20/21 Posters The Ski Sale

22 JANUARY 2015 SOUTH KENSINGTON

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PAYMENT

BUYERS

Tel: +44 (0)20 7839 9060Fax: +44 (0)20 7389 2869

VENDORS

Tel: +44 (0)20 7389 2915Fax: +44 (0)20 7581 5295

SHIPPING

Tel: +44 (0)20 7389 2712Fax: +44 (0)20 7389 2869

STORAGE AND COLLECTION

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CONDITIONS OF SALE

This auction is subject to Important Notices, Conditions of Sale and to Reserves

BUYING AT CHRISTIE’S

For an overview of the process, see the Buying at Christie’s section.

[15]

christies.com

20/21 POSTERS THE SKI SALEThursday 22 January 2015

AUCTION

Thursday 22 January 2015

at 1.00 pm Lots 1-247

85 Old Brompton Road

London SW7 3LD

AUCTION CODE AND NUMBER

In sending absentee bids or making enquiries, this sale should be referred to as POS-10070


Please refer to the important notice

on page 72. Please note that Cadogan

Tate’s opening hours are Monday to

Friday 9am to 5pm, and purchases

transferred to their warehouse are not

available for collection at weekends.

SERVICES

ABSENTEE BIDS

Tel: +44 (0)20 7752 3225Fax: +44 (0)20 7581 1403

AUCTION RESULTS

Tel: +44 (0)20 7839 9060 christies.com

TELEPHONE BIDS

Tel: +44 (0)20 7752 3225Fax: +44 (0)20 7591 0987

CLIENT LIAISON

Aina TruyolsTel: +44 (0)20 7752 3179

CLIENT SERVICES

Tel: +44 (0)20 7839 9060Fax: +44 (0)20 7389 2869

Email : [email protected] cover: Lot 31

Inside front cover: 229

Back cover: Lots 88, 101, 133, 146

VIEWING

Saturday 17 January 11.00 am - 5.00 pm

Sunday 18 January 11.00 am - 5.00 pm

Monday 19 January 9.00 am - 7.30 pm

Tuesday 20 January 9.00 am - 5.00 pm

Wednesday 21 January 9.00 am - 5.00 pm

AUCTIONEER

Hugh Edmeades and William Porter

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SPECIALIST

Posters, lots 1-126, 152-247

Nicolette Tomkinson

[email protected]

Tel: +44 (0)20 7752 3301

Sophie Churcher

[email protected]

Tel: +44 (0)20 7752 3208

Irene Orgaz Garc-a

[email protected]

Tel: +44 (0)20 7752 3206

luggage, lots 127-151

Clare Borthwick

[email protected]

Tel: +44 (0)20 7752 3216

ADMINISTRATOR

Ava Carleton-Williams

[email protected]

Tel: +44 (0)20 7752 3279

Fax: +44 (0)20 7752 3185

BUSINESS MANAGER

Georgina Lewis

[email protected]

Tel: +44 (0)20 7389 2460

Please note all lots are sold unframed unless otherwise stated in the lot’s description.

2

1

1

ERICH HERMÈS (1881-1971)

MONTREUX-BERNER OBERLAND

lithograph in colours, 1929, printed by Säuberlin & Pfeiffer, S.A., Vevey, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

2

2

PAUL GUSSET (1909-1975)

BERNER OBERLAND

lithograph in colours, c.1950, printed by Brügger A.G., Meiringen, condition A-; backed on linen40 x 28 in. (101 x 71 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

3

3

FRANCO BARBERIS (1905-1992)

BERNER OBERLAND

lithograph in colours, printed by J.C.Müller A.G., Zürich, condition B+; backed on linen40 x 27Ω in. (102 x 69 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

CONTENTS

SWITZERLAND 1-125, 171

LUGGAGE 127-151

AMERICA & CANADA 152, 159, 164-166

ROGER BRODERS 167-179

FRANCE 126, 167-213

GERMANY 220-221, 223

NORWAY 224-228

AUSTRIA 229-240

ITALY 241-247

3

4

4

MARTIN PEIKERT (1901-1975)

MOB

offset lithograph in colours, 1946, printed by Klausfelder, Vevey, condition A-; backed on japan40 x 25 in. (102 x 64 cm.)

£4,000-6,000 $6,300-9,300 €5,100-7,600

*5


MOB

lithograph in colours, printed by Säuberlin & Pfeiffer, S.A., Vevey, condition A; backed on linen39 x 25Ω in. (100 x 65 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

5

6

6

EDOUARD ELZINGRE (1880-1966)

THE GOLDEN PASS ROUTE

lithograph in colours, printed by Sonor S.A., Genève, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£5,000-7,000 $7,800-11,000 €6,400-8,800

4

11

*11

W. STUDER (PHOTO)

WENGEN

offset lithograph in colours, c.1935, printed by Fretz Frères S.A., Zurich, condition A; not backed40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

10


WENGEN

lithograph in colours, c.1948, condition A; not backed40 x 25 in. (102 x 64 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

10

*9

WILLY TRAPP (1905-1984)

KANDERSTEG

lithograph in colours, printed by Wolfsberg, Zürich, condition A; backed on linen40 x 25Ω in. (102 x 65 cm.)

£800-1,200 $1,300-1,900 €1,100-1,5009

8


KANDERSTEG

lithograph in colours, printed by A. Trüb & Co., Aarau, condition A-; backed on japan40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

8

*7

LEO KECK (1906-1987)

LENK

lithograph in colours, 1940, printed by Fretz A.G., Zürich, condition A; not backed40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

7

5

15

15

ALEX WALTER DIGGELMANN (1902-1987)

INTERLAKEN

lithograph in colours, 1933, printed by Fretz Frères, Zurich, condition A-; backed on linen40 x 25Ω in. (102 x 65 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

14

*13

ERIKA VON KAGER (1890-1975)

GURNIGEL

lithograph in colours, 1921, printed by Hubacher A.G., Bern, condition A-; backed on linen39 x 26 in. (99 x 66 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

13

*14


MÜRREN

lithograph in colours, c.1933, printed by Orell Füssli, Zürich, condition B+/A-; backed on japan42 x 26Ω in. (107 x 68 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

12

ANDRÉ LECOMTE

MÜRREN

lithograph in colours, 1931, printed by Wolfsberg, Zürich, condition B+; backed on linen40 x 25Ω in. (102 x 65 cm.)

£4,000-6,000 $6,300-9,300 €5,100-7,600

12

6

16

17

16


GSTAAD

lithograph in colours, c.1933, printed by J.C.Müller, Zürich, condition A; backed on linen40Ω x 25 in. (103 x 64 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

17

SEILER

GSTAAD

lithograph in colours, 1942, printed by Grafca A.G., Basel, condition A-; not backed38Ω x 26Ω in. (98 x 67 cm.)

£5,000-7,000 $7,800-11,000 €6,400-8,800

18

18


GSTAAD

lithograph in colours, 1946, printed by Klausfelder S.A., Vevey, condition B; backed on linen40 x 25 in. (102 x 64 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

7

19

19


GSTAAD

lithograph in colours, 1938, printed by J.C.Müller, Zürich, condition B+; backed on japan, framed49Ω x 35 in. (126 x 89 cm.)

£10,000-15,000 $16,000-23,000 €13,000-19,000

20

20

ANONYMOUS

GSTAAD

lithograph in colours, 1930, printed by Brügger, Meiringen, condition B+/A-; backed on linen, framed39Ω x 27Ω in. (100 x 70 cm.)

£8,000-12,000 $13,000-19,000 €11,000-15,000

21

21

CHARLES KUHN (1903-1999)

GSTAAD

lithograph in colours, 1931, printed by Wolfsberg, Zürich, condition B+; backed on japan50 x 36 in. (127 x 91 cm.)

£6,000-8,000 $9,400-12,000 €7,600-10,000

8

3027

29

28

26

25

24

23

22

9

*31


SCHWEIZ. SKIRENNEN UNTERWASSER

lithograph in colours, 1939, printed by Eidenbenz-Seitz & Co., St. Gallen, condition A; backed on linen39Ω x 27Ω in. (100 x 70 cm.)

£5,000-7,000 $7,800-11,000 €6,400-8,800

31

30

DONALD BRUN (1909-1999)

HOLIDAYS IN SWITZERLAND

lithograph in colours, 1949, printed by Eidenbenz-Seitz & Co., St. Gallen, condition A; not backed40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

*28

ALOIS CARIGIET (1902-1985)

WINTER IN DER SCHWEIZ

lithograph in colours, 1937, printed by Ringier & Co., A.G., Zofngue, condition A-; not backed40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

*27

HANS JEGERLEHNER (1906-1974)

ZUM WINTERSPORT MIT DER EISENBAHN

lithograph in colours, 1950, condition B+/A-; backed on linen50 x 36 in. (127 x 92 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

*29

A. STEINER

WINTERSPORT IN DER SCHWEIZ

offset lithograph in colours, printed by Hélio Sadag, Genéve, condition A; backed on linen39Ω x 25 in. (100 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

*26

HERBERT MATTER (1907-1984)

ALL ROADS LEAD TO SWITZERLAND

offset lithograph in colours, 1935, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

*25

HERBET LEUPIN (1916-1999)

SWISSAIR

lithograph in colours, 1952, printed by Wolfsberg, Zurich, condition A; backed on japan40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

24

PLETSCHER

WINTER SPORTS? FLY THERE BY SWISSAIR

lithograph in colours, c.1936, printed by Bollmann S.A., Zurich, condition A; not backed40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

23

JOHANNES HANDSCHIN (1899-1948)

WINTERSPORT AUF BRAUNWALD

lithograph in colours, printed by A. Trüb & Cie., Aarau, condition A-, backed on linen39 x 27 in. (100 x 69 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

22

AMSTUTZ & HERDEG

GSTAAD

offset lithograph in colours, 1939, printed by Conzett & Huber, Zürich, condition B+; backed on linen50 x 35 in. (127 x 89 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

10

32

*32

EMIL CARDINAUX (1877-1936)

JUNGFRAU

lithograph in colours, 1925, printed by Paul Bender, Zürich, condition B+; backed on linen39Ω x 25 in. (100 x 64 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

33

*33


JUNGFRAU-BAHN

lithograph in colours, 1910, printed by J.E. Wolfensberger, Zürich, condition B+; backed on linen40 x 28 in. (102 x 71 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

34

34

ANONYMOUS

WENGERNALP & JUNGFRAU

lithograph in colours, c.1930, printed by Paul Bender, Zurich, condition A; backed on linen39Ω x 25 in. (100 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

35

35


JUNGFRAUBAHN

lithograph in colours, printed by Hoffer & Co., Zürich, condition B+; backed on linen27Ω x 39Ω in. (70 x 100 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

11

36


JUNGFRAU

lithograph in colours, 1928, printed by Wolfsberg, Zurich, condition A-; not backed50 x 36 in. (127 x 92 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

3736

*37


JUNGFRAU-BAHN

lithograph in colours, 1911, printed by J.E. Wolfensberger, Zürich, condition A-; backed on linen48Ω x 36 in. (123 x 91 cm.)

£10,000-15,000 $16,000-23,000 €13,000-19,000

38

*38


JUNGFRAU-RAILWAY

lithograph in colours, 1928, printed by Wolfsberg, Zürich, condition A-; backed on linen40 x 25Ω in. (102 x 65 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

12

39

40

40

PAUL KAMMÜLLER (1885-1946)

FLUGSPENDE

lithograph in colours, printed by Wasserman, Basel, condition A-; backed on linen40 x 27 in. (102 x 68 cm.)

£1,200-1,800 $1,900-2,800 €1,600-2,30041

39


AROSA

lithograph in colours, c.1955, printed by Frobenius S.A., Basel, condition A-; not backed40 x 25 in. (101 x 63 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

41


SWISS ALPINE POSTAL COACHES

lithograph in colours, printed by Wolfsberg, Zürich, condition A-; backed on linen40 x 24Ω in. (102 x 63 cm.)

£2,500-3,500 $3,900-5,400 €3,200-4,400

42

42


AROSA

lithograph in colours, 1915, printed by J.E. Wolfensberger, Zürich, condition A-; backed on paper50 x 35Ω in. (128 x 90 cm.)

£5,000-7,000 $7,800-11,000 €6,400-8,800

13

43

43

HUGO LAUBI (1888-1959)

SUISSE

lithograph in colours, 1930, printed by Fretz Brothers S.A., Zurich, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

44

*44

ANONYMOUS

WINTER SPORTS IN SWITZERLAND

lithograph in colours, printed by Otis, condition B+; backed on linen41 x 27Ω in. (104 x 70 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

45

*45

ERICH HERMÈS (1881-1971)

WINTER IN SWITZERLAND

lithograph in colours, c.1938, printed by Säuberlin & Pfeiffer S.A., Vevey, condition A; backed on linen39 x 24Ω in. (99 x 62 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

14

51

50

*49

ANONYMOUS

GOTSCHNA, KLOSTERS

lithograph in colours, 1990, printed by J.C.M. Schlieren, condition A; backed on linen50 x 35 in. (127 x 89 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

49

48

J. CHARMOZ

KLOSTERS

offset lithograph in colours, 1957, printed by S.A. Klausfelder, Vevey, condition B/B+; backed on linen38 x 27 in. (97 x 68 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

48

*47


KLOSTERS

lithograph in colours, 1947, printed by J.C. Müller A.G., Zürich, condition A-; backed on linen40 x 25 in. (101 x 64 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

47

*46


KLOSTERS

lithograph in colours, printed by J.C. Müller, Zürich, condition A; not backed40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

46

15

53


L’INVERNO NELLA SVIZZERA

lithograph in colours, 1921, printed by Wolfsberg, Zurigo, condition B; backed on linen50 x 35Ω in. (127 x 90 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

53

*52


KLOSTERS

lithograph in colours, 1934, printed by Fretz Bros Ltd., Zürich, condition A-; not backed40 x 25 in. (102 x 64 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

52

51

FRANCO BARBERIS (1905-1992)

KLOSTERS

lithograph in colours, c.1950, printed by J.C. Müller A.G., Zürich, condition A; not backed40 x 25 in. (102 x 64 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

50


KLOSTERS

lithograph in colours, printed by J.C. Müller, Zürich, condition A; backed on linen40 x 25 in. (102 x 64 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

16

54

55

*55

ALBERT BORER (1910-2004)

DAVOS PARSENN

lithograph in colours, 1952, printed by A. Trüb & Cie., Aarau, condition A; not backed40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

56

*54

PIERRE MONNERAT (1917-)

DAVOS PARSENN

lithograph in colours, 1947, printed by Fretz Frères S.A., Zurich, condition B+/A-; backed on linen40 x 25 in. (102 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

*56

HERBERT LEUPIN (1916-1999)

DAVOS PARSENN

offset lithograph in colours, 1956, printed by Wolfsberg, Zurich, condition A; not backed40 x 25 in. (102 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

57

57

BUKHARD MANGOLD (1873-1950)

WINTER IN DAVOS

lithograph in colours, 1914, printed by J.E. Wolfensberger, Zürich, condition B; backed on linen49Ω x 34Ω in. (126 x 88 cm.)

£10,000-15,000 $16,000-23,000 €13,000-19,000

17

58

58


DAVOS

lithograph in colours, 1918, printed by Wolfsberg, Zürich, condition B+; backed on japan49Ω x 35 in. (126 x 89 cm.)

£12,000-18,000 $19,000-28,000 €16,000-23,000

59

59

HANS EGGIMANN (1872-1929)

GRAND HOTEL & BELVEDERE, DAVOS

lithograph in colours, 1905, printed by Kümerly & Frey, Bern, condition A-; backed on japan50 x 35Ω in. (127 x 90 cm.)

£10,000-15,000 $16,000-23,000 €13,000-19,000

18

64


DAVOS PARSENN-BAHN

lithograph in colours, c.1930, printed by Wolfsberg, Zürich, condition A; backed on linen40 x 25 in. (102 x 64 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

64

63

HELMUT KURTZ (1903-1959)

PARSENN BAHN, DAVOS

offset lithograph in colours, c.1930, printed by Wolfsberg, Zürich, condition B+; not backed50 x 35Ω in. (127 x 90 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

63

62


DAVOS

offset lithograph in colours, 1958, printed by Basler Druck, Basel, condition A; not backed40 x 25 in. (102 x 64 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,50062

*61

LEO KECK (1906-1987) & FURTER (PHOTO)

DAVOS PARSENN

offset lithograph in colours, printed by Eidenbenz-Seitz, St. Gallen, condition B+; backed on linen40 x 26 in. (102 x 66 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

61

60


DAVOS PARSENN

lithograph in colours, 1946, printed by Wolfsberg, Zürich, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

60

19

*69

ERNST THOMMEN (1891-1976)

PONTRESINA

lithograph in colours, 1952, printed by Fretz A.G., Zürich, condition A; backed on linen40 x 25 in. (102 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

69

68

SCHÄR (PHOTO)

PONTRESINA

offset lithograph in colours, printed by Fretz Bros., Ltd., Zurich, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

68

66


PONTRESINA

lithograph in colours, 1943, printed by Fretz A.G., Zürich, condition B; not backed40 x 25 in. (102 x 64 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

67

67


PONTRESINA

offset lithograph in colours, 1959, printed by Klausfelder, Vevey, condition A-; not backed40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

66

65


PONTRESINA

lithograph in colours, printed by Fretz A.G., Zurich, condition B+/A-; backed on linen39Ω x 25Ω in. (99 x 65 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

65

20

73

WILHELM FRIEDERICH BURGER (1882-1964)

PONTRESINA

lithograph in colours, 1914, printed by H.J. Burger & Sohn, Zürich, condition A; backed on linen39 x 26Ω in. (99 x 68 cm.)

£8,000-12,000 $13,000-19,000 €11,000-15,000

*75

WALTER KOCH (1875-1915)

WINTERSPORT IN GRAUBÜNDEN

lithograph in colours, 1906, printed by Gebr. Fretz, Zürich, condition B+; backed on linen39Ω x 28 in. (100 x 72 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

74

WALTER KOCH (1875-1915)

WINTERSPORT

lithograph in colours, printed by J.E. Wolfensberger, Zürich, condition A-; backed on linen36 x 47Ω in. (92 x 121 cm.)

£5,000-7,000 $7,800-11,000 €6,400-8,800

70

70

BOSSHART

LENZERHEIDE

lithograph in colours, printed by Eidenbenz Seitz & Co., St. Gallen, condition B+; backed on linen50 x 36 in. (127 x 92 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

71

*71


RHÄTISCHE BAHN

lithograph in colours, 1916, printed by J.E. Wolfensberger, Zürich, condition B/B+; backed on linen50 x 35Ω in. (128 x 90 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

72

72

WILHELM FRIEDRICH BURGER (1882-1964)

MUOTTAS-MURAGL

lithograph in colours, printed by J.C. Müller A.G., Zürich, condition A-; backed on linen40 x 26 in. (102 x 66 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

21

73

74

75

22

79


II. OLYMPISCHE WINTERSPIELE, ST. MORITZ

lithograph in colours, 1928, printed by Seitz & Co., St. Gallen, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£8,000-12,000 $13,000-19,000 €11,000-15,000

79

*78

ANONYMOUS

EISFEST, ST. MORITZ

lithograph in colours, printed by Fretz A.G., Zurich, condition A; backed on linen39 x 28Ω in. (99 x 73 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

78

*77

WERNER WEISKÖNIG (1907-1982)

ST. MORITZ 1948

lithograph in colours, 1946, printed by Orell Fussli AG, Zurich, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

77

76

*76

FRITZ HELLINGER (1923-)

OLYMPIC WINTER GAMES

lithograph in colours, 1948, printed by Wolfsberg, Zürich, condition B+; backed on linen40 x 25Ω in. (102 x 65 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

23

83


ST. MORITZ

lithograph in colours, 1952, printed by Fretz A.G., Zürich, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800 83

82

81

81

WALTER HERDEG (1908-1995)

ST. MORITZ

lithograph in colours, c.1936, printed by Wolfsberg, Zurich, condition A-; backed on linen50 x 36 in. (127 x 90 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

*82

WALTER HERDEG (1908-1995)

ST. MORITZ

lithograph in colours, printed by Orell Füssli, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

80


ST. MORITZ

lithograph in colours, 1932, printed by Wolfsberg, Zürich, condition A-; backed on japan40 x 25 in. (102 x 64 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

80

24

84

84


ST. MORITZ

lithograph in colours, 1913, printed by H.J. Burger & Sohn, Zürich, condition B+/A-; not backed40 x 29 in. (102 x 74 cm.)

£15,000-20,000 $24,000-31,000 €19,000-25,000

85

85

HILDE SMITH

SKIFABRIK, ST. MORITZ

lithograph in colours, printed by H.J. Burger & Sohn, Zürich, condition A-; backed on japan43 x 31 in. (109 x 79 cm.)

£10,000-15,000 $16,000-23,000 €13,000-19,000

86

86

CARL MOOS (1878-1959)

ST. MORITZER, SKIRENNEN

lithograph in colours, 1928, printed by Fretz A.G., Zürich, condition B+/A-; backed on japan, framed39 x 27 in. (99 x 69 cm.)

£18,000-22,000 $28,000-34,000 €23,000-28,000

25

87

87


ST. MORITZ

lithograph in colours, 1928, printed by Wolfsberg, Zürich, condition A; backed on linen40 x 25Ω in. (102 x 65 cm.)

£4,000-6,000 $6,300-9,300 €5,100-7,600

88

88

CARL MOOS (1878-1959)

ST. MORITZ

lithograph in colours, printed by Fretz Bros., Ltd., Zurich, condition A; backed on japan, framed40 x 25 in. (102 x 64 cm.)

£18,000-22,000 $28,000-34,000 €23,000-28,000

89

89

KARL BICKEL (1886-1982)

ST. MORITZ

lithograph in colours, 1930, printed by Wolfsberg, Zurich, condition A-; backed on linen36 x 25 in. (92 x 64 cm.)

£2,500-3,500 $3,900-5,400 €3,200-4,400

26

*93

HANS RUDI ERDT (1883-1918)

DIE WOCHE, “DIE SONNE VON ST. MORITZ”

lithograph in colours, 1910, printed by Hollerbaum & Scmidt, Berlin, condition B/B+; backed on linen28 x 37 in. (71 x 94 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

P R O V E N A N C E :

Restituted to the heirs of Hans Sachs by the German

Goverment, 2012.

93

92


KULM HOTEL, ST. MORITZ


£3,000-5,000 $4,700-7,800 €3,800-6,300

92

*91


PALACE HOTEL, ST. MORITZ


£3,000-5,000 $4,700-7,800 €3,800-6,300

91

*90

EDWARD STIEFEL (1875-1968)

ST. MORITZ

lithograph in colours, 1924, printed by Engadin Press, St. Moritz, condition A-; backed on linen40Ω x 25 in. (103 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

90

27

*96


ST. MORITZ

lithograph in colours, 1955, printed by J.C. Müller, condition A; backed on linen40 x 25 in. (102 x 64 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800 96

*95


ST. MORITZ

lithograph in colours, 1930, printed by Eidenbenz-Seitz & Co., St. Gallen, condition A-; not backed40 x 25 in. (102 x 64 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

95*94

JOHANNES HANDSCHIN (1899-1948)

SILVAPLANA

lithograph in colours, 1934, printed by Wassermann & Co., Basel, condition B; backed on linen39 x 28 in. (99 x 71 cm.)

£6,000-8,000 $9,400-12,000 €7,600-10,000

94

28

97

98

*98

ALBERT MURET (1874-1955)

CHEMIN-DE-FER, MARTIGNY-ORSIERES

lithograph in colours, 1913, printed by Sonor, Genève, condition A; backed on linen39Ω x 28 in. (101 x 71 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

99

97

WILHELM MERNSINGER (1898-1971)

SAAS-FEE

lithograph in colours, c.1930, printed by C.-J. Bucher S.A., Lucerne, condition A; backed on linen40 x 25 in. (102 x 64 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

99

JEAN PIERRE OTTH

VALAIS

offset lithograph in colours, printed by Brügger S.A., Meiringen, condition A; backed on linen, framed40 x 25 in. (102 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

100

*100

LIBIS (HERBERT LIBISZEWSKI, 1897-1985)

WALLIS

lithograph in colours, 1949, printed by Säuberlin & Pfeiffer S.A., Vevey, condition A-; backed on linen50 x 35Ω in. (127 x 90 cm.)

£6,000-8,000 $9,400-12,000 €7,600-10,000

29

101

102

102

LEO KECK (1906-1987)

ZERMATT

lithograph in colours, 1938, printed by Fretz A.G., Zürich, condition A; backed on linen40 x 25Ω in. (101 x 64 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

103

101


VERBIER

lithograph in colours, c.1950, printed by Klausfelder S.A., Vevey. condition B/B+; backed on linen39Ω x 25Ω in. (103 x 96 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

103

MANFRED BINGLER

SWISSAIR

offset lithograph in colours, 1964, condition A; backed on linen40 x 25 in. (102 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

104

104

ALFRED PERREN-BARBERINI (PHOTO)

ZERMATT

offset lithograph in colours, 1959, printed by J.E. Wolfensberger, Zürich, condition A; backed on linen38Ω x 25 in. (98 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

30

108

SCHOL

ZERMATT

lithograph in colours, 1947, printed by J.C. Müller, A.G., Zürich, condition A-; backed on linen40 x 25Ω in. (102 x 65 cm.)

£4,000-6,000 $6,300-9,300 €5,100-7,600

108

107

106

ALFRED PERREN-BARBERINI (PHOTO)

ZERMATT

offset lithograph in colours, 1958, printed by J.C. Müller A.G., Zürich, condition A-; not backed40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

106

107

WEHRLI (PHOTO)

ZERMATT

offset lithograph in colours, c.1927, printed by Rotogravure, Genève, condition B+/A-; backed on japan39 x 25 in. (99 x 64 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

105

ANTON RECKZIEGEL (1865-1932)

ZERMATT

lithograph in colours, c.1900, printed by Hubacher & Cie., Berne, condition A-; backed on linen42Ω x 28 in. (108 x 71 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

105

31

*111

JEAN GABERELL-THALWIL (1887-1949)

WINTERSPORT IN ZERMATT

lithograph in colours, 1929, printed by Sadag, Geneva, condition A; backed on linen39Ω x 25 in. (100 x 64 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300 111

110109

*110


ZERMATT

lithograph in colours, 1908, printed by J.E. Wolfensberger, Zürich, condition B+; backed on japan40Ω x 28Ω in. (103 x 72 cm.)

£8,000-12,000 $13,000-19,000 €11,000-15,000

109

CARL MOOS (1878-1959)

ZERMATT

lithograph in colours, c.1933, printed by Orell Füssli, Zürich, condition B+/A-; backed on linen, framed39Ω x 25Ω in. (100 x 65 cm.)

£5,000-7,000 $7,800-11,000 €6,400-8,800

32

112

*112


ENGELBERG

offset lithograph, 1936, printed by C.J. Bucher A.G., Luzern, condition A-; not backed40 x 25 in. (102 x 64 cm.)

£1,800-2,200 $2,800-3,400 €2,300-2,800

113

113

ANONYMOUS

ENGELBERG

offset lithograph in colours, c.1934, printed by Fédérative S.A., Berne, condition A-; backed on linen38 x 26 in. (97 x 66 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

114

114


SUISSE

offset lithograph in colours, 1935, printed by Ringier, condition A; backed on linen40 x 25 in. (102 x 64 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

33

115

116

T.

ANDERMATT

lithograph in colours, printed by Brunner & Co., A.G., Zürich, condition A; backed on linen40 x 27 in. (102 x 69 cm.)

£1,200-1,800 $1,900-2,800 €1,600-2,300 118

117

115

FRANÇOIS JAQUES

STE-CROIX-LES RASSES

lithograph in colours, c.1910, printed by Klausfelder S.A., Vevey, condition B+/A-; backed on linen39Ω x 24Ω in. (100 x 63 cm.)

£4,000-6,000 $6,300-9,300 €5,100-7,600

*117

W. AMSTUTZ

STE. CROIX - LES RASSES

offset in colours, printed by Orell Füssli, Zürich, condition A-; backed on japan40 x 25 in. (102 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

118

ANONYMOUS

WINTERSPORT ANDERMATT

lithograph in colours, c.1910, condition A-; backed on japan39Ω x 29Ω in. (100 x 75 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

116

34

123

PAUL LANDRY (1904-1990)

GRAND PRIX AUTOMOBILE, LAUSANNE

lithograph in colours, 1947, printed by R. Marsens, Lausanne, condition A; backed on linen39 x 25Ω in. (99 x 65 cm.)

£1,800-2,200 $2,800-3,400 €2,300-2,800

123

*122


AUTOMOBILES MARTINI

lithograph in colours, 1916, printed by J.E. Wolfensberger, Zurich, condition B/B+; backed on linen50 x 35Ω in. (127 x 90 cm.)

£3,500-5,500 $5,500-8,500 €4,500-7,000

122

121


ZUGERBERG

lithograph in colours, 1948, printed by Fretz A.G., Zürich, condition A-; backed on linen24Ω x 18 in. (63 x 46 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900121

*120

ANONYMOUS

SKI-RENNEN, GLARUS

lithograph in colours, 1905, printed by Fretz, Zürich, condition B; backed on japan41 x 28Ω in. (104 x 72 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

120

*119


WINTER:SPORT, HEIDEN

lithograph in colours, 1914, printed by H.J. Burger & Sohn, Zürich, condition A-; backed on linen39 x 28 in. (99 x 71 cm.)

£1,200-1,800 $1,900-2,800 €1,600-2,300

119

35

*126

ROBERT FALCUCCI (1900-1989)

MONTE CARLO

lithograph in colours, 1930, printed by Monégasque, Monte Carlo, condition A-; backed on linen47 x 31 in. (119 x 79 cm.)

£10,000-15,000 $16,000-23,000 €13,000-19,000 126

*125

ERIC DE COULON (1888-1956)

VI. INTERNATIONALES KLAUSEN RENNEN

lithograph in colours, 1927, printed by Polygraphisches Institut A.G., Zürich, condition B+; backed on linen50 x 36 in. (127 x 92 cm.)

£12,000-18,000 $19,000-28,000 €16,000-23,000

125

*124

HANS THONI (1906-1980)

GROSSER PREIS DER SCHWEIZ

lithograph in colours, 1936, condition A; backed on linen39 x 27Ω in. (99 x 70 cm.)

£4,000-6,000 $6,300-9,300 €5,100-7,600

124

36

n127

A PAIR OF MONOGRAM CANVAS DESK TRUNKSLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

Both composite leather and brass bound with leather handles to either side, one with the monogram ‘JDER’ the other with ‘D.C.S ST

PAUL MINN USA’, both mounted on casters, both with hinged lid and front opening panel to reveal three large and two small drawers,

a removable webbed basket, a pull out black wooden desk flap and the top with two lidded compartments, the padded lids studded

with ribbon taping

Both 38Ω x 22 x 20Ω in. (98 x 56 x 52 cm.)

The lock of the trunk with the monogram ‘JDER’ numbered ‘064378’ the other numbered ‘061511’ (2)

£50,000-80,000 $78,000-120,000 €64,000-100,000

L I T E R A T U R E :

For a similar trunk see Léonforte, Pierre and Pujalet-Plaà, Éric, 100 Legendary Trunks Louis Vuitton, New York, Abrams, 2010, pp. 206-209

These rare and unusual trunks were originally marketed as the perfect accompaniment to the large wardrobe trunk for the well to do traveller, with both lady’s and gentleman’s versions available. The trunks came with a small pull out desk flap that allowed the owner to compose their correspondence while travelling.

37

n129

A MONOGRAM CANVAS SHOE TRUNKLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

Composite leather and brass bound, with leather handle and the

monogram ‘BM’ to either end, lined in orange leather and brown felt, with

two removable trays both with fittings for and with dividers

19º x 35æ x 15Ω in. (49 x 91 x 39 cm.)

The lock numbered ‘046609’

£15,000-20,000 $24,000-31,000 €19,000-25,000

n128

A MONOGRAM CANVAS SHOE TRUNKLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

Leather and brass bound, with leather handles and a ‘S’ in a diamond to

either end, green and yellow stripes to the centre, mounted on casters,

with a hinged lid and front opening panel revealing thirty individual shoe

storage drawers, two full width drawers and a removable top tray

45 x 25º x 16Ω in. (114 x 64 x 42 cm.)

The lock numbered ‘060193

£30,000-40,000 $47,000-62,000 €38,000-51,000

128

129

38

n130

A MONOGRAM CANVAS CABIN TRUNKLOUIS VUITTON FIRST HALF OF THE 20TH CENTURY

Composite leather and brass bound, with leather handles and the monogram

‘W.DWIGHT 12 N.Y.’ to either end one handle broken, mounted on casters, the

interior lined in ivory linen with one removable tray with two canvas cross straps

two lidded compartments each with dividers, the base with three canvas cross

straps, the padded lid studded with ribbon taping

13Ω x 43º x 21Ω in. (34 x 110 x 55 cm.)


£5,000-8,000 $7,800-12,000 €6,400-10,000

n131

A MONOGRAM CANVAS CABIN TRUNKLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

Composite leather and brass bound, with leather handles and the monogram

‘LHH’ to either end, with fittings for a leather strap, mounted on casters, the

interior lined in ivory linen with one removable tray with two canvas cross straps

and two lidded compartments, each with dividers, the base with three canvas

cross straps, the padded lid studded with ribbon taping

13Ω x 43Ω x 21Ω in. (34 x 111 x 54.5 cm.)


£5,000-8,000 $7,800-12,000 €6,400-10,000

n132

A TRUNK WITH DRAWERS IN NATURAL CALF LEATHERLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

Leather and brass bound, with leather handles to either end,

the front panel hinged at either end, opening at the centre to

reveal two horizontal drawers, the top fitted with a tray with

dividers and a removable tray with two lidded compartments

each with dividers, the padded lid studded with ribbon taping

23º x 40 x 22Ω in. ( 59 x 102 x 57 cm.)


£8,000-12,000 $13,000-19,000 €11,000-15,000

131

130

132

n134

A LADY’S LOW TRUNK IN MONOGRAM CANVASLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

Brass and composite leather bound, with leather handles to either end, mounted

on casters, the interior lined in ivory linen, the padded lid studded with ribbon

taping, with one key

22Ω x 31Ω x 20 in. (57 x 80 x 51 cm.)


£5,000-8,000 $7,800-12,000 €6,400-10,000

133

n133

A LADY’S LOW TRUNK IN MONOGRAM CANVASLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

Composite leather and metal bound, with metal handles and blue, black, yellow

and white stripes in the shape of a circle to either end, fittings for a leather strap,

mounted on casters, the interior lined in cream linen with one removable tray,

the padded lid studded with ribbon taping

22 x 39Ω x 21Ω in. (56 x 100 x 55 cm.)


£5,000-7,000 $7,800-11,000 €6,400-8,800

134

135

n*135

A MAIL TRUNK IN STRIPED CANVASLOUIS VUITTON, LATE 19TH CENTURY

Leather and brass bound, with metal handles and the monogram ‘FHB’ and the

number ‘3’ to either end, mounted on casters, the interior lined in ivory linen, with

a removable tray, the padded lid studded with purple ribbon taping

17 x 30 x 17 in. (43 x 76 x 43 cm.)

The interior labelled and numbered ‘6385’

£2,500-3,500 $3,900-5,400 €3,200-4,400

40

n139

A MOTORING TRUNK IN BLACK VUITTONITE CANVASLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

Metal bound with leather handle to top, the interior lined in ivory linen, the base

with two canvas cross straps

5 x 33 x 17º in. (13 x 84 x 44 cm.)


£800-1,200 $1,300-1,900 €1,100-1,500

nW137

A TAN LEATHER ENGLISH SADDLEGUCCI, LATE 20TH CENTURY

With stirrup irons, leathers and canvas saddle bag

18 in. (46 x 46 x 25 cm.)

The leather stamped with GUCCI monogram

£2,000-3,000 $3,200-4,700 €2,600-3,800

138

A SET OF FITTED TAN LEATHER LUGGAGE FOR A FERRARI 456 GTFERRARI AND SCHEDONI CIRCA 1990S

Comprising of two suitcases and a vanity case; the suitcases both with handles

and locks to top, with zip closures, keyfob and luggage tags, one with flap pocket

to front, the interiors both lined in biscuit leather, with leather cross straps to

base and elasticated pocket to lid; the vanity case with handle to top, front

closure and keyfob, the interior lined in biscuit leather, with elasticated pocket

to one side and elasticated fittings to the other, each case with green fabric cover

The larger suitcase 17æ x 31º x 7 in. (45 x 77 x 18 cm.); the smaller suitcase 17 x 31º x

6 in. (43 x 77 x 15 cm.); the vanity case 11Ω x 12Ω x 11 in. (29 x 32 x 28 cm.)

All stamped ‘CUOIO SCHEDONI MODENA’ and the locks stamped ‘456 GT’ (3)

£1,000-1,500 $1,600-2,300 €1,300-1,900

The Ferrari 456 GT released in 1992 saw Ferrari return to a front-engine model for the first time since the 1968 365 GTB4. The 2+2 coupè model came with a custom made luggage set that fitted into the boot of the car in order to maximise space.

136

A TRIO OF LIMITED EDITION PAPERWEIGHT TRUNKS AND A AERO SNOW GLOBELOUIS VUITTON, 2013, 2012 AND 2000

Comprising of a Hat Box, a Courrier trunk, a Miss France trunk and an Aero snow

globe, all of lithographed metal

The Hat Box 3 x 3 æ x 2 Ω in. ( 7.5 x 9.5 x 6.25 cm.); the Courrier trunk 2Ω x 4Ω x 2æ

in. (6.5 x 11.5 x 7 cm.); the Miss France paperweight 3 º x 6 x 3 in. ( 8 x 15 x 7.5 cm.); the

Aero snow globe 3 in. (8 cm.) (diam.) 5 in. (13 cm.) height (4)

£1,200-1,500 $1,900-2,300 €1,600-1,900

These mini trunks, originally created as gifts for Louis Vuitton’s VIP clients, are modelled after three classic Louis Vuitton trunks. The Miss France paperweight after the ‘Lady’s Trunk’ trunk that belonged to Miss France 1927, Roberte Cusey, the hat box after the ‘Lady’s Hat Box’ hat box that belonged to Mrs. William Twombley, of Paris 1895 and the courrier trunk an exact replica, one seventh the size, of an man’s courrier trunk from 1888. The Aero snow globe, also a VIP gift, was inspired by a Pierre-Emilie Legrain ink drawing and pays homage to Louis Vuitton’s 1906 Aero

trunk which was designed to be attached to the gondola of a hot air balloon.

41

n143

A MOTORING TRUNK IN BLACK VUITTONITE CANVASLOUIS VUITTON, EARLY 20TH CENTURY

Metal and leather bound, with metal handles to either end, the interior lined in

ivory linen, with fittings for one removable tray

17 x 32º x 17 in. (43 x 82 x 43.5 cm.)

The lock numbered ‘2087??’

£1,500-2,500 $2,400-3,900 €1,900-3,200

142

A PAIR OF MONOGRAM CANVAS SUITCASESLOUIS VUITTON, MID 20TH CENTURY

Both composite leather and brass bound, with leather handle and the monogram

‘MP’ to the top, the interiors both lined in cream linen, with two canvas cross

straps to the base, one case with two further canvas cross straps to the lid, the

other with an additional removable tray also with two canvas cross straps

Both 7 x 24 x 14Ω in. (18 x 61 x 37 cm)

Both locks numbered ‘084239’ (2)

£1,200-1,500 $1,900-2,300 €1,600-1,900

141

A SET OF TAN LEATHER LUGGAGEASTON MARTIN, LATE 20TH - EARLY 21ST CENTURY

Comprising of two weekend bags, a small suitcase and a small golf bag; the

weekend bags both with two handles, shoulder strap and zip closure to top, the

interiors both lined in cream linen with side zip pocket; the suitcase with handle

to top, fittings for a shoulder strap, three zip closures and flat front pocket,

the interior lined in cream leather with three separate compartments and two

leather drawstring shoe bags; the golf bag with shoulder strap, front pocket and

removable top cover, the interior lined in cream leather

The weekend bags both 12 x 26Ω x 12 in. (30 x 67 x 30 cm.); the suitcase 14 x 18 x 7 in.

(35.5 x 46 x 18 cm.); the golf bag 47 x 7Ω x 3 in. (120 x 19 x 8 cm.)

The exteriors all stamped ‘ASTON MARTIN’, the interiors with additional leather label stamped ‘HAND MADE IN ITALY BY GOLF BROTHERS WITH FLORENTINE LEATHER’ (6)

£1,000-1,500 $1,600-2,300 €1,300-1,900

n140

A MOTORING TRUNK IN BRICK RED VUITTONITE CANVASLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

Metal bound, with metal handles to either end, the interior lined in ivory linen

with fittings for a removable tray

10 x 21Ω x 17æ in. (25 x 55 x 45 cm.)

The lock marked with a ‘D’

£1,000-2,000 $1,600-3,100 €1,300-2,500

42

~144

A GENTLEMAN’S FITTED SUITCASE IN NATURAL COWHIDELOUIS VUITTON, EARLY 20TH CENTURY CIRCA 1920S - 1930S

With brass hardware, a handle and the monogram ‘FL’ to the top, the interior

lined in black leather, with fittings for various accessories, including four glass

bottles, three glass containers all with silver lids with the monogram ‘FL’, an ivory

shoe buffer, brushes, combs, jewellery boxes, a lamp, a mirror and leather wallets

with various ivory tools and pill boxes, the case also with two further leather

accessories boxes both with the monogram ‘FL’ one with fittings for brushes the

other with nail accessories; with canvas dust cover

7 x 22 x 13æ in. (18 x 56 x 35 cm.)


£1,500-2,500 $2,400-3,900 €1,900-3,200

146

A PAIR OF MONOGRAM CANVAS BRAKEN SUITCASESLOUIS VUITTON, 20TH CENTURY

Both composite leather and brass bound, with handle to top, the interiors both

lined in cream leather with removable garment tray with two canvas cross

straps, three wooden hangers and linen divider, the base of both cases with two

canvas cross straps, one case with luggage tag

8æ x 25Ω x 20Ω in. (22 x 65 x 52 cm.)

The lock of one suitcase numbered ‘127580’ and the other ‘127579’ (2)

£1,500-2,000 $2,400-3,100 €1,900-2,500

n145

A MONOGRAM CANVAS HAT BOXLOUIS VUITTON, 20TH CENTURY

Composite leather and brass bound, with leather handle to top, the interior lined

in ivory linen, with a removable webbed basked with four canvas cross straps,

the padded lid studded with ribbon taping

19º x 19Ω x 17º in. (49 x 50 x 44 cm.)


£2,000-3,000 $3,200-4,700 €2,600-3,800

nW147

A TRUNK IN NATURAL COW HIDELOUIS VUITTON, 20TH CENTURY

Leather and brass bound, with leather handles and the monogram ‘PGV’ and

a crown to either end, mounted on casters, the interior lined in ivory linen, the

padded lid studded with ribbon taping

12Ω x 40 x 21 in. (32 x 101.5 x 53.5 cm.)


£1,200-1,500 $1,900-2,300 €1,600-1,900

43

148

A MUSTARD YELLOW LEATHER SUITCASE AND FITTED VANITY CASEASPREY, FIRST HALF 20TH CENTURY

Both cases with the monogram ‘A.O.S’ in gold and leather handles with canvas

covers to top, both lined in brown moiré silk, the suitcase with fittings for a

removable tray, the vanity case with various fittings, one side fitted with four

brushes and a mirror in simulated tortoiseshell with the monogram ‘AOS’ in gold,

three lidded compartments two lids missing and four padded cushions, the other

side with three glass bottles, four glass pots all with simulated tortoiseshell tops

and lids with the monogram ‘AOS’ in gold and fittings for two removable boxes

one missing

The suitcase 7Ω x 25æ x 15Ω in. (19 x 65.5 x 39 cm.); the vanity case 5Ω x 14Ω x 12º

in. (14 x 37 x 31 cm.)

The lock of the suitcase stamped ‘ASPREY LONDON’; the lock of the vanity case stamped ‘PROV. PAT. 10965129’ the interior of the suitcase stamped ‘ASPREY LONDON’ (2)

£1,500-2,000 $2,400-3,100 €1,900-2,500

150

A DAMIER CANVAS MAN’S HAT BOXLOUIS VUITTON, LATE 19TH / EARLY 20TH CENTURY

Bound in leather, with leather handle to top, the interior lined in ivory linen with

one removable tray, the base with two red cord cross straps and one red canvas

cross strap

12º x 14 x 11Ω in. ( 31 x 36 x 29 cm.)

The interior label numbered ‘44406’

£2,000-4,000 $3,200-6,200 €2,600-5,100

n149

A MAN’S TRUNK IN MONOGRAM CANVASLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY

Metal bound with metal handles and a red diamond to either end, fittings for a

leather strap, mounted on casters, the interior lined in ivory linen with fittings for

removable trays, the padded lid studded with ribbon taping

21º x 39Ω x 20æ in. (54 x 100 x 53 cm.)


£3,500-4,500 $5,500-7,000 €4,500-5,700

n151

A LADY’S HIGH TRUNK IN STRIPED CANVASLOUIS VUITTON, LATE 19TH CENTURY

Bound in metal, with metal handles, the monogram ‘B.J.F’ and the number 4 to

either end, with fitting for a leather strap, mounted on casters, the interior lined in

cream and red striped paper and canvas, with three removable trays each with

three canvas cross straps, the padded lid studded with purple ribbon taping

27º x 39æ x 23º in. (70 x 101 x 59 cm.)

The interior label numbered ‘10727’

£2,000-3,000 $3,200-4,700 €2,600-3,800

44

152

153

153

R.A. JOHNSON

ALBERTA


£800-1,200 $1,300-1,900 €1,100-1,500154

152

ANONYMOUS

SUN VALLEY

offset lithograph in colours, condition B+/A-; backed on linen34Ω x 25 in. (88 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

154

ANONYMOUS

LA PROVINCE DE QUÉBEC

silkscreen, condition A-; backed on linen30 x 20 in. (76 x 51 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

155

*155

S.D.

SUN VALLEY, IDAHO

offset lithograph in colours, c.1950, condition B+; backed on linen40Ω x 26 in. (103 x 66 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

45

156

157

157

SASCHA MAURER (1897-1961)

LET’S GO SKIING!

lithograph in colours, printed by Latham Litho Co., condition A-; backed on linen22 x 14 in. (56 x 36 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

158

*156

SASCHA MAURER (1897-1961)

FLEXIBLE FLYER

offset lithograph in colours, condition A-; backed on linen37 x 23 in. (94 x 59 cm.)

£1,800-2,200 $2,800-3,400 €2,300-2,800

158

ANONYMOUS

III OLYMPIC WINTER GAMES, LAKE PLACID 1932

lithograph in colours, 1932, condition B+; backed on linen40 x 25 in. (102 x 63 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

159

159

ROY LICHTENSTEIN (1923-1997)

ASPEN WINTER JAZZ

silkscreen, 1967, condition A-; not backed40 x 26 in. (102 x 66 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

46

*163

J. HARPER

KOSCIUSKO

lithograph in colours, printed by D.H. Paisley, Sydney, condition A-; backed on linen40 x 30Ω in. (102 x 77 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

163

162

161

DICK (HENDRIK M. BRUNA, B.1947)

MIFFY, PAMPERS

lithograph in colours, 1963, condition A; not backed24 x 16 in. (61 x 40 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

161 162

DICK (HENRIK M. BRUNA, B.1947)

PAMPERS

lithograph in colours, 1974, condition A; not backed24Ω x 16 in. (62 x 41 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

*160

ANONYMOUS

SELO CHROME

lithograph in colours, condition A-; backed on linen30 x 20 in. (76 x 51 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

160

47

*166

JOHN R. BOWERS

DARTMOUTH

lithograph in colours, 1942, printed by Brett Lithographing Company, condition A-; backed on linen34 x 22 in. (87 x 56 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500 166

*165

ANONYMOUS

DARTMOUTH CARNIVAL

lithograph in colours, 1935, condition A; backed on linen34 x 22 in. (87 x 56 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

165

*164

T.N. JOANETHIS

DARTMOUTH

lithograph in colours, 1938, condition B+; backed on linen34 x 22 in. (87 x 56 cm.)

£2,500-3,500 $3,900-5,400 €3,200-4,400

164

48

167

*167

ROGER BRODERS (1883-1953)

WINTER SPORTS IN THE FRENCH ALPS

lithograph in colours, c.1930, printed by L. Serre & Cie., Paris, condition A-; not backed40 x 25 in. (102 x 64 cm.)

£8,000-12,000 $13,000-19,000 €11,000-15,000

168

*168


ST. GERVAIS-LES-BAINS

lithograph in colours, c.1930, condition A; not backed39Ω x 25 in. (101 x 64 cm.)

£5,000-7,000 $7,800-11,000 €6,400-8,800169


SPORTS D’HIVER DANS LES VOSGES

lithograph in colours, c.1930, printed by Lucien Serre, Paris, condition B; backed on linen39 x 24Ω in. (99 x 62 cm.)

£5,000-7,000 $7,800-11,000 €6,400-8,800

169

49

170 171

*170


LES SPORTS D’HIVER A ST.PIERRE DE CHARTREUSE

lithograph in colours, 1930, printed by de Vaugirard, Paris, condition A; backed on linen39Ω x 25 in. (101 x 64 cm.)

£10,000-15,000 $16,000-23,000 €13,000-19,000

171


GOLDEN MOUNTAIN, PULLMAN EXPRESS

lithograph in colours, c.1930, printed by Lucien Serre, Paris, condition B+; backed on linen39 x 24Ω in. (100 x 62 cm.)

£15,000-20,000 $24,000-31,000 €19,000-25,000

50

*175


MONT-REVARD

lithograph in colours, c.1927, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen42 x 30 in. (107 x 76 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

175

*174


VILLARD DE LANS

lithograph in colours, c.1936, printed by Générale, Grenoble, condition B+; backed on linen39 x 24 in. (99 x 62 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

174

*173


LE HOHWALD

lithograph in colours, c.1930, printed by Lucien Serre & Cie., Paris, condition B/B+; backed on linen39Ω x 24Ω in. (100 x 63 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

173

*172


LE MONT REVARD

lithograph in colours, 1927, printed by Maurice Dupuy, Paris, condition A-; not backed42Ω x 31 in. (108 x 79 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

172

51

178


LA CÔTE D’AZUR

lithograph in colours, c.1930, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen, framed39Ω x 25 in. (100 x 64 cm.)

£2,500-3,500 $3,900-5,400 €3,200-4,400 178

*177


CHAMONIX MT. BLANC

lithograph in colours, 1930, printed by Lucien Serre & Cie., Paris, condition A; backed on linen39Ω x 25 in. (101 x 63 cm.)

£4,000-6,000 $6,300-9,300 €5,100-7,600

177

*176


COL DU GRAND ST. BERNARD

lithograph in colours, 1927, printed by Lucien Serre & Cie., Paris, condition A; backed on linen42Ω x 31 in. (107 x 79 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

176

52

179

*179


FUNICULAIRE CHAMONIX-PLANPRAZ

lithograph in colours, c.1931, printed by Lucien Serre & Cie., Paris, condition A; not backed39Ω x 24Ω in. (100 x 63 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

180

*180

JEAN JULIEN

ROUTE D’HIVER DES ALPES

lithograph in colours, printed by Lucien Serre & Cie., Paris, condition B+; backed on linen42 x 30 in. (107 x 76 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500181

181

TAIRRAZ (PHOTO)

CHAMONIX-MONT BLANC

offset lithograph, condition A-; backed on linen39 x 24Ω in. (99 x 62 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

182

182

FRANCISCO TAMAGNO (1851-)

CHAMONIX MONT-BLANC

lithograph in colours, c.1900, printed by Émile Pécaud & Cie., Paris, condition B+/A-; backed on linen42 x 31 in. (107 x 79 cm.)

£7,000-9,000 $11,000-14,000 €8,900-11,000

53

183

184

184

MAX PONTY (1904-1972)

CHAMONIX MONT-BLANC

lithograph in colours, 1935, condition A-; backed on linen, framed39Ω x 24Ω in. (100 x 63 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

185

183

HENRY REB (1883-1959)

CHAMONIX MONT-BLANC

lithograph in colours, 1933, printed by Lucien Serre & Cie., Paris, condition B/B+; backed on linen39Ω x 24Ω in. (100 x 63 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

185

HUGO FREDERIC D’ALESI (1849-1906)

LE MONT BLANC

lithograph in colours, 1898, printed by A. Bellier & Cie., Paris, condition A; backed on linen41Ω x 29Ω in. (106 x 75 cm.)

£1,200-1,800 $1,900-2,800 €1,600-2,300

186

186

Y. LATY

MONT BLANC

lithograph in colours, c.1960, printed by B. Arnaud, Paris, condition A; backed on linen38 x 24Ω in. (97 x 62 cm.)

£700-900 $1,100-1,400 €890-1,100

54

192

ROLAND HUGON (1911-)

8 JOURS DE NEIGE

lithograph in colours, condition A-; backed on linen39Ω x 24Ω in. (100 x 63 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

*191

GEORGES S. DORIVAL (1879-1968)

VERS LE MONT-BLANC

lithograph in colours, 1928, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen41 x 30 in. (104 x 77 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

*190


VERS LE MONT-BLANC

lithograph in colours, 1928, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen41 x 29Ω in. (104 x 75 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

189

HUGUETTE CROMIÈRES

BOBSLEIGH, ALPE D’HUEZ

lithograph in colours, 1951, printed by Watelet-Arbelot, Paris, condition A; backed on linen39 x 24Ω in. (99 x 63 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

188

P. FERVE-BRIQUET

AURON

lithograph in colours, 1950, printed by Monégasque, Monte-Carlo, condition A-; backed on linen39 x 24 in. (99 x 61 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

*187


VERS LE MONT-BLANC

lithograph in colours, 1928, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen41 x 29 in. (104 x 75 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

187 190 191

188

189

55

196

JÉAN LÉGER

WINTER SPORTS IN FRANCE

lithograph in colours, printed by E. Desfossés, Paris, condition A; backed on linen39 x 25 in. (99 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

*195

BERNARD VILLEMOT (1911-1989)

SPORTS D’HIVER, FRANCE

lithograph in colours, 1954, printed by S.A.Courbet, Paris, condition B+; backed on linen38Ω x 24 in. (98 x 61 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

194

VECOUX

WINTER SPORTS IN FRANCE

lithograph in colours, 1947, printed by Paul-Martial, Paris, condition A-; backed on linen39 x 24Ω in. (99 x 62 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

193

ABEL

FAITES DU SKI EN FRANCE

lithograph in colours, 1952, condition A; backed on linen39Ω x 24 in. (100 x 61 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

192 193

194

195

196

56

197

198

199

200

197

ANONYMOUS

VALLOIRE

lithograph in colours, printed by Réunies, Lyon, condition A-; backed on linen39 x 24 in. (99 x 61 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

198

SERRALIER (PHOTO)

SPORTS D’HIVER EN FRANCE, MERIBEL

offset lithograph in colours, condition A; backed on linen23Ω x 15Ω in. (60 x 39 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

199

H. CHAUFFARD

LE MARKSTEIN

lithograph in colours, c.1930, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen, framed39 x 24 in. (99 x 61 cm.)

£1,200-1,800 $1,900-2,800 €1,600-2,300

200

THEO DORO (1896-1973)

SPORTS D’HIVER DANS LES VOSGES

lithograph in colours, 1931, printed by C. Courtois, Paris, condition B+; backed on linen38 x 25 in. (97 x 64 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

57

201

202

203

201

PIERRE MICHEL

BARCELONNETTE

lithograph in colours, 1928, printed by Azémard Cousins, Nimes, condition A-; backed on linen42Ω x 31 in. (108 x 79 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

*202

PAUL ORDNER (1900-1969)

COMBLOUX

lithograph in colours, 1935, printed by Bahy, Mulhouse, condition A-; backed on paper39Ω x 24 in. (101 x 62 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

*203

LEONETTO CAPPIELLO (1875-1942)

SUPERBAGNÈRES-LUCHON

lithograph in colours, 1929, printed by Devambez, Paris, condition A-; backed on linen39Ω x 24 in. (100 x 61 cm.)

£5,000-7,000 $7,800-11,000 €6,400-8,800

58

204 207

205 208

206 209 212

211

210

59

209

RENÉ MICHAUD

MÉGÈVE

lithograph in colours, 1933, condition A; backed on linen38Ω x 25 in. (98 x 64 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

213

213

PIERRE FIX-MASSEAU (1905-1994)

BON VOYAGE, BONNE NEIGE

lithograph in colours, 1938, printed by Edita, Paris, condition B/B+; backed on linen39 x 48Ω in. (99 x 123 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

*212

AFTER F.L. FRAUK

LA NUIT DU SKI

lithograph in colours, 1931, printed by Sple. du Salon du Ski, condition B; backed on linen46 x 29Ω in. (117 x 75 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

211

HULON

SKI YACHTING NICE

lithograph in colours, 1954, condition A-; backed on linen25 x 18Ω in. (64 x 47 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

210

RAYMOND SAVIGNAC (1907-2002)

VAL D’ISÈRE

lithograph in colours, 1948, printed by Bahy, Mulhouse, condition B+; backed on linen39 x 24Ω in. (100 x 62 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

*208

LUCIEN BLUMER (1871-1947)

VALLÉE DE MUNSTER

lithograph in colours, printed by Alsacienne, Strasbourg, condition B+; backed on linen39Ω x 24Ω in. (100 x 62 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

207

M. CARABIN (PHOTO)

FRANCE, VAL D’ISERE

offset lithograph in colours, 1954, printed by Draeger, Paris, condition A; backed on linen39 x 25 in. (99 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

206

F.R. GANEAU

L’ETE A MEGEVE

lithograph in colours, 1955, printed by Chantenay, Paris, condition B+; backed on linen38 x 24Ω in. (97 x 63 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

*205

ROGER SOUBIE (1898-1984)

COUPE DE FRANCE, LUCHON-SUPERBAGNÈRES

lithograph in colours, 1923, printed by Cornille & Serre, Paris, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

*204

L. DE NEURAC

LUCHON-SUPERBAGNÈRES

lithograph in colours, 1922, printed by Léopold Verger, Paris, condition B+; backed on linen39Ω x 25Ω in. (100 x 65 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

60

214

RENÉ GONTRAN RANSON (1891-1977)

OH! LE JOLI BATON DE SKI

offset lithograph in colours, condition A; not backed18 x 12 in. (48 x 31 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

216

215

217

218

215

YVES THOS (B.1935)

AU SERVICE SECRET DE SA MAJESTE

offset lithograph in colours, 1969, Eon/United Artists, condition A-; on two sheets, not backed123 x 47 in. (312 x 120 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

216

PIERRE-LAURENT BRENOT (1913-1998)

MARIE DES NEIGES


£800-1,200 $1,300-1,900 €1,100-1,500

217

CARLO PELLEGRINI (1866-1937)

WINTER BEGINS

chromolithograph, 1912, published by Vouga & Cie., Genève (Série 211, No. 3); not backed, framedtogether with one other framed lithograph by Pellegrini13 x 24 in. (33 x 61 cm.) (2)

£800-1,200 $1,300-1,900 €1,100-1,500

219214

61

218


DOWNHILL FOLLIE


£800-1,200 $1,300-1,900 €1,100-1,500

219


A GLANCE BACK


£800-1,200 $1,300-1,900 €1,100-1,500

220

*220

CARL KUNST (1884-1912)

BILGERI-SKI-AUSRÜSTUNG

lithograph in colours, c.1910, printed by Reichold & Lang, Munchen, condition A; backed on linen20 x 30 in. (51 x 77 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

221

222

222

V. RUBASTA

JASNA NIZKE TATRY

lithograph in colours, 1951, condition A; not backed, framed33 x 23 in. (84 x 59 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

223

*221

LUDWIG HOHLWEIN (1874-1949)

WILDBAD KREUTH

lithograph in colours, 1912, printed by G. Schuh & Cie., München, condition B/B+; not backed29 x 41 in. (75 x 105 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

223

EDWIN HERMANN R. HENEL (1883-1953)

DEUTSCHE SKI-MEISTERSCHAFT

lithograph in colours, 1927, printed by Kunst Im Druck, München, condition B+/A-; backed on linen35 x 24 in. (89 x 61 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

62

227

226

225

227

SCHENK

L’HIVER EN NORVÈGE

lithograph in colours, 1938, printed by Norsk Lithografsk, Oslo, condition A; not backed39 x 24 in. (99 x 61 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

226

ANONYMOUS

TIL NORGE

lithograph in colours, printed by Broholm Poulsen, København, condition A; not backed33 x 24 in. (85 x 61 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

225

ANDERS BECKMAN (1907-1967)

LA SUÈDE, AEROTRANSPORT

offset lithograph, printed by A.-B. Offsettryck, Stockholm, condition B+; backed on linen39 x 25 in. (100 x 63 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

224

DAGTIN TH. HANSSEN

NORVEGE, PAYS DU SKI

lithograph in colours, 1935, printed by Norsk Lithografsk Offcin, Oslo, condition A; not backed39 x 24Ω in. (99 x 63 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

224

63

230

229228

230

EDITH REIDEL (1909-1992)

STEIERMARK

lithograph in colours, c.1930, printed by Alfred Wall, Graz, condition B+/A-; backed on linen37 x 25 in. ( 94 x 64 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

229

B.P.

AUSTRIA

lithograph in colours, 1938, condition B+; backed on linen37Ω x 25 in. (95 x 64 cm.)

£4,000-6,000 $6,300-9,300 €5,100-7,600

228

CLAUDE LEMEUNIER

NORWAY

lithograph in colours, 1957, printed by Offset-service, condition B+; not backed38Ω x 24Ω in. (98 x 63 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

64

239

238

231

236233

235

234

232

237

65

234

WAGNER

EN HIVER A VIENNE

lithograph in colours, printed by Gerin, Wien, condition B+/A-: not backed37 x 25 in. (94 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

240

ERICH VON WUNSCHHEIM

TO AUSTRIA

lithograph in colours, 1937, printed by Richard Bruchsteiner, Wienne, condition A-; backed on linen37 x 24Ω in. (94 x 62 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

240

239

ATELIER PROF. KIRNIG

AUTRICHE

lithograph in colours, 1937, printed by Christoph Reisser’s Söhne, Vienne, condition A-; not backed37Ω x 25 in. (95 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

238

ANONYMOUS

AUTRICHE

lithograph in colours, printed by J. Weiner, Vienne, condition A-; backed on linen39Ω x 25 in. (100 x 64 cm.)

£1,500-2,000 $2,400-3,100 €1,900-2,500

*237

ERICH VON WUNSCHHEIM

L’HIVER EN AUTRICHE

lithograph in colours, c.1930, printed by A. Luigard., Wien, condition A; backed on japan37Ω x 25 in. (96 x 64 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

236

ANONYMOUS

AUSTRIA!

offset lithograph in colours, printed by Elbemuhl, Ltd., Vienna condition B/B+; backed on linen38 x 23 in. (97 x 58 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

235

GUSTAV JAHN (1879-1919)

HOHE TAUERN, GROSSGLOCKNER

lithograph in colours, condition A-; backed on japan39 x 27Ω in. (100 x 71 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

*233

OTTO BARTH (1876-1916)

WINTERSPORT IM STEIR SALZKAMMERGVT

lithograph in colours, c.1915, printed by Cristoph Reisser’s Söhne, Wien, condition B+/A-; backed on linen38Ω x 26 in. (98 x 66 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

232

EBNER

ÖSTERREICH

offset lithograph in colours, c.1950, printed by Brüder, Vienna, condition B+/A-; backed on linen37Ω x 25 in. (96 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

*231

HANS WAGULA (1894-1964)

L’ AUTRICHE

lithograph in colours, printed by Kefa, Innsbruck, condition B+; backed on linen37Ω x 25 in. (96 x 64 cm.)

£800-1,200 $1,300-1,900 €1,100-1,500

66

241

241

MAGA (GIUSEPPE MAGAGNOLI, 1878-1933)

AOSTA

lithograph in colours, 1931, printed by E.N.I.T., condition A-; not backed39Ω x 24Ω in. (100 x 62 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

242

*242

A.M. CASSANDRE (1901-1968)

ITALIA

lithograph in colours, 1935, printed by Graf, Coen & C., Milano, condition B+; backed on linen39Ω x 24 in. (101 x 61 cm.)

£1,000-1,500 $1,600-2,300 €1,300-1,900

243

243

GIUSEPPE RICCOBALDI (1887-1976)

TERMINILLO

lithograph in colours, 1940, printed by Barabino & Graeve, Genova, condition A-; backed on linen39 x 27Ω in. (99 x 70 cm.)

£3,000-5,000 $4,700-7,800 €3,800-6,300

245

MARIO PUPPO (1905-1977)

CORTINA

lithograph in colours, 1938, printed by Pizzi & Pizio, Milano, condition B+/A-; backed on paper39 x 27Ω in. (99 x 70 cm.)

£6,000-8,000 $9,400-12,000 €7,600-10,000

*247

FRANZ LENHART (1898-1992)

MADONNA DI CAMPIGLIO

lithograph in colours, 1950, printed by Barabino & Graeve, Genova, condition B+; backed on linen39Ω x 27 in. (100 x 69 cm.)

£2,000-3,000 $3,200-4,700 €2,600-3,800

*246


CORTINA

lithograph in colours, c.1930, condition B+/A-; backed on japan39 x 27 in. (99 x 69 cm.)

£8,000-12,000 $13,000-19,000 €11,000-15,000

244


WINTER SPORT IN ITALIEN

lithograph in colours, condition A-; not backed39 x 24 in. (99 x 61 cm.)

£4,000-6,000 $6,300-9,300 €5,100-7,600

67

244

245

246

247

68

BIBLIOGRAPHY

THE ART OF SKIINGde Gex, Jenny, 2006, Palazzo Editions, ISBN 0954510380BAUMBERGEROtto Baumberger 1889-1961, 1988, Zurich, ISBN 3 907065 27 1BRODERSMontry de, Anne & Lepeuve, Francoise, Les Affiches de Roger Broders, 1991, Syros ISBN 2-86738-595-4CARDINAUXEmil Cardinaux 1877-1936, 1985, Museum für Geltaltung Zurich KunstegewerbemuseumCHAMONIXBibliothèque Municipale Chamonix, Cent ans d’affiches à Chamonix: exposition, Editions Clouet, 1991, ParisC.I.O.

Comite International Olympique, Olympism Through Posters 1896-1984, 1983, International Olympic CommitteeCONQUERING THE SKIESGiroud, Jean Charles, Conquering the Skies in Swiss Poster Art, Patrick Cramer, 2008, Geneva D.F.P. IDas Frühe Plakat in Europa und den USA Volume I, British and American Posters, Mann Verlag, 1977, BerlinD.F.P. IIDas Frühe Plakat in Europa und den USA Volume II, French and Belgian Posters, Mann Verlag, 1977, BerlinD.F.P. IIIDas Frühe Plakat in Europa und den USA Volume III, German Posters, Mann Verlag, 1980, Berlin

ELZINGREGiroud, Jean Charles and Cramer, Patrick (Editor) Ed. Elzingre, 1998, GenevaGIROUDGiroud, Jean-Charles, A Century of Swiss Winter Sports Posters, 2006, Patrick CramerTRAVEL ITALIAOttaviani, Lorenzo, The Golden Age of Italian Travel Posters (from the Collection Alessandro Bellenda, Alassio, Italy), 2007, Abrams, New York, ISBN 0810994410 LA MONTAGNE S’AFFICHEHillion, Daniel, La Montagne s’Affiche, 1991, Editions Ouest France ISBN 2-7373-0862-3LE TRAIN A L’AFFICHECanard, F & Zagrodzki, C, Le Train a l’Affiche, 1989, La Vie du Rail, Paris ISBN 2-902802-30-5LENHARTFesti, Roberto & Gullo, Lillo, Franz J.Lenhart, ISBN 88-85341-04-7LEUPINLüönd, Karl & Leupin, Charles, Herbert Leupin, 1995, Reinhardt Verlag, Basel ISBN 2-902808-30-5MANGOLDBurkhard Mangold 1873-1950, 1984, Museum für Geltaltung Zurich KunstgewerbemuseumMARGADANTMargadant, The Swiss Poster 1900-1983, 1983, Birkhäuser Verlag, Basel ISBN 3-7643-1354-4OLYMPIC IMAGEYew W., The Olympic Image, 1996, Quon Editions, Canada, ISBN 0-9694432-7-7

OLYMPIC POSTERSTimmers, Margaret, A Century of Olympic Posters, 2008, V&A Publishing, London ISBN: 978-1-85177-538-5PARADIS À VENDRE Cosandier, Giroud, Schlup & Vonèche, Paradis à Vendre, Un Siècle d’Affiches Touristiques Suisses, 2005, Patrick Cramer, GenevaRAYNERRayner, Ranulf, The Story of Skiing, 1989, Saik Wah Press, SingaporeSAVIGNACLelieur, Anne-Claude, Savignac Affichiste, 2001, Bibliothèque Forney, Paris ISBN 978-2843310799SPORTS D’HIVERClerc, Jean-Daniel & Giroud, Jean-Charles, Affiches de Sports D’Hiver, 2014, Éditions Citadelles & Mazenod, Paris ISBN 978 2 85088 597 6TOURISM POSTERS OF SWITZERLANDWobmann, K., Tourism Posters of Switzerland 1880-1940, 1981, AT Verlag, Stuttgart ISBN 3-85502-063-9WOBMANN & TRIETWobmann, Karl & Triet, Max, Swiss Sports Posters, 1983, ABC Verlag, Zürich ISBN 3-85504-077-XWYDERWyder, Bernard, Affiches Valaisannes Walliser Plakate, 2004, Edition Verlag, ISBN 3-907624-49-1

INDEX OF RESORTS

SWITZERLANDArosa, 39, 42Andermatt, 116, 118Berner Oberland, 1-6Braunwald, 23Davos, 54-64Engelberg, 112-113Glarus, 120Gstaad, 16-22Gurnigel, 13Heiden, 119Interlaken, 15Jungfrau, 32-38Kandersteg, 8, 9Klausen, 125Klosters, 46-52Lausanne, 123 Lenk, 7Lenzerheide, 70Martigny-Orsieres, 98Muottas-Muragl, 72Murren, 12, 14

Pontresina, 65-69, 73Saas-Fee, 97Silvaplana, 94St Croix Les Rasses, 115, 117St Moritz, 77-93, 95-96Verbier, 102Wengen, 10-11Zermatt, 102-111Zugerberg, 121

REST OF EUROPEAosta, 241Alpe d’Huez, 189Auron, 188Barcelonette, 201Chamonix & Mont Blanc, 177, 179, 181-186, 190-191Combloux, 202Cortina, 245-246Le Hohwald, 173Le Markstein, 199Le Mont Revard, 172, 175

Les Vosges, 169, 200Madonna di Campidoglio, 247Megeve, 206Meribel, 198, 209St Bernard, 176St Gervais Les Bains, 168St Pierre de Chartreuse, 170Superbagneres-Luchon, 203-205Terminillo, 243Val d’Isere, 207, 210Valle de Munster, 208Valloire, 197Villard de Lans, 174

USA & CANADAAlberta, 153Aspen, 159Dartmouth, 164-166Lake Placid, 158Quebec, 154Sun Valley, 152, 155

69

INDEX

AAbel, 193Amstutz & Herdeg, 22Amstutz, W., 117

BB.P., 229Barberis, F., 3, 51Barth, O., 233Beckman, A., 225Bickel, K., 89Bingler, M., 103Blumer, L., 208Borer, A., 55Bosshart, 70Bowers, J., 166Brenot, P., 216, 218-219Broders, R., 167-175, 177-179Brun, D., 30, 39, 46Bruna, D., 161-162Burger, W.F., 72-73, 84, 119

CCappiello, L., 203Carabin, M., 207Cardinaux, E., 32-33, 35-36, 38, 42, 53, 58, 71, 91, 110, 122Carigiet, A., 28, 47, 80Cassandre, A.M., 242Charmoz, J., 48Chauffard. H., 199Cromiéres, H., 189

DD’Alesi, H.F., 185de Coulon, E., 125Diggelmann, A.W., 15, 16, 19, 50, 95-96Dorival, G.S., 187, 190-191Doro, T., 200

EEbner, 232Eggimann, H., 59Elzingre, E., 6Erdt, H.R., 93

FFerve-Briquet, P., 188Fix-Masseau, P., 213Frauk, F.L., 212

GGaberell-Thalwil, J., 111Ganeau, F.R., 206Gusset, P., 2

HHandschin, J., 23, 94Hanssen, D., 224Haper, J., 163Hellinger, F., 76Henel, E.H.R., 223Herdeg, W., 81-82Hermes, E., 1, 45Hugon, R., 192Hulon, 211

JJahn, G., 235Jaques, F., 115Jegerlehner, H., 27Joanethis, T.N., 164Johnson, R.A., 153Julien, J., 180

KKammüller, P., 40Keck & Furter, 61Keck, L., 7, 102Kirnig, 239Koch, W., 74-75Kuhn, C., 21, 41, 87Kunst, C., 220Kurtz, H., 63

LLandry, P., 123Laty, Y., 186Laubi, H., 43, 52, 79, 83Lecomte, A., 12Léger, J., 196Lemeunier, C., 228Lenhart, F., 244, 246-247Leupin, H., 25, 56, 60, 62Libis, 100Lichtenstein, R., 159

MMagagnoli, G., 241Mangold, B., 57Matter, H., 26, 112, 114Maurer, S., 156-157Mernsinger, W., 97Michaud, R., 209Michel, P., 201Monnerat, P., 54Moos, C., 86, 88, 109Muret, A., 98

NNeurac, L., 204

OOrdner, P., 202Otth, J.P., 99

PPeikert, M., 4-5, 10, 14, 18, 31, 65-67, 101, 121Pellegrini, C., 217Perren-Barberini, A., 104, 106Pletscher, 24Ponty, M., 184Puppo, M., 245

RRanson, R.G., 214Reb, H., 183Reckziegel, A., 105Reidel, E., 230Riccobaldi, G, 243Rubasta, V., 222

SS.D., 155Savignac, R., 210Schär, 68Schenk, 227Schol, 108Seiler, 17Serralier, 198Smith, H., 85Soubie, R., 205Steiner, A., 29Stiefel, E., 90Studer, W., 11

TTairraz, 181Tamagno, F., 182Thommen, E., 69Thoni, H., 124Thos, Y., 215Trapp, W., 8-9, 64, 92

VVecoux, 194Villemot, B., 195von Kager, E., 13

WWagner, 234Wagula, H., 231Wehrli, 107Weiskönig, W., 77Wunschheim, E., 237, 240

70

IMPORTANT NOTICES AND EXPLANATION OF

CATALOGUING PRACTICE

IMPORTANT NOTICES

CHRISTIE’S INTEREST IN PROPERTY CONSIGNED FOR AUCTIONFrom time to time, Christie’s may offer a lot which it owns in whole or in part. Such property is identified in the catalogue with the symbol ∆ next to its lot number. On occasion, Christie’s has a direct financial interest in lots consigned for sale, which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Where Christie’s holds such financial interest on its own we identify such lots with the symbol º next to the lot number.Where Christie’s has financed all or part of such interest through a third party the lots are identified in the catalogue with the symbol ºu. When a third party agrees to finance all or part of Christie’s interest in a lot, it takes on all or part of the risk of the lot not being sold, and will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot. Where it does so, and is the successful bidder, the remuneration may be netted against the final purchase price. If the lot is not sold, the third party may incur a loss. Please see http://www.christies.com/financial-interest/ for a more detailed explanation of minimum price guarantees and third party financing arrangements.Where Christie’s has an ownership or financial interest in every lot in the catalogue, Christie’s will not designate each lot with a symbol, but will state its interest in the front of the catalogue.

ALL DIMENSIONS ARE APPROXIMATE

CONDITION Christie’s catalogues include references to condition only in descriptions of multiple works (such as prints, books and wine). For all other property, only alterations or replacement components are listed. Please contact the Specialist Department for a condition report on a particular lot. The nature of the lots sold in our auctions is such that they will rarely be in perfect condition, and are likely, due to their nature and age, to show signs of wear and tear, damage, other imperfections, restoration or repair. Any reference to condition in a catalogue entry will not amount to a full description of condition. Condition reports are usually available on request, and will supplement the catalogue description. In describing lots, our staff assess the condition in a manner appropriate to the estimated value of the item and the nature of the auction in which it is included. Any statement as to the physical nature or condition of a lot, in a catalogue, condition report or otherwise, is given honestly and with appropriate care. However, Christie’s staff are not professional restorers or trained conservators and accordingly any such statement will not be exhaustive. We therefore recommend that you always view property personally, and, particularly in the case of any items of significant value, that you instruct your own restorer or other professional adviser to report to you in advance of bidding.

30/09/14

PROPERTY INCORPORATING MATERIALS

FROM ENDANGERED AND OTHER

PROTECTED SPECIESProperty made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife are marked with the symbol ~in the catalogue. Such material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whale bone and certain species of coral, together with Brazilian rosewood. Prospective purchasers are advised that several countries prohibit altogether the importation of property containing such materials, and that other countries require a permit (e.g., a CITES permit) from the relevant regulatory agencies in the countries of exportation as well as importation. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered and other protected wildlife material. The inability of a client to export or import property containing endangered and other protected wildlife material is not a basis for cancellation or rescission of the sale. Please note also that lots containing potentially regulated wildlife material are marked as a convenience to our clients, but Christie’s does not accept liability for errors or for failing to mark lots containing protected or regulated species.

RECENT CHANGES TO IMPORTS OF

ELEPHANT IVORY AND OTHER WILDLIFE

MATERIAL INTO THE USA

The USA has recently changed its policy on the import of property made of or containing elephant ivory. Only Asian Elephant ivory may be imported into the USA, and imports must be accompanied by DNA analysis and confirmation the object is more than 100 years old. We have not obtained a DNA analysis on any lot prior to sale and cannot indicate whether the elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these lots at their own risk and will be responsible for the costs of obtaining any DNA analysis or other report required in connection with their proposed import of such property into the USA.The USA is also currently requiring all imports of property made of or containing wildlife material to be accompanied by a scientific confirmation of species and in some cases an additional confirmation of age. We have not obtained such confirmations prior to sale (unless specifically indicated) and buyers will be responsible for the costs of any such additional confirmations or opinions required for their proposed import into the USA.A buyer’s inability to export or import any lot containing elephant ivory or other wildlife material is not a basis for cancelling the purchase.

POST 1950 FURNITUREAll items of post-1950 furniture included in this sale are items either not originally supplied for use in a private home or now offered solely as works of art. These items may not comply with the provisions of the Furniture and Furnishings (Fire) (Safety) Regulations 1988 (as amended in 1989 and 1993, the “Regulations”). Accordingly, these items should not be used as furniture in your home in their current condition. If you do intend to use such items for this purpose, you must first ensure that they are reupholstered, restuffed and/or recovered (as appropriate) in order that they comply with the provisions of the Regulations.

71

BUYING AT CHRISTIE’S

CONDITIONS OF SALEChristie’s Conditions of Sale and Limited Warranty are set out later in this catalogue. Bidders are strongly encouraged to read these as they set out the terms on which property is bought at auction.

ESTIMATES Estimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimates are subject to revision. Buyers should not rely upon estimates as a representation or prediction of actual selling prices. Estimates do not include the buyer’s premium or VAT. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

RESERVESThe reserve is the confidential minimum price the consignor will accept and will not exceed the low pre-sale estimate. Lots that are not subject to a reserve are identified by the symbol • next to the lot number.

BUYER’S PREMIUMChristie’s charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% of the final bid price of each lot up to and including £50,000, 20% of the excess of the hammer price above £50,000 and up to and including £1,000,000 and 12% of the excess of the hammer price above £1,000,000. Exceptions: Wine and Cigars: 17.5% of the final bid price of each lot. VAT is payable on the premium at the applicable rate.

PRE-AUCTION VIEWINGPre-auction viewings are open to the public free of charge. Christie’s specialists are available to give advice and condition reports at viewings or by appointment.

BIDDER REGISTRATIONProspective buyers who have not previously bid or consigned with Christie’s should bring:• Individuals: government-issued photo identification (such as a photo driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement.• Corporate clients: a certificate of incorporation.• For other business structures such as trusts, offshore companies or partnerships, please contact Christie’s Credit Department at + 44 (0)20 7839 2825 for advice on the information you should supply.• A financial reference in the form of a recent bank statement or a reference from your bank in line with your expected purchase level. Christie’s can supply a form of wording for the bank reference if necessary.• Persons registering to bid on behalf of someone who has not previously bid or consigned with Christie’s should bring identification documents not only for themselves but also for the party on whose behalf they are bidding, together with a signed letter of authorisation from that party. To allow sufficient time to process the information, new clients are encouraged to register at least 48 hours in advance of a sale.Prospective buyers should register for a numbered bidding paddle at least 30 minutes before the auction. Clients who have not made a purchase from any Christie’s office within the last one year and those wishing to spend more than on previous occasions, will be asked to supply a new bank reference. For assistance with references, please contact Christie’s Credit Department at +44 (0)20 7389 2862 (London, King Street) or at +44 (0)20 7752 3137 (London, South Kensington). We may at our option ask you for a financial reference or a deposit as a condition of allowing you to bid.

REGISTERING TO BID ON SOMEONE ELSE’S BEHALFPersons bidding on behalf of an existing client should bring a signed letter from the client authorising the bidder to act on the client’s behalf. Please note that Christie’s does not accept payments from third parties. Christie’s can only accept payment from the client, and not from the person bidding on their behalf.

BIDDINGThe auctioneer accepts bids from those present in the sale-room, from telephone bidders, or by absentee written bids left with Christie’s in advance of the auction. The auctioneer may also execute bids on behalf of the seller up to the amount of the reserve. The auctioneer will not specifically identify bids placed on behalf of the seller. Under no circumstances will the auctioneer place any bid on behalf of the seller at or above the reserve. Bid steps are shown on the Absentee Bid Form at the back of this catalogue.

ABSENTEE BIDSAbsentee bids are written instructions from prospective buyers directing Christie’s to bid on their behalf up to a maximum amount specified for each lot. Christie’s staff will attempt to execute an absentee bid at the lowest possible price, taking into account the reserve price. Absentee bids submitted on “no reserve” lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate.The auctioneer may execute absentee bids directly from the rostrum, clearly identifying these as “absentee bids”, “book bids”, “order bids” or “commission bids”. Absentee Bids Forms are available in this catalogue, at any Christie’s location, or online at christies.com.

TELEPHONE BIDSTelephone bids cannot be accepted for lots estimated below £2,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at +44 (0)20 7389 2658 (London, King Street) or +44 (0)20 7752 3225 (London, South Kensington). Arrangements to bid in languages other than English must be made well in advance of the sale date. Telephone bids may be recorded. By bidding on the telephone, prospective purchasers consent to the recording of their conversation.

SUCCESSFUL BIDSWhile Invoices are sent out by mail after the auction we do not accept responsibility for notifying you of the result of your bid. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges. Successful bidders will pay the price of the final bid plus premium plus any applicable VAT.

PAYMENTBuyers are expected to make payment for purchases immediately after the auction. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Please note that Christie’s will not accept payments for purchased Lots from any party other than the registered buyer. Lots purchased in London may be paid for in the following ways: wire transfer, credit card: Visa and MasterCard & American Express only (up to £25,000), and cash (up to £5,000 (subject to conditions)), bankers draft (subject to conditions) or cheque (must be drawn in GBP on a UK bank; clearance will take 5 to 10 business days). Wire Transfers: Lloyds TSB Bank Plc City Office PO Box 217 72 Lombard Street, London EC3P 3BT A/C: 00172710 Sort Code: 30-00-02 for international transfers, SWIFT LOYDGB2LCTY. For banks asking for an IBAN: GB81 LOYD 3000 0200 1727 10. Credit Card: Visa and MasterCard & American Express only. A limit of £25,000 for credit card payments will apply. This limit is inclusive of the buyer’s premium and any applicable taxes. Credit card payments at London sale sites will only be accepted for London sales. Christie’s will not accept credit card payments for purchases made in any other sale site. The fax number to send completed CNP (Card Member not Present) authorisation forms to is +44 (0) 20 7389 2821. The number to call to make a CNP payment over the phone is +44 (0) 20 7752 3388. Alternatively, clients can mail the authorisation form to the address below. Cash is limited to £5,000 (subject to conditions). Bankers Draft should be made payable to Christie’s (subject to conditions). Cheques should be made payable to Christie’s (must be drawn in GBP on a UK bank, clearance will take 5 to 10 business days).In order to process your payment efficiently, please quote sale number, invoice number and client number with all transactions.All mailed payments should be sent to:Christie’s, Cashiers’ Department, 8 King Street, St James’s, London, SW1Y 6QTPlease direct all inquiries to King Street Tel: +44 (0) 20 7389 2996 Fax: +44 (0) 20 7389 2863

VAT†VAT payable at 20% on hammer price and buyer’s premium* These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie’s immediately after the auction.Ω

These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 20%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. Where applicable Customs duty will be charged (per rate specified by HMRC guidance) on the Hammer price and VAT will be payable at 20% on duty. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie’s immediately after the auction.α �Buyers�from�within�the�EU:�

VAT payable at 20% on just the buyer’s premium (NOT the hammer price). Buyers�from�outside�the�EU:�VAT payable at 20% on hammer price and buyer’s premium. If a buyer, having registered under a non-EU address, decides that the item is not to be exported from the EU, then he should advise Christie’s to this effect immediately

q Zero rated No VAT charged.

(no symbol) Auctioneers’ Margin Scheme In all other circumstances no VAT will be charged on the hammer price, but VAT payable at 20% will be added to the buyer’s premium which is invoiced on a VAT inclusive basis.

Wine�Auctions‡ This wine is in bond. You can choose to take the wine

in bond or duty paid. See the additional conditions of sale relating to wine for further details.

VAT�RefundsRefunds cannot be made where lots have been purchased with an inside EU address. Christie’s can only refund Import VAT (Lots with * or Ωsymbol) if lots are exported within 30 days of collection. Valid export documents must be returned within the stipulated time frame. No refund will be paid out where the total amount is less than £100. UK & EU private buyers cannot reclaim VAT. Christie’s will charge £35 for each refund processed. For detailed information please see the leaflets available, or email [email protected] non-EU buyers have failed to export their lots outside of the EU within the required time, HM Revenue & Customs will not allow a VAT refund to be made. This is a requirement of UK legislation and Christie’s do not have discretion to make exceptions to the rule. UK and EU private buyers cannot reclaim any VAT charged.

ARTIST’S RESALE RIGHT (“DROIT DE SUITE”)If a lot is affected by this right it will be identified with the symbol λ next to the lot number. The buyer agrees to pay to Christie’s an amount equal to the resale royalty. Resale royalty applies where the Hammer Price is 1,000 Euro or more and the amount cannot be more than 12,500 Euro per lot. The amount is calculated as follows:

Royalty For the portion of the Hammer Price (in Euro) 4.00% up to 50,000 3.00% between 50,000.01 and 200,000 1.00% between 200,000.01 and 350,000 0.50% between 350,000.01 and 500,000 0.25% in excess of 500,000

Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro rate of exchange will be the European Central Bank reference rate on the day of the sale.

SHIPPINGIt is the buyer’s responsibility to pick up purchases or make all shipping arrangements. After payment has been made in full, Christie’s can arrange property packing and shipping at the buyer’s request and expense. Buyers should request an estimate for any large items or property of high value that require professional packing. A shipping form is enclosed with each invoice, alternatively buyers can visit www.christies.com/shipping to request a shipping estimate. For more information please contact the Shipping Department at + 44 (0)20 7389 2712 or via [email protected] for both London, King Street and London, South Kensington sales.

EXPORT OF GOODS FROM THE EUIf you are proposing to take purchased items outside the EU the following applies:Christie’s�Art�Transport:�If you use Christie’s Art Transport you will not be required to pay the VAT at the time of settlement.Christie’s�VAT�authorised�Shipper:If you use a Christie’s VAT authorised shipper you will not be required to pay the VAT at the time of settlement.Own�Shipper:VAT will be charged on the invoice, refundable by the VAT Department upon receipt of the appropriate official documents sent to us by your shipper.Hand-Carried:VAT will be charged on the invoice.This will be refunded by the VAT Department upon receipt of the appropriate official document.*, Ωor †Starred, Omega or Daggered lots – A C88 can be obtained from Christie’s Shipping Department .This document must be stamped by UK Customs on leaving the UK.(no symbol)Margin Scheme lots – Please obtain GB Tax Free form from the Cashiers. This document must be stamped by UK Customs on leaving the UK.Starred or Omega lots must be exported within 30 days of the date of collection. All other lots not subject to import VAT must be exported within three months of collection, and proof of export provided in the appropriate form.

EXPORT/IMPORT PERMITSBuyers should always check whether an export licence is required before exporting. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the rescission of any sale nor any delay in making full payment for the lot.Christie’s can advise buyers on the detailed provisions of the export licensing regulations and will submit any necessary export licence applications on request. However, Christie’s cannot ensure that a licence will be obtained. Local laws may prohibit the import of some property and/or may prohibit the resale of some property in the country of importation. For more information, please contact Christie’s Shipping Department at +44 (0)20 7389 2828 or the Museums, Libraries and Archives Council: Acquisitions, Export and Loans Unit at +44 (0)20 7273 8269/8267.

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Cadogan TaTe LTd’s Warehouse

241 Acton Lane,

Park Royal,

London NW10 7NP

Telephone: +44 (0)800 988 6100

Email: [email protected]

STORAGE & COLLECTION CHARGESSpecified lots, marked with a filled square ( ■ ) not cleared from Christie’s by 5.00 pm on the day of the sale and all sold and unsold lots not cleared from Christie’s by 5.00 pm on the fifth Friday following the sale will be removed to the warehouse of:Cadogan Tate Ltd241 Acton Lane, Park RoyalLondon NW10 7NPTelephone: +44 (0)800 988 6100Email: [email protected] will be available for collection on the first full business week after transfer to Cadogan Tate Ltd and every business weekday from 9.00 am to 5.00 pm.

Property, once paid, can be released to Christie’s Fine Art Storage Services (CFASS) in London, New York or Singapore FreePort at any time for environmentally controlled long term storage, per client request. CFASS is a separate subsidiary of Christie’s and clients enjoy complete confidentiality. Visit www.cfass.com, or contact [email protected]. Telephone: +44 (0)20 7622 0609 for details.

TRANSFER, STORAGE & RELATED

CHARGES (PER LOT)

CHARGES Furniture/ Pictures/ Large Objects Small Objects

Transfer/Admin £42.00 £21.00Storage per day £5.25 £2.65Extended The lower amount of 0.6% of Liability Charge: Hammer Price or 100% of the

above charges

All charges are subject to VAT. Very large or heavy items may be subject to a surcharge.

Please note that there will be no charge to purchasers who collect their lots within two weeks of this sale.

COLLECTION & PAYMENT OF ANY

CHARGES DUELots will be available for collection from Cadogan Tate Ltd241 Acton Lane, Park RoyalLondon NW10 7NPTelephone: +44 (0)800 988 6100Email: [email protected] every business day after the day of transfer, from 9.00 am until 5.00 pm. Lots may only be released by Cadogan Tate upona) production of the ‘Collection Order’ obtained from the cashier’s office at Christie’s, 85 Old Brompton Road, London SW7 or Christie’s, 8 King Street, London SW1 b) payment of any charges that may be due to Cadogan Tate LtdTo assist Cadogan Tate to provide a swift release please telephone on the business day prior to collection to ensure that Lots are available and to ascertain any charges due. If sending a carrier please ensure that they are provided with all necessary information, your written authority to collect, the Collection Order and the means to settle any charges.

COLLECTION FROM CADOGAN TATEPlease note that Cadogan Tate Ltd’s opening hours are Monday to Friday 9.00 am to 5.00 pm, and purchases transferred to their warehouse are not available for collection at weekends.

28/10/14

EXTENDED LIABILITY CHARGESAll services provided by Cadogan Tate Ltd (“Cadogan Tate”) will be subject to their standard Conditions of Business, copies of which are available at Christie’s South Kensington. Please note in particular that Cadogan Tate• does not accept any liability for damage or loss, due to its negligence or otherwise, exceeding the Hammer Price of a Lot plus associated Buyer’s Premium, or, at its sole option, the cost of repairing or replacing the damaged or missing Lot and• it reserves a lien over all goods in its possession for payment of storage and all other charges due to it and• it automatically arranges on behalf of the Lot’s owner and at the owner’s cost, insurance of the Lot for the sum of the Hammer price plus Buyer’s Premium. The Extended Liability Charge covers the Lot from the time of collection from the saleroom until release of the Lot to the owner or the owner’s agent. The Extended Liability Charge payable by the owner of the Lot is 0.6% of the sum of the Hammer Price and Buyer’s Premium or 100% of the transfer and storage charges, whichever is the smaller. This Extended Liability will not be arranged and no charge will be payable only on receipt by Cadogan Tate of advance written notice from the owner of the lot together with formal waiver of subrogation from the owners insurers.

Christie’s Fine Art Storage Services (CFASS) also offers storage solutions for fine art, antiques and collectibles in New York and Singapore FreePort. CFASS is a separate subsidiary of Christie’s and clients enjoy complete confidentiality. Visit www.cfass.com for charges and other details.

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CONDITIONS OF SALE

These Conditions of Sale and the Important Notices and Explanation of Cataloguing Practice set out the terms governing the legal relationship of Christie’s and the seller with the buyer. You should read them carefully before bidding.

1. CHRISTIE’S AS AGENTExcept as otherwise stated Christie’s acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

2. CATALOGUE DESCRIPTIONS

AND CONDITIONLots are sold as described and otherwise in the condition they are in at the time of the sale, on the following basis.

(a) ConditionThe nature of the lots sold in our auctions is such that they will rarely be in perfect condition, and are likely, due to their nature and age, to show signs of wear and tear, damage, other imperfections, restoration or repair. Any reference to condition in a catalogue entry will not amount to a full description of condition. Condition reports are usually available on request, and will supplement the catalogue description. In describing lots, our staff assess the condition in a manner appropriate to the estimated value of the item and the nature of the auction in which it is included. Any statement as to the physical nature or condition of a lot, in a catalogue, condition report or otherwise, is given honestly and with appropriate care. However, Christie’s staff are not professional restorers or trained conservators and accordingly any such statement will not be exhaustive. We therefore recommend that you always view property personally, and, particularly in the case of any items of significant value, that you instruct your own restorer or other professional adviser to report to you in advance of bidding.

(b) Cataloguing PracticeOur cataloguing practice is explained in the Important Notices and Explanation of Cataloguing Practice, which appear after the catalogue entries.

(c) Attribution etcAny statements made by Christie’s about any lot, whether orally or in writing, concerning attribution to, for example, an artist, school, or country of origin, or history or provenance, or any date or period, are expressions of our opinion or belief. Our opinions and beliefs have been formed honestly and in accordance with the standard of care reasonably to be expected of an auction house of Christie’s standing, due regard having been had to the estimated value of the item and the nature of the auction in which it is included. It must be clearly understood, however, that, due to the nature of the auction process, we are unable to carry out exhaustive research of the kind undertaken by professional historians and scholars, and also that, as research develops and scholarship and expertise evolve, opinions on these matters may change. We therefore recommend that, particularly in the case of any item of significant value, you seek advice on such matters from your own professional advisers.

(d) EstimatesEstimates of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose.

(e) Fitness for PurposeLots sold are enormously varied in terms of age, category and condition, and may be purchased for a variety of purposes. Unless otherwise specifically agreed, no promise is made that a lot is fit for any particular purpose.

3. AT THE SALE(a) Refusal of admissionChristie’s has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

(b) Registration before biddingProspective buyers who wish to bid in the saleroom can register online in advance of the sale, or can come to the saleroom on the day of the sale approximately 30 minutes before the start of the sale to register in person. Prospective buyers must complete and sign a registration form with his or her name and permanent address, and provide identification before bidding. We may require the production of bank details from which payment will be made or other financial references.

(c) Bidding as principalWhen making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Christie’s before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Christie’s, and that Christie’s will only look to the principal for payment.

(d) Absentee bidsWe will use reasonable efforts to carry out written bids delivered to us prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in the currency of the place of the sale. Please refer to the catalogue for the Absentee Bids Form. If we receive written bids on a particular lot for identical amounts, and at the auction these are the highest bids on the lot, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and provided that we have exercised reasonable care in the handling of written bids, the volume of goods is such that we cannot accept liability in any individual instance for failing to execute a written bid or for errors and omissions in connection with it arising from circumstances beyond our reasonable control.

(e) Telephone bidsIf a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone but we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding arising from circumstances beyond our reasonable control.

(f) Currency converterAt some auctions a currency converter may be operated. Errors may occur in the operation of the currency converter. Where these arise from circumstances beyond our reasonable control we do not accept liability to bidders who follow the currency converter rather than the actual bidding in the saleroom.

(g) Video or digital imagesAt some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image. We do not accept liability for such errors where they arise for reasons beyond our reasonable control.

(h) ReservesUnless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. If any lots are not subject to a reserve, they will be identified with the symbol • next to the lot number. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.

(i) Auctioneer’s discretionThe auctioneer has the right to exercise reasonable discretion in refusing any bid, advancing the bidding in such a manner as he may decide, withdrawing or dividing any lot, combining any two or more lots and, in the case of error or dispute, and whether during or after the sale, determining the successful bidder, continuing the bidding, cancelling the sale or reoffering and reselling the item in dispute. If any dispute arises after the sale, then, in the absence of any evidence to the contrary the sale record maintained by the auctioneer will be conclusive.

(j) Successful bid and passing of riskSubject to the auctioneer’s reasonable discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot (including frames or glass where relevant) passes to the buyer at the expiration of seven calendar days from the date of the sale or on collection by the buyer if earlier.

4. AFTER THE SALE(a) Buyer’s premiumIn addition to the hammer price, the buyer agrees to pay to us the buyer’s premium together with any applicable value added tax. The buyer’s premium is 25% of the final bid price of each lot up to and including £50,000, 20% of the excess of the hammer price above £50,000 and up to and including £1,000,000 and 12% of the excess of the hammer price above £1,000,000. Exceptions: Wine and Cigars: 17.5% of the final bid price of each lot, VAT is payable at the applicable rate.

(b) Artist’s Resale Right (“Droit de Suite”)If the Artist’s Resale Right Regulations 2006 apply to the lot the buyer also agrees to pay to us an amount equal to the resale royalty provided for in those Regulations. Lots affected are identified with the symbol λ next to the lot number.

(c) Payment and ownershipThe buyer must pay the full amount due (comprising the hammer price, buyer’s premium and any applicable taxes or resale royalty) immediately after the sale. This applies even if the buyer wishes to export the lot and an export licence is, or may be, required. The buyer will not acquire title to the lot until all amounts due to us from the buyer have been received by us in good cleared funds even in circumstances where we have released the lot to the buyer.

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74

(d) Collection of purchasesWe shall be entitled to retain items sold until all amounts due to us, or to Christie’s International plc, or to any of its affiliates, subsidiaries or parent companies worldwide, have been received in full in good cleared funds or until the buyer has performed any other outstanding obligations as we, at our sole discretion, shall require, including, for the avoidance of doubt, completing any anti-money laundering or anti-terrorism financing checks we may require to our satisfaction. In the event a buyer fails to complete any anti-money laundering or anti-terrorism financing checks to our satisfaction, Christie’s shall be entitled to cancel the sale and to take any other actions that are required or permitted under applicable law. Subject to this, the buyer shall collect purchased lots within two calendar days from the date of the sale unless otherwise agreed between us and the buyer.

(e) Packing, handling and shippingAlthough we shall use reasonable efforts to take care when handling, packing and shipping a purchased lot and in selecting third parties for these purposes, we are not responsible for the acts or omissions of any such third parties. Similarly, where we suggest other handlers, packers or carriers if so requested, our suggestions are made on the basis of our general experience of such parties in the past and we are not responsible to any person to whom we have made a recommendation for the acts or omissions of the third party concerned.

(f) Export licenceUnless otherwise agreed by us in writing, the fact that the buyer wishes to apply for an export licence does not affect his or her obligation to make payment immediately after the sale nor our right to charge interest or storage charges on late payment. If the buyer requests us to apply for an export licence on his or her behalf, we shall be entitled to make a charge for this service. We shall not be obliged to rescind a sale nor to refund any interest or other expenses incurred by the buyer where payment is made by the buyer in circumstances where an export licence is required.

(g) Remedies for non paymentIf the buyer fails to make payment in full in good cleared funds within 7 days after the sale, we shall have the right to exercise a number of legal rights and remedies. These include, but are not limited to, the following: (i) to charge interest at an annual rate equal to 5%

above the base rate of Lloyds TSB Bank Plc;(ii) to hold the defaulting buyer liable for the

total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law;

(iii) to cancel the sale;(iv) to resell the property publicly or privately on

such terms as we shall think fit;(v) to pay the seller an amount up to the net

proceeds payable in respect of the amount bid by the defaulting buyer;

(vi) to set off against any amounts which we, or Christie’s International plc, or any of its affiliates, subsidiaries or parent companies worldwide, may owe the buyer in any other transactions, the outstanding amount remaining unpaid by the buyer;

(vii) where several amounts are owed by the buyer to us, or to Christie’s International plc, or to any of its affiliates, subsidiaries or parent companies worldwide, in respect of different

transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs;

(viii) to reject at any future auction any bids made by or on behalf of the buyer or to obtain a deposit from the buyer before accepting any bids;

(ix) to exercise all the rights and remedies of a person holding security over any property in our possession owned by the buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located. The buyer will be deemed to have granted such security to us and we may retain such property as collateral security for such buyer’s obligations to us;

(x) to take such other action as we deem necessary or appropriate.

If we resell the property under paragraph (iv) above, the defaulting buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all reasonable costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the seller under paragraph (v) above, the buyer acknowledges that Christie’s shall have all of the rights of the seller, however arising, to pursue the buyer for such amount.

(h) Failure to collect purchasesWhere purchases are not collected within two calendar days from the date of the sale, whether or not payment has been made, we shall be permitted to remove the property to a third party warehouse at the buyer’s expense, and only release the items after payment in full has been made of removal, storage, handling, and any other costs reasonably incurred, together with payment of all other amounts due to us.

(i) Selling Property at Christie’sIn addition to expenses such as transport, all consignors pay a commission according to a fixed scale of charges based upon the value of the property sold by the consignor at Christie’s in a calendar year. Commissions are charged on a sale by sale basis.

5. LIMITED WARRANTYIn addition to Christie’s liability to buyers set out in clause 2 of these Conditions, but subject to the terms and conditions of this paragraph, Christie’s warrants for a period of five years from the date of the sale that any property described in headings printed in UPPER CASE TYPE (i.e. headings having all capital-letter type) in this catalogue (as such description may be amended by any saleroom notice or announcement) which is stated without qualification to be the work of a named author or authorship, is authentic and not a forgery. The term “author” or “authorship” refers to the creator of the property or to the period, culture, source or origin, as the case may be, with which the creation of such property is identified in the UPPER CASE description of the property in this catalogue. Only UPPER CASE TYPE headings of lots in this catalogue indicate what is being warranted by Christie’s. Christie’s warranty does not apply to supplemental material which appears below the UPPER CASE TYPE headings of each lot and Christie’s is not responsible for any errors or omissions in such material. The terms used in the headings are further explained in Important Notices and Explanation of Cataloguing Practice. The warranty does not apply to any heading which is stated to represent a qualified opinion. The warranty is subject to the following:

(i) It does not apply where (a) the catalogue description or saleroom notice corresponded to the generally accepted opinion of scholars or experts at the date of the sale or fairly indicated that there was a conflict of opinions; or (b) correct identification of a lot can be demonstrated only by means of either a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of publication of the catalogue was unreasonably expensive or impractical or likely to have caused damage to the property.

(ii) The benefits of the warranty are not assignable and shall apply only to the original buyer of the lot as shown on the invoice originally issued by Christie’s when the lot was sold at auction.

(iii) The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

(iv) The buyer’s sole and exclusive remedy against Christie’s and the seller, in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot. Neither Christie’s nor the seller will be liable for any special, incidental or consequential damages including, without limitation, loss of profits nor for interest.

(v) The buyer must give written notice of claim to us within five years from the date of the auction. It is Christie’s general policy, and Christie’s shall have the right, to require the buyer to obtain the written opinions of two recognised experts in the field, mutually acceptable to Christie’s and the buyer, before Christie’s decides whether or not to cancel the sale under the warranty.

(vi) The buyer must return the lot to the Christie’s saleroom at which it was purchased in the same condition as at the time of the sale.

6. COPYRIGHTThe copyright in all images, illustrations and written material produced by or for Christie’s relating to a lot including the contents of this catalogue, is and shall remain at all times the property of Christie’s and shall not be used by the buyer, nor by anyone else, without our prior written consent. Christie’s and the seller make no representation or warranty that the buyer of a property will acquire any copyright or other reproduction rights in it.

7. SEVERABILITYIf any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

8. LAW AND JURISDICTIONThe rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of England. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Christie’s, to the exclusive jurisdiction of the courts of the United Kingdom.

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75

• DENOTES SALEROOM ENQUIRIES— Call the Saleroom or Office EMAIL— [email protected]

For a complete salerooms & offices listing go to christies.com

AUSTRIA

VIENNA

+43 (0)1 533 8812

Angela Baillou

BELGIUM

BRUSSELS

+32 (0)2 512 88 30

Roland de Lathuy

DENMARK

COPENHAGEN

+45 3962 2377 Birgitta Hillingso

(Consultant) + 45 2612 0092 Rikke Juel Brandt

(Consultant)

FINLAND AND THE

BALTIC STATES

HELSINKI

+358 40 5837945

Barbro Schauman

(Consultant)

FRANCE

• PARIS

+33 (0)1 40 76 85 85

GERMANY

DÜSSELDORF

+49 (0)21 14 91 59 30 Arno Verkade FRANKFURT

+49 (0)61 74 20 94 85

Anja Schaller

HAMBURG

+49 (0)40 27 94 073

Christiane Gräfin zu

Rantzau

MUNICH

+49 (0)89 24 20 96 80

Marie Christine Gräfin

Huyn

STUTTGART

+49 (0)71 12 26 96 99

Eva Susanne Schweizer

INDIA

• MUMBAI

+91 (22) 2280 7905 Sonal Singh DELHI

+91 (98) 1032 2399

Sanjay Sharma

ISRAEL

TEL AVIV

+972 (0)3 695 0695

Roni Gilat-Baharaff

ITALY

• MILAN

+39 02 303 2831 ROME

+39 06 686 3333

Marina Cicogna

Business Development

Director

MONACO

+377 97 97 11 00

Nancy Dotta

THE NETHERLANDS

• AMSTERDAM

+31 (0)20 57 55 255

PEOPLES REPUBLIC

OF CHINA

BEIJING

+86 (0)10 8572 7900

• HONG KONG

+852 2760 1766

• SHANGHAI

+86 86 (0)21 6355 1766

Jinqing Cai

PORTUGAL

LISBON

+351 919 317 233 Mafalda Pereira

Coutinho (Independent Consultant)

RUSSIA

MOSCOW

+7 495 937 6364

+44 20 7389 2318

Katya Vinokurova

SPAIN

BARCELONA

+34 (0)93 487 8259

Carmen Schjaer

MADRID

+34 (0)91 532 6626

Juan Varez

Dalia Padilla

SWEDEN

STOCKHOLM

+46 (0)70 5368 166 Marie Boettiger

Kleman (Consultant) +46 (0)70 9369 201

Louise Dyhlén

(Consultant)

SWITZERLAND

• GENEVA

+41 (0)22 319 1766

Eveline de Proyart

• ZURICH

+41 (0)44 268 1010

Dr. Bertold Mueller

TURKEY

ISTANBUL

+90 (532) 558 7514

Eda Kehale Argün

(Consultant)

UNITED ARAB EMIRATES

• DUBAI

+971 (0)4 425 5647

UNITED KINGDOM

• LONDON

+44 (0)20 7839 9060

LONDON,

• SOUTH KENSINGTON

+44 (0)20 7930 6074

NORTH

+44 (0)20 7752 3004

Thomas Scott

SOUTH

+44 (0)1730 814 300

Mark Wrey

EAST

+44 (0)20 7752 3004

Thomas Scott

NORTHWEST AND

WALES

+44 (0)20 7752 3004

Jane Blood

SCOTLAND

+44 (0)131 225 4756

Bernard Williams

Robert Lagneau

David Bowes-Lyon

(Consultant)

ISLE OF MAN

+44 (0)20 7389 2032

CHANNEL ISLANDS

+44 (0)1534 485 988

Melissa Bonn

IRELAND

+353 (0)59 86 24996

Christine Ryall

UNITED STATES

• NEW YORK

+1 212 636 2000

03/11/14

WORLDWIDE SALEROOMS AND EUROPEAN OFFICES

76

CHRISTIE’S SPECIALIST DEPARTMENTS AND SERVICES

KEY TO ABBREVIATIONS

KS: London, King Street

NY: New York, Rockefeller Plaza

PAR: Paris

SK: London, South Kensington

DEPARTMENTS

AMERICAN FURNITURENY: +1 212 636 2230

AMERICAN INDIAN ARTNY: +1 212 606 0536

AMERICAN PICTURESNY: +1 212 636 2140

ANGLO-INDIAN ARTKS: +44 (0)20 7389 2570

ANTIQUITIESSK: +44 (0)20 7752 3219

ARMS AND ARMOURSK: +44 (0)20 7752 3119

ASIAN 20TH CENTURY AND CONTEMPORARY ARTNY: +1 212 468 7133

AUSTRALIAN PICTURESKS: +44 (0)20 7389 2040

BOOKS AND MANUSCRIPTSKS: +44 (0)20 7389 2674SK: +44 (0)20 7752 3203

BRITISH & IRISH ARTKS: +44 (0)20 7389 2682NY: +1 212 636 2084SK: +44 (0)20 7752 3257

BRITISH ART ON PAPERKS: +44 (0)20 7389 2278SK: +44 (0)20 7752 3293NY: +1 212 636 2085

BRITISH PICTURES 1500-1850KS: +44 (0)20 7389 2945

CARPETSKS: +44 (0)20 7389 2370SK: +44 (0)20 7389 2776

CHINESE WORKS OF ARTKS: +44 (0)20 7389 2577SK: +44 (0)20 7752 3239

CLOCKSKS: +44 (0)20 7389 2357

CONTEMPORARY ARTKS: +44 (0)20 7389 2446SK: +44 (0)20 7389 2502

COSTUME, TEXTILES AND FANSSK: +44 (0)20 7752 3215

EUROPEAN CERAMICS AND GLASSSK: +44 (0)20 7752 3026

FURNITUREKS: +44 (0)20 7389 2482SK: +44 (0)20 7389 2791

IMPRESSIONIST PICTURESKS: +44 (0)20 7389 2638SK: +44 (0)20 7752 3218

INDIAN CONTEMPORARY ARTKS: +44 (0)20 7389 2700NY: +1 212 636 2189

INTERIORSSK: +44 (0)20 7389 2236NY: +1 212 636 2032

ISLAMIC WORKS OF ARTKS: +44 (0)20 7389 2700SK: +44 (0)20 7752 3239

JAPANESE WORKS OF ARTKS: +44 (0)20 7389 2591SK: +44 (0)20 7752 3239

JEWELLERYKS: +44 (0)20 7389 2383SK: +44 (0)20 7752 3265

LATIN AMERICAN ARTNY: +1 212 636 2150

MARITIME PICTURESSK: +44 (0)20 7752 3284NY: +1 212 707 5949

MINIATURES KS: +44 (0)20 7389 2650

MODERN DESIGNSK: +44 (0)20 7389 2142

MUSICAL INSTRUMENTSSK: +44 (0)20 7752 3365

NINETEENTH CENTURY FURNITURE AND SCULPTUREKS: +44 (0)20 7389 2699

NINETEENTH CENTURY EUROPEAN PICTURESKS: +44 (0)20 7389 2443SK: +44 (0)20 7752 3309

OBJECTS OF VERTUKS: +44 (0)20 7389 2347SK: +44 (0)20 7752 3001

OLD MASTER DRAWINGSKS: +44 (0)20 7389 2251

OLD MASTER PICTURESKS: +44 (0)20 7389 2531SK: +44 (0)20 7752 3250

ORIENTAL CERAMICS AND WORKS OF ARTSK: +44 (0)20 7752 3235

PHOTOGRAPHSKS: +44 (0)20 7389 2292

POPULAR CULTURE AND ENTERTAINMENTSK: +44 (0)20 7752 3275

POST-WAR ARTKS: +44 (0)20 7389 2446SK: +44 (0)20 7389 2502

POSTERSSK: +44 (0)20 7752 3208

PRINTSKS: +44 (0)20 7389 2328SK: +44 (0)20 7752 3109

PRIVATE COLLECTIONS AND COUNTRY HOUSE SALESKS: +44 (0)20 7389 2343

RUSSIAN WORKS OF ARTKS: +44 (0)20 7389 2057

TRAVEL, SCIENCE AND NATURAL HISTORYSK: +44 (0)20 7752 3291

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CHRISTIE’S EDUCATIONLondonTel: +44 (0)20 7665 4350Fax: +44 (0)20 7665 4351Email: [email protected]

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06/11/14

Impressionist and Modern Day Sale

London, King Street • 5 February 2015

ALFONS WALDE (1891-1958)Einsamer berghof

oil on board · 13º x 23º in. (33.4 x 52.8 cm.)

Painted in 1935

£150,000–250,000

ContactKeith Gill

[email protected]

+44 (0)20 7389 2175

Viewing30 January–4 February

8 King Street

London SW1Y 6QT

19th Century European Art

London, South Kensington • 21 January 2015

EMILE EISMAN-SEMENOWSKY (POLISH, 1857-1911) Celebration

signed, inscribed and dated ‘EISMAN-SEMENOWSKY - PARIS 93.’ (lower right)

oil on panel · 8º x 6 in. (21 x 15 cm.)

£2,000–4,000

ContactAlastair Plumb

[email protected]

+44 (0)20 7752 3298

Viewing17–20 January 2015

85 Old Brompton Road

London SW7 3LD

79

Bespoke Framing Service

For Christie’s Use

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Artwork title

Artist

Medium

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Value

For Client Use

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By signing this form you hereby authorise

John Jones to collect the following lots on your

behalf. John Jones will contact you to arrange

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this form to Christie’s upon completion.

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The framing of a vintage poster requires

knowledge and sensitivity. Our framing consultants

have collectively been framing old masters and

contemporary work for 120 years, so we have a

wealth of expert advice and experience, not just

in terms of recommending the correct presentation

materials, but also in terms of the design aesthetic.

Whether you require a vintage deco style frame or

a minimal Perspex box, we can help. With our own

collection, delivery and installation service, your work

can be framed and up on the wall within two weeks.

To arrange a visit to our client showrooms

or to speak to one of our consultants directly,

please call us on 020 7281 5439.

John Jones

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E [email protected]

www.johnjones.co.uk

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Sat 10am–3pm, or by appointment

81

PLEASE PRINT CLEARLY

If you are registered within the European Community for VAT/IVA/TVA/BTW/MWST/MOMSPlease quote number below:

Lot number Maximum Bid UK£ Lot number Maximum Bid UK£ (in numerical order) (excluding buyer’s premium) (in numerical order) (excluding buyer’s premium)

Please also refer to the information contained in Buying at Christie’s. I request Christie’s to bid on the following lots up to the maximum price I have indicated for each lot. I understand that if my bid is successful, the purchase price will be the sum of my final bid plus a buyer’s premium of 25% of the final bid price of each lot up to and including £50,000, 20% of the excess of the hammer price above £50,000 and up to and including £1,000,000 and 12% of the excess of the hammer price above £1,000,000, together with any VAT chargeable on the final bid and the buyer’s premium. VAT is chargeable on the purchase price of daggered (†) lots, and for buyers outside the EU on (α) lots, at the standard rate. VAT is chargeable on the purchase price of starred (*) lots at the reduced rate. Christie’s South Kensington is not able to notify successful bidders by telephone. While Invoices are sent out by mail after the auction we do not accept responsibility for notifying you of the result of your bid. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.I understand that Christie’s provides the service of executing absentee bids for the convenience of clients and that Christie’s is not responsible for failing to execute bids or for errors relating to execution of bids. On my behalf, Christie’s will try to purchase these lots for the lowest possible price, taking into account the reserve and other bids. Absentee bids submitted on “no reserve” lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If identical absentee bids are received for the same lot, the written bid received first by Christie’s will take precedence. Please contact the Telephone Bid office at least 24 hours in advance of the sale to make arrangements for telephone bidding. Tel: +44 (0)20 7752 3225All bids are subject to the terms of the Conditions of Sale and Limited Warranty printed in each Christie’s catalogue.

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Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding interval. UK£50 to UK£1,000 by UK£50s

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UK£20,000 to UK£30,000 by UK£2,000s

UK£30,000 to UK£50,000 by UK£2,000, 5,000, 8,000

(ie: UK£32,000, 35,000,

38,000)

UK£50,000 to UK£100,000 by UK£5,000s

UK£100,000 to UK£200,000 by UK£10,000s

above UK£200,000 at auctioneer’s discretion

The auctioneer may vary the increments during the course of the auction at his or her own discretion.Auction Results: +44 (0)20 7839 9060

ABSENTEE BIDS FORM CHRISTIE’S SOUTH KENSINGTON

Absentee bids must be received at least 24 hours before the auction begins.

Tel: +44 (0)20 7752 3225 Fax: +44 (0)20 7581 1403 on-line www.christies.com

10070

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If you have not previously bid or consigned with Christie’s, please attach copies of the following documents. Individuals: government-issued photo identification (such as a photo driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts, offshore companies or partnerships: please contact the Credit Department at + 44 (0)20 7752 3137 for advice on the information you should supply. If you are registering to bid on behalf of someone who has not previously bid or consigned with Christie’s, please attach identification documents for yourself as well as the party on whose behalf you are bidding, together with a signed letter of authorisation from that party. New clients, clients who have not made a purchase from any Christie’s office within the last one year, and those wishing to spend more than on previous occasions may be asked to supply a bank reference. We may at our option ask you for a financial reference or a deposit as a condition of allowing you to bid. We also request that you complete the section below with your bank details:

Name of Bank(s)

Address of Banks(s)

Account Number(s)

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Bank Telephone Number

20/21 POSTERS THE SKI SALE

THURSDAY 22 JANUARY 2015 AT 1.00 PM

85 Old Brompton Road, London SW7 3LDCODE NAME: POS

SALE NUMBER: 10070

(Dealers billing name and address must agree with tax exemption certificate. Invoices cannot be changed after they have been printed.)

BID ONLINE FOR THIS SALE AT CHRISTIES.COM

09/08/13

expert knowledge beautifully presented

www.christies.com/shop

Code Subscription Title Location Issues UK£Price US$Price EURPrice

Photographs, Posters & PrintsL11 Old Master, 19th Century, King Street 3 57 91 86

Modern & Contemporary PrintsN61 Photographs New York 5 119 190 181N11 Prints New York 3 71 114 108P61 Photographs Paris 2 38 61 57K13 Old Master, 19th Century, South Kensington 4 68 114 103

Modern & Contemporary PrintsK72 Vintage Posters South Kensington 3 43 71 66

PHOTOGRAPHS, POSTERS & PRINTSVintage works from the 19th and early 20th centuries, modern and contemporary photographs and photographically illustrated books. Original works from the great masters of all periods of western printmaking from Dürer through Rembrandt and Goya to Toulouse-Lautrec, Picasso and Contemporary artists.

Photographs, Posters and Prints · Impressionist and Modern Art Jewellery, Watches and Wine · Antiquities and Tribal Art Asian and Islamic Art · Russian Art Furniture, Decorative Arts and Collectables · American Art and Furniture Books, Travel and Science · Design, Costume and Memorabilia Post-War and Contemporary Art Old Master Paintings and 19th Century Paintings

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CHRIST IE ’S INTERNATIONAL PLC

Patricia Barbizet, ChairmanSteven P. Murphy, Chief Executive OfficerStephen Brooks, Chief Operating OfficerLoïc Brivezac, Gilles Erulin, Gilles Pagniez, François-Henri Pinault

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CHRIST IE ’S EXECUTIVE

Steven P. Murphy, Stephen Brooks, Kerry Chandler, François Curiel, Marc Porter, Jussi Pylkkänen, Doug Woodham

Charles Cator, Deputy Chairman, Christie’s International

CHRIST IE ’S EUROPE

CHAIRMAN’S OFF ICE

Jussi Pylkkänen, PresidentOrlando Rock, Deputy Chairman

SENIOR DIRECTORS

Mariolina Bassetti, Giovanna Bertazzoni, Olivier Camu, Philippe Garner, Richard Knight, Francis Outred, Andreas Rumbler, François de Ricqles

DIRECTORS

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ADVISORY BOARD

Pedro Girao, Chairman, Christopher Balfour, Patricia Barbizet, Arpad Busson, Loula Chandris, Kemal Has Cingillioglu, Ginevra Elkann, I. D. Fürstin zu Fürstenberg, Laurence Graff, H.R.H. Prince Pavlos of Greece, Alicia Koplowitz, Viscount Linley, Robert Manoukian, Rosita, Duchess of Marlborough, Dimitri Mavrommatis, Countess Daniela Memmo d’Amelio, Usha Mittal, Leopoldo Rodés, Çigdem Simavi

19/11/14

CHRIST IE ’S UK

CHAIRMAN’S OFF ICE

Viscount Linley, Chairman Noël Annesley, Honorary Chairman; Richard Roundell, Vice Chairman; Robert Copley, Deputy Chairman; The Earl of Halifax, Deputy Chairman; Francis Russell, Deputy Chairman; Julia Delves Broughton, James Hervey-Bathurst, Amin Jaffer, Orlando Rock, Nicholas White, Mark Wrey

SENIOR DIRECTORS

Dina Amin, Daniel Baade, Philip Belcher, Jeremy Bentley, Ellen Berkeley, Jill Berry, Giovanna Bertazzoni, Prof. Dr. Dirk Boll, Peter Brown, James Bruce-Gardyne, Olivier Camu, Sophie Carter, Benjamin Clark, Christopher Clayton-Jones, Karen Cole, Isabelle de La Bruyere, Leila de Vos, Nicole Dembinska, Paul Dickinson, Harriet Drummond, Julie Edelson, Hugh Edmeades, David Elswood, David Findlay, Margaret Ford, Daniel Gallen, Philippe Garner, Jane Griffiths, Karen Harkness, Philip Harley, James Hastie, Paul Hewitt, Rachel Hidderley, Mark Hinton, Nick Hough, Michael Jeha, Hugues Joffre, Donald Johnston, Erem Kassim-Lakha, William Lorimer, Catherine Manson, John McDonald, Nic McElhatton (Chairman, South Kensington), Alexandra McMorrow, Jeremy Morrison, Nicholas Orchard, Francis Outred, Clarice Pecori-Giraldi, Benjamin Peronnet, Henry Pettifer, Steve Phipps, Will Porter, Paul Raison, Tara Rastrick, William Robinson, John Stainton, Alexis de Tiesenhausen, Lynne Turner, Jay Vincze, Andrew Ward, David Warren, Andrew Waters, Harry Williams-Bulkeley, Martin Wilson, André Zlattinger

DIRECTORS

Richard Addington, Zoe Ainscough, Georgiana Aitken, Marco Almeida, Maddie Amos, Simon Andrews, Helen Baker, Karl Barry, Rachel Beattie, Sven Becker, Jane Blood, Piers Boothman, David Bowes-Lyon, Anthony Brown, Lucy Brown, Robert Brown, Grace Campbell, Lucy Campbell, Jason Carey, Romilly Collins, Ruth Cornett, Sigrun Danielsson, Armelle de Laubier-Rhally, Adrian Denton, Sophie DuCret, Anna Evans, Arne Everwijn, Adele Falconer, Nick Finch, Peter Flory, Elizabeth Floyd, Christopher Forrest, Giles Forster, Patricia Frost, Sarah Ghinn, Zita Gibson, Alexandra Gill, Sebastian Goetz, John Green, Simon Green, David Gregory, Mathilde Heaton, Annabel Hesketh, Sydney Hornsby, Peter Horwood, Simon James, Robert Jenrick, Sabine Kegel, Hans-Peter Keller, Jeffrey Kerr, Tjabel Klok, Quincy Kresler, Robert Lagneau, Nicholas Lambourn, Joanna Langston, Tina Law, Darren Leak, Adriana Leese, Brandon Lindberg, Laura Lindsay, David Llewellyn, Murray Macaulay,

Sarah Mansfield, Nicolas Martineau, Roger Massey, Joy McCall, Neil McCutcheon, Daniel McPherson, Neil Millen, Edward Monagle, Jeremy Morgan, Leonie Moschner, Giles Mountain, Chris Munro, Rupert Neelands, Liberte Nuti, Beatriz Ordovás, Rosalind Patient, Keith Penton, Romain Pingannaud, Sara Plumbly, Caroline Porter, Michael Prevezer, Anne Qaimmaqami, Marcus Rädecke, Pedram Rasti, Amjad Rauf, Sandra Romito, Tom Rooth, Alice de Roquemaurel, Francois Rothlisberger, Patrick Saich, Tim Schmelcher, Rosemary Scott, Tom Scott, Nigel Shorthouse, Dominic Simpson, Nick Sims, Katie Siveyer, Nicola Steel, Robin Stephenson, Kay Sutton, Rakhi Talwar, Nicolette Tomkinson, Jane Turner, Thomas Venning, Sophie Wiles, Mark Wilkinson, Bernard Williams, Georgina Wilsenach, Toby Woolley, Geoff Young

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Guy Agazarian, Cristian Albu, Jennie Amos, Ksenia Apukhtina, Katharine Arnold, Alexis Ashot, Alexandra Baker, Fiona Baker, Virginie Barocas-Hagelauer, Carin Baur, Sarah Boswell, Mark Bowis, Clare Bramwell, John Caudle, Dana Chahine, Marie-Louise Chaldecott, Sophie Churcher, Marion Clermont, Helen Culver Smith, Laetitia Delaloye, Charlotte Delaney, Cristiano De Lorenzo, Freddie De Rougemont, Grant Deudney, Claudia Dilley, Eva-Maria Dimitriadis, Howard Dixon, Virginie Dulucq, Joe Dunning, Antonia Essex, Kate Flitcroft, Nina Foote, Eva French, Pat Galligan, Keith Gill, Andrew Grainger, Leonie Grainger, Julia Grant, Pippa Green, Angus Granlund, Christine Haines, Coral Hall, Charlotte Hart, Evelyn Heathcoat Amory, Anke Held, Valerie Hess, Carolyn Holmes, Amy Huitson, Adrian Hume-Sayer, James Hyslop, Helena Ingham, Pippa Jacomb, Mark Jordan, Guady Kelly, Clementine Kerr, Hala Khayat, Alexandra Kindermann, Mark Henry Lampé, Tom Legh, Timothy Lloyd, Graeme Maddison, Stephanie Manstein, Astrid Mascher, Michelle McMullan, Kateryna Merkalenko, Susanne Meyer-Abich, Toby Monk, Sarah O’Brien, William Paton, Samuel Pedder-Smith, Suzanne Pennings, Louise Phelps, Sarah Rancans, Lisa Redpath, David Rees, Alexandra Reid, Sumiko Roberts, Sangeeta Sachidanantham, Pat Savage, Catherine Scantlebury, Julie Schutz, Hannah Schweiger, Mark Silver, James Smith, Graham Smithson, David Stead, Mark Stephen, Annelies Stevens, Charlotte Stewart, Dean Stimpson, Gemma Sudlow, Dominique Suiveng, Cornelia Svedman, Nicola Swain, Iain Tarling, Sarah Tennant, Timothy Triptree, Flora Turnbull, Lisa Varsani, Julie Vial, Anastasia von Seibold, Amelia Walker, Tony Walshe, Chris White, Rosanna Widen, Ben Wiggins, Annette Wilson, Julian Wilson, Elissa Wood, Neal Young

© Christie, Manson & Woods Ltd. (2014)

85 Old Brompton Road London SW7 3LD +44 (0)20 7930 6074 telephone +44 (0)20 7389 2869 facsimile

20/21 Posters The Ski Sale

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