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Nostalgia ......... ..................................................................................................................................................... . . ......... 10

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Guitar Grade 6 Pieces & Exercises for Trinity Guildhall examinations

2010-2015

Published by: Trinity College London 89 Albert Embankment London SE1 7TP UK

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Al l Rights Reserved. Internationa l Copyright Secured. Used by Permission. © 1942 EMI ROBBINS CATALOG INC. Exc lusive Print Rights for EMI ROBBINS CATALOG INC.

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Technical Suite - -=-.=.- ....... ,.,. sing Option ii) Technica l Suite in the Technical Work section of the examination must prepare all the following

::= =: ::-:::=-;;;;· sand exercises.

c es and arpeggios (to be performed from memory)

· ar & Plectrum Guitar Scales and Exercises from 2007, published by Trinity Guildhall.

:::= =- :: ::::::: orepared apoyando or tirando, * at candidate's choice. Straight rhythm. - -:::~:;:; -: be prepared tirando.

_ :::= =· er Grou p 1 or Group 2.

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2. Crystal Clear (artificial harmonics and chords in 3rds)

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Copyright © 2009 Trinity College London

es

The folio 'ling scales o be perform ed vith dynamics, right hand fingering parrem, rh mm·c s. e a examples of rhythmic styles).

To be played apoyando:

G major (three octaves),f. imam fingering. Straight rhythm. norm. tone

C major (two octaves),f. imam f ingering. Straight rhythm. norm. tone

G melodic minor (three octaves).p. imam fingering. Swing rhythm. pont. tone

C melodic minor (two octaves),p. imam fingering. Swing rhythm. pont. tone

To be played tirando:

G natural minor (three octaves),"'!{. ma fingering. Swing rhythm. pont. tone

C natural minor (two octaves), mf. ma fingering. Swing rhythm. pont. tone

G harmonic minor (three octaves),f. im fingering. Triplet rhythm. norm. tone

C harmonic minor (two octaves)./. im fingering. Triplet rhythm. norm. tone

Arpeggios

The following arpeggios to be performed '"!fand tirando:

G major (three octaves)

C major (two octaves)

G minor (three octaves)

C minor (two octaves)

Dominant 7t h in the key of C (three octaves, starting on G)

Dominant 7th in the key ofF (two octaves, starting on C)

Diminished 7J:h starting on G (three octaves)

Diminished 7th starting on C (two octaves)

Exercises

The following exercises to be performed '"!fand tirando:

or

C major scale in 3rds (two octaves)

G major scale in 3rds (two octaves)

Chromatic scale in octaves starting on C (one octave)

Chromatic scale in octaves starting on G (one octave)

ii) Technical Suite

Scales and Arpeggios (to be performed from memory)

As given in Guitar & Plectrum Guitar Scales & Exercises from 2007 published by Trinity Guildhall.

Sca les to be prepared apoyando or tirando, * at candidate's choice. Straight rhythm.

Arpeggios to be prepared tirando. Choose either Group 1 or Group 2.

Group 1

G major scale (three octaves), im fingering**

C harmonic and melodic minor scales (two octaves), ma fingering**

G major arpeggio (three octaves)

Diminished 7th arpeggio starting on C (two octaves)

Group 2

C major scale (two octaves), ma fingering**

G harmonic and melodic minor scales (th ree octaves), im fingering**

G minor arpeggio (th ree octaves)

Dominant 7th arpeggio in the key ofF (two octaves, starting on C)

* apoyando = rest stroke; tirando = free stroke

** N.B. different fingering to that listed for the same scales in Technical Work Option i), and to that printed in Guitar & Plectrum Guitar Scales & Exerciss from 2007.

Exercises

Candidates to prepare all of the following exercises, printed in this book:

1. Cross String Thrills (cross string trills and dominant 7ths)

2. Crystal Clear (artificial harmonics and chords in 3rds)

3. Mellow (barre and syncopation)

ii.ckermar. Hus it; 01293 5Tf900 Tg _ Guitar Exam Pieces - Grade 6

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