HHHHstatic.playhousesquare.org/documents/Presskit/Sleeping... · 2013. 9. 6. · HHHH ‘WONDERFUL....

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HHHH ‘WONDERFUL. Bourne’s clever gothic re-write has discovered something beguiling and true’ THE GUARDIAN ‘Bourne the great showman. He brings a wide audience who would not have thought before of coming to dance’ LIZ HOGGARD – THE EVENING STANDARD ‘Britain’s most successful choreographer will blow your mind with his sheer imagination, wit and brio’ THE LONDON TIMES ‘Looks great thanks to the flamboyant design genius of Lez Brotherston’ DEBRA CRAINE, THE LONDON TIMES ‘Sleeping Beauty... rendered in absolutely exquisite style’ DAILY TELEGRAPH ‘Sumptuous sets and costumes’ INDEPENDENT ON SUNDAY ‘Tongue in cheek humour, contemporary references and accessible theatrical dance’ TIME OUT LONDON ‘Ravishing. The choreography is a joy. Bourne’s got another hit on his hands’ THE SCOTSMAN ‘Sumptuous, dramatic, eerie and captivating, the list of approving adjectives could go on and on. A many splendoured thing’ THE SCOTTISH HERALD ‘No other choreographer pulls such a crowd’ TIME OUT LONDON ‘Bourne’s exuberant re-imagining an action-packed evening greeted with cheers’ THE LONDON TIMES ‘A production with a beating heart and a twinkle in its eye’ DAILY TELEGRAPH ‘Brilliantly designed, plenty of style and incident, clean as a whistle in execution’ THE INDEPENDENT ON SUNDAY ‘The hottest ticket in town’ SUNDAY EXPRESS ‘A tightly choreographed delight’ METRO LONDON ‘Lez Brotherston’s sets are handsome, the costumes are utterly exquisite’ SUNDAY TELEGRAPH ‘Extraordinary. Fantastic. Dazzling. Masterful’ SUNDAY EXPRESS ‘An eye-popping gothic delight, its best moments are unforgettable’ THE OBSERVER ‘Lez Brotherston’s wonderful designs. Darkly , wickedly fabulous. Ravishes the eye’ THE OBSERVER ‘Thank heaven for Matthew Bourne. A wonder to behold – A must! INDEPENDENT ‘Luscious, dramatic and smart. Visually sumptuous and action-packed’ THE SUNDAY TIMES ‘Bourne is the great communicator of dance. Incredibly moving and incredibly imaginative’ THE REVIEW SHOW, BBC ‘Visually extraordinary’ THE REVIEW SHOW, BBC ‘Gorgeous gothic reading. An exquisite evening out’ TIME OUT LONDON ‘Lez Brotherston’s designs are magnificent’ THE INDEPENDENT ‘Bourne is a masterly storyteller’ THE NEW YORK TIMES ‘It all works to absolute perfection’ THE SPECTATOR ‘A Sleeping Beauty for today, one conceived especially for the young and those young at heart’ THE SPECTATOR ‘This Sleeping Beauty is destined to wake up and find itself a worldwide smash-hit’ MAIL ON SUNDAY ‘Witty, inventive and touching’ MAIL ON SUNDAY ‘Theatrically effective, sometimes even brilliant. This is Bourne at his best’ THE NEW YORK TIMES ‘Tchaikovsky’s intoxicating music comes magically to life through Bourne’s theatrical inventiveness and richly textured choreography’ THE SPECTATOR ‘Bourne’s work remains extremely popular… lengthy runs and huge audiences more associated with Broadway than ballet’ THE NEW YORK TIMES

Transcript of HHHHstatic.playhousesquare.org/documents/Presskit/Sleeping... · 2013. 9. 6. · HHHH ‘WONDERFUL....

  • HHHH ‘WONDERFUL.

    Bourne’s clever gothic re-write has discovered something beguiling and true’

    THE GUARDIAN

    ‘Bourne the great showman. He brings a wide audience who would not have

    thought before of coming to dance’ LIZ HOGGARD – THE EVENING STANDARD

    ‘Britain’s most successful choreographer will blow your mind

    with his sheer imagination, wit and brio’

    THE LONDON TIMES

    ‘Looks great thanks to the flamboyant design genius

    of Lez Brotherston’ DEBRA CRAINE, THE LONDON TIMES

    ‘Sleeping Beauty... rendered in absolutely exquisite style’

    DAILY TELEGRAPH

    ‘Sumptuous sets and costumes’ INDEPENDENT ON SUNDAY

    ‘Tongue in cheek humour, contemporary references and accessible theatrical dance’

    TIME OUT LONDON

    ‘Ravishing. The choreography is a joy. Bourne’s got another hit on his hands’

    THE SCOTSMAN

    ‘Sumptuous, dramatic, eerie and captivating, the list of approving adjectives could go on and on. A many splendoured thing’

    THE SCOTTISH HERALD

    ‘No other choreographer pulls such a crowd’ TIME OUT LONDON

    ‘Bourne’s exuberant re-imagining an action-packed evening greeted with cheers’

    THE LONDON TIMES

    ‘A production with a beating heart and a twinkle in its eye’

    DAILY TELEGRAPH ‘Brilliantly designed, plenty of style and incident, clean as a whistle in execution’

    THE INDEPENDENT ON SUNDAY

    ‘The hottest ticket in town’

    SUNDAY EXPRESS

    ‘A tightly choreographed delight’ METRO LONDON

    ‘Lez Brotherston’s sets are handsome, the costumes are utterly exquisite’

    SUNDAY TELEGRAPH

    ‘Extraordinary. Fantastic. Dazzling. Masterful’

    SUNDAY EXPRESS

    ‘An eye-popping gothic delight, its best moments are unforgettable’

    THE OBSERVER

    ‘Lez Brotherston’s wonderful designs. Darkly, wickedly fabulous. Ravishes the eye’

    THE OBSERVER

    ‘Thank heaven for Matthew Bourne. A wonder to behold – A must! ’

    INDEPENDENT

    ‘Luscious, dramatic and smart. Visually sumptuous and action-packed’

    THE SUNDAY TIMES

    ‘Bourne is the great communicator of dance. Incredibly moving and incredibly imaginative’

    THE REVIEW SHOW, BBC

    ‘Visually extraordinary’ THE REVIEW SHOW, BBC

    ‘Gorgeous gothic reading. An exquisite evening out’

    TIME OUT LONDON

    ‘Lez Brotherston’s designs are magnificent’

    THE INDEPENDENT

    ‘Bourne is a masterly storyteller’ THE NEW YORK TIMES

    ‘It all works to absolute perfection’THE SPECTATOR

    ‘A Sleeping Beauty for today, one conceived especially for the young and those young at heart’

    THE SPECTATOR

    ‘This Sleeping Beauty is destined to wake up and find itself a worldwide smash-hit’

    MAIL ON SUNDAY

    ‘Witty, inventive and touching’

    MAIL ON SUNDAY

    ‘Theatrically effective, sometimes even brilliant.This is Bourne at his best’

    THE NEW YORK TIMES

    ‘Tchaikovsky’s intoxicating music comes magically to life through Bourne’s theatrical inventiveness

    and richly textured choreography’THE SPECTATOR

    ‘Bourne’s work remains extremely popular… lengthy runs and huge audiences more associated with Broadway than ballet’

    THE NEW YORK TIMES