2013 Catalog - Gold Tone

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Gold Tone Family and Staff

Wayne and Robyn Rogers

Robyn and I started in the retail music business in 1976. Our early local success sparked our passions and entrepreneurial spirit. Nineteen years ago we began with a simple concept for an affordable travel banjo, and it was this idea that has developed into a world-wide enterprise now comprising over 130 instrument models.

As a musician and salesman in retail, it was obvious that the supply of affordable banjos and “alternative instruments” were poorly designed and could be improved with cost saving efforts. I partnered with a Korean factory, engineered my product to the very last detail, and then set up a luthiery shop in Florida to assemble and set up every instrument as only a real player can do. Visitors to our factory are amazed by our attention to detail, the setup jigs, and our entire team of dedicated workers.

In 2009, our family-owned and operated business in Titusville, Florida opened a 14,000 sq. ft. facility for our employees to produce the most affordable, best sounding and playing quality instruments in the world. Our office folks use no answering machines. we have retained a non-corporate USA-style work shop. Because of our diversity in alternative instruments, many well known professionals seek out our products, adding to their arsenal of available sounds.

All the best on your musical journey,Wayne Rogers, President & Founder

Our mission is to provide you with quality instruments that exceed your expectations at the very best price. Thank you for a great 19 years. We couldn’t have done it without you, our workers, and our professional endorsers putting our instruments to the test every day, and for that we are eternally grateful. It has been a dream come true, and we look forward to bringing you quality instruments for many years to come.

Our staff is directly responsible for allowing Gold Tone instruments to become one of the largest and unique instrument suppliers in the industry. Check out BanjoHangout.org and other acoustic websites to see what folks are saying about us. We are able to fill special custom orders, do vintage repairs, and develop new instruments and accessories. We are always open to new ideas and constantly push the envelope. Musicians are playing Gold Tone instruments at home, out on the road, and in recording studios all over the world. See a small list of artists on the back page that have helped grow the company over the years.

2013 Catalog Changes:Pg. 4 – OB-500 DiscontinuedPg. 7 – OB-275 DiscontinuedPg. 10 – BG-150F has a 14” ResonatorPg. 20 – CC-BG has Maple ResonatorPg. 28 – Dojo Dlx includes Magnetic Pickup onlyPg. 30 – PC-Banjola includes Magnetic Pickup only and Volume ControlPg. 31 – Banjola Dlx DiscontinuedPg. 31 – BT-2000 has Straightline Tailpiece; Now available with ResonatorPg. 38 – GM-A+ DiscontinuedPg. 42 – Mandola and BZ-500 have Gloss FinishPg. 46 – GRSS DiscontinuedPg. 48 – Style 4 upgraded to Style 4+ now in Solid KoaPg. 51 – GBG has Transducer pickup Only; Gloss Body, Satin NeckPg. 53 – BB-400+ Nut Width: 1-3/4”; ABG-4 Nut Width: 1-5/8”Pg. 54 – ResoUke is Chrome Plated BrassPg. 55 – Banjolele and Banjolele DLX are Soprano Scale Pg. 55 – All Banjo Ukes incl. D’Addario/Aquila Nyltech Strings

Zero Glide Nut Systems are available on all Gold Tone Instruments

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Table of ContentsGold Tone’s Unique Warranties

Unlike any other in the music business

Cripple Creek Model Banjos 7 year warranty

Transferable to the second owner for 1 year

Gold Tone BanjosLifetime warranty to orginal owner

Transferable to the second owner for 5 years

Wood & Metal Body Instruments5 year warranty to the original owner

Weissenborns1 year warranty to the original owner.

For best tone we use the original plans by Herman Weissenborn. Since they’re extremely fragile

instruments, extra care must be taken with string gauge selection, humidity control, and tuning.

International sales warranties provided through the dealer

12 Point InstrumentFinal Assembly & Setup

Need Help?See goldtone.com or call us at

(321) 264-1970No answering machine before

6:00 p.m. EST!

Titusville, Florida

Table of Contents5-String Resonators...................................4 5-String Openbacks.................................12Cripple Creeks.........................................18Travelers & Minis......................................2410-Strings.................................................26Cello.........................................................27Dojos & Electrics......................................28Banjolas..................................................30 6-String Banjitars.....................................324-Strings...................................................34Banjo Ukuleles.........................................55Banjo Kits................................................56

Banjitars (6-String Banjos)........................32Tenor Guitars...........................................36Resophonic Guitars.................................44 Metal Body Guitars..................................45Alternative Square Necks........................46Lap Steels................................................47Weissenborns..........................................48

Octave Mandolin......................................41Bouzouki & Mandola................................42Guitar-Style..............................................43

Bluegrass Licks........................................11Old-Time Tabs.........................................17 Jam Tunes...............................................23

Necks.......................................................58Tuning Machines......................................61Truss Rod Covers & Nuts........................61Coordinator Rods....................................61Tone Rings...............................................62Rims & Resonators..................................63Banjo Heads & Body Hardware...............64Bridges, Armrests, & Tailpieces...............65Resophonic & Lap Steel Guitar................66Pickups....................................................67

Strings......................................................70Straps.......................................................72Tuners & Mutes........................................73Instructional DVDs...................................75

BANJOS

GUITAR-STYLE INSTRUMENTS

MANDOLINS...............................................38

BASSES......................................................52UKULELES.................................................54CHORD-A-HARP.......................................47“PLAY IT”

PARTS & FACTORY SERVICES ...............57

ACCESSORIES

CASES........................................................76APPAREL & SWAG....................................78ARTISTS PLAYING GOLD TONE...............79

Gold Tone offers a wide range of left handed instruments. Look for the ‘left hand’ symbols.

Adjust head to proper tension (Banjos)Level all fretsCrown and polish all fretsOil fingerboard Adjust tuning machinesAdjust coordinator rods (Banjos)Adjust truss rod to correct reliefFile nut slots to correct depthSand bridge feet for fine adjustmentAdjust tailpiece (Banjos)Polish any surface scratches Final adjustment and quality control

1.2.3.4.5.6.7.8.9.

10.11.12.

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OB-500Designed by Wayne Rogers, this extraordinary banjo has elaborate metal engraving, gold plating, radiused fingerboard, modified tree of life fingerboard inlay design, maple/abalone neck and body binding, sophisticated resonator inlay, highly flamed maple neck, and 3-layer backstrap on back of headstock; features only found on banjos for $10,000.00 or more! Includes a deluxe archtop case.

OB-300This gold-plated beauty has similar features to the OB-500 without the metal engraving and radiused fingerboard. A curly maple neck and matching curly maple/abalone binding combine for a highly decorative 5-string. The sand-cast bell bronze tone ring is used in only the best banjos and provides a loud penetrating tone. A unique abalone/pearl truss rod cover matches the exquisite inlay throughout the banjo. Includes a deluxe archtop case.

“Unlike other tree of life patterns, we designed this modified tree of life inlay so the banjoist can easily determine the fret positions. Notice the fingerboard has flowers on the landmark fret positions and only vines on other positions. Simple but effective, and only the player

knows the difference!” -Wayne

Sure to be collector’s items, the Gold Tone Prestige Series banjo models are works of art. A combination of maple highlights, pearl, abalone, and figured wood provide the best decorative touches. Tone wise, they very well could be the best sounding banjos you’ve ever heard.

Bell bronze tone ringGT Master planetary tunersModified tree of life inlayHeel cap inlayRadiused fingerboardGold hardware

Intricate engravings on tone ring, counter-hoop, armrest, and tailpiece3-ply hard rock maple rimMaple & abalone bindingMother of pearl & abalone truss rod coverCurly maple neck

Prestige Series resonator and curly maple neck with 3-layer backstrap

Orange BlossomsPrestige Series

OB-500Designed by Wayne Rogers, this extraordinary banjo has elaborate metal engraving, gold plating, radiused fingerboard, modified tree of life fingerboard inlay design, maple/abalone neck and body binding, sophisticated resonator inlay, highly flamed maple neck, and 3-layer backstrap on back of headstock; features only found on banjos for $10,000.00 or more!

“Unlike other tree of life patterns, we designed this modified tree of

Sure to be collector’s items,are works of art. A combination of maple highlights, pearl, abalone, and figured wood provide the best decorative touches. Tone wise, they very well could be the best sounding banjos you’ve ever heard.

OB-300This gold-plated beauty has similar features to the OB-500 without the metal engraving and radiused fingerboard. A curly maple neck and matching curly maple/abalone binding combine for a highly decorative 5-string. The sand-cast bell bronze tone ring is used in only the best banjos and provides a loud penetrating tone. A unique abalone/pearl truss rod cover matches the exquisite inlay throughout the banjo. Includes a deluxe archtop case.

Scale: 26 3/16”Weight: 13 lbs.Nut width:1 3/16”

Bell bronze tone ringGT Master planetary tunersModified tree of life inlayHeel cap inlayGold hardware

3-ply hard rock maple rimMaple & abalone bindingMother of pearl & abalone truss rod coverCurly maple neckStraightline tailpiece


** Limited supplies of these models are available

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OB-250+ & OB-250+TP (TP=Tony Pass Schaeffer birch block rim)The JLS “Special #12” tone ring is a replica of the Gibson tone rings used in the Granada models in the 1930s. The maker, Jim Stull of San Antonio, Texas, has analyzed original Gibson tone rings and duplicated the specifications. When electronically tested for pitch, sustain and ring, it equals the original. This tone ring also has a slightly longer “skirt,” which provides more con-tact with the wood rim and direct contact with the heel of the neck for opti-mal tone. Both the OB-250+ and OB-250+TP come with the Gary Sosebee bridge and JLS #12 tone ring. The OB-250+TP comes with the Tony Pass Schaeffer birch block rim. Both include a deluxe archtop case.

OB-250Our flagship banjo for 15 years, the OB-250 is a classic reproduction of the most famous flathead bluegrass banjo with astonishing tone and playability. We’ve added additional features such as an ebony fingerboard, maple neck (instead of softer mahogany) and a maple resonator. The pot construction mates a sand-cast brass tone ring to a three-ply Canadian hard rock maple rim with a one-piece diecast pot metal flange.

Orange Blossoms

OB-250Our flagship banjo for 15 years, the OB-250 is a classic reproduction of the most famous flathead bluegrass banjo with astonishing tone and playability. We’ve added additional features such as an ebony fingerboard, maple neck (instead of softer mahogany) and a maple resonator. The pot construction mates a sand-cast brass tone ring to a three-ply Canadian hard rock maple rim with a one-piece diecast pot metal flange.

Scale: 26 3/16”Weight: 13.5 lbs.Nut width:1 3/16”

Gary Sosebee Bridge

OB-250+ models feature USA made Sosebee Bridge & JLS Tone Ring. OB-250+TP Model includes Tony Pass Schaeffer Birch Block Rim (pictured)


Additional ModelsOB-250N Natural OB-250G Gold

Natural Maple Finish Gold-Plated HardwareWider Neck Width

Nut Width:1 3/8”

OB-250W Wide

SpecialOrder

Ebony fingerboardStraightline tailpieceIntonated 5th string nutGT Master planetary tunersTobacco brown finish

Bell brass tone ring3-Ply Canadian maple rimMaple neck & resonatorOne-piece die cast flangeCurly maple binding

All OB models now include a deluxe archtop case

Mumford & Sons, Winston MarshallOB-250+TP

Newly Designed Tone Ring Shape with Rounded Top Edge Provides Volume & Tone Benefits on OB-250

World’s best bluegrass banjo under $1,500 just got better!

New2011

JLS Tone Ring & TP Rim

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OB-250AT ArchTop ModelThe ArchTop model includes a 40-hole sand-cast bell brass archtop tone ring, which produces more penetrating highs compared to a conventional flathead tone ring, as the vibrating head circumference is reduced. For banjoists who own a flat top, this is a great addition to their collection as it “cuts through” the high volumes at bluegrass jams.

OB-250LW Light Weight Model All players can recognize the astounding tone of this lightweight pro banjo. Almost 3 lbs. lighter than its Orange Blossom brothers, the OB-250LW has incredible volume that comes from an integral three-ply rock maple lathed tone rim. The top third of the rim is carved exactly like a flathead ring, which results in an authentic bluegrass tone. Give your weary shoulder and back some rest during the marathon jams without sacrificing the drive and punch needed for hardcore bluegrass music.

40-hole sand-cast bell brass archtop tone ring

Orange BlossomsOrange Blossoms



This three-ply rock maple tone rim makes the OB-250LW (lightweight) one of thelightest full-size banjos on the market!

Ebony fingerboardStraightline tailpieceIntonated 5th string nutGT Master planetary tunersTobacco brown finish

Archtop tone ring3-Ply Canadian maple rimMaple neck & resonatorOne-piece die cast flangeCurly maple binding

OB-250AT ArchTop ModelThe ArchTop model includes a 40-hole sand-cast bell brass archtop tone ring, which produces more penetrating highs compared to a conventional flathead tone ring, as the vibrating head circumference is reduced. For banjoists who own a flat top, this is a great addition to their collection as it “cuts through” the high volumes at bluegrass jams.

Scale:Scale: 26Weight:Weight: 13.1 lbs.Nut width:Nut width:

OB-250LW Light Weight Model OB-250LW Light Weight Model All players can recognize the astounding tone of this lightweight pro banjo. Almost 3 lbs. lighter than its Orange Blossom brothers, the OB-250LW has incredible volume that comes from an integral three-ply rock maple lathed tone rim. The top third of the rim is carved exactly like a flathead ring, which results in an authentic bluegrass tone. Give your weary shoulder and back some rest during the marathon jams without

40-hole sand-cast bell 40-hole sand-cast bell brass archtop tone ring

Scale: 26 3/3/3 16/16/ ”Weight: 10 lbs.Nut width:1 3/3/3

OB-250LW Light Weight Model OB-250LW Light Weight Model All players can recognize the astounding tone of this lightweight pro banjo. Almost 3 lbs. lighter than its Orange Blossom brothers, the OB-250LW has incredible volume that comes from an integral three-ply rock maple lathed tone rim. The top third of the rim is carved exactly like a flathead ring, which results in an authentic bluegrass tone. Give your weary shoulder and back some rest during the marathon jams without

” 10 lbs.

/16/16/ ”

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OB-275 (Previously the OB-175)Our first-ever Bell Bronze Pre-War Alloy Tone Ring is the result of joint efforts with our partners to experiment with bronze alloys to find the perfect tone. The “pre-war” tone ring (the Holy Grail of bluegrass tone) was made from one of three different formulas, depending upon the year of manufacture. We discovered these three alloys, had tone rings made to replicate each one, and chose the alloy content with the most penetrating tone.

Our GTR tone ring shape has a rounded top edge, which, when compared to the typical sharp angle on the common flathead ring, adds more contact area for vibration transfer. This allows the head to be tuned more tightly if desired. The original ring, when compared to ours, looks and sounds amazingly similar.

The OB-275 has perfectly fitting parts. Our shop is set up tp get the perfect tone-ring fit, the perfect neck-to-pot fit and a perfectly straight neck. Before delivery, we do all the final assembly and adjustments at our factory in Flor-ida. We check every adjustment to make sure the setup is optimal for tone and playability. This banjo comes with our lifetime transferrable warranty. Not even domestic builders can offer that. Includes a deluxe archtop hardshell case.

For better 5th string intonation, the nut is positioned in line with

the fret.Gold Tone Bell Bronze “GTR” Tone Ring

Orange Blossoms


Chrome-plated hardwareMahogany resonatorOne-piece diecast flangeMaple neckPresto-style tailpiece

Bell bronze GTR tone ring 3-Ply Canadian maple rim Ebony fingerboard GT Master planetary tuners Two-way adjustable truss rod

I personally guarantee that our OB-275 will sound as good as, if not better than, any domestic-made banjo under $5,000

- Wayne

Orange Blossoms

(Previously the OB-175)Our first-ever Bell Bronze Pre-War Alloy Tone Ring is the result of joint efforts with our partners to experiment with bronze alloys to find the perfect tone. The “pre-war” tone ring (the Holy Grail of bluegrass tone) was made from one of three different formulas, depending upon the year of manufacture. We discovered these three alloys, had tone rings made to replicate each one,

Our GTR tone ring shape has a rounded top edge, which, when compared to the typical sharp angle on the common flathead ring, adds more contact area for vibration transfer. This allows the head to be tuned more tightly if desired. The original ring, when compared to ours, looks and sounds amazingly similar.

The OB-275 has perfectly fitting parts. Our shop is set up tp get the perfect tone-ring fit, the perfect neck-to-pot fit and a perfectly straight neck. Before delivery, we do all the final assembly and adjustments at our factory in Flor-ida. We check every adjustment to make sure the setup is optimal for tone and playability. This banjo comes with our lifetime transferrable warranty. Not

I personally guarantee that our OB-275 will sound as good as, if not better than, any domestic-made banjo under $5,000

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BG-250FFor a no frills, straight-ahead bluegrass banjo the BG-250F cannot be beat for quality and tone. The BG-250F is the first professional 5-string banjo in our line. It’s a replica of the most famous banjo ever played in bluegrass music; all of its parts are accurate reproductions of the original. In addition, we have added a maple neck, which brightens the tone compared to the original vintage mahogany neck. Features include a 3-ply Canadian hard rock maple rim, and the straightline tailpiece provides extra downward pressure on the bridge creating even more volume.

BG-250FFor a no frills, straight-ahead bluegrass banjo the BG-250F cannot be beat for quality and tone. The BG-250F is the It’s a replica of the most famous banjo ever played in bluegrass music; all of its parts are accurate reproductions of the original. In addition, we have added a maple neck, which brightens the tone compared to the original vintage mahogany neck. Features include a 3-ply Canadian hard rock maple rim, and the straightline tailpiece provides extra downward pressure on the bridge creating even more volume.

BG-250F

Bluegrass Specials



Bell brass tone ring3-Ply Canadian maple rimOne-piece zinc flangeStraightline tailpieceGT Master planetary tuners 14” mahogany resonatorSnowflake inlayRosewood fingerboardTwo-way adjustable truss rod Bone nutEbony-capped maple bridgeLefty option available

BG-250FW Wide Neck To fulfill many requests for a professional level bluegrass banjo with a wider fingerboard, we have introduced the BG-250FW. This model features the same specifications as the BG-250F with a nut width of 1 3/8” instead of the standard 1 3/16”. Players with larger fingers will enjoy the comfort of this fingerboard.

Nut Width:1 3/16”

Nut Width:1 3/8”

BG-250FW

Newly Designed Tone Ring Shape with Rounded Top Edge Provides Volume & Tone Benefits on all

BG-250 models

New2011

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MC-150RP (Maple Classic)For the banjo player who likes to play both bluegrass and old-time music, the economically priced MC-150RP is convertible – the resonator may be easily detached for openback-style playing. This model has all quality parts, which provide excellent tone. Besides receiving rave reviews in a popular English folk magazine, the MC-150RP is the first in our line with a professional pot assembly including a 3/4” rim and a bluegrass flathead tone ring. The Maple Classic is also available in kit form (MC-KIT) for the do-it-yourself craftsman!

BG-250The BG-250 was one of the first full-sized instruments we produced. Its convertible feature allows for a great bluegrass tone, and by removing the resonator and brackets, you can play a genuine old-time openback. This is a great feature for players wanting to play both bluegrass and oldtime styles. The slim neck provides easy playability and the bell brass flathead tone ring contributes to its loud volume.

Bluegrass 5-Strings

MC-150RP (Maple Classic)

BG-250The BG-250 was one of the allows for a great bluegrass tone, and by removing the resonator and brackets, you can play a genuine old-time openback. This is a great feature for players wanting to play both bluegrass and oldtime styles. The slim neck provides easy playability and the bell brass flathead tone ring contributes to its loud volume.

13” mahogany resonatorMaple rim & neckStraightline tailpieceVintage brown finish

Bell brass tone ring Rosewood fingerboard GT Master planetary tuners Two-way adjustable truss rod

13” maple resonatorMaple rim & neckStraightline tailpieceNatural gloss finish

Steel alloy flat top tone ring Rosewood fingerboard Planetary tuners Two-way adjustable truss rod



How do I convert my banjo to an openback?

Both the BG-250 and MC-150RP come standard with convertible resonators and brackets. To convert to an openback, remove the four resonator mounting thumb screws. Using the included bracket wrench, remove the two nuts behind each mounting bracket and remove the plate. Repeat on the other three plates and then retighten the nuts. There you have it – versatile banjos for versatile players!

Convertible to openback

How do I convert my banjo to an

Both the BG-250 and MC-150RP come standard with convertible resonators and brackets. To convert to an openback, remove the four resonator mounting thumb screws. Using the included bracket wrench, remove the two nuts behind each mounting bracket and remove the plate. Repeat on the other three plates and then retighten the nuts. There you have it – versatile banjos for versatile players!

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How does the BG-150F stack up to the domestic competition?

BG-150FOur new midline, full-size bluegrass banjo includes features found on our pro models. This would also be an excellent instrument for players looking for a lightweight bluegrass banjo. This instrument is the next step above our Cripple Creek models and features a one-piece flat flange and has a full-size 14” resonator.

Bluegrass 5-Strings


13” maple resonatorHearts & flowers inlayPlanetary tunersStraightline tailpieceVintage brown finishNotched counterhoopBone nut

Rolled brass tone ring Maple rim & neck Rosewood fingerboard Two-way adjustable truss rod Flat one-piece flange White ABS neck & body binding Gold Tone engraved arm rest Chrome-plated hardware

Bluegrass 5-Strings

BG-150FOur new midline, full-size bluegrass banjo includes features found on our pro models. This would also be an excellent instrument for players looking for a lightweight bluegrass banjo. This instrument is the next step above our Cripple Creek models and features a one-piece flat flange and has a full-size 14” resonator

Rolled brass tone ring Rolled brass tone ring Maple rim & neck Maple rim & neck Rosewood fingerboard Rosewood fingerboard Two-way adjustable truss rod Two-way adjustable truss rod Flat one-piece flange White ABS neck & body binding Gold Tone engraved arm rest Chrome-plated hardware

Deering Good Time II Gold Tone BG-150F Gold Tone BenefitMaple neck without truss rod Maple neck w/ 2-way adj. truss rod Allows neck to be adj. to correct reliefSingle coordinator rod Dual coordinator rods Better neck stabilitySix-year warranty Lifetime transferrable warranty Longer coverage, more trade in valueSimple rod counterhoop Notched counterhoop Notches allow stronger round style hook16 hooks and shoe lugs 24 hooks and shoe lugs Allows more even tightening of headNo neck or headstock binding Neck and headstock binding Better looking and more ding protectionNo separate fingerboard (part of neck) Rosewood fingerboard Allows for easier re-frettingGuitar-style tuners Planetary tuners Typical of professional banjosDeering adjustable tailpiece Straightline adjustable tailpiece Straight string pull over bridgeNickel-plated hardware Chrome-plated hardware More resistance to tarnishingNo tone ring Rolled brass tone ring Better bluegrass-style soundPlastic nut Bone nut Best open strings tone, lasting sustainClear finish Antique brown finish Typical of professional banjosVega-style armrest Armrest with Gold Tone engraving Bluegrass style instead of old-time styleExcellent low playing string action Excellent low playing string action N/ADeering inlay Hearts & flower inlay Typical of professional banjosSatin finish Gloss finish Scratches can be easily buffed out

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Bluegrass licks from The Banjo Encyclopedia,“Bluegrass from A to Z,” by Ross Nickerson, BanjoTeacher.com

Play It

0

13

0

01

3

01/4 1/40

0

3

0

03

0

0Blues Lick

T I M T M I T M T T I M I T M 1 4 1 3 2 2

0

0 0 0

0

32

0

Scruggs Style

T M M T M T I M T M I T M T 1 2 2 1 2 1

H2 3

00

0PO

3 2 0

D G

2 3 40 2 0

0

D G

4 2 0 4 2 0 04

2Single String Style

T I T I T I T I T I T I T I T 1 2 3 1 3 1 3 1 3 1

T

Keith/Melodic Style0

0

50

0

7

07

0

45

0

5 0

T M T I M T I M T M I M T I T I 4 3 4 1 2 1 3

0

7

D G

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8911

9 7

16 17

Shave and a Haircut

M T I T T M M 1 2 1 2 3I

T M I M T I M T M T M I T I T M 2 3 1 3 1 T 4 T 1 3 1 2 4

530

5C Chromatic Lick0

108

9

8

9 0

89

1010

10C

Fundamentals of Five-String Banjo with Ross Nickerson (beginner). Learn banjo technique right from the start! DVD and CDs combo provides everything you’ll need to start having fun on the banjo! See more information on the page 75.

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OT-800LN (Long Neck Model)This tubaphone-style longneck is tuned 1 1/2 steps lower for the best singing keys. A great folk-style banjo, it closely resembles Mr. Pete Seegers famous plunky tone, a sound desired by songsters. The engraved inlay is set off by the ebony fingerboard and the pot includes a bracket band for a loud sustaining tone.Includes deluxe archtop hardshell case.

OT-800 (Tubaphone-Style Model)This Vega-style replica is an accurate reproduction of the most sought after pot assembly in the classic old-time sound. A metal bracket band contains the lug bolts avoiding shoe-lug holes in the rim for a solid tone. The brass tubaphone-style tone ring broadcasts loud, clear, and true with maximum sustain. Classic-style engraved inlays, maple neck and rim, adjustable coordinator rods (instead of a dowel stick), and our new Fairbanks-style headstock makes this banjo the most sought after in our Old Tone Series. Includes deluxe archtop hardshell case.

Tubaphone-style tone ring

OpenbacksSeries

Scale: 26 3/16”Weight: 8 lbs.Nut width:1 3/16”Wide Neck option:Nut width:1 3/8”

Scale: 32”Weight: 9 lbs.Nut width:1 3/16”


New2011

All OT Banjos include Tubaphone-style tone ring 1/2” sound chamber rim GT Master planetary tuners Engraved fingerboard inlays

Ebony fingerboard No-knot tailpiece Remo Renaissance® head Frailing scoop (except on long neck)

OT-700A (A-Scale)This professional level A-scale openback banjo model features the same design and features as the OT-800, except does not include the bracket band and has a short-scale neck. Ideal for tuning up to the popular old-time keys of A and D.

Includes deluxe archtop hardshell case.

OT-800This Vega-style replica is an accurate reproduction of the most sought after pot assembly in the classic old-time sound. A metal bracket band contains the lug bolts avoiding shoe-lug holes in the rim for a solid tone. The brass tubaphone-style tone ring broadcasts loud, clear, and true with maximum sustain. Classic-style engraved inlays, maple neck and rim, adjustable coordinator rods (instead of a dowel stick), and our new Fairbanks-style headstock makes this banjo the most sought after in our Old Tone Series. Includes deluxe archtop hardshell case.

New2011

Tubaphone-style tone ring Tubaphone-style tone ring 1/2” sound chamber rim 1/2” sound chamber rim GT Master planetary tuners GT Master planetary tuners Engraved fingerboard inlays Engraved fingerboard inlays

OT-700A (A-Scale)OT-700A (A-Scale)This professional level A-scale openback banjo model features the same design and features as the OT-800, except does not include the bracket band and has a short-scale neck. Ideal for tuning up to the popular old-time keys of

This professional level A-scale openback banjo model features the same design and features as the OT-800, except does not include the bracket band and has a short-scale neck. Ideal for tuning up

Includes deluxe archtop hardshell case.

OT-800 OT-700A

Customize your OT-800 with a wider neck

Nut Width:1 3/8”

SpecialOrder

See our OT-10, Ten-String Banjo on page 26

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WL-250LNThis model is per request of many folkies and dealers who want a professional sounding long neck. Specs are the same as our WL-250 except for the longer neck (with three extra frets under the nut). The fingerboard scoop is not used on this long neck. Tuned in the key of E (EBEG#B)

WL-250+Due to the enormous popularity of our standard WL-250 model, we have now introduced an exquisite version featuring our custom tree of life inlay. Unlike other tree of life inlay designs, the position markers are easily seen by the flower patterns for up the neck playing. A fingerboard scoop is not available for this model.

WL-250Our most popular openback ever! The design provides a plunky but punchy tone well-suited for old time and folk music. A White Ladye three-part tone ring is coupled with a 1/2” rim. Most competitors use a 3/4” bluegrass rim, but our 1/2” rim allows more air chamber volume. Other features include ebony fingerboard, vintage heel shape, no-knot tailpiece, and double adjusting truss rod. Includes a fingerboard scoop.

Remarkable tone and exquisite looks in a premium openback banjo.Newly redesigned, it now includes a traditional headstock and heel shape, and no-knot tailpiece.

White Ladyes Series


White Ladye tone ring Hard rock maple neck 1/2” sound chamber rim GT Master planetary tuners No-knot tailpiece

Modified tree of life inlay Ebony fingerboard Remo Renaissance® head Shoe-style lugs

Available options: GTS skin head, gold hardware, capo spikes and resonator

WL-250+Due to the enormous popularity of our standard WL-250 model, we have now introduced an exquisite version featuring our custom tree of life inlay. Unlike other tree of life inlay designs, the position markers are easily seen by the flower patterns for up the neck playing. A fingerboard scoop is not available for this model.

Remarkable tone and exquisite looks in a premium openback banjo.Newly redesigned, it now includes a traditional headstock and heel shape, and no-knot tailpiece.



White Ladye tone ring 1/2” sound chamber rim GT Master planets tuners No-knot tailpiece

Cloud inlay Ebony fingerboard Remo Renaissance® head Shoe-style lugs

This model is per request of many folkies and dealers who want a professional sounding long neck. Specs are the same as our WL-250 except for the longer neck (with three extra frets under the nut). The fingerboard scoop is not used on this long neck. Tuned in the key of E (EBEG

WL-250Our most popular openback ever! The design provides a plunky but punchy tone well-suited for old time and folk music. A White Ladye three-part tone ring is coupled with a 1/2” rim. Most competitors use a 3/4” bluegrass rim, but our 1/2” rim allows more air chamber volume. Other features include ebony fingerboard, vintage heel shape, no-knot tailpiece, and double adjusting truss rod. Includes a fingerboard scoop.

WL-250LNThis model is per request of many folkies and dealers who want a professional sounding long neck. Specs are the same as our WL-250 except for the longer neck (with three extra frets under the nut). The fingerboard scoop is not used

Our most popular openback ever! The design provides a plunky but punchy tone well-suited for old time and folk music. A White Ladye three-part tone ring is coupled with a 1/2” rim. Most competitors use a 3/4” bluegrass rim, but our 1/2” rim allows more air chamber volume. Other features include ebony fingerboard, vintage heel shape, no-knot tailpiece, and double adjusting truss rod. Includes a fingerboard

16”

The three-piece White Ladye tone ring provides a loud plunky tone

preferred by many old-time players

14

Maple Mountain MM-150This affordable model includes a frailing scoop, traditional heel cut, no-knot tailpiece and Vega-style armrest. The White Ladye tone ring provides a loud, plunky tone preferred by old time players. GTS skin head optional.

Our openbacks replicate vintage features and provide the plunky tone old-time players love. Professional tone

and playability at a fraction of the price.

CB-100Entry-level price with features of a high-end banjo. A scooped fingerboard, rolled brass rod tone ring, and vintage design makes this banjo a great value. It’s also lightweight and great for traveling or practicing. The CB-100 features an innovative Gold Tone dowel stick/coordinator rod. The metal rod is inserted inside the dowel stick, which provides superior neck support and allows neck angle adjustments.

MM-150 Long Neck

CB-100White Ladye Tone Ring

OpenbacksSeries


White Ladye tone ring 1/2” sound chamber rim Planetary tuners No-knot tailpiece Frailing scoop

Snowflake inlay Rosewood fingerboard Remo Renaissance® head Shoe-style lugs Natural blonde finish

Maple Mountain MM-150This affordable model includes a frailing scoop, traditional heel cut, no-knot tailpiece and Vega-style armrest. The White Ladye tone ring provides a loud, plunky tone preferred by old time players. GTS skin head optional.


White Ladye tone ring White Ladye tone ring 1/2” sound chamber rim 1/2” sound chamber rim Planetary tuners Planetary tuners No-knot tailpiece No-knot tailpiece Frailing scoop

Scale: 32Weight: 7 lbs.Nut width:1 3/16”

This affordable model includes a frailing scoop, traditional heel cut, no-knot tailpiece and Vega-style armrest. The White Ladye tone ring provides a loud, plunky tone preferred by old time players. GTS skin


MM-150 Long Neck

MM-150 MM-150LNLong neck version of our classic MM-150. Tuned in the key of E.


Rolled brass rod tone ring 11” dowel stick design Planetary tuners No-knot tailpiece Vega-style armrest

Vintage heel design Maple neck & body Remo fiberskyn head Vintage shoe-style lugs Ball-end nuts

CB-100Entry-level price with features of a high-end banjo. A scooped fingerboard, rolled brass rod tone ring, and vintage design makes this banjo a great value. It’s also lightweight and great for traveling or practicing. The CB-100 features an innovative Gold Tone dowel stick/coordinator rod. The metal rod is inserted inside the dowel stick, which provides superior neck support and allows neck angle adjustments.

Rolled brass rod tone ring Rolled brass rod tone ring 11” dowel stick design 11” dowel stick design Planetary tuners Planetary tuners No-knot tailpiece No-knot tailpiece Vega-style armrest

Brass Rod Tone Ring Dowel Stick

15 goldtone.com

BC-120Following the success of the Bob Carlin models BC-350 and BC-350+, Gold Tone introduced their new brother, the BC-120. This economically priced BC has many of the features of it’s costlier sibling – a 12” rim, a frailing scoop to play over the neck for a deeper tone, a wider fingerboard to facilitate drop thumb, and a “hot dog” vintage-style armrest – but it sells for a fraction of the price. For those who want to get into a 12” rim banjo at a beginner price, the BC-120 is for you. Comes with dual coordinator rods instead of a dowel stick. Gig bag included.

BC-350+The plus model is a gorgeous work of art. We used an exquisite vintage inlay style highly acclaimed during the heyday of banjos. Triple-plated gold hardware sets off the rich vintage brown mahogany stain. We pay special attention to Bob’s unique set up making sure the head is not too tight and has low string action without a hint of fret buzz. Features an innovative Gold Tone dowel stick/coordinator rod. The metal rod is inserted inside the dowel stick, which provides superior neck support and allows neck angle adjustments. For only a few dollars more than Bob’s original BC-350, you can own an eye catching collector’s banjo!

BC-350At the 2004 IBMA show, Bob and Wayne met to discuss the possibilities for developing a signature model. Bob wanted a 12” pot, scooped fingerboard, specific neck dimensions, and brass tone ring. These features were previously only found on banjos retailing for $1,200 or more. Bob made a trip to Gold Tone’s Florida factory to help design it. For two days, Wayne and Bob examined every possible spec and tested prototypes and every detail was fine tuned. Because a typical banjo has an 11” pot, Gold Tone invested in all new 12” tooling at its factory to assure perfectly fitted parts. The BC-350 features an innovative Gold Tone dowel stick/coordinator rod. The metal rod is inserted inside the dowel stick, which provides superior neck support and allows neck angle adjustments.

12” Signature Series Series


Scale:Weight:Nut width:

Signature M odelAll Bob Carlin models include: Rolled brass tone ring12” maple rim

Fingerboard scoop Ball end bracket nuts

Remo Renaissance® head No-knot tailpiece Hot dog armrest Vintage old time neck design



BC-350At the 2004 IBMA show, Bob and Wayne met to discuss the possibilities for

specific neck dimensions, and brass tone ring. These features were previously only found on banjos retailing for $1,200 or more. Bob made a trip to Gold Tone’s Florida factory to help design it. For two days, Wayne and Bob examined every possible spec and

tuned. Because a typical banjo has an 11” pot, Gold Tone invested in all new 12” tooling at its factory to assure perfectly tted parts. The BC-350 features an innovative Gold Tone dowel stick/coordinator

rod. The metal rod is inserted inside the dowel stick, which provides superior neck

5.8 lbs.”

rod. The metal rod is inserted inside the dowel stick, which provides superior neck support and allows neck angle adjustments.

BC-120Following the success of the Bob Carlin models BC-350 and BC-350+, Gold Tone introduced their new brother, the BC-120. This economically priced BC has many of the features of it’s costlier sibling – a 12” rim, a frailing scoop to play over the neck for a deeper tone, a wider fingerboard to facilitate drop thumb, and a “hot dog” vintage-style armrest – but it sells for a fraction of the price. For those who want to get into a 12” rim banjo at a beginner price, the BC-120 is for you. Comes with dual coordinator rods instead of a dowel stick. Gig bag included.

Ebony fingerboard Ebony overlay on rim, heel cap and headstock

Also Includes Modified dowel stick Gold hardware

Ebony fingerboard Ebony overlay on rim, heel cap and headstock

Also Includes Modified dowel stick Nickel-plated hardware

Rosewood fingerboard Dual coordinator rods

Also Includes Sealed guitar tuners Chrome-plated hardware

16

OT-6 (the Lojo)It’s a little-known fact that not all banjos had 5 strings. One common variation is the 6-string banjo. Unlike banjo-guitars, these 6-stringers have an additional long bass string running next to the usual short thumb string. This model, inspired by Chuck Levy, a Florida Banjo Champion (among other achievements), allows the player to play melodies an octave lower than normal. The 14” body actively promotes this low bass tone. For those who enjoy jamming, this instrument stands out with its louder volume.

Includes hardshell case.

Lojo & Longnecks

Chuck Levy has earned the title of Florida’s Old-Time Banjo Champion, is a prize-winning fiddler, and a respected banjo scholar. Chuck’s mastery has been recognized by Gold Tone, which developed the lojo to Chuck’s specifications. Chuck owns and plays an OT-6, OT-800, OT-10, and a PC-Banjola.

“Now this is what a banjo is supposed to sound and look like.”

–Taj Mahal–Taj Mahal

Lojo & Longnecks


Rolled brass tone ring GT Master planetary tuners Ebony fingerboard 14” pot with 3-ply rim

Lojo & Longnecks

OT-6 (the Lojo)

“Now this is what a banjo is supposed

It’s a little-known fact that not all banjos had 5 strings. One common variation is the 6-string banjo. Unlike banjo-guitars, these 6-stringers have an additional long bass string running next to the usual short thumb string. This model, inspired by Chuck Levy, a Florida Banjo Champion (among other achievements), allows the player to play melodies an octave lower than normal. The 14” body actively promotes this low bass tone. For those who enjoy jamming, this instrument stands out with its louder volume.



OT-6 (the Lojo)It’s a little-known fact that not all banjos had 5 strings. One common variation is the 6-string banjo. Unlike banjo-guitars, these 6-stringers have an additional long bass string running next to the usual short thumb string. This model, inspired by Chuck Levy, a Florida Banjo Champion (among other achievements), allows the player to play melodies an octave lower than normal. The 14” body actively promotes this low bass tone. For those who enjoy jamming, this instrument stands out with its louder volume.

Shoe-style lugs Remo Renaissance® head Engraved inlay Straightline tailpiece

OT-800LN WL-250LN MM-150LN

Long Neck Banjos

For banjo players looking for that extended low tone range, be sure to check out our

long neck 5-string selection.

OT-800 Long Neck Tubaphone ModelWL-250 Long Neck White Ladye ModelMM-150 Long Neck Economy Model

Made famous by Pete Seeger in the 50s and 60s, a long neck banjo is that of a 5-string banjo with 3 additional frets allowing the banjo to tune a minor third lower in the key of E. For traditional folk tunes, long neck banjos sound great with the male singing voice.

MM-150LN

Made famous by Pete Seeger in the 50s and 60s, a long neck banjo is that of a 5-string banjo with 3 additional frets allowing the banjo to tune a minor third lower in the key of E. For traditional folk tunes, long neck banjos sound great with the male singing voice.

Mr. Maestro himself dropped by the booth at NAMM this winter and couldn’t keep his hands off of the OT-6. He had to take one home with him. We hope to see Taj jam on his OT-6 in the near future.

See Chucks Youtube channel www.youtube.com/banjochuck

17 goldtone.com

Play It

Boatin' Up Sandy Arranged by Chuck Levy, © 2010

0H

2 3 0 20

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20

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Dinah Arranged by Chuck Levy, © 2010

02

03 3 3

ECAEA

# PO PO41 2 3 5 76 8

9 10

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Arranged by Chuck Levy, © 2010 Old Folks at Home

1311 12 14 15 16

00

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H

“Dinah” (gCGCD or aDADE) appears on David Holt’s It Just Suits Me, (JA0038), and is attributed to Aunt Jenny Wilson of Ivydale, West Virginia. I play this on the PC-Banjola because I like the way its quietness and sustain illustrate the mournful, wounded quality of this piece. About the tab: The tune starts with a slow roll across all four strings. The first full measure (and elsewhere throughout the tune) ends with an isolated strike of the 5th string with the thumb, occurring just before the finger strikes the 1st string closed at the second fret at the beginning of the second measure. (For the record, the 1st string is the string closest to your toes, and the 5th string is closest to your nose.) This creates a small syncopation that helps propel the tune forward. This 5th string strike can be left out according to the player’s choice.

“Old Folks at Home,” (gDGBD or aEAC#E) by Stephen Foster (1851) is largely remembered for its opening line: “Way Down Upon the Suwannee River.” Note the open string pull-offs on the 1st string at the 5th note of the 8th and 16th measures. I used the CEB-5 Cello Banjo to connect this piece to its minstrel roots, and because I like the big bold sound that it creates.

“Boatin’ Up Sandy” (gDGCD or aEADE) is a traditional fiddle tune that I first heard in West Virginia. There are open string pull-offs on the 2nd string at the 6th note of the 2nd and 6th measures. I like playing this on the OT-10 10-string banjo because the full ringing sound of the double strings reinforces the tune’s spooky quality. —Chuck Levy

See Chuck play these songs at www.youtube.com/banjochuckwww.banjourneys.com

18

More than 20,000 Cripple Creek banjos have been sold during the last 15 years! They are by far the best student banjo for the tone and playability in their price range. Made from hard rock maple, they are durable, sound terrific, have low string action, and are a pleasure to play.

Domestic Competition Cripple Creek CC-100No separate fingerboard, fret slots in neck Separate rosewood fingerboardNo neck binding Neck bindingOpen-geared tuning machines Sealed tunersSingle coordinator rod Double coordinator rodsNo tone ring Brass tone ring6-year warranty 7-year transferrable warrantyNo truss rod 2-way adjustable truss rodNormal tailpiece Straightline tailpieceLimited options available Many options, name your poisonNo armrest Comfortable armrestPlain headstock Curly maple headstock veneerPlastic nut Genuine bone nutDot position markers Snowflake position markers

See why Gold Tone Cripple Creeks have more pluck for the buck!

Cripple Creeks

CC-100Scale: 26 3/16”Weight: 5 lbs.Nut width:1 3/16”

Rolled brass tone ring Guitar-style sealed tuners Geared 5th string tuner Snowflake inlay Straightline tailpiece Maple resonator Maple neck & rim Dual coordinator rods Gold Tone engraved arm rest 18 brackets

CC-100RScale: 26 3/16”Weight: 6.5 lbs.Nut width:1 3/16”

CC banjos have sealed guitar style tuners. We do not install the unneeded screw on the back of the tuner so no hole will be left if the user desires to upgrade to

planetary tuners.

CC-100 Series

CC-100+Scale: 26 3/16”Weight: 5 lbs.Nut width:1 3/16”

Vintage brown finish Intonated 5th string nut GT Master planetary tuners 3-ply rim 24 brackets

CC-100R+Scale: 26 3/16”Weight: 6.6 lbs.Nut width:1 3/16”

CC-100+ SeriesThe Cripple Creek plus series includes the same features as that of the CC-100 with the following

upgrades.

The Cripple Creek plus series

New for 2011 high-gloss finish on

CC-100 models

Scale:

18 brackets 18 brackets

19 goldtone.com

The best entry-level banjos are available in all popular banjo configurations. Set up in our Florida shop, they have low string action and sound superior to similarly priced banjos. The best value in a quality Banjitar, Plectrum, Tenor, Traveler, or Irish Tenor banjo.

CC-BanjitarFor guitarists

Scale: 25 1/2”Weight: 7 lbs. Nut width: 1 11/16”Vintage brown finishFits:HD15 hard case HPB gig bag

CC-TenorScale: 22 5/8”Weight: 5 lbsNut width: 1 1/4”Fits:HDTR15 hard case HBTR gig bag

CC-Irish TenorScale: 19 3/4”Weight: 5 lbs.Nut width: 1 1/16”Fits:HDITR hard case HBIT gig bag

CC-PlectrumScale: 26 3/16”Weight: 6.23 lbs.Nut width: 1 1/4”Fits:HD15 hard case HPB gig bag

CC-TravelerScale: 23 9/16”Weight: 6.5 lbs.Nut width: 1 3/16”Fits:HDTR15 hard case HBTR gig bag

Cripple Creeks

CC-TenorCC-Plectrum CC-Traveler

Rolled brass tone ring Guitar-style sealed tuners Snowflake inlay Straightline tailpiece Maple resonator

Maple neck & rim Dual coordinator rods High gloss finish Chrome hardware

All CC Models IncludeNote: We don’t put screws in the machine heads on the Cripple Creek banjos so you can easily upgrade to planetary tuners per request through your Gold Tone dealer.

HBTR gig bag

20

CC-BG PackageA very important decision to make when deciding to learn banjo is choosing which instrument is best for you. Although many entry level banjos seem like a great deal, they can actually stifle your ability to learn by being hard to play, and hard to listen to. The keys to success are: 1) proper set-up, which keeps the strings low over the fingerboard (easier to play) while maximizing the pressure over the bridge (more volume), 2) quality parts that fit right and tight (eliminates rattle and buzzes and efficiently transfers string vibration into tone production), and top grade materials. The Cripple Creek Bluegrass Banjo Package was designed with this in mind. These banjos are built with quality parts and professionally set up in the Gold Tone shop with low string action and accurate intonation. You will find it a joy to tune and play. This package, with all the extras (strap, gig bag, instructional DVD, picks, and clip-on toner), is your passport to the world of bluegrass banjo.


The CC-BG Entry-Level Packages includesa gig bag, strap, bluegrass instructional DVD, CCT clip-on tuner, two finger and thumb picks

CC-BG Bluegrass Package

Upgrade your Cripple Creek banjo to include traditional-style

planetary tuners

CC-BG PackageA very important decision to make when deciding to learn banjo is choosing which instrument is best for you. Although many entry level banjos seem like a great deal, they can actually stifle your ability to learn by being hard to play, and hard to listen to. The keys to success are: 1) proper set-up, which keeps the strings low over the fingerboard (easier to play) while maximizing the pressure over the bridge (more volume), 2) quality parts that fit right and tight (eliminates rattle and buzzes and efficiently transfers string vibration into tone production), and top grade materials. The Cripple Creek Bluegrass Banjo Package was designed with this in mind. These banjos are built with quality parts and professionally set up in the Gold Tone shop with low string action and accurate intonation. You will find it a joy to tune and play. This package, with all the extras (strap, gig bag, instructional DVD, picks, and clip-on toner), is your passport to the world of bluegrass banjo.

Rolled brass tone ring Guitar-style tuners Straightline tailpiece Bluegrass armrest

Mahogany resonator Chrome-plated hardware Geared 5th string tuner 5th string capo spike

New2011

21 goldtone.com

FABQ (frequently asked old time banjo questions)Who can learn clawhammer?Anybody can learn with this package! Bluegrassers, guitarists, folk singers, kids age 8 and older, baby boomers, families, college students.

Who’s going to teach me?The CC-OT package comes with an instructional DVD by old time banjo master Bob Carlin. Even those without previous experience will be able to play with ease.

What if I want to play in different keys?The CC-OT package comes with a 5th-string capo spike and instructions on how to jam. (No capo spike is needed on the CC-OTA!)

How will I learn to take care of my banjo?The DVD includes a session with Gold Tone founder and president Wayne Rogers on how to set up and take care of your banjo.

What else do I need to get started?Nothing! This package includes a banjo, gig bag, strap, capo spike and instructional video. The only missing ingredient is … you!

Why should I play an A-scale banjo?A-scale banjos are becoming increasingly popular in old-time music. Since the keys of A and D are most common, no capo is needed for the 23 9/16” scale CC-OTA. Without a capo, A-scales have a distinct, punchy tone and are loved for their smaller size.

CC-OT Openback Package Series

CC-OT & CC-OTAThese openback packages have everything to get you started playing clawhammer banjo.



CC-OT

CC-OTA

Tuned to A

Rolled brass tone ring Sealed tuners Old-time headstock Vega-style arm rest Frailing scoop Vintage heel design

Antique brown finish Chrome-plated hardware Rosewood fingerboard 5th string capo spike Fiberskyn head Vintage Ball-end nuts

CC-OT & CC-OTA Entry-Level Packages includes

a gig bag, strap, and instructional DVD

CC-OT & CC-OTAThese openback packages have everything to get you started playing clawhammer banjo.

CC-OT

FABQ Who can learn clawhammer?Anybody can learn with this package! Bluegrassers, guitarists, folk singers, kids age 8 and older, baby boomers, families, college students.

Who’s going to teach me?The CC-OT package comes with an instructional DVD by old time banjo master Bob Carlin. Even those without previous experience will be able to play with ease.

What if I want to play in different keys?The CC-OT package comes with a 5th-string capo spike and instructions on how to jam. (No capo spike is needed on the CC-OTA!)

How will I learn to take care of my banjo?The DVD includes a session with Gold Tone founder and president Wayne Rogers on how to set up and take care of your banjo.

What else do I need to get started?Nothing! This package includes a banjo, gig bag, strap, capo spike and instructional video. The only missing ingredient is … you!

Why should I play an A-scale banjo?A-scale banjos are becoming increasingly popular in old-time music. Since the keys of A and D are most common, no capo is needed for the 23 9/16” scale CC-OTA. Without a capo, A-scales have a distinct, punchy tone and are loved for their smaller size.

CC-OTA

Frailing scoop Vintage heel design

22

Entry level banjos must be designed for easy learning! Our CC-50 models are set up perfectly with low string action and accurate intonation. Compared to competing banjos, the tone of the CC-50 is superior due to our maple necks, brass tone ring, straightline tailpieces, and professional set-up. This is the only entry-level banjo with a 7-year warranty and 1 year transferrable to the second owner!

CC-50TR (A-Scale)An affordable open back traveler for kids and on-the-road use. Designed for the key of A (we’ve eliminated the first two frets), medium-gauge strings will easily tune to standard G-tuning. Includes gig bag.

CC-50RPThe CC-50RP model is designed for bluegrass learning and includes a full walled resonator and planetary tuners. Includes gig bag.

CC-50 For an economy 5-string, the CC-50 outshines the competition. Our 12 point set-up ensures accurate intonation, easy fingering, and good tone. Optional resonator may be added later. Includes gig bag.

Entry-Level 5-Strings




Rolled brass tone ring Planetary tuners Maple neck Two-way adj. truss rod

Maple resonator Chrome-plated hardware Geared 5th string tuner Straightline tailpiece

Entry level banjos must be designed for easy learning! Our CC-50 models are set up perfectly with low string action and accurate intonation. Compared to competing banjos, the tone of the CC-50 is superior due to our maple necks, brass tone ring, straightline tailpieces, and professional set-up. entry-level banjo with a 7-year warranty and 1 year transferrable to the second owner!

CC-50RP

Entry-Level 5-Strings

The CC-50RP model is designed for bluegrass learning and includes a full walled resonator and planetary tuners.

CC-50TR (A-Scale)

Includes gig bag.

An affordable open back traveler for kids and on-the-road use. Designed for the key of A (we’ve eliminated the G-tuning.


Maple resonator Chrome-plated hardware Geared 5th string tuner Straightline tailpiece

CC-50 For an economy 5-string, the CC-50 outshines the competition.

ngering,

Chrome-plated hardware Geared 5th string tuner

Chrome-plated hardware

CC-50


Openback design Chrome-plated hardware Geared 5th string tuner Straightline tailpiece

23 goldtone.com

Gold Tone Musician Jam Tunes!One of the most fun, educational, and rewarding parts of playing music is participating in jams. Every style of music has “the most popular jam tunes” and below we have collected what are, in our opinion, tunes that you as a player should learn. Make sure to learn the tunes below in the correct playing key and remember that some keys require the use of a capo. Also, before you learn the lead (melody), you can always join the jam by playing some rhythm backup. Make sure to use proper “jam etiquette”!

Bluegrass Tunes (for banjo, mandolin & resonator guitar)

Old Time Tunes(for old time banjo and fiddle)

Fireball Mail (G)Steel Guitar Rag (G)Cripple Creek (G)Foggy Mountain Rock (G)Foggy Mountain Breakdown (G)Amazing Grace (G)How Great Thou Art (G)Pickaway (G)Maiden’s Prayer (G)

Play It

I’ll Fly Away (G)Clinch Mountain Backstep (G)Rocky Top (G)Blue Moon of Kentucky (G)Roll in my Sweet Baby’s Arms (G)Two Dollar Bill (G)Shuckin’ the Corn (G)Cripple Creek (G or A)Old Joe Clark (A) Rueben’s Train (D)

Mountain Dew (G)Foggy Mountain Breakdown (G)Ballad of Jed Clampett (G)Will the Circle be Unbroken (G)Earl’s Breakdown (G)John Henry (G)Wabash Cannon Ball (G)Fox on the Run (G)Train 45 (G)Man of Constant Sorrow (G)

Cold Frosty Morning (D Modal)Big Society (G)John Henry (G)Cluck Old Hen (G Modal)Shady Grove (G Modal) Red Haired Boy (A)June Apple (A)Bill Cheatham (A)Kitchen Girl (A) Billy in the Lowground (C)

Angeline the Baker (D)Arkansas Traveler (D)Soldier’s Joy (D)West Fork Gals (D)Wind that Shakes the Barley (D) Liberty (D)Over the Waterfall (D)Ragtime Annie (D)Needle Case (D)Forked Deer (D)

Resonator Guitar Tunes(songs commonly played on the Dobro)

Cherokee Shuffle (G)I’ll Be All Smiles Tonight (A)Flatt Lonesome (A)The End of the World (A)Great Speckled Bird (C)McHattie’s Waltz (C)Faded Love (D)Saint Anne’s Reel (D)Home Sweet Home (D)

24

CC-50TRAn affordable open back traveler for kids and on the road use. Designed for the key of A (we’ve eliminated the first two frets), medium-gauge strings will easily tune to standard G-tuning. Includes gigbag.

TranjoThe Tranjo is the most unique traveler ever made. The patent-pending design by Sam Farris impressed the Gold Tone folks at a trade show and we licensed the design. The neck is completely detachable with the turn of one thumbscrew, and it fits in a suitcase. Best of all, it has a full scale and a great bluegrass tone for practicing. The tuners are located inside the banjo pot, directly beneath the banjo head, and are accessible from the back of the instrument. The body design fits comfortably in your lap and its weight is balanced. Since acquiring the license, we have now made the Tranjo affordable and a welcome addition to 5-string players’ collections.

TB-250Due to the tremendous response to our original travel banjo, the TB-250 was created to make a premier traveler banjo with many of the best features of a full size banjo. This banjo may also be tuned to the key of A without a capo. Due to its remarkable tone, this instrument can be played professionally. This piece is definitely one to pass down to future generations.

Travelers

Full banjo scale 6” head Maple neck & body Maple roller bearings

Sealed tuners Rosewood strip on neck Abalone dot inlay Fits in a suitcase


White Ladye tone ring Ebony fingerboard 11” Fiberskyn head Straightline tailpiece

Planetary tuners Curly maple resonator Hearts & flowers inlay Gold hardware


CC-50TRAn affordable open back traveler for kids and on the road use. Designed for the key of A (we’ve eliminated the first two frets), medium-gauge strings will easily tune to standard G-tuning.

Rolled brass tone ring Rosewood fingerboard Straightline tailpiece

Guitar-style tuners Maple neck Chrome plating


Full scale lengthfits in a suitcase!

TranjoThe Tranjo is the most unique traveler ever made. The patent-pending design by Sam Farris impressed the Gold Tone folks at a trade show and we licensed the design. The neck is

in a suitcase. Best of all, it has a full scale and a great bluegrass tone for practicing. The tuners are located inside the banjo pot, directly beneath the banjo head, and are accessible from the back of the instrument.

comfortably in your lap and its weight is balanced. Since acquiring the license, we have now made the Tranjo affordable and a welcome addition to 5-string players’

6.3 lbs.16”

TB-250Due to the tremendous response to our original travel banjo, thmake a premier traveler banjo with many of the best features of a full size banjo. This banjo may also be tuned to the key of A without a capo. Due to its remarkable tone, this instrument can be played professionally. This piece is de down to future generations.

Scale:Weight:

CC-TravelerThe CC-Traveler is the ideal affordable travel banjo in the celebrated Cripple Creek series. This model features a rolled brass tone ring, maple rim, and dual coordinator rods for a solid tone.

Rolled brass tone ring Rosewood fingerboard Straightline tailpiece

Guitar-style tuners Convertable resonator Chrome plating


An affordable open back traveler for kids and on the road use. Designed for the key of A (we’ve eliminated the first two frets), medium-gauge strings will

may also be tuned to the key of A without a capo. Due to its remarkable tone, this nitely one to pass

CC-TravelerThe CC-Traveler is the ideal affordable travel banjo in the celebrated Cripple Creek series. This model features a rolled brass tone ring, maple rim, and

Nut width:

25 goldtone.com

PluckyA true backpacker weighing in at only 2 lbs., the Plucky can be tuned in C or D. The neck width is similar to a full-size banjo for ease of fingering. It has low string action and plenty of volume. It’s perfect for the very young child, on the trail, or cuddling up with on the couch. Set up perfectly at our shop just like “the big boys.” Includes gigbag.

How do you tune a Mini Banjo? Shorter banjo necks require a higher tuning than normal banjos because of the shorter scale. The factory tuning is CGCEG (with medium strings), or the same as G-tuning on a normal banjo using a capo at the 5th fret. Although these banjos sound best in the recommended CGCEG tuning, the string gauges may be changed to 016, .034, .024, .020, .016 and the nut slots widened to achieve a standard G-tuning. This group of gauges aren’t usually sold as a set, however, you can buy individual guitar strings in these gauges.

BG-MiniThe BG-Mini is a professional banjo and a pint size version of our BG-250F. Many pros have used these in bluegrass performances to the delight of the audience. A rolled brass rod tone ring gives plenty of punch. For kids, this is the ultimate bluegrass banjo.

CC-MiniThe CC-Mini has features similar to our famous Cripple Creek series. This shorter scale banjo has a perfectly straight neck and low action to maintain consistent tuning. The open back design is light, portable and has great plunk for old-time, while the brass rod tone ring provides enough punch for bluegrass.

Mini Banjos

Rolled brass rod tone ring 8” head Mahogany resonator Planetary tuners

Rosewood fingerboard No-knot tailpiece Snowflake inlay Chrome plating


Rolled brass rod tone ring 8” head Maple rim Guitar-style tuners

Rosewood fingerboard No-knot tailpiece Snowflake inlay Chrome plating


CC-Mini can be special ordered with a scooped fingerboard for

clawhammer players.

8” head & body Maple rim Guitar-style tuners

Chrome plating No-knot tailpiece Dot inlay

Scale: 16”Weight: 2.1 lbs.Nut width:1 5/16”

CC-MiniThe CC-Mini has features similar to our famous Cripple Creek series. This shorter scale banjo has a perfectly straight neck and low action to maintain consistent tuning. The open back design is light, portable and has great plunk for old-time, while the brass rod tone ring

PluckyA true backpacker weighing in at only 2 lbs., the Plucky can be tuned in C or D. The neck width is similar to a full-size banjo for ease of fingering. It has low string action and plenty of volume. It’s perfect for the very young child, on the trail, or cuddling up with on the couch. Set up perfectly at our shop just like “the big boys.”

How do you tune a Mini Banjo?normal banjos because of the shorter scale. The factory tuning is CGCEG (with medium strings), or the same as G-tuning on a normal banjo using a capo at the 5th fret. Although these banjos sound best in the recommended CGCEG tuning, the string gauges may be changed to 016, .034, .024, .020, .016 and the nut slots widened to achieve a standard G-tuning. This group of gauges aren’t usually sold as a set, however, you can buy individual guitar strings in these gauges.

BG-MiniThe BG-Mini is a professional banjo and a pint size version of our BG-250F. Many pros have used these in bluegrass performances to the delight of the audience. A rolled brass rod tone ring gives plenty of punch. For kids, this is the ultimate bluegrass banjo.

Let’s play a little banjo

26

BG-10 (Bluegrass Model)The coupled strings are arranged in unison pairs for the 1st, 2nd & 5th strings and octaves on the 3rd and 4th. This instrument is easily played by any 5-string banjoist. The 9th string is tuned at the headstock and features a tunnel system under the fingerboard. The tone is loud and penetrating with added sustain. To reduce overtones we have used our extended three-ply tone rim, which eliminates the tone ring and its accompanying weight. Includes hardshell case.

OT-10 (Old Time Model) 10-String open back for old-time style. Radiused fingerboard for super easy fingering. Scoop and engraved inlays are standard. The OT-10 has MEGA volume, and because of its double coordinator rods it stays in tune. Includes hardshell case.

concert for Bela Fleck to check out. After playing them all, he commented that he had always wanted a 10-string banjo. After many prototypes and testing, the BG-10 and OT-10 were born. The Flecktones’ new 2011 album, Rocket Science, features a tune played by Bela on the BG-10.

10-String Banjos


In 2007, we brought a variety of Gold Tone banjos to a Flecktones

OB-250 Lightweight tone rim One-piece die cast flange Genuine M.O.P. hearts & flower inlay Radiused fingerboard Curly maple resonator


Tubaphone-style tone ring Tubaphone-style bracket band Engraved Vega-style inlay Radiused fingerboard Frailing scoop

Thumb-string tunnel system

TIP:Tune the 9th and 10th strings to an interval (for example, 10th string to G and 9th string to D), which will produce a drone, or pinched tone.

Sweet harmony!

BG-10 (Bluegrass Model)BG-10 (Bluegrass Model)The coupled strings are arranged in unison pairs for the 1st, 2nd & 5th strings and octaves on the 3rd and 4th. This instrument is easily played by any 5-string banjoist. The 9th string is tuned at the headstock and features a tunnel system under the fingerboard. reduce overtones we have used our extended three-ply tone rim, which eliminates the tone ring and its accompanying weight. Includes hardshell case.

concert for Bela Fleck to check out. After playing them all, he commented that he had always wanted a 10-string banjo. After many prototypes and testing, the BG-10 and OT-10 were born. The Flecktones’ new 2011 album, Science, features a tune played by Bela on the BG-10.

OB-250 Lightweight tone rim OB-250 Lightweight tone rim One-piece die cast flange One-piece die cast flange Genuine M.O.P. hearts & flower inlay Genuine M.O.P. hearts & flower inlay Radiused Radiused fingerboard Curly maple resonator

Thumb-string tunnel system

“Think 12-string guitar...”

13 lbs.Nut width:1 3/3/3 8/8/ ”8”8

for super

MEGA volume, and because of its double coordinator rods it stays in

27 goldtone.com

CEB-4 Cello Banjo Marcy Marxer Signature ModelThe 4-string cello banjo, originally used in turn-of-the-century banjo orchestras, has been redefined for the 21st century by Marcy Marxer. Tuned in 5ths (CGDA), it allows for accompaniment and lead arrangements for old time and other genres. The 14” body is loud and the brass tone ring extends its punchy tone. The shortened scale makes fingering easy. Comes with high-tension nylon strings designed for this scale. Mandolin, cello, violin and viola players can use their familar fingering patterns on the CEB-4 lending a new tone to all styles of music. Includes Kluson-style tuners & deluxe archtop hardshell case.

Need strings for your Cello Banjo? We’ve got ’em! The CEB-5 comes stock with medium strings designed to tune one octave lower than a normal banjo. Light-gauge strings allow the player to tune to A and double-D tuning. These common old-time keys require no capo. Custom silver-plated nylon strings are available for the CEB-4, and medium and light gauge strings are available for the CEB-5.

Order online at goldtone.com

Cello Banjos

New2011 CEB-5 Cello Banjo & CEB-5 Fretless

The 5-string cello banjo, originally used in turn-of-the-century banjo orchestras, has been redefined in this Gold Tone model. Tuned one octave lower then a standard 5-string, this model can be played by any banjoist for unique voicings, melody lines and accompaniment. Comes with high-tension nylon classical strings designed specifically for this model. Includes GT Master planetary tuners & deluxe archtop hardshell case.


The CEB-4 is tuned in fifths like mandolin, violin, violas, and cello.

Rolled brass tone ring 14” pot w/ 3-ply maple rim Nylon strings Dual coordinator rods Maple neck & rim

Ebony fingerboard Vintage Weymann-style inlays 14” Renaissance® custom head Recessed truss rod cover “Hot Dog” armrestNew

2011 CEB-5 Cello Banjo & CEB-5 CEB-5 Cello Banjo & CEB-5 The 5-string cello banjo, originally used in turn-of-the-century banjo orchestras, has been rede5-string, this model can be played by any banjoist for unique voicings, melody lines and accompaniment. Comes with high-tension nylon classical strings designed specifically for this model. Includes GT Master planetary tuners & deluxe archtop hardshell case.

14” pot w/ 3-ply maple rim Nylon strings Nylon strings Dual coordinator rods Dual coordinator rods Maple neck & rim

Marcy Marxer Signature ModelThe 4-string cello banjo, originally used in turn-of-the-century banjo

ned for the 21st century by Marcy Marxer. Tuned in 5ths (CGDA), it allows for accompaniment and lead arrangements for old time and other genres. The 14” body is loud and the brass tone

ering easy. Comes with high-tension nylon strings designed for this scale. Mandolin,

patterns on

4-string: CES4 .024, .030, .042, .054

5-string medium: CES5M.028, .034, .042, .048, .0285-string light: CES5L

.024, .030, .034, .044, .024

All Cello Banjos include

Played by Tony Trischka, Bela Fleck, Bob Carlin, Abigail Washburn, Ricky Skaggs, Ry Cooder, Martin Simpson, Tim O’Brien, Leonard Podolak, Cathy Fink, Curly Miller, Mary Z. Cox, Victor Wooten ...and many others

Upgrade your Cello Banjo with a custom Sampson bridge for an increase in tone

and better intonation.

patterns on

Includes Kluson-style tuners & deluxe archtop hardshell case.

patterns on

The collaboration between Marcy Marxer and Wayne Rogers has reintroduced the vintage cello banjos, once used in banjo orchestras. Read Marcy and Wayne’s interesting tale on the birth of the CEBs at goldtone.com.

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Dojo DeluxeOur Deluxe model looks spectacular with its high flame curly maple body. Since the success of our Dojo, many players have asked for pickup recommendations. Gold Tone developed a stereo pickup arrangement that truly enhances the tone for amplified performance. By plugging into two separate channels, you can separately process each pickup for a desired tone. Includes a stereo Y-cable.

DojoOur original Dojo has great string action and a lively sustain. The mahogany body provides a crisp tone and is a welcome addition to the 5-string player’s line up.

Every 5-string player needs a Dojo. Incredible sustain and pleasing tone make Dojos great alternative instruments. These instruments are similar in sound to resonator guitars, but have banjo tuning. For additional sound styles, try using a slide. Dojos are a lot lighter than banjos and also make great practice instruments.

DojoOur original Dojo has great string action and a lively sustain. The mahogany body provides a crisp tone and is a welcome addition to the 5-string player’s line up.

Dojos

Piezo under the saddle Stacked magnetic humbucker Stereo output (includes Y-cable)

Dojo DeluxeOur Deluxe model looks spectacular with its high flame curly maple body. Since the success of our Dojo, many players have asked for pickup recommendations. Gold Tone developed a stereo pickup arrangement that truly enhances the tone for ampliseparate channels, you can separately process each pickup for a desired tone. Includes a stereo Y-cable.

Every 5-string player needs a Dojo.pleasing tone make Dojos great alternative instruments. These instruments are similar in sound to resonator guitars, but have banjo tuning. For additional sound styles, try using a slide. Dojos are a lot lighter than banjos and also make great practice instruments.

DojosDojos


Biscuit-style cone Planetary tuners Straightline tailpiece

Flamed maple body Decorative body binding Dark honey gloss finish

Biscuit-style cone Planetary tuners Mahogany body Straightline tailpiece Decorative body binding


Dual Pickup System comes standard with all Dojo Deluxes

29 goldtone.com

Our electric 5-strings have been a hit with musicians playing live. We have a sound chamber under the head creating a natural banjo tone. When unplugged, they have a genuine acoustic sound and the 8” head is large enough to change hand position from lead to backup. These are the most acoustic sounding electric banjos on the market!

EBM-5Our unique Florentine-style design looks as good as it sounds. The two-tone tobacco sunburst is pleasantly offset by the gold hardware. The EBM has easy to reach control knobs for quick tone and volume changes.

EBM-4Due to the success of the EBM-5, we now offer a 4-string version. This may be tuned as a tenor or an Irish tenor (with heavier-gauge strings) and comes with chrome hardware.

EBTTraditionally styled body with a tone similar to the popular EBM. When sitting down, the body shape rests comfortably on your leg. It has a mahogany body with two-tone curly maple top.

Electric Banjos

Played by Winston Marshall (Mumford & Sons), Leonard Podalak (Duhks), Jeff Mosier & Kelly Emerson


F-style body 8” head Humbucker under head Stacked humbucker at neck position

Ebony fingerboard Snowflake inlay Straightline tailpiece


“Tele-style” body 8” head Humbucker under head Stacked humbucker at neck position

Rosewood fingerboard Snowflake inlay Straightline tailpiece Chrome hardware

Scale: 26 3/8”Weight: 8.8 lbs.Nut width:1 3/16” The dual pick-up system

and sound chamber design for the electric EBM & EBT

New2011

Winston Marshall (Mumford & Sons)

EBM-5+Our new model features a black head, black tuner buttons and foam insert, which decreases feedback at high volumes.

Our electric 5-strings haveplaying live. We have a sound chamber under the head creating a natural banjo tone. When unplugged, they have a genuine acoustic sound and the 8” head is large enough to change hand position from lead to backup. These are the most acoustic sounding electric banjos on the market!

EBM-5Our unique Florentine-style design looks as good as it sounds. The two-tone tobacco sunburst is pleasantly offset by the gold hardware. The EBM has easy to reach control knobs for quick tone and volume changes.

Electric Banjos

Leonard Podalak (Duhks), Jeff Mosier & Kelly Emerson

New2011

EBM-5+Our new model features a black head, black tuner buttons Our new model features a black head, black tuner buttons and foam insert, which decreases feedback and foam insert, which decreases feedback

EBM-4Due to the success of the EBM-5, we now offer a 4-string version. This may be tuned as a tenor or an Irish tenor (with heavier-gauge strings)

Leonard Podalak (Duhks), Jeff Mosier & Kelly Emerson

Straightline tailpiece

at high volumes.

Due to the success of the EBM-5, we now offer a 4-string version. This may be tuned as a tenor or an Irish tenor (with heavier-gauge strings) and comes with chrome hardware.

EBTTraditionally styled body with a tone similar to the popular EBM. When sitting down, the body shape rests comfortably on your It has a mahogany body with two-tone curly maple top.

“Tele-style” body “Tele-style” body 8” head 8” head Humbucker under head Humbucker under head Stacked humbucker at neck position


30

PC BanjolaThis top professional Banjola has many upgrades from our original highly successful Banjola. A wider body, pin-style bridge (instead of floating), maple/abalone body binding, multi-layered veneer on back of headstock, “rising sun” fingerboard inlay, maple heel cap, and a dual stereo-out transducer/magnetic pickup. This is a great stage instrument as the amplified tone is unique and sustaining, and it has a very “fat” tone because of the stereo pick up arrangement.

In 2006, Wayne received an e-mail from Pat Cloud. Pat had bought a Banjola at McCabes in California and was living in Japan working for Disney. Pat was extremely complimentary about his purchase. The playability and the sustain renewed his interest in the 5-string. He desired to record a whole album with the Banjola, his first in 20 years. He inquired about a pickup, and Wayne immediately thought of the possibility of a “Pat Cloud” model Banjola. After numerous e-mails and discussions between Pat and Wayne, the PC Banjola was born.

Maple backstrap Abalone center strip

Pat Cloud Banjola

Pat Cloud Signature model Solid spruce top Stereo output dual pickup system

Abalone inlay Ebony fixed pin bridge


PC BanjolaThis top professional Banjola has many upgrades from our original highly successful Banjola. A wider body, pin-style bridge (instead of floating), maple/abalone body binding, multi-layered veneer on back of headstock, “rising sun” maple heel cap, and a dual stereo-out transducer/magnetic pickup. This is a great stage instrument as the ampli“fat” tone because of the stereo pick up arrangement.

In 2006, Wayne received an e-mail from Pat Cloud. Banjola at McCabes in California and was living in Japan working for Disney. Pat was extremely complimentary about his purchase. The playability and the sustain renewed his interest in the 5-string. He desired to record a whole album with the Banjola, his in 20 years. He inquired about a pickup, and Wayne immediately thought of the possibility of a “Pat Cloud” model Banjola. After numerous e-mails and discussions between Pat and Wayne, the PC Banjola was born.

Pat Cloud BanjolaPat Cloud Banjola

“The Banjola arrived and it is just gorgeous! I love the solid feel, and the action is perfect. I just love it. It gets better and better

every time I pick it up. It’s perfect for me. This Friday is my day off and I am going into Tokyo to try some amps out. My whole life has been in exploration of the “5-string system” usually attached to banjo, but now attached to an exciting new instrument that satisfies my need for mellow sustain and jazz chord soloing.”

—Pat Cloud, after receiving his PC Banjola

31 goldtone.com

BanjolaWith a standard 5-string banjo neck and a teardrop shape mandolin (or mandola) body, the Banjola is a beautiful instrument with exquisite tone and sustain that you won’t find in a standard 5-string banjo.

Banjola DeluxeWith a standard 5-string banjo neck and a teardrop shape mandolin (or mandola) body, the Banjola is a beautiful instrument with exquisite tone and sustain that you won’t find in a standard 5-string banjo. Comes with an ebony fingerboard, hearts and flower inlay, and fiddle-style headstock. The headstock design allows for the use of D-tuners (time-saving tuners that can be set to certain stopping points to make switching between notes/tunings easier).

10 reasons why every 5-string player needs a Banjola 1. Wonderful sustaining tone 2. Lightweight for practicing your licks 3. Great “cuddling” instrument for the couch 4. Wife/husband pleaser with its quiet tone 5. Easy to carry on a plane or for traveling 6. Played by Bill Keith, Pat Cloud, Adam Hurt, and others 7. Jazz licks and solo lines sound richer 8. Plays and fingers exactly like your 5-string 9. Great 5-string option onstage (PC Banjola Model)10. Won’t scare your pets!

Banjolamandolin (or mandola) body, the

in a standard

Played by Bill Keith, Adam Hurt, and Pat Cloud

Banjolas

Solid spruce top Mahogany back & sides Rosewood fingerboard Two-way adj. truss rod

Planetary tuners Shooting star/dot inlay Bone nut & saddle Lightweight


Solid spruce top Curly maple back & sides Ebony fingerboard Two-way adj. truss rod

Planetary tuners Hearts & flower inlay Bone nut & saddle Fiddle-style headstock


Banjola DeluxeWith a standard 5-string banjo neck and a teardrop shape mandolin (or mandola) body, thein a standard 5-string banjo. Comes with an ebony and saving tuners that can be set to certain stopping points to make switching between notes/tunings easier).


32

ES-BanjitarFollowing the success of the acoustic Gold Tone banjitar line, many requested a solid-body 6-string banjo. The ES-Banjitar, like a normal banjo, has extremely fast response compared to an electric. Hammer-ons, pull-offs, and slides are accomplished with incredible ease. Even unplugged, the ES has an excellent acoustic tone due to the hollowed-out sound chamber within the body. The ES-Banjitar is great for country music or any style where banjo tone is desired.

BT-2000Acoustically, this is the best sounding 6-string banjo we have ever made (out of ten models). The 12” body accentuates the bass frequencies which are normally weak on any 6-string banjo. The rim provides maximum sound chamber reverberation. Double coordinator rods attach the neck securely so tuning remains consistent. This vintage design and slim neck make the BT-2000 a great alternative instrument for acoustic jams.

Banjitars

Rolled brass tone ring 12” pot assembly Ebony fingerboard No-knot tailpiece

Remo Renaissance® head Hot dog armrest Vintage star inlay Ebony heal cap


8” head and tone ring Humbucker under head Stacked humbucker at neck position Volume & tone controls

Straightline tailpiece Sound chamber body Slim maple neck Realistic banjo tone


For Guitarists

BT-2000Acoustically, this is the best sounding 6-string banjo we have ever made (out of ten models). The 12” body accentuates the bass frequencies which are normally weak on any 6-string banjo. The rim provides maximum sound chamber reverberation. Double coordinator rods attach the neck securely so tuning remains consistent. This vintage design and slim neck make the BT-2000 a great alternative instrument for acoustic jams.

Richard Gilewitz with his custom Gold

Tone BT-2000

“The BT-2000 Gold Tone Banjitar sounds as stunning as it looks. A brilliant and

pristine high end balanced perfectly with a low end

growl.”-Richard Gilewitz

33 goldtone.com

GT-500The GT-500 6-string for guitar players is traditionally styled with a maple rim, maple resonator, maple neck, and a radiused rosewood fingerboard. The unique Gold Tone SMP pickup accentuates the bass notes and provides piercing banjo-style treble. This model has excellent acoustic volume and good sustain.

GT-1200 12-StringFor a unique sounding guitar-style instrument, the 12-string banjitar is overwhelming in tone and volume. This great rhythm instrument has a punchy sound, slim neck, and excellent string action. All specs are similar to our GT-500, and because of its solid construction and specially reinforced neck, it stays in excellent tune.

GT-750Due to the popularity of the original GT-500, the GT-750 was designed for optimal volume and tone. After numerous tone ring experiments, a unique bell brass ring was chosen for its pristine sound, increased acoustic volume, and excellent sustain. (Sustain is very difficult to achieve for any manufacturer of a 6-string banjo.)

Our Banjitars are the most unique 6-string banjos on the market. Unlike other makers, our GT Banjitars use a normal guitar scale (25.5”) for a more familiar feel for guitarists.

Banjitars

Bell brass tone ring Curly maple resonator SMP pickup Straightline tailpiece

Radiused fingerboard Volume control Chrome plating Most projection


Played by Richard Gilewitz, Jeff Baxter, Rascal Flatts, and Janet Robin

Steel tone ring Maple resonator SMP pickup

Straightline tailpiece Volume control Chrome plating


Steel tone ring Maple resonator SMP pickup

Straightline tailpiece Volume control Chrome plating


GT-500The GT-500 6-string for guitar players is traditionally styled with a maple rim, maple

The unique Gold Tone SMP pickup accentuates the bass notes and provides piercing banjo-style

cult to achieve for

Richard Gilewitz, Jeff Baxter, Rascal Flatts, and Janet Robin

Played by “The Boss” Bruce Springsteen on the Devils & Dust tour.

GT-750Due to the popularity of the original GT-500, the GT-750 was designed for optimal volume and tone. After numerous tone ring experiments, a unique bell brass ring was chosen for its pristine sound, increased acoustic volume, and excellent sustain. (Sustain is very difany manufacturer of a 6-string banjo.)

Our Banjitars are the most unique 6-string banjos makers, our GT Banjitars use a normal guitar scale (25.5”) for a more familiar feel for guitarists.

GT-1200 For a unique sounding guitar-style instrument, the 12-string banjitar is overwhelming in tone and volume. This great rhythm instrument has a punchy sound, slim neck, and excellent string action. All specs are similar to our GT-500, and because of its solid construction and specially reinforced neck, it stays in excellent tune.

Rolled brass tone ring Maple resonator Vintage brown finish

Straightline tailpiece Bone nut Chrome plating


For a unique sounding guitar-style instrument, the 12-string banjitar is overwhelming in tone and volume. This great rhythm instrument has a punchy sound, slim neck, and excellent string action. All specs are similar to our GT-500, and because of its

Start your 6-string venture today with a Cripple Creek!

For Guitarists

CC-BanjitarThe CC-Banjitar is our economy model that will surprise you with it’s professional tone. Features a rolled brass tone ring and frosted banjo head that provides a bright and punchy tone.

34

IT-250FThis model was recommended by Andy Perkins (owner of Andybanjo.com in Faversham, England) and is based on a custom design that he has worked on for years. This is our loudest Irish tenor banjo!

IT-800Irish tenor players have often revered the tubaphone-style pot for great tone and lasting sustain. This 17-fret model, tuned to GDAE (an octave lower than a mandolin) has the power and volume needed for Celtic banjo leads and cuts through louder than most all other Irish Tenors! Includes hardshell case.

IT-800R resonator option available

IT-250The popularity of the Irish tenor is increasing dramatically and mandolinists now can include a 4-string banjo in their instrument collection. The IT-250 is designed for the plunky tone sought after in Irish music. The 17-fret neck uses heavier strings and is tuned to GDAE, an octave below a mandolin.

IT-250R resonator option available

Irish Tenor BanjosIrish tenor banjos, with 17 frets, are tuned one octave lower than a mandolin and most often used with a pick to play the melody line. They are tuned GDAE, and with a scale length of 19 3/4”. We suggest using string gauges, .040w, .030w, .020, .016.

Rolled brass tone ring Dual coordinator rods Guitar-style sealed tuners Snowflake inlay

Chrome hardware Maple resonator, neck & rim Bone nut High gloss finish

White Ladye tone ring Ebony fingerboard Cloud inlay

1/2” sound chamber rim Remo Renaissance® head Shoe-style lugs

Brass tubaphone-style tone ring Ebony fingerboard Vega-style engraved inlay

GT Master planetary tuners No-knot tailpiece Bracket band

Archtop bell brass tone ring One-piece zinc flange 3-ply maple rim

Maple neck Bone nut Cast tailpiece Scale: 19 3/4”

Weight: 11 lbs.Nut width:1 1/8”


CC-Irish TenorIf you’re just getting started playing Irish tenor, this is your instrument. HDITR hardshell case and HDITR gigbag available.



35 goldtone.com

Tenor Special TS-250AT (Archtop)Same great features as the TS-250, with added feature of a 40-hole brass archtop tone ring which, increases high frequencies sought after by many tenor players. Also, includes a gorgeous tree of life inlay on an ebony fingerboard. This 19-fret tenor is normally tuned to CGDA.

Plectrum Special PS-250The Plectrum is enjoying a resurgence of popularity in the states and overseas. Our PS-250 is of vintage design with a penetrating tone. This professional instrument is a welcome addition to all 4-string players. This 22-fret plectrum is normally tuned to CGBD.

Tenor Special TS-250Exceptional tone and exquisite appearance! The TS-250 is a vintage replica of the most popular tenor ever played. This four-string is set up to play with low-action for easy chording and maximum speed. Includes a one-piece flange and 14” resonator. This 19-fret tenor is tuned to CGDA.

Tenor & Plectrum Banjos



Plectrum Special PS-250The Plectrum is enjoying a resurgence of popularity in the states and overseas. Our PS-250 is of vintage design with a penetrating tone. This professional instrument is a welcome addition to all 4-string players. This 22-fret plectrum

Exceptional tone and exquisite appearance! The TS-250 is a vintage replica of the most popular tenor ever played. This four-string is set up to play with low-action for easy chording and maximum speed. Includes a one-piece flange and 14” resonator. This

3/3/3 16/16/ ”16”16

Tenor Special TS-250Exceptional tone and exquisite appearance! The TS-250 is a vintage replica of the most popular tenor ever played. This four-string is set up to play with low-action for easy chording and maximum speed. Includes a one-piece flange and 14” resonator. This 19-fret tenor is tuned to CGDA.

Scale:Weight:

Bell brass tone ring One-piece zinc flange Rosewood fingerboard Planetary tuners

Hearts & flowers inlay Chrome plating Cast tailpiece Remo smooth head




40-hole bell brass archtop tone ring One-piece zinc flange Planetary tuners

Tree of life inlay Chrome plating Cast tailpiece Remo smooth head

CC-PlectrumThe CC-Plectrum includes a removable resonator for increased tone and volume. This model has helped to start thousands of people on Plectrum banjo.

HD15 hardshell case and HBTR gig bag available.

CC-TenorThe CC-Tenor includes a removable resonator for increased tone and volume. This model has helped to start thousands of people on the tenor banjo.

HDTR hardshell case and HBTR gig bag available.

12 lbs.Nut width:1 3/3/3 16/16/ ”

6.3 lbs.4”

CC-PlectrumThe CC-Plectrum includes a removable resonator for increased tone and volume. This

The CC-Tenor includes a removable resonator for increased tone and volume. This

Weight:Nut width:

Scale:Weight:

The CC-Plectrum includes a removable resonator for increased tone and volume. This

CC-TenorThe CC-Tenor includes a removable resonator for increased tone and volume. This model has helped to start thousands of people on the tenor banjo.

HDTR hardshell case and HBTR gig bag available.

Rolled brass tone ring Dual coordinator rods Bone nut

Maple neck & rim Chrome plating Cast tailpiece

Tenor Special TS-250AT (Archtop)Same great features as the TS-250, with added feature of a 40-hole brass archtop tone ring which, increases high frequencies sought after by many tenor players. Also, includes a gorgeous tree of life inlay on an ebony

Tenor & Plectrum Banjos

Start your 4-string venture today with a Cripple Creek!

chording and maximum speed. Includes a one-piece flange and 14” resonator. This

instrument is a welcome addition to all 4-string players. This 22-fret plectrum

model has helped to start thousands of people on the tenor banjo.

model has helped to start thousands of people on Plectrum banjo. HD15 hardshell case and HBTR gig bag available.

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MBT+Our metal body tenor is indeed a unique 4-string only made by Gold Tone. The metal body scale allows for “Chicago tuning” (DGBE) or can be tuned to fifths (CGDA)—the normal tuning for a tenor guitar. It is loud and has a distinct percussive tone.

TG-10The TG-10 is an affordable tenor guitar, but it still has low string action and great tone. The body is made of laminated wood. It has a bolt-on neck for easy neck resets and is set up exactly like its big brother, the TG-18. This is the perfect instrument for guitarists wanting to flirt with the 4-string style. Includes gig bag.

Gold Tone is the only company providing professional quality tenors in the affordable price range. Tenors are rapidly increasing in popularity and are great as alternative instruments for guitarists or tenor banjo players. Tenors are normally tuned in fifths (CGDA), but can be tuned to Chicago tuning (DGBE) for guitarists.

MBT+Our metal body tenor is indeed a unique 4-string only made by Gold Tone. The metal body scale allows for “Chicago tuning” (DGBE) or can be tuned to for a tenor guitar. It is loud and has a distinct percussive tone.

and great tone. The body is made of laminated wood. It has a bolt-on neck for easy neck resets and is set up exactly like its big brother, the TG-18. This is the perfect instrument for guitarists wanting to flirt with the 4-string style. Includes gig bag.

Gold Tone is the only company providing professional quality the affordable price range. Tenors are rapidly increasing in popularity and are great as alternative instruments for guitarists or tenor banjo players. Tenors are normally tuned in can be tuned to Chicago tuning (DGBE) for guitarists.

Tenor Guitars


Solid Sitka spruce top Mahogany back and sides Ebony fingerboard and bridge Bone saddle and nut Kluson-style machine heads Pearl mini-dot position markers


Laminated Sitka spruce top Mahogany back and sides Rosewood fingerboard and bridge Sealed machine heads Pearl mini-dot position markers Bolt-on neck

TG-18This body design is unique as it is slightly larger than the vintage Martin, and a bit smaller than the vintage Gibsons. It packs a penetrating punch and can be heard in an acoustic jam. Don’t miss the chance to include the TG-18 in your acoustic line-up as it’s guaranteed to attract attention from lots of folks. (Pickguard is included separately.)

The TG-10 is an affordable tenor guitar, but it still has low string action and great tone. The body is made of laminated wood. It has a bolt-on neck for easy neck resets and is set up exactly like its big brother, the TG-18. This is the perfect instrument for guitarists wanting to flirt with the

Steel body with cutaway Mahogany neck Rosewood fingerboard and bridge Sealed machine heads Pearl mini-dot position markers Lipstick pickup w/ tone & volume controls


EBM-4Due to the success of the EBM-5, we now offer a 4-string version. This may be tuned as a tenor or an Irish tenor (with heavier-gauge strings) and comes with chrome hardware.


(CGDA)—the normal tuning

F-style body 8” head Humbucker under head Stacked humbucker at neck position

Ebony fingerboard Snowflake inlay Straightline tailpiece

Electric Tenor Banjo

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Gold Tone Firsts

TB-100 Travel Banjo- 10” pretuned head, 2 1/2 lbs., amazing tuning stability

SMP pickup- A humbucking banjo pickup, mounted under the head, designed to be slid on the coordinator rod to achieve different tonalities

GTS Banjo Head- Genuine calfskin mounted on a counterhoop. Pre-stretched and treated for tuning stability GT Banjitar Series- GT-500, GT-750, GT-1200 models -revolutionary new design offering convertible resonator feature, guitar scale instead of banjo scale, SMP pickupUltimate banjo mute- Designed to be placed on the bridge under strings. More stable than previous designs

GM-6- A-style mandolin for guitarists. Tuned one octave higher than a guitar. Previously no affordable models under $2000 Slinger Banjo Strap- Easily removable cradle banjo strap that comfortably fits in case

Banjolele- A banjo ukulele recreated from vintage banjo ukes from the 1920s Carbon Fiber Graphite banjo necks- molded to insure perfect profile, incredible playability. Immune to temperature and humidity changes

EBM/EBT electric banjo- The first solid body banjo design utilizing a hollow chamber under the head for a more realistic banjo tone when amplified Trilogy acoustic guitar pickup- A patented combination magnetic, transducer, condenser mic with 4 controls, licensed for distribution by Dean Markley Modified Tree of Life Inlay- Specifically designed so the banjoist can clearly identify the fret positions

BGT tuner- A portable electronic tuner designed specifically for bluegrass instruments. Chromatic, guitar, banjo, and mandolin settings

BT 2000- First ever commercially available 12” Banjitar (banjo for guitarists) model for increased bass response

Bob Carlin Instructional/Repertoire DVDs- First ever banjo DVDs to use the TablEdit tab program allowing user to view and play along at any tempo with the ability to loop for the fastest retention

Iucci mute- Similar to the ultimate mute, but with handle grip and greater mass creating more sustain. Designed from Iucci tenor mutes from early 1900sBG-250FW- First ever production banjo with a wider fingerboard for larger handsCCT Clip-on tuner- First ever clip on designed for bluegrass instruments, 360 screen visibility, and large indicators reading during daytime or night visibility CEB-4/5 Cello Banjos- Redesigned from the vintage 1920 models

BG/OT-10- Ten-string banjos, strings arranged in pairs, tunnel system 10th string and played like a 5-string banjo Bass Resonator guitar post- A retractable post designed for playing a resonator bass in the upright bass position Removable palm rest for resonator guitar cover plates- Allows easy saddle adjustments and use of shims to position hand rest to preferred height ABS banjo/resonator guitar microphone system- Gooseneck dynamic mic mounted on an adjustable bracket to fit all banjos and resonator guitars. Includes a stomp box for instant volume increase for a lead solo CBS Banjo stand- The first ever collapsible banjo stand that supports the bluegrass banjo body and does not touch the resonator

1999:

2000:

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2005:

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2007:2008:

2009:

2010:

Gold Tone is continually looking for new ways to reinvent musical products in a respectful and in-novative way to better meet musicians’ wants and needs. Here are some of the contributions we

have pioneered over the years making Gold Tone what we are today.

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GM-110The unique body style is patented by Rigel® Mandolins and is licensed to Gold Tone. All solid wood construction packs a punch and tone similar to the domestic Rigels®

from Vermont. The GM-110 also has a specially designed transducer pickup sandwiched in the bridge for amplified applications.

GM-A+Pete Langdell, founder and builder of Rigel® Mandolin Company has collaborated with us to offer one of Rigel’s most sought after mandolins, the A+ model. Mr. Langdell provided bracing patterns, pickup locations, wood type, carving specifications and all other details to closely duplicate the original Rigel. Now this very affordable replica will carry on the traditional great tone and playability of Mr. Langdell’s accomplishments and contribution to mandolin construction. Includes a radiused fingerboard and internal mounted piezo pickup.

Rigel Mandolin founder Pete Langdell first started building mandolins in the 1960s, and he established his company, Rigel (named for a star in the Orion constellation), in the 1980s. Over the years, he formulated a totally radical process of attacking mandolin building. Langdell focused on the sound and created a better process to build mandolins. His unwavering standards and attention to detail demanded that Rigel instruments come with the finest in hand-rubbed lacquer finish, quality tuners, an efficient tailpiece, and a comfortable and exacting fingerboard. For the plugged-in player, it was critical that the electronics be efficient and built-in from the inside out.

Mandolins

Graduated spruce top w/ voiced bracing Designed by Pete Langdell Rigel® quick-change tailpiece

Compound radius fingerboard Ebony fingerboard Hidden bridge-mounted pickup


Solid spruce top, back, & sides Patented Rigel body style Rigel® quick-change tailpiece Gold-plated hardware

Mother of pearl inlay Ebony fingerboard Hidden bridge-mounted pickup


GM-A+Pete Langdell, founder and builder of Rigelwith us to offer one of Rigel’s most sought after mandolins, the A+ model.

Rigel Mandolin founder Pete Langdell started building mandolins in the 1960s, and he established his company, Rigel (named for a star in the Orion constellation), in the 1980s. Over the years, he formulated a totally radical process of attacking mandolin building. Langdell focused on the sound and created a better process to build mandolins. His unwavering standards and attention to detail demanded that Rigel instruments come with the lacquer finish, comfortable and exacting player, it was critical that the electronics be effrom the inside out.

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GM-70+The GM-70+ is a high-quality F-style mandolin in a very reasonable price range. The tone, playability and workmanship equals or surpasses other Pacific Rim-made mandolins. Plus model upgrades for 2011 include a radiused fingerboard and cast brass tailpiece. A carved solid spruce top and maple back allow for a strong and penetrating tone. The machine heads have been upgraded to the popular top-gear style for more stable and accurate tuning. The GM-70+ also features a scooped fingerboard, two-way adjustable truss rod, and is available as a left-handed model.

GM-55AOur new solid top GM-55A may be the best sounding A-style mandolin you’ve heard. The sound quality is mainly due to a unique oil finish that is very protective yet allows the instrument to vibrate freely compared to instruments with thicker lacquer or polyurethane finishes. The antique appearance is achieved by hand application of the oil finish in a thin layer producing a look that’s quite different from a satin or gloss finish. Try playing a GM-55A and see for yourself how the finish provides surprising volume and tone.

Mandolins

F-style body construction Carved solid spruce top Maple back

Pearl inlay Ebony fingerboard Gold-plated hardware



Radiused fingerboard Solid spruce top and maple back Two-way adjustable truss rod

Hand-rubbed oil finish Fingerboard scoop Cast brass tailpiece

Upgrade your mandolin with a LR Baggs Radius pickup &

Gig Pro preampspecifically designed for mandolin frequencies

GM-55AOur new solid top GM-55A may be the best sounding A-style mandolin you’ve

protective yet allows the instrument to vibrate freely compared to instruments with thicker

The antique appearance is achieved by hand in a thin layer producing a look that’s quite different Try playing a GM-55A and see for yourself how the

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GM-50This solid top A-style mandolin is a replica of a famous vintage mandolin. The curly maple back helps promote consistent volume. Each GM-50 undergoes a complete professional setup in the Gold Tone Factory in Florida. To increase tone, we sand the bridge feet for a perfect fit with the arched top. To assure the best playability, we level, crown and polish frets, oil the fingerboard, adjust slots in the nut and bridge, and electronically intonate the bridge. This attention to detail assures every GM-50 of excellent tone and the lowest possible string action.

GME-4This solid body 4-string electric mandolin is great for Texas swing, folk, jazz, and even rock n’ roll. The maple radiused fingerboard plays very quickly. The stacked humbucker is extremely quiet for recording and includes tone and volume controls.

Mandolins

GM-50This solid top A-style mandolin is a replica of a famous vintage mandolin. The curly maple back helps promote consistent volume. Each GM-50 undergoes a complete professional setup in the

with the arched top. To assure the best playability, we level, crown and polish frets, oil the fingerboard, adjust slots in the nut and bridge, and electronically intonate the bridge. This attention to

Scale: 13 3/4”Weight: 3.4lbs.Nut width:1 1/16”


Solid spruce top Curly maple back and sides Rosewood adjustable bridge

Chrome hardware Dot position markers Bound Fingerboard

Adjustable compensating bridge Solid alder body Stacked humbucker pickup

Die-cast tuners with metal buttons Vintage cream high-gloss finish Bone nut

Plug in and Play!

GM-35The GM-35 is a solid top F-style mandolin that will play effortlessly with unbelievable tone for an instrument in its price range. As an entry-level mandolin or a second instrument for traveling, this GM outshines all similarly priced F-style mandolins.


Solid spruce top Maple back and sides Rosewood adjustable bridge

Chrome hardware Dot position markers Bound Fingerboard

GM-35The GM-35 is a solid top F-style mandolin that will play effortlessly with unbelievable tone for an instrument in its price range. As an entry-level mandolin or a second instrument for traveling, this GM outshines all similarly priced F-style mandolins.

GME-5For the mandolinist seeking an extended range, this 5-string electric mandolin will surely open a window of possibilities. The GME-5 has an extra low string and is tuned to CGDAE. All other features are identical to the GME-4.

This solid body 4-string electric mandolin is great for Texas swing, folk, jazz, rd plays very quickly. The

stacked humbucker is extremely quiet for recording and includes tone and

Die-cast tuners with metal buttons

GME-5For the mandolinist seeking an extended range, this 5-string electric mandolin will surely open a window of possibilities. The GME-5 has an extra low string and is tuned to CGDAE. All other features are identical


GME-4This solid body 4-string electric mandolin is great for Texas swing, folk, jazz, and even rock n’ roll. The maple radiused stacked humbucker is extremely quiet for recording and includes tone and volume controls.

New2011

New2011

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OM-800+ (Octave Mandolin)The Octave Mandolin is tuned one octave lower than a standard mandolin. Octave mandolins are becoming increasingly popular as the main alternative instrument for mandolinists. Redesigned for 2011, the OM-800+ includes a longer 22 1/2” scale (commonly used by private makers in Ireland) and an arched top, which makes it structurally stronger. Another improvement is a compound radiused fingerboard preferred by many for playing speedy licks. Of utmost importance on any octave mandolin is the complicated setup required for low action without buzz. Gold Tone’s luthiers have perfected this procedure.

MB-850+ (Mandolin Banjo)Compared to a normal mandolin, our mando banjo is louder and has the quick response typical of a banjo body. The MB-850+ is a new design for 2011 featuring an 11” body compared to our original 8”. This dramatically improves volume and bass response. The brass tone ring projects loud volume and our setup compares to that of professional mandolins.

Alternative Mandolins

Solid spruce arched top Mahogany neck Rosewood radiused fingerboard

Cast brass tailpiece Adjustable bridge Gloss finish


Rolled brass tone ring 11” pot assembly Maple convertible resonator

Maple rim & neck Chrome hardware No-knot tailpiece


Played by Mac McHale of Old Time Radio Gang

Solid spuce arched top Cast brass tailpiece

MB-850+ (Mandolin Banjo)Compared to a normal mandolin, our mando banjo is louder and has the quick response typical of a banjo body. The MB-850+ is a new design for 2011 featuring an 11” body compared to our original 8”. This dramatically improves volume and bass response. The brass tone ring projects loud volume and our setup compares to that of professional mandolins.

OM-800+ (Octave Mandolin)The Octave Mandolin is tuned one octave lower than a standard mandolin. Octave mandolins are becoming increasingly popular as the main alternative instrument for mandolinists. Redesigned for 2011, the OM-800+ includes a longer 22 1/2” scale (commonly used by private makers in Ireland) and an arched top, which makes it structurally stronger. Another improvement is a compound radiused fingerboard preferred by many for playing speedy licks. Of utmost importance on any octave mandolin is the complicated setup required for low action without buzz. Gold Tone’s

” 2 lbs.

3/3/3 14/14/ ”

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MandolaThe Mandola, often used in Irish traditional music, is to the mandolin what the viola is to the violin. The four double courses of strings are tuned in fifths to CGDA, which is a fifth lower than a mandolin. Also, many altered tunings can be used. Our Mandola features an authentic Celtic tone and has low string action, and the cast tailpiece is stronger and thicker than sheet metal tailpieces, providing more sustain. This traditionally shaped and finished Mandola would be a welcome alternative instrument to mandolinists. Includes hardshell case.

BZ-500 BouzoukiThe Irish Bouzouki (sometimes called a cittern) is a unique form of an octave mandolin adopted into and adapted for Irish and other forms of European traditional music from the late 1960s onward. The most common tuning used is GDAD, but other tunings including GDAE, ADAD, and CFAD can be used. Our Bouzouki is set up with octave strings for the third and fourth courses and unison strings for the first and second courses. This solid-top model produces dramatic traditional Irish tone and is easy to play thanks to the precision setup by our skilled luthiers. Includes hardshell case.

MandolaThe Mandola, often used in Irish traditional music, is to the mandolin what the viola is to the violin. The four double courses of strings are tuned in a fifth features an authentic Celtic tone and has low string action, and the cast tailpiece is stronger and thicker than sheet metal tailpieces, providing more sustain. This traditionally shaped and Includes hardshell case.

BZ-500 BouzoukiThe Irish Bouzouki (sometimes called a cittern) is a unique form of an octave mandolin adopted into and adapted for Irish and other forms of European traditional music from the late 1960s onward. The most common tuning used is GDAD, but other tunings including GDAE, ADAD, and CFAD can be used. Our Bouzouki is set up with octave strings for the

and second courses. This solid-top model produces dramatic traditional Irish tone and is easy to play thanks to the precision

Mandolas & Bouzoukis


Solid spruce top Cast brass tailpiece Intonated bridge Mahogany back & sides Bone nut Satin finish


Solid spruce top Cast brass tailpiece Intonated bridge Mahogany back & sides Bone nut Satin finish

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GM-6+ & GM-12+With 6 or 12 strings in the peg head, these instruments play like guitars but sound like mandolins! The GM-6+ and GM-12+ have a loud and percussive tone due to its all solid-wood construction and hand-rubbed oil finish. The intonated bridge improves tuning and the cast tailpiece increases sustain. A unique transducer pickup sandwiched in the bridge provides an awesome electric sound capturing an accurate reproduction of its acoustic quality.


GME-6Of the eight new Gold Tone instruments introduced at 2011 NAMM, the GME-6 was the most desired by attendees. The tone is extremely unique, with comments describing it as sounding like anything from a Rhodes piano to a Tele-tone mandolin. The string action is extremely low and plays easily even with large fingers. Any guitarist can instantly play! Tuned an octave higher than a normal guitar to EADGBE. Includes gig bag.

GM-6The GM-6 is designed for guitarists and is tuned one octave higher than a guitar, EADGBE. It can provide the chop rhythm for bluegrass or country music without learning mandolin. A competitor offers a similar mando-guitar selling for more than $2,000 and has a flat and more narrow fingerboard. The radiused fingerboard and wider neck allows for easier fingering. String action is super low and lead lines may be played very rapidly. This is a must instrument for guitarists in bluegrass jams and lends itself well in recording applications.

Mandolins for Guitarists

New2011


Solid spruce top Maple back & sides Maple neck

Rosewood fingerboard Scale 21 frets Octave above guitar

Played by Max Cavalera of Soulfly Terre Roche of The Roches

Josh Graves Jr.

The GM-6 is designed for guitarists and is tuned one octave higher than a guitar, EADGBE. It can provide the chop rhythm for bluegrass or country music without learning mandolin. A competitor offers a similar mando-guitar selling for more than $2,000 and has a flat and more

ngering. String action is super low and lead lines may be played very rapidly. This is a must instrument

Carved spruce top Solid maple back and sides Ebony fingerboard & bridge Radiused fingerboard Transducer pickup in bridge (no pre-amp needed)

Slim neck profile Two way adjustable truss rod Gold-plated hardware Hand-rubbed oil finish Tuned EADGBE


Adjustable compensating bridge Solid alder body Stacked humbucker pickup

Die-cast tuners with metal buttons Vintage cream high-gloss finish Bone nut


Mandolins for Guitarists

GME-6Of the eight new Gold Tone instruments introduced at 2011 NAMM, the GME-6 was the most desired by attendees. The tone is extremely unique, with comments describing it as sounding like anything from a Rhodes piano to a Tele-tone mandolin. The string action is extremely low and plays easily even with large Tuned an octave higher than a normal guitar to EADGBE.

for guitarists in bluegrass jams and lends itself well in recording applications.

New2011

Solid spruce top Maple back & sides Maple neck

GM-6+ & GM-12+With 6 or 12 strings in the peg head, these instruments play like guitars but sound like mandolins! The GM-6+ and GM-12+ have a loud and percussive tone due to its all solid-wood construction and hand-rubbed oil tailpiece increases sustain. A unique transducer pickup sandwiched in the bridge provides an awesome electric sound capturing an accurate reproduction of its acoustic quality.


New2011

Cast tailpieceGuitar-sealed tuners

Courses 6,5,4 octavesCourses 3,2,1 unisons

GM-6+ GM-12+

Scale: 13 3/4”Weight: 2 lbs.

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Designed by legendary resophonic instrument maker Paul Beard, these signature model guitars are handmade and provide unmatched tone in their price range. The “open” Beard soundwell body design uses genuine USA-made Beard cones and spiders. All Gold Tone Beard Signature Series guitars are assembled in the U.S.A., and you can be assured of a perfect setup for maximum tone and playability.

New coverplate systemPreviously, in order to adjust string action, break angle, string spacing or to replace the saddle, it was necessary to detach the strings and remove the entire coverplate. The new Gold Tone/Beard resonator cov-erplate design with removable palm rest is a revolutionary concept for making fine adjusments easier and more efficient.

Resophonic Guitars

Mahogany Rosewood fingerboard Dot inlay Vintage binding Warm tone

PBS

Square Necks

Curly maple Ebony fingerboard Hearts & flowers inlay Maple binding Brilliant bright tone

PBS-Deluxe

PBR-CA (cut away)

Solid mahoganyEbony fingerboardSnowflake inlayCurly maple bindingDeep warm tone

Mahogany Rosewood fingerboard Dot inlay Vintage binding Warm tone

PBR

Round Necks

Curly maple Ebony fingerboard Hearts & flowers inlay Maple binding Brilliant bright tone

PBR-Deluxe

Solid mahogany Ebony fingerboard Snowflake inlay Curly Maple binding Deep warm tone

PBS-M

PBSPBS

Deep warm tone

PBR-Deluxe

PBS-M PBR-CA

PBS-Deluxe

Deep warm tone

PBR

Hearts & flowers inlay Hearts & flowers inlay

Scale Length: 25” Nut Width:1 7/8” Scale Length: 25” Nut Width:1 3/4”

Bolt-on Neck The Paul Beard Signature Series guitars now feature bolt-on necks for 2011. Gold Tone is the only company offering this superb feature in a reasonably priced resonator. This bolt-on system, designed by Paul Beard, allows quick and easy neck resets and is modeled after Paul’s domestic instruments.

New2011

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Resophonic Guitars

The Metal Body Resonator Guitars include bone nuts, a removable palm rest, ribbed cover plate, nickle plating, sealed tuners, a maple biscuit, and a “12-point” USA set-up.

GRS


Steel body2.125” thin line body Curly maple binding

GRE


The GRS and GRE metal body guitars Distinguish themselves from the crowd by offering the traditional 12-fret designs, ideal for best tone. The guitar bodies were designed by the legendary Paul Beard and use a biscuit-style cone for optimal tone. The GRS is a full body instrument for brilliant acoustic volume; the GRE is constructed around a thinner body design for a more subtle acoustic tone that really shines when amplified.

The guitars feature traditional nickel plating and the slim neck profile allow quick fingering on upper frets. The GRS and GRE were favorably reviewed by Acoustic Guitar magazine and were the recommended steel body guitars to own in their price range. The guitars are professionally set up at the Gold Tone shop for optimum playability ideal for conventional playing as well as bottleneck slide playing. The coverplate also features a removable palm rest for simple and easy adjustments.

Steel body, 3.125” thick Rosewood fingerboard Vintage neck bindingTraditional dowel-stick 12-fret designClassic tone

Traditional dowel-stick12-fret designMagnetic lipstick pickup

GRS Pickup optionBeard/Fishman Biscuit Pickup

Steel body, 3.125” thick Rosewood fingerboard Vintage neck bindingTraditional dowel-stick 12-fret designClassic tone

GRS Pickup option

2.125” thin line body Curly maple binding

GRE

Traditional dowel-stick

Magnetic lipstick pickup

Plug-in & Play!

GRS Pickup optionABS Pickup

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Alternative Square Necks

PBKG (modeled after the Beard K-Model)A great alternative guitar for slide players, the PBKG is lightweight and has an amazing sustain and mellow tone compared to a traditional resophonic square neck. It has neck and string spacing dimensions identical to the other resonators that Paul Beard builds. The clear high-gloss finish keeps this 19-fret guitar looking good.

PBS-8Our most popular resonator guitar is now available in an 8-string configuration. Designed by Paul Beard with his renowned cone and spider at its core, the PBS-8 is a great instrument for steel players and for 6-string resonator players wishing to expand their arsenal. Assembled in the USA, this model features a bolt-on neck, which ensures lifetime playability as the neck angle may be easily changed as necessary. The PBS-8 is setup at the Gold Tone factory with the tuning: EGBDEGBD.

GRSSThe GRSS is a metal body square neck for resonator slide players. Designed by Paul Beard, the body style features a traditional 12-fret scale. This chrome-plated guitar has a unique sustaining tonality and is a great alternative instrument for all slide players. Includes a removable palm rest.

Hearts & flowers inlay Curly maple body binding Gold-plated die-cast tuners

Solid spruce top Rosewood back and sides Bone nut and saddle




USA Beard spider and cone Bone nut Removable palm rest

Mahogany top, back and sides Rosewood fingerboard Dot inlay

Rosewood fingerboard Bone nut Biscuit-style resonator

Chrome-plated steel body Removable palm restDie-cast sealed tuners with metalbuttons

The PBS-8 now feature bolt-on necks for 2011. Gold Tone is the only company offering this superb feature in a reasonably priced resonator guitar. This bolt-on system, designed by Paul Beard, allows quick and easy neck adjustments and is modeled after Paul’s domestic instruments.

PBS-8Our most popular resonator guitar is now available in an 8-string configuration. Designed by Paul Beard with his renowned cone and spider at its core, the PBS-8 is a great instrument for steel players and for 6-string resonator players wishing to expand their arsenal. Assembled in the USA, this model features a bolt-on neck, which ensures lifetime playability as the neck angle may be easily changed as necessary. The PBS-8 is setup at the Gold Tone factory with the

Gold-plated die-cast tuners

USA Beard spider and cone

feature in a reasonably priced resonator guitar.

PBKG (modeled after the Beard K-Model)A great alternative guitar for slide players, the PBKG is lightweight and has an amazing sustain and mellow tone compared to a traditional resophonic square neck. It has neck and string spacing dimensions identical to the other resonators that Paul Beard builds. The clear high-gloss finish keeps this 19-fret guitar looking good.


Bolt-on Neck

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Chord-A-HarpThe Chord-a-harp is designed to play chords and accompany vocals. By far, it is the easiest stringed instrument to play. It includes a solid spruce top for maximum volume. Twenty-one chord bars allow playing in the maximum amount of keys. Also, hidden beneath the chord bars is a great sounding magnetic pickup for use onstage. This pickup may be plugged into a digital tuner for simplified tuning. The back is gorgeous stained burl mahogany and the top is solid spruce with a double ring rosette around the soundhole. Comes with a tuning wrench, finger picks, form-fitted case and 1/4” instrument cable.

Chords: Eb, F7, Ab, Bb, C7, Bb7, F, G7, Cm, C, D7, Gm, G, A7, Dm, D, E7, Am, A, B7, Em

LS-6 LS-8Back in the ’50s when lap steels were in their heyday, the Oahu Tonemaster® was the lap of choice among professionals. Our LS is a vintage replica of this famous instrument. The pickup and hardware are identical to the originals. We even sell our replacement parts to Tonemaster owners. It includes a bone nut, Kluson-style tuners, ashtray cover, and tobacco brown two-tone finish. Form-fitted TKL hardshell case available.

Lap Steels & Chord-A-Harp

Chords: Eb, F7, Ab, Bb, C7, Bb7, F, G7, Cm, C, D7, Gm, G, A7, Dm, D, E7, Am, A, B7, Em

Scale: 25”Weight: 6 lbs.Nut width: 2”

Bone nut Headstock veneer Body and neck binding Kluson-style tuners

Mahogany body Maple Neck Soapbar pickup Volume and tone controls

21 Chord bars 8 lbs. Strap buttons Natural finish

Solid spruce top Maple back and sides Slimline pickup Volume and tone controls

Played by Gary Morse of Ronnie Dunn

(Brooks & Dunn)

Chord-A-HarpThe Chord-a-harp is designed to play chords and accompany vocals. By far, it is the easiest stringed instrument to play. It includes a solid spruce top for maximum volume. Twenty-one chord bars allow playing in the maximum amount of keys. Also, hidden beneath the chord bars is a great sounding magnetic pickup for use onstage. This pickup may be plugged into a digital tuner for simplified tuning. The back is gorgeous stained burl mahogany and the top is solid spruce with a double ring rosette around the soundhole. instrument cable.

Chords: Eb, F7, Ab, Bb, C7, Bb7, F, G7, Cm, C, D7, Gm, G, A7, Dm, D, E7, Am, A, B7, EmChords: Eb, F7, Ab, Bb, C7, Bb7, F, G7, Cm, C, D7, Gm, G, A7, Dm, D, E7, Am, A, B7, Em

LS-6 LS-8Back in the ’50s when lap steels were in their heyday, the Oahu Tonemastervintage replica of this famous instrument. The pickup and hardware are identical to the originals. We even sell our replacement parts to Tonemaster owners. It includes a bone nut, Kluson-style tuners, ashtray cover, and tobacco brown two-tone finish.

Back in the ’50s when lap steels were in their heyday, the Oahu was the lap of choice among professionals. Our LS is a

vintage replica of this famous instrument. The pickup and hardware are identical to the originals. We even sell our replacement parts to Tonemaster owners. It includes a bone nut, Kluson-style tuners, ashtray cover, and

Form-fitted TKL hardshell case available.

Scale: 25”Weight: 6 lbs.Nut width: 2 3/8”

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During the last 10 years, our SM and LM Weissenborns have helped revive this hollow-neck instrument as musicians have discovered this wonderful slide tone. Although the SM and LM are close copies of the originals, our new Style 4 Weissenborn may be the most authentic replica ever made.

Richard Barnes, renowned luthier from Claremont, California, is a leading authority on the construction and repair for all vintage Weissenborns. Barnes teamed up with our designers, and our new Style 4 is the result of his research on every possible specification. Since the native Hawaiian Koa wood is in near depletion, this Style 4 is constructed with its closest cousin: the Australian blackwood. The wood grain, appearance and tone are remarkably similar.

Specs Original Style 4 Gold Tone Style 4Body construction Koa Australian blackwoodBridge Flame maple Flame mapleBracing Spruce tucked under kerfling Spruce tucked under kerflingBridge plate Koa Australian blackwoodSaddle Hardened aluminum rod Hardened aluminum rodBinding Rope mahongany/maple Rope mahogany/mapleBody shape Style 4 Style 4Tuners Open gear Open gear Grover Sta-titeInlay Custom mother of pearl Custom mother of pearlFingerboard Koa Australian blackwoodFinish Shellac Shellac

During the last 10 years, helped revive this hollow-neck instrument as musicians have discovered this wonderful slide tone. Although the SM and LM are close copies of the originals, our new Style 4 Weissenborn may be the most authentic replica ever made.

Richard Barnes, renowned luthier from Claremont, California, is a leading authority on the construction and repair for all vintage Weissenborns. Barnes teamed up with our designers, and our new Style 4 is the result of his research on every possible specification. Since the native Hawaiian Koa wood is in near depletion, this Style 4 is constructed with its closest cousin: the Australian blackwood. The wood grain, appearance and tone are remarkably similar.

The attention to detail on our Style 4 reproduction is unparelleled.

Style 4


Scale: 24 3/ ”

49 goldtone.com

“What kind of Dobro is that? It’s a Weissenborn.What’s that? Weissenborns eat Dobros for lunch!”Such was David Lindley’s appraisal of these unconventional old Hawaiian guitars with their raised strings, flush frets and hollow necks gracefully flowing from the body. These beauties have a distinctive woody sound, astounding volume, sweet sustain, and deep, warm tone.The Weissenborn may appear to be the platypus of guitars to the uninitiated, but it’s an instrument brilliantly and specifically conceived for Hawaiian playing. These hollow-necks are enjoying a renaissance with players nearly 60 years after the last one was made. Weissenborns might have languished in obscurity if not for Lindley (the king of oddball instruments and a dobro lover), Ry Cooder, John Fahey, Steve Fishell, and singer-songwriter Ben Harper. Dobro and steel players Mike Auldridge, Bob Brozman, Cindy Cashdollar, Jerry Douglas, John Ely, Greg Leisz and Sally Van Meter have added them to their arsenal. “Whenever you take one of these things into the studio, people always say, ‘Wow! What an amazing instrument.” says Greg Leisz. “Engineers flip out every time.”Reprinted from Acoustic Guitar Magazine April 1996. Used by permission.

Weissenborn features

SM

Dean Markley TrilogyThis unit has a magnetic pickup, transducer pickup, as well as amicrophone with independent volume controls and a master volume. In our opinion, this is the best soundhole pickup available.

Played by Kaki King,David Gilmore, Rob Anderlik,and Tom Doughty


Orignal Weissenborn plans Rope-style binding Pearl inlay fret markers High-gloss finish

Ebony bridge Bone nut & saddle Kluson-style tuners Hollow neck design

Solid mahogany top Solid mahogany back Gold tuners

LM Laminated mahogany top Laminated mahogany back Chrome tuners

volume controls and a master volume. In our opinion, this is the best soundhole pickup available.

Laminated mahogany top Laminated mahogany back

Solid mahogany top Solid mahogany back Gold tuners

Laminated mahogany top Laminated mahogany back Chrome tuners

Pickup OptionsWBM

Since the string spacing is wider than a conventional guitar, we’ve developed a magnet humbucker, which provides a consistent response for each string. Wood encasement (pictured) looks great on all of our Weissenborns.

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Lap Dulcimer

Gold Tone enters the dulcimer world. Owner Robyn Rogers, a gifted Appalachian dulcimer player, has always wanted to include a dulcimer in our catalog of folk instruments. We did not want to replicate an existing model and instead wanted to create something unique.Our lap-style Weissenborn guitars are some of the most unique sounding hollow body instruments in the acoustic world, so it was natural for us to eventually try a plucked-style dulcimer fingerboard and tuning using this body type, thus the “Dulciborn” was born!Since the dulcimer uses light gauge strings, we were able to reduce the bracing size and use a very responsive Sitka spruce top. Compared to a typical cherry wood or mahogany hourglass shape dulcimer, the Dulciborn is louder, has better bass response, and strings attached to the bridge pins actually provide the top with greater energy and vibration. The maple binding, gold hardware, and highly figured rosewood laminate back and sides truly sets this instrument apart. We have included an under-the-saddle pickup for amplification, which may be used with our popular ABS-2 preamp stomp box to provide a stronger signal to the amp for an enriched tone. We kept many of the traditional appointments, like a scalloped fingerboard, 25" scale, bone nut and saddle, and traditional fret board spacing. So, even if you already own an Appalachian dulcimer, you need a Dulciborn. It is played exactly like conventional dulcimers, but with a great new look and full-bodied tone.

Solid Sitka spruce topMaple bindingRosewood back and sidesBone nut and saddle

Grover 14:1 ratio guitar tunersGold hardwarePearl position markersPiezo transducer pickup under saddle

Scale: 25”Weight: 5.2 lbs.Nut width: N/A

Gold Tone enters the dulcimer world. Owner Robyn Rogers, a gifted Appalachian dulcimer player, has always wanted to include a dulcimer in our catalog of folk instruments. We did not want to replicate an existing model and instead wanted to create something unique.Our lap-style Weissenborn guitars are some of the most unique sounding hollow body instruments in the acoustic world, so it was natural for us to eventually try a plucked-style dulcimer fingerboard and tuning using this body type, thus the “Dulciborn” was born!Since the dulcimer uses light gauge strings, we were able to reduce the bracing size and use a very responsive Sitka spruce top. Compared to a typical cherry wood or mahogany hourglass shape dulcimer, the Dulciborn is louder, has better bass response, and strings attached to the bridge pins actually provide the top with greater energy and vibration. The maple binding, gold hardware, and highly figured rosewood laminate back and sides truly sets this instrument apart. We have included an under-the-saddle pickup for amplification, which may be used with our popular ABS-2 preamp stomp box to provide a stronger signal to the amp for an enriched tone. We kept many of the traditional appointments, like a scalloped fingerboard, 25" scale, bone nut and saddle, and traditional fret board spacing. So, even if you already own an Appalachian dulcimer, you need a Dulciborn. It is played exactly like conventional dulcimers, but with a great new look and full-bodied tone.

Scale:

Dulciborn

Wayne’s WorldI hear it is impossible to achieve

perfect intontation in fretted instruments. Is this true?

This is very true! Due to the physics of a banjo or any fretted instrument, per-fect tuning from the nut to the last fret is nearly impossible. Simply explained, this is because different gauge strings are used and the spacing between frets is the same for each string. What is needed is a perfect set-up and with low action, properly set nut and bridge, and correct string gauges to minimize tuning problems

Tell me more about the Banjitar (6-string banjo guitar). Is it getting

popular?

Gold Tone was the very first instrument maker to offer an affordable 6-string banjo for guitar players. We now have seven different models and they are played worldwide by many popular artists. A unique feature of banjitars is that they have an extremely quick response. That means that slides, hammer-ons, and pull-offs are actu-ally faster than on an acoustic guitar. They allow the guitarist to produce a banjo-like tone without learning the 5-string. I don’t consider the 6-string banjitar a bluegrass instrument, but

for folk, blues, country, open tunings, and both flat pick and finger picking it is very cool. By the way, Django Re-inhardt’s first pro instrument was the 6-string banjo!

How many employees are there at Gold Tone and what do they do?

Our shop, in Titusville Fla., employs 12 people. On the floor we have 5 luthiers/assemblers, 4 people in the office, and 3 working in shipping. My wife, Robyn, inspects every instrument and passes it to her brother Brian for packing. My daughter Mandy, who graduated from UF (Go Gators!) with a degree in ad-vertising, works in

New2011

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Baritone Guitar

The GBG, our baritone acoustic guitar, has a scale length of 29 1/16" and tunes a fifth lower (ADGCEA) or sometimes a fourth lower (BEADF♯B) than a standard guitar. Numerous finger-style guitarists have used these on recordings as it is a superb accompaniment for singers with a lower range. It uses much heavier gauge strings to compensate for the lower tuning so that the string tension is similar to a standard dreadnaught acoustic guitar.

The GBG’s internal bracing structure is specifically designed for excellent volume and projection. The top is select grade solid Sitka spruce and the mahogany back and sides were chosen for its deep bass response. The radiused ebony fingerboard is perfectly matched to a slightly larger ebony bridge with a genuine bone saddle. The slim line neck contour is only two millimeters thicker at the12th fret than the 2nd fret allowing for incredible playability up the neck.

This guitar features a bolt-on neck design so that future neck adjustments can be done with ease. There are two bolts in the heel of the neck as well as two bolts attaching the fingerboard to the body, which differs from most bolt-on neck guitars that have glued-on fingerboards. No other baritones in this price range have this unique feature, which will assure low string action with the proper saddle height and break angle for exceptional tone for many years to come. The GBG’s smooth cutaway allows easy access to high frets and includes a dual pickup system for live amplification. The built in preamp has blending capabilities for the condenser mic and transducer pickup.

Solid Sitka spruce topMahogany neck, back & sidesEbony fingerboard & bridgeBone nut and saddle

Satin finish Gold hardwarePearl position markersDual pickup system


GBG Baritone

Baritone Guitar

The GBG, our baritone acoustic guitar, has a scale length of 29 1/16" and tunes a fifth lower (ADGCEA) or sometimes a fourth lower (BEADF♯B) than a standard guitar. Numerous finger-style guitarists have used these on recordings as it is a superb accompaniment for singers with a lower range. It uses much heavier gauge strings to compensate for the lower tuning so that the string tension is similar to a standard dreadnaught acoustic guitar.

The GBG’s internal bracing structure is specifically designed for excellent volume and projection. The top is select grade solid Sitka spruce and the mahogany back and sides were chosen for its deep bass response. The radiused ebony fingerboard is perfectly matched to a slightly larger ebony bridge with a genuine bone saddle. The slim line neck contour is only two millimeters thicker at the12th fret than the 2nd fret allowing for incredible playability up the neck.

This guitar features a bolt-on neck design so that future neck adjustments can be done with ease. There are two bolts in the heel of the neck as well as two bolts attaching the fingerboard to the body, which differs from most bolt-on neck guitars that have glued-on fingerboards. No other baritones in this price range have this unique feature, which will assure low string action with the proper saddle height and break angle for exceptional tone for many years to come. The GBG’s smooth cutaway allows easy access to high frets and includes a dual pickup system for live amplification. The built in preamp has blending capabilities for the condenser mic and transducer pickup.

Scale: 29Weight: 4.4 lbs.

GBG Baritone

Stock string gauges for BEADF♯B tuning .015, .018, .029, .037, .048, .060

Upper Bout 11.41" (290mm)Lower Bout 15.86" (403mm)Body Depth 4" (103mm)

Neck width at nut 1.81" (46mm)Neck thickness at first fret .82" (21mm)Neck Thickness at 10th fret .90" (23mm)

BaritoneMeasurements:

marketing, sales, graphic design and customer service. In a small business we all have an assortment of chores we share. It’s very unusual for a com-pany our size to have no in-house sales people and if you call us, you talk to a human being!

How big is Gold Tone and how many instruments do you build and

ship worldwide?

I don’t know for certain, but I assume Deering or Gold Tone is the world’s biggest supplier of banjos. I predict we are very equal in numbers. We ship out between 600 to 800 instruments per month: about 20 percent to foreign dealers, 30 percent to internet dealers

and the 50 percent to our favorite mom-and-pop shops. We now sell over 130 different models of instruments!

How does an artist become a Gold Tone endorsee?

Gold Tone has an incredible number of professional endorsees. Part of this is due to the alternative instruments we offer as recording artists are always looking for new sounds. Also, our play-ability and sound quality cannot be beat for the dollar. Tommy Sivert, our sales manager and instrument spe-cialist also leads our artist relations program helping artists find the right instrument and setup for their needs. If you are a full time professional mu-

sician, feel free to contact Tommy for consideration.

Gold Tone has such a unique catalog of instruments. How do you

think them up?

Some instruments, like the banjola and cello banjo, are recreations of vintage instruments. Some ideas come from artists like Bela Fleck mentioning how cool it would be to play a 10-string ban-jo. Some are my creations that come to me in the middle of the night. Inciden-tally , we do have a room of “failures” – instruments we thought up, tried out and decided NO WAY!

-Wayne Rogers

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Collapsible PBB StandThe optional PBB stand sold separately and can be installed at the Gold Tone factory or by an authorized Gold Tone dealer. When the stand is collapsed it can fit in the PBB’s hardshell case.

PBBA great alternative instrument for bass players. More than any other guitar-style bass, the dynamics and sustain of the PBB has a remarkably similar tone to an upright bass. Designed by Paul Beard, the PBB features a 32” scale, humbuck pickup, and tone and volume controls. Assembled in the USA, we use Paul’s cone and spider and set up every instrument with the lowest possible string action for quick, up the neck playing. Includes hardshell case

Stand Up Bass Position

Resophonic Bass

Mahogany top, back and sides Maple neck with 2-way adjustable truss rod Humbucker pickup with tone & volume controls Bass-style die-cast tuners Bone nut USA Beard cone and spider


PBBA great alternative instrument for bass players. More than any other guitar-style bass, the dynamics and sustain of the PBB has a remarkably similar tone to an upright bass. Designed by Paul Beard, the PBB features a 32” scale, humbuck pickup, and tone and volume controls. Assembled in the USA, we use Paul’s cone and spider and set up every instrument with the lowest possible string action for quick, up the neck playing.

Stand ranges from 19” to 40”Stand has built-in shock absorberConstructed of lightweight aluminum

The optional PBB stand sold separately and can be installed at the Gold Tone factory or by an authorized Gold Tone dealer.

Stand Up Bass Position

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BB-400+ (Banjo Bass)A new sound for bass players, the BB-400+, with our special sliding magnetic pickup, generates a tone with an uncanny resemblance to an upright bass. It is especially suited for walking bass lines and slap bass techniques. Bass players are amazed at this new tone. A slim maple neck and a 14” maple body and rolled brass tone ring give the banjo a deep plunky tone. Features include a sliding magnetic pickup, a 14” Renaissance head with thumb guide, radiused fingerboard, quick-change tailpiece, bone nut, and high-quality sealed tuning machines. Whether you are new to the bass guitar or are looking for a new sound to add to your arsenal, the BB-400+ may be just what you are looking for.

ABG-4A unique addition for bass players, the ABG-4 is portable but still offers the common 34” scale. The solid spruce top provides a punchy yet warm bass tone and is louder than most acoustic basses on the market. This is the only acoustic bass available with a dual pickup system (Piezo/Condensor Mic) for on-stage or recording use.

Played by Victor Wooten

Basses

Thumb rest Fretless available Big plunky tone

14” Renaissance head SMP pickup w/ volume control Maple neck and rim

Scale: 32Weight: 7.4 lbs.Nut width:1 7/8”

Paldao back & sides Abalone rosette Deep acoustic tone

Dual pickup system (piezo/condensor Mic) Solid spruce top Mahogany neck


BB-400+ (Banjo Bass)A new sound for bass players, the BB-400+, with our special sliding magnetic pickup, generates a tone with an uncanny resemblance to an upright bass. It is especially suited for walking bass lines and slap bass techniques. Bass players are amazed at this new tone. A slim maple neck and a 14” maple body and rolled brass tone ring give the banjo a deep plunky tone. Features include a sliding magnetic pickup, a 14” Renaissance head with thumb guide, radiused fingerboard, quick-change tailpiece, bone nut, and high-quality sealed tuning machines. Whether you are new to the bass guitar or are looking for a new sound to add to your arsenal, the BB-400+ may be just what you are looking for.

ABG-4A unique addition for bass players, the ABG-4 is portable but still offers the common 34” scale. The solid spruce top provides a punchy yet warm bass tone and is louder than most acoustic basses on the market. This is the only acoustic bass available with a dual pickup system (Piezo/Condensor Mic) for

Preamp control mod-ule to adjust pickups includes balance, phase

BalancePhase3-Band EQ

Bassist for the Flecktones

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Ukulele Deluxe (GU-200)A replica of the most famous uke ever made, the Ukulele Deluxe has an all solid mahogany body and ebony fingerboard. The abalone body inlay is an exquisite touch, and the instrument comes complete with a hardshell case. The geared machine heads, a significant upgrade to the traditional friction tuners, are of excellent quality and allow for stable and accurate tuning.

Ukulele (GU-100)This economical version has similar specs as our Deluxe model but features a solid top with laminated back and sides.

Ukuleles

Soprano scale lengthPearl rosette Decorative body bindingGrover® Sta-Tight tuning machines

Solid mahogany top Solid mahogany back & sides Ebony fingerboard Ebony nut and saddle


Soprano scale length Grover® Sta-Tight tuning machines

Solid mahogany top Mahogany fingerboard Mahogany nut and saddle


Ukulele (GU-100)


Uke & Uke Dlx include hardshell case

New2011

All Ukuleles & Banjo Ukuleles now come with Strings

A replica of the most famous uke ever made, the Ukulele Deluxe has an all solid mahogany body and ebony fingerboard. The abalone body inlay is an exquisite touch, and the instrument comes complete with a hardshell case. The geared machine heads, a significant upgrade to the traditional friction tuners, are of excellent quality and allow for stable and accurate


New2011


ResoUke

Concert scale Removable palm rest Kluson-style tuners Easy load tailpiece

Brass body Rosewood fingerboard Bone nut Maple saddle


Our concert scale brass body Resouke is the perfect companion for every ukulele player. It is louder than a wood body uke as the biscuit-style cone projects the tone while the brass body resonates. The scale length of 14.5" is very comfortable to play. The palm rest is removable making fine tuning of the saddle accessible without removing the coverplate. The palm rest can be shimmed at different heights for a comfortable right hand rest. Other features include a bone nut, a Canadian hard-rock maple saddle, geared Kluson-style tuners with a 14:1 gear ratio, and custom Aquila nylgut strings gauged for premium tone.

Includes foam-style hardshell case


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Banjo Ukulele SeriesThe Banjo Uke Series are the affordable option for all uke players. The four common scales of wooden ukes are utilized and all features are similar. All models include a maple neck, bound rosewood fingerboard, geared guitar-style tuners, a plate-style resonator (traditionally known as a “possum plate”). The 8” head size provides ample “sliding room” for right hand technique. Hardshell case included.

Banjo Ukuleles

Instrument Tuning Scale Length WeightBUS Soprano g, C,E,A 13.5” 2.6 lbs.BUC Concert g, C, E, A 15.5” 2.8 lbs.BUT Tenor d, G, B, E

(or g, C, E, A)17” 2.8 lbs.

BUB Baritone D, G, B, E (or d, G, B, E)

19” 3 lbs.

8” body Flat-back resonator Grover-style tuners Bone nut Nut width:1 3/8”

Flat-back resonator Grover-style tuners

BUB BUT BUC

players. The four common scales of wooden ukes are utilized and all features are similar. All models include a maple neck, bound rosewood fingerboard, geared guitar-style tuners, a plate-style resonator (traditionally known as a “possum plate”). The 8” head size provides ample “sliding room” for right hand technique.

BUS

Banjolele Deluxe & BanjoleleThe Banjolele Deluxe is a replica of one of the most famous banjo ukes ever made. A one-piece flange and 10” resonator creates excellent volume and tone. Our Banjolele openback model features the same specifications as the Banjolele Deluxe model, but does not include the resonator or one-piece flange. These professional grade instruments lend themselves to the banjo uke techniques made famous by George Formby.

Concert scale No-knot tailpiece Flat flange (DLX) 10” resonator (DLX)

Rolled brass rod tone ring 8” body & head Ebony fingerboard Snowflake inlay



Banjolele Deluxe & BanjoleleThe Banjolele Deluxe is a replica of one of the most famous banjo ukes ever made. A one-piece flange and 10” resonator creates excellent volume and tone. Our Banjolele openback model features the same specifications as the Banjolele Deluxe model, but does not include the resonator or one-piece flange. These professional grade instruments lend themselves to the banjo uke techniques made famous by George Formby.


The Banjolele Deluxe is a replica of one of the most famous banjo ukes ever made. A one-piece flange and 10” resonator creates excellent volume and tone. Our Banjolele openback model features the same specifications as the Banjolele Deluxe model, but does not include the resonator or one-piece flange. These professional grade instruments lend themselves to the

All Uke models feature geared tuners instead of the conventional friction pegs. They are infinitely more functional because they prevent string slippage and make tuning easy.

All Ukuleles & Banjo Ukuleles include Aquila

Strings

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OB-250 KitOur most popular professional banjo is now available as a kit for the do-it-yourselfer. No special tools or jigs are needed as the heel and other critical cuts are done in our shop. All hardware is chrome plated and includes sand cast brass tone ring, zinc alloy flange, straightline tailpiece, and Canadian maple three-ply rim. The resonator is highly figured curly maple. The resonator and fingerboard are both bound. The frets are pre-cut, which greatly assists for an even fret job. Since we assemble this kit in house, you can have it your way!

MC-150R Kit (with resonator)

MC-150 Kit (openback)

Maple resonator, rim, and neck make the MC-Kit a great bargain for the do-it-yourselfer. All difficult joints and cuts are finished for easy assembly. It’s also available in an openback configuration for the old time player. The resonator and neck are already bound and have pre-cut fret slots. Instructions are included and may be downloaded from our website.

Banjo Kits

Want a 4-string or 6-string banjo kit?We have ’em! These kits come with finished necks.

Check with your local dealer for pricing and availability.

Options: JLS #12 tone ring

GTR tone ring

Options: White Ladye tone ring

Bell brass tone ring Tubaphone tone ring

Planetary tuners

OB-250 KitOur most popular professional banjo is now available as a kit for the do-it-yourselfer. No special tools or jigs are needed as the heel and other critical cuts are done in our shop. All hardware is chrome plated and includes sand cast brass tone ring, zinc alloy flange, straightline tailpiece, and Canadian maple three-ply rim. The resonator is highly figured curly maple. The resonator and fingerboard are both bound. The frets are pre-cut, which greatly assists for an even fret job. Since we assemble this kit in house, you can have it your way!

MC-150R Kit MC-150 KitMaple resonator, rim, and neck make the MC-Kit a great bargain for the do-it-yourselfer. All difficult joints and cuts are finished for easy assembly. It’s also available in an openback configuration for the old time player. The resonator and neck are already bound and have pre-cut fret slots. Instructions are included and may be downloaded from our website.

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Factory ServicesGold Tone’s instrument shop has luthiers on staff capable of repairing, building or restoring almost any type of stringed instrument. In addition to banjo work, we can also do specified repair on any instruments in our catalog plus guitars and even do some violin work. We do not have a spray booth for large refinishing projects, but we are experts at fixing dings and scratches. We have many jigs from 40 years of instrument repair, and we can install pickups in about any stringed instrument. Upon receiving instruments in our shop for repair, we can give an accurate estimate of the cost and the time needed to complete the repair.

Necks

Tone Rings

Pickups and Instrument Amplification

Banjo Heads

Instrument Modifications & Set up

Install graphite or wood neck to existing pot assembly- Our shop has a dedicated heel-cuting jig designed to perfectly fit necks. Includes professional setup.Lefty Option- Appoximately 75% of our instruments are available in left handed modelsFingerboard Scoop- Popular on openback banjos, a fingerboard scoop at the end of the neck allows for proper right hand clawhammer technique.Install D-Tuners (Schaller)- We stock Schaller D-tuners. The Keith tuners are obtainable directly from Bill Keith, and if you supply we would be happy to install. Refretting - If played often enough, all instruments will eventually need new frets, especially in the most used playing positions. Fret alloy must be softer than the string or you would wear out strings immediately, so it’s perfectly normal to wear out frets. Often frets may be dressed (leveled and crowned) once or twice before replacing. This procedure is best left to our experts, as well as dressed fret lead to good tone and accurate intonation.

Install or upgrade to any tone ring- This is one of our most requested modifications. It is critical to make sure the tone ring fits the rim perfectly. It is nearly impossible to exchange a tone ring without modification to the rim.

Install or replace banjo head- Different head types and materials will dramatically affect your banjo’s tone. See our available head options in the parts section. Install GTS mounted calfskin head- Our GTS genuine calfskin heads are prestretched and mounted on an aluminum rim. Available in sizes 10 15/16”, 11”, 12”Install GTS unmounted calfskin head- This lost art of tucking a head is performed often in our shop. We can restore your banjo pot to its original condition by tucking a calfskin head of any size.

Install pickup- We have a variety of accoustic and electric pickup options available ranging from simple transducers, magnetic pickups, and attachable microphones.

Install Capo Spikes- The common 5th string capo spike positions for bluegrass banjo are at 7, 9, & 10 (keys A, B, & C) and at 7 (Key A or D) for old time banjo. Install Shubb 5th string sliding capo- These permanent capos are available in both a long and short model.Restringing and Restoring setup to factory specifications- This includes all adjustments, fret dressing, oiling of the fingerboard, possible bridge replacement, and new stringsFull disassembly, cleaning, restringing, and detailed factory setup- With the process we carefully and systematically restore and set up your instrument as close to its original specifications as possible. Your banjo will sound and play at it’s absolute best. Gold plating option- Upgrade your banjo with gold-plated hardware. Note: gold plating is softer than chrome or nickel and is more likely to tarnish and deteriorate overtime due to exposure to humidity and body oils.

All instruments shipped to Gold Tone require a Return Authorization Number (RA#). Please call us at (321) 264-1970 to make shipping arrangements.

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The Orange Blossom Series necks are standard on our OB-250 and similar models. Each part features a hard rock maple neck with bound ebony fingerboard, mother of pearl hearts and flower inlay, flamed maple headstock veneer, two-way adjustable truss rod, 22 medium frets, bone nut, and a high gloss finish.

Orange Blossom

Bluegrass SpecialThe Bluegrass Special Series necks are standard on our BG-250 models and feature a hard rock maple neck with bound rosewood fingerboard, snowflake inlay, flamed maple headstock veneer, two-way adjustable truss rod, 22 medium frets, bone nut, and vintage brown high gloss finish.

The Maple Series necks are standard on our MC-150 and MM-150 models. They feature a hard rock maple neck with bound rosewood fingerboard, snowflake inlay, flamed maple headstock veneer, two-way adjustable truss rod, 22 medium frets, bone nut, and a blonde high gloss finish.

The Cripple Creek Series necks are standard on our Cripple Creek model banjos. They feature a hard rock maple neck with rosewood fingerboard, snowflake inlay, flamed maple headstock veneer, two-way adjustable truss rod, bone nut, and a blonde finish.

B1006-01 CC-100 Neck Standard 5-String Neck as on CC-100/100RB1006-01L CC-100 Neck Lefty Standard- Left Handed

B1006-PL CC-Plectrum Standard- Plectrum neck

B1006-TN CC-Tenor Standard-Tenor Neck

Cripple Creek

B1004-01 BG-250 Neck Standard on BG-250 Models

B1004-M BG-Mini Neck Standard on BG-Mini (C-Scale)

4-Strings

B1019-01 Plectrum Neck Standard on PS-250B1006-PL CC-Plectrum Standard- Plectrum neckB1018-01 Tenor Neck Standard on TS-250

The Gold Tone 4-string plectrum, tenor, and Irish tenor neck specifications can be found at goldtone.com

Parts- Necks

B1007-01 OB-250 Neck Standard on OB-250 Models

B1007-01L OB-250 Neck Lefty Standard- Left Handed

B1007-01C OB-250 Curly Standard- Curly Maple Neck

B1007-01R OB-250 Radius Standard- Radiused Fingerboard

B1007-01W OB-250 Wide Standard- 1 3/8” Nut

Maple Classic and Maple Mountain

B1006-TN CC-Tenor Standard- Tenor NeckB1009-01 Irish Tenor Neck Standard on IT-250B1006-IT CC-Irish Tenor Standard- Irish Tenor Neck

B1006-IT CC- Irish Tenor Standard- Irish Tenor NeckB1006-BT CC-Banjitar Standard- Banjitar 6-String Neck

B1006-TR CC-Traveler Standard- Traveler Neck

B1006-M CC-Mini Standard- CC-Mini (C-Scale)

B1007-01ABS OB-250 ABS Standard- White Fingerboard Binding

B1007-02 OB Unfinished Standard- Unfinished as in OB Kit

B1007-02P OB Unfinished Standard- Unfinished Paddle Headstock

B1007-03 OB Long Long Neck

Standard- Unfinished Paddle Headstock

B1003-01 MC-150 Neck Standard on MC-150 Models

B1003-01L MC-150 Neck Lefty Standard- Left Handed

B1003-02 MC Unfinished Standard- Unfinished as in MC Kit

B1012-01 MM-150 Standard on MM-250 w/ scoop

B1012-03 MM-150 Long Standard- Long Neck

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The Old Tone Series necks are standard on our OT-800/OT-800LN open back banjo models. Features a hard rock maple neck with bound ebony fingerboard, hand-engraved pearl inlays, ebony headstock overlay with recessed truss rod cover, two-way adjustable truss rod, bone nut, and high gloss finish.

B1035-01 OT-800 Neck Standard on OT-800

B1035-01L OT-800 Neck Lefty Standard- Left Handed

The White Ladye Series necks are standard on our WL-250 and similar models. Features a hard rock maple neck with bound ebony fingerboard, pearl cloud inlays, flamed maple headstock veneer, two-way adjustable truss rod, bone nut, and a high gloss finish.

Old Tone

White Ladye

The Bob Carlin Signature Series necks are standard on our BC-350 openback models. Features a hard rock maple neck with ebony fingerboard, pearl dot inlays, ebony headstock overlay with recessed truss rod cover, two-way adjustable truss rod, bone nut (measures 1-3/8”), and high gloss finish.

Bob Carlin Signature

B1025-01 BC-350 Neck Standard on BC-350

The Elite Classic necks were standard on our EC-1 openback models. Features a hard rock maple neck with rosewood fingerboard, tree of life inlay, two-way adjustable truss rod, and a shallow heel design ideal for the EC-1’s spun-over rim. A limited supply of these necks exist. Please check goldtone.com for availability.

Elite Classic

B1033-01 EC-1 Neck Standard on EC-1 (Tree of Life Inl ay)

6-Strings

B1008-01 6-String Neck Standard on GT-500B1008-12 12-String Neck Standard on GT-1200

The Gold Tone 6-string neck specifications can be found at goldtone.com

The Cello Banjo necks are standard on our CEB models. Features a hard rock maple neck with bound ebony fingerboard, pearl inlays, two-way adjustable truss rod, bone nut, and a high gloss finish. Heels are cut for a 14” rim.

Cello Banjo Necks

B1035-01W OT-800 Neck Wide Standard- 1 3/8” Nut

B1035-03 OT-800 Long Long Neck

B1013-01F WL-250 Neck Fretless Standard- Fretless Neck

B1013 -01+ WL-250+ Neck Tree of Life Inlay

B1008-BT 6-String Neck Standard on BT-2000B1006-BT CC 6-String Neck Standard on CC-Banjitar

B1015-01 CEB-5 Neck Standard on CEB-5B1015-01L CEB-5 Lefty Neck Standard- Left HandedB1015-01F CEB-5 Fretless Standard-Fretless

B1014-01 CEB-4 Neck Standard on CEB-4B1016-01 OT-6 Neck Standard on OT-6

Alternative

B1005-01 Travel Neck Standard on TB-250B1005-01L Travel Lefty Neck Standard- Left HandedB1010-01 MB-850 Mando Neck Standard on MB-850

The Gold Tone alternative necks and specifications can be found atgoldtone.com

B1011-01 BB-400 Bass Neck Standard on BB-400B1011-01F BB Fretless Neck Standard- FretlessB1024-01 Banjo Ukulele Neck Standard on Banjolele

Parts- Necks

B1013-01 WL-250 Neck Standard on WL-250

B1013-01L WL-250 Neck Lefty Standard- Left Handed

B1013-01NS WL-250 Neck (No Scoop) Standard- No Scoop Neck

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Gold Tone’s “Made in USA” carbon graphite necks are technology’s answer to nature’s imperfections. The graphite composition is more consistent than wood fibers and promotes tone enhancement. The fingerboard is perfectly level allowing for the lowest possible string action and will easily outlive all other wood necks. Professionals are favoring the graphite necks over traditional wood necks on their premium and/or vintage pot assembly because of their tone improvements, reliability, and durability. The most accurate way to install a graphite neck (or any other neck for that matter) is to send your banjo body to Gold Tone for an expert neck attachment. We would be glad to cut the heel to your diagram or specifications and send it back to you, but it is important to remember that the chances of it fitting perfectly are somewhat low. The heel cut, although made accurately to your specs, may need to be re-cut upon installation with the appreciation of string tension. This is a normal phenomenon, so we cannot guarantee a perfect fit unless installed at the Gold Tone factory. Gold Tone has the specialized neck shaping tooling to do this quickly, accurately, and affordably.

GN1 Standard Bluegrass No Inlay

GN1R Standard Bluegrass No Inlay Radius

GN2 Standard Bluegrass Dot Inlay

GN2R Standard Bluegrass Dot Inlay Radius

GN3 Standard Bluegrass Hearts and Flowers Inlay

GN3R Standard Bluegrass Hearts and Flowers Inlay Radius

GNOT Standard Old Tone Dot with Star Inlay

GNOTR Standard Old Tone Dot with Star Inlay Radius

Please call Gold Tone for your installation estimate, which includes a perfect setup for your playing style.

5 Reasons Why Your Next Banjo Neck

Should Be Graphite!1. Improves the tone on any banjo. Graphite composition is much more consistent than wood fibers and ac tua l l y p romotes tone enhancement.

2. Graphite is resistent to temperature and humidity changes. Incredible neck stability in any climate or weather.

3. Fingerboard levelness is perfect, not a hint of twist! Provides lowest action possible without fret buzz on any string.

4. Smooth glide finish provides effortless left hand motion as you move up and down the neck. Smooth slides and pull-offs on the graphite fingerboard.

5. Graphite has strength! It allows for a thinner neck profile without sacrificing any neck strength.

Also available with a 12”-16” compound radius fingerboard

The Old Tone graphite neck was designed by Wayne Rogers.It has the same features found on vintage style open back banjos (No valute, S-shaped fingerboard scoop, star-style inlay, pointed heel, and a 1 ¼” nut measurement). The headstock is reminiscent of the vintage Coles. Also available with a 12” to 16” compound radius fingerboard.

Scale: 26 ¼”Weight: 1 ½” lbs.Nut width: 1 3/16”

Pearl inlay22 medium fretsTuner holes 10mm Adjustable truss rodHeadstock thickness ½”2-way adjustable truss rodSatin finish can be polishedNeck thickness at 1st fret ¾”

Bluegrass Graphite Neck

Old Tone Graphite Neck

Scale: 26 ¼” Weight: 1 ½ lbs.Nut Width: 1 ¼”

18 medium fretsS-shaped scoopOld time heel cutTuner holes 10mmAdjustable truss rodHeadstock thickness ½”Satin finish can be polishedNeck thickness at 1st fret ¾”

Parts- Graphite Necks

GN1 GN2 GN3

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Tuning Machines

B12

20

B-1232

B12

21B

1223

B12

32

B12

24

B12

25B

1226

B12

27

B12

31

B12

36

B12

38

Coordinator Rod Sets

Truss Rod Covers

Parts

Replacement Nuts

B1241 B1242 B1244 B1245

B1246 B1247

B1504 Bone Nut, Square Neck

B1510 Bone Nut, Guitar

B1511 Bone Nut, Banjo

B1512 Nut, Banjo 5th String

B1504

B1510

B1511

B1512

B1232-C/N/G GT Master Planets (4) 10mm, Inc. 5th String

B1232-S GT Master Planets (4) 10mm, Inc. 5th String

B1233-C/N/G GT Master, 5th String

B1238 Thinshaft German Planets (4)

B1220-C/G Planets (4) 10mm

B1221-C/N/G Geared, 5th String

B1222-N Straight, 5th String

B1223-C/N Schaller D Tuner (Set of 2)

B1223-G Schaller D Tuner (Set of 2)

B1224-C6L/R Guitar-Style Sealed, 6-in-line

B1224-C3 Guitar-Style Sealed, 3L/3R

B1225-C6L/R Guitar-Style CC-Type, 6-in-line

B1225-C3 Guitar-Style CC-Type, 3L/3R

B1226-C Mandolin, A-Style

B1227-N/G Mandolin, F-Style

B1228-C BB-400, Bass Banjo

B1229-BL Club Bass, Upright Bass

B1230-N Uke Tuner, Gotoh-style (4)

B1237 Uke Tuners, Grover (4)

B1231-N/G Kluson-style, 3 per side

B1236-A-E Replacement Buttons

B1241-C/N/G Rounded (C/N/G Screws)

B1242-C/N/G Gold Tone Triangle (C/N/G Screws)

B1244-C/N/G Gold Tone Mandolin (C/N/G Screws)

B1245-C/N/G Pearl/Abalone (C/N/G Screws)

B1246-C/N/G Triangle (C/N/G Screws)

B1247-C/N/G Gibson-style (C/N/G Screws)

B1203-C/N 11" Rim w/ Flange

B1204-C 13" Rim

B1205-C 8" Rim

B1206-C 11" Openback

B1207-C 12" Rim

B1208-C 10" Rim

B1220 2-Way Adjustable Truss Rod

B1228 Dowel Stick w/ Metal Cap

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Bluegrass Flathead Tone Rings

For more than a year we experimented with bronze al loys. The pre-war tone ring from made by Gibson in the early 1900s (the Holy Grail of the bluegrass tone) was actually at least three different bronze alloy formulas, depending upon the year of manufacture. We discovered these three alloys, had tone rings made with each formula, and chose the bronze alloy content with the most penetrating tone. After extensive testing we found the RB 12 tone ring shape to be superior. The top edge is rounded, compared to the typical sharp angle on the common flathead ring. This edge adds more contact area for vibration transference and actually allows the head to be tuned tighter if desired. The original tone ring and ours look and sound amazing similar.

Gold Tone Brass Tone RingA Mastertone-style, 20-hole sandcast brass ring. Standard equipment on our OB-250. It provides a loud and penetrating tone.tone.

Gold Tone Steel Alloy Tone Ring

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JLS #12 Tone RingThis popular domestic ring is made in Texas. It is used on our OB-250+ models and is a replica from pre-war banjos.

Brass 40 Hole Arch Top Tone RingWe used 11” diameter Mastertone archtop dimensions to make this tone ring. It has a raised inner profile for more piercing treble tones. Made famous by the Stanley Brothers.

Bluegrass Arch Top Tone Rings

White Ladye Tone RingVintage replica for a rich old-time sound for open back banjo. This three-part ring includes a steel hoop, scalloped brass ring and spun brass sleeve.

Old Time Tone Rings

A Mastertone-style, 20-hole ring much lighter than our brass and bronze rings. Great for folk-style playing, this afford-able ring is used in GT-500 and MC-150 models.

Tubaphone-Style Tone RingVintage replica of a Vega tubaphone. Classic old-time tone with long sustain. This three-part ring includes a steel hoop, a square hollow tube and a spun brass sleeve.

Alternative Tone RingsElectric Tone Ring

This cast aluminum tone ring is designed for a top-tension style on a solid body electric banjo. It provides an acoustic cavity for realistic banjo tone.This assembly includes the top tension counterhoop and 14 lugs to be adjusted with an Allen wrench.

Order online at goldtone.com. Gold Plating options available.

Old Time Tone Rings (Cont)

B11

79B

1174

B11

71B

1172

B11

73B

1170

B11

78

B11

76

GTR Bronze Tone Ring

Parts- Tone Rings

Rolled Brass Rod Tone RingThis traditional rolled brass rod ring sits on the inside lip of the rim. It provides a loud, yet warm tone suitable for old time.

This versatile tone ring allows for a varietyof different tones ranging from crisp bluegrass to punchy old time. It’s used in our Bob Carlin Signature Series, Cello Banjo, and Cripple Creek models.

Rolled Brass Tone Ring

B11

77B

1175

B1179-C/N Flathead, GTR, Bronze Fits 11” HC Head

B1174-N Flathead, JLS #12, Bronze Fits 11” HC Head

B1171-C/N/G Flathead, Brass Fits 11” MC/HC Head

B1172-C Flathead, Steel Alloy Fits 11” MC/HC Head

B1173-C/N Arch Top, Brass, 40-hole Fits 11” HC Head

B1170-C/G Old Time, White Ladye Fits 11” MC/HC Head

B1178-C Old Time, Tubaphone-Style Fits 11” HC Head

B1177-08 Rolled Brass Fits 8” MC/LC Head




B1175-08 Rolled Brass Rod Fits 8” HC Head

B1175-11 Rolled Brass Rod Fits 11” HC Head

B1176-C/G Electric Banjo, Inc. Tension Hoop & Screws Fits 8” HC Head

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Resonators

Resonator Mounting Hardware

B1143

B1130B1132

B1134-02

B1132-02

B1144

B1071 B1070 B1075

Parts- Rims & Resonators

B1060

B1050

B1059

B1054

B1053

B1057

RimsB1132 OB-250 3-Ply

B1132-02 OB-250 3-Ply, Unfinished (Kit)

B1132-AT OB-250 3-Ply, Arch Top

B1130 MC-150 Multi-ply

B1130-02 MC-150 Multi-ply, Unfinished (Kit)

B1131-02 Maple Turned Multi-ply, Unfinished

B1133 Cripple Creek

B1134 White Ladye

B1134-02 White Ladye, Unfinished

B1136 BG-250 Multi-ply

B1138 CC-Mini, 8"

B1139 Banjolele/BG-Mini, 8"

B1142 Spun (EC-1)

B1143 BC-350, 12"

B1144 CEB, 14"

B1145 OT-800, Tubaphone-Style

B1054 14" Curly Maple Finished

B1054-02 14" Curly Unfinished

B1054-02ABS 14" Curly Unfinished, White ABS Binding

B1060 14" Mahogany

B1051 13" Maple

B1051-02 13" Maple Unfinished

B1052 13" Mahogany

B1057-G/S 13" Maple, Cripple Creek (Gloss/Satin)

B1059 13", CC-50

B1056 10" Maple, Traveler

B1048 10", Banjolele

B1058 14", BB-400

B1070-C/N/G Hardware 14" Resonator

B1076-N Hardware 14" Resonator (German)

B1071-C Hardware 13" Resonator

B1321-C Hardware for Banjolele Resonator

B1075-C Hardware for BB-400 Resonator

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B1161-C Mini Flat Flange

B1162-C/N/G One Piece Die Cast

B1163-C Bracket Band w/ Shoes Lugs & Bolts

Tension Hoops

Flanges

Body Hardware

Flanges

B1150 B1152

B1163

B1190

B1191

B1197

B1188

PartsHeads

B1193

B1196B1195

B1162

The top-frosted head is ideal on a bluegrass banjo. It has a bright and crisp tone allowing for good note clarity.

The bottom-frosted head is ideal for plectrum and tenor banjo players that strum with a pick. The tonal characteristics are similar to that of a top frosted head but slightly warmer.

B1093-8 Mounted Skin 8” (GTS)

B1093-156 Mounted Skin 10-15/16” (GTS)



B1096-8 Remo 8” Top Frosted

B1096-11HC/LC Remo 11” Top Frosted

B1097-8 Remo 8” Bottom Frosted

B1097-11HC/LC Remo 11” Bottom Frosted

B1097-14 Remo 14" Bottom Frosted

B1098-11HC Remo 11” Clear

B1099-11HC Remo 11” Fiberskyn

B1099-14 Remo 14” Fiberskyn

B1102 16” Unmounted GTS Skin

B1103-11HC/LC Remo 11” Renaissance

B1103-14 Remo 14” Renaissance

The clear-head is similar in tone to a bottom frosted head only more open sounding, with greater sustain and a more pronounced bass response.

The GTS genuine skin head is most commonly used on clawhammer banjos. It’s mellow tone is subtle and incredibly warm. Its vintage appeal is unmatched by any substitute.

The Fiberskyn® head is a more consistent alternative to genuine skin for clawhammer banjo. Known for its warm, full tones, resonance, and sustain.

The Renaissance® head is louder and brighter than a Fiberskyn® head and is the commonly preferred on clawhammer banjos. It has a great plunky tone.

B1190-C/N/G J-Hook w/ Nut (round)

B1191-C/N/G Flat Hook w/ Nut

B1193-C/N/G Shoe lug w/ Bolt

B1194-C/N Hex Lug w/ Bolt

B1195-C/N/G Tailpiece Bracket

B1196-C/N/G Tailpiece Bracket Long Arm

B1197-C/N/G J-Hook w/ Ball-End Nut

B1188-C/N/G Flat Hook w/ Ball-End Nut

B1150-C Single Bar 11”

B1151-C Single Bar 8”

B1152-C/N/G Notched hoop 11”

B1156-N Notched hoop 12”

B1157-N Notched 14”

B1158-N EC-1 10-15/16”

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B1110-C/N Straightline 5-String

B1110-G Straightline 5-String

B1111-N Waverly-Style

B1112-C Clamshell

B1113-N Kershner-Style

B1114-C/N No Knot Tailpiece

B1117-C/N 6-String Tailpiece

Bridges

Tailpieces

B1304 B1304-1116 B1306 B1307 B1308

B1310 B1312

B1314 B1315-C

B1316 B1317-BG B1317-OT

B1317-CB B1320

B1110 B1112 B1113 B1114 B1117 B1119 B1124 B1126

Parts

ArmrestB1330-C/N Engraved 2 Leg

B1198-C/N/G Engraved 1 Leg

B1199-C/N/G 1 Leg

B1200-C/N/G Gold Tone Engraved

B1201-C/N/G Vega-Style

B1202-C/N “Hot Dog” Armrest, 12”

B1209-C/N Vega-Style, Mini Armrest

B1330 B1198 B1199

B1200 B1201 B1202

B1118-C Banjo Bass Tailpiece

B1119-C/G Mandolin Tailpiece

B1122-G Rigel-style Tailpiece

B1123-N 4-string Tensiator Tailpiece (German)

B1124-N 5-string Tensiator Tailpiece (German)

B1125-C Cast Tailpiece

B1126 Presto Tailpiece (Saga)

B1302 4-String, 5/8"

B1304-58 5-String, 5/8"

B1304-12 5-String, 1/2”

B1304-CB 5-String, 5/8" CEB-5 Spacing

B1304-1116 5-String, 11/16"

B1306 6-String, 5/8"

B1307 Bass Banjo, 5/8"

B1308-12 Grover 4-String, 1/2"




B1312-58 Gary Sosebee, 5/8"

B1312-58CR Gary Sosebee, 5/8", Crow Spacing

B1312-1116 Gary Sosebee, 11/16”

B1316 Blazer Graphite Bridge, 5/8"

B1317-BG58 Sampson Maple Bluegrass, 5/8"

B1317-BG1116 Sampson Maple Bluegrass, 11/16"

B1317-OT58 Sampson Mahogany Old Time, 5/8"

B1317-OT1116 Sampson Mahogany Old Time, 11/16"

B1317-CB58 Sampson Maple CEB-5, 5/8"

B1317-CB1116 Sampson Maple CEB-5, 11/16"

B1314 Banjola

B1315-C Mandolin (Chrome Screws)

B1315-G Mandolin (Gold Screws)

B1318 GM-6 Compensated

B1318E GM-6+ Compensated with Pickup

B1319 OM-800

B1320 Mando Banjo Bridge, 5/8"

B1318E

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PartsResonator Guitar

B1500 Cover Plate

B1506 Cover plate w/ removable palm rest

B1501 Tailpiece

B1502 Bridges (set of 2) ebony capped

B1503 Screens (set of 2)

B1504 Bone Nut, Square Neck

These quality resonator guitar parts are the exact parts we use to build the Paul Beard Signature Series resophonic guitars.

New coverplate system!The new Gold Tone/Beard resonator coverplate design with a removable palm rest is a revolutionary concept for making final and accurate adjustments to any of our instruments with coverplates. Systems lacking our new coverplate require removal of the coverplate and the strings in order to adjust string action or spacing, break angle, or to replace the saddle. Our removable palm rest feature makes fine tuning and adjusting your resonator easier and more efficient. In addition, the palm rest may be “height adjusted” by placing shims between the plate and the palm rest providing a custom height for your right-hand technique.

B1501 B1504

B1502

B1503

B1506

B1530 Lap Steel Ashtray Cover

B1531 Lap Steel Bridge

Lap Steel The lap steel parts are direct replacements for the Gold Tone lap steel guitars. These parts are also interchangeable with the vintage Oahu Tonemaster .R

B1530

B1531

B1520 Acoustic Guitar, Tortoise

B1531 F-Style Mandolin, B/W/B

Pickguards

B1520 B1521

This tortoise print pickguardfits most acoustic guitars and includes a self-adhesive backing

This F-Style Mandolin pickguard kit includes all the necessary parts for easy installation.

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Parts: Pickups

LR Baggs Radius Mandolin Pickup

LR Baggs GigPro PreampGold Tone ABS-2 Stompbox Preamp

Gold Tone WBM Magnetic Pickup Gold Tone Triad Pickup

Gold Tone Hot Dot Transducer Pickups

Beard/Fishman Biscuit PickupBeard/Fishman Active & Passive Resonator Pickups

The WBM was developed exclusively for Weissenborns by Gold Tone. Since the str ing spacing is wider on a Weissenborn than on a conventional guitar, we’ve developed a magnetic humbucker pickup with proper spacing, which providesequal volume for each string. The mahogany pickup encasement looks as good as it sounds!

The Triad pickup, formally licensed to the Dean Markley Company (Trilogy Pickup), was invented and patented by Wayne Rogers. It incorporates magnetic, transducer, and microphone sensors with volume adjustments for each, and a master volume control. You can make infinite tone adjustments. Gold Tone installs this superior pickup at a fraction of the retail price.

After extensive testing, we have chosen this superior pickup for installation in our mandolins (and on our GM-6). Developed primarily for mandolin, this transducer pickup works great on many wood bodied instruments. It

can be mounted to the outside surface of the instrument with a removable adhesive, or we can permanently mount it inside. The output jack can be permanently installed as an end pin or on a side mount jack holder.

The ABS-2 acoustic preamp stompbox is an external source that increases the output signal of your pickup before being plugged into an amplifier. It is recommended with any passive-style pickup and includes volume, bass, mid, treble, and a phase control. It can be used as a normal floor pedal or be attached to oneself with a belt clip for portable use.

The Gigpro is a single-channel belt-clip preamp that will work with most pickups. It is ideal to be used with the LR Baggs Radius pickup and has everything necessary to get the best possible sound from that pickup. The two-band EQ and variable low cut is amazingly flexible and intuitive to use. Lightweight, compact, and belt-clip ready: Ideal for wireless situations.

The Gold Tone Hot Dots are a pair of stick-on transducer pickups that efficiently amplify wood bodied stringed instruments. The advantage of having two transducers instead of one is that they can be placed in two different areas to broaden the tonal capture. The pickup system sounds great on any instrument ranging from small mandolins to ukuleles to ban-jolas.

The Beard Fishman biscuit pickup is the ideal transducer for biscuit-style resophonic guitars. An outboard preamp is recommended in combination with this pickup to maximize its full tonal capabilities.

These resonator pickups, designed by Paul Beard and sold through Fishman, are transducer-style pickups that attach to the cone of a resonator guitar. There are two versions: Active and Passive. In the passive model, the transducer is wired directly to a ¼” output jack. The signal must then go through a preamp (such as our ABS-2) before being plugged into a powered amplifier. In the active model, a 9-volt battery powers a preamp circuit board that is integrated into the output jack, allowing you to plug directly into your sound system of choice. It is essential that these pickups be installed professionally.

Active Pickup

Passive Pickup

at a fraction of the retail price.at a fraction of the retail price.at a fraction of the retail price.at a fraction of the retail price.at a fraction of the retail price.

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ABS Banjo/Resonator Guitar Dynamic

Microphone

Parts: PickupsAdvanced Banjo/Resonator Guitar Microphone System

Why a cardoid dynamic microphone? Of the microphones we have tested, we found that the cardoid cartridge provided superior accuracy and purity of tone, with less feedback, and as a bonus did not require phantom power.The dynamic mic of choice for on-stage use has always been the Shure SM-57. How does the ABS compare? TheABS system has a very similar frequency response, however, banjo and resonator players can run into problems with diminished volume when they play up the neck. To compensate, we increased the sensitivity at the high end to make sure that you get a brilliant response throughout the entire range of your instrument.What cables are needed? Two ¼” guitar cables are all you need. One running from the mic to the preamp, and the other from the preamp to the ampifier or PA. You may find that a 90 o ¼” angled jack may be more convient to loop through your instrument strap on both banjos and resonator guitars.How much of a boost does the ABS-2 floor box pedal allow for? If using a smaller watt amplifier (or if you want to match the gain of other inputs in your sound system) the pre-amp pedal will deliver 30% extra gain. Also, the preamp can be set to boost lead breaks by simply depressing the footswitch.How long does it take to attach the mic to the instrument?Using our secure design takes seconds to attach to the brackets. Only one thumb screw needs to be tightened.Can this mic be mounted on any style of banjo or resonator guitar? In almost every case, the answer is “yes.” The mounting bracket attaches to the J-hooks. The adjustable bracket will fit hook spacing from 1¼” to 2¾”. On resonator guitars it should fit all 6-string tailpieces.What if I accidently bump the mic while playing? The ABS has rubber pads on the mounting bracket and an isolated rubber-mounted mic cartridge acting as a shock mount to prevent extraneous noises.Can a wireless system be used with the ABS? Yes, our dynamic microphone can easily be used without modification.Should I expect to run into feedback issues? The ABS system has been tested in many live sound applications and passed successfully. The player should always remember to avoid pointing the mic directly into a monitor or speaker.

Frequently Asked ABS Questions

The ABS system is essential equipment for the performing banjoist or resonator player. It features an infinitely adjustable cardioid dynamic microphone to the end of a small goose-neck cable for optimal sound capture. The ABS is shock mounted to prevent the intro-duction of extraneous vibrations. The ABS system includes a floorbox-type preamp, the ABS-2, which, when activated will increase gain (volume) to punch out lead breaks. The ABS pedal comes with a 9-volt battery.For those who prefer a more constant power source, an AC adapter is available (ABS-ADT). Connection to the sound system is accomplished with a standard ¼” male guitar cable. Two ¼” guitar cables are required for connection with pre-amp and amplifier. The ABS comes in a hard plastic carrying case with fitted foam inserts for the microphone and footswitch pedal.

The ABS Includes:

Can this mic be mounted on any style of banjo or resonator guitar?attaches to the J-hooks. The adjustable bracket will fit hook spacing from 1¼” to 2¾”. On resonator guitars it should fit all 6-string tailpieces.What if I accidently bump the mic while playing?has rubber pads on the mounting bracket and an isolated rubber-mounted mic cartridge acting as a shock mount to prevent extraneous noises.Can a wireless system be used with the ABS?dynamic microphone can easily be used without modification.Should I expect to run into feedback issues?has been tested in many live sound applications and passed successfully. The player should always remember to avoid pointing the mic directly into a monitor or speaker. Hardshell Carrying

CaseOptional AC

Adaptor available

ABS-2 Preamp with removable belt clip

play up the neck. To compensate, we increased the sensitivity at the high end to make sure that you get a brilliant response throughout the entire range of your instrument.What cables are needed?One running from the mic to the preamp, and the other from the preamp to the ampifier or PA. You may find that a 90 convient to loop through your instrument strap on both banjos and resonator guitars.How much of a boost does the ABS-2 floor box pedal allow for?other inputs in your sound system) the pre-amp pedal will deliver 30% extra gain. Also, the preamp can be set to boost lead breaks by simply depressing the footswitch.How long does it take to attach the mic to the instrument?Using our secure design takes seconds to attach to the brackets. Only one thumb screw needs to be tightened.

The ABS Includes:The ABS Includes:

ABS-2 Preamp with removable belt clipGuitar Dynamic Guitar Dynamic

Microphone

Hardshell Carrying Hardshell Carrying Case

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Parts: Pickups

What’s the difference? The SMP and the SMP+ are exactly the same pickup only with different mounting hardware and wiring requirements to better meet the player’s need.

The SMP, designed by Gold Tone, is our all-time bestselling accessory. Widely used by professionals, it has a thick and full tone and does not require a preamp. Because it is magnetic, it is extremely feedback resistant compared to transducer-style pickups. Once installed between the coordinator rod and the banjo head, you can slide it between neck and bridge positions for different tonal qualities (closer to the bridge will increase the treble response; closer to the neck will increase the bass response).

Tip: Because the typical sound of a magnetic pickup tends to be warm and full bodied, you may find that the pickup can be quite bass-y for a traditional banjo sound. We find that the pickup sounds incredibly more like an acoustic banjo if you turn the majority of the bass or low end down on your amplifier.

SMP

SMP+Our newly designed SMP+ conveniently connects to both single and dual coordinator rod setups and easily slides toward the neck or the bridge to adjust tonality. The pickup bracket is designed to place the pickup any distance from the banjo head. The SMP+ does not require soldering and instead has quick connect cables.This is an advantage over the standard SMP because it avoids unnecessary modifications to the rim. This pickup is hassle free, will not change your banjo’s acoustic tone, and sounds great plugged in.

The SMP pickup has been installed in thousands of our banjo and banjitar models. Its humbucker design provides a realistic banjo tone, deep bass response, and does not require a preamp. The pickup itself attaches to a coordinator rod using a wooden mounting block, and the flush mount output jack attaches securely into the banjo rim.

SMP humbucker pickup with mounting bracket1/4” Input jack with mouting bracket & hex key

3 wire tiesInstructions

SMP + Pickup Includes:

Flush Mount Output Jack

The SMP comes stock in the GT-500, GT-750, GT-1200 banjitar models and includes a volume

knob.

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Strings

**Please note that string gauges are subject to change

Model Tuning 1st 2nd 3rd 4th 5th 6th 7th 8th Type

Banjo, Banjola, Electrics GDGBD .010 .013 .016 .024w .010 loop/nickel

Banjo, Long Neck EBEG#B .012 .014 .018 .026w .012 loop/nickel

Banjo, Plectrum CGBD .010 .013 .016 .024w loop/nickel

Banjo, Irish Tenor GDAE .016 .020w .030w .040w loop/nickel

Banjo, Tenor CGDA .010 .012 .020w .028w loop/nickel

Banjo, Mini CGCEG .010 .013 0.016 .024w .010 loop/nickel

GDGBD .016 .020 .024w .034w .016

Banjo, Travel GDGBD .010 .013 .016 .024w .010 loop/nickel

Dojo GDGBD .010 .013 .016 .024w .010 loop/nickel

Banjo, 10-string GDGBD .010 .013 .018 .024w .010 loop/nickel

.010 .013 .011 .013 .010

Banjo, Cello CEB-5 Lt AEAC#E .024w .030w .034w .044w .024w silver/nylon

Banjo, Cello CEB-5 Med GDGBD .028w .034w .042w .048w .028w silver/nylon

Banjo, Cello CEB-4 CGDA .040p .030w .042w .054w silver/nylon

Banjo, OT-6 GGDGBD .011 .013 .016 .026w .036w .010 loop/nickel

Tenor Guitar/MBT CGDA .008 .014 .024w .035w ball/phos

Banjitar EADGBE .010 .013 .020w .032w .042w .052w loop/nickel

Banjitar, ES EADGBE .009 .011 .016 .024w .032w .042w loop/nickel

GT-1200 EADGBE .009 .013 .023w .028w .037w .044w loop/nickel

.009 .013 .009 .011 .018 .027w

GM-6 EADGBE .010 .013 .020w .032w .042w .052w loop/nickel

GM-12+ EADGBE .009 .013 .023w .028w .037w .044w loop/nickel

.009 .013 .023w .011 .018 .027w

GME-6 EADGBE .010 .013 .020w .032w .042w .052w ball/nickel

GME-5 CGDAE .011 .016 .026w .040w .052w ball/nickel

GME-4 GDAE .011 .016 .026w .040w ball/nickel

Mandolin GDAE .011 .016 .026w .040w loop/phos

Octave Mandolin GDAE .012 .024w .035w .050w loop/phos

Mandola CGDA .016 .024w .035w .050w loop/phos

Bouzouki GDAD .012 .012 .020 .020 .035w .013 .045w .018 loop/phos

Resonator, Round/Metal EADGBE .012 .016 .024w .035w .045w .052w ball/phos

Resonator, Square GBDGBD .016 .018 .028w .035w .045w .056w ball/phos

Resonator, 8-String EGBDEGBD .016 .018 .026w .032w .035w .045w .056w .059w ball/phos

Weissenborn DADF#AD .014 .018 .026w .034w .044w .056w ball/phos

Lap Steel 6 DADF#AD .014 .018 .026w .034w .044w .056w ball/nickel

Lap Steel 8 DFACDFAC .012 .014 .016 .022 .032w .036w .040w .56w ball/nickel

Dulciborn DADD .011 .011 .016 .024w ball/phos

Baritone Guitar BEADF♯B .014 .018 .026w .044w .056w .068w ball/phos

ABG-4 EADG .040w .056w .076w .096w ball/phos

Bass Banjo/PBB EADG .046w .065w .080w .105w ball/nickel

Banjolele GCEA .026 .032 .040 .027 nylgut

Banjo Uke, Soprano GCEA .026 .032 .040 .027 nylgut

Banjo Uke, Concert GCEA .026 .032 .040 .027 nylgut

Banjo Uke, Tenor DGBE .026 .032 .040 .027 nylgut

Banjo Uke, Baritone DGBE .026 .032 .040 .027 nylgut

Ukulele GCEA .022 .028 .035 .024 nylgut

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Ukulele Strings

28-U

StringsGold Tone is committed to offering high-quality strings to keep your instrument playing and sounding it’s

absolute best. Available through your local dealer or direct from Gold Tone.

We are proud to introduce Aquila strings to our string selection. Aquila strings have quickly gained popularity as the best strings for ukulele, and are now offered for banjo. Made in Italy.

Classical Banjo Strings

42-U 6B-Light 5B-Medium

Banjo Sets

Cello Banjo Sets (Silver Wound Nylon)

6-String Sets

5-String: Medium GaugeOrder # BSM.011, .013, .016, .024w, .011

5-String: Light GaugeOrder # BSL.009, .011, .013, .022w, .009

Banjitar StringsOrder # BTS.010, .013, .020w, .032w, .042w, .052w

Mando Guitar StringsOrder # MGS.010, .013, .020w, .032w, .042w, .052w

CEB-4 StringsOrder # CES4

.022, .030, .042, .054

**The 5-string banjo string sets feature a silver wound 4th string

Banjo Ukulele SetNylgut w/ wound

3rd string.024, .030, .030w, .026

Banjo Ukulele SetAll Nylgut

.024, .030, .037, .026

5-String Banjo SetLight Gauge

All Nylgut .019, .023, .026, .037, .019

CEB-5: Medium GaugeOrder # CES5M

.028, .034, .042, .048, .028Tunes to Open G & Double C

CEB-5: Light GaugeOrder # CES5L

.024, .030, .034, .044, .024Tunes to Open A & Double D

5-String Banjo SetLight Gauge

All Nylgut .022, .025, .029, .039, .022

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Slinger Cradle StrapDesigned by Ric Scoles and made in USA, this revolutionary sling supports the banjo like a normal strap but removes easily for storage in a case. A special angle sewed into the strap actually pulls the banjo toward the body. The Slinger only works on resonator banjos. It is especially useful for multiple banjo changes on stage. We have two versions: Standard basic black (leather/cloth) & Deluxe padded black (all leather).

Accessories: StrapsLeather cradle banjo strapsThis banjo cradle strap provides the best support, is the most convenient, and the safest to use on your banjo. It fully supports the pot without stressing the hooks like most other straps. The deluxe model (DLX) features double layered soft leather which is comfortable on the shoulder. The LS is made of top grain soft leather. This strap will not fit our Cripple Creek models.

CS Cloth Strap for banjoSpecially designed cloth with leather tabs that fit under bracket hooks. These are superior to straps wtih metal hooks as they will not scratch the banjo. Choose from black or brown.

Ideal on our Cripple Creek models.

DLX Deluxe Leather Cradle

LS Leather Cradle

Slinger Dlx

SlingerGives balanced, comfortable support to the back & shoulders without any straightjacket-style strappingAdjustable and fits any brand of resonator banjoNo metal hardware to scratch your banjoDoesn’t stress the banjo or banjo hardwareComfortable, easy to use, very portable, and fits into your banjo case

Thread strap under second hook beneath neck

Thread strap under second hook beneath tailpiece

Tie off together here

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Accessories

The Ultimate Banjo MuteThis little beauty works like a charm! Won’t vibrate loose Adjustable for all bridge widths Fits 4-, 5- and 6-string banjos Doesn’t hinder right-hand playing Lacquered brass As easy to put on as it is to take off

BGT Bluegrass TunerThe BGT tuner was designed specifically for banjos. The G and D note needle wavers commonly found on other tuners are eliminated with special circuitry. Guitar, banjo, mandolin, and chromatic settings. Includes external contact mic, stand, and LED indicators for places with low lighting. The BGT is the best handheld tuner for banjos as well as other bluegrass instruments.

Iucci Banjo MuteWhile visiting Jim Bowman’s vintage banjo collection, Wayne came upon a mute very similar to the Ultimate Banjo Mute, except better. In 1924, Mr. Iucci patented a tenor banjo mute that fits on the bridge under the strings. This mute slides on easily and has more weight resulting in decreased volume. Now you can enjoy the quiet tone of your banjo for unlimited practice.

What’s so different about the CCT tuner from other clip-on tuners? 1) 360 degree adjustment, which means you can put it on the headstock (front or back), on the banjo rim, on any acoustic instrument in any location and the display can be adjusted to a perfect upright viewing angle2) Chromatic, guitar, banjo, violin/mandolin, and soprano ukelele settings. This is the only tuner with a banjo setting, which is especially important for beginning banjoists3) Large display shows note and changes color when a string is in tune. Guitar, violin/mandolin, soprano ukelele and banjo settings display the string number being played4) Only 440 hz, so there’s no chance of pushing a wrong button and tuning to a higher or lower pitch. In fact, the CCT only has one button. Plus, it stays on chosen setting when turned on and off5) Automatic shut-off after two minutes of non use6) Small and compact design7) Easy to use with simple instructions written by Wayne. He explains things such as how string dampening affects tuning and why you might get the occasional inaccurate readings (like from a badly worn string)!

CCT Clip-on Tuner “OK, I know. There’s dozens of different tuners available for your selection. I use them myself, but I’ve never been completely satisfied. So my design includes specs below not found on any other clip-on.”

–Wayne Rogers

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Accessories

Real Calf Skin Banjo Heads (mounted and unmounted)Our GTS mounted skin banjo heads are pre-stretched and treated calfskin that can be installed much like you would a plastic head. The skin is premounted to an alumninum ring. It provides vintage tone and works equally well for bluegrass or old-time playing. It maintains superb tension compared to conventionally mounted heads. Available in 8”, 10 15/16”, 11” and 12”.Our unmounted calf skin is treated and bleached for a vintage appearance. The 16” size provides adequate tucking room for heads up to 12 inches. On request, we can include a mounting ring.

Vega-style Replica Nut Wrenches These accurate replicas of the vintage Vega-style wrenches turn freely and are well-balanced. They are the preferred tool for determining the correct tension of your adjustment nuts. Available in two common sizes, 9/32” and 6.3mm.

Collapsible Banjo Stand

RRS

SH5*

SC

SH6*

Banjo CaposSomewhere along the way, whether you play with other musicians or you enjoy playing along to your favorite albums, you will eventually come across the need for a capo to make quick tuning changes. The Shubb is our choice for an easy-to-use capo that helps you stay in tune. It has an adjustable screw to compress the strings evenly for every banjo neck thickness. The short 5th string must also be capoed when changing keys and you can do this with a Shubb sliding capo. These capos come in two lengths, the shorter being the most popular. You can also have railroad spikes professionally installed by Gold Tone.

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Vega-style Replica Nut Wrenches These accurate replicas of the vintage Vega-style wrenches turn freely and are well-balanced. They are the preferred tool for determining the correct tension of your adjustment nuts. Available in two common sizes,

9/32” 6.3mm

The CBS is specifically designed for resonator and openback banjos to provide sturdy support both side-to-side & front-to-back. This stand is different from the typical guitar stand in that it supports a heavy resonator banjo by the body/rim keeping stress off the resonator. No other stand accomplishes this, preserving the integrity of the thinner resonator wood and its hardware. Best of all, it collapses for easy transport from your home to the stage.

* Available in gold

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Clawhammer Banjo with Bob Carlin (beginner). This DVD will help you get started playing the banjo in the frailing, aka clawhammer style. The great thing about clawhammer technique is that it sounds good when you’re playing with others and when you’re playing by yourself. It also functions well as an accompaniment to singing. This DVD will teach you how to ... • hold the banjo • find the right- and left-hand positions used for downpicking • care for your right-hand fingernails • scales and chords • left-hand techniques such as hammer-ons, pull-offs, and slides • right-hand techniques such as drop thumb You’ll also learn two tunes: “Old Joe Clark” in G-tuning and “Angeline the Baker” in double C-tuning. We use Gold Tone’s CC-OT old time banjo to give you some pointers on how to maintain your banjo, attach a strap and tighten and loosen the head for the best sound – all adjustments YOU can make! Whether a newbie to the banjo or a bluegrass player who wants to learn some new right-hand techniques, this video will get you going in the right direction.

Fundamentals of Five-String Banjo with Ross Nickerson (beginner). Learn banjo technique right from the beginning! DVD and CDs combo provides everything you’ll need to start having fun on the banjo! Ross Nickerson gives you the goods in a personal and informative way: Banjo rolls and picking patterns, fretting hand techniques, reading tablature, tuning the banjo, slides, hammer-ons and pull-offs, practice tips, memorizing and playing without music, understanding timing, how to use a metronome, learning the chords, tightening the head, changing the strings, songs to learn, and many other important fundamentals are covered

Clawhammer Banjo Repertoire with Bob Carlin (intermediate). This DVD is aimed at helping you to expand your repertoire of tunes in the clawhammer banjo style and prepare you for that next jam session. The 15 tunes taught by banjo master Bob Carlin are some of the standard tunes in the fiddle/banjo old time string band style. Three tunings – G, double C and F – are utilized, for the corresponding fiddle keys of A, D, and G. These low-intermediate to advanced versions present the essence of each tune played up tempo twice through and then once at a slow pace. Tablature is included, plus play along Tabledit files. Chapters Include: 1- Introduction 9- Rock the Cradle Joe

2- Bill Cheatham 10- West Fork Gals3- Breaking up Christmas 11- Jaybird4- Old Joe Clark 12- Yellow Rose of Texas5- Over the Waterfall 13- Barlow Knife6- Needlescase 14- Ms. Mcleod’s Reel7- Old Molly Hare 15- Leather Britches8- Rochester Schottishe 16- Sandy River Belle

Banjo Primer with Geoff Hohwald (beginner). Beginning bluegrass banjo instruction. The first true beginner’s book revealing the secrets of 3-finger Earl Scruggs-type banjo picking. Clearly illustrated with more than 40 photographs, it includes basic rolls, exciting and easy to play song arrangements, and up the neck breaks. The companion audio CD includes “Boil Them Cabbage Down”, “Cripple Creek”, “John Hardy”, “Black Mountain Rag”, “Little Maggie”, and “Kicking Mule”. All songs are played at 2 to 3 speeds.

Instructional DVDs

Included with CC-OT Banjo package

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Cases & Gig Bags

Model # Case Bag Model # Case BagBag Model # Case Bag

ABG-4 HDAB N/A Chordaharp w/ case Incl. N/AN/A OB-250 Nat w/ case Incl. HPB

Banjola HDB-M HBB Dojo HDRD HBAG OB-250+ w/ case Incl. HPB

Banjola DLX HDB-M HBB Dojo DLX HDRD HBAG OB-250+ TP w/ case Incl. HPB

Banjolele HDBU HBJ Dulciborn w/ case Incl. N/A OB-250AT w/ case Incl. HPB

Banjolele DLX HDMB HBJ EBM-4 HDEHDE HBB OB-250Gold w/ case Incl. HPB

BB-400+ w/ case Incl. N/A EBM-5 & EBM-5+ HDE HBB OB-250 KIT HD16 HPB

BC-120 w/ bag HD15-M Incl. EBT-Electric HDE HBB OB-300 w/ case Incl. HPB

BC-350 HD15-M HPB ES-BanjitarES-Banjitar HDE HBB OB-500 w/ case Incl. HPB

BC-350+ HD15-M HPB GM-6 HDMA HBM OM-800+ w/ case Incl. HBTR

BG-10 w/ case Incl. HPB GM-6+ w/ caseGM-6+ w/ case Incl. HBM OT-6 w/ case Incl. HBCE

BG-150F HD16 HPB GM-50 HDMA HBM OT-10 w/ case Incl. HPBLNO

BG-250 HD15 HPB GM-55A HDMA HBM OT-800 w/ case Incl. HPBO

BG-250F HD16 HPBHPB GM-70+ HDM/HDMS OT-800A w/ case Incl. HBTR

BG-250FW HD16 HPB GM-A+ HDMA HBM OT-800LN w/ case Incl. HPBLNO

BG-Mini HDBG LDBG GME-4 w/ bag HDMR-M Incl. PBB w/case Incl. N/A

BT-2000 HD15-MHD15-M HPB GME-6 w/ bag HDMA Incl. PBKG w/ bag HDSD Incl.

BUB w/ case Incl./HDBUIncl./HDBU GM-110 HDMR N/A PBR HDRD HBAG

BUC w/ case Incl./HDBU GRE HDRD-M HBAG PBR-CA HDRD HBAG

BUS w/ case Incl./HDBU GRS HDRD HBAG PBR-D HDRD HBAG

BUT w/ caseBUT w/ case Incl./HDBU GRSS HDSD HBAG PBS HDSD HBAG

BZ-500 w/ caseBZ-500 w/ case Incl. HPB GT-500 HD15 HPB PBS-8 HDSD HBAG

CB-100CB-100 HD14 HPBO GT-750 HD15 HPB PBS-D HDSD HBAG

CC-50 w/bag HD14 Incl. GT-1200 HD16-M HPB PBS-M HDSD HBAG

CC-50RP w/ bag HD15 Incl. IT-250 HDIT14 HBIT PC Banjola HDB-M HBBHBB

CC-50TR w/ bag HDTR15-M Incl. IT-250R HDITR15 HBIT PG-18 HDSD HBAGHBAG

CC-100(O) HD14 HPBO IT-250F HDITR16 HBIT Plucky w/ bag HDBU Incl.

CC-100/P HD14 HPBO IT-800 w/ case HDIT HBIT PS-250 HD16HD16 HPB

CC-100R HD15 HPB LM Weiss HDW HBAG ResoUke w/ Case Incl.Incl.

CC-100+ HD14 HPBO LS-6 Lap Guitar HDLS HBLS SM Weiss HDW HBAG

CC-100R+ HD15 HPB LS-8 Lap HDLS HBLS Style 4 Weiss HDW HBAG

CC-Banjitar HD15 HPB MANDOLA HDMAN N/A TB-250 HDTR15 HBTR

CC-BG w/ bag HD15 Incl. MB-850+ N/A HPBMB TG-10 w/ bagTG-10 w/ bag HDRD HBAG

CC-Irish Tenor HDITR15 HBIT MBT+ HDRD HBAG TG-18TG-18 HDRD HBAG

CC-Mini N/A HCC MC-150R/P HD15 HPB Tranjo HBLS

CC-OT w/ bag HD14 Incl. MC-Kit (OB) HD14 HPBO TS-250 HDTR16 HBTR

CC-OTA w/ bag HDTR15M Incl. MC-Kit (Res) HD15 HPBHPB TS-250AT HDTR16 HBTR

CC-Plectrum HD15 HPB MM-150 HD14 HPBO UKE Incl.

CC-Tenor HDTR15 HBTR MM-150 LN HDLN14 HPBLNO UKE DLX Incl.

CC-Traveler HDTR15 HBTR OB-175 w/ case Incl. HPB WL-250 HD14 HPBO

CEB-4 w/ case Incl. HBCE OB-250 w/ case Incl.Incl. HPB WL-250+ HD14 HPBO

CEB-5 w/ case Incl. HBCE OB-250 LW w/ case Incl.Incl. HPB WL250LN HDLN14 HPBLNO

Protect your investment with a hardshell case or gig bagThis chart shows you exactly what case and/or gig bag fits each Gold Tone model.

It also tells you which instruments come with hardshell cases or gigbags.The following pages give you an idea of many of the hardshell cases and gigbags we offer.

We’ve included measurements so you can find one that fits your instrument perfectly!

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Cases & Gig Bags

ElectricLap Steel

Model # Inside Length

Inside Width

Depth Model # Inside Length

Inside Width

Depth

HPB 39” 15” 6” HBLS 36” 13” 3”

HPBO 38” 13” 5” HPBLNO 43” 13” 5”

LDBR 38” 14” 4” HPBLNR 44” 15” 5”

LDBO 38” 12” 4” HBM 27” 10” 4”

HBB 37” 15” 3” HCC 28” 9” 3”

HBJ 24” 11” 5” HBTR 31” 14” 5”

HBCE 39” 16” 5” HPBMB 26” 13.5” 6”

HBAG 44” 16” 6” BG Mini 28” 12” 5”

HBIT 31” 15” 5”

Instruments Model # Fits Interior Length Depth Upper

BoutLower Bout

Deluxe Arch 5 Res. HDAR 14" Resonator 40” 4.75”

Open Back (11") HD14 11" Openback 39.5” 3.75”

Resonator (13") HD15 13" Resonator 39.5” 4.75”

Resonator (14") HD16 14" Resonator 39.5” 4.75”

BC350, BT2000 (open) HD15-M 12" Openback 38.5” 3.75”

Long Neck, Open (11") HDLN14 11" Openback 44” 3.75”

Long Neck, Res (14") HDLN16 14" Resonator 44” 4.75”

Irish Tenor, Open (14") HDIT 11" Openback 32” 3.75”

Irish Tenor, Res (15") HDITR15 13" Resonator 32” 4.75”

Irish Tenor, Res (15") HDITR16 14" Resonator 32” 4.75”

Tenor (15") HDTR15 13" Resonator 35” 4.75”

Tenor (16") HDTR16 14" Resonator 35” 4.75”

Cello (CEB 4/5) HDCB 14" Openback 42.5” 3.75”

Banjola HDB-M 13" Teardrop Shape 40.5” 4.75”

BG-Mini HDBG 10" Resonator 30.5” 4.5”

MB850/Banjolele Dlx HDMB 10" Resonator 27” 4.5”

Banjo Uke/Banjolele/Plucky HDBU 8" Openback 26” 3.5”

Resonator Guitar Round HDRD Round Neck 41” 5” 11.5” 14”

Resonator Guitar Square HDSD Square Neck 41” 5” 11.5” 14”

Weissenborn HDW 38.5” 4.5” 11” 15”

Lap Steel HDLS 6,8 String Models 35” 3” 6.75” 10”

Electric (EBT,EBM, ES) HDE 4,5,6 String Models 40.5” 3.5” 13.25” 13.25”

Acoustic Bass (ABG) HDAB 49” 4.5” 12.5” 16.5”

Paul Beard Bass (PBB) HDPBB 47.5” 5” 11.5” 14”

Mandolin, A-Style HDMA A-Style 27.5” 3.5” 10.5”

Mandolin, Shaped HDM F-Style 27.5” 3.5” 10.5”

Mandolin, Square HDMS F-Style 27.5” 3.75” 10.5”

Mandolin, Rigel-style HDMR Rigel 28.5” 3.5” 11”

Mandola HDMAN 11" Teardrop Shape 28.5” 3.5” 11.5”

Ban

joG

uita

r

Hardshell Cases

Man

dolin

Gig Bags

Deluxe Archtop

Deluxe Standard

Weissenborn

ResonatorGuitar

A-StyleMandolin

F-Style & ElectricMandolin

ShapedMandolin

Banjolele Plucky

Banjo

Banjo light-duty

Mandolin

Banjolele

ElectricLap Steel

ResonatorGuitar

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Gold Tone T-Shirts

Available Colors:

Black Navy Sand

Available Colors:

All of our Gold Tone T-shirts are made with 100% preshrunk cotton. Choose from two designs, “The Classic” or our new “In the Shade.” Available in sizes: S, M, L, XL, 2XL, 3XL Price: $20.00

Pink

Black Navy Sand Pink50¢ of each pink shirt sale will be donated to breast cancer

awareness, research, and education.

In the Shade

The Classic

Gold Tone Baseball HatsGold Tone baseball hats are cotton and adjustable. The relaxed design is great for both men and woman.

Available Colors:

Black/Gold Camo/Gold

Denim/Gold Khaki/Black

Gold Tone BeanieThis beanie is black with gold embroidered lettering. It is 100% acrylic and is one size fits most. The perfect accessory for winter jams.

Gold Tone Bumper StickerThe Gold Tone sticker has a gloss finish, and will hold up great wherever you decide to stick it.

Gold Tone Collapsible KoozieThe Gold Tone camo koozie is tough and light. It folds down to fit in your pocket. Essential for keeping your drinks cold and your hands warm.

Price: $22.00

Price: $16.00

Price: $2.00

Price: $3.00

Apparel

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Abigail Washburn

Artists

Gold Tone instruments can also be found on stage and in studios with notable players such as...Bela Fleck, Tony Trischka, Bruce Springsteen, Bill Evans, Kid Rock, David Gilmour, Dierks Bentley, Scott Coney (Alan Jackson), Jeff Baxter, Jeffrey Harper (Scotty McCreery), Thad Beaty (Sugarland), Martin Simpson, Zac Brown Band, Travis Toy (Rascal Flatts), Sean Ashby (Sarah McLachlan), Craig Bartock (Heart), Danny Rader (Keith Urban), BB Barcus (Shania Twain), Cathy Fink, John Butler Trio, Peter Tork, Melissa Etheridge, Dave Carroll (Trampled by Turtles), Hank Bentley (Kari Jobe), Derek Williams (Jake Owen), Denny Hemingson (Tim McGraw), Kendal Marcy (Brad Paisley), Buddy Woodward (Dixie Bee-Liners), Paul Hagy (Little Big Town), Chris Funk (The Decemberists), Tim O’Brien

Winston MarshallMumford & Sons

Taj Mahal Buddy Miller Bob Carlin

Gary MorseRonnie Dunn

Bill Keith Kevin HaynieJosh Turner

Roger McGuinn

Dave Pomeroy

Kaki King Victor Wooten

John Hawk

Marcy Marxer

Adam Hurt Dan Levenson

Justin BuchananThe Silent Comedy

JD WilkesLegendary Shack Shakers

Leonard PodolakThe Duhks

Kelly Emerson Andy DavisThe Band Perry

Mary Cox

Matt GrundyDonavon Frankenreiter

Pat Cloud Curly MillerThe Old 78’s

Richard Gilewitz Francelle Maria

Terre RocheThe Roches

Cody WaltersThe April Verch Band

Oteil Burbridge

Between the Buried and Me

Noam Pikelny

Rob Anderlik

John & Eric JacksonBrothers on the Run

Boo ReinersDispatch

Ricky Skaggs

Assembly of Dust

Jerry McPhersonFaith Hill

Janet Robin

Drew TaubenfeldDemi Lavato

Dave Dello-RussoThe Primate Fiasco

Tom Doughty

2013 Catalog - Gold Tone

Documents

Transcript of 2013 Catalog - Gold Tone