2021 SPR/SUM
Transcript of 2021 SPR/SUM
SP
R/S
UM
20
21
Editors: Izzy Mercado, Bethany Ziegler
Creative Director: Izzy Mercado
Copy Editor: Jodie Littleton
Contributing Writers: Jenifer Dolde,
Kristen Greenaway, Pete Lesher, Kate Livie,
Bethany Ziegler
The Chesapeake Log is a publication of
the Chesapeake Bay Maritime Museum.
©2021 CBMM. All rights reserved.
213 N. Talbot Street
St. Michaels, MD 21663
410-745-2916 | cbmm.org
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November to March, 10am–4pm
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CBMM STAFF
PRESIDENT’S OFFICE
Kristen L. Greenaway, President & Chief Executive
Officer, x4955
ADVANCEMENT
Liz LaCorte, Vice President of Advancement, x4956
Anastacia Maurer, Advancement Manager, x4950
Debbie Ruzicka, Advancement Admin. Assistant, x4991
COMMUNICATIONS
Izzy Mercado, Director of Marketing & Brand
Management, x4943
Bethany Ziegler, Senior Communications Manager, x4995
EDUCATION
Jill Ferris, Senior Director of Engagement, Learning, &
Interpretation, x4986
Concetta Gibson, Volunteer & Education Coordinator, x4974
Kendall Wallace, Workshop Education Manager, x4974
Nina Graham, Youth Programs Coordinator, x4990
EXHIBITIONS & CURATORIAL
Pete Lesher, Chief Curator, x4971
Jenifer Dolde, Associate Curator of Collections, x4996
Katelyn Kean, Registrar, x4972
Jim Koerner, Exhibits Specialist, x4973
FINANCE & ADMINISTRATION
Branden Meredith, Chief Financial Officer, x4958
Howard Parks, Controller, x4957
Joe-Ann Hanna, Assistant Controller, x4954
Amy Wales Reilly, Human Resources Manager, x4985
Bill Baxendale, Grounds & Equipment Manager, x4969
Sam Fairbank, Facilities Maintenance, x4969
Jonathan Keen, Facilities Maintenance, x4969
OPERATIONS
Steven Byrnes, Chief Operating Officer, x4959
Shannon Mitchell, Guest Experience & Events Manager, x4953
Liz Cowee, Wedding & Events Coordinator, x4944
Josh Atwood, Marina & Guest Services Manager, x4946
Patricia Greaves, Guest Services Lead, x49
Ira (Wes) Williams, Director of Boat Donations & Sales, x4992
Tom Shephard, Charity Boat Donation Program
Operations Lead, x4997
Christian Cabral, Shipyard Manager, x4967
Jennifer Kuhn, Shipyard Education Programs Manager, x4980
Joshua Richardson, Marine Mechanic, x4967
Joe Connor, Lead Shipwright, x4966
Michael Allen, Floating Fleet Shipwright, x4967
Ed Farley, Master Shipwright, x4967
Jeff Reid, Master Shipwright, x4967
Frank Townsend, Master Shipwright, x4967
Samuel Hilgartner, Lead Rigger/Shipwright, x4967
Bob Downes, Rigger/Shipwright, x4967
Zachary Haroth, Associate Shipwright, x4967
Matthew Hommel, Associate Shipwright, x4967
Cole Meyerhoff, Associate Shipwright, x4967
Spencer Sherwood, Associate Shipwright, x4967
Noah Thomas, Associate Shipwright, x4967
Clara Zinky, Associate Shipwright, x4967
Megan Mitchell, Seip Family Foundation Shipwright
Apprentice, x4967
Stephen North, Shipwright Apprentice, x4967
Bryan King, IT Lead, x4999
FRIENDS BOARD 2021–2022
Kathy Bosin
Mike Cottingham
Frank Garahan
Ruth Heltne
Jay Hudson
James Jaramillo
Sherri Marsh Johns
Pat Jones
Mary Kellogg
Bill Lane
Heather Pickens
Estela Vianey Ramirez
Kari Rider
Spence Stovall
Cassandra Vanhooser
Jaime Windon
Derek White
BOARD OF GOVERNORS 2021–2022
Richard J. Bodorff, Chair
Craig Fuller, Vice Chair
Richard J. Johnson, Treasurer
David W. Reager, Secretary
Nancy O. Appleby
William C. Boicourt
June Langston DeHart
Duane H. Ekedahl
Howard S. Freedlander
Dagmar D.P. Gipe
Brooke Harwood
Charles E. (Ned)
Hennighausen
Linda K. Higgins
Francis J. Hopkinson, Jr.
A. Reza Jafari
Kenneth W. Mann
Anne E. Mickey
Elizabeth C. Moose
Talli Oxnam
R. Scott Pastrick
John L. Seidel
Richard W. Snowdon
Enos T. Throop, V
Richard C. Tilghman, Jr.
Gary B. Townsend
Kristen L. Greenaway,
President & Chief Executive
Officer
EMERITI
Richard T. Allen
CG Appleby
Alan R. Griffith
James P. Harris
Margaret D. Keller
Richard H. Kimberly
Charles L. Lea, Jr.
Fred C. Meendsen
John C. North II
Sumner Parker
Joseph E. Peters
Norman H. Plummer
John J. Roberts
Tom D. Seip
Henry H. Spire
Diane Staley
Henry H. Stansbury
Benjamin C. Tilghman, Jr.
4 president’s letter Kristen Greenaway
5 currents • CBMM’s Shipyard now accepting commissions
• CBMM expands marina, docking amenities
11 lifelines • Volunteer Profile: Patti Eney
12 curator’s corner • A Skiff for Tending Peeler Crabs
14 feature • Teaching Tool, Time Traveler:
The Future for Maryland Dove
20 feature • A Place For Everybody: Henry’s Beach
on the Segregated Eastern Shore
24 on the rail • Maryland Dove: Team works on
planking, decking, and rigging
• Shipyard: Railway season begins at CBMM
25 calendar • Member Nights, Programs, Special Events
• 2021 Summer Camp Guide
spring/summer 2021
On the cover: Located in the working Shipyard at the
Chesapeake Bay Maritime Museum, this furnace is being
used by shipwrights to power a box used for steaming
wood as they move to the planking stage of construction
of the new Maryland Dove.
Left: Shipbuilding tools and equipment sit inside the new
Maryland Dove in CBMM's working Shipyard.
To learn more about Maryland Dove’s past,
present, and future, visit marylanddove.org.
THE CHESAPEAKE LOG SPRING/SUMMER 2021 3
president’s letter
CBMM President Kristen L. Greenaway
As a museum
and as a
member
of our
community,
we have a
great deal to
look forward
to and share
with you.
N MY PREVIOUS PRESIDENT’S LETTER, I noted that I was a glass-half-full
type of person. Well, I have drunk that glass and have refilled it for
2021! Our mantra for 2020 was to get through the year safely to
set ourselves up for success this year. We achieved that.
Along the way, we found new meaning in how we fulfill our
mission. On-campus (non-festival) visitation for the seven months we
were open during the pandemic was less than 50% of the previous
yearʼs—our best year—but numbers joining our programming—now
primarily virtual—rose considerably as our programs attract visitors
both nationally and internationally. We developed new skills, and we
set and achieved new standards of usefulness.
This is how we know 2021 will be another successful year, even
as the pandemic continues. As a museum and as a member of our
community, we have a great deal to look forward to and share with
you. We are a safe place to visit in person, with 18 acres of space to
explore. Our current exhibitions are world class, helping to bring the
cultural heritage of the Chesapeake Bay into focus. We are expanding
our programming with both in-person and virtual opportunities
available across the spectrum. The construction of the 1634
representation of Maryland Dove is sculpture at its finest—this year is
your last chance to experience a build of this magnitude in person, as
the vessel is on track to be completed toward the end of the year. You
may well never see anything like it again in this region.
And CBMM continues to mature. We have started Phase I of
our Master Plan, the renovation and expansion of our Library and
Collections facilities, thus ensuring our commitment to the care and
preservation of the 80,000 objects in our care—and our mission to
tell the stories of the Bay through those objects and the people who
built and used them. We also are nearing 100% financial support for
Phase II of the Master Plan, a new multipurpose building that will
showcase more of CBMM’s vast collection of historic watercraft, tell
a more complete story of life on the Chesapeake Bay, and—most
importantly—be an accessible and inclusive space for anyone wishing
to learn and play at CBMM.
We do this with you, and for you. I thank you for your support in
helping us survive 2020, and I look forward to seeing you, either virtually
or in person, take advantage of all you have helped us create. ★
HE CHESAPEAKE BAY MARITIME MUSEUM is pleased to
announce that its working Shipyard is now accepting
commissions for new wooden boat construction,
complete boat restoration, and historic replica
construction projects.
“We’re thrilled to be able to offer the chance for the public
to take home their own vessel reflecting the Chesapeake Bay’s
rich wooden boatbuilding heritage,” said CBMM Shipyard
Manager Christian Cabral. “Whether you’ve already got a boat
that needs repair or you want a skipjack of your very own,
we’re ready to help.”
CBMM’s Shipyard has been building and renovating
historic wooden boats and educating the public since 1965.
Its shipwrights specialize in rigging, metal fabrication, marine
mechanics, and more, and have an appreciation and passion
for Chesapeake Bay origin workboats.
These custom works will incorporate traditional wooden
boatbuilding techniques with modern construction. Each build,
restoration, and historic replica is meticulously researched
for precise accuracy and incorporates upgraded materials for
integrity. Replicas of select members of CBMM’s floating fleet
of historic vessels are also available.
CBMM shipwrights can recommend solid timber and
source specific woods through a collaborative build process
that delivers quality work, vessel longevity, and limited
maintenance. The 25,000 square feet of dedicated workspace
in CBMM’s Shipyard includes a 100-ton railway, 40-ton crane,
sawmill, and full complement of stationary tools. Educational
and marketing/promotional support can also be added for
non-profits and other organizations.
To learn more about taking home your own piece of
Chesapeake Bay history, visit cbmm.org/shipbuilding or
email [email protected]. ★
currents
CBMM’s Shipyard now accepting commissions
In addition to boat restoration and new commissions,
shipwrights at the Chesapeake Bay Maritime
Museum are offering the public a chance to take
home their very own replica of a member of CBMM’s
floating fleet of historic vessels. Replicas of the
vessels on page 6 can be built. ▶
Above: The Chesapeake Bay Maritime Museum's working Shipyard has been
building and renovating historic wooden boats (like the 1909 crab dredger Old
Point, pictured) and educating the public since 1965. Photo by George Sass.
THE CHESAPEAKE LOG SPRING/SUMMER 2021 5
Rosie ParksA 1955 skipjack that is representative of Maryland’s state boat and was part
of the last commercial fishing fleet under sail in the United States. In 2002,
skipjacks were designated by the National Trust for Historic Preservation as
one of America’s Eleven Most Endangered Places.
Dorothy Lee A 1934 Hoopers Island Dovetail built for oyster tonging and trotlining for
crabs. Dovetails have also variously been called Hoopers Island draketails and
torpedo sterns.
Old PointConstructed of seven logs, this 1909 crab dredger was one of a fleet of
crab dredging boats that operated out of Hampton, Va., at the mouth of the
Chesapeake Bay from the 1910s through the 1960s.
Volunteer A replica of Leon Marsh’s 1990 Smith Island box-stern crab scrape Darlene, as
documented in Paula J. Johnson’s book, The Workboats of Smith Island.
◀ continued from previous page
Virtual CBMM is a new online
portal giving Chesapeake Bay
Maritime Museum members at all
levels access to exclusive program
recordings and digital content—
all from the comfort and safety of
your home!
Visit cbmm.org/membership to
join today! Existing members should
email [email protected] to learn
about this exciting new perk.
Virtual CBMMAn exciting new way to experience the Bay!
“Our connection with CBMM always
brings to mind the quote from The
Wind in the Willows:
‘Believe me, my young friend, there is
nothing—absolutely nothing—half so
much worth doing as simply
messing about in boats.̓
We have enjoyed our involvement
and the personal value of making
meaningful contributions to CBMM to
provide these opportunities to so many.
There is an even greater satisfaction
in knowing our legacy will continue
to support these programs we have
cared about during our lifetimes.”
Jeanne & David Reager
Lighthouse Legacy Society
Over the past 56 years, the Chesapeake
Bay Maritime Museum has created a
lasting legacy: We are the world’s leading
institution dedicated to exploring and
preserving the history and environment
of the Chesapeake Bay through authentic,
hands-on experiences.
Making a planned gift is an exceptional
way to show your support and
appreciation for CBMM and its mission
while accommodating your own
personal, financial, estate planning, and
philanthropic goals. With smart planning,
you may actually increase the size of your
estate and/or reduce the tax burden on
your heirs. Just as importantly, you will
know that you have made a meaningful
contribution to CBMM.
Please contact us for assistance or
to discuss your personal situation
and objectives.
Liz LaCorte
Vice President of Advancement
410-745-4956
cbmm.giftplans.org
Your planned gift
to CBMM fortifies
our foundation
and builds your
Chesapeake legacy.
Welcome aboard! CBMM Members-Only Marina
CBMM is pleased to offer our boaters convenient docking,
power, climate-controlled showers, and the free use of
bicycles. Our campus has recently been refreshed with new
exhibitions and enhanced, faster Wi-Fi access for CBMM
marina guests.
Our Boaters Guide has also been updated with changes to
marina guidelines and overnight and hourly docking
policies, all designed to enhance the boater experience. The
updated guide, found at cbmm.org/docking, includes
important policies covering holidays and festivals.
While you’re visiting, explore the beautiful neighborhood
streets of St. Michaels. Many local restaurants and
businesses offer discounts to CBMM members.
Make your group marina reservations today
Contact CBMM’s Dockmaster at 410-745-4946
or visit cbmm.org/docking.
Slip reservations for holidays and festivals
• Reservations for holidays and festivals accepted no
more than one month in advance
• Two-night minimum stay required
• Full payment required at time of confirmation
• 72-hour cancellation notice required for refund
• No hourly docking available
DOCKMASTER
410-745-4946
VHF Channel 16
cbmm.org/docking
Best SmallMarina
2016
Friendly Reminders for Boaters
▶ Watch your wake at all times when entering and exiting the harbor and marina areas.
▶ Call the Dockmaster on VHF Channel 16 or 410-745-4946 when you enter the harbor for slip assignment. Please understand there is no guarantee of specific slips.
▶ Upon arrival, please check in at the Welcome Center for registration information and to complete financial transactions for the duration of your stay.
▶ Overnight docking is available to Mariner-level members and above. Check-in time is noon; check-out is 11:30am.
▶ Hourly docking is available to all members 9am–2pm Friday and Saturday, and 9am–5pm Sunday–Thursday, based on space availability. Dockmaster approval is REQUIRED prior
to arrival for slip assignment. No advance reservations are available for hourly docking.
▶ Please cooperate with your dock mates for electric. If you need the 30 AMP service, please do not use the 50 AMP service.
▶ When docking on a “T” head, please tie up at one end or the other, not in the middle. CBMM reserves the right to move your boat if needed to accommodate another boat.
▶ Dockage space at CBMM’s marina is to be used at the risk of the owner. CBMM shall not be liable for the care or protection of the boat, including all gear, equipment, and contents, or for any loss or damage.
▶ If anything is damaged during your stay, please report it to CBMM marina staff.
▶ Pets are permitted as long as they do not disturb other guests. They should be leashed at all times.
▶ For safety reasons, pets and carry-on alcohol must remain on boats during CBMM festivals and special events.
CBMM expands marina, docking amenities
JUST AHEAD OF THE START OF THE SUMMER boating season, the
Chesapeake Bay Maritime Museum has completed an
expansion of its members-only marina that will allow it to
welcome more boaters and offer better amenities to those
docking at its St. Michaels campus.
The recently completed expansion saw the addition of
new slips capable of accommodating larger vessels, improved
Wi-Fi access for boaters, and even more power and freshwater
hookups for guest use. Additional amenities include free
pump-out services, climate-controlled showers, bicycles,
picnic tables, and more.
“We look forward to welcoming even more guests to our
marina this summer,” said Shannon Mitchell, CBMM’s guest
experience and events manager. “Located in the heart of
St. Michaels’ historic district along St. Michaels Harbor and
the Miles River, our marina is just a short walk to restaurants,
specialty shops, and other attractions, making a stay with us
one of the best ways to experience all our town has to offer.”
Open for docking seven days a week, CBMM’s marina
offers overnight docking privileges to those with a Mariner
level membership to CBMM and above, and hourly docking
for those with a household membership and above. To learn
about becoming a member, or to upgrade your membership,
visit cbmm.org/membership.
Advance marina reservations are required, and groups are
welcome. To make yours today, contact CBMM’s Dockmaster
at 410-745-4946 or [email protected]. For additional
information, visit cbmm.org/docking. ★
your
Above: Open for docking seven days a week, the Chesapeake Bay
Maritime Museum’s marina offers overnight docking privileges to those
with a CBMM membership at Mariner level and above, and hourly docking
for those with a household membership and above. To learn about
becoming a member, or to upgrade your membership, visit cbmm.org/
membership. Photo by Shore Studios.
Improvement Highlights
★ Additional slips to accommodate larger vessels
★ Additional freshwater hookups
★ Additional shore power hookups
★ Improved Wi-Fi access
THE CHESAPEAKE LOG SPRING/SUMMER 2021 9
currents
CBMM's Museum Store
has gotten a makeover!
Visit the Museum Store at the
Chesapeake Bay Maritime Museum to see
our brand-new look designed to highlight
CBMMʼs collection and improve your
shopping experience. All spring, we'll be
unveiling new merchandise, from clothing
showcasing your favorite members of
CBMMʼs floating fleet of historic vessels,
to one-of-a-kind pieces made by CBMM
staff and local artists.
Purchases made in the Store directly
support CBMM's mission to preserve
and explore the history, environment,
and culture of the entire Chesapeake Bay
region, and to make this resource available
to all. Don't forget—CBMM members
receive store discounts year-round!
whose uncle was the skipper for E.C. Collier or
the spouse of the waterman who took care of the
softshell crabs. We meet so many people, from all
over, who have had experiences that mesh with
what we’re doing at CBMM.”
It’s not just CBMM that benefits from Eney’s
time and service—she’s also involved with the
Boy Scouts of America, America’s Boating Club,
and Community Bible Study. In addition, she plays
bass guitar in the praise band for her local church.
According to Eney, her husband, Mark, another
CBMM volunteer, often tells her she’s at capacity
for volunteer roles.
It’s her work with Boy Scouts—a group she’s
volunteered with for more than 20 years—that
first instilled in her a love of the environment
and the Bay that she’s carried with her into her
work at CBMM (work that now extends beyond
volunteering alone, as Eney has also joined
CBMM’s staff part time as a school-age educator).
“Educating people about the Chesapeake
Bay is very important to me.,” said Eney. “And,
of course, there’s the heritage and culture of this
area… sharing that with the people of the Eastern
Shore is very important, too, so that it gets passed
on to the next generation.” ★
lifelines
Interested in becoming a CBMM volunteer?
CBMM is accepting volunteers based on
current needs. Opportunities are designed
to align with your interests and experiences.
If you’d like to be added to a list of interested
applicants, visit cbmm.org/volunteer to fill
out an application and sign up for Volunteer
Orientation. A staff member will reach out as
spots become available.
HEN PATTI ENEY FOUND A HOME as a CBMM
volunteer in early 2018, it was more than
just finding a way to spend some free time
—it was the realization of a goal she’d had
for decades.
“For the longest time, I have wanted to be a
volunteer at a museum. Way back when my oldest—who
is now 30—was just a baby, we were members of the
aquarium and we’d go to the touch tank. A volunteer was
there to help the kids, and I thought that was really neat,”
said Eney, a former college instructor. “I [thought], ‘Well,
maybe this will be something I can do, and I can still be
an educator.’ So that’s what I did.”
After learning about opportunities to get involved
with CBMM from a piece she read in the local
newspaper, Eney attended a training and has been a
valuable member of the volunteer corps ever since. She
works primarily as a docent (and has taken on a guest
host role since the pandemic created a need for that
position) and has also led school tours, hosted cruises
aboard Winnie Estelle, and helped out as needed during
festivals and special events.
“I love the interaction between the students and me,”
Eney said. “I also really like learning from the people who
come to CBMM, whether it be someone from the area
Volunteer Profile
Patti Eneyby Bethany Ziegler
12 SPRING/SUMMER 2021 THE CHESAPEAKE LOG
curator's corner
A Skiff for Tending Peeler Crabs
by Pete Lesher
SIMPLE, SMALL FLAT-BOTTOM SKIFF is all you need to
tend peeler crab floats. Charles H. Parks, founder of
a four-generation Hoopers Island seafood packing
house, built such a utilitarian skiff for his own use,
perhaps in the late 1920s, when he expanded his business to
process crabs as well as oysters. With a cross-planked bottom,
a plumb stem, sides with little flare, and a transom with almost
no rake, measuring just 10 feet, 5 inches long by 3 feet, 10
inches wide, it is the simplest of watercraft.
When the Chesapeake Bay crab industry emerged at the
opening of the 20th century, much of the work in Maryland
revolved around picking crabmeat out of steamed hard crabs,
work largely performed by women. Soft crab production,
on the other hand, was centered farther south, particularly
around Crisfield. Because crabs remain soft for only a few
hours after wriggling out of their outgrown shells, watermen
only occasionally catch them in this transition while dragging
nets or “scrapes” through the grassy shallows. More are
caught as “peelers” when a telltale red outline appears on their
swimmer fins, a sign that they will shed their hard carapace
in less than three days. To wait them out until the vulnerable
moment arrives, watermen bring them back to place in “floats,”
which are then tended around the clock to remove the soft
shells before they either harden or are cannibalized by an
indiscriminate hungry neighbor.
Watermen constructed rectangular, open-top floating live
boxes with vertical wooden slats spaced about 3/8 of an inch
apart. This design allowed water to flow through but prevented
crabs from escaping. Arrays of these peeler floats filled the
creeks and protected waterfronts around Crisfield, Deal
Island, Smith Island, Hoopers Island, and other watermen’s
communities every summer through the first half of the 20th
century. Parks had about eight large peeler floats adjacent to
the wharf behind his seafood packing house. To keep vigil on
the crabs every three hours or so, he built his own small, low-
sided, shallow-draft boat.
Parks tried to ride out the dangerous August 1933
hurricane at his business but was found face down in the skiff
two days after the storm subsided. That same low-sided skiff
somehow saved his life.
The days of crab floats were numbered by the late 1950s,
when Joseph H. Wirtz of West Point, Va., designed and built
troughs—open tanks built on the shore or on a pier with
water pumped and piped in from the harbor, yet curiously still
dubbed “floats.” Shade over the troughs or pens reduced crab
mortality from the sun, the pumps introduced aeration to the
water, and nets reduced the theft of soft crabs by gulls. With
operations moved ashore, small skiffs were no longer needed,
and most of these simple, home-built craft deteriorated.
Virgil G. Hobbs, Jr., grandson of Charles H. Parks, recalls
going out many times as a five- or six-year-old to “fish up”
crabs with his grandfather in the skiff while spending the
summer on Hoopers Island. Parks stood to pole the skiff from
his wharf to the shallow water where the floats were anchored.
He attached a flat net to a 6-foot pole for fishing up the soft
crabs, and the other end of the pole propelled the skiff. Hobbs
was trained by his grandfather to hold the skiff against the
side of the peeler float—an ideal job to keep the young boy
repeatedly engaged through the day. When his grandson
wasn’t in the boat to hold on, Parks carried a second pole to
hold the skiff in place as he netted soft crabs.
By the 1960s, Charles H. Parks Seafood had passed to the
second generation and was operated by Sanxton “Sam” Parks.
Sam Parks never took to the soft crab operation, which he sold
off to his nephew, Kenneth Ruark, who moved it farther down
the island. From that point, the skiff was stored in the attic of
the Parks Seafood packing house on the shore of Back Creek
in the village of Fishing Creek until it finally closed and sold out
of the family in 2012.
Hobbs donated the skiff to the Chesapeake Bay Maritime
Museum in 2020, still remarkably preserved, nearly unchanged
since it was last used. ★Left: Double-ended skiffs were built for tending peeler floats, like this
one seen in Tangier harbor, c. 1951. Photo by Constance Stuart Larrabee.
Collection of the Chesapeake Bay Maritime Museum.
Above: Floats for peeler crabs once filled waterfronts in watermen’s
communities around Tangier Sound, a sight depicted in this postcard.
Collection of the Chesapeake Bay Maritime Museum.
THE CHESAPEAKE LOG SPRING/SUMMER 2021 13
curator's corner
TeachTimeThe Futur
THE CHESAPEAKE LOG SPRING/SUMMER 2021 15
S THE WORK ON MARYLAND DOVE enters its
last stretch and the hull transforms
from skeleton to ship, it becomes
easier to see its near future—splashing
down to fanfare, sailing close to the wind with a
new Boyer rig, and finally being welcomed home
at Historic St. Mary’s City. But that will hardly be
the end of Maryland Dove’s story. Crafted with a
commitment to historical accuracy and informed
by innovative scholarship, Maryland Dove will be a
powerful new time-traveling tool for the educators
at Historic St. Mary’s City. Representing a keystone
component of the organization’s interpretive
approach, the ship will bring to life the adventurous,
harrowing, and human first chapter of Maryland’s
colonial history.
For Peter Friesen, director of education at
Historic St. Mary’s City, the arrival of the new
Maryland Dove can’t come soon enough. Part of the
issue is the vague design of the original 1970s-built
representation, which was generally intended to
represent a ship of the tobacco era as opposed to a
more accurate representation of the original Dove.
The other problem is the vessel’s historical accuracy.
The first Maryland Dove, designed by marine
architect William Baker and constructed by master
shipbuilder Jim Richardson, represented the best
scholarship and craftsmanship of its time. But the
ʼ70s plans were quickly eclipsed as new information
developed about 17th-century maritime design,
powered by advances in marine archaeology and
groundbreaking research.
Together, they’ve resulted in an awkward
disclaimer for any visitor who steps onboard the
current ship at Historic St. Mary’s City. “As a typical
visitor, you’re going to walk down to the waterfront,
where you have a nice view of the Maryland Dove,”
Friesen said. “We have four costumed interpreters
on the ship, and one of the first things they have to
get out of the way is to explain to people that the
ship they see before them does not represent the
Dove of 1634. Instead, it’s a late-17th-century generic
eaching Tool, Time Traveler
ture for Maryland Dove by Kate Livie
CONTINUED ▶
16 SPRING/SUMMER 2021 THE CHESAPEAKE LOG
cargo ship. The only similarity it has to the Dove of 1634 is the
size, the length, the width, and the name.”
With 20,000 to 25,000 visitors a year, that’s a lot of
disclaimers. And it’s particularly off brand for Historic St.
Mary’s City, which takes archaeology, scholarship, living
history, and historical accuracy very seriously. It’s quite literally
the core of their organization, which was constructed on the
original location of the first Maryland colony—in some cases
on top of actual excavated foundations. In four different,
exhaustively researched exhibits that include the waterfront,
the town center, a Woodland Native American village, and a
recreated tobacco plantation, their living history program and
interpreters teach the public about life in the 17th century.
But the narrative that the organization wants to
communicate has changed since its establishment in 1969,
and this ship is a big part of that shift. At its center, the ʼ70s
build of Maryland Dove, Friesen explains, reflects a period
in the museum’s history when there was a push and pull
between the researchers at the museum and the politicians
and big donors bankrolling and directing the initiative. “The
historians wanted to focus more on the 17th century and the
tobacco economy,” Friesen said. “But then you have the public
perception and what the public wants to learn, which is where
the politicians come in. The public wants to know about the
voyage over from the United Kingdom, what it was like, what
happened, who came over. They want that story—not the nitty-
gritty of tobacco economics. At least, not at the waterfront.”
The new Maryland Dove will resolve the compromise
represented by the ʼ70s vessel and give the public what
it wants—Maryland’s origin story as told by a historically
"The only similarity [the current ship] has to the Dove of 1634 is the size,
the length, the width, and the name."
accurate recreation of the original Dove. It’s a change that
Friesen sees as not just a way to spin a compelling historic
tale, but to share a basic, relatable human experience that
makes those colonists of 400 years ago seem a lot like people
today.
“When you learn more about the voyage over and
everything that happened on it, and you tell the public about
it—that the ships got separated but they kept going, that they
met up in Barbados, that Captain Orchard, the ship’s master,
disobeys orders from the Calverts and ends up suing the
Calverts, all the aftereffects of that conflict—to me, that speaks
to humanity and shows us that people are still people,” Friesen
said. “Just in that little story, there’s so much of an impact
that’s more than just the dimensions of the ship or how much
tobacco it could carry.”
The new ship will also allow for even more accurate
nautical education, the domain of Maryland Dove Captain Will
Gates and his crew. The new vessel will transform not only
what they teach—maritime skills like sailing and navigation—
but fundamentally how they approach it. “Square-rigged ships
are not that uncommon. This new ship—no one really has
that rig,” Friesen said. “It’s been at least a hundred years since
anyone has seen one in action. And the idea that the ship is
convertible, and that the square rig could be used for ocean
transit and the Boyer rig for coastal sailing, is fascinating. It
almost makes this ship like a Swiss pocket knife and shows
how it was the pinnacle of technology at the time.”
This is especially important given that the new Maryland
Dove will be able to obtain Coast Guard certification to carry
passengers, meaning that maritime skills will no longer
be taught only conceptually but can be conveyed during
immersive on-the-water excursions. Previously, Maryland
Dove had only functioned as a dockside exhibit, but now
small groups can join the captain and crew on short sails,
enjoying a vantage point and an experience that the original
colonists on Dove would have recognized. And, with a new
handicapped-accessible ramp designed for Maryland Dove,
those passengers with limited mobility can also board the ship
while it’s docked at its homeport.
“It’s not every day that there’s a large capital project at a
museum that you get to be a part of from beginning to end.
Much less one that’s part of the vision of your team, pushing
your museum in the direction you want to see it go, and to
make the interpretation more accurate, more accessible,”
Friesen said. “By having two of our exhibits—Dove and the
Indian village—focus on that early time period, and the town
and the tobacco plantation focus on the wider history, it helps
Pages 14, 16: During a 2017 visit to the Chesapeake Bay Maritime Museum,
Captain Will Gates and his crew taught students participating in a CBMM
summer camp program about sailing and navigation while aboard the
1970s-built Maryland Dove.
Above: Joe Connor, the Chesapeake Bay Maritime Museum’s lead
shipwright and construction manager on the build of the new Maryland
Dove, leads a tour of CBMM's campus, including the Corn Crib where
much of Doveʼs rigging work has taken place. Photo by George Sass.
18 SPRING/SUMMER 2021 THE CHESAPEAKE LOG
thematically streamline the storyline and the message for
the public.” This new approach hones in on the first voyage
over, the colonists on the journey, and the experiences they
encountered in the New World. It also sets up the waterfront at
Historic St. Mary’s City to act as an introductory chapter in the
four-part museum time progression.
It won’t be long before Maryland Dove is making waves
at Historic St. Mary’s City and in how they tell the story of
Maryland’s colonial history. But even before the ship sets sail
on its next chapter, its build has already made an impact at
the Chesapeake Bay Maritime Museum. Like Peter Friesen,
Jill Ferris, CBMM Senior Director of Engagement, Learning,
& Interpretation, has embraced the educational possibilities
presented by the construction of the new vessel. Docents,
Shipyard staff, and CBMM interpretive staff were given extra
training on 17th century history and shipbuilding to ensure
they could share the historical context around the vessel and
its construction, as well as the evolving understanding of its
design throughout the last 50 years.
“We wanted to give them the tools they needed to talk about
what’s happening, why it’s happening, and how that’s historically
significant,” Ferris said. That new knowledge was shared in drop-
in visits to the Shipyard. Before the pandemic halted in-person
programming, the build was also integrated into a CBMM STEM-
based tour for students called Tides of Technology.
Some of the deeper research coming out of the project
has been shared in two collaborative symposia, one hosted
by CBMM and the other originally scheduled to be held at
Historic St. Maryʼs City. The first was held in September 2019,
while the second has been rescheduled for fall 2021 as a virtual
offering with an exciting lineup of historians, archaeologists,
and Native speakers. The virtual learning continues with a
series of monthly STEM webinars for students, bringing in
different shipwrights and speakers to explore historic scientific
concepts like buoyancy and navigation through the lens of
Maryland Dove. Virtual tours and Coffee & Wood Chips virtual
programs also provide adults with front-row access to the
build and the history.
From the groundbreaking research that informed its
design to its future as a critical element of an interpretive
transformation at Historic St. Mary’s City, Maryland Dove
has been a catalyst for growth and learning. And that’s not
changing anytime soon. The ship continues to make its mark
at the Chesapeake Bay Maritime Museum. And, in just a
few months, it will be bringing passengers up the St. Mary's
River under the power of a new Boyer rig. Through their sail,
they’ll see through the eyes of those colonists 400 years ago,
understanding something important—that a critical period of
Maryland’s history isn’t so far away after all. ★
THE CHESAPEAKE LOG SPRING/SUMMER 2021 19
Left: Maryland Dove has made its way
into virtual learning this year, with the
Chesapeake Bay Maritime Museum hosting
a series of monthly STEM webinars for
students, bringing in different shipwrights
and speakers to explore historic scientific
concepts like buoyancy and navigation.
Pictured is CBMM Rigger Bob Downes
mid-lesson on the forces of motion that
allow a boat to float. To learn more about this
program, visit cbmm.org/STEMonBoard.
This page: Joe Connor, the Chesapeake
Bay Maritime Museum’s lead shipwright and
construction manager on the build of the
new Maryland Dove, leads a tour of CBMM’s
campus and the project’s home base in its
working Shipyard. Photo by George Sass.
A Place For Everybody Henry’s Beach on the Segregated Eastern Shore
by Jenifer Dolde
THE CHESAPEAKE LOG SPRING/SUMMER 2021 21
S A CHILD, WHEN ALL OF HER FRIENDS went to the
beach for the day, Lorraine Wigfall Henry stayed
home. “All the kids would go... their parents would
get them nice outfits to wear... and they had their
own change to spend.” Only the three days after Labor Day
were designated as “Colored Excursion Days,” giving Black
residents from Maryland, Delaware, and Virginia the chance to
visit Ocean City freely. The rest of the season, nearly all hotels,
the boardwalk, and oceanside beaches were off limits. “At that
time there were no recreational areas for colored people... that
is the way everything was.... We lived through it, you know
what I mean,” Henry recalled. “But you know, my mother
would never let us go.” In the 1950s, Henry would envision a
beach resort for all.
Henry remembered that Dames Quarter—located in
Somerset County just northeast of Deal Island—was a busy,
prosperous community in the 1920s and 1930s: “Colored and
white. And everybody got along just like they were neighbors
and friends... the only difference was they didn’t go to church
together, or school.” The daughter of Hanson Wigfall, a
blacksmith and waterman, she recalled a childhood centered
on extended family and friends, church, and community
activities such as sandlot baseball.
Nonetheless, Henry wanted opportunities beyond working
in the oyster packing houses that dominated local industry. In
1940, she married George Henry, a local man from Berlin, Md.,
left home for Philadelphia, and took a course in drafting. She
worked as a tracer at the Navy Yard until the end of World War
II. In search of a new occupation, she studied cosmetology at
the Beauty Academy and, in the early 1950s, opened her own
beauty shop on 55th and Girard streets in West Philadelphia;
a decade later, she expanded Lorraine’s Beauty Shop and
School into an apartment building two blocks away, with the
business on the first floor and living quarters above.
The beauty of Dames Quarter’s waterfront and fond
childhood memories inspired Henry on a visit to her parents
in 1951. Tangier Beach, an old resort with a derelict cottage, a
bathhouse, and no running water or electricity, was for sale.
“The beach itself was beautiful—nice sandy beach—gorgeous,”
Henry remembered. Her father worked there before it closed
in 1924, but the beach itself was for white people only. Now
a successful business and property owner, she still had not
forgotten how it felt to be left out. “This would be nice because
we can have a place for everybody [to] come that want[s] to
come. And that’s what started Henry’s Beach.” Her husband, a
mechanic for a Cadillac dealer in Philadelphia, quickly agreed.
For about $2,500, they purchased 16 acres of land with a
beach that was “sandy all the way out almost to the buoy.” The
Henrys upgraded the utilities, hired a family friend to expand
the old bathhouse building for a dining room, and built another
structure to accommodate visitors. “People were just flocking
in, you know, because it was a needed place…. People just
loved the idea, and they were thrilled to have someplace to go.”
From spring to fall, Lorraine and George Henry drove back and
forth from Philadelphia every weekend to manage the beach.
Seafood purchased directly from Deal Island watermen
and home-cooked specialties were central to the Henry’s
Beach experience: fried fish, crabs, oysters, fried chicken,
ham, and roast beef. People went for “crabs of all types: soft
shell crabs, crab cakes, crab croquettes, crab this, crab that.”
Local watermen made sure the Henrys had plenty of seafood
at reasonable prices, chicken came from the local Perdue
processing facility, and fresh vegetables from area farmers
were in ample supply. Henry did most of the cooking and
ordering from the beginning. “I took up cooking... mainly to
be able to cook that food and make it right so that people
would want to come back again.” Church groups, clubs,
community organizations, and large family groups flocked to
Henry’s Beach from the Eastern Shore, Baltimore, Delaware,
Philadelphia, Washington, D.C., and beyond.
If dining on local specialties, relaxing on the beach,
swimming, fishing, crabbing, and enjoying rides brought in
by Trimper’s of Ocean City were not enough of an attraction,
Henry’s Beach also hosted well-known performers in the
Arcade room, as well as onstage in an outdoor pavilion. Earth,
Wind & Fire, The Temptations, and the seminal R&B/funk
band New Birth performed, along with comedic and dramatic
stage plays by troupes from Pennsylvania. These acts were
key to drawing a large clientele. Although they served beer
Above: Original buildings on the Tangier Beach property, once for white people
only, purchased by Lorraine and George Henry in the early 1950s. Photo by
Lorraine Henry. Collection of the Chesapeake Bay Maritime Museum, 1022-0057.
Left: A female vocalist performs with a band onstage at Henry’s Beach, c.
1960s. Photo by Lorraine Henry, Collection of the Chesapeake Bay Maritime
Museum, 1022-0066.
and malt liquor, George Henry insisted on polite behavior.
“My husband was a good policeman. He was so strict...
he wouldn’t allow them... unless they had a tie on in the
summertime…. We didn’t have any trouble.”
The Henrys advertised on the radio, especially Hoppy
Adams’ show, which aired on WANN out of Annapolis.
Charles “Hoppy” Adams, whose “Bandstand on the Beach”
broadcasts introduced a diverse group of Americans to
R&B and soul music, attracted a large audience of listeners
that both big-name performers and venues like Henry’s
Beach were eager to convert to customers. “He did a lot of
our advertising,” Henry remembered. They also distributed
business cards and made direct contact with groups looking
for places they were welcomed. “There was no other place,
as far as... recreation area... for people to go to.”
The surrounding community, recognizing the benefit of
an influx of potential customers, supported Henry’s Beach,
and even recreated at the resort. “All the local people were
really for it…. They appreciated it, too, because that was
business for them…. Restrooms and areas where they could
get maybe a little lunch or breakfast... maybe gas, oil…. They
were out to spend money and have fun.” Henry recognized
the economic benefit their beach provided to local white-
owned businesses and those along the route to Dames
Quarter, but that support only came within the parameters of
segregation and unequal access. “But when it came to being
served [in those white businesses], that was a different story.
Like meals, you know, and bath facilities. They had facilities,
but they had separate ones…. They had colored signs for
colored—they never stopped people from coming, but
colored had to go in this door, or use this bathroom.”
As a privately owned recreational area, Henry’s Beach
could welcome any and all visitors, regardless of race, when
it opened in 1952. In Maryland and other states, restrictive,
discriminatory laws enacted by local governments excluded
people of color from public beaches and made private
havens necessary. Other Maryland beaches established
as recreational spaces for Black people include Highland
Beach, founded in 1893 by Frederick Douglass’s son,
Charles, who then sold parcels of land to friends and
family. Esteemed Black Americans such as W.E.B. Dubois,
Booker T. Washington, and Langston Hughes visited there.
Carr’s and Sparrow’s beaches, founded by two daughters
of formerly enslaved parents, welcomed Black people
from all over the Mid-Atlantic to swim, socialize, and enjoy
Left: Guests enjoy the sand and gather together in the dining hall at Henry's
Beach. Photos by Lorraine Henry. Collection of the Chesapeake Bay Maritime
Museum, 1022-0034, 1022-0042, 1022-0050.
performances by well-known vocalists that included Billie
Holiday, Ray Charles, and Aretha Franklin.
When Sandy Point State Park near Annapolis opened—
the same year as Henry’s Beach—it became the first state
park in Maryland opened to Black people, although the
segregated accommodations were not equally maintained.
In 1953, the NAACP filed a lawsuit; in Lonesome v. Maxwell,
the court decided that the separate beaches and facilities
at Sandy Point must receive equal upkeep but did not rule
against the segregated spaces. Following the Supreme Court
ruling in Brown v. Board of Education two years later, which
deemed “separate but equal” schools unconstitutional, the
Fourth Circuit court ruled that segregated beaches were
unconstitutional as well. In spite of these legal precedents,
segregation and discrimination persisted for years afterward.
“But that was just the way of things, you know, way of
life... and everybody was used to it, the Black and the White, I
guess. That’s about all I can say because I don’t know when
it started, but I do know when it ended.” Henry’s Beach
continued to fill an important role in Dames Quarter through
the 1970s. Desegregation, ironically, led to the decline of places
like Henry’s Beach, which was eventually unable to compete
with the draw of previously forbidden venues. Lorraine Henry
remembers feeling hurt
by the comments from
former regulars: “‘We
can go to Sammy’s and
Johnny’s now.’ They were
thrilled to death that they
could go there and get a
meal.” Although the Civil
Rights Act was passed in
1964, the Eastern Shore
did not fully integrate
public spaces until the
1970s. This proved to be
the beginning of the end
for Henry’s Beach, which
continued to cater to groups rather than the general public.
After George Henry died in 1979, the business became too
much for Lorraine Henry to manage on her own. She leased
the property for several years but, unhappy with the way it was
operated, sold Henry’s Beach in the early 1980s.
The openness of nature may seem to be democratizing,
but environmental racism has persisted throughout American
history. Private ownership and public management of beaches,
parks, and natural lands have restricted or denied access to
many, including Black Americans. That Lorraine Henry made
her dream of Henry’s Beach as a place for everyone a reality
in the 1950s is a reflection of her
business acumen, persistence,
open-mindedness, and self-
respect. “I’d been used to
associating and living and
working around all types of
people. And I know people are
people, regardless…. It’s the
way you carry yourself, the
way you demand respect, you
can give respect to everybody.
I was brought up that way.”
Nonetheless, the Henrys saw a need
in the Black community and filled it for more than 30 years,
reminding their African-American visitors that the beaches and
waterways of the Chesapeake region were theirs to enjoy, fully
and equally.
Lorraine Henry died on Jan. 23, 2021, a week before her
100th birthday. An oral history with her was conducted in
2001 by CBMM folklorist Kelly Feltault, and the Henry’s Beach
story is featured in CBMM’s At Play on the Bay exhibition.
Documents and photographs related to Henry’s Beach were
collected as part of the oral history fieldwork and are now part
of CBMM’s collection. ★
Above: Lorraine Henry in the dining room at Henry’s Beach, c. 1970s. Gift of
Lorraine Henry. Collection of the Chesapeake Bay Maritime Museum, 1022-
0044.
Below: Business card advertising Henry’s Beach, c. 1960s. Gift of Lorraine
Henry. Collection of the Chesapeake Bay Maritime Museum, 2004.70.2.
Shipyard
Railway season begins at CBMMCHRISTIAN CABRAL, SHIPYARD MANAGER at the Chesapeake Bay
Maritime Museum, reports that his team is preparing for spring
and the beginning of railway season. Each member of CBMM’s
floating fleet of historic vessels requires an annual haul out,
during which time shipwrights perform routine maintenance
and address any preventative maintenance items.
First on the railway this season is Winnie Estelle. Winnie,
CBMM’s now century-old buyboat, works throughout the
spring, summer, and fall, taking guests on trips to explore the
Miles River and greater Chesapeake Bay. As a commercial
vessel, Winnie Estelle is inspected annually by the U.S. Coast
Guard during its annual railway service and then begins the
operational season on May 1. Following Winnie, the remaining
members of the floating fleet are hauled, inspected, painted,
and maintained. Some notable projects this season include rig
service for all applicable vessels, repair work to Rosie Parks’
centerboard trunk, a mechanical overhaul on Old Point ’s
Detroit Diesel engine, and the reinstallation of the Potomac
River dory boat’s Universal diesel engine. In addition to
maintaining CBMM’s own fleet, shipwrights are performing
work on Calvert Marine Museum’s converted bugeye Wm. B.
Tennison, including replacing its running rigging and pulling
and servicing the mainmast.
Alongside the railway, CBMM shipwrights continue the
restoration of the 1912 river tug Delaware. Fleet Shipwright
Michael Allen and Shipyard Education Manager Jennifer Kuhn
will spend the spring and summer leading the shipwright
apprentice team in finishing up the installation of 68 bent
frames, 16 sawn frames, and all flooring. Afterward, the team
will turn its attention to planking—removing two planks at a
time, fitting and fastening one, then lining off the next plank.
Simultaneously, CBMM’s marine mechanic, Josh Richardson,
will continue the rebuild of and planning for the re-installation
of Delaware’s power plant, a Gray Marine Detroit Diesel. ★
Maryland Dove
Maryland Dove team works on planking, decking, and rigging JOE CONNOR, LEAD SHIPWRIGHT at the Chesapeake Bay Maritime
Museum and construction manager on its build of a new
Maryland Dove, reports that his team is currently operating in
three groups—the planking crew, the deck framing crew, and
the riggers—and that guests visiting CBMM will observe a
flurry of activity from these teams through the spring.
Already, garboard strakes have been installed and the
ship’s hull has been lined out for exterior planking. These
planks are spiled for shape, steamed to fit and, finally,
fastened to the hull with treenails. Planks below the waterline
are made from angelique, and those above are white oak.
The deck framing crew has completed all of Maryland
Dove’s new deck beams and is now working on carlins,
stanchions, hanging knees, lodging knees, and deck houses
to complete the structure for planking. The rigging crew,
meanwhile, is 90% done with the ship’s spars and is nearing
completion of fabricating blocks. Next up for them will be
the standing rig, while the sails have now been finished by
Traditional Rigging Co. in Maine.
CBMM’s shipwright apprentices have also been
participating in the build by helping to fabricate bronze
clench rings while learning the ropes of green sand metal
casting. ★
on the rail
24 SPRING/SUMMER 2021 THE CHESAPEAKE LOG
MEMBER NIGHTS
Hunting for Decoys
Date/Time: Wednesday, April 14, 5–6pm
Location: Virtual Program
Cost: Free for CBMM members
Registration: cbmm.org/huntingdecoys
Decoys originated as utilitarian lures for bird hunting, but
today they are hunted enthusiastically by collectors. During
this virtual program, CBMM Chief Curator, Pete Lesher, will
teach you all about the world of collectible decoys.
Yachtails of the Chesapeake
Date/Time: Thursday, May 20, 5:30–6:30pm
Location: Virtual Program
Cost: Free for CBMM members
Registration: cbmm.org/yachtails
Warm weather, blue water, and sunny skies call for a drink—
and the Chesapeake Bay has inspired many signature
cocktails over the centuries. Get a history-inspired mixology
lesson from Jaime Windon, CEO and founder of Windon
Distilling. Purchase a drink kit ahead of time from Windon
Distilling and stir, shake, sip, and savor along with us as Jaime
shares local lore and Chesapeake specialties!
Juneteenth: Celebrate Freedom on the Chesapeake Bay
Date/Time: Wednesday, June 16, 5–6pm
Location: Virtual Program
Cost: Free for CBMM members
Registration: cbmm.org/juneteenth
Juneteenth—a commemoration of the end of slavery—has
been celebrated for generations on the Chesapeake Bay and
continues to be an important holiday. Join CBMM to learn
about the history of local Juneteenth celebrations and how
you can get involved this year.
Photographing the Bay: An Evening with Mark Hergan
Date/Time: Wednesday, July 28, 5:30–6:30pm
Location: Virtual Program
Cost: Free for CBMM members
Registration: cbmm.org/Herganphotography
Back by popular demand, Chesapeake Bay sailor and
photographer Mark Hergan will join CBMM via Zoom to
share some of his recent work, plus insider tips and tricks for
capturing stunning maritime images.
Off to the Races: Log Canoe Legends and Lore
Date/Time: Tuesday, Aug. 17, 5–6pm
Location: Virtual Program
Cost: Free for CBMM members
Registration: cbmm.org/offtotheraces
Sit down with CBMM for a story-filled evening from
generations of log canoe sailors as they share their funniest,
favorite, and most harrowing racing memories and answer
your questions about this quintessential Chesapeake sport.
AFAD SHIPYARD PROGRAMS
Small Diesel Maintenance: Commissioning
Date/Time: Saturday, April 17, 10–11:30am
Location: Virtual Program
Cost: $25, with a 20% discount for CBMM members
Registration: cbmm.org/commissioning
CBMM Marine Mechanic, Josh Richardson, will host this
virtual session focused on commissioning your diesel engine
after winter storage. Richardson will show you how to check
all engine oils, assess the engine’s temperature and running
condition, flush its heat exchanger, and change the sacrificial
anodes and fuel filter. He will also troubleshoot issues you may
face down the road as the owner of a small diesel engine.
Coffee & Wood Chips
Date/Time: Mondays, April 19, May 17, June 21, July 19, &
Aug. 23, 10–11am
Location: Virtual Program
Cost: $10, free for CBMM members
Registration: cbmm.org/shipyardprograms
Connect with CBMM from home by joining Shipyard
Education Programs Manager, Jennifer Kuhn, on Mondays
each month for updates on all that is happening in CBMM’s
working Shipyard. Topics may include the construction of
Maryland Dove, the restoration of the 1912 river tug Delaware,
and work being done on CBMM’s floating fleet of historic
vessels.
THE CHESAPEAKE LOG SPRING/SUMMER 2021 25
calendar
Virtual Trivia Night
Date/Time: Mondays, May 24 and July 26, 8–9pm
Location: Virtual Program
Cost: Free for CBMM Members; non-members encouraged to
pay what you can by adding a donation at checkout
Registration: cbmm.org/virtualtrivia
Put your knowledge to the test with the Chesapeake Bay
Maritime Museum’s trivia nights! Play on your own, team up
with members of your household, or connect with friends
virtually and join the game.
Summer Volunteer Trainings
Date/Time: Select dates June–August
Location: Virtual and in-person
Cost: Free (Must be an active CBMM Volunteer)
Registration: [email protected]
CBMM volunteers are encouraged to learn more about the
history and environment of the Chesapeake Bay, as well as
techniques for welcoming and guiding guests on our campus,
through this training series. Sessions include training for
Docents and Guest Host assignments.
Volunteer Fair
Dates/Times: Tuesday, June 15, 10–11:30am
Location: Virtual Program
Cost: Free
Registration: bit.ly/CBMMvolunteerfair
The Chesapeake Bay Maritime Museum would not be the
success it is today without the generous commitment of its
dedicated volunteers. CBMM volunteers put their hearts into
many facets of CBMM’s operations, including education,
exhibition maintenance, gardening, boatbuilding, marina
operations, administration, and much more. Learn about
opportunities to get involved at our Volunteer Fair. The fair is
also a great chance to mix and mingle with current volunteers
and staff.
Shipyard Skills Demonstrations
Date/Time: May–October, on the 2nd and 4th Fridays of each
month, 1–4pm
Location: CBMM Campus
Cost: Included with regular CBMM admission
Join Shipyard staff on select Fridays from May–October for
demonstrations of various maritime skills. Demonstrations
will cover topics like rigging, splicing line, knot tying,
steam bending, creating decorative rope fenders, carving
nameboards, forging, and casting metal.
Learn the Art of Caulking
Date/Time: Saturday, June 5, OR Saturday, July 24, 10am–4pm
Location: Shipyard
Cost: $55, with a 20% discount for CBMM members
Registration: cbmm.org/shipyardprograms
From rolling oakum to threading and making seams, join
Master Shipwrights Frank Townsend and Ed Farley for a day
in the Shipyard to learn traditional techniques while helping to
caulk Maryland Dove. Participants are required to wear closed-
toe shoes and masks, are encouraged to bring a lunch and a
refillable water bottle, and should dress for working outdoors.
EDUCATION PROGRAMS
Boater’s Safety Course
Date/Time: See following schedule
Location: Virtual Program
Cost: $25, with a 20% discount for CBMM members
Registration: cbmm.org/boatersafety
Boater’s Safety Courses teach participants the basics needed
to safely and confidently operate a vessel on Maryland
waterways. Individuals and families with children 10 and older
are welcome to participate. Maryland boaters born after July
1, 1972, are required to have a Certificate of Boating Safety
Education. Participants must attend all three sessions and
pass the Department of Natural Resources exam to earn a
certificate that is good for life.
Upcoming sessions:
Mondays, April 12, 19, and 26, 5–8pm
Wednesdays, May 26, June 2, and June 9, 5–8pm
Monday–Wednesday, July 12–14, 5–8pm
Wednesdays, Aug. 25, Sept. 1, and Sept. 8, 5–8pm
26 SPRING/SUMMER 2021 THE CHESAPEAKE LOG
calendar
continued ▶
YOUTH & FAMILY PROGRAMS
Lighthouse Overnights
Date/Time: Fridays and Saturdays, Spring and Fall
Location: Hooper Strait Lighthouse
Cost: $40 per person (12-person min/18-person max)
Fee includes one overnight stay in the Lighthouse, a dedicated
CBMM facilitator, the cost of program activities, two days’ admission
to CBMM, and a souvenir patch.
Registration: cbmm.org/lighthouseovernights
Spend the night in our 1879 Hooper Strait Lighthouse! Travel
back in time to experience the rustic life of a lighthouse
keeper with hands-on, interactive activities, games, and
stories. Designed for youth groups, children’s organizations,
and scouts, ages 8–12 (and their chaperones), the program
is available on Fridays and Saturdays in the spring and fall,
beginning at 7pm and ending at 9am the following morning.
On the weekend of the program, groups may also choose to
add a drop-in scenic river cruise aboard the 1920 buyboat
Winnie Estelle at a discounted rate, subject to seasonal
availability.
Learn and Play at Home
Date/Time: See schedule below
Location: Virtual Program
Cost: $5 per student, with a 20% discount for CBMM members
Registration: cbmm.org/learnandplay
Bring the experiences that CBMM has to offer to
your home learning environment. Whether you are a
family homeschooling this year or a student working
asynchronously, our virtual and at-home activities
supplement your learning in subjects like history, STEM, the
environment, and maritime education.
Making Crab Cakes
Date/Time: Wednesday, April 14 or June 2, 2pm
The Lighthouse Keeper is Missing!
Date/Time: Wednesday, April 21 or June 9, 2pm
ON-THE-WATER PROGRAMS
Guided Paddle and Tastings
Date/Time: See following schedule
Location: See following locations
Cost: $45 without kayak rental; $65 with rental; 20% discount
for CBMM members. Tastings included with registration fee.
Registration: cbmm.org/paddles
CBMM staff will lead two kayak paddles around Talbot
County waterways this summer, each concluding with a
tasting from a local business. Both events are suitable for
intermediate paddlers.
Participants are asked to provide their own PFDs if they
are not renting one of CBMM’s kayaks. Facial coverings are
required upon exiting your vehicle and while launching and
hauling kayaks. Once out on the water—while keeping a safe
distance from fellow paddlers—coverings can be removed
but are once again required on haul out. Hand sanitizer will
be provided for the onset and close of each excursion. Please
dress accordingly for being outdoors, wear sunscreen, and
bring water and any snacks you will need for the duration of
the paddle.
Skipton Creek & Triple Creek Winery
Date/Time: Saturday, May 22, 9am–2pm
(rain date: May 23)
Location: Launches from Skipton Landing in Cordova, Md.
Tred Avon River & Scottish Highland Creamery
Date/Time: Saturday, Aug. 28, 9:30am–1:30pm
(rain date: Aug. 29)
Location: Launches from Bellevue Boat Ramp,
Oxford-Bellevue Ferry, Royal Oak, Md.
THE CHESAPEAKE LOG SPRING/SUMMER 2021 27
calendar
Wednesday Night Racing Spectator Cruises
Date/Time: See following schedule
Location: All cruises depart from CBMM
Cost: $20 per person, with a 20% discount for CBMM members
Registration: cbmm.org/onthewater
Spend an evening on the Miles River watching the Wednesday
Night sailboat races from the deck of CBMM’s 1920 buyboat
Winnie Estelle. This spectator cruise offers a great introduction
to sailboat racing in a casual but competitive atmosphere. For
extra fun, check out the annual James Wilson Round the Island
Race on Aug. 4, where all boats race a set 6.8-mile course
around Herring Island; and the Oct. 6 race, where the fleet
celebrates the end of the sailing season with a competition for
the “Best Dressed” award.
Schedule:
Wednesday, June 2, 5:30–7:30pm
Wednesday, July 7, 5:30–7:30pm
Wednesday, Aug. 4, 5:30–7:30pm
Wednesday, Sept. 1, 5:15–7:15pm
Wednesday, Oct. 6, 5:15–7:15pm
ACA Levels 1 & 2 Essentials of Coastal Kayak Instructor
Certification
Date/Time: Saturday–Monday, June 5–7, 8am–5pm
Location: Fogg’s Cove
Cost: $450, with a 20% discount for CBMM members
Registration: cbmm.org/kayakcertification
Join Jake Taylor, a team rider for Aztron Sports, instructor
for the American Canoe Association (ACA), and the state
director of ACA Vermont, in this three-day coastal kayaking
instructor certification course. Participants will learn Level 1 &
Level 2 coastal and river disciplines while gaining confidence
in managing and teaching within these environments. The
ACA Instructor Manual and kayak rental (if needed) are
included with the cost of registration. Participation is limited
to adults 18 years of age and older.
New to Paddling Workshop
Date/Time: Saturday, June 12, 9am–1pm (rain date: June 13)
Location: Fogg’s Cove
Cost: $45 without kayak rental; $65 with rental; 20% discount
for CBMM members
Registration: cbmm.org/newpaddler
Are you new to paddling or just want to refresh your skills?
CBMM staff members Kendall Wallace and Jenn Kuhn will
host an on-the-water session this summer focused on the
fundamentals of paddling, covering topics like the anatomy
of the kayak, paddles and gear, safety measures, launch
techniques, and the basic strokes used in paddling. Dress
for being outdoors, wear water shoes and sunscreen, and
bring water and any snacks you will need for the duration of
the program. Participation is limited, and anyone age 16 or
younger must be accompanied by an adult. We ask paddlers
to wear a mask, and bring water, a head lamp, and a PFD if
not renting one of our kayaks.
Log Canoe Cruises
Date/Time: See following schedule
Location: All cruises depart from CBMM
Cost: $35 per person, with a 20% discount for CBMM
members
Registration: cbmm.org/onthewater
Enjoy a river cruise to watch the log canoe races on the
Miles River from CBMM’s Winnie Estelle. Log canoe races
are a quintessential Chesapeake pastime, and from a
shady spot onboard Winnie’s deck you’ll get an up-close
and exciting look at the action. Amateur photographers,
sailing aficionados, or wooden boat enthusiasts will all find
something to enjoy on CBMM’s log canoe cruises!
Schedule:
Saturday, June 26, 1:30pm
Sunday, June 27, 9:30am
Saturday, July 31, 9:30am
Sunday, Aug. 1, 9:30am
Saturday, Sept. 11, 9:30am
Sunday, Sept. 12, 9:30am
Saturday, Sept. 18, 9:30am and 1:30pm
Sunday, Sept. 19, 9:30am
Eco Cruises
Date/Time: Thursday, July 15, 10–11:30am, and Tuesday, Aug.
17, 1–2:30pm
Location: Aboard Winnie Estelle
Cost: $20 per person, with a 20% discount for CBMM
members
Registration: cbmm.org/onthewatercontinued ▶
28 SPRING/SUMMER 2021 THE CHESAPEAKE LOG
calendar
Adults and children of all ages are encouraged to join us for
a citizen science excursion on the Miles River. This up-close
and personal exploration of the Chesapeake Bay’s unique
habitat and ecology offers an opportunity for passengers
to try their hand at water testing and explore the critters on
an oyster reef, all while cruising in the breeze on CBMM’s
buyboat Winnie Estelle.
Full Buck Moon Paddle
Date/Time: Friday, July 23, 6:30–9:30pm
Location: Launches from CBMM’s Fogg’s Landing
Cost: $25 without kayak rental; $45 with rental; 20% discount
for CBMM members
Registration: cbmm.org/paddles
Join CBMM and friends for an evening paddle designed to
wow your senses, as you watch the sunset and moonrise
while enjoying the serenity of a leisurely evening paddle.
Participants are invited to bring their own kayak or rent one
from CBMM. We ask paddlers to wear a mask, and bring
water, a head lamp, and a PFD if not renting one of our
kayaks.
Paddling with the President
Date/Time: Wednesday, Aug. 11, 5:30–7:30pm (rain date:
Aug. 12
Location: Fogg’s Cove
Cost: $25 without kayak rental; $45 with rental; 20% discount
for CBMM members
Registration: cbmm.org/Greenawaypaddle
Join CBMM President and avid paddler Kristen Greenaway in
a relaxed evening paddle along the Miles River and up Long
Haul Creek. Participants will have a chance to learn how
to paddle using Greenaway’s preferred Greenland paddle.
Participants are asked to wear a mask and to bring water, a
head lamp, and a PFD if not renting one of CBMM’s kayaks.
This paddle is suitable for both the beginner and intermediate
paddler. Participation is limited, and anyone aged 16 or
younger must be accompanied by an adult.
SPECIAL EVENT
Sunset Yoga on Navy Point
Date/Time: Tuesdays, May 4, 11, 18 and 25, and June 1, 8, 15, 22
and 29, 5:30–6:30pm
Location: Navy Point
Cost: $20 for a single session; $70 for the full May series; $87
for the full June series; 20% discount for CBMM members
Registration: cbmm.org/yoga
On Tuesday evenings in May and June, Jenn Swaine, owner
and certified yoga instructor at Eastern Shore Yoga, will
lead participants in a mixed level flow sunset yoga class
on CBMM’s Navy Point. Participants are required to bring
their own mats, props, and water. Rain dates are set for the
following day each week.
calendar
Explore the magic of the Chesapeake Bay’s
people, animals, traditions, and environment!
Weekly camp offerings rotate between age groups,
with sessions for children from ages 4–15. Each
session is limited to a maximum of 8 children, with
an emphasis on creating a fun, hands-on learning
environment that includes on-the-water and
environmental activities, stories, games, crafts, and
other creative projects. Scholarships available.
For more information and to register, visit cbmm.
org/summercamps. CBMM members receive a
20% discount on camp tuition.
2021 Summer Camp Guide
Weekly Themes
Red, White, & Bay
Join us for a star-spangled spectacular!
Bay Crusader
Chart your course for a Chesapeake adventure!
Chesapeake Critters
Take a closer look at the critters that live in the Chesapeake,
large and small.
Shipwrecked! Ahoy, matey! Join us to discover the Bay’s many treasures!
Explore & More Do you dare be a Chesapeake explorer for a week?
Feathers, Fins, & Furs
In the sky, underwater, and on land—what can you find?
30 SPRING/SUMMER 2021 THE CHESAPEAKE LOG
SEA SQUIRTS Ages 4–6
Camp runs from 9am to noon, Monday–Friday. $120 per week for CBMM members; $150/week for non-members.
June 28–July 2: Red, White, & Bay
July 5–9: Bay Crusaders
July 12–16: Chesapeake Critters
July 19–23: Shipwrecked!
July 26–30: Explore & More
Aug. 2–6: Feathers, Fins, & Furs
TERRAPINS Entering grades 1–3
Camp runs from 9am–3pm, Monday–Friday. $240 per week for members; $300 per week for non-members.
June 28–July 2: Red, White, & Bay
July 5–9: Bay Crusaders
July 12–16: Chesapeake Critters
July 19–23: Shipwrecked!
July 26–30: Explore & More
Aug. 2–6: Feathers, Fins, & Furs
SUMMER WORKSHOPS Entering grades 4–6 or 6–9
Camp runs from 9am–3pm, Monday–Friday. $240 per week for CBMM members; $300 per week for non-members.
Participants will spend time both in the workshop and on the water.
July 5–9 Grades 4–6
July 20–24 Grades 6–9
July 26–30 Grades 4–6
Aug. 17–20 Grades 4–6
RISING TIDE SUMMER CAMP Entering grades 6–9
Camp runs from 9am–3pm, Monday–Friday. Free; $50 refundable deposit required to hold a student’s reservation.*
Registration reserved for current Rising Tide participants. Remaining spaces open for public registration on May 1, June 28–July 2, Aug. 9–13.
*Deposit will be refunded after the student's last
registered week of Rising Tide Summer Camp. If the
student does not attend a reserved week of camp, the
deposit will not be refunded and any reservations for
subsequent weeks of Rising Tide Summer Camp will
be forfeited.
THE CHESAPEAKE LOG SPRING/SUMMER 2021 31
Chesapeake Bay
Maritime Museum
213 N. Talbot Street
St. Michaels, MD 21663
Why should you
donate your boat
to CBMM?
TAX DEDUCTIBLE
Your donation qualifies for an itemized deduction. CBMM provides you with appropriate tax deduction forms. Consult a tax professional.
SUPPORT A GOOD CAUSE
Proceeds benefit the children and adults served by CBMM’s many enjoyable and educational programs.
Get a free evaluationHave CBMM’s trained professionals evaluate your boat for donation
410-745-4992 | cbmm.org/boatdonationprogram
CHESAPEAKE BAY MARITIME MUSEUM
Charity Boat Donation Program
NO HEADACHES
Selling a boat can be costly and time consuming. Donating your boat to CBMM is simple and straightforward.