w a rd .HANDPOSI TI ON: Lef t a rm upr i gh t , the upper pa r ts o f th e f i ngers to fo rm the shape o f LAF.

THE RUNE MAN

BODYPOSI TI ON: Bo th a rm s to t he s ide and up w ard , fee l in f l ux o f energy on bo t h s ides , fee lbo th s t r eams j o in i n the body . D irec t energy to th e g round . Var i a t i on : kn ee l ing , si t t i ng onhee ls, same pos i t i on o f a rm s.

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THE RUNE YR

BODYPOSI TI ON: A rm s po in t t o s i de and dow nw ard ( as TYR) . Var i a t i on : Upper a rm s on bodyl o w e r a rm s t o p oi n t t o t h e s id e an d d o w n w a rd s .H AN D POSI TI ON : L ef t h a n d t o f o r m " YR" w i t h t h u m b , i n d ex a n d m i d d l e f i n g e rs.

THE RUNE EH

B OD YPOSI TI ON: L ef t a rm p o i n t i n g u p w a rd , r i g h t a rm d o w n w a rd ( a s NOD , bo t h o t h e r a rm s) .V ar i a t i o n : Le f t a rm t o s i d e u p w a rd , r i g h t l e g t o s id e d o w n w a rd .H AN D POSI TI ON : Fi n g e rs o f l ef t h a n d p o i n t i n g u p w a rd , t h u m b p o i n t i n g o u t w a rd , m o re t h e nKA. Var i a t i on : W i th a rm s above head , i ndex f i ngers o f bo th hands to fo r m shape o f EH.

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THE RUNE GI BOR

BODYPOSI TI ON: Body t o fo rm shape o f GI BOR. Var ia t i on : Bo th a r m s upw ard t o s i de , bo thlegs to s i de : X - shape o f body resu l t s .

HANDPOSI TI ON: A rms abov e head , f i ngers c ross each o t he r .

W HY I T I S A GOOD THI NG FOR YOUTO STUDY AN D PRACTI CE RUNES

The SYMBOLI SM of t he 18 Sacred Futh or k Runes g ives you ACCESS TO THE REALMS OFCREATI ON. TH EREFORE...

I f you are a PRACTI CI NG PSYCHI C w ho uses psych ic capabi l i t ies t o he lp o t her s, Runicp rac t i ce w i l l add an inva luab le new d im ens ion to your p ro f ession .

I f y ou are an ASTROLOGER, READER, or COUNSELOR, Run ic pr act i ce can br ing yo u b eyo nd t hs t a t u s o f a m e re b ys t a n d e r . No l o n e r a re yo u l i m i t e d t o j u s t t e l l i n g yo u r c l ie n t s w h a t t r e n d sa re in s t o re f o r t h e m a n d , p e rh a p s, h o w t h e y m a y a d j u s t . No w yo u ca n ac t i vel y w o rk o n yo u r

c l ien ts ' des t i n i es and he lp s t r a igh ten ou t t he i r l i ves . Th i s added capab il i t y ensur es repea tb u s in e ss an d b e t t e r r e w a rd .

I f yo u ar e a LECTURER or TEACHER of met aphy sics or i f you stu dy t o becom e one, kn ow ledgeof Runic pract ice w i l l add to you r c lasses. Especia l l y the t each ing o f Rune Yoga is ver yre w a rd i n g , si n ce i t s e f f ec t s w i l l b e f e l t i m m e d ia t e l y b y t h e m a j o r i t y o f yo u r s t u d e n t s .

I f y ou ar e inv olv ed in t he HEALTH RELATED PROFESSI ONS, Run e Yoga and Run ic ener gyt re a t m e n t ( u s i n g t h e e n erg i e s of t h e w o r l d c r ys t a l) w i l l in c re ase t h e sco p e o f yo u r m e t h o d sava i lab le .

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I f yo u ar e SEEKI NG ENLI GHTENMENT, Runes are one o f t he fast est and safest w ays to deepm yst i ca l exper i ences , to i ns igh ts i n th e w ork ings o f the un i ve rse and to exper i ence onOneness.

I f y ou w ant to ach ieve yo ur FULLEST POTENTI AL AS A HUMAN BEI NG, Run ic pract ice g ivesyou access to the rea lm s o f c reat i on . Run ic p rac t i ce i s your ga tew ay to you r chakr as and t oyo u r i n h e re n t p sych i c p o w e rs .

Chances a re , you may f i nd a few m ore reasons w hy.

I a m l o o k in g f o r w a r d t o h e ar i n g f r o m y o u

Kar l Hans WelzGran d Rune MasterThe Kn igh ts o f Runes

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Rune Ceremonial Utensils

Abou t Cerem on ia l s

Th is pub l i ca t i on i s m ean t to be dow n to bas i cs. I t s pu r pose is to p rov ide you w i th s tep by s teins t ru c t i ons . A l l t ha t you , the p rac t i t i oner , need to do i s fo l l ow t hese ins t r uc t i ons . La te r th enyo u w i l l d e si g n yo u r o w n r i t u a l s .

When p r ac t i c ing Rune cerem on ies you a re us ing techno log ies tha t i nvo l ve H igher Order

Ener gy Com plexes ( HOEC's) . Know ledge o f t he pr inc ipa l th eor ies o f t hese HOEC's i s notessen t i a l fo r the p roper pe r f o rm ance o f cerem on ia l s w i th Runes, bu t i t ce r t a in l y w ou ld behe lp fu l . Stu dy th e Rune courses th a t you f i nd on t h i s w eb s ite th o rough l y , perhaps becomem e m b e r o f a R u n e s t u d y g ro u p o r s t a r t yo u r o w n o n e . Th i s m o re i n t e n s i f i ed p ra c t i ce o f R u n ew i l l he lp you g a in ve ry he lp fu l i ns igh t s i n th e charac te r i s t i cs and u ses o f HOEC's .

A l though m uch o f the " m ach ine ry" ( so to say) th a t i s des igned to hand le HOEC's p roper l y i s a f i ne r dens i t y , w i th e t he r i c , as t ra l , e tc ., com ponen t s , the i r f oca l po in ts usua l l y a re m ate r i a l .These mat e r i a l focal po in ts a re the u t ens i l s tha t you a re us ing i n t he cerem on ia l , o f course .

On e o f e sse n t i a l r e q u ire m e n t s i n a n y ce rem o n i al i s a n a b u n d a n t su p p l y o f " r a w e n erg y " t h a t

i s o f ten genera ted by s t rong em ot iona l fo rces such as sex m ag ick o r th e k i l l i ng o f ch i cken ano ther an im a ls . The h igh -s t run g emot iona l ou tbu r s ts i n a char i smat i c church se rve the sam epurp ose , o f course . Any good ce remon ia l p rov ides you w i th a m ethod t o deve lop such s t rongm ethods o f genera t i ng l i f e fo rce . Group p r ac t i ces w i th Runes are ex t r eme ly pow er fu l . Ana l te rna t i v e , o f course , i s a genera to r o f l i f e fo rce (W e lz Ch i Genera to r ) , w h i ch a l l ow s you th eto use your f reed-up energ ies to boos t the actua l pu r pose o f the ce remon ia l ra the r t han us inthem fo r r ou t i ne - l i f e - fo rce genera t i on . There fo re t he L ife fo rce genera to r i s a deci s i veadvan tage fo r you i n any ce remon ia l tha t y ou p r ac t i ce. Th i s i s especia l ly t rue fo r Runeceremon ia l s , w here i t adds to th e sheer pow er and e f fect o f a ce rem on ia l tha t , by na tu r e ,a l ready deve lops st r ong f i e l ds o f l i f e fo rce ! You can ca ll us and w e w i l l se t up a connec t i onw i th on e o f ou r l i f e fo rce genera to rs . Add to th i s li f e fo rce one o r m ore Runes o f your cho i ce,a n d t h e p o w e r t h a t yo u g e n e ra t e - a n d f e el - w i l l t el l yo u m o re t h a n a t h o u san d w o rd s !

Abou t Cerem on ia l U tens i l s

As I m en t i oned be fo re , ce rem on ia l u tens i l s a re focal po in ts fo r m ore sub t l e , h igher o rde ra r rangem ents and energy componen t s tha t a re essen t i a l fo r the u l t im a te success o f thecere m o n i a l . W h e n w e sp ea k a b o u t t h e " sym b o l i c m e a n i n g " o f a cere m o n i a l u t e n s i l, w egenera l l y re fe r to the s t ru c tu r es o f the H igher Energy Com ponen ts th a t a re connec ted w i ththe spec i f i c u tens i l s . Ano ther im por t an t charac te r i s t i c o f u t ens i ls i s the fo l l ow ing : as theu tens i l i s used on a regu la r bas i s , th e t ranscenden ta l - and o the r - energ ies (HOEC's) t ha t a ra t t a ch ed t o t h e m i n cre a se , a d j u s t t o t h e o p e ra t o r ( h e n ce t h e n e cessi t y n o t t o " l e n d " a n y

u tens i l t o o t he rs ) and i nc rease in pow er and e f fec t i veness . Even tu a l l y such a u tens i l canfunc t i on w i thou t th e p rac t i t i oner need ing to be consc ious l y aw are o f i t s p resence nor o f i t si nheren t charac te r i s t i cs and spec i f i c func t i ons . There fo re a dagger , fo r exam p le , is no l ongerj u st a k n i f e, b u t i t is t h e in st r u m en t t h at g iv es t h e op er at or d om in at ion ov er ast r a l en er g ycom p l e xes (a s t ra l " e n t i t i e s " ) .

Th e b a si c ar ra n g e m e n t o f a l l u t e n si l s w i l l g et yo u r " m a ch i n e ry " r e a d y t o f u n c t i o n sm o o t h l y . a l lo w s yo u t o d e f i n e t h e e n e rg i es o f a h i g h er o rd e r t h a t yo u w a n t t o u se an d t o ca u se t h e m tw o rk f o r yo u . I n t h e o l d l an g u a g e t h a t m e a n t t h a t w i t h t h e h e l p o f su ch u t e n s il s yo u can " t et h e sp i r i t s you r w i l l a n d sen d t h e m w h e re ve r yo u w i sh t o se n d t h e m , a n d t h e sp i r i t s w i l l b eb o u n d t o o b ey yo u " .

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A n i m p o r t a n t f a c t o r , t h e n , i s t o f o l lo w t h e i n s t ru c t i o n s f o r ce re m o n i a ls h e re so t h a t yo u h a vethe Run ic energ ies and depend ing HOEC's pe r fo rm as you i n tended and to b r i ng you th ed e si re d re su l t s o n w h a t e ve r l e vel yo u p r o j e ct e d t h e m .

I n t h e f o l l ow i n g yo u w i l l le a rn a b o u t t h e m a i n u t e n s il s t h a t yo u can u se i n R u n ic cere m o n i a l s

Speci f i c Ut ens i ls

1. The Tem ple

Th e t e m p l e i s you r " w o rksh o p ," o r , b et t e r ye t , yo u r p l a ce f r o m w h i ch yo u a re t r i g g e r i n g t h eHOEC's (sp i r i t s ) fo r speci f i c pu rposes such as sp i r i t ua l w ork . I t i s the space w i th in w h ich youa r ra n g e a ll yo u r t o o l s, o r m a ch i n e ry . I t i s yo u r sp e ci f i c ou t e r r e al m (o u t e r R u n e Re al m ) f r o mw h i ch yo u ca n re a ch e ve ry p o i n t o f yo u r u n i ve rse.

You m ay, i n fact , see the t emp le as a sym bo l o f your un i ve rse . As i s the case w i th anyw ork p lace , cl ean l iness enhances p roper func t i on in g . Since you a re w ork ing w i th HOEC's , o r

" psych i c energ ies ," be awar e tha t th e temp le needs a l so to be f ree f rom any k ind o f psych i cdebr i s o r psych i c po l l u t i on , o the r w ise th e resu l t s o f your p rac t i ces m ay be nega t i ve l yi n f l uenced . Many ban i sh ing r i t ua l s a re des igned to c l ean th e tem p le f rom undes i rab leenerg ies , so tha t p sych i c energ ies can be p ro j ec ted w i thou t un des i rab le i n te r fe rence . I n Runprac t i ce , you m ay use t he Runes AR, I S and MAN t o c leanse .

Som e s tuden ts m ay no t h ave a spec ia l room o r space ava i l ab le fo r t he i r tem p le . A l though aspeci f i c ass igned space fo r a tem p le has g rea t advan tages , i t i s no t abso lu te l y essen t i a l . Ofcourse , you can p rac t i ce Runes anyw here . You es tab l i sh your t emp le by de te rm in ing w ha tspace w i l l se rve as your tem p le , and by c leans ing i t f rom any undes i rab le psych i c energy w i tAR, MAN, and I S every t im e be fo re you beg in to p rac t i ce . You m ay de f i ne the boarder o f t he

t e m p l e m e n t a l ly o r w i t h a w a n d o r d a g g e r . De p en d i n g o n t h e s it u a t i o n , yo u m a y ch a n tm e n t a l ly ( ye s , yo u CA N p e r f o rm a f u l l y va l id ce re m o n i a l in t h e m i d st o f a c ro w d , w i t h o u ta n yb o d y n o t i c in g w h a t yo u a re d o i n g ) , o r y o u m a y ch an t a l ou d w h i l e in t h e b o d y p o s it i o n s oI S ( g rou nd ing pos i t i on ) , MAN, and AR.

2. The Ci rc le o f Pro t ect ion

Th e p ro t e c t i ve ci r c le w i t h i n yo u r t e m p l e is a sp a ce w i t h i n w h i ch yo u a re w o rk i n g ,u n e n cu m b e re d b y a n y e n e rg y t h a t m a y b e a t t r a c t e d b y yo u r w o rk . Th e ci r c le m a ke s su re t h ano energy w i l l be p resen t excep t th ose energ ies tha t you des i re to be p resen t . I t i s a bar r i e raga ins t nega t i ve energ ies and a l so aga ins t en t i t i es (energ ies) th a t m ay i n te r fe re w i th t hoseHOEC's ( H igher Order Energy Com p lexes) w h i ch you a r e go ing to t r i gger . Th i s w ay , the c i rc l ese rves no t on l y as you r pe rsona l p r o tec t i on f r om hos t i l e HOEC's ( sp i r i t s ) , bu t i t a l so i nsu res c lean fun c t i on ing o f y our Rune Yoga p rac t i ce. An i deal c i rc le i s fo rm ed by l ay ing ou t a l l 18Ru n e s , w h i ch w i l l t h e n b e i n t u n e w i t h yo u r I n n e r R u n e Re al m . H a ve t h e s i x t e en R u n e sa r ra n g e d o n t h e p e r i p h e ry o f y o u r c i r c le , st a r t i n g w i t h FA in t h e N o r t h , co u n t e r c l o ckw i se t oYR, w hich w i l l th en be on t he r ig ht s ide o f FA. Have EH and GI BOR ins ide t he c i rc le , sincethose Runes sym bo l i ze th e mar r i age o f oppos i tes and t he un i ve rse o f th e symbo l i sm . EH Weand GI BOR East ju st ins ide th e outer c i rc le o f Run es.

The d iamet e r o f the c i rc l e i s dependen t on t he amoun t o f peop le w ho a re pa r t i c i pa t i ng i n th eceremon ia l , and o f course , cons ide ra t i ons o f space .

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3. The A l tar

The al ta r i s the ac tua l w ork p lace, o r your con t ro l pane l . I n m ore advanced p rac t i ce, i t can a lse rve as a po in t o f m an i fes ta t i on fo r speci f i c HOEC's (sp i r i t , en t i t y ) , i n w h i ch case you have tobserve spec i f i c m easures o f p ro t ec t i on and i nsu la t i ng m ethods .

Being your con t ro l pane l , it w i l l con t a in u tens i l s tha t connec t w i th t he speci f i c s t ru c tu r es o fthe un i v e rse and HOEC's w i th w h ich you a re go ing to w ork i n your ce rem on ia l . There fo re , th

a r ra n g e m e n t o f u t e n s i ls o n t h e a l t a r a n d t h e sym b o l s u sed w i l l var y a ccord i n g t o t h e p u r p o s( s ) o f you r ce remon ia l . You w i l l , how ever , no t i ce some CFP ( comm on func t i ona l p r i nc ip le) ona l l ar ra n g e m e n t s o f yo u r a l t a r .

The s i ze o f the a l ta r depends on the num ber o f peop le at t end ing , si ze o f your t emp le , amou no f u t ens i l s, etc . Fo r m ost i nd i v i dua l pu r poses and fo r sm a l l g roups , an a l ta r t he s i ze o f 24 x 3inches w i l l be adequa te .

4 . Rune Staves

Since you w i l l use Run ic energ ies , a se t o f t r i ggers to t hose energ ies on t op o f t he a l ta r i s o fu tm ost im por t ance . These Rune s taves w i l l be ar r anged i n a c irc l e , as show n i n t he d iag ram .More than th e s taves a round y ourse l f and the a l ta r , the s taves on the a l ta r a re t r i ggers th a tconnec t w i th y our I nner Rune Realm and t he Run ic Rea lms o f Crea t i on . P ract i ca l exper i encehas estab l i shed th a t a c i rc l e o f Crys t a l Rune S taves by i t se l f can g i ve a c lean t emp le and th e

pro t ec t i ve ci rc l e as ou t l i ned above . How ever , I s t i l l recomm end tha t you p rac t i ce th eban ish ing and c leans ing as w e l l as the es tab l i sh ing o f t he p ro t ec t i ve c irc l e w herever poss ib le

You m ay use Runes m ade o f ca rdboard and charg ed accord ing l y , o r you m ay use Runes m ado f w ood . Crys t a l Runes a re exce ll en t and super io r even t o the t rad i t i ona l w ooden Runes fo rsevera l reasons . One o f the reasons i s tha t t he c rys ta l l i ne s t ruc tu re o f quar t z rep resen ts

H AGA L, a n d t h e " m o t h e r " o f t h e R u n i c sym b o l i sm ( t h e h e xa g o n w i t h t h e t h re e i n scr i b e dd iamet e rs ) . Look a t an i dea l l y fo rm ed Quar t z crys t a l f rom above and you see the HAGAL Runins ide a hexagon . Ano ther reason fo r th e aw esome s t reng t h o f c rys ta l Runes li es i n th e facttha t c rys ta l energ ies can be mod i f i ed and d i r ec ted : mod i f i ed by Run ic energ ies tha t a re ve ryk in t o the c rys ta l l i ne energ ies, and d i rec ted by m eans o f g r i dd ing . Al l p rac t i t i oners w ho usedc rys t a l Ru n e s (a n d co m p a re d t o w o o d ) n o t i ced t h e d i f f e ren ce in p o w e r i m m e d i at e l y ! Yo u ca nl o o k u p w w w . e le m e n t p ro d u c t s . co m a n d a sk i f yo u h a ve sp e ci f i c w i sh e s f or y o u r ce re m o n i a lneeds . Amon g o th e r th i ngs you f i nd t he re : 1 . A deck o f e igh teen Rune ca rds tha t m ay a l so beused fo r d i v i na t i on p u rposes . These ca rds have ONLY the Rune on i t , pe rh aps the i r m ean ingson t he back . " Nea t " New Agey p i c tu res o f E l ves, Gods, Goddesses , and o t he r a r t i s t i c c l u t t e rw ou ld w a te r dow n th e energy o f th e Runes. 2 . Wooden Rune Staves , and 3 . Crys t a l RuneStaves.

5 . The Magica l Wan d

W h i l e t h e can d l e s co n n ec t w i t h t h e w i l l an d t h e w o r l d s o f em a n a t i o n , t h e w a n d i s t h e t o o l t hexpresses the w i l l o f the p rac t i t i oner . I t i s your t oo l to dom ina te the HOEC's tha t h avecharac te r i s t i cs be long ing to t he men t a l spheres . The sym bo l i c m ean ings o f the pow er rod o rw a n d w i l l b e t h e m o re f a m i l ia r t o yo u t h e m o re yo u p r a ct i ce w i t h R u n es an d o t h e rce remon ia l s .

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6. TH E I NCENSE BURNER

The i ncense burner connec ts you w i th t he men t a l wor l ds , w i th HOEC's tha t a re pa r t o f them e n t a l sp h e re s, a n d w i t h t h e a i r e l em e n t i n g e n e ra l .

7. THE DAGGER

The dagger (o r sw ord ) rep resen ts your m ind w h ich con t r o l s th e em ot ions and HOEC's tha tbe long to th e ast r a l spheres . Aga in , w h i l e the i ncense tunes i n to m en ta l w or l ds , th e daggeruses men t a l energ ies .

8. THE POWER ROD

Th e Po w e r ro d i s an i d e al com b i n a t i o n o f w a n d a n d d a g g e r . I t i s ve ry su i t e d f o r w o rk w i t hRunes, because o f the use o f a quar tz c rys t a l as a t i p o f th e pow er rod .

Very pow er fu l i s a tub e tha t ac ts as an o rgone accum u la to r . You m ay pu t a l te r na t i ng l aye rs oo rg a n i c a n d m e t a l l i c m a t e r i al s ( p l a st i c d u ct t a p e an d a l u m i n u m d u c t t a p e ) a ro u n d i t t o m a kei t a n e f f e ct i ve o rg o n e a ccu m u l a t o r . A g a in , l o o k u p w w w . el em e n t p ro d u c t s .co m f o r o rg o n eaccum u la to rs and o rgone genera to rs .

9 . Th e Cu p w i t h W a t e r ( o r W i n e )

Th e cu p co n n e ct s w i t h t h e a st ra l w o r l d s an d w i t h t h e e m o t i o n s . I t p ro v i d e s t h e en e rg yn e ce ssary t o b r i n g r e su l t s i n yo u r cere m o n i e s . I t sym b o l izes t h e e m o t i o n al p o w e r o f t h ep ra c t i t i on e r . D r i n k i n g t h e w a t e r o r w i n e a li g n s t h e a s t ra l- e m o t i o n a l e n e rg i es w i t h t h e g o a l o

the ce remon ia l . Wat e r accum u la tes Od ic energ ies ( l i f e energ ies) w h i ch are " p rog r amm ed"w i t h t h e g o a ls o f t h e h e a l i n g cere m o n i a l . I n f a ct , a n y l i q u i d t h a t y o u l i ke t o d r i n k i s g o o d !Engr ave the ru nes i n the cup !

10 . THE HAM MER OF THOR

The Hamm er o f Thor rep resen ts your consc iousness th a t can connec t w i th any po in t i n spacet i m e an d t h e n re t u r n b a ck " t o yo u rse l f ." I n o t h e r w o rd s , t h e H a m m e r o f Th o r ca n b e p ro j e c t et o a n y i n t e r va l i n t h e sp a ce - t i m e co n t i n u u m o f yo u r u n i ve rse. I t ca n b e d e ve lo p e d i n t o b e i n gyour spec i f i c too l to b r eak the se l f - imposed l im i t a t i ons o f space- t im e . I t sym bo l i zes consc iouac t i on w h ich i s charged and energ i zed by the o the r e lement s (w and , sw ord , and cup) . Oncee n erg i zed , t h e H a m m e r o f Th o r w i l l p er f o rm f o r yo u . A g a in , w i t h r e p ea t e d p ra c t i ce yo u w i l ll ea rn m o re a n d m o re a b o u t t h i s m o s t p o w e r f u l t o o l o f R u n i c ce re m o n i a ls . Th o r ' s H a m m e r i sp e rh a p s t h e b e st sym b o l o f yo u r co n sc io u s p ro j e c t i o n . I t co ll e ct s w i t h i n i t se l f t h e t h re ee lem ents o f th e w i l l , m en ta l , and ast r a l -emot iona l spheres. Once you have charge Thor ' sHamm er , you have a l i gned al l el ement s tow ard your spec i f i c pu rp ose : your w i l l , m ind ,emot ions , and consciousness. Al l you need to do now , is to th r ow Thor ' s Ham m er ( i t s h igherp l an e co m p o n e n t s ) t o w a rd yo u r g o a l, w h i ch i s em b e d d ed i n a n i n t e r va l o f yo u r co n sci o u sspace- t im e con t i n uum . Thor ' s Ham m er i s your t oo l on the mat e r i a l p lanes tha t r eachesb e yo n d t h e co n f in e s o f sp a ce a n d t i m e . I t i s yo u r i n s t ru m e n t o f p o w e r , yo u r co n n ec t i o n t oyo u r u n i ve rse , yo u r p o w e r o f p ro j e c t i n g i n t o yo u r u n i ve rse w h a t e ve r e n e rg y yo u ch a rg e t h eh a m m e r . Th o r ' s H a m m e r , t h e re f o re , i s t h e m o s t p o w e r f u l Ru n i c t a l ism a n , sym b o l i zi n g t h e

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e lem ent ea r t h on your a l ta r . You need to l ea rn to use Thor ' s Ham m er p roper l y . Tune i n to theN o rd i c m y t h o l o g y o f t h e g o d Th o r a n d h i s h a m m e r , an d yo u w i l l g ai n a d d i t i on a l i n f o rm a t i o nabou t th i s pow er fu l too l o f Rune Prac t i ce . The m ate r i a l hamm er o f Thor rem a ins on your a l tao f course , bu t i t s sp i r i t u a l pa r t s , or com ponen t s , you p r o jec t th em t o the des i red goa l. You dt h i s d i r e ct i n g w i t h t h e p o w e rs o f yo u r i m a g i n at i o n . Be a w a re t h a t t h e m o re yo u p ra c t i ce u s inThor 's Ham m er t he m ore sk i l l fu l y ou w i l l becom e in i t s use. I n fact , RUNE YOGA TEACHES YOTHE SKI LL OF PROJECTI NG AND USI NG THE HAMMER OF THOR! I deal ly , you r Ham m er o f Thoshou ld be a t rue t a l i sm an , wh i ch you can w ear as a pendan t . You m ay use a p iece o f paperw i t h Th o r ' s Ha m m e r d r a w n o n i t .

11. Candles

Cand les sym bo l i ze th e f i re e lement , your w i l l power s o r the w or ld o f emana t i on . Na tu r a l l ythe r e i s m uch m ore sym bo l i c m ean ing a t tached to cand les than t he f i re e lem ent . There i sh a rd l y a n y cere m o n i a l w h e re Li g h t w o u l d n o t p l a y a n i m p o r t a n t r o l e . Li g h t i s n e u t ra l .Depend ing on t he ac t i on to be pe r fo r m ed i t assum es som e co lo r . Since Ligh t i s so impor tan t ,m ost ce remon ia l s con ta in and i nc lude someth ing th a t sym bo l i zes Ligh t . Cand les are th epre fe r r ed u tens i l t o sym bo l i ze L igh t . Of course , the r e a re deeper sym bo l i c mean ingscon n e c t e d w i t h ca n d l es t h a n t h a t o f g i v i n g L i g h t . A s yo u b e co m e f a m i l ia r w i t h va r i o u sm e t h o d s i n vo lv i n g ca n d le s yo u w i l l u n d ers t a n d b e t t e r t h e m a n y sym b o l ic m e a n i n g s t h a tcand les connec t w i th . Consequen t l y you w i l l be capab le to touch upon m ore rea lms th a ti nvo l ve th e symbo l i sm o f th e cand les Th i s w i l l g rea t l y i nc rease the e f fec t i veness o f yourm ag ical opera t i ons .

Cand les , as we kn ow , are m ade o f va r i ous mate r i a l s, most l y pa ra f f i n , more se ldom t r ue beesw ax. Cand les may be scen ted and co lo red , ta i l o red t o spec ial l eng th s and shapes , e tc . As youprogr ess, you w i l l l ea rn t o i nc lude co lo rs and shapes o f cand les i n to t he overa l l symbo l i sm oyour ce remon ia l .

The sign i f i cance o f cand les reaches i n to m ay l eve l s . Since cand les a re most l y t hough t tosym bo l i ze Ligh t , they a re t he on l y source o f l i gh t i n m any ce rem on ia l s . The spec i f i c co lo r o f

t h e can d l e w i l l s ym b o l i ze t h e sp h ere (s ) w i t h w h i ch t h e o p era t o r w a n t s t o b e i n co n t a c t d u r i nthe ce remon ia l . The num ber o f cand les used has ano ther sym bo l i c m ean ing . Opera to r s w hop ra c t i ce e vo ca t i o n s an d w h o w o rk w i t h t h e h i g h e r o rd e r e n e rg ie s t h a t a re p a r t o f p l a n e t a rysp h ere s m a t ch t h e n u m b e r o f ca n d le s w i t h t h e n u m b e r o f t h e p l a n e t : t h re e can d l e s f o revoca t i ons o f Sa tu r n o r o f be ings o f t he sphere o f Sa tu r n , fou r cand les fo r Jup i te r , f i ve fo rMars , s i x fo r t he Sun , seven fo r Venus , eigh t fo r Mercu ry , and n ine fo r t he Moon .

Cand les are an exce l l en t too l t o he lp th e pow ers o f v i sua l i za t i on and im ag ina t i on . The f l am eof a cand le i s an i dea l focus . I n som e m ag ical p rac t i ces you m ay i n te r na l i ze th i s focus.

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30415160 Rune Ceremonials

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