2012 Mobile Sports Production Yearbook

fEatuRing thESiXth annual REmotE SERvIcES DIREctoRY

2012 MOBILE SPORTSPRODUCTIONYEaRbooK

thE coMPlEtE guiDE to moBILE PRoDUctIoN SERvIcES & tEcHNoLoGY

a SportS Video Group Publication

2012 MOBILE SPORTS PRODUCTION YEaRbooK

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MobilE SPoRtS PRoDuction YEaRbooK 2012 7

table of contents

FRom tHE EDItoRIAL DIREctoR12 A Busy Industry in Transition

cEo RoUNDtABLE17 Truck Vendors Remain

in High GearDespite fluctuating fuel costs, tight credit, and labor strife, the industry is still growing ENGINEERING REPoRt33 Truck Design: IT Settles InProduction units continue shift to network-based infrastructure

NEW TRUCK PROFILES 54 CBC Mobile Productions 60 Corplex 64 Crosscreek Television 70 Game Creek Video 74 Lyon Video 78 Mobile TV Group 86 NEP Broadcasting 92 Raycom Sports

MOBILE SERvICE PROvIDERS100 3ality Technica

Aerial Video Systems AJA Video Systems All Mobile Video Alliance Productions

104 Alpha Video Arctek Satellite Azzurro Systems Beck Associates

106 Bexel Broadcast Services Broadcast Services Intl. Broadcast Sports Inc. Burst CAT Entertainment

108 CBC Mobile CBT Systems Coastal Media Group Communications Engineering CP Communications

110 CSP Mobile Productions Diversified Systems Dome Productions DTAGS Encompass Digital Media

112 F&F Productions Filmwerks Frontline Communications

112 Gearhouse Broadcast Gerling & Associates

116 IDS Illumination Dynamics IMT KTV Mansion Mobile Television

118 Metrovision Production Group NES Communications Services On Call Communications PACSAT ProductionHUB PSSI/Strategic TV

120 Reality Check Systems Show Partners SOS Global Express SPEVCO The Systems Group

122 Token Creek Mobile TV Trio Video VER VISTA Satellite YES Productions

vENDOR SERvICES DIRECTORY130 Crew Services

Regional Listing136 Crew Services

Alphabetical Listing148 Generators

Regional Listing156 Generators

Alphabetical Listing164 Mobile Production Units

Regional Listing180 Mobile Production Units

Alphabetical Listing196 Satellite Trucks

Regional Listing208 Satellite Trucks

Alphabetical Listing

219 moBILE SPoRtS PRoDUctIoN GEaRBaSE

Details of the equipment found in more than 175 of the top trucks from 30 vendors

236 AD INDEx Directory of SVG sponsors

2012MOBILE SPORTS PRODUCTION YEaRBOOK

Paul Gallo, Executive Director [email protected]

Tel: 212.696.1799

Martin Porter, Executive [email protected]

Tel: 516.767.6720

Ken Kerschbaumer, Editorial [email protected]

Tel: 212.481.8140, Fax: 212.696.1783

Jason Dachman, Managing [email protected]

Tel: 646.861.2373, Fax: 212.696.1783

Brandon Costa, Associate [email protected]

Tel: 646.861.2370, Fax: 212.696.1783

Karen Hogan, Assistant [email protected]

Tel: 646.559.0434, Fax: 212.696.1783

Carolyn Braff, Contributing [email protected]

Susan Qualtrough, Copy [email protected]

Rob Payne, Director of Sponsor Development

[email protected] Tel: 212.481.8131

Andrew Lippe, Membership & Client Services Manager


Andrew Gabel, Sales & Marketing Coordinator


Cristina Ernst, Circulation Manager [email protected]

Tel: 917.309.5174

Riva Danzig, Art [email protected]

Tel: 917.602.4588

About SVGThe Sports Video Group was formed in 2006 to support the professional community that relies on video, audio, and broadband technologies to produce and distribute sports content. Leagues,

owners, teams, players, broadcasters, Webcasters, and consumer-technology providers have joined SVG to learn from each other, turn vision into

reality, and implement innovations, while sharing experiences that will lead to advances in sports

production/distribution and the overall consumer sports experience.

Mission:To advance the creation, production, and

distribution of sports content.To provide a knowledge resource for the growing

community of sports video professionals working for broadcast/broadband organizations, professional teams

and leagues, collegiate and secondary schools, and facilities.

To facilitate a dialogue with manufacturers, suppliers, and technology developers that will improve the quality

and profitability of sports programming.

PRINTED IN THE USA

Published by sPorts Video grouP

260 Fifth Ave., ste. 600 New york, Ny 10001

tel: 212.481.8140 Fax: 212.696.1783

www.sportsvideo.org

12 MobilE SPoRtS PRoDuction YEaRbooK 2012

SVg

advi

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rd A Busy Industry In Transition

For the past six years, SVG’s Mobile Production Yearbook has reflected indus-try trends as it relates to truck design and layout. The transition to fiber in-

frastructures, reliance on server-based replay systems, and whether a truck can handle 1080p/60 (and 3D as well) have been some of the categories that have arisen over the years.

But this year’s Mobile Sports Production Yearbook may signal the beginning of an end of an era in which remote operations are truly remote. Both the CEO Roundtable and the Engineering Report reflect an evolving remote-production universe that will find the trucks in the field increasingly tied to studio and edit-ing operations thousands of miles from the sports venue.

As Jerry Steinberg of Fox Sports notes, “We seem to be at the end of baseband video as a way to move images.”

So what does a move to “beyond baseband” mean for the remote-production industry? A shift to moving video via IP and fiber and as files and packets will transform trucks from production hubs to storage and signal-transport hubs. In the near term, don’t expect front-bench and “mission-critical” staffers to be lo-cated in a broadcast studio, but there is definitely an opportunity to have an army of staffers thousands of miles away from the venue creating more-dynamic show opens, closes, and highlights, as well as better graphics and effects.

How will that impact the truck specifications that will be important in finding the right unit for the right job? Concepts like signal throughput, server storage capacity, and IP connectivity will rise in importance. And there is at least the po-tential to get by with a smaller production truck because some personnel could work remotely. Whether the producers and directors can handle working in a smaller truck is another issue altogether.

For now, the industry is taking baby steps in moving remote operations “be-yond baseband.” But those steps have been successful and have resulted in a bet-ter on-air product, better archives back at the broadcast facility, and cost saving in terms of travel and personnel.

The biggest obstacle now is that the backhaul circuits that connect the re-mote-production facilities to broadcast operations have not quite caught up to allow “beyond baseband” to extend to events that don’t take place at major sports venues. But companies like HTN and Level 3 continue to explore business opportunities related to sports venues, such as college stadiums and arenas — moves that could greatly make “beyond baseband” a broader reality.

All those changes may, eventually, change the very nature of the Mobile Sports Production Yearbook and the always valuable Gearbase directory found at the end of the publication. But the demands of the here and now have sports broad-casters and the vendors found within these pages focused squarely on such is-sues as moving to embedded audio, 1080p, and 3D.

The good news? Despite a still struggling economy, many of the remote-production–service providers are bullish on future opportunities. There is a continuing uptick in demand for HD-capable production units, financing is be-coming (slightly) easier to get for new builds, and technological advances have allowed trucks to pack more power into a 53-ft. trailer than ever before.

And that is good news indeed for all involved.

The Sports Video Group is comprised of leading industry figures who are committed to technical excellence in the sports industry. Members help guide the direction of the organization, consult on various group initiatives, and enable more dialogue across differ-ent industry segments.

ChairmanSteve hellmuth, NBA, EVP, Operations and Technology

adviSory Board memBerSKen Aagaard, CBS Sports, EVP, Operations and

Production ServicesAdam Acone, Industry ConsultantGlenn Adamo, NFL ,VP, Media Operations and BroadcastingPeter Angell, Infront Sports and Media, Director,

Production & Programming DivisionAndrea Berry, Fox Network Engineering and Operations,

SVP, Broadcast OperationsChuck Blazer, FIFA Marketing and TV, DirectorDavid Catzel, Microsoft, Platform Services Adviser, DPEChris Calcinari, ESPN, VP, Event OperationsJason Cohen, HBO Sports, DirectorJoe Cohen, HTN Communications, Chairman and CEOMichael Cohen, Industry ConsultantDon Colantonio, ESPN, Senior Director of Production

EnhancementsCindy Cortell, MLB Network, Director of ITMichael Davies, Fox Sports, VP, Field OperationsPreston Davis, ABC, President, Broadcast Operations and

EngineeringScott Davis, Industry ConsultantJim DeFillipis, Fox Technology Group, SVP, Television

EngineeringEd Delaney, YES Network, VP, OperationsJed Drake, ESPN, SVP and EP, Event ProductionDave Dukes, PGA Tour Entertainment, Senior Director,

Technical OperationsRussell Gabay, Major League Baseball International, VP and

Executive ProducerJerry Gepner, Bexel Broadcast Services, CEOSteve Gorsuch, USTA Billie Jean King Tennis Center, Director

of Broadcast OperationsMark Haden, MLB Network, VP, Engineering and ITDeb Honkus, NEP Broadcasting, CEOGeorge Hoover, NEP Broadcasting, CTOJeff Jacobs, MTV Networks, VP, Production Planning and

StrategiesRobert D. Jordan CFE, Venue Research and Design,

Managing PartnerJohn Kvatek, University of Central Florida Athletics

Association, Director of Video ServicesJohn Leland, Origin Digital, VP, Global Media OperationsLouis Libin, Broad Comm, PresidentJodi Markley, ESPN, SVP, OperationsMichael Meehan, NBC Sports, VPKen Norris, UCLA, Director of Video OperationsGary Olson, CONCACAF, CTOChuck Pagano, ESPN, CTODel Parks, Sinclair Broadcast Group, VP, Engineering and

OperationsPatty Power, CBS Sports Network, SVP, OperationsPaul Puccio, Industry ConsultantScott Rinehart, NASCAR Media Group, Director of Internal

OperationsLarry Rogers, FirstinTV, PresidentMike Rokosa, NBA, VP, EngineeringBob Ross, CBS, SVP, East Coast OperationsTom Sahara, Turner Sports, VP, Operations and TechnologyChuck Scoggins, Industry ConsultantBruce Shapiro, Speed, Coordinating Technical ProducerJack Simmons, Fox Sports, SVP, ProductionDon Sperling, New York Giants Entertainment, VP and

Executive ProducerJerry Steinberg, Fox Sports, SVP, Field OperationsSusan Stone, MLB Network, SVP, OperationsPatrick Sullivan, Game Creek Video, PresidentJohn Ward, DIRECTV Entertainment, SVP, Production &

Traffic OperationsErnie Watts, Turner Studios, Senior Director of Technical Ops,

Live EventsJeff Willis, ESPN, Coordinating Technical Manager of EventsRichard Wolf, ABC, SVP, Telecommunications & Network

Origination ServicesDave Zur, Altitude Sports & Entertainment, VP, Operations Ken Kerschbaumer, SVG Editorial Director


cEo Roundtable

Although the excitement surrounding 3D sports production has subsided, new HD avenues like Web and mobile streaming and mid- to low-level college sports offer potentially valuable new revenue sources for mobile-production providers.

“I think the industry is definitely in a good place,” says Game Creek Video President/owner Pat Sullivan. “For reasons that honestly escape me, the ratings have been amazing in almost every sector. When ratings are high, our customers can charge advertisers more, which allows them to aggressively invest in rights. They obviously need [mobile vendors] to take advantage of those rights, and that is where we can benefit.”

Nonetheless, challenges remain for an industry that is often at the mercy of conservative financiers, spastic fuel prices, and the troubling labor issues of professional sports leagues like the NBA and NFL.

“The future of our business looks extremely bright — until you factor in a pro-sports strike or lockout,” says Mobile Television Group GM/co-owner Phil Garvin. “That’s just the nature of the business. So

part of our job is to anticipate them. A loss of dates [due to a lockout] is a horrendous blow, but we’ve planned for it.”

Bigger Rights Deals Means More HDRegardless of the NFL’s and NBA’s labor struggles,

the demand for live sports television has never been higher, a fact that is most apparent in the recent whirlwind of big-money rights deals between leagues and networks. Networks are investing in sports at a record clip on both the national level — see ESPN’s eight-year, $15.5 billion Monday Night Football pact — and regional level — for example, Time Warner Cable’s 20-year, reportedly $3 billion deal with the Los Angeles Lakers to launch two RSNs.

This increased investment has resulted in increased need for HD resources, especially in the RSN sector, where fans now demand the same HD quality seen in national network telecasts.

“The networks have been doing big HD trucks for a while, but now you also have regional nets doing full HD,” says Alliance Productions GM Craig Farrell.

truck Vendors Remain In High GearDespite fluctuating fuel costs, tight credit, and labor strife, the industry is still growing

“I think the industry is definitely in a good place....The ratings have been amazing in almost every sector.... Our customers can charge

advertisers more, which allows them to aggressively invest in rights.” —Pat Sullivan, President, Game Greek Video

by Jason Dachman

Thanks to sky-high ratings and a series of lucrative new rights deals, the sports-production industry has seen a surge in both revenue and overall

growth over the past year. Even with labor problems hitting both the NFL and the NBA in 2011, demand for HD mobile units by national networks and regional sports networks (RSNs) around the country continues to rise. As a result, several mobile vendors have rolled out new HD trucks this year, nearly all booked solid, and plenty more are planned for 2012.


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are building truly regional HD trucks. That is where the biggest growth is in the industry right now.”

Nowhere is this trend more apparent than in college sports, where the market’s crown jewel, football, has caused a tectonic shift in conference alignment, as well as a seemingly endless string of multimillion- and often billion-dollar rights deals and conference-network launches. As a result, football games that previously called for SD trucks now demand HD units, and conferences and schools are often willing to deal with the lowest bidder.

“The biggest trend we are seeing is that the events that were in SD a year ago — mostly college — are now asking for HD trucks,” says Garvin. “The problem with that is, they don’t have the budgets that the high-profile shows do. These clients are asking for HD trucks for SD prices. It is our job to try to accommodate that. If you can’t figure out how to do formerly SD shows in HD for a similar price, then someone else will.”

Mobile-production vendors are also beginning to peel back another layer in the college-sports market, beyond top-tier football, as conference- and school-specific networks like the Big Ten Network, the Longhorn Network, and the Pac-12’s soon-to-be launched conference and regional networks become popular.

“The big networks and conferences have billions of dollars tied up in rights to televise and distribute college sports events,” says Sullivan. “But they are probably only doing 20% of the inventory they have the rights to. So that extra 80% is going to have to be done somehow. It might be done on a low budget with a few students on a streaming show, but I think there are huge opportunities for our business to look at that and see if we can take advantage.

“If you look at the long-term time spans that these conference packages are running,” he continues, “they are clearly going to be all-HD at some point in time soon. It’s incumbent on guys like us to create a platform that is efficient for doing those lower-end events in HD. Otherwise, we risk them taking a different route entirely.”

Checking in on 3DAt CES 2010, the excitement surrounding 3D sports

and 3D production could not have been higher, with plans announced for three new networks: ESPN 3D, DIRECTV’s n3D, and Sony/Discovery/IMAX’s 3net. And, although the technology and strategy behind 3D sports production have progressed by leaps and bounds, interest from consumers and broadcasters seems to have waned.

“The buzz of 3D just is not what it was two years ago,” says Farrell. “There are not as many clients asking for 3D because they think 3D is the next big thing. Instead, everyone is on their heels now waiting to see what happens. I don’t think 3D is dead, but I think the big 3D push came a little too early. The truck companies and [the technology vendors] are making money on 3D, but I don’t think the broadcasters or pretty much anyone else is making money on it yet.”

CE SupportNonetheless, consumer-electronics companies

looking to sell 3D sets — notably, Sony, Panasonic, and LG — have kept 3D sports production alive during its infancy by sponsoring 3D networks and 3D one-off events. This has allowed 3D remote production to mature under the supervision of vendors NEP (which has two 3D units dedicated to ESPN 3D and n3D) and All Mobile Video (Epic is used primarily for entertainment shows).

“We are extremely happy about the relationship we have with ESPN and DIRECTV in supporting their 3D efforts and definitely believe there is a future there,” says NEP Supershooters President Mike Fernander. “Look what happened with ESPN carving out 3D as part of the Monday Night Football deal. I think that is an indication that people see this as a long-term market. Will it look exactly like it does today? Probably not, but I think there definitely is a future for it.”

Work Stoppages Mean New ChallengesNetwork and mobile vendors alike narrowly

avoided a potentially disastrous scenario when the NFL owners and players finally inked a new labor agreement in July. Unfortunately, the same cannot be said of the NBA, which has already lost a significant chunk of the season to a prolonged lockout.

While every truck company does its best to plan for work stoppages, each has its own strategy. Mobile TV Group, for example, allocates a small portion of the revenue from every show to a “rainy-day fund.” With cash reserves on hand, MTVG has pledged to its employees that there will be no layoffs as a result of the NBA lockout.

“I realize that work stoppages hurt everyone, but there are few other industries that are hit as hard [by a lockout] as the mobile-production industry,” says Garvin. “We have payments on our trucks, and those payments don’t stop just because we just lost a bunch of NBA or NFL dates. We still have to make those payments every month.”

Game Creek and NEP, among others, do their best to rebook trucks on alternative events, but, in


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the end, there is no way to make up for 100% of the revenue lost.

“After looking at the [2004-05 NHL lockout] and initially thinking it was going to be absolutely devastating, clients ended up finding alternative programming to fill their airtime,” says Sullivan. “Was it as lucrative as doing a full NHL slate? No. And that’s something that we have to expect. But I believe that, if there is a long-term NBA work stoppage, there will be alternative programming that will prevent us from just getting zero revenue out of the whole situation.”

The biggest concern for many companies during a work stoppage is the impact that a major influx of available trucks will have on the market’s supply and demand dynamics.

“The loss of NBA dates doesn’t hurt us much because we don’t do a whole lot,” says F&F Productions founder/CEO George Orgera. “What is going to hurt us is that there are going to be a lot of extra trucks around looking for work and competing for those middle-of-the-week one-offs that are our gravy business.”

The F Words: Fuel Prices and FinancingAmong the biggest concerns for several mobile-

production companies over the past three years has been an inability to obtain financing to build new trucks and the chaotic price fluctuation of diesel fuel.

The remote-production industry was hit especially hard by the recession of the late 2000s. Companies suddenly found themselves unable to raise funds to build new trucks and, often, to pay for the trucks already on the road. Since then, the truck-financing landscape has leveled off but has yet to return to the glory days of the mid 2000s.

“It’s not as easy as it was in 2007, but it’s definitely getting better,” says Corplex President Scott West. “For our new truck, Chromium [rolled out in September], it took a lot longer to put the dollars together in order to do it. You’ve seen more people building. It’s not crazy building, but they are building. That is up from basically no building in 2009.”

With banks and private financiers taking a far more conservative approach to the industry, smaller, younger truck companies face major roadblocks in their efforts to make the HD leap.

“Smaller companies are now having troubles with financing,” says Farrell. “The same deals that financiers made available before are no longer out there. They want guarantees and do not want to build a truck on [speculation]. That is definitely hindering the rollout of new HD units and the overall transition from SD to HD. We have a couple companies who are trying to make the move to HD, but it’s not that easy.”

Once the new trucks hit the road, it is more expensive than ever to transport them from venue to venue. Just like the consumers who watch the sports they produce, truck companies have been hit hard at the pump. Although the cost of fuel has leveled off slightly in recent months, the threat of a sudden jump continues to plague mobile-production companies, which often face hundreds of miles between events.

“The [cost of fuel] is key,” says West. “We are trying to be smarter about what jobs we take and how we take them. We don’t typically take a job out west [Corplex is based in Lake Bluff, IL] unless we’re contracted or we can put enough shows together to make it worthwhile. So, yes, it’s a factor but not nearly as much as it was at its peak a few years ago.”

The Bottom Line Is UpEven with fluctuating fuel costs, a conservative

financing landscape, and tumultuous labor situations, the mobile-production industry is in far better shape than it was three years ago. With ratings, ad revenue, and rights investments reaching new heights, major networks and RSNs are more willing than ever to spend on remote-production resources, opening the door for mobile-production companies to boost revenue and continue to expand and upgrade their fleets.

“I’m not sure about the [immediate future] of the overall economy, but I think sporting events are something that people are always going to want to watch,” says West. “The demand in our industry is going to be strong for quite a while, so I’m very optimistic about the next few years.”

Additional reporting by Brandon Costa

‘“I realize that work stoppages hurt everyone, but there are few other industries that are hit as hard [by a lockout] as the mobile- production industry.”

—Phil Garvin, GM Mobile Television Group


Engineering Report

There is little doubt that today’s trucks have become the equivalent of large-scale IT networking environments. First, there are the EVS servers used for replay and camera recording. More and more EVS units, despite their high cost, are making their way into vehicles as tape becomes a thing of the past. And most of the other tools — the production switcher, the graphics and editing systems, audio gear — are computer-based.

And all those tools require additional IT-based networks on board. WiFi, Ethernet, and other means of connectivity can often require today’s engineers to juggle more than 10 networks. And, with operators in the truck increasingly looking to use those networks to check e-mails or surf the Web, it is important to protect mission-critical functions from outside users.

As much as IT is changing the truck infrastructure, it is also changing what can be done out of a single remote-production facility.

Fox Sports, for example, now has EVS servers at its studio operations in Los Angeles, pulling in camera signals from EVS servers in the remote-production unit at the network’s top NFL game

each week. The goal? To allow the editors creating highlight packages access to different camera angles instead of just the line cut of the game.

To Tom Sahara, SVP of engineering and operations, Turner Sports, tying remote and studio operations together is the Holy Grail of remote broadcast production. “It’s about everything related to what is happening at the venue,” he says. “If there is a milestone or league record [about to be broken] and

truck Design: It Settles In Production units continue shift to network-based infrastructure

by Ken Kerschbaumer

Remote-production-facility providers across the country, and around the globe for that matter, continue to see truck design and

engineering move from a video-based to an IT-based environment. “The truck of the future is definitely about being connected,” says Jerry Stein-berg, EVP of operations and technology, Fox Sports. “We seem to be at the end of baseband video as a way to move images and sound. As the signal flow becomes IP-based and trucks are connected to studios, they can move signals in a much different way.”

Today’s mobile production units are almost unrecognizable from a decade ago, with digital and IP-based workflows.


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rt there is a need for archive footage, the con nectivity allows the editor to search the library at headquarters, find a clip, and transfer it back to the remote.”

Reaching that Holy Grail will have a ripple effect on studio operations, reducing edit sessions because more work can be done in the field. And producers will finally be able to search for content at their own convenience, rather than requiring material to be loaded into an editing system.

But there are still issues at the regional level, says Ken Stiver, VP of engineering/operations, Mid-Atlantic Sports Network. “We don’t have connectivity in every venue to send files back and forth, and getting those pipes into venues is difficult.”

Sahara says the use of larger IP pipes also is transforming some of the traditional workflows, such as creating melt tapes or drives and sending physical media back to a broadcast facility for the archive.

“Outside of the hours of the telecast, those large pipes can do file transfers and be actively managed,” he observes. “So, on the truck side, we need to build that bridge that converges the broadcast side with the digital properties. We will produce the program and check a box where it is going to and what format it needs to be in, and then a software application will determine what the final product is.”

As much as IP pipes are changing the hardware and software in a truck, they are also changing the skill sets of engineers.

Says Game Creek Video President/owner Pat Sullivan, “There has been a complete transition from a traditional broadcast engineer when I started in this business in 1998 to guys that are IP- and network-savvy and solve problems by using the networks and IP.”

Perhaps the biggest indicator that 3D is on its way to sports-TV relevance is ESPN’s progression toward a combined 2D/3D production model. Long viewed as the Holy Grail in the quest for cost-effective live 3D sports production, the single-truck 2D/3D setup uses one crew and relies on the left-eye feed from the 3D show for the primary 2D telecast. Casually referred to as 5D, this model has been used by ESPN for X Games, Little League World Series, NBA and college basketball, and several boxing matches.

“5D gets much closer to the end objective, which is

to be able to produce a 2D/3D show at the same price that you can produce 2D,” says NEP Supershooters President Mike Fernander. “And without finding a model like that, you’ll never get there. The question is, at what events are they willing to compromise the 2D production in order to do a 3D production and to what degree? I think, over time, there is going to be a blend of the two that will eventually become a single production. ESPN has gone a long way in doing that.”

However, with the exception of NEP and All Mobile Video, no U.S. truck companies have invested in a 3D truck. Much of the industry’s trepidation is due to concern that consumer-electronics companies may not always be there to cover the steep cost of an independent 3D production.

“The CE manufacturers are pushing this, and, if that money goes away, then so does 3D,” says F&F Productions founder/CEO George Orgera. “If they’re not there to pay the bills, it’s not going to happen. Our trucks are capable of doing it if you just add some 3D rigs, but we see no reason for F&F to jump in there right now.”

Sullivan seconds that notion, saying he prefers to invest in alternative up-and-coming truck technologies like 1080p and 3G. “There is no economic model for 3D to exist other than through

Game Creek Video’s Kevin Callahan has seen rising demand for producing multiple shows out of a single mobile unit.

“Every truck designer is dealing with legacy formats, and the question is, when can we make them go away?”

George Hoover, CTO, NEP Broadcasting


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rt support from [CE companies]. We have chosen to focus more on 3G and 1080p because I think there is a long-term model for that to pay for itself.”

Content creation for interactive TV services and Web streaming are also impacting truck design and infrastructure. Game Creek Video’s production unit at the U.S. Open golf championship is used by ESPN and DIRECTV to create both an interactive TV service, which allows viewers to choose from different cameras around the course, and Web-streaming coverage.

“We now do three or four broadcasts out of one set of production trucks,” says Kevin Callahan, Game Creek Video’s engineer-in-charge for the Fox Sports mobile units. “At U.S. Open golf, the majority of our truck was dedicated to the DIRECTV U.S. Open mix channels and the Internet streaming. And they looked like traditional shows; you would walk into the truck and have no idea that it was segmenting things. They all looked like full productions, with a second control room operating in tape release and a third control room for a third show.”

As trucks begin to be used for more than one production, there is also the potential for encoders, which repackage the video and audio signals for delivery straight to Websites and mobile devices, to reside in production trucks.

Sullivan says that, so far, remote-production service providers have avoided that move. “Those encoders can be very temperamental, and our guys have enough on their plate without having to deal with that.”

More Feeds Than EverAs consumer viewing habits drift towards laptops,

tablets, and smartphones, the mobile-production industry is presented with an intriguing new revenue stream. However, up to this point, Webcast and multiplatform distribution has consisted of little more than a secondary crew and setup in a B unit.

“I can’t think of an event that we’ve done out of a mobile unit that went straight to Web and did not have a television element,” says Fernander. “Now, do I think that will never happen? I never like to say never. It’s already happening in other markets — for entertainment, premieres, talk shows, and so on. I think sports could potentially get there, especially for college sports. But, to date, I just haven’t seen it.”

However, streaming isn’t the only additional outlet that now falls under the umbrella of your average mobile unit. Home and away feeds, a clean and/or dirty feed for the league, international feeds, isolated camera angles, a Spanish or second-language feed, and a host of others are quickly becoming necessary components of a typical production.

“Having different outlets for the same content has

really increased the demand for mobile resources within the compound,” says Corplex President Scott West. “That is definitely a good thing for the industry because the more outlets there are, the more infrastructure and people you need at the compound to handle programming. The influx of new-media needs into the remote-production environment makes truck designers ready to leave some of the legacy formats behind.”

Says NEP Broadcasting CTO George Hoover, “Every truck designer is dealing with legacy formats, and the question is, when can we make them go away? In 1998, trucks would support stereo or maybe Dolby Pro Logic, but now they have to support 16 embedded audio streams, discrete audio signals, AES audio, analog audio, MADI audio, and maybe Cobra Net audio.”

When it comes to easing operations, one of the major trends in engineering is “embedded” signal transport, whereby the audio and video signals travel together. The reason is fairly simple: recording devices like EVS servers simply don’t have enough independent connectors to handle discrete transport of each audio channel.

While there may be interest in eliminating a video infrastructure that supports analog audio, sometimes

The ability to interconnect with fiber-based venues is top-of-mind for many truck design and engineering teams.


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rt it is the only way to move the video signal. But, when the day comes that analog support is left behind, there are benefits besides less complex signal transport. “We are longing for that day so we can get weight out of the truck,” says Hoover.

Reducing truck weight to less than 80,000 lbs. is only part of the equation. Trucks also need to meet increasingly tough emissions standards.

“Green tractors weigh more than the old ones,” Hoover points out. “And everybody is having to address the new emissions standards.”

For example, taking a truck to Hawaii for NEP meant making sure it was “green-certified” by California because it needed to reach the ports there.

The one upshot is that some of the changes, such as moving to LED lighting, is having a positive impact. “LED is great as it saves space and has less heat,” says Hoover.

Riding the Technology CurveThe move to IT is also speeding up the equipment-

replacement cycle.“Nothing we put in will last more than five years,

with the exception of the audio console and maybe other equipment, like lenses,” says Hoover. “But everything else will be new, like EVS servers or a new version of the production switcher.”

Also being switched out now? Older monitors. All of F&F Productions’ trucks, for example, have been upgraded to virtual monitor walls, according to Orgera.

“GTX-16 already had a virtual monitor wall, but we switched out the 15, 14, and 12 to virtual monitor walls and then put 15’s LCD monitor wall in 11,” he says. “I think [virtual monitor walls] are an absolute must in every truck we build. We are getting rave reviews out of these Boland monitors and the Evertz [multiviewers] that we have for the monitor wall. [Clients] can get whatever [video source] they want where they want it and how they want it. You just can’t do that with an LCD wall. Next year, we may put a virtual wall in 11 as well.”

The high-speed–camera market is another hot one, and F&F has its eye on the Ikegami NAC super-slo-mo that will be available early next year, Orgera says. “It acts like a real camera but also has full super-slo-mo [capability]. I know one of the networks has demoed it a couple times, and they’re just raving about it.”

Hoover thinks the super-slo-mo market should be sorted out within the next two or three years. All the camera manufacturers now offer double-speed

recording as a standard feature, “but that may be too little too late for those who have already added 100-times cameras,” he opines. “The world loves high-speed cameras.”

As for next-generation delivery formats like 3D and 1080p, although the trucks have a 3G routing infrastructure that can move the signals, nobody on the client side is ordering 1080p facilities, and the 3D format continues to be a niche product for ESPN and events like the US Open tennis championship and The Masters golf tournament.

“There is a price delta on 1080p, depending on how you choose to make the capital purchases,” says Hoover. “So one has to look if it is worth the extra $500,000 to be 1080p-capable if no one wants to use it. Or do you need the extra routing capacity to handle a long-term contract?”

Adds Orgera, “We’re hearing more and more about 1080p, and we’re going to be updating GTX-15 either next year or the year after with a Kayenne switcher and make it 1080p. All cameras on 16 are 1080p, but the switcher and EVS have to be updated.”

One thing is certain: no matter how closely tied the remote facilities are to the studio operations, don’t expect producers and those responsible for telling the story of an event to be comfortable working anywhere but at the site of the event.

“At the level of what we do for a network show, there is no way to do it remotely,” says Sahara. “Once you have all of the camera and audio people out there, you might as well [have the rest of the team] out there.”

Adds Steinberg, “What we do is tell stories, and producers and directors need to be able to talk to team management and be on-site to meet with teams or go to the practice facility. Sitting in L.A. while trying to cover a game in Green Bay does not help tell the story.”

That said, Sahara notes that camera and audio signals can be sent from smaller sports events to a broadcast-operations center, provided a limited number of cameras are used.

“Those shows are not following the storylines to the extent that network shows are,” says Sahara. “So there will be opportunities to bring feeds back to a central studio for production.”

But, even at a regional level, those opportunities are limited, though with increasing technical complexity.

“I never see that day happening, even on smaller events,” says Stiver. “Even if you do a small show, you still need someone there.”

Additional reporting by Jason Dachman

Mobile SportS production Yearbook 2012 49

This section of the Yearbook represents a slight shift in direction, putting the focus squarely on the providers’ latest and greatest trucks. In the following pages, you’ll find articles about and photos of the trucks that hit the road this year.

Not only can you find out if a particular truck meets your needs, but you can also bet-ter understand the design and engineering philosophy behind it. Best yet, by the time

you finish reading the section, you’ll have a big-picture understanding of the latest engi-neering trends, why they are being embraced, and what they mean to your future remote productions.

For details on equipment in the trucks cov-ered and the suppliers’ other offerings, please turn to the Gearbase section, beginning on page 199.

Profilesnew truck

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54 Mobile SportS production Yearbook 2012

CBC MoBile ProduCtions

For CBC Mobile Productions, the timing could not have been more ideal. In January, the

company will roll out Infinity, the latest addition to its fleet, after a perfect storm of opportunity made adding a truck possible, economical, and necessary.

In early 2011, CBC was approached by a Montreal-based truck vendor looking to sell a small mobile unit, which had relatively new all-HD equipment. At the time, CBC was leasing three 53-ft. expando SD trucks, including a 2006 Gerling-built trailer.

“We said, here’s an interesting opportunity to get a great deal on used HD equipment and get a trailer that’s actually fairly new for a great price,” says Dale Smith, director, CBC Mobile Productions.

With the lease on the SD mobiles set to expire, CBC exercised an end-of-lease option to purchase them, having already decided to move forward on purchasing the small HD unit. Of the three SD trucks bought by CBC, one was decommissioned to be sold as a rack-ready 53-ft. expando; another is being kept in service. The third truck, the 2006 Gerling , is currently being converted from SD to HD. It is called Infinity.

“We created a build of an HD truck at half the cost of the Évolution truck we built a year ago,” said Smith. “Évolution and Infinity have very similar layouts and engineering functionality.”

The 53-ft. expando features an Evertz EQX router, a Grass Valley Kalypso switcher, and a 48-multilayer Calrec Artemis audio console with Bluefin technol-ogy. Chyron’s HyperX3 and Lyric Pro and a Harris Inscriber G3 will drive graphics for Infinity, and two six-channel EVS XT[2] servers will provide replays.

The truck will also house two HDCAM and one HDCAM SR decks, XHub[2], XFile2, DigiBeta, Beta SP/SX, DVD, and Sennheiser, Crown, and Sony microphones.

Equipped with six Sony HD cameras, and Canon and Fuji lenses, Infinity is uniquely positioned to give a large-production feel to smaller events.

“What we’re basically doing is bringing a six-camera truck onto the marketplace [that] has the

real estate of our 53-ft. expando trucks,” explains Smith, “[for] production companies [that] only require four to six cameras and a couple EVS units but don’t want to go into a smaller truck.”

Currently being integrated and wired by Diversi-fied Systems in Santa Clara, CA, Infinity will come online in December and be put into full service in January. While the truck has the functionality to build on and can be expanded for larger produc-tions, CBC sees Infinity as a large truck for smaller, budget-conscious productions.

“Too often, we see, in our industry, clients go into a midsize HD mobile and overutilize the resources of that truck, not only from a space [per-spective] but from an engineering point of view,” explains Smith, “whereas we’re bringing a truck on the market that’s not going to cost the same as a large HD unit but allows us a lot of flexibility to handle the small-budget shows and build on it for the large-budget shows. This way, we bring the best of both worlds to our clients in one mobile.”

Infinity is still a work in progress, with plans to bring the mobile unit online in December and roll it out in January.

CBC MOBILE PRODUCTIONS

866.929.9995www.cbc.radio-canada.ca/mobile

09_09_30Official logotype

infinity to Give small shows the Big-Production treatment

by karen Hogan

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Corplex President Scott West has been so pleased with his fleet’s second HD unit,

Iridium (introduced in 2008), that he easily could have built an exact copy to help handle the increased work load headed his company’s way. However, future-proofing Corplex’s new-est mobile unit, Chromium, quickly became a top priority.

“The original goal was to build the same truck,” says West, “but it’s been three years since we did the last one. There’s been a number of advances in technology, and we wanted to take advantage of those in this next truck. So the look and feel is very similar to the last one, but the infrastructure and power is much greater in Chromium.”

Designed by VP of Operations and Engineering Dave Greany, Chromium and its support unit, Nickel, build on the success of their sister units — Iridium and Zinc, respectively — and have similar floor plans. However, Chromium has significant infrastructure improvements intended to set it up for success for years to come.

The most notable upgrades include a new Calrec Apollo 128-fader audio console, fully equipped with eight TFT meter screens and eight touchscreen assignment panels, and a Grass Valley Kayenne production switcher, with integrated Summit four-channel ClipStore server.

For West, however, the most important improve-ment on Chromium is the Evertz EQX and EMR router with its Magnum unified control system, which allows significant embedding and de-embedding.

“That’s really a big change in the industry over the past few years,” he says. “It kind of sneaks up on you because we have a little bit of that on our first truck, and we have more on Iridium, and it just seems like you never have enough when you go to these shows. So we revised the audio plant and decided to make the embedding and de-embedding all within the router, make it very simple, and have there be a lot of it.”

To help round out the foundation of the mobile unit, an EVS XT[2] server was also added to the plan and has worked well. Other items “in the racks” — MADI for the ADAM intercom; the Wohler MADI 8

speakers; Evertz HD2014 PassPort converter, frame synchronizer, and decoder; and fiber connectivity — give Chromium/Nickel the ability to handle large signal quantities in multiple formats.

Integrated by Diversified Systems, Chromium debuted on Sept. 1, broadcasting the Green Bay Packers-Kansas City Chiefs preseason game. It’s the third HD unit in the company’s fleet and was booked through the fall by CBS Sports Network (Army Football), CBS Sports (NFL), and MLB International for the MLB postseason. It will also be involved with the Rodeo Finals in Las Vegas for Winnercomm and with the 2012 Super Bowl for NFL Network.

“There had been a lot of business that we had been turning away over the past several years just because we didn’t have the capacity to cover it,” says West. “So now we’re able to look at different pack-ages and be able to retain a lot of that business that we had to pass on.”

CORPLEx915 Sherwood Dr., Lake Bluff, IL 60044Tel: 847.582.8800 / Fax: 847.582.8730

www.corplex.tv

CorPlexChromium Hits the road ready for the Future

by brandon costa

Chromium increases capacity with Evertz router allowing embedding/de-embedding and MADI in a small footprint.

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CrossCreek television

Two years ago, procuring funds for an HD mobile-production unit without a dedicated

contract from a broadcaster would have been next to impossible. However, as the economy claws its way back, mobile-production vendors like Crosscreek Television Productions have found it less difficult to obtain financing for new trucks. Proving this trend, Crosscreek will roll out its third HD mobile unit, Voyager 10, in December, without an exclusive contract.

“With the economy a year or two ago, you just couldn’t build an HD truck without a [dedicated] contract,” says Crosscreek President/CEO Spruce McCree. “We even had a hard time getting the money for Voyager 9 [which debuted in summer 2009] even though it had two contracts on it. I don’t know if it’s a sign of industry [recovery] or just a sign of [rising] demand, but we know that, if we put it out there, it’s going to get used.”

The 53-ft. HD expando will operate autono-mously, without a B unit, similarly to Crosscreek’s Voyager 8 and Voyager 9. To enable seamless client crossover, Voyager 10 has an almost identical lay-out to those two trucks, featuring three production benches and a separate slide-out technical manager position.

“All of our [mobile units] are self-contained in one truck,” says McCree. “It keeps clients’ costs down. And the logistics of having to park two trucks in some of these smaller venues can be very dif-ficult.”

Voyager 10 will feature a Grass Valley Kayenne production switcher, a Chyron Duet HyperX3, four EVS replay servers including an EVS XFile, and a Pesa multirate video router. Also on board will be eight Sony HDC 1500 cameras with Fujinon 88x lenses.

The highlight is the new Calrec Artemis audio mixer with Bluefin2 technology and two MADI interfaces. The Artemis boasts up to 680 channel-processing paths, 128 program buses, 64 IFB/track outputs, and 32 auxiliaries.

Although Alabaster, AL-based Crosscreek plans to deploy the truck primarily on regional B- and

C-level college events through Alliance Productions, Voyager 10’s infrastructure allows easy installation of additional cameras and EVS servers to produce an A-level network show, should the need arise.

“We have been unable to address the massive needs of all of our clients, as well as additional cli-ents, because we simply don’t have enough availabil-ity,” says McCree. “We haven’t had enough capacity, and neither has Alliance, so we thought this was necessary.”

Gerling & Associates completed the Voyager 10 trailer in September, and Beck Associates has served as the truck’s integrator. McCree and VP of Engi-neering John Peers have set a target date of Dec. 1 for rollout.

Until then, Crosscreek will continue to stay busy with its two current HD trucks and three digital SD units, serving ESPN, Fox Sports, Speed channel, TVG, and others. Crosscreek also serves as a major mobile vendor for ESPN Regional Television’s cov-erage of SEC college sports and is the exclusive pro-vider for ESPN’s NHRA drag-racing contract.

“Believe me, we are staying very busy these days, so we are very excited for [Voyager 10],” says McCree. “We have a proven track record, and we’re doing this [new truck] for the right price, so it makes sense for us, for the bank, and for our clients.”

voyager 10 slated to Complete Hd triumvirateby Jason dachman

Voyager 10 has almost identical layout to Voyager 8 and Voyager 9 (shown), with three production benches and slide-out technical manager position.

CROSSCREEK TELEVISION PRODUCIONS100 Airpark Ct., Alabaster, AL 35007

205.663.4411www.crosscreektv.com LET’S GO THERE.

LET’S GO THERE.Our integrated routing, signal processing and multi-viewer systems offer exceptional flexibility plus simplified control for fast paced action in studios and trucks. With our Kaleido multi-viewers, signals can be freely shared across multiple studios, and easily directed to any monitor without display restrictions. Our NVISION 8500 Hybrid routers also transform signal management, using integrated embedded audio processing to streamline infrastructures and prevent timing issues. It’s a smarter, simpler approach.

www.miranda.com/production

More flexible production,less complexity.

Adv11-Production-SVG.indd 1 11-11-11 2:20 PM

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GAMe Creek videotwo Hd units Head to esPn

by ken kerschbaumer

In August, Game Creek Video launched two 53-ft. expando units for ESPN: Justice, a single-trailer

unit modeled on the company’s Larkspur unit, and Victory, a two-trailer unit modeled on Dynasty.

“Justice is a single-expando unit with a shrunken EVS replay area where the big goal is reducing the size and weight,” says Jason Taubman, VP of design and new technology.

Both units feature Grass Valley Kayenne production switchers with 96 inputs and 48 outputs; Evertz routing; Sony cameras and Canon lenses; and Chyron graphics. Dynasty has nine EVS XT[2] replay servers, and Victory has 17. Icon Broadcast is on hand at Game Creek’s Hudson, NH, headquarters, handling systems integration and testing; the truck chassis were assembled by Gerling and Associates.

The equipment complement is very similar to that of Larkspur and Dynasty, with two major enhancements: the new units have the Calrec Apollo audio board, along with new monitors custom built by Boland.

“Apollo is the latest and greatest,” says Taubman. “It has more inputs and outputs, has touchscreens, and. when you compare it to the other Calrec consoles, doubles the number of faders.”

It also has 12 layers, which means that it is, essentially, 12 audio desks in one. And two rows of 72 faders make it easier than ever for an audio mixer to quickly respond to live-sound needs.

“The operator can set it up any way they want, and it will blow their minds at first because it is overwhelming,” Taubman adds. “But, when they get used to it, it will be the console they want.”

Helping in that flexibility is an Evertz audio router that has 5,000x5,000 inputs and outputs. The video router is 576x1,125.

The video router also feeds into the new Boland LCD monitors, custom-made to offer a 16:10 aspect ratio, no lights or buttons, and full control over an IP network.

Taubman says the advantage of 16:10 is that it makes it easier to add in tally information while maximizing the size of the image.

“They also have a fluorescent backlight, a hinged design so that they can be lifted up and offer access to connections on the back, and HD-SDI inputs so there is no conversion gear required.

“They did a nice job,” he says of Boland. “We started discussions in February and saw the first prototype at NAB [in April].”

And, while Game Creek puts the finishing touches on Justice, work has begun on standalone B units that will be able to link up to any standalone Game Creek Video production unit via a fiber tether box that sits outside of the unit and has 500 ft. of video and audio runs.

“The unit has its own router, monitors, and can roll up to a standalone unit, unlike, say, the Fox unit, where the B unit is totally inert without the A unit because the guts that drive it are in the A unit,” says Taubman.

The two B units will have 47-in. flat screens, six along the side of the unit and two in the back and in a monitoring station. It also features an area for graphics and replay devices to be added and a room that can be used for an audio submix or graphics area.

The first B unit will be used alongside Freedom for Fox NFL games before it rides alongside Larkspur for NBA coverage, work stoppages permitting.

Notes Taubman, “The goal is to make it as flexible as possible.”

Larkspur’s front bench features a GV Kayenne production switcher and Boland flat-panel displays.

GaME CREEK VIDEO23 Executive Dr., Hudson, NH 03051Tel: 603.882.5222 / Fax: 603.882.5444

www.gamecreekvideo.com

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lYon videoAn emphasis on Audio for lyon-12 by brandon costa

Committed to staying ahead of the curve, Columbus, OH-based Lyon Video serves a

growing trend in the mobile-production–unit indus-try with its latest truck, Lyon-12: embedding and de-embedding of audio.

“One thing that we found that a lot of the clients are already using is those 16 channels of audio,” says Account Coordinator Chad Snyder, adding that many clients are using the embedding to add surround-sound mixes for international feeds. “That’s the real reason for adding the embedding and de-embedding going into and out of the EVS [servers], so you can have a dual-transmission feed.”

The new truck, which hit the road in late July for the ESPN RISE Games, features a 64-fader Calrec Audio Artemis console, which relies on Calrec’s Bluefin2 high-density signal processing for power and on integrated Hydra2 networking to unify inputs and outputs regardless of a source’s location. The images are transmitted to an Evertz 3G routing and processing package, a system that provides 64 embedding destinations and 48 de-embedding sources, each with 16 channels of audio.

“The way we see it, the core of the truck is really the audio console,” says Snyder. “It’s the anchor that helps us earn long-term commitments from top-tier clients like ESPN, Fox Sports, and Speed. This will be a hardworking production truck for us, supporting diverse shows for diverse clients. Not only is Calrec’s Artemis the right size with the right features; it’s operator-friendly: a freelance A1 can just sit down and get to work.”

Integrated by Bennett Systems, Lyon-12 is a 53-ft. trailer with a 49-ft. expansion that can work on its own or with a B unit. It is the second in the generation of the Lyon fleet with a 3G-transmission package and is the third to feature a Grass Valley Kayenne switcher and LDK Series cameras on board. The truck, which is wired for 16 cameras, comes with 11 Grass Valley LDK 8000 Elite 3G cameras.

“We’re one of the few guys on the road to be able to do a show optically and through triax,” Snyder points out. “12 was our first truck to do that. It’s a

big deal for us, because this is the first truck where we can do 1080p/60 on triax or on fiber.”

Lyon Video also selected 101X lenses from FUJI-NON as an integral component in Lyon-12. The truck offers the wide-angle capabilities and zoom range of FUJINON XA101x8.9BESM Super tele-photo lens. In addition, Lyon has also recently added three FUJINON XA88x8.8BESM telephoto HD field lenses. Rounding out Lyon’s FUJINON lineup are five XA72.9×9.3BESM telephoto HD field lenses, two ZA22x7.6BERM telephoto ENG/handheld HD lenses with 2X extenders, two ZA12x4.5BERM Super wide-angle ENG/EFP HD lenses with 2X extenders, and two XA17x7.6BERM HD ENG lenses with 2X extenders, each paired with a Grass Valley LDK 8000 Elite camera.

Says Snyder, “ESPN has really latched onto the unit.” It is booked through the remainder of the col-lege football season for ABC before tackling a lineup of bowl games and shifting to ESPN college basket-ball in the winter.

LYON VIDEO2091 Arlingate Ln.Columbus, OH 43228614.297.0001www.lyonvideo.com

Above: Lyon-12 deploys Evertz 3G routing/processing for audio embedding/de-embedding.Below: Lyon-12 is booked through the end of the college football season on ABC.

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MoBile tv GrouPHd trucks Come in threesby Jason dachman

Even with one of the largest fleets in the industry, Mobile Television Group

(MTVG) is always looking to expand and upgrade to keep pace with the rapidly rising demand for HD mobile units. The company rolled out three dual-feed HD 53-ft. expando trucks in 2010 and three more in 2011 and has plans to debut three more in 2012.

“We look at it like this: wherever the major-league teams are, that’s where we need to put a truck,” says President/co-owner Phil Garvin. “We have to be able to meet the [demand] in each of those [markets].”

In 2011, MTVG unveiled 28HDX, 29HDX, and 30HDX. Two nearly identical 53-ft. expandos, 29HDX and 30HDX, debuted this summer and ride on brand-new chassis built by Frontline Communications. Meanwhile, 28HDX, which hit the road in the spring, is a refurbished trailer that has been totally stripped and rebuilt.

“If you walked into one truck or the other, you would be hard pressed to tell the difference,” says Garvin.

The 28HDX rebuild is part of a continued effort by Garvin & company to replace all its first-generation HD trucks with state-of-the-art units. Thus far, MTVG has replaced 5HDX through 10HDX with refurbished HD trucks and plans to pull 11HDX and 12HDX off the road in the near future in order to rebuild them.

“We’ve pretty much moved past SD, and we’re now trying to get rid of all of our first-generation HD trucks, meaning trucks with analog monitoring with no multiviewers,” says Garvin. “By the end of

2012, we won’t have any trucks without multiviewers and the latest gear.”

28HDX, 29HDX, and 30HDX are almost identical in terms of layout and equipment. All three feature Grass Valley Kayenne switchers (4M/E), three six-channel and two four-channel EVS XT[2] production servers, a Chyron HyperX CG for graphics, and 10 Grass Valley LDK8000 cameras (which run on digital triax) outfitted with Canon lenses. The only major difference lies in the audio console: 28HDX features a Euphonix console; 29 and 30 have the new Calrec Artemis.

“One of the biggest trends we’ve seen is clients’ demand for truly new trucks” says Garvin. “They do not want a first-generation HD truck anymore, even though it may have pretty much exactly the

29HDX is one of three nearly identical trucks rolled out by Mobile TV Group in 2011. The company now has three more planned for 2012.

Main Office2400 N. Ulster St.Denver, CO 80238

Tel: 303.388.8500 / Fax: 303.388.3773

Midwest Office Minnesota/Wisconsin

379 W. 60th St.Minneapolis, MN 55419

Tel: 952.922.2373 / Fax: 952.487.9124

Dallas Office2909 Taylor St.

Dallas, TX 75226Tel: 214.651.1446 / Fax: 214.571.9225

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mobile tv groupsame capability as a new truck. They want the new look and the latest generation of equipment.”

Integrating the latest equipment into the trucks not only allows Garvin to offer a high-quality product but also protects MTVG against potential complaints from clients down the road.

“There is no such thing as flawless technology,” he says. “There are always going to be problems, whether it’s brand new or seven years old. But if something goes wrong in a brand-new truck with the latest generation of equipment, then clients are more understanding. However, if it’s seven years old, that is not usually the case. That is the business we are in.”

In addition to the latest generation of standard equipment, all three trucks feature an optional Vision Research Phantom v640 or v641 high-speed camera for ultra-slow-motion replay.

“All of our new dual-feed trucks have [ultra-slow-motion] camera systems,” says Garvin. “We started doing it about a year ago or a year and a half ago. But now we have one system on all of the dual-feed trucks. We have 14 of the Ultra-Mos, which is a pretty big investment. About half are [Phantom v640s] and half are [v641s].

“We do not provide the systems out to third parties,” he continues. “Rather, it is part of our truck, just like any other equipment. We see that as becoming a totally standard part of pro events and high-level college events. At this point, you have to have them for events on that level. It’s almost expected by many of our clients.”

In addition to on-board high-speed cameras, Garvin says clients are demanding that dual-feed trucks like 28HDX, 29HDX, and 30HDX be able to handle more HD feeds than ever before. In addition to the home and away feeds on any given show, MTVG is now being asked to deliver a clean and/or dirty feed for the league, Web-only feeds, isolated camera angles, or a Spanish-language feed.

“These trucks are now cranking out a lot of different feeds, and that’s a major challenge,” says Garvin. “Some of them are embedded audio and some are not. Some are analog and some are AES. Some are HD and some are SD. It is a mess, and I’m constantly buying more equipment to handle all these feeds.”

According to Garvin, even more feeds will need to be delivered in HD as the demand for Spanish and other second-language feeds grows. In February, the Los Angeles Lakers and Time Warner Cable announced a 20-year, reportedly $3 billion deal to launch two new HD RSNs — one in English and one in Spanish. The Lakers-focused Spanish-language network will be the first of its kind in the U.S. and hints at the potential windfall of Spanish RSNs to come.

“We are starting to see a lot more Spanish-language feeds, which requires completely different audio and graphics and usually one or two extra cameras,” says Garvin. “That requires another truck, but it can be an SD truck as of now. However, I don’t know how much longer the Spanish feeds can continue being in SD. The Lakers deal is a major factor in all that.”

28HDX is currently serving the Dallas, Oklahoma, and San Antonio markets (Mavericks, Rangers, Spurs, Stars, Thunder); 29HDX works primarily in Colorado and Utah (Nuggets, Rockies, Avalanche, Jazz); and 30HDX handles the Pittsburgh market (Pirates, Penguins) as well as the Carolinas and Tennessee.

Next year will see the addition of another trio of dual-feed HD mobile units to the MTVG family, with 31HDX set to debut in March, 32HDX in July, and 33HDX later in the year.

“We are aiming for three new trucks per year — one or two brand new and one or two refurbished,” says Garvin. “That is the plan for next year and in the future.”

MTVG’s newly unveiled 29HDX features a robust replay area that includes two 4-channel and three 6-channel EVS XT2 production servers.

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NEP BROaDCaSTING2 Beta Dr. Pittsburgh, PA 15238Tel: 800.444.0054

NEP STUDIOS – NYC

NEP Midtown Studios885 Second Ave.New York, NY 10017 Tel: 212.548.7700 Fax: 212.355.0523

NEP 5th ave. Studios401 Fifth Ave.New York, NY 10016 Tel: 212.401.4981 Fax: 212.685.4317

NEP Studio 54513 West 54th St.New York, NY 10019 Tel: 212.468.1833 Fax: 212.468.1890

NEP Production Center727 Eleventh Ave.New York, NY 10019 Tel: 212.649.6242 Fax: 212.974.1120

NEP Penn Studios401 Seventh Ave.New York, NY 10001 Tel: 212.299.4866 Fax: 212.299.4867

NEP Studio 33503 West 33rd St.New York, NY 10001 Tel: 212.649.6399 Fax: 212.760.2821

NEP Studio 3736 West 37th St.New York, NY 10018 Tel: 212.695.7704Fax: 212.268.7920

NEP Screenworks – Corona, Ca1580 Magnolia Ave.Corona, CA 92879Tel: 951.279.8877

NEP Denali – Burbank, Ca2 Theta Dr.Burbank, CA 15238Tel: 800.444.0054

New Jersey Field Office96 Route 173 WestHampton, NJ 08827Tel: 908.735.4066

Hawaii 808.676.3800

neP BroAdCAstinG

NEP Supershooters continues to be busy building new trucks as

well as flypacks designed to meet client needs in both the continental U.S. and Hawaii.

For example, in October 2011, SS3 hit the high seas on its way to Hawaii, where it has redefined the concept of the mobile-produc-tion truck: all the equipment can be removed from the 48-ft. produc-tion trailer and easily placed into Econoline vans. The reason? To bet-ter serve clients like Oceanic Cable in Hawaii, a market where inter-island travel is a constant issue.

“There is an interesting chal-lenge in the Hawaii with multiple-island work,” says NEP Broadcasting CTO George Hoover. “So we have built an integrated truck/flypack that can come out of the truck and work independently of the trailer.”

The trailer itself made the drive from NEP’s facility near Pittsburgh to California before set-ting sail on a freighter for Hawaii. Moving a large production truck can be difficult in Hawaii because ships large enough to transport it from one island to another may run only once or twice a week. By putting the equipment into flypacks, which can be transported in smaller vans, NEP will be able to

move the gear via ferry service, which runs much more frequently.

The trailer is laid out like any other single expando from NEP, featuring three tiers of seating in the main production area and a separate video area. When the flypacks come out, the only thing that remains are the consoles on the second and third production benches.

The design goal was to build a flypack that two people could assemble for an event in about four hours and break down afterwards in less than an hour.

“The flypack can be put together in a classroom for

www.nepinc.com

NEP SS3 serves the Hawaiian market.

ss3 Hits Hawaii; new domestic trucks on tapby ken kerschbaumer

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NEP BROADCASTING

a high school basketball game or in a hotel room or under a tent,” says Hoover of the system’s flexibility.

The main trailer will be used for University of Hawaii events while high school sports covered by Oceanic Cable will benefit from the flypack configu-ration. SS3 joins three NEP trucks already in Hawaii: two 53-ft. expandos and a 48-ft. SD straight truck.

Earlier this year, NEP completed Denali California, a 53-ft. truck designed for broadcasts of live entertainment shows where OB space is limited. It is equipped with Calrec Audio’s 72 dual-fader Apollo console, has 1080p capability, and a state-of-the-art layout and design supporting more than 20 cameras and 20 servers. The truck also features a Grass Valley Kalypso switcher with two Dveous/MX DVEs, Sony cameras, and virtual monitor walls throughout.

Hoover says a key selling point for the Apollo was its dual-fader technology, which simplifies a big show by giving mixers fast access to the maxi-mum number of controls. Other pluses included reasonable weight; integrated Hydra2 networking, which unifies I/O whether inside or outside the truck; reliability; sound quality; and client-attract-ing state-of-the-art technology.

And because there are times when entertain-ment and sports do converge, such as the Super Bowl halftimes, where NEP trucks cover all aspects of the event, Denali California might be seen on the sidelines sooner than later. It offers sophis-ticated audio and record capabilities in a single truck that includes a production room, a private entrance vestibule, and a large audio room with space for playback mixer and sweetener.

2012 will see three new trucks hit the road for NEP, according to Hoover. Denali Arizona on Jan. 14 will lead the parade.

“It is essentially a scaled-down version of the Denali California truck,” he says. “It has a scaled-down Alpha audio console, as California is pri-marily an audio-recording and -mixing facility for things like orchestras. Arizona is meant for shows that have prerecorded music or audio handled in a separate audio truck.”

With respect to sports trucks, two 53-ft. units will be added to the fleet, one in February and another in June. Both will have the same infra-structure as SS22 and the same floor plan as found in SS16, 18, and 20.

The new Hawaii unit is designed to be able to be broken down by one or two people and sent off in shipping cases via ferry to other islands in Hawaii.

Denali California is designed for use in producing entertainment shows where space is limited.

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rAYCoM sPortsHd1 is targeted at regional sportsby brandon costa

When Charles Moye, technical operations man-ager at Raycom Sports, was assigned the task

of heading up development of a brand-new HD production truck, he knew he wanted to learn from the best. So, while renting HD units from Game Creek, NCP, and others during the college basketball season last winter, he made himself the most obser-vant person in the room.

“We certainly were taking a close look and try-ing to learn as much as we could from those com-panies,” says Moye. “We put a lot of thought into it, and, with the budget that we had, we tried to do the most that we could.”

Primarily used for Raycom ACC Network broadcasts, HD1 will handle the regional sports that Raycom is contracted to produce and will be available for rental. The 53-ft. expando unit made its debut on Sept. 3 at the ACC Network’s Football Game of the Week between Appalachian State and Virginia Tech.

“For most of the year, we are working on our own shows,” he says. “However, we need the out-side revenue to help pay for this thing. So, with that in mind, you’ve got to build a truck that can handle the equipment needs of an ESPN or a Fox and some of the other companies that we work for.”

HD1, which can operate on fiber or triax, is equipped with an Evertz EQX HD router and a Grass Valley Kayenne HD production switcher with 72 inputs, 36 outputs, four M/E panels, six keyers per M/E, eight channels of DVE, 6 GB of still store, two chroma keyers, and a Lance TDC100 controller. The truck also features a Calrec Omega audio console, a bevy of EVS replay systems, and a Chyron Duet HyperX3 HD/SD system for graphics. A virtual monitor wall is driven by the Evertz VIPX routing and multi-image display system and boasts 288 multiviewer outputs.

During broadcasts, Raycom Sports now has the ability to deploy a total of 12 cameras, including nine Sony HDC 1550R multiformat cameras with 10 various Canon lenses, six of which are 86x9.3 with stabilization.

In the booth, broadcasters will have use of a Codi telestrator with a 14-in. monitor as well as four LCD and eight color monitors.

Gerling & Associates built the HD1 trailer, and Diversified Systems handled the truck’s integration.

With the growth of conference channels and the spike in live content on regional sports networks, the supply of HD mobile units can, at times, strug-gle to keep up with demand of live event coverage.

Now, with HD1, Raycom Sports has made the investment in its unit to allow both flexibility and piece of mind.

“Any time you have your own truck, you’ve got a little more control when you’re trying to cover all of these games and when there just aren’t enough HD trucks available,” says Moye, adding that Raycom hopes to build a second HD unit at an undisclosed date. “Having your own [truck] gives you the ability to move it around, and that’s a big advantage.”

The truck is booked to cover the ACC Network’s Football Game of the Week through December. It will then immediately move to a fully loaded slate of ACC basketball games in the winter.

The unit will also give Raycom Sports and the ACC a major leg up as the conference continues to expand, with Syracuse and Pittsburgh joining the ranks in 2014 and Connecticut rumored also to be interested in making the leap as well.

Says Kay, “We guarantee that the ACC Network is in the forefront of technology for years to come with this truck.”

RaYCOM SPORTS900 W. Morehead St.Charlotte, NC 28208

704.378.4400www.raycomsports.com

HD1 features nine Sony 1500 HD camera positions and an Everts VIPX routing and multi-image display system.


This year’s Mobile Services Providers sec-tion covers a wide variety of service and consult-ing providers — from truck and power-generator companies to truck-chassis builders, system inte-grators, and equipment-rental companies.

The section is our largest to date, highlighting 48 of the industry’s most important and well re-spected companies. For contact information for these companies and other SVG sponsors, please turn to page 246.3ality Digital page 100Aerial Video Systems 100AJA Video Systems 100All Mobile Video 100Alliance Productions 100Alpha Video 104Arctek Satellite 104Azzurro Systems Integration 104Beck Associates 104Bexel Broadcast Services 106Broadcast Services International 106Broadcast Sports 106Burst 106CAT Entertainment 106CBC Mobile Productions 108CBT Systems 108Coastal Media Group 108Communications Engineering 108CP Communications 108CSP Mobile Productions 110

Diversified Systems page 110Dome Productions 110DTAGS 110Encompass Digital Media 110F&F Productions 112Filmwerks International 112Frontline Communications 112Gearhouse Broadcast 112Gerling and Associates 112IDS 116Illumination Dynamics 116IMT 116KTV 116Mansion Mobile 118Metrovision Production Group 118NES 118On Call Communications 118Pacsat 118ProductionHUB.com 118PSSI/Strategic TV 120Reality Check Systems 120Show Partners 120SOS Global Express 120SPEVCO 120The Systems Group 120Token Creek Mobile Television 122Trio Video 122VER 122Vista 122YES Productions 122

ProvidersMobile ServiceS


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In a market-changing shift for 3D sports production, 3ality Digital acquired 3D-rig manufacturer Element Technica. The deal consolidates two of the prime players in the burgeoning 3D-production–technol-ogy market, creating a sizable powerhouse in 3D film and broadcasting. The new entity will manufacture the full slate of product offerings from both compa-nies, but the full Element Technica product line will continue to be marketed under the Element Technica banner.

In acquiring Los Angeles-based Element Technica, 3ality also increased its in-house manu-facturing and design capability and will look to fur-ther expand its R&D infrastructure. The companies will combine in an expansion to the 3ality Digital headquarters in Burbank, CA.

The new company will continue to offer 3ality’s 3D educational program (3DIQ) to filmmakers, broadcasters, and craftspeople.

Aerial Video Systems

A provider of HD RF cameras, aerial production support, communications, and custom POV appli-cations, AVS continues to grow heading into 2012.

The company inventories 45 Link HD RF systems worldwide and three Cineflex V14-HD gyro-stabi-lized HD aerial cameras and offers a single-unit, single-carrier wireless 3DHD solution.

AVS-UK continues to expand its European pres-ence, having provided HD RF Links for the Royal Wedding and other high-profile events.

AVS’s 12-lb. wireless P1 camera system has become the preferred Steadicam package for Dancing With the Stars, America’s Got Talent, NBC’s Sunday Night Football, ESPN’s Monday Night Football, the NFL Network, and a variety of award shows, including the Academy Awards.

AVS also provides HD RF cameras and aerials for Monday Night Football, NFL Network games, the MLB Playoffs and World Series, and Deadliest Catch. Its lightweight RF handheld camera continues to be the choice for such shows as the NBA Finals and the L.A. Marathon. For the 2011 US Open tennis tourna-ment, CBS Sports enlisted AVS to provide wireless services for more than 375 hours of coverage spread among CBS, ESPN, and Tennis Channel.

®

At IBC2011 in September, AJA Video Systems con-

tinued its quest to do more in less space. A case in point: the company’s palm-sized UDC broadcast-quality up/down/crossconversion mini-converter can convert between SD, HD, and 3G video formats.

I/Os include SD/HD/3G SDI input and out-put, HDMI output, and two-channel RCA-style audio output. The UDC also supports eight-channel embedded audio and can be configured through built-in DIP switches or via AJA’s MiniConfig soft-ware using the unit’s USB connection.

The company also added support for the Avid DNxHD codec to its highly regarded Ki Pro Mini video recorder.

All Mobile Video has updated its KU-3 production-capable uplink truck with powerful new features. KU-3 can now function as a remote master-control center and simultaneously output four HD uplink paths, including Web streaming. Besides these regu-lar satellite paths, multiple HD coax and fiber I/O connections are also available.

The truck’s Tricaster production system can pro-vide “virtual sets” on a green screen. And, with the truck’s four Sony cameras, five Sony VTRs, and two Harris “clean and quiet” switchers, a “sports desk,” a “news hit,” and live production can be simultane-ously supported from one production vehicle.

Additionally, the truck features Dolby 5.1 sur-round sound (discrete and upmix), Dolby AC-3, Dolby downmix, eight IFBs, four PC–to–HD-SDI scalers, and a Miranda multiviewer in both produc-tion and transmission areas.

In the 3D arena, AMV’s Epic 3D production trail-er continues to pursue 3D/2D-production oppor-tunities and, most recently, captured a 3D concert event for Maroon 5 for MTV and the documenta-tion of the final two NASA Space Shuttle launches.

AMV also offers full 3D postproduction capabil-ity with Quantel Pablo conform, preparation, and workflow software at the center of its workflow to complement its field acquisition resources.

AlliancePRODUCTIONS

Since 1997, Alliance Productions has striven to identify and meet industry demand for top-notch television-production services. As the largest group of mobile-production companies in North America, Alliance continues to expand its HD capabilities by


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adding three HD mobile units in 2011, with another HD truck scheduled to roll in December. This will increase the Alliance Productions lineup of HD mobile units to more than 30.

Corplex’s new Chromium HD unit joins Platinum and Iridium in the company’s HD fleet. Its inaugu-ral event was a Green Bay Packers preseason foot-ball game. It will be used for CBS College Sports’ Army football package.

In February, MIRA Mobile ushered in M-11 HD and has received excellent response to this latest addition. The company currently services MLB, NHL, and NBA clients, as well as Versus Pac-12 and Mountain West college football.

CSP HD-1 has been crisscrossing the USA for a multitude of events, including ESPN, Major League Lacrosse, Showtime boxing, CBS College Sports, and Fox Sports Conference USA football.

In December, Crosscreek TV Productions will add Voyager 10 to its group of HD mobile units. Crosscreek serves ESPN, Fox Sports, Speed channel, and NHRA drag racing, among others.

With 13 partners nationwide and more than 50 mobile units available, Alliance Productions consis-tently delivers high-quality technical facilities and a high level of customer satisfaction.

Alpha Video’s Sports & Entertainment Group specializes in design, integration, and support of large-venue technology systems for collegiate- and professional-sports facilities nationwide. During spring and summer 2011, Alpha Video completed installation of an HD video-control room at Fenway Park in Boston and a video-control room at TD Ameritrade Park in Omaha, the new home of the NCAA College World Series.

Currently, the company is integrating an HD video-control room for the new Florida Marlins ballpark, an HD studio for the University of Iowa Athletic Department, and the technology systems for the new College Park Center arena at the University of Texas at Arlington (UTA).

The UTA project is a prime example of the Alpha Video 360 approach to large-venue technol-ogy and incorporates a wide variety of systems: an HD video-control room, broadcast infrastructure cabling, an IPTV distribution network, digital sig-nage, digital menu boards, digital-signage cre-ative-content services, and team coaching-video systems.

HDIn 2011, ARCTEK upgraded its C-band trucks, named Purple and White, to transmit MPEG-4 and 16 channels of audio. ARCTEK’s entire fleet of four uplink trucks (two Ku- and two C-band) are based on the Sprinter chassis, and all are equipped with HD encoding and monitoring. Early in the new year, ARCTEK provided multiplex MPEG-4 HD transmission services for eight weeks of basket-ball College Gameday for ESPN. The Minneapolis-based satellite-transmission provider also worked with CBS sports to launch the Tim Brando Show from Shreveport, LA, over Labor Day weekend. These highlights, breaking-news coverage, corpo-rate events, and plenty of college football keep the company running from coast to coast.

AzzurroCam is a fully integrated, compact produc-tion system designed and built by ASI. The company has deployed AzzurroCam Systems within all NHL arena venues as well as at all NFL training facilities.

AzzurroCam provides clients with the tools need-ed to capture broadcast-quality content, such as remote talent, player and coach interviews, and action shots from the goal line.

The AzzurroCam package can be tailored to enable clients to operate single- or multiple-camera sites. The unit serves as a complete remote studio capable of controlling professional cameras, light-ing, and audio through a simple user interface that can operate on numerous touchscreen applications, such as tablet PCs and the iPad. The integrated package includes a Sony robotic HD/SD camera with remote control of focus, aperture, color, setup, and pan/tilt/zoom, plus remotely controllable audio mixing, IFB, and DMX lighting-dimmer control.

An Austin, TX-based television-systems integrator since 1982, Beck Associates is headquartered in a 20,000-sq.-ft. facility designed specifically for systems integration. In addition to office space, it houses a metal-fabrication shop, an extensive millwork facil-


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ity, two bays for work on mobile units, and areas for equipment storage and prewire. Beck also has branch offices in Denver, Boston, and New Jersey.

Bexel continued to provide efficient portable solu-tions over the past year, thanks to the company’s scalable flypacks and production trailers.

The customizable Hercules Flypack is intended for remote and space-constrained venues. Flexible and rugged, Hercules can be shipped anywhere in the world. Like Hercules, Bexel’s Elements flypack systems are customizable from two to 12 cameras. All systems can be augmented with complementary equipment that includes audio, RF audio, commu-nications, graphics, fiber-optic systems, and wire-less video.

Bexel has also sustained success with its three mobile-production facilities. BBS One, for example, is a configurable 53-ft. facility designed to enable 2D or 3D production, digital editing, EVS workflows, or online production applications.

BSI specializes in full-service technical production, consulting, and engineering services for broad-casters in television and radio: project planning and management, contracting for TV mobiles and facilities, equipment rental, design and building of broadcast operations, commentary support, signal delivery via fiber optics or satellite, on-site supervi-sion, and crewing.

Established in 1987, BSI services clients in North America, Europe, Asia, and Australia. It has been host broadcaster at World Cups, covered World Championships and 16 Olympic Games, and worked on such high-profile events as the 2010 NBA Finals and All-Star Game. Besides helping host broadcasters produce an affordable world feed, BSI assists in satisfying contractual obligations with rightsholders.

bsiBROADCAST SPORTS INC

an company

Broadcast Sports has provided wireless point-of-view and on-board systems since 1983. With a large

fleet of dedicated television RF mobile units, the company provides turnkey solutions that facilitate the broadcast of many of the biggest sports and entertainment events.

The company’s HD on-board and POV cam-eras, wireless audio and communications systems, digital technology, and fiber systems are used for NASCAR, Indy Racing League, PGA and LPGA Tours, NFL, Triple Crown, SEC basketball, Major League Baseball, NBA Finals, Surfing, X Games, MTV Video Awards, Macy’s Thanksgiving Day Parade, US Open tennis tournament, Ironman Triathlon, and the Toronto Marathon.

Broadcast Sports recently opened offices in Europe and South America and plans further expansion in 2012.

A broadcast-equipment provider and systems inte-grator, Burst represents hundreds of leading manu-facturers and serves clients and projects throughout the country.

As a systems integrator, Burst is most proud of its “Metroplex Trifecta”: its work at Cowboys Stadium, Rangers Ballpark, and the American Airlines Center in the Dallas-Fort Worth area. For the video-produc-tion control rooms at these world-class venues, it did systems design, provided most and integrated all of the equipment, and finished each project with com-prehensive test, commissioning, and documentation packages. These large production systems enable the extravagant programming displayed on the cutting-edge video boards deployed at all three facilities.

Other stadium projects include the design/instal-lation of the video-production system for the big-screen display at Dick’s Sporting Goods Park in Denver, integration of the new video-replay system at University of Oregon’s Matthew Knight Arena in Portland, and the engineering, drawings, and installation of the Diamondbacks’ HD-SDI Video Coaching System at Chase Field in Phoenix.

CAT Entertainment Services is a worldwide provider of temporary power-generation and temperature-control equipment. In addition to providing state-of-the-art equipment, the com-


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pany’s professionals and technicians integrate planning, technical advice, customized installa-tion, on-site operation, and support into every project. Headquartered in St. Augustine, FL, with supporting offices in Orlando, Tampa, Dallas, Los Angeles, and New York, CAT Entertainment Services can provide electric power to a single tent or an entire stadium.


CBC Mobile Productions kicked off 2011 with its newest HD mobile unit, Évolution, which con-tinues to receive accolades from clients on both sides of the border. In February, the company teamed up with Bexel Broadcast Services to pro-duce standalone 2D and 3D productions of the NHL’s Heritage Classic in Calgary, AB. In April, Tokyo Broadcasting System used Évolution for its coverage of the 2011 Masters golf tournament. In April, May, and June, CBC Mobile helped pro-duce 51 NHL playoff games in a nine-week period for Hockey Night in Canada.

In August, CBC Mobile Productions started building its next HD mobile unit. Infinity is a full 53-ft. expando HD truck with an Evertz EQX router, Kalypso switcher, and a Calrec Artemis audio console. Infinity will be launched in January and will travel with fewer cameras and EVS units than a typical 53-ft. expando but has been designed purposely as an alternative solution for clients with smaller production budgets.

CBT Systems is a leader in systems integration and engineering for the television-broadcast industry. Backed by more than 30 years of industry experience, it provides innovative workflow technology and cus-tomized integration and engineering solutions. With clients and projects in a wide range in both size and scope, CBT handles sports broadcasting, television broadcasting, video production, and corporate video.

Coastal Media Group (formerly Coastal Satellite), has announced the newest addition to its arsenal.

The multicamera HD Carry/Fly-pack Production System offers HD recording capability to solid-state media. Featuring five Panasonic P2 cameras with 5,000 ft. of camera fiber, a multiviewer monitor wall, 12-input switcher, and 32-input digital audio board, the system offers exceptionally high-quality images at an affordable price.

Coastal Media Group provided multicam-era production support for Mez Sports’ MMA/Boxing Event in Riverside, CA. Using the Fly-Pack Production System, it handled all production duties for the sold-out event.

CEI supports some of the world’s largest and most sophisticated media networks. Founded in 1986, it has emerged as a leader in global communications. For clients from Fox to ABC and Disney, from NASA to Hong Kong Telecom, it discovers, designs, and constructs state-of-the art digital multimedia communications facilities.

In the past year, CP Communications has rebuilt two mobile units: HD1, designed for smaller pro-ductions requiring a versatile, high-quality truck; and HDRF5, an all-in-one audio/video–routing and –distribution ESU truck released earlier this year.

The company upgraded HD1 to include Thomson camera chains, Thomson LDK8000 cameras, an EVS XT[2] switcher, Panasonic AV-HS450N switcher, and updated monitor wall and tape room.

Both HD1 and HDRF5 recently worked the World Series, with HD1 covering Baseball Tonight in Texas and HDRF5 covering the ESPN program in St. Louis. Following the World Series, HD1 traveled to Washington, DC, for the Marine Corps Marathon while HDRF5 covered the New York City Marathon from the finish line in Central Park.

Looking forward to 2012, CP Communications plans to focus on continuing to improve frequen-cy-spectrum management. Its HD camera systems, including wireless, will move into MPEG-4.


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CSP Mobile Productions has provided HD and SD mobile trucks to broadcast for more than 20 years and has been an Alliance member for eight years. CSP is committed to giving its clients the qual-ity they deserve with an engineering staff that goes above and beyond.

This year, CSP launched its newest truck, HD1, in late February just in time for March Madness. Then, it was off to Showtime boxing in Texas and straight to NAB for the Alliance Party, where it was given great reviews.

In the summer. the company worked for MLB, MLL, MLS, NASCAR, NFL Films for the Madden launch, and CBC for road cycling in Quebec and Montreal.

Football and hockey season is a very busy time, with HD trucks serving Fox, ESPN, Versus Ivy League, Raycom, NHL, CBC, CBS College Sports, and Tupelo Honey Productions.

In the SD world, CSP handles ESPN3 foot-ball, boxing, and WNBA and looks forward to adding Big East Basketball next year with ESPN Charlotte.

Formed in 1993 as a full-service system-integra-tion company addressing the technical needs of the broadcast, audio/visual, RF, and IT indus-tries, Diversified Systems offers turnkey solutions, including engineering design, documentation, proj-ect management, equipment procurement, custom fabrication, system integration, project commis-sioning, training, and after-installation support. Diversified is a true multi disciplinary integrator, offering high-level expertise integrators broadcast, AV, and IT.

Dome Productions continues to provide mobile and remote production facilities, with delivery of feeds via fiber and satellite distribution. It is the dynamic of Dome’s main services that leads to growth in offerings to support the ever changing production world.

The company’s new satellite-uplink facility com-bine an uplink-equipped tractor and HD-encoding–equipped trailer, enabling delivery of signals via sat-ellite with the trailer parked inside a venue and the tractor located outside. The combination provides full-size production facilities and an uplink unit in a package that meets transport-industry weight limitations.

Also new is the addition of the New Media department to deliver content over multiple plat-forms. Services include customized video player and Web page, Twitter and Facebook design, video transcoding, live streaming to Internet, and VOD. Recent projects include a TIFF 2011 live press-conference Webcast and the Canada Sings social-media campaign.

DTAGS continues to play a significant role in the transmission of major sports events with its innovative on-site MPEG-2/MPEG-4, 2D/3D remote encoding/decoding, and monitoring solu-tions over both satellite and fiber infrastructures. The DTAGS solution may reduce transmission costs with multi channel encoding and provide proactive on-site video, audio, and transport-stream monitoring and analysis, improving the overall transmission and maximizing bandwidth efficiency to provide complete visibility of the transmission chain.

DTAGS also offers ASI multiplexing, allowing customers to consolidate multiple HD services into a single transport stream with data rates up to 190 Mbps. With the continued emergence of 3D tech-nology and increasing number of 3D broadcasts, DTAGS remains a leader of encoding solutions for this evolving format.

Encompass deployed seven of its transportable uplinks to provide major U.S. and international broadcasters remote-site transmissions 24/7 from North Carolina to Vermont for breaking-news cov-erage of Hurricane Irene.

Encompass’s Waterfront switch in New York City provided its clients with fiber and satellite con-nectivity delivering more than 100 feeds throughout


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the world. In addition, Encompass initiated 24/7 “hot-standby” satellite-uplink backup network orig-ination using its Atlanta and Minneapolis Teleports for major New York-area networks.

All of the company’s locations are connected via Global Interconnect, which allowed Encompass to use all its facilities seamlessly to meet the extraor-dinary demand created by the largest tropical storm to hit the Northeast Coast of the U.S. in nearly 75 years.

F&F Productions recently enhanced the majority of its fleet with the addition of virtual-monitor walls and other improvements. GTX-12 and GTX-14 are equipped with 15 Boland 32-in. HD-SDI moni-tors. To accommodate monitor-wall expansion on the GTX-15, 18 Boland 32-in. HD-SDI monitors have been added to the truck. Router size has been increased, which doubled the output capacity to 288x576. In addition, the Tally System has been completely updated with the Image Video Tally System.

Each truck offers an array of Evertz multiviewers, a combination of VIPA 18 DUO 3G and VIPA 32 DUO 3G units. Evertz MVP server software has been added to each truck. The GTX-11 has been upgraded with LED HD-SDI 10.4-in. monitoring, 12 Boland 12-in. SDI monitors, and three Ikegami 24-in. LCD color monitors for PGM/PST and quad split.

Filmwerks has had an extremely busy year, provid-ing broadcast and event power, site lighting, climate control, and mobile studios to multiple productions from coast to coast. Filmwerks ramped up once again to support the PGA Championship, which seems to grow exponentially every year.

As the season for golf wound down, the company headed to a multitude of football efforts and to the US Open tennis tournament, where rain delays challenged it to move gear and jump through hoops to get its Fashion Week effort in line.

In addition, the company has a busy fall season, supplying power and climate control to various film and television-series productions. Filmwerks has designed and built electrical systems to provide bet-ter power for the Spidercam system and for Atlantic Cine Equipment. It has also modified and designed

custom generators and electrical paralleling systems currently in use in Brazil.

Frontline Communications has built custom vehi-cles for broadcast, command and communica-tions, satellite uplink/downlink, and mobile field production and operation. Using a wide range of chassis, from small SUVs to large custom-engi-neered vehicles and trailers, Frontline manufac-tures aluminum modular bodies, vehicle conver-sions, and trailers.

Gearhouse Broadcast operates globally with offices in the U.S., UK, Australia, Qatar, and India and specializes in broadcast-equipment rental and sales, outside broadcast, project solutions, and systems integration.

In 2010-11, the company provided broadcast solutions for the 25th Winter Universiade in Turkey, FIFA World Cup in South Africa, iRB Rugby World Cup in New Zealand, and such tennis tournaments as the ATP Masters 1000 Series, ATP World Tour Finals in London, Australian Open in Melbourne, and US Open in New York. In addition, during the 2011 iRB Rugby World Cup, Gearhouse Broadcast provided facilities, services, equipment, and crew for a number of global inter-national rightsholders.

The company is extremely active in the U.S. mobile-production market, offering a wide range of solutions, including flypacks, staffing, logistics, and two production trucks, a 53-ft. HD expando with up to 24 Sony cameras and a 43-ft. unit with up to 16 Sony cameras.

Gerling & Associates has been on extended over-time for a full year to provide deliveries of more than 18 new remote-television-production trailers and high-end trucks with expanding-side systems. New developments in side systems and construc-tion methods have produced the lightest trailer systems available to include fast-set and -strike features. Safety features have been upgraded with better handrail systems, LED lighting on plat-


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forms, and head-bump areas. Air-conditioning choices have been expanded, and new designs are ready to provide more reliability as well as lighter weight.

Although business in Europe has slowed, South America, Australia, and the Far East have presented good sales opportunities with very different con-cepts coming from those clients.

Information & Display Systems, a provider of information and display technology for the sports industry, has created an HD 3D graphics package with Brainstorm Multimedia’s “eStudio” 3D ren-der engine for business partner IBM, the official information-technology supplier and consultant to the All England Lawn Tennis Club (AELTC), home to the Wimbledon tennis championships.

The Wimbledon finals this year were screened live in HD 3D. The tailor-made TV-graphics ser-vice, allowing for the BBC and international TV to provide on-screen information to hundreds of millions of homes around the world, were cre-ated natively by IDS in Brainstorm Multimedia’s eStudio, a real-time–graphics software package for broadcasters and production companies.

ID provides redundant power for live broadcast primarily to sports clients — including ESPN, Golf Channel, and Speed channel — for a range of high-profile events, such as Monday Night Football, the U.S. Open golf tournament, Grand Am, Winter and Summer X-Games, and several college football tours.

“We specialize in studio-quiet redundant genera-tors and deliver them in a compact footprint,” says Director of Broadcast Services Rich Williams. The ability to supply reliable power economically is also key. According to Williams, this comes from the in-house design and construction of the units, as well as from working closely with clients. Custom-built designs translate into cost savings for customers, he adds, citing a recent a custom C unit for Saturday Night Baseball with work space, HD monitors, and communications.

“Our C-unit trailer configuration,” he points out, “has eliminated the need for additional follow trucks for production. Customers may use available

space on the trailers for supplementary cabling, jib carts, sideline dollies, golf carts, office space, etc. — equipment that previously would be transported by a separate vehicle.”

In addition to power and transportation for broadcast, the company provides full-service light-ing for broadcast booths, studio-location shows, and red-carpet events. ID is a division of ARRI, a manufacturer of entertainment and studio lighting. ID has the ability to ensure top-of-the-line equip-ment and personnel, including conventional studio lighting fixtures, automated luminaires, and ARRI’s new line of LED lighting.

IMT announced new managed services for tab-let computers and mobile devices. IMT’s Mobile Device Managed Services (MDMS) offers IT orga-nizations the ability to increase workforce pro-ductivity with comprehensive solutions that meet enterprise business objectives for security, software management, and application development. These Managed Services are designed to maximize the value of tablet computers and other mobile devices across an enterprise.

The services include wireless-service activation, configuration of mobile devices with customized profiles, security for protection of corporate assets, application and data migrations, repair and loaner devices, and help-desk support with instructions and data recovery.

KTV, a New York City-based production-equip-ment-rental company serves clients both domesti-cally and worldwide. Specializing in HD storage and acquisition, it maintains a diverse inventory to suit all forms of broadcast production. The company’s clients include all the major networks, regional broadcasters, mobile-production companies, pro-fessional leagues and venues, and postproduction houses, as well as independent production com-panies.

Mansion Mobile Television is emerging as a leading


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mobile-television-production company, with facili-ties like its new ME-2HD 53-ft. expanding mobile-production unit. Located in the heart of America in Branson, MO, the company is near most major cities in the Midwest. Its state-of-the-art facilities are intended to make any sports, entertainment, or corporate event the best it can be.

METROVISIONProduction Group

HD

Metrovision Production Group offers a full spec-trum of communication and production services, including mobile production, satellite transmission, IP media, live-event presentation, and broadcast-equipment rentals. It has served clients across North America since 1988. Along with having a fleet of mobile units and extensive equipment inventory, Metrovision takes a turnkey, solutions-driven approach, combining technical expertise with strong commitment to customer service.

NES has just completed an ESPN-certified C-band truck, adding to its fleet of five mobile uplinks. Two years after releasing its first 5.5-meter offset truck, NES has found that the addition of a second C-band unit will allow greater coverage area as well as more availability for clients.

This unit was designed with a “go big or go home” sensibility. Among its features are a 4.5-meter trifold antenna, hub-mounted redundant 600-W solid-state amplifiers, four HD MPEG-2/4 encoders with 16 channels of audio (truck is wired for four additional for a total of eight encoders), two multiplexers and encoder software upgrades for redundant 3D transmissions, two modulators with advanced modulation up to 32 APSK, multiviewer bit-stream analyzer, and an HD waveform with Dolby, eye, and jitter.

On Call Communications is a provider of IP-based mobile satellite solutions. The company’s mobile communications systems provide video, voice, fax, and data services over QuickSPOT IP-based, auto-

mated systems. These compact systems are compat-ible with any IP application and can be easily oper-ated by non-technical personnel.

The QuickSPOT On Demand bandwidth ser-vice allows customers to access dedicated (SCPC) satellite space on demand, without scheduling in advance. With a dedicated link, service never slows down as other users come into the network because each user receives a unique frequency. At the push of a single button, the antenna sets up and aligns itself, and the baseband system logs into the QuickSPOT IP network ready to launch the com-munications application.

I N T E R N A T I O N A L

PACSAT is a full-service video- and audio-pro-duction, postproduction, and satellite-transmis-sions company. Headquartered in Sacramento, CA, it provides services in the West, Midwest, Southwestern, and Southeastern U.S. for major news, sports, entertainment, advertising, corporate, and government clients.

The Search Engine for Media & Entertainment TM

ProductionHUB’s Request Engine connects users to the production people, services, or equipment need-ed to get the job done, free of charge.

Request Engine features the world’s largest free-lance network of film, television, video, digital media, commercial, and live-event professionals, including camera operators and crew, grips and gaffers, production managers, teleprompter ops, and sound techs.

From mobile-production trucks, professional cameras, satellite trucks, grip trucks, and trailers to walkie-talkies and video walls, users can buy and rent professional equipment through the Request Engine.

The Request Engine also enables users to hire a production company, facility, studio, or service to help with the next project — whether it’s a com-mercial, PSA, corporate training video, music video, animation, or documentary.

PSSI/Strategic TV is a provider of mobile satellite


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transmission, production, and streaming services. Since 1987, PSSI has specialized in the coordina-tion, production, and distribution of domestic and international live event programming. PSSI offers a full range of fixed, mobile, and international flyaway satellite systems that provide live video, audio, IP, and data services worldwide.

The company regularly handles the extensive transmission requirements of major PPV boxing events, such as HBO’s Floyd Mayweather Jr.-Victor Ortiz fight in September and Showtime’s Manny Pacquiao–Shane Mosley fight in May. In addition, the company has delivered every UFC PPV event for half a decade.

Creating this year’s March Madness basketball graphics package, which was identical in its use across CBS, TBS, TNT, and truTV, was a team effort, and the preparation included building lo-gos in 3D to create team transitions, sound-bite backgrounds, frontend sequences, and headshots for more than twice the number of schools. The package was built out by Reality Check, which also wrote the scoreboard and bracket programs used for the studio shows in both New York and At-lanta, and the designs for the insert package were done in-house by Turner Sports Art Director Chad Hudson.

To create its package of teases, the graphics team traveled to Toronto in January, where it staged a large-element shoot.

Show Partners founder/CEO Michael S. Mantovani has resumed the role of president. He will again direct the company’s strategic and operational ini-tiatives as it focuses on supporting client needs, diversifying, and improving its relationships with vendors and freelancers.

Founded in 1985, Show Partners specializes in remote TV and live-event productions. Among its credits are PokerStars.net The Big Game, Street League Skateboarding Series, World Series of Poker, and the Hooters International Beauty Pageant. Clients include Fox Sports, NBC Universal, Speed, and Fuel TV.

SOS has seen a broad range of successes in 2011, with new business and steady increases with cur-rent clientele. These successes include its 24th con-secutive Super Bowl, a major role at the Kazakhstan Asian Winter Games, three new feature films, and another year with American Idol.

SOS Global Express extended its reach globally with the opening of a London office. Although the company has always operated globally, the addition of the London office will enhance the services it pro-vides for clients doing business in the UK and EMEA.

With the London Olympics just around the corner in 2012, SOS is well-positioned to provide support in the UK as well as to other events around the world.

SOS’s expanded global presence continues to keep SOS ahead of its competition when working for the broadcast, news, and sports industries.

A single-source provider of mobile vehicles for ex-periential marketing, TV broadcasting, training, government, medical care, sports franchises, and entertainment, SPEVCO builds custom vehicles from the ground up and can perform extensive re-furbishment to existing trailers, including paint/body work.

SPEVCO continues to provide the remote-broad-cast industry with custom production vehicles, hav-ing delivered the Nickel 53-ft. B unit to Corplex in July. Having entered the marketplace in 2009, the company is expanding into smaller vehicles, such as box trucks and gooseneck trailers, to meet requests at this end of the market.

Formed in 1989, The Systems Group offers techni-cal and project-management expertise for broad-cast-systems design and engineering. Among the systems that its consulting and design teams have developed are broadcast-LAN architecture, file-based workflows, centralized SNMP monitoring and control, IPTV distribution, multichannel origi-


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nation, and 3G infrastructure. TSG has offices in Hoboken, NJ, and Los Angeles.

Token Creek’s Hiawatha unit rolled into Chicago for the ESPNU NBA Combine telecast in May, the first produced in HD. ESPNU deployed three hard cameras, four handhelds, and a POV camera primarily for promos and bumpers. ESPNU had its typical college-basketball graphics package, deploy-ing two Chyron Duets in the truck. All graphic elements were prebuilt and focused on players’ skills, pros, and cons rather than statistics. With a six-channel and two four-channel EVS servers, ESPNU offered extensive replays after each group left the court.

Trio Video provides facilities and crews nationwide for broadcast and cable clients, entertainment com-panies, professional sports teams, and major cor-porations. Among the mobile units that Trio Video operates is Tempo, a 48-ft. trailer (with a 29-ft. ex-pandable side) outfitted with advanced HD equip-ment selected to provide picture quality and reliable operation that meet the demands of HDTV location production.

Included in this equipment array are six long-zoom HD field lenses and five portable HD zoom lenses, all from Canon USA. Canon lenses mounted on Tempo’s HD cameras include two XJ86x9.3B and four XJ75x9.3B long-zoom HD field lenses, three HJ22ex7.6B long-zoom portable HD lenses, and two HJ14ex4.3B wide-angle por-table HD zoom lenses.

The portable HD lenses chosen by Trio Video are two of the newest products in Canon’s HDxs line. The HJ22ex7.6B is the longest-focal-length portable HD production lens offered by Canon (without an image-stabilization system). Offering a range of creative options, the HJ22 portable HD lens is designed for long-distance shooting com-bined with wide-angle capture in a lightweight (4-lb.) form factor.

In an effort to meet the growing needs in the Central Florida market, equipment-rental com-pany VER’s Orlando office has moved to a new, larger space. The company says the faces and great VER service are the same but now with a little more room. The new address is 1611 Cypress Lake Dr., Orlando, FL 32837. Phone is 407-582-0350, fax 407-582-0370.

VISTA Satellite delivers more than 25,000 hours of occasional-use satellite time a year for Fortune 500 companies, broadcasters, cable programmers, educa-tional institutions, government agencies, and news organizations. Headquartered in South Florida, the company is now co-located with Stirling Studios, offer-ing television production with connectivity via fiber and satellite. VISTA’s Satellite Services Center is available 24 hours per day answering clients’ requests in multiple languages and monitoring feeds via satellite and on-line.

New Orleans-based YES Productions, a producer of shows and provider of mobile facilities since 1981, has been especially busy in 2011.

Throughout the summer, the company provided facilities to a variety of concerts and conventions, including Bayou Country Superfest in New Orleans, which was shot over two days, edited down to a two-hour show, and fed to the Armed Forces Network.

In September, YES Productions’ HD1 covered President Obama’s address to Congress from Capitol Hill before traveling overnight to Durham, NC, for Duke football.

Showing no signs of slowing down as 2011 draws to a close, YES Productions tackled the VOODOO Music Experience from nearby City Park in New Orleans while providing facilities for CBS’s college-sports package and ESPN’s football package.


DirectoryThe SVG Mobile Production Yearbook is proud, once again, to partner with Production Hub to offer a comprehensive directory for those on the hunt for crewing services, genera-tors, satellite trucks, and remote production units. Production Hub’s Website (www.pro-ductionhub.com) provides a valuable online resource, listing not only the services covered here but a wealth of other services as well.

The site also has one of the top job boards in the industry, a valuable tool for freelancers who are seeking work and for sports networks and content creators that are looking to fill positions.

Feel free to use the services directories here as a starting point for finding the providers that best meet your needs, but also be sure to visit www.productionhub.com for updated in-formation on potential suppliers.

vendor ServiceS

The Search Engine for Media & Entertainment TM

Courtesy of

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*All information is subject to change. For the most current contact information, please visit www.productionhub.com

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State City Name WebSite PhoNeAlabama Birmingham Crewsouth www.crewsouth.com (866) 816-2739Alaska Anchorage alaska Locations www.filmalaskalocations.com (907) 783-2143Arizona Lake Havasu City Jeff London Productions guardianpictures.com/ (928) 566-1366

Mesa east West Productions www.eastwestproductions.com (480) 491-8312

Phoenix burke brothers Productions BBPTV.com (602) 321-0398

Phoenix Crew West www.crewwestinc.com (888) 444-2739Phoenix high end Labor Pool www.highendlaborpool.com (602) 225-2454Phoenix No Jip Lighting (602) 684-0580

California Alhambra Computer tradeshow Rentals www.ctrrents.com (386) 481-8783

Alta Loma LocalCrew.tv - Southern California www.localcrew.tv (909) 980-4033

Burbank Nabet - CWa 53 www.nabet53.org (818) 846-0490Fairfax Creative Presentations cpresents.com (415) 785-3897Hollywood Surreel www.surreel.com (323) 464-3975Huntington Beach Camera Corps www.cameracorps.com (714) 846-2461Irvine Kwokman Productions www.kwokmanproductions.com (949) 679-2089Lake Elsinore California Cart builder www.californiacartbuilder.com (866) 347-1010Los Angeles epicenter Films (213) 534-3100Los Angeles haiR by SaPPhiRe www.HairbySapphire.com (310) 963-2067

Los Angeles Production Reference Services www.prodrefservice.com (310) 275-8002

Oceanside available Light/Jt Services www.JTServices.com (800) 439-1605Sacramento Studio Center www.thestudiocenter.com (916) 564-9333

San DiegoCrystal Pyramid dba Crystal Pyramid Productions

www.crystalpyramid.com (619) 644-3000

San Diego Photo Styling Workshops www.photostylingworkshops.com (619) 295-1456

San Diego Satellite Digital teleproductions (S.D.t.V.) www.sdtv.com (619) 293-7777

San Diego SDPC www.sdpcentre.com (619) 238-0400San Diego Solana Productions www.SolanaProductions.com (800) 745-8225San Diego Wire Wizards integration www.WireWizards.TV (619) 992-0549San Francisco Christie every Productions www.everyproductions.com (415) 902-0309San Francisco industry415 Creative www.industry415.com (415) 954-0988San Francisco Pro Video Productions ProVideoProd.com (650) 355-1601

Santa Barbaratom Piozet - home Planet Productions/home Planet Post

www.homeplanetproductions.com (805) 965-9848

Sherman Oaks Wintech Video www.wintechvideo.com (818) 501-6565

West Hollywood Renee Garcia Casting/RG Casting

www.myspace.com/reneegarciacasting (323) 532-7264

Colorado Evergreen Crew Connection www.crewconnection.com (800) 352-7397Highlands Ranch Weile Production Services www.weilerproductions.com (303) 470-5696

Connecticut Fairfield iCa Creative Crews (800) 835-9292District of Columbia Washington i.a.t.S.e. Local 22 www.iatselocal22.com (202) 269-0212

Washington maslow media Group www.maslowmedia.com (202) 965-1100Florida Bradenton affect Films www.filmvideo.com (941) 744-9449

Davenport KPS (863) 424-3472Hollywood Spiral Crews (954) 925-3361

Lakeland Crew West/Satellink Communication Service www.satellinkwest.com (863) 698-4313

Margate bear Crew (954) 509-0738Orlando Crew Call www.crewcallinc.com (407) 363-9055Palm Beach a Core Group Cannestro (561) 644-8566

Crew Services* — Regional Listing



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Florida Tampa Cameras international www.camerasinternational.com (813) 831-1553Georgia Atlanta encompass Digital media www.encompass-m.com (678) 421-6775

Atlanta Lighting & Production equipment www.lpe.com (404) 352-0464

Atlanta three Phase media www.phase3media.com (866) 454-8127Hawaii Kailua Noa Production NOAPro.com (808) 366-1515Idaho Nampa Chris Wade media www.chriswademedia.com (208) 850-0400Illinois Chicago event engineering www.eventengineering.com (773) 645-2000

Grayslake Clarion Production Services (847) 543-1188

Indiana Indianapolis efroymson Services (317) 253-7832Iowa Hiawatha metro Studios www.metro-studios.com (319) 363-2002Kansas Topeka Video Concepts (785) 273-9003Kentucky Louisville Duckworks www.morganatkinson.com (502) 637-7840Louisiana New Orleans Nola medic www.nolamedic.com (504) 715-6003

Maryland Annapolis World Class Videowww.netvibes.com/worldclassvideo#World_Class_Video

(410) 224-0204

Baltimore blueRock Productions www.bluerockproductions.com (410) 358-7000Sand Dollar Productions www.sanddollarproductions.com (410) 344-1700

Fulton Crews Control crewscontrol.com/services/staffing.aspx (800) 545-2739

North Potomac media Central mediacentral.net (301) 217-0049Potomac asia broadcast www.absatellite.net (301) 605-7629

Silver Spring alacer Video Production Services www.alacervideo.com (301) 754-0093

Silver Spring metro teleproductions www.mtitv.com (301) 608-9077Massachusetts Boston team, the agency www.teamtheagency.com (617) 268-3600

Canton Central booking Service www.centralbookingservice.com (781) 364-1880Gardner RJ Cleaning Service www.rjcleaning.com (978) 340-0930Newton Green Line Group www.glgtv.com (617) 663-5240

Michigan Troy midwest Video www.midwestvideo.com (248) 583-3630Minnesota Minneapolis StaR tutoring Service www.startutoring.com (612) 866-0566Missouri Kansas City Sportstaff www.sportstaffcrews.com (816) 505-5533

Nevada Henderson Premiere Production Services www.premierepro.com (702) 248-2580

Las Vegas avenger Productions www.avengerproductions.com (702) 655-3339

Las Vegas brooks Vision entertainment www.brooksvision.com (866) 286-4122

Las Vegas Got Films www.gotfilms.com (702) 838-9143Las Vegas LV Productions LVproductionsHD.com (702) 595-1726Las Vegas Production Central Group www.productioncentralgroup.com (702) 395-7216

New Jersey Gloucester City axis Video myspace.com/axis_video (856) 379-0873New Mexico Albuquerque Stew Casting (505) 489-2257

New York Brewster Digital Dreams media www.digitaldreamsmedia.com (800) 311-9951

Catskill Northeastern broadcast Services www.nebroadcast.com (518) 634-2511

Hauppauge thaler Films www.thalerfilms.com (631) 851-2000

Howard Beach Ny Crew Power Production Services (718) 843-3038

Manhattan the People’s DP www.thepeoplesdp.com (646) 415-7782Nassau Golden Lamb Productions glpvideoproduction.com (518) 766-4358

New YorkabS Payroll & Production accounting Services - New york

abspayroll.net (212) 675-4600

New York atlantic television www.atlantictv.com (212) 625-9327NewYork aurora Coast Productions www.AuroraCoast.com (212) 375-0700

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New York New York Cinesets Studios www.youtube.com/cinesets (917) 544-5017New York Dailyhires.com www.dailyhires.com (888) 696-1800New York Film Friends www.film-friends.com (212) 620-0084New York Filmwerk media www.filmwerk.tv (212) 645-5558New York hired Gun Video HiredGunVideo.com (518) 755-6313

New York Leftfield Pictures, featuring Leftfield Rentals and Crews www.leftfieldpictures.com (212) 564-2607

New York max Curious maxcurious.com (212) 706-8200New York NbtV Studios www.NBTVstudios.com (212) 500-2087New York technical operations www.tech-ops.com (212) 465-1318New York Video Dimensions videodimensions.net (212) 262-5453Rome entertainment Services www.entertainmentservices.us (315) 335-4645

Saratoga Springs Carr-hughes Productions - adirondack www.carr-hughes.com (518) 584-0202

North Carolina Cary LaDieKaDiVa.com www.ladiekadiva.com (919) 272-7555

Charlotte bulldog event Services (704) 507-8042

Matthews arena Specialists event Services www.arenaspecialistslive.com (704) 708-6773

Ohio Cincinnati io Productions www.ioproductions.net (323) 651-1300Oklahoma Oklahoma City DPt Productions www.dptproductions.com (405) 848-5952

Oklahoma City Production Services www.ProductionServicesLLC.com (405) 476-0719

Tulsa oklahoma Film Commission

www.oklahomaproductionguide.com (918) 645-0127

Oregon Gladstone 2 Girls Catering & Craft Services www.twogirlscatering.com (503) 318-1719

Pennsylvania Norristown CrewStore www.thecrewstore.com (484) 688-0142Philadelphia total Production Services www.tpsweb.com (888) 877-1178Pittsburgh Cortron media . www.cortronmedia.com (412) 302-4072Pittsburgh h & h Care (412) 760-5881

Rhode Island Middletown towerstream www.towerstream.com (866) 848-5848

South Carolina Mount Pleasant Location Carolina www.locationcarolina.com (843) 224-0691

Summerville turners movie medics (843) 367-8117Tennessee Bartlett Proshow Systems www.proshowsystems.com (901) 372-0550

Madison Junction entertainment www.junctionentertainment.com (615) 915-1559Nashville Film Ready Face www.filmreadyface.com (727) 214-8624Seymour 5 Star Portable www.fivestarportables.com (865) 806-3351

Texas Fort Worth texas World television www.twtv.net (817) 572-4600Humble texas mobile broadcasting www.texasmobiletv.com (281) 738-2329Richmond Paul Flanagan Productions (281) 633-0913San Antonio Five Point Six Studios www.FivePointSix.com (210) 558-6777

Utah Salt Lake City e-Z moving www.ezmovingslc.com (801) 347-7786Washington RmS Services www.rmsservices-pro.com (435) 215-4814

Virginia McLean accent media www.accentmediainc.com (703) 356-9427

Washington Seattle LDm Worldwide Productions www.ldmworldwide.com (206) 463-1902

Seattle Production Services NW www.psninc.com (206) 542-1154Wisconsin Madison Grassland media www.grasslandmedia.com (608) 238-7575

Wausau Golden icon www.goldenicon.com (715) 849-4266

Crew Services* — Regional ListingState City Name WebSite PhoNe



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Crew Services*—Alphabetical Listing

Name City State WebSite PhoNe2 Girls Catering & Craft Services Gladstone Oregon www.twogirlscatering.com (503) 318-17195 Star Portable Seymour Tennessee www.fivestarportables.com (865) 806-3351a Core Group Cannestro Palm Beach Florida (561) 644-8566abS Payroll & Production accounting Services - New york

New York New York abspayroll.net (212) 675-4600

accent media Mc Lean Virginia www.accentmediainc.com (703) 356-9427affect Films Bradenton Florida www.filmvideo.com (941) 744-9449alacer Video Production Services Silver Spring Maryland www.alacervideo.com (301) 754-0093alaska Locations Anchorage Alaska www.filmalaskalocations.com (907) 783-2143arena Specialists event Services Matthews North Carolina www.arenaspecialistslive.com (704) 708-6773asia broadcast Potomac Maryland www.absatellite.net (301) 605-7629atlantic television New York New York www.atlantictv.com (212) 625-9327aurora Coast Productions New York New York www.AuroraCoast.com (212) 375-0700available Light/Jt Services Oceanside California www.JTServices.com (800) 439-1605avenger Productions Las Vegas Nevada www.avengerproductions.com (702) 655-3339axis Video Gloucester City New Jersey myspace.com/axis_video (856) 379-0873bear Crew Margate Florida (954) 509-0738blueRock Productions Baltimore Maryland www.bluerockproductions.com/ (410) 358-7000brooks Vision entertainment Las Vegas Nevada www.brooksvision.com (866) 286-4122bulldog event Services Charlotte North Carolina (704) 507-8042burke brothers Productions Phoenix Arizona BBPTV.com (602) 321-0398California Cart builder Lake Elsinore California www.californiacartbuilder.com (866) 347-1010Camera Corps Huntington Beach California www.cameracorps.com (714) 846-2461Cameras international Tampa Florida www.camerasinternational.com (813) 831-1553Carr-hughes Productions - adirondack

Saratoga Springs New York www.carr-hughes.com (518) 584-0202

Central booking Service Canton Massachusetts www.centralbookingservice.com (781) 364-1880Chris Wade media Nampa Idaho www.chriswademedia.com (208) 850-0400Christie every Productions San Francisco California www.everyproductions.com (415) 902-0309Cinesets Studios New York New York www.youtube.com/cinesets (917) 544-5017Clarion Production Services Grayslake Illinois (847) 543-1188Computer tradeshow Rentals Alhambra California www.ctrrents.com (386) 481-8783Cortron media Pittsburgh Pennsylvania www.cortronmedia.com (412) 302-4072Creative Presentations Fairfax California cpresents.com (415) 785-3897Crew Call Orlando Florida www.crewcallinc.com (407) 363-9055Crew Connection Evergreen Colorado www.crewconnection.com (800) 352-7397Crew West inc Phoenix Arizona www.crewwestinc.com (888) 444-2739Crew West/Satellink Communication Service

Lakeland Florida www.satellinkwest.com (863) 698-4313

Crews Control Fulton Maryland crewscontrol.com/services/staffing.aspx

(800) 545-2739

Crewsouth Birmingham Alabama www.crewsouth.com (866) 816-2739CrewStore Norristown Pennsylvania www.thecrewstore.com (484) 688-0142Crystal Pyramid dba Crystal Pyramid Productions

San Diego California www.crystalpyramid.com (619) 644-3000

Dailyhires.com New York New York www.dailyhires.com (888) 696-1800Digital Dreams media Brewster New York www.digitaldreamsmedia.com (800) 311-9951DPt Productions Oklahoma City Oklahoma www.dptproductions.com (405) 848-5952Duckworks Louisville Kentucky www.morganatkinson.com (502) 637-7840

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Crew Services*— D-N

e-Z moving Salt Lake City Utah www.ezmovingslc.com (801) 347-7786east West Productions Mesa Arizona www.eastwestproductions.com (480) 491-8312efroymson Services Indianapolis Indiana (317) 253-7832encompass Digital media Atlanta Georgia www.encompass-m.com (678) 421-6775entertainment Services Rome New York www.entertainmentservices.us (315) 335-4645epicenter Films Los Angeles California (213) 534-3100event engineering Chicago Illinois www.eventengineering.com (773) 645-2000Film Friends New York New York www.film-friends.com (212) 620-0084Film Ready Face Nashville Tennessee www.filmreadyface.com (727) 214-8624Filmwerk media New York New York www.filmwerk.tv (212) 645-5558Five Point Six Studios San Antonio Texas www.FivePointSix.com (210) 558-6777Golden icon Wausau Wisconsin www.goldenicon.com (715) 849-4266Golden Lamb Productions Nassau New York glpvideoproduction.com (518) 766-4358Got Films Las Vegas Nevada www.gotfilms.com (702) 838-9143Grassland media Madison Wisconsin www.grasslandmedia.com (608) 238-7575Green Line Group Newton Massachusetts www.glgtv.com (617) 663-5240h & h Care Pittsburgh Pennsylvania (412) 760-5881haiR by SaPPhiRe Los Angeles California www.HairbySapphire.com (310) 963-2067high end Labor Pool Phoenix Arizona www.highendlaborpool.com (602) 225-2454hired Gun Video New York New York HiredGunVideo.com (518) 755-6313i.a.t.S.e. Local 22 Washington District of

Columbiawww.iatselocal22.com (202) 269-0212

iCa Creative Crews Fairfield Connecticut (800) 835-9292industry415 Creative San Francisco California www.industry415.com (415) 954-0988io Productions Cincinnati Ohio www.ioproductions.net (323) 651-1300Jeff London Productions Lake Havasu City Arizona guardianpictures.com/ (928) 566-1366Junction entertainment Madison Tennessee www.junctionentertainment.com (615) 915-1559KPS Davenport Florida (863) 424-3472Kwokman Productions Irvine California www.kwokmanproductions.com (949) 679-2089LaDieKaDiVa.com Cary North Carolina www.ladiekadiva.com (919) 272-7555LDm Worldwide Productions Seattle Washington www.ldmworldwide.com (206) 463-1902Leftfield Pictures, featuring Leftfield Rentals and Crews

New York New York www.leftfieldpictures.com (212) 564-2607

Lighting & Production equipment

Atlanta Georgia www.lpe.com (404) 352-0464

LocalCrew.tv - Southern California

Alta Loma California www.localcrew.tv (909) 980-4033

Location Carolina Mount Pleasant South Carolina www.locationcarolina.com (843) 224-0691LV Productions Las Vegas Nevada LVproductionsHD.com (702) 595-1726maslow media Group Washington District of

Columbiawww.maslowmedia.com (202) 965-1100

max Curious New York New York maxcurious.com (212) 706-8200media Central North Potomac Maryland mediacentral.net (301) 217-0049metro Studios Hiawatha Iowa www.metro-studios.com (319) 363-2002metro teleproductions Silver Spring Maryland www.mtitv.com (301) 608-9077midwest Video Troy Michigan www.midwestvideo.com (248) 583-3630Nabet - CWa 53 Burbank California www.nabet53.org (818) 846-0490NbtV Studios New York New York www.NBTVstudios.com (212) 500-2087No Jip Lighting Phoenix Arizona (602) 684-0580Noa Production Kailua Hawaii NOAPro.com (808) 366-1515



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Crew Services* — N-W

Nola medic New Orleans Louisiana www.nolamedic.com (504) 715-6003Northeastern broadcast Services Catskill New York www.nebroadcast.com (518) 634-2511Ny Crew Power Production Services

Howard Beach New York (718) 843-3038

oklahoma Film Commission Tulsa Oklahoma www.oklahomaproductionguide.com (918) 645-0127Paul Flanagan Productions Richmond Texas (281) 633-0913Photo Styling Workshops San Diego California www.photostylingworkshops.com (619) 295-1456Premiere Production Services Henderson Nevada www.premierepro.com (702) 248-2580Pro Video Productions San Francisco California ProVideoProd.com (650) 355-1601Production Central Group Las Vegas Nevada www.productioncentralgroup.com (702) 395-7216Production Reference Services Los Angeles California www.prodrefservice.com (310) 275-8002Production Services Oklahoma City Oklahoma www.ProductionServicesLLC.com (405) 476-0719Production Services NW Seattle Washington www.psninc.com (206) 542-1154Proshow Systems Bartlett Tennessee www.proshowsystems.com (901) 372-0550Renee Garcia Casting/RG Casting West Hollywood California www.myspace.

comreneegarciacasting(323) 532-7264

RJ Cleaning Service Gardner Massachusetts www.rjcleaning.com (978) 340-0930RmS Services Washington Utah www.rmsservices-pro.com (435) 215-4814Sand Dollar Productions Baltimore Maryland www.sanddollarproductions.com (410) 344-1700Satellite Digital teleproductions (S.D.t.V.)

San Diego California www.sdtv.com (619) 293-7777

SDPC San Diego California www.sdpcentre.com (619) 238-0400Solana Productions San Diego California www.SolanaProductions.com (800) 745-8225Spiral Crews Hollywood Florida (954) 925-3361Sportstaff Kansas City Missouri www.sportstaffcrews.com (816) 505-5533StaR tutoring Service Minneapolis Minnesota www.startutoring.com (612) 866-0566Stew Casting Albuquerque New Mexico (505) 489-2257Studio Center Sacramento California www.thestudiocenter.com (916) 564-9333Surreel Hollywood California www.surreel.com (323) 464-3975team, the agency Boston Massachusetts www.teamtheagency.com (617) 268-3600technical operations New York New York www.tech-ops.com (212) 465-1318texas mobile broadcasting Humble Texas www.texasmobiletv.com (281) 738-2329texas World television Fort Worth Texas www.twtv.net (817) 572-4600thaler Films Hauppauge New York www.thalerfilms.com (631) 851-2000the People’s DP Manhattan New York www.thepeoplesdp.com (646) 415-7782three Phase media Atlanta Georgia www.phase3media.com (866) 454-8127tom Piozet - home Planet Productions/home Planet Post

Santa Barbara California www.homeplanetproductions.com (805) 965-9848

total Production Services Philadelphia Pennsylvania www.tpsweb.com (888) 877-1178towerstream Middletown Rhode Island www.towerstream.com (866) 848-5848turners movie medics Summerville South Carolina (843) 367-8117Video Concepts Topeka Kansas (785) 273-9003Video Dimensions New York New York videodimensions.net (212) 262-5453Weile Production Services Highlands Ranch Colorado www.weilerproductions.com (303) 470-5696Wintech Video Sherman Oaks California www.wintechvideo.com (818) 501-6565Wire Wizards integration San Diego California www.WireWizards.TV (619) 992-0549World Class Video Annapolis Maryland www.netvibes.com/

worldclassvideo#World_Class_Video(410) 224-0204




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Generators* — Regional ListingState City Name WebSite PhoNe

Alaska Anchorage Northern Lights marine Generators www.northern-lights.com (907) 562-2222

Fairbanks Solaralaska www.solaralaska.com (907) 235-6842Arizona Mesa Sound Lighting F/X www.soundlightingfx.com (602) 722-0783

Phoenix Reel - men www.reelmeninc.com (602) 286-6800Phoenix United Rentals - Phoenix www.ur.com (602) 273-7401Scottsdale RSC Rental Service www.rscrental.com (480) 905-3300Tucson h&e equipment Services www.he-equipment.com (520) 770-1120

Arkansas Mena Laark honeywagons www.laarkhoneywagons.com (818) 516-6474North Little Rock event Power (501) 351-5837

California Alameda mike Van Dine Power & Light www.powerlight.net (510) 749-9475

Burbank aC Power Distribution www.acpowerdistribution.com (818) 848-4004Burbank United Rentals - burbank www.ur.com (818) 842-5288

Calabasas Studio air Conditioning Rentals www.studioairconditioning.com (818) 222-4143

Carson multiquip www.multiquip.com (800) 421-1244Chatsworth Cinerep international www.cinerepamps.com (818) 882-2677Chatsworth SmS Generators smsgenerators.com (818) 361-2151Compton Cat entertainment Services es-cat.com (310) 631-7700Culver City Century Studio www.centurystudio.com (310) 287-3600Culver City La brea air www.labrearentals.com (800) 452-2732Los Angeles W.a. benjamin electric www.benjaminelectric.com (213) 749-7731

Marina del Rey Westside Production Services (310) 244-2700

Newark atlas Sales & Rentals www.atlassales.com (800) 972-6600Norco Norco equipment Rentals www.norcoequipmentrentals.com (951) 371-1231

North Hollywood hollywood honeywagon & Production Vehicles www.hollywoodhoneywagon.com (818) 763-1966

North Hollywood Star Power Generators www.starpowergenerators.com (818) 982-2200Placentia temp Power Systems www.temppower.com (714) 223-5600San Diego andrus Lighting and Grip andruslighting.com (619) 521-0585San Fernando illumination Dynamics www.illuminationdynamics.com (818) 686-6400San Francisco Cresco Production express www.crescorent.com (415) 920-2801Simi Valley Cinema air cinemaair.com (805) 732-6517Sun Valley Dadco www.dadcopowerandlights.com (818) 768-8886

Colorado Broomfield Checkers industrial Safety Products www.CableProtector.com (800) 438-9336

Connecticut Stamford Lex Products www.lexproducts.com (818) 768-4474Florida Clearwater Command cmnd.com (727) 724-1220

Dania emPower www.empowergenerators.com (866) 751-9644

Deerfield Beach iiS Group optimum Power & environment www.optimumpower.com (954) 421-2828

Fort Lauderdale Garrett Sound & Lighting www.garrettsound.com (954) 777-3277Fort Lauderdale Production Power & air www.productionpowerandair.com (954) 739-2468

Fort Lauderdale Production toolbox Services productiontoolbox.com (954) 463-4820

Hollywood Sidram Power www.sidrampower.com (954) 989-8898Miami americas Generators gopower.com (305) 592-6800Miami maGiC ii Lighting & Grip www.magic2lighting.com (305) 685-1811Miami megawattage www.megawattage.com (954) 302-3565



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Generators* — Regional Listing

Florida Miami mobile Power & air www.aparty4less.com (305) 235-9188Miami Unique Producers Service www.uniqueproducers.com (305) 681-7627Miami Beach Great Southern Studios www.greatsouthernstudios.com (305) 944-2464Orlando Cat entertainment Services es-cat.com (407) 855-6195Orlando DataPro Systems www.dataprosystems.com (407) 292-4282

Orlandohollywood Rentals Production Services - orlando

www.hollywoodrentals.com (407) 354-2555

Orlando Walker miller equipment Company www.walkermiller.com (407) 299-2620

Pinellas Park First Unit Production Services www.firstunit.com (727) 522-2203

St. Augustine Cat entertainment Services es-cat.com (904) 737-7730

Tampa Production Services & Systems www.psstampa.com (813) 354-1913

Georgia Atlanta PC&e (Production Consultants & equipment) www.pce-atlanta.com (404) 609-9001

Savannah Ross SysCon www.rosssyscon.com (912) 238-5800Hawaii Lihue toolmaster hawaii www.toolmasterhawaii.com (808) 246-1000Illinois Schiller Park Northern Lighting & Power www.northernlightingandpower.com (847) 671-9695Indiana Carmel Koch Creative enterprises (317) 846-3443Iowa Alta Gull Wing industries www.gull-wing.com (800) 838-1482

Des Moines Pratt audio - Visual & Video www.prattav.com (515) 280-9800Oskaloosa musco Lighting www.musco.com (800) 825-6030

Kansas Kansas City Lights on Kansas City www.lightson.com (913) 362-6940Overland Park Prime Light primelight.com (913) 226-0849

Louisiana Baton Rouge Digital FX www.digitalfx.tv (888) 898-6010Hammond event Rental www.neworleansevent.com (504) 362-8368Harvey Center Staging www.centerstaging.net (504) 247-0020Kenner aggreko - Louisiana www.aggreko.com (504) 461-0556New Orleans available Lighting www.availablelighting.com (504) 831-5214New Orleans Nola Film Logistics www.nolafl.com (504) 309-6612New Orleans Silver Screen Supply www.silverscreensupplies.com (504) 737-0555

Shreveport Louisiana Grip and Lighting (661) 877-1776

Maryland Beltsville toPP Portable air www.spotcool.com (800) 892-8677

Centreville annapolis mobile Power Services www.annapolismobilepower.com (410) 758-0450

Severn Kohler event Services - maryland www.kohlereventservices.com (866) 732-8734

Massachusetts Amesbury munters - mCS headquarters www.muntersmcs.com (800) 686-8377

Canton high output - boston www.highoutput.com (781) 364-1800Dedham ScreenLight & Grip www.screenlightandgrip.com (781) 326-5088Hamilton Cmt www.habitatmonitor.com (978) 768-2555Hudson thermalogic www.thermalogic.com (800) 343-4492West Bridgewater equipment 4 Rent www.equipment4rent.net (508) 583-5500Worcester immedia www.immedia1.com (508) 791-3366

Michigan Rochester essential Sound Products www.essentialsound.com (248) 375-2655

Minnesota Brooklyn Park broadway Rental equipment www.broadwayrental.com (763) 533-1680

Shakopee Ziegler Power Systems www.zieglerinc.com (612) 445-4292




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Missouri Kansas City Dean machinery deancat.com (816) 200-5470St. Louis CK Power Products www.ckpower.com (314) 868-8620St. Louis Current events www.watts-on-wheels.com (314) 204-5119

Montana Bozeman Filmlites www.filmlitesmt.com (406) 587-0226Nevada Las Vegas Fourth Phase www.prg.com (702) 942-4572

Reno United Rentals - Reno www.ur.com (775) 789-6000

New Jersey Atlantic Highlands Risco www.riscorv.com (732) 872-7722

Kenilworth Cat entertainment Services es-cat.com (908) 272-8400Maple Shade Sunbelt Rentals www.sunbeltrentals.com (856) 779-2772South Plainfield SbP industries www.sbp4juice.com (908) 412-8630

New Mexico Santa Fe Serious Grippage & Light www.seriousgrippage.com (505) 473-1566New York Bayside abbey Rent-all www.abbeyrent.com (718) 428-0400

Brooklyn United Rentals - brooklyn www.ur.com (718) 456-8546Hicksville on Site energy www.onsite-energy.com (800) 736-8251

Holtsville h.o. Penn machinery Company www.hopenn.com (631) 654-4400

Long Island City ace Rentals and Staging www.acerentals.com (718) 943-0840Long Island City available Light www.alny.net (718) 707-9670Long Island City Silvertrucks Lighting www.silvercupstudios.com (718) 906-2000Mineola thomas Cestare www.thomascestareinc.com (516) 742-5550Nanuet Dynamic Productions www.dynamic-prod.com (845) 624-5101New Paltz Stark Lighting & Generator www.starklighting.com (347) 538-6501New Rochelle tri-state electric www.tri-state-electric.com (866) 947-3252New York RGh Productions www.rghlighting.com (212) 947-4749Pine Bush Pine bush equipment www.pbeinc.com (845) 744-2006Staten Island Goblin Lighting Services www.goblininc.com (718) 447-7157

North Carolina Denver Cooke Rentals cookerentals.com (704) 483-2722

Wilmington Gregory Poole equipment www.gregorypoole.com (888) 646-7368Ohio Massillon hydrothrift www.hydrothrift.com (330) 837-5141Oklahoma Oklahoma City toucan Productions www.toucanlighting.com (405) 943-9036Oregon Portland halton www.haltoncompany.com (503) 288-6411

Pennsylvania Pittsburgh air Conditioner Rental and Leasing www.acrental.com (800) 581-4844

Pittsburgh Performance Lighting Rentals perflight.com (412) 781-5655

Rhode Island North Kingstown Cat entertainment Services es-cat.com (888) 296-4492North Kingstown Cat entertainment Services es-cat.com (401) 845-2281Providence high output - Providence www.highoutput.com (401) 521-0676

South Carolina Charleston all occasions Party www.alloccasionsparty.com (843) 554-6334

Charleston high output - Charleston www.highoutput.com (843) 722-3600Charleston Neff Rental www.neffrental.com (843) 760-6333Charleston Paladin equipment Rentals (843) 819-6401

Tennessee Dandridge Rathbone energy www.rathboneenergy.com (800) 223-1775

Knoxville Smoky mountain Grip & Lighting www.smokymtngrip.com (865) 947-5483

Nashville Citation Film & tape Support www.citationsupport.com (615) 298-5252

Texas Dallas Cat entertainment Services es-cat.com (214) 638-1400

Generators* — Regional ListingState City Name WebSite PhoNe



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Generators* — Regional Listing

Texas Dallas R & R Lighting www.texasgenerators.com (214) 341-3222

Forney Regenerators manufacturing www.regenerators.com (972) 552-3944

Houston Juice Goose / Whitenton industries www.juicegoose.com (713) 772-1404

Houston mC Lighting & Production Services www.mclighting.com (713) 723-1393

Houston Whitenton industries www.juicegoose.com (713) 772-1404Irving Panavision - Dallas www.panavision.com (972) 929-8585Rowlett burrell enterprises www.litepower.com (972) 475-8111

LitePoWeR www.litepower.com (972) 475-8111Spring aggreko - texas www.aggreko.com (281) 298-9151

Vermont Hinesburg NRG Systems www.nrgsystems.com (802) 482-2255

Washington Seattle Pacific Grip & Lighting - Seattle www.pacific-grip.com (206) 622-8540

Seattle Pacific Grip & Lighting - Washington www.pacific-grip.com (206) 622-8540

Wisconsin Sheboygan Kohler event Services - Wisconsin www.kohlereventservices.com (888) 769-3794


Generators* — Alphabetical ListingName City State WebSite PhoNe

abbey Rent-all Bayside New York www.abbeyrent.com (718) 428-0400aC Power Distribution Burbank California www.acpowerdistribution.com (818) 848-4004ace Rentals and Staging Long Island City New York www.acerentals.com (718) 943-0840aggreko - Louisiana Kenner Louisiana www.aggreko.com (504) 461-0556aggreko - texas Spring Texas www.aggreko.com (281) 298-9151air Conditioner Rental and Leasing Pittsburgh Pennsylvania www.acrental.com (800) 581-4844all occasions Party Charleston South

Carolinawww.alloccasionsparty.com (843) 554-6334

americas Generators Miami Florida gopower.com (305) 592-6800andrus Lighting and Grip San Diego California andruslighting.com (619) 521-0585annapolis mobile Power Services Centreville Maryland www.annapolismobilepower.com (410) 758-0450atlas Sales & Rentals Newark California www.atlassales.com (800) 972-6600available Light Long Island City New York www.alny.net (718) 707-9670available Lighting New Orleans Louisiana www.availablelighting.com (504) 831-5214broadway Rental equipment Brooklyn Park Minnesota www.broadwayrental.com (763) 533-1680burrell enterprises Rowlett Texas www.litepower.com (972) 475-8111Cat entertainment Services Compton California es-cat.com (310) 631-7700Cat entertainment Services Orlando Florida es-cat.com (407) 855-6195Cat entertainment Services St. Augustine Florida es-cat.com (904) 737-7730Cat entertainment Services Kenilworth New Jersey es-cat.com (908) 272-8400Cat entertainment Services North Kingstown Rhode Island es-cat.com (888) 296-4492Cat entertainment Services North Kingstown Rhode Island es-cat.com (401) 845-2281Cat entertainment Services Dallas Texas es-cat.com (214) 638-1400Center Staging Harvey Louisiana www.centerstaging.net (504) 247-0020Century Studio Culver City California www.centurystudio.com (310) 287-3600



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Generators* — C-L

Checkers industrial Safety Products Broomfield Colorado www.CableProtector.com (800) 438-9336Cinema air Simi Valley California cinemaair.com (805) 732-6517Cinerep international Chatsworth California www.cinerepamps.com (818) 882-2677Citation Film & tape Support Nashville Tennessee www.citationsupport.com (615) 298-5252CK Power Products St. Louis Missouri www.ckpower.com (314) 868-8620Cmt Hamilton Massachusetts www.habitatmonitor.com (978) 768-2555Command Clearwater Florida cmnd.com (727) 724-1220Cooke Rentals Denver North

Carolinacookerentals.com (704) 483-2722

Cresco Production express San Francisco California www.crescorent.com (415) 920-2801Current events St. Louis Missouri www.watts-on-wheels.com (314) 204-5119Dadco Sun Valley California www.dadcopowerandlights.com (818) 768-8886DataPro Systems Orlando Florida www.dataprosystems.com (407) 292-4282Dean machinery Kansas City Missouri deancat.com (816) 200-5470Digital FX Baton Rouge Louisiana www.digitalfx.tv (888) 898-6010Dynamic Productions Nanuet New York www.dynamic-prod.com (845) 624-5101emPower Dania Florida www.empowergenerators.com (866) 751-9644equipment 4 Rent West Bridgewater Massachusetts www.equipment4rent.net (508) 583-5500essential Sound Products Rochester Michigan www.essentialsound.com (248) 375-2655event Power North Little Rock Arkansas (501) 351-5837event Rental Hammond Louisiana www.neworleansevent.com (504) 362-8368Filmlites Bozeman Montana www.filmlitesmt.com (406) 587-0226First Unit Production Services Pinellas Park Florida www.firstunit.com (727) 522-2203Fourth Phase Las Vegas Nevada www.prg.com (702) 942-4572Garrett Sound & Lighting Fort Lauderdale Florida www.garrettsound.com (954) 777-3277Goblin Lighting Services Staten Island New York www.goblininc.com (718) 447-7157Great Southern Studios Miami Beach Florida www.greatsouthernstudios.com (305) 944-2464Gregory Poole equipment Wilmington North

Carolinawww.gregorypoole.com (888) 646-7368

Gull Wing industries Alta Iowa www.gull-wing.com (800) 838-1482h & e equipment Services Tucson Arizona www.he-equipment.com (520) 770-1120h.o. Penn machinery Holtsville New York www.hopenn.com (631) 654-4400halton Portland Oregon www.haltoncompany.com (503) 288-6411high output - boston Canton Massachusetts www.highoutput.com (781) 364-1800high output - Charleston Charleston South

Carolinawww.highoutput.com (843) 722-3600

high output - Providence Providence Rhode Island www.highoutput.com (401) 521-0676hollywood honeywagon & Production Vehicles

North Hollywood California www.hollywoodhoneywagon.com (818) 763-1966

hollywood Rentals Production Services - orlando

Orlando Florida www.hollywoodrentals.com (407) 354-2555

hydrothrift Massillon Ohio www.hydrothrift.com (330) 837-5141iiS Group optimum Power & environment

Deerfield Beach Florida www.optimumpower.com (954) 421-2828

illumination Dynamics San Fernando California www.illuminationdynamics.com (818) 686-6400immedia Worcester Massachusetts www.immedia1.com (508) 791-3366Juice Goose / Whitenton industries Houston Texas www.juicegoose.com (713) 772-1404Koch Creative enterprises Carmel Indiana (317) 846-3443


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AdvAncing the creAtion, production, & distribution oF sports content

SPORTS VIDEO gROUP ADVISORY BOARDChairmanSteve hellmuth, nBa, evp, operations and technology

adviSory Board memBerSKen aagaard, cBs sports, evp, operations and

production servicesadam acone, industry consultantGlenn adamo, nFl ,vp, media operations and

BroadcastingPeter angell, infront sports and media, director,

production & programming divisionandrea Berry, Fox network engineering and operations,

svp, Broadcast operationsChuck Blazer, FiFA marketing and tv, directordavid Catzel, microsoft, platform services adviser, dpeChris Calcinari, espn, vp, event operationsJason Cohen, hBo sports, directorJoe Cohen, htn communications, chairman and ceomichael Cohen, industry consultantdon Colantonio, espn, senior director of production

enhancementsCindy Cortell, mlB network, director of itmichael davies, Fox sports, vp, Field operationsPreston davis, aBc, president, Broadcast operations and

engineeringScott davis, industry consultantJim deFillipis, Fox technology group, svp, television

engineeringed delaney, yes network, vp, operationsJed drake, espn, svp and ep, event productiondave dukes, pga tour entertainment, senior director,

technical operationsrussell Gabay, major league Baseball international, vp

and executive producerJerry Gepner, Bexel Broadcast services, ceoSteve Gorsuch, ustA billie Jean king tennis center,

director of Broadcast operationsmark haden, mlB network, vp, engineering and itdeb honkus, nep Broadcasting, ceoGeorge hoover, nep Broadcasting, ctoJeff Jacobs, mtv networks, vp, production planning and

strategiesrobert d. Jordan, cFe, venue research and design,

managing partnerJohn Kvatek, university of central Florida Athletics

association, director of video servicesJohn Leland, origin digital, vp, global media operationsLouis Libin, Broad comm, presidentJodi markley, espn, svp, operationsmichael meehan, nBc sports, vpKen norris, uclA, director of video operationsGary olson, concAcAF, ctoChuck Pagano, espn, ctodel Parks, sinclair Broadcast group, vp, engineering and

operationsPatty Power, cBs sports network, svp, operationsPaul Puccio, industry consultantScott rinehart, nascar media group, director of internal

operationsLarry rogers, show partners, presidentmike rokosa, nBa, vp, engineeringBob ross, cBs, svp, east coast operationsTom Sahara, turner sports, vp, operations and technologyChuck Scoggins, industry consultantBruce Shapiro, speed, coordinating technical producerJack Simmons, Fox sports, svp, productiondon Sperling, new york giants entertainment, vp and

executive producerJerry Steinberg, Fox sports, svp, Field operationsSusan Stone, mlB network, svp, operationsPatrick Sullivan, game creek video, presidentJohn Ward, directv entertainment, svp, production &

traffic operationsernie Watts, turner studios, senior director of technical

ops, live eventsJeff Willis, espn, coordinating technical manager of

eventsrichard Wolf, Abc, svp, telecommunications & network

origination servicesdave Zur, Altitude sports & entertainment, vp, operations

platinum sponsors



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Kohler event Services - maryland Severn Maryland www.kohlereventservices.com (866) 732-8734Kohler event Services - Wisconsin Sheboygan Wisconsin www.kohlereventservices.com (888) 769-3794La brea air Culver City California www.labrearentals.com (800) 452-2732Laark honeywagons Mena Arkansas www.laarkhoneywagons.com (818) 516-6474Lex Products Stamford Connecticut www.lexproducts.com (818) 768-4474Lights on Kansas City Kansas City Kansas www.lightson.com (913) 362-6940LitePoWeR Rowlett Texas www.litepower.com (972) 475-8111Louisiana Grip and Lighting Shreveport Louisiana (661) 877-1776maGiC ii Lighting and Grip Miami Florida www.magic2lighting.com (305) 685-1811mC Lighting & Production Services Houston Texas www.mclighting.com (713) 723-1393megawattage Miami Florida www.megawattage.com (954) 302-3565mike Van Dine Power & Light Alameda California www.powerlight.net (510) 749-9475mobile Power & air Miami Florida www.aparty4less.com (305) 235-9188multiquip Carson California www.multiquip.com (800) 421-1244munters - mCS headquarters Amesbury Massachusetts www.muntersmcs.com (800) 686-8377musco Lighting Oskaloosa Iowa www.musco.com (800) 825-6030Neff Rental Charleston South

Carolinawww.neffrental.com (843) 760-6333

Nola Film Logistics New Orleans Louisiana www.nolafl.com (504) 309-6612Norco equipment Rentals Norco California www.norcoequipmentrentals.com (951) 371-1231Northern Lighting & Power Schiller Park Illinois www.northernlightingandpower.

com(847) 671-9695

Northern Lights marine Generators Anchorage Alaska www.northern-lights.com (907) 562-2222NRG Systems Hinesburg Vermont www.nrgsystems.com (802) 482-2255on Site energy Hicksville New York www.onsite-energy.com (800) 736-8251Pacific Grip & Lighting - Seattle Seattle Washington www.pacific-grip.com (206) 622-8540Paladin equipment Rentals Charleston South

Carolina(843) 819-6401

Panavision - Dallas Irving Texas www.panavision.com (972) 929-8585PC&e (Production Consultants & equipment)

Atlanta Georgia www.pce-atlanta.com (404) 609-9001

Performance Lighting Rentals Pittsburgh Pennsylvania perflight.com (412) 781-5655Pine bush equipment Pine Bush New York www.pbeinc.com (845) 744-2006Pratt audio - Visual & Video Des Moines Iowa www.prattav.com (515) 280-9800Prime Light Overland Park Kansas primelight.com (913) 226-0849Production Power & air Fort Lauderdale Florida www.productionpowerandair.com (954) 739-2468Production Services & Systems Tampa Florida www.psstampa.com (813) 354-1913Production toolbox Services Fort Lauderdale Florida productiontoolbox.com (954) 463-4820R & R Lighting Dallas Texas www.texasgenerators.com (214) 341-3222Rathbone energy Dandridge Tennessee www.rathboneenergy.com (800) 223-1775Reel - men Phoenix Arizona www.reelmeninc.com (602) 286-6800Regenerators manufacturing Forney Texas www.regenerators.com (972) 552-3944RGh Productions New York New York www.rghlighting.com (212) 947-4749Risco Atlantic

HighlandsNew Jersey www.riscorv.com (732) 872-7722

Ross SysCon Savannah Georgia www.rosssyscon.com (912) 238-5800RSC Rental Service Scottsdale Arizona www.rscrental.com (480) 905-3300

Generators* — K-RName City State WebSite PhoNe



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Generators* — R-Z

SbP industries South Plainfield New Jersey www.sbp4juice.com (908) 412-8630ScreenLight & Grip Dedham Massachusetts www.screenlightandgrip.com (781) 326-5088Serious Grippage & Light Santa Fe New Mexico www.seriousgrippage.com (505) 473-1566Sidram Power Hollywood Florida www.sidrampower.com (954) 989-8898Silver Screen Supply New Orleans Louisiana www.silverscreensupplies.com (504) 737-0555Silvertrucks Lighting Long Island City New York www.silvercupstudios.com (718) 906-2000Smoky mountain Grip & Lighting Knoxville Tennessee www.smokymtngrip.com (865) 947-5483SmS Generators Chatsworth California smsgenerators.com (818) 361-2151Solaralaska Fairbanks Alaska www.solaralaska.com (907) 235-6842Sound Lighting F/X Mesa Arizona www.soundlightingfx.com (602) 722-0783Star Power Generators North Hollywood California www.starpowergenerators.com (818) 982-2200Stark Lighting & Generator New Paltz New York www.starklighting.com (347) 538-6501Studio air Conditioning Rentals Calabasas California www.studioairconditioning.com (818) 222-4143Sunbelt Rentals Maple Shade New Jersey www.sunbeltrentals.com (856) 779-2772temp Power Systems Placentia California www.temppower.com (714) 223-5600thermalogic Hudson Massachusetts www.thermalogic.com (800) 343-4492thomas Cestare Mineola New York www.thomascestareinc.com (516) 742-5550toolmaster hawaii Lihue Hawaii www.toolmasterhawaii.com (808) 246-1000toPP Portable air Beltsville Maryland www.spotcool.com (800) 892-8677toucan Productions Oklahoma City Oklahoma www.toucanlighting.com (405) 943-9036tri-state electric New Rochelle New York www.tri-state-electric.com (866) 947-3252Unique Producers Service Miami Florida www.uniqueproducers.com (305) 681-7627United Rentals - brooklyn Brooklyn New York www.ur.com (718) 456-8546United Rentals - burbank Burbank California www.ur.com (818) 842-5288United Rentals - Phoenix Phoenix Arizona www.ur.com (602) 273-7401United Rentals - Reno Reno Nevada www.ur.com (775) 789-6000W.a. benjamin electric Los Angeles California www.benjaminelectric.com (213) 749-7731Walker miller equipment Orlando Florida www.walkermiller.com (407) 299-2620Westside Production Services Marina del Rey California (310) 244-2700Whitenton industries Houston Texas www.juicegoose.com (713) 772-1404Ziegler Power Systems Shakopee Minnesota www.zieglerinc.com (612) 445-4292

Mobile Production Units* — Regional ListingState City Name WebSite PhoNeAlabama Alabaster Crosscreek television Productions www.crosscreektv.com (205) 663-4411

Jemison Control 1 Communications control1comm.com (205) 706-9524Mobile Corredo media Solutions corredo.tv (251) 533-5433Montgomery Dan black Studios danblackstudios.com (334) 279-6036Spanish Fort aVS media Group www.avsmediagroup.com (251) 621-1200

Alaska Anchorage alaska mobile Productions www.sattruckak.com (907) 762-9268Arizona Mesa Skyline Productions www.skylinevideo.com (480) 345-8009Arkansas Little Rock alliance Productions www.allianceproductions.com (501) 219-2653

Little Rock hailstone Creek Productions www.hailstonecreek.com (501) 371-9515




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Mobile Production Units* — Regional Listing

Arkansas North Little Rock Jones mobile television www.jmtv.com (501) 376-1993

Rogers Clark’s Video Group www.clarksvideogroup.com (479) 636-7111California Burbank Pacifico television engineering www.pacificobroadcast.com (818) 566-9706

Burbank touring Video www.touringvideo.com (818) 504-3500Calabasas Coastal Satellite www.coastalsatellite.com (818) 880-9800Chatsworth Cinerep international www.cinerepamps.com (818) 882-2677Concord e-N-G mobile Systems www.e-n-g.com (800) 662-4522Diamond Bar 21 Lakes media Group www.21lakes.com (951) 278-4151Joshua Tree mojave Film Services www.mojavefilmservices.com (760) 799-4414Los Angeles Cinelease www.cinelease.com (818) 841-8282Malibu J-Lab www.j-lab.com (310) 457-4090

Norwalk UniSat: Universal Satellite Communications www.unisatmobile.com (562) 483-4800

Riverside New Revolution entertainment www.newrevolution.com (951) 780-7323Sacramento PaCSat - California www.pacsat.com (800) 672-2728San Diego all mobile Video - California www.amvchelsea.com (858) 569-8451

San Diego Satellite Digital teleproduction (S.D.t.V.) www.sdtv.com (619) 293-7777

San Diego SWatV entertainment swatv.com (619) 746-2390San Francisco beyond Pix Studios www.beyondpix.com (415) 434-1027San Francisco brickley Production Services www.brickley.com (415) 864-6600San Francisco Cresco Production express www.crescorent.com (415) 920-2801San Martin South Valley mobile television southvalleymobiletelevision.com (408) 230-5694Santa Barbara Natural Video in Production www.naturalvip.com (805) 963-3592Santa Clarita buboosky www.buboosky.com (661) 510-7650Sunland Schulman mobile Video schulmanmv.com (323) 785-2528Vacaville VtR Specialists www.vtrspecialists.com (707) 453-1343

Van Nuys PSSi Global Services - Strategic television www.pssiglobal.com (310) 575-4400

Van Nuys Sweetwater Digital Productions www.svptv.com (818) 902-9500West Covina VideoWorks www.videowks.com (626) 338-4820

Colorado Commerce City mSi Satellite Communications www.prolinkon-line.net (720) 529-9743

Denver mountain mobile television www.mobiletvgroup.com (303) 542-5555Denver Production Services international www.psiiusa.com (303) 757-8400Englewood Rbi - Remote broadcasts inc. www.rbitv.com (303) 349-6521Englewood yellow Gal high Definition (yGhD) yghdtv.com (720) 255-1640

Connecticut Milford Conover Production Services www.conover.net (203) 877-5427Simsbury Fountainhead Production www.fountainhd.net (860) 658-4838

District of Columbia Washington Locked on Communications www.locked-on.net (410) 923-2979

Florida Boca Raton mobile Studios www.mobilestudios.com (877) 777-7147Cape Canaveral Communications Concepts www.cciflorida.com (321) 783-5232

Clearwater F & F Productions www.fandfproductions.com (727) 535-6776Clearwater Frontline Communications www.frontlinecomm.com (727) 573-0400Clearwater oshkosh Specialty Vehicles www.oshkoshsv.com (708) 596-5066Fort Lauderdale Digital Comm Link www.dclinc.net (877) 532-5438

Fort Lauderdale Global technical Solutions www.gtsivideogear.com (954) 583-8001




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Florida Ft. Lauderdale mSR mobile Stage Rentals www.mobilestagerentals.com (877) 882-8889Ft. Lauderdale Remote telecast www.remotetelecast.tv (954) 295-1735Jacksonville hmtV www.televisiontrucks.com (904) 223-0742Lake Mary Skystorm Productions www.skystorm.com (407) 328-4747

Miami american media Productions www.americanmediaproductions.com (305) 865-7425

Miami Christian media Group www.cmgshows.com (786) 286-4942Miami Fireland Productions & Satellite Services www.firelandtv.com (305) 386-6882Miami NeWS eDitS inc www.newsedits.com (786) 515-9796Miami tfactor mobile television www.tfactor.tv (305) 597-0430Miami Beach encanta Productions encanta.com (305) 673-5958

Miami Beach mirikesh Production motorcoach & trailer www.mirikesh.com (786) 295-3969

Orlando orbital Communications www.orbitalcom.tv (800) 682-4364Orlando tmR television mobile Resources www.tvmr.com (407) 737-0046St. Petersburg all mobile Video - Florida www.allmobilevideo.com (813) 579-8902Tampa 10-20 Productions 10-20tv.com (813) 300-4221West Palm Beach National teleproductions www.ntpfla.com (561) 689-9271

Georgia Atlanta encompass Digital media www.encompass-m.com (678) 421-6775Atlanta KeF media associates www.kefmedia.com (404) 605-0009

Atlanta mobile Stage Network inc. Rentals & Sales www.mobilestagenetwork.com (516) 882-5412

Atlanta turner Studios www.turnerstudios.com (404) 885-4876

Jasper talking Rock Communicationswww.talkingrockcommunications.com

(706) 692-6450

Lawrenceville Lightnin’ Production Rentals www.lightnin.net (770) 963-1234Lilburn Gunner Live www.gunnerlive.com (678) 313-6001Marietta agoratV www.agoratv.tv (678) 581-3750

Hawaii Hawi Keith Nealy Productions www.keithnealy.com (808) 882-7772Honolulu John Guild Communications www.john-guild.com (808) 596-2211

Kapolei George Cambra movie Production trucks (808) 845-1546

Kapolei Vision accomplished hawaii www.visionaccomplished.com/vahawaii (808) 591-0066

Idaho Boise Netwest Communications Group www.netwestcom.com (208) 562-8000Illinois Chicago big Shoulders Digital Video Productions www.bigshoulders.com (312) 540-5400

Chicago GigRig Chicago www.gigrigchicago.com (312) 666-9900Chicago trio Video www.triovideo.com (312) 421-7060Crystal Lake Satellite technology Systems www.stslivetv.com (800) 838-1472Lake Bluff Corplex television www.corplex.tv (888) 673-5400Maryville abacus Group of St. Louis www.agstl.com (314) 583-3747Peoria Schefftech Productions www.schefftech.com (309) 253-7609St. Charles hD Roadie mobile entertainment www.hdroadie.com (630) 918-7000

Indiana Hammond Calutech mobile Solutions www.calutechmobiles.com (219) 845-1695Indianapolis imS Productions www.imsproductions.tv (317) 492-8733Indianapolis LeSea Productions www.whmbtv.com (317) 773-5050Merrillville Lakeshore Productions www.lakeshoreproduction.com (219) 756-5656Mishawaka CVm Productions www.cvmproductions.com (574) 256-0068Noblesville LeSea Productions www.leseaproductions.com (317) 773-5050




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Indiana South Bend LeSea Productions www.leseaproductions.com (574) 291-8200Kansas Olathe Freebird Communications www.freebirdtv.com (913) 209-2788Kentucky Lexington hammond Communications Group www.hammondcg.com (859) 254-1878Louisiana New Orleans Satellite Center www.satctr.com (504) 915-8244

New Orleans yeS Productions www.yesproductions.org (800) 736-8812Maine Saco CSP mobile Productions www.cspmobile.com (207) 375-6052Maryland Parkton Jomar Productions www.jomarproductions.com (410) 343-1599

Phoenix Sheffield audio Video Productions www.sheffieldav.com (410) 628-7260Massachusetts Auburn Wolf Coach www.wolfcoach.com (508) 791-1950

Avon technology management www.tmcrecycles.com (508) 580-6701Bedford Sullivan Video Services www.sullivanvideo.com (800) 877-9299Springfield VideoPort Communications www.videoportc.com (413) 737-7517Wakefield Remote Facilities Consulting Services www.remotefacilities.com (781) 246-8300

Michigan Plymouth Cii Productions ciivideo.com (734) 459-3936Southfield mobile telecast Productions www.mobiletelecast.net (248) 663-1883Southfield Uplynx Satellite trucks www.uplynx.tv (248) 797-3197Sterling Heights moonlink Satellite www.moonlinksat.com (586) 323-9590

Minnesota Arden Hills Common World Productions www.commonworld.com (651) 582-0502Minneapolis arctek hD Satellite Productions www.arcteksat.com (612) 623-1986Mound RumJungle media www.rumjungle.com (952) 472-5525

Missouri Branson mansion mobile tV www.mansionmobile.tv (417) 593-1052Kansas City Cashmark media www.cashmarkmedia.com (816) 861-4200Springfield tL mobile television www.tlmobiletv.com (417) 877-0025St. Louis broadcast biscuit www.broadcastbiscuit.com (636) 458-7553St. Louis Spot media transfer www.spotmediatransfer.com (314) 667-5915St. Louis television engineering www.tvengineering.com (866) 692-0228

Nevada Las Vegas CovereDGe Las Vegas www.coveredge.com (800) 822-6397Las Vegas RentLeDsigns.com www.RentLEDsigns.com (888) 920-4485

New Hampshire Hudson Game Creek Video www.gamecreekvideo.com (603) 882-5222

Pelham thistle Communications www.thistlecommunications.net (603) 598-5100

New Jersey East Rutherford Venue Services Group www.vsg.tv (888) 700-4388

Hackensack Patchamp www.patchamp.com (201) 457-1504Maywood Ne Productions mobilexstream.com (800) 382-2072Ramsey Jim houston Productions (201) 825-7659Voorhees broadcast Center Studios broadcastcenterstudios.com (856) 751-3500

Wayne Vision Quest Productions www.visionquestproductions.com (973) 686-9400

New York Flushing multi media Network News www.multimedianetworknews.com (718) 809-7058

Lancaster admiral Video mobile Productions www.AdmiralVideo.com (716) 651-9900New City Flight 9 Satellite Services www.flight9.com (845) 426-5320New York all mobile Video www.allmobilevideo.com (212) 727-1234New York all mobile Video www.allmobilevideo.com (212) 586-8616New York KoKo - baz Video & Film www.kokobaz.com (212) 674-6601New York mobile Video Lighting www.mobilevideolighting.com (212) 695-6942Port Washington aDm Productions admproductions.com (516) 484-6900

Warwick Centrex Communications www.centrexcom.com (845) 987-1666





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New York West Babylon Village Video News www.vvn.com (631) 752-9311North Carolina Apex RmG Satellite Productions www.rmgsat.com (919) 363-3645

Charlotte Paradigm broadcast Services www.paradigmbroadcast.com (704) 995-9600Ohio Columbus Lyon Video www.lyonvideo.com (614) 297-0001

Columbus mobile Production Services www.remoteriley.com (614) 864-7900

North Olmsted Custom mobile Products www.custommobileproducts.com (440) 779-2740

Poland First Call UPLinks www.firstcalluplinks.com (800) 951-6707Sunbury bennett Systems www.tvmobile.net (740) 965-5727Sunbury Gerling and associates www.gerlinggroup.com (740) 965-2888

Oklahoma Tulsa LeSea Productions www.leseaproductions.com (918) 254-4701Tulsa Winnercomm www.winnercomm.com (918) 496-1900

Oregon Eugene Palmquist Productions palmquistproductions.com (541) 687-8627Wilsonville miRa mobile television www.miramobile.com (503) 464-0900

Pennsylvania Boyertown J a taylor & associates www.broadcastassociates.com (610) 754-6800Harrisburg media Solutions www.mediamadeeasy.com (877) 860-5255

King of Prussia PmtV - Producers management teleVision www.pmtv.com (610) 768-1770

Lancaster Proviaus www.proviaus.com (717) 842-0440Philadelphia New Century Productions www.ncpvideo.com (610) 798-4014Philadelphia total Production Services www.tpsweb.com (888) 877-1178Pittsburgh NeP broadcasting www.nepinc.com (800) 444-0054Pittsburgh Viewpoint Production Services www.viewpoint.tv (800) 820-0402West Chester CCi Communications www.ccivideo.com (610) 296-7233

South Carolina Myrtle Beach Satellite Papa www.satellitepapa.com (843) 333-5963

Tennessee Cordova KNo Productions www.knoproductions.com (901) 729-8770Goodlettsville Video one Productions www.vopinc.com (615) 859-1521Hendersonville Camp Digital www.campdigital.net (615) 826-0122Hendersonville Stokes Production Services www.stokesvideo.com (615) 822-6500Murfreesboro tennessee Digital Video www.tndv.com (615) 585-6528

Texas Argyle GoVision www.jumbo.tv (940) 464-2320Arlington Greene hD Productions www.greenehdtv.com (817) 860-4086Austin earl miller Productions www.earlmillerproductions.com (512) 458-4343Beaumont bounce multimedia www.bouncemultimedia.com (409) 860-5551Dallas texastVtrucks.com www.TexasTVTrucks.com (972) 570-1118Dallas tricam Video Productions www.tricamvideo.com (817) 909-4137Houston advanced Containment Systems www.acsi-us.com (713) 987-0336Humble texas mobile broadcasting www.texasmobiletv.com (281) 738-2329Schertz Shook mobile technology www.shook-usa.com (210) 651-5700Waco triVan truck body texas www.trivan.com (866) 874-8261

Utah Sandy Videolines mobile television videolinesmobiletv.com (801) 580-9474Virginia Williamsburg Colonial Williamsburg Productions www.history.org/productions (757) 220-7143Washington Auburn Jonas Jensen Studios www.jonasjensen.com (800) 776-5554

Seattle LDm Worldwide Productions www.ldmworldwide.com (206) 463-1902Seattle Production Services NW www.psninc.com (206) 542-1154

Wisconsin Waunakee token Creek mobile television www.tokencreek.com (608) 849-4965Canada Vancouver, BC Proshow Broadcast www.proshow.com (604) 293-1771




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Mobile Production Units* — Alphabetical ListingName City State WebSite PhoNe10-20 Productions Tampa Florida 10-20tv.com (813) 300-422121 Lakes Media Group Diamond Bar California www.21lakes.com (951) 278-4151Abacus Group of St. Louis Maryville Illinois www.agstl.com (314) 583-3747ADM Productions Port Washington New York admproductions.com (516) 484-6900Admiral Video Mobile Productions Lancaster New York www.AdmiralVideo.com (716) 651-9900

Advanced Containment Systems Houston Texas www.acsi-us.com (713) 987-0336AgoraTV Marietta Georgia www.agoratv.tv (678) 581-3750Alaska Mobile Productions Anchorage Alaska www.sattruckak.com (907) 762-9268All Mobile Video New York New York www.allmobilevideo.com (212) 727-1234All Mobile Video - California San Diego California www.amvchelsea.com (858) 569-8451All Mobile Video - Florida St. Petersburg Florida www.allmobilevideo.com (813) 579-8902Alliance Productions Little Rock Arkansas www.allianceproductions.com (501) 219-2653American Media Productions Miami Florida www.americanmediaproductions.com (305) 865-7425Arctek HD Satellite Productions Minneapolis Minnesota www.arcteksat.com (612) 623-1986AVS Media Group Spanish Fort Alabama www.avsmediagroup.com (251) 621-1200Bennett Systems Sunbury Ohio www.tvmobile.net (740) 965-5727Beyond Pix Studios San Francisco California www.beyondpix.com (415) 434-1027Big Shoulders Digital Video Productions Chicago Illinois www.bigshoulders.com (312) 540-5400

Bounce Multimedia Beaumont Texas www.bouncemultimedia.com (409) 860-5551Brickley Production Services San Francisco California www.brickley.com (415) 864-6600Broadcast Biscuit St. Louis Missouri www.broadcastbiscuit.com (636) 458-7553Broadcast Center Studios Voorhees New Jersey broadcastcenterstudios.com (856) 751-3500Buboosky Santa Clarita California www.buboosky.com (661) 510-7650Calutech Mobile Solutions Hammond Indiana www.calutechmobiles.com (219) 845-1695Camp Digital Hendersonville Tennessee www.campdigital.net (615) 826-0122Cashmark Media Kansas City Missouri www.cashmarkmedia.com (816) 861-4200CCI Communications West Chester Pennsylvania www.ccivideo.com (610) 296-7233Centrex Communications Warwick New York www.centrexcom.com (845) 987-1666Christian Media Group Miami Florida www.cmgshows.com (786) 286-4942Cii Productions Plymouth Michigan ciivideo.com (734) 459-3936Cinelease Los Angeles California www.cinelease.com (818) 841-8282Cinerep International Chatsworth California www.cinerepamps.com (818) 882-2677Clark’s Video Group Rogers Arkansas www.clarksvideogroup.com (479) 636-7111Coastal Satellite Calabasas California www.coastalsatellite.com (818) 880-9800Colonial Williamsburg Productions Williamsburg Virginia www.history.org/productions (757) 220-7143

Common World Productions Arden Hills Minnesota www.commonworld.com (651) 582-0502Communications Concepts Cape Canaveral Florida www.cciflorida.com (321) 783-5232Conover Production Services Milford Connecticut www.conover.net (203) 877-5427Control 1 Communications Jemison Alabama control1comm.com (205) 706-9524Corplex Television Lake Bluff Illinois www.corplex.tv (888) 673-5400Corredo Media Solutions Mobile Alabama corredo.tv (251) 533-5433CoverEDGE Las Vegas Las Vegas Nevada www.coveredge.com 800822NEWSCresco Production Express San Francisco California www.crescorent.com (415) 920-2801Crosscreek Television Productions Alabaster Alabama www.crosscreektv.com (205) 663-4411

CSP Mobile Productions Saco Maine www.cspmobile.com (207) 375-6052Custom Mobile Products North Olmsted Ohio www.custommobileproducts.com (440) 779-2740CVM Productions Mishawaka Indiana www.cvmproductions.com (574) 256-0068Dan Black Studios Montgomery Alabama danblackstudios.com (334) 279-6036



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Mobile Production Units* — C-M

Digital Comm Link Fort Lauderdale Florida www.dclinc.net (877) 532-5438E-N-G Mobile Systems Concord California www.e-n-g.com (800) 662-4522Earl Miller Productions Austin Texas www.earlmillerproductions.com (512) 458-4343Encanta Productions Miami Beach Florida encanta.com (305) 673-5958Encompass Digital Media Atlanta Georgia www.encompass-m.com (678) 421-6775F & F Productions Clearwater Florida www.fandfproductions.com (727) 535-6776Fireland Productions & Satellite Services Miami Florida www.firelandtv.com (305) 386-6882

First Call UPLinks Poland Ohio www.firstcalluplinks.com (800) 951-6707Flight 9 Satellite Services New City New York www.flight9.com (845) 426-5320Fountainhead Production Simsbury Connecticut www.fountainhd.net (860) 658-4838Freebird Communications Olathe Kansas www.freebirdtv.com (913) 209-2788Frontline Communications Clearwater Florida www.frontlinecomm.com (727) 573-0400

Game Creek Video Hudson New Hampshire www.gamecreekvideo.com (603) 882-5222

George Cambra Movie Production Trucks Kapolei Hawaii (808) 845-1546

Gerling and Associates Sunbury Ohio www.gerlinggroup.com (740) 965-2888GigRig Chicago Chicago Illinois www.gigrigchicago.com (312) 666-9900Global Technical Solutions Fort Lauderdale Florida www.gtsivideogear.com (954) 583-8001GoVision Argyle Texas www.jumbo.tv (940) 464-2320Greene HD Productions Arlington Texas www.greenehdtv.com (817) 860-4086Gunner Live LLC Lilburn Georgia www.gunnerlive.com (678) 313-6001Hailstone Creek Productions Little Rock Arkansas www.hailstonecreek.com (501) 371-9515Hammond Communications Group Lexington Kentucky www.hammondcg.com (859) 254-1878

HD Roadie Mobile Entertainment St. Charles Illinois www.hdroadie.com (630) 918-7000

HMTV Jacksonville Florida www.televisiontrucks.com (904) 223-0742IMS Productions Indianapolis Indiana www.imsproductions.tv (317) 492-8733J A Taylor & Associates Boyertown Pennsylvania www.broadcastassociates.com (610) 754-6800J-Lab Malibu California www.j-lab.com (310) 457-4090Jim Houston Productions Ramsey New Jersey (201) 825-7659John Guild Communications Honolulu Hawaii www.john-guild.com (808) 596-2211Jomar Productions Parkton Maryland www.jomarproductions.com (410) 343-1599Jonas Jensen Studios Auburn Washington www.jonasjensen.com (800) 776-5554Jones Mobile Television North Little Rock Arkansas www.jmtv.com (501) 376-1993KEF Media Associates Atlanta Georgia www.kefmedia.com (404) 605-0009Keith Nealy Productions Hawi Hawaii www.keithnealy.com (808) 882-7772KNO Productions Cordova Tennessee www.knoproductions.com (901) 729-8770KoKo - Baz Video & Film New York New York www.kokobaz.com (212) 674-6601Lakeshore Productions Merrillville Indiana www.lakeshoreproduction.com (219) 756-5656LDM Worldwide Productions Seattle Washington www.ldmworldwide.com (206) 463-1902LeSEA Productions Indianapolis Indiana www.whmbtv.com (317) 773-5050LeSEA Productions Noblesville Indiana www.leseaproductions.com (317) 773-5050LeSEA Productions South Bend Indiana www.leseaproductions.com (574) 291-8200LeSEA Productions Tulsa Oklahoma www.leseaproductions.com (918) 254-4701Lightnin’ Production Rentals Lawrenceville Georgia www.lightnin.net (770) 963-1234

Locked On Communications Washington District of Columbia www.locked-on.net (410) 923-2979

Lyon Video Columbus Ohio www.lyonvideo.com (614) 297-0001Mansion Mobile TV Branson Missouri www.mansionmobile.tv (417) 593-1052Media Solutions Harrisburg Pennsylvania www.mediamadeeasy.com (877) 860-5255




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MIRA Mobile Television Wilsonville Oregon www.miramobile.com (503) 464-0900Mirikesh Production Motorcoach & Trailer Miami Beach Florida www.mirikesh.com (786) 295-3969

Mobile Production Services Columbus Ohio www.remoteriley.com (614) 864-7900Mobile Stage Network Rentals & Sales Atlanta Georgia www.mobilestagenetwork.com (516) 882-5412

Mobile Studios Boca Raton Florida www.mobilestudios.com (877) 777-7147Mobile Telecast Productions Southfield Michigan www.mobiletelecast.net (248) 663-1883Mobile Video Lighting New York New York www.mobilevideolighting.com (212) 695-6942Mojave Film Services Joshua Tree California www.mojavefilmservices.com (760) 799-4414Moonlink Satellite Sterling Heights Michigan www.moonlinksat.com (586) 323-9590Mountain Mobile Television Denver Colorado www.mobiletvgroup.com (303) 542-5555MSI Satellite Communications Commerce City Colorado www.prolinkon-line.net (720) 529-9743MSR Mobile Stage Rentals Fort Lauderdale Florida www.mobilestagerentals.com (877) 882-8889Multi Media Network News Flushing New York www.multimedianetworknews.com (718) 809-7058National Teleproductions West Palm Beach Florida www.ntpfla.com (561) 689-9271Natural Video In Production Santa Barbara California www.naturalvip.com (805) 963-3592NE Productions Maywood New Jersey mobilexstream.com (800) 382-2072NEP Broadcasting Pittsburgh Pennsylvania www.nepinc.com (800) 444-0054Netwest Communications Group Boise Idaho www.netwestcom.com (208) 562-8000New Century Productions Philadelphia Pennsylvania www.ncpvideo.com (610) 798-4014New Revolution Entertainment Riverside California www.newrevolution.com (951) 780-7323NEWS EDITS Miami Florida www.newsedits.com (786) 515-9796Orbital Communications Orlando Florida www.orbitalcom.tv (800) 682-4364Oshkosh Specialty Vehicles Clearwater Florida www.oshkoshsv.com (708) 596-5066Pacifico Television Engineering Burbank California www.pacificobroadcast.com (818) 566-9706PACSAT - California Sacramento California www.pacsat.com (800) 672-2728Palmquist Productions Eugene Oregon palmquistproductions.com (541) 687-8627

Paradigm Broadcast Services Charlotte North Carolina www.paradigmbroadcast.com (704) 995-9600

Patchamp Hackensack New Jersey www.patchamp.com (201) 457-1504PMTV - Producers Management TeleVision King of Prussia Pennsylvania www.pmtv.com (610) 768-1770

Production Services International Denver Colorado www.psiiusa.com (303) 757-8400Production Services NW Seattle Washington www.psninc.com (206) 542-1154Proviaus Lancaster Pennsylvania www.proviaus.com (717) 842-0440Proshow Broadcast Vancouver, BC Canada www.proshow.com (604) 293-1771PSSI Global Services - Strategic Television Van Nuys California www.pssiglobal.com (310) 575-4400

RBI - Remote Broadcasts Englewood Colorado www.rbitv.com (303) 349-6521Remote Facilities Consulting Services Wakefield Massachusetts www.remotefacilities.com (781) 246-8300

Remote Telecast Fort Lauderdale Florida www.remotetelecast.tv (954) 295-1735RentLEDsigns.com Las Vegas Nevada www.RentLEDsigns.com (888) 920-4485

RMG Satellite Productions Apex North Carolina www.rmgsat.com (919) 363-3645

RumJungle Media Minneapolis Minnesota www.rumjungle.com (952) 472-5525Satellite Center New Orleans Louisiana www.satctr.com (504) 915-8244Satellite Digital Teleproduction (S.D.T.V.) San Diego California www.sdtv.com (619) 293-7777

Satellite Papa Myrtle Beach South Carolina www.satellitepapa.com (843) 333-5963

Satellite Technology Systems Crystal Lake Illinois www.stslivetv.com (800) 838-1472

Mobile Production Units* — M-S Name City State WebSite PhoNe

IMTGLOBALINC.COM/SPORTS

INTEGRATED MEDIA TECHNOLOGIES, INC. designed and implemented a customized file-based workflow for Tennis Channel’s broadcast operations, editorial, graphics, and post production teams. The redesign allowed the teams to share content in a storage environment powered by Quantum StorNext and Apple Xsan File Systems. Tennis Channel can now use their asset management system to move content from high performance Fibre Channel storage to their multi-petabyte capable LTO archival tape library. Careful planning between the Tennis Channel technical staff and IMT’s Project Management team facilitated a smooth transition to the new system.

To learn more about IMT’s fast growing, end-to-end Sports Broadcast DAM Practice please call 877.761.9770 or visit www.imtglobalinc.com/sports.

OUTPLAY THE COMPETITION

Image: Integrated Media Technologies, Inc. File Based Workflow Lab located at the company headquarters in Los Angeles.

INTEGRATED MEDIA TECHNOLOGIES, INC.



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Mobile Production Units* — S-Y

ScheffTech Productions Peoria Illinois www.schefftech.com (309) 253-7609Schulman Mobile Video Sunland California schulmanmv.com (323) 785-2528Sheffield Audio Video Productions Phoenix Maryland www.sheffieldav.com (410) 628-7260

Shook Mobile Technology Schertz Texas www.shook-usa.com (210) 651-5700Skyline Productions Mesa Arizona www.skylinevideo.com (480) 345-8009Skystorm Productions Lake Mary Florida www.skystorm.com (407) 328-4747South Valley Mobile Television San Martin California southvalleymobiletelevision.com (408) 230-5694Spot Media Transfer St. Louis Missouri www.spotmediatransfer.com (314) 667-5915Stokes Production Services Hendersonville Tennessee www.stokesvideo.com (615) 822-6500Sullivan Video Services Bedford Massachusetts www.sullivanvideo.com (800) 877-9299SWATV Entertainment San Diego California swatv.com (619) 746-2390Sweetwater Digital Productions Van Nuys California www.svptv.com (818) 902-9500

Talking Rock Communications Jasper Georgia www.talkingrockcommunications.com (706) 692-6450

Technology Management Avon Massachusetts www.tmcrecycles.com (508) 580-6701Television Engineering St. Louis Missouri www.tvengineering.com (866) 692-0228Tennessee Digital Video Murfreesboro Tennessee www.tndv.com (615) 585-6528Texas Mobile Broadcasting Humble Texas www.texasmobiletv.com (281) 738-2329TexasTVTrucks.com Dallas Texas www.TexasTVTrucks.com (972) 570-1118Tfactor Mobile Television Miami Florida www.tfactor.tv (305) 597-0430

Thistle Communications Pelham New Hampshire www.thistlecommunications.net (603) 598-5100

TL Mobile Television Springfield Missouri www.tlmobiletv.com (417) 877-0025TMR Television Mobile Resources Orlando Florida www.tvmr.com (407) 737-0046Token Creek Mobile Television Waunakee Wisconsin www.tokencreek.com (608) 849-4965Total Production Services Philadelphia Pennsylvania www.tpsweb.com (888) 877-1178Touring Video Burbank California www.touringvideo.com (818) 504-3500Tricam Video Productions Dallas Texas www.tricamvideo.com (817) 909-4137Trio Video Chicago Illinois www.triovideo.com (312) 421-7060TriVan Truck Body Texas Waco Texas www.trivan.com (866) 874-8261Turner Studios Atlanta Georgia www.turnerstudios.com (404) 885-4876UniSat: Universal Satellite Communications Norwalk California www.unisatmobile.com (562) 483-4800

Uplynx Satellite Trucks Southfield Michigan www.uplynx.tv (248) 797-3197Venue Services Group East Rutherford New Jersey www.vsg.tv (888) 700-4388Video One Productions Goodlettsville Tennessee www.vopinc.com (615) 859-1521Videolines Mobile Television Sandy Utah videolinesmobiletv.com (801) 580-9474VideoPort Communications Springfield Massachusetts www.videoportc.com (413) 737-7517VideoWorks West Covina California www.videowks.com (626) 338-4820Viewpoint Production Services Pittsburgh Pennsylvania www.viewpoint.tv (800) 820-0402Village Video News West Babylon New York www.vvn.com (631) 752-9311

Vision Accomplished Hawaii Kapolei Hawaii www.visionaccomplished.com/vahawaii (808) 591-0066

Vision Quest Productions Wayne New Jersey www.visionquestproductions.com (973) 686-9400VTR Specialists Vacaville California www.vtrspecialists.com (707) 453-1343Winnercomm Tulsa Oklahoma www.winnercomm.com (918) 496-1900Wolf Coach Auburn Massachusetts www.wolfcoach.com (508) 791-1950Yellow Gal High Definition (YGHD) Englewood Colorado yghdtv.com (720) 255-1640

YES Productions New Orleans Louisiana www.yesproductions.org (800) 736-8812




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State City Name WebSite PhoNeAlabama Jemison Control 1 Communications control1comm.com (205) 706-9524

Montgomery Dan black Studios danblackstudios.com (334) 279-6036

Arizona Chandler atCi - antenna technology Communications www.atci.net (480) 844-8501

Phoenix Crew West www.crewwestinc.com (888) 444-2739Prescott Desert Sky media www.DesertSkyMedia.com (888) 728-8782

California Concord e-N-G mobile Systems www.e-n-g.com (800) 662-4522

Fresno Rtm - Remote transmission management www.rtmhd.com (866) 786-4389

Los Angeles Flying Cow Satellite Services www.flyingcowsat.com (310) 372-4759Modesto Remote telecast www.remotetelecast.tv (209) 534-9988Mountain View tVU Networks www.tvupack.com (650) 969-6732Sacramento PaCSat - California www.pacsat.com (800) 672-2728

San Diego Satellite Digital teleproduction (S.D.t.V.) www.sdtv.com (619) 293-7777

San Francisco Central Coast Uplink www.centralcoastuplink.com (831) 325-5271

San Jose broadlogic Network technologies www.broadlogic.com (408) 452-3300

San Jose Global Link Productions www.globalinktv.com (408) 465-2787San Juan Capistrano todocast todocast.tv (949) 655-1036

Santa Clara anacom www.anacominc.com (408) 519-2062Sun Valley Panarex electronics www.pansatusa.com (818) 768-5161Sunland Schulman mobile Video schulmanmv.com (323) 785-2528Vacaville Sure Link www.surelink.tv (888) 580-7036

Van Nuys PSSi Global Services - Strategic television www.pssiglobal.com (310) 575-4400

Connecticut Stamford Newtec america www.newtec.be (203) 323-0042District of Columbia Washington Dawnbreaker Communications www.dawnbreakercommunications.com (202) 288-0805

Washington LiveonSite www.liveonsite.com (703) 431-4332Washington NPR Satellite Services www.nprss.org (202) 513-2626

Florida Clearwater advanced microwave Components www.advancedmicrowave.com (727) 571-1008

Clearwater F & F Productions www.fandfproductions.com (727) 535-6776Clearwater Frontline Communications www.frontlinecomm.com (727) 573-0400

Dania Calhoun Satellite Communications calhounsat.com (305) 655-2629

Fort Lauderdale Digital Comm Link www.dclinc.net (877) 532-5438Fort Lauderdale Remote telecast www.remotetelecast.tv (954) 295-1735Fort Lauderdale Remoteone Communications www.remoteonecommunications.com (954) 707-0765Hallandale K-tel media (305) 753-9008

Lakeland Crew West / Satellink Communication Service www.satellinkwest.com (863) 698-4313

Melbourne baF Satellite & technology www.satamerica.com (800) 966-3822Melbourne harris www.harris.com (800) 442-7747

Melbourne international Communications Products www.digiceiver.com (321) 722-2700

Miami GLaSat.Com www.glasat.com (786) 210-2235Miami NeWS eDitS www.newsedits.com (786) 515-9796

Ocala atlantic Coast Satellite telcommunications www.acst-uplink.com (352) 687-3587

Satellite Trucks* — Regional Listing



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Florida Ocala R & D Communication Services www.rdcommunicationservices.com (352) 629-5252Orlando Lowery Satellite Services lowerysatellite.com (407) 859-7940Orlando telepoint Studios www.Telepointstudios.com (407) 859-0115

Orlando tmR television mobile Resources www.tvmr.com (407) 737-0046

St. Cloud Comtech antenna Systems www.comtechantenna.com (407) 892-6111Georgia Atlanta encompass Digital media www.encompass-m.com (678) 421-6775

Jasper talking Rock Communications www.talkingrockcommunications.com (706) 692-6450Lilburn Gunner Live www.gunnerlive.com (678) 313-6001Marietta agoratV www.agoratv.tv (678) 581-3750

Hawaii Kailua Noa Production NOAPro.com (808) 366-1515Illinois Crystal Lake Satellite technology Systems www.stslivetv.com (800) 838-1472

Peoria WtVP www.wtvpvideo.org (309) 677-4747Sugar Grove a i S Satellite Communications www.aissatellite.com (630) 466-4304Wauconda Satellite Communication Systems www.1800usalink.com (847) 556-1056

Indiana Merrillville Lakeshore Productions www.lakeshoreproduction.com (219) 756-5656Iowa Clear Lake efficient antenna Systems www.easisat.com (800) 327-4797

Waterloo baird Satellite Supporting Systems www.bairdsatellitesupports.com (319) 233-3561

Kentucky Florence Nickless Shirmer & Co. www.nsccom.com (800) 543-1584Louisiana New Orleans Satellite Center www.satctr.com (504) 915-8244Maine Saco CSP mobile Productions www.cspmobile.com (207) 375-6052Maryland Potomac asia broadcast www.absatellite.net (301) 605-7629Massachusetts Ashland Remote broadcast Services www.RemoteBroadcastServices.com (201) 312-5531

Billerica Polatis www.polatis.com (978) 327-5080

Wakefield Remote Facilities Consulting Services www.remotefacilities.com (781) 246-8300

Michigan Albion Satellite export & engineering. www.sepatriot.com (800) 470-3510Ann Arbor michigan Satellite Systems www.misat.com (734) 761-9011Farmington Hills Roscor Corp - michigan www.roscor.com (248) 489-0090

Minnesota Cottage Grove PSb Satellite www.PSBsatellite.com (651) 768-9150Minneapolis arctek hD Satellite Productions www.arcteksat.com (612) 623-1986Minneapolis RumJungle media www.rumjungle.com (952) 472-5525

Missouri Kansas City Satellite engineering Group www.sateng.com (800) 932-1555St. Louis Spot media transfer www.spotmediatransfer.com (314) 667-5915

Montana Butte RapComm www.rapcomm.com (406) 490-1895Nevada Las Vegas Crew West crewwestinc.com (480) 367-6888New Hampshire Manchester Newpoint technologies www.newpointtech.com (603) 263-2014

Pelham thistle Communications www.thistlecommunications.net (603) 598-5100New Jersey Holmdel musicam USa www.musicamusa.com (732) 739-5600

Kearny a3 media www.a3mediallc.com (800) 881-0569

Old Bridge Fulton Production and Consulting www.satellitedownlink.com (917) 312-9894

Wayne Vision Quest Productions www.visionquestproductions.com (973) 686-9400New Mexico Albuquerque Crew West crewwestinc.com (888) 444-2739New York Hauppauge miteq www.miteq.com (631) 436-7400

Nanuet american Satellite Uplink www.americansatelliteuplink.com (845) 352-0998New City Flight 9 Satellite Services www.flight9.com (845) 426-5320New York all mobile Video www.allmobilevideo.com (212) 727-1234




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New York New York Liman Video Rental www.lvrusa.com (212) 594-0086New York metrovision Production Group www.metrovision-nyc.com (212) 989-1515Victor GCS www.globalcoms.com (585) 742-9100Warwick Centrex Communications www.centrexcom.com (845) 987-1666West Babylon Village Video News www.vvn.com (631) 752-9311

North Carolina Charlotte all Stars Communications www.allstarscomm.com (704) 377-9393

Ohio Cincinnati Central Satellite Service www.centralsat.com (513) 821-7200New Middletown Sure Shot transmissions www.sureshotsat.com (330) 542-0900

North Olmsted Custom mobile Products www.custommobileproducts.com (440) 779-2740Poland First Call UPLinks www.firstcalluplinks.com (800) 951-6707Rocky River teleNet media www.telenetmedia.net (216) 276-8841Sunbury Gerling and associates www.gerlinggroup.com (740) 965-2888

Pennsylvania Boyertown J a taylor & associates www.broadcastassociates.com (610) 754-6800Harrisburg media Solutions www.mediamadeeasy.com (877) 860-5255

Indiana Quintech electronics & Communications. www.quintechelectronics.com (800) 839-3658

King of Prussia PmtV - Producers management television www.pmtv.com (610) 768-1770

Malvern Liberty Uplink www.libertyuplink.com (215) 964-5222Philadelphia total Production Services www.tpsweb.com (888) 877-1178

South Carolina Myrtle Beach Satellite Papa www.satellitepapa.com (843) 333-5963

Tennessee Cordova Prolink mobile Satellite Communications prolinksat.com (901) 356-2394

Nashville NorthStar Studios www.northstarstudios.tv (800) 605-3590Texas Austin atX|hD www.atxhd.com (800) 338-6862

Dallas texastVtrucks.com www.TexasTVTrucks.com (972) 570-1118Denton WSC hD Productions www.wschdproductions.tv (940) 483-9200Fort Worth applied telecommunications www.appliedtelecominc.com (817) 763-5992Houston PaCSat www.pacsat.com (800) 672-2728South Houston houston SatLink www.houstonsatlink.com (832) 887-8545

Utah Salt Lake City bonneville Satellite www.bonneville.com (801) 575-7500Virginia Glen Allen SkyWire Communications www.skywireuplink.com (877) 575-9947

Virginia Beach atlantic Satellite www.atlanticsat.com (757) 318-3500Waynesboro JSb Service www.jsbservice.com (540) 949-5899

Williamsburg Colonial Williamsburg Productions www.history.org/productions (757) 220-7143

Washington Ridgefield Wild hare Satellite www.wildharesat.com (360) 573-6850West Virginia Charleston media Center www.themediacenter222.com (304) 720-5466Wisconsin Prairie Du Chien Dh Satellite www.dhsatellite.com (800) 627-9443





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Satellite Trucks* — Alphabetical ListingName City State WebSite PhoNea i S Satellite Communications Sugar Grove Illinois www.aissatellite.com (630) 466-4304a3 media Kearny New Jersey www.a3mediallc.com (800) 881-0569advanced microwave Components Clearwater Florida www.advancedmicrowave.com (727) 571-1008agoratV Marietta Georgia www.agoratv.tv (678) 581-3750all mobile Video New York New York www.allmobilevideo.com (212) 727-1234all Stars Communications Charlotte North Carolina www.allstarscomm.com (704) 377-9393american Satellite Uplink Nanuet New York www.americansatelliteuplink.com (845) 352-0998anacom Santa Clara California www.anacominc.com (408) 519-2062applied telecommunications Fort Worth Texas www.appliedtelecominc.com (817) 763-5992arctek hD Satellite Productions Minneapolis Minnesota www.arcteksat.com (612) 623-1986

asia broadcast Potomac Maryland www.absatellite.net/services/index.html (301) 605-7629

atCi - antenna technology Communications Chandler Arizona www.atci.net (480) 844-8501

atlantic Coast Satellite telcommunications Ocala Florida www.acst-uplink.com (352) 687-3587

atlantic Satellite Virginia Beach Virginia www.atlanticsat.com (757) 318-3500

atX|hD Austin Texas www.atxhd.com (800) 338-6862baF Satellite & technology Melbourne Florida www.satamerica.com (800) 966-3822baird Satellite Supporting Systems Waterloo Iowa www.bairdsatellitesupports.com (319) 233-3561bonneville Satellite Salt Lake City Utah www.bonneville.com (801) 575-7500broadlogic Network technologies San Jose California www.broadlogic.com (408) 452-3300Calhoun Satellite Communications Dania Florida calhounsat.com (305) 655-2629Central Coast Uplink San Francisco California www.centralcoastuplink.com (831) 325-5271Central Satellite Service Cincinnati Ohio www.centralsat.com (513) 821-7200Centrex Communications. Warwick New York www.centrexcom.com (845) 987-1666Colonial Williamsburg Productions Williamsburg Virginia www.history.org/productions (757) 220-7143Comtech antenna Systems St. Cloud Florida www.comtechantenna.com (407) 892-6111Control 1 Communications Jemison Alabama control1comm.com (205) 706-9524Crew West Las Vegas Nevada crewwestinc.com (480) 367-6888Crew West Albuquerque New Mexico crewwestinc.com (888) 444-2739Crew West / Satellink Communication Service Lakeland Florida www.satellinkwest.com (863) 698-4313

Crew West Phoenix Arizona www.crewwestinc.com (888) 444-2739CSP mobile Productions Saco Maine www.cspmobile.com (207) 375-6052

Custom mobile Products North Olmsted Ohio www.custommobileproducts.com (440) 779-2740

Dan black Studios Montgomery Alabama danblackstudios.com (334) 279-6036

Dawnbreaker Communications Washington District of Columbia

www.dawnbreakercommunications.com (202) 288-0805

Desert Sky media Prescott Arizona www.DesertSkyMedia.com (888) 728-8782

Dh Satellite Prairie Du Chien Wisconsin www.dhsatellite.com (800) 627-9443

Digital Comm Link Fort Lauderdale Florida www.dclinc.net (877) 532-5438

e-N-G mobile Systems Concord California www.e-n-g.com (800) 662-4522efficient antenna Systems Clear Lake Iowa www.easisat.com (800) 327-4797encompass Digital media Atlanta Georgia www.encompass-m.com (678) 421-6775F & F Productions Clearwater Florida www.fandfproductions.com (727) 535-6776First Call UPLinks Poland Ohio www.firstcalluplinks.com (800) 951-6707Flight 9 Satellite Services New City New York www.flight9.com (845) 426-5320Flying Cow Satellite Services Los Angeles California www.flyingcowsat.com (310) 372-4759



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Satellite Trucks* — F-R

Frontline Communications Clearwater Florida www.frontlinecomm.com (727) 573-0400Fulton Production and Consulting Old Bridge New Jersey www.satellitedownlink.com (917) 312-9894GCS Victor New York www.globalcoms.com (585) 742-9100Gerling and associates Sunbury Ohio www.gerlinggroup.com (740) 965-2888GLaSat.Com Miami Florida www.glasat.com (786) 210-2235Global Link Productions San Jose California www.globalinktv.com (408) 465-2787Gunner Live Lilburn Georgia www.gunnerlive.com (678) 313-6001harris Melbourne Florida www.harris.com (800) 442-7747

houston SatLink South Houston Texas www.houstonsatlink.com (832) 887-8545

international Communications Products Melbourne Florida www.digiceiver.com (321) 722-2700

J a taylor & associates Boyertown Pennsylvania www.broadcastassociates.com (610) 754-6800JSb Service Waynesboro Virginia www.jsbservice.com (540) 949-5899K-tel media Hallandale Florida (305) 753-9008Lakeshore Productions Merrillville Indiana www.lakeshoreproduction.com (219) 756-5656Liberty Uplink Malvern Pennsylvania www.libertyuplink.com (215) 964-5222Liman Video Rental New York New York www.lvrusa.com (212) 594-0086

LiveonSite Washington District of Columbia www.liveonsite.com (703) 431-4332

Lowery Satellite Services Orlando Florida lowerysatellite.com (407) 859-7940media Solutions Harrisburg Pennsylvania www.mediamadeeasy.com (877) 860-5255metrovision Production Group New York New York www.metrovision-nyc.com (212) 989-1515michigan Satellite Systems Ann Arbor Michigan www.misat.com (734) 761-9011miteq Hauppauge New York www.miteq.com (631) 436-7400musicam USa Holmdel New Jersey www.musicamusa.com (732) 739-5600

Newpoint technologies Manchester New Hampshire www.newpointtech.com (603) 263-2014

NeWS eDitS Miami Florida www.newsedits.com (786) 515-9796Newtec america Stamford Connecticut www.newtec.be (203) 323-0042Nickless Shirmer & Co. Florence Kentucky www.nsccom.com (800) 543-1584Noa Production Kailua Hawaii NOAPro.com (808) 366-1515NorthStar Studios Nashville Tennessee www.northstarstudios.tv (800) 605-3590

NPR Satellite Services Washington District of Columbia www.nprss.org (202) 513-2626

PaCSat Houston Texas www.pacsat.com (800) 672-2728PaCSat - California Sacramento California www.pacsat.com (800) 672-2728Panarex electronics Sun Valley California www.pansatusa.com (818) 768-5161PmtV - Producers management teleVision

King Of Prussia Pennsylvania www.pmtv.com (610) 768-1770

Polatis Billerica Massachusetts www.polatis.com (978) 327-5080Prolink mobile Satellite Communications Cordova Tennessee prolinksat.com (901) 356-2394

PSb Satellite Cottage Grove Minnesota www.PSBsatellite.com (651) 768-9150PSSi Global Services - Strategic television Van Nuys California www.pssiglobal.com (310) 575-4400

Quintech electronics & Communications Indiana Pennsylvania www.quintechelectronics.com (800) 839-3658

R & D Communication Services Ocala Florida www.rdcommunicationservices.com (352) 629-5252

RapComm Butte Montana www.rapcomm.com (406) 490-1895

Remote broadcast Services Ashland Massachusetts www.RemoteBroadcastServices.com (201) 312-5531




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Remote Facilities Consulting Services Wakefield Massachusetts www.remotefacilities.com (781) 246-8300

Remote telecast Modesto California www.remotetelecast.tv (209) 534-9988

Remote telecast Fort Lauderdale Florida www.remotetelecast.tv (954) 295-1735

Remoteone Communications Fort Lauderdale Florida www.remoteonecommunications.

com (954) 707-0765

Roscor - michigan Farmington Hills Michigan www.roscor.com (248) 489-0090

Rtm - Remote transmission management Fresno California www.rtmhd.com (866) 786-4389

RumJungle media Minneapolis Minnesota www.rumjungle.com (952) 472-5525Satellite Center New Orleans Louisiana www.satctr.com (504) 915-8244Satellite Communication Systems Wauconda Illinois www.1800usalink.com (847) 556-1056Satellite Digital teleproductions (S.D.t.V.) San Diego California www.sdtv.com (619) 293-7777

Satellite engineering Group Kansas City Missouri www.sateng.com (800) 932-1555Satellite export & engineering Albion Michigan www.sepatriot.com (800) 470-3510Satellite Papa Myrtle Beach South Carolina www.satellitepapa.com (843) 333-5963Satellite technology Systems Crystal Lake Illinois www.stslivetv.com (800) 838-1472Schulman mobile Video Sunland California schulmanmv.com (323) 785-2528SkyWire Communications Glen Allen Virginia www.skywireuplink.com (877) 575-9947Spot media transfer St. Louis Missouri www.spotmediatransfer.com (314) 667-5915Sure Link Vacaville California www.surelink.tv (888) 580-7036

Sure Shot transmissions New Middletown Ohio www.sureshotsat.com (330) 542-0900

talking Rock Communications Jasper Georgia www.talkingrockcommunications.com (706) 692-6450

teleNet media Rocky River Ohio www.telenetmedia.net (216) 276-8841telepoint Studios Orlando Florida www.Telepointstudios.com (407) 859-0115texastVtrucks.com Dallas Texas www.TexasTVTrucks.com (972) 570-1118the media Center Charleston West Virginia www.themediacenter222.com (304) 720-5466

thistle Communications Pelham New Hampshire www.thistlecommunications.net (603) 598-5100

tmR television mobile Resources Orlando Florida www.tvmr.com (407) 737-0046

todocast San Juan Capistrano California todocast.tv (949) 655-1036

total Production Services Philadelphia Pennsylvania www.tpsweb.com (888) 877-1178

tVU Networks Mountain View California www.tvupack.com (650) 969-6732

Village Video News West Babylon New York www.vvn.com (631) 752-9311Vision Quest Productions Wayne New Jersey www.visionquestproductions.com (973) 686-9400Wild hare Satellite Ridgefield Washington www.wildharesat.com (360) 573-6850WSC hD Productions Denton Texas www.wschdproductions.tv (940) 483-9200WtVP Peoria Illinois www.wtvpvideo.org (309) 677-4747


Gearbasemobile sports

production

Every year, those seeking to broadcast sports with the latest technology and innovations have a chance to do so, thanks to the produc-tion trucks found in the 2011 Gearbase.

Data on 175 trucks for live remote sports broadcasting and production indicate a variety of enhancements: more-capable replay systems from companies like EVS and Grass Valley, expanded audio boards, more-flexible produc-tion switchers, and more.

Gearbase continues to be one of the most important offerings in the SVG Mobile Sports

Production Yearbook. And for good reason: al-though visiting dozens of Websites can get the job done, sometimes it’s still easier to leave the Web aside and turn to a paper product.

That said, in 2012, an online version of these charts will allow you to search for the truck with the specs that best meet your needs. The data will be able to be updated as specifications and equipment complements change or a new truck is rolled out.

Contact information for the companies list-ed here starts on page 164.

mobile sports production Yearbook 2012 219

Gear

base

All information subject to change. Please contact the truck vendor’s Website for the most current information on equipment and capabilities222 mobile sports production Yearbook 2012

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EoTitan 60’ triple

expando HD N Both Studer Vista 8 (256) 24 Sony 24 Fujinon Kits vary Sony MVS8000A, 4M/E 4 6-ch EVS, HDCAM Sony

Crossroads 53’ triple expando HD N Both Studer Vista 8 (256) 16 Sony 16 Fujinon Pinnacle Deko 3000 Kits vary Sony MVS8000G, 4M/E 16 HDCAM Sony

Resolution 53’ triple expando HD N Both Studer Vista 8 (256) 14 Sony 14 Fujinon

Avid Deko 3000, Chyron HyperX3,

InfinitKits vary Sony MVS8000, 4M/E 12 HDCAM Sony

Celebrity 53’ triple expando HD N Both Studer Vista 8 (256) 14 Sony 15 Fujinon Chyron Infinit Kits vary Sony MVS8000, 4M/E 10 HDCAM or DigiBeta Sony

Cinetour 53’ double expando HD N Both None 8 Sony 8 Fujinon Chyron Infinit, Avid

Deko 3000 Kits vary Sony HDVS7250, 2.5M/E As needed Optional

Endurance 53’ expando SD N Triax Midas Legend 3000 (48) 12 Ikegami 12 Fujinon Avid Deko 3000 Kits vary GVG Kalypso, 4M/E EVS, Tektronix Profile, as needed LeitchStraight 51’ SD N Triax Midas Legend 3000 (48) 8 Ikegami 9 Fujinon Chyron Infinit Kits vary GVG4000, 3M/E 10 DigiBeta or BetaSP, 2 VHS Leitch

Epic 3D 53’ double expando HD/3D Y Both Studer Vista 8 (256) 18 Sony (9 3D rigs) 18 Fujinon


InfinitKits vary Sony MVX8000X, 4M/E 4 EVS, 18 HDCAM Sony

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ENCORE 53’ expando HD N Both SSL C100 (96) 9 Sony, 2 Panasonic POV 9 Canon

Chyron Hyper X3, Lyric Pro | Inscriber G3

Sennheiser, Sony, Beyer, Shure, Crown GV Kalypso, 4M/E

3 6-ch EVS XT2, XHub2, XFile2, 3 HDcam, 2 HDSR, XDcam, DigiBeta,

Beta SP/SX, DVDGV Kalypso

ÉVOLUTION 53’ expando HD N Both Calrec Sigma w\Bluefin (80) 8 Sony, 2 Panasonic POV 11 Canon Chyron Hyper X3, Lyric

Pro Sennheiser, Sony, Beyer GV Kayenne, 4.5M/E6-ch EVS XT2+, 6-ch EVS XT2, 4-ch XS

Spotbox, XHub2, XFile2, HDcam, HDSR, XDcam, DigiBeta

GV Kayenne

INFINITY 53’ expando HD N Both Calrec Artemis w\Bluefin (48 multi-layer)

6 Sony, 2 Panasonic POV

6 Canon, 2 Fujinon


Sennheiser, Crown, Sony GV Kalypso, 4M/E2 6-ch EVS XT2, XHub2, XFile2, 2 HDcam, HDSR, XDcam, DigiBeta,


PREMIERE 53’ expando HD N Both SSL C100 (96) 9 Sony, 2 Panasonic POV 11 Canon





CHINOOK 53’ expando SD N Triax Calrec T-100 (48) 9 Sony, 2 Sony POV 6 Canon, 4 Fujinon

Chyron Hyper X3 Lyric Pro| Inscriber G3

Sennheiser, Audio Technica, Sony, Shure,

EV, CrownGV Kalypso, 4M/E 5-ch EVS XT, 4-ch EVS XT, R/O EVS XT,

DigiBeta, Beta SP/SX, DVD GV Kalypso

CHAMPION 53’ expando SD N Triax Yamaha PM4000 (48) 8 Sony, 2 Sony POV 6 Canon, 4 Fujinon

Chyron Hyper X2 Lyric Pro | Inscriber

G3

Sennheiser, Beyer, EV, Sony GV 4000, 3M/E 4-ch EVS XT, 4-ch HCT, DigiBeta, Beta

SP/SX, DVD Leitch SS

CoAsTAl mEDiA GrouP

Truck One 14x30 HD N Fiber Mackie Onyx (32) 5 JVC Lenses vary Chyron HyperX Kits vary FOR-A HVS 300 4-ch Abekas Mira Abekas

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Corplex Chromium HD 53’ expando HD/3G Y Both Calrec Apollo 128 Fader (240) + MADI (8) 10 Sony 8 Fujinon,

7 Canon Per client spec Senn, Beyer, Sony, EV, Shure GV Kayenne, 4M/E 4 6-ch EVS XT2, Spotbox, 2 XHub2, 4-chl

Summit server, HDCAM, DigiBeta GV Kayenne

Corplex Iridium HD 53’ expando HD N Both Calrec Sigma (144) 10 Sony 15 Canon Per client spec Senn, Beyer, Sony, EV, Shure GV Kalypso, 4 HD, 4M/E

2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS XT2 RO, Spotbox, 2 XHub2, HDCAM,

DigiBeta

GV Kalypso w/Klip Cache

Corplex Platinum HD 53’ triple expando HD N Both Calrec Alpha 100 (192) 10 Sony 15 Fujinon Per client spec Shure, Senn, A-T, Sony,

Sound Devices GV Kalypso, 4M/E2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS

XT2 RO, Spotbox, 2 XHub2, HDCAM, DigiBeta, BetaSP


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HD-1 28’ truck, 16’ trailer HD/SD N Triax and RF Midas Venice 320 (32) 6 Thomson, 2 JVC 6 Fujinon,

2 Canon Chyron Duet SD Senn Panasonic HS450 HD-SDI, 16x4 I/O, 2 DVI out

Panasonic 1200 DVCPRO, 360 Systems HD server 2 in, 2 out, EVS on request GV Kalypso

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Voyager 6 53’ expando SD N N Soundcraft Series 5 (56) 9 Sony 11 Fujinon Chyron HyperX HD/SD As requested GV Kalypso, 4M/E 6-ch EVS XT, 4-ch EVS XT, XFile, FFV, 4 DigiBeta, 6 Betacam GV Keyenne

Voyager 7 48’ SD N N Soundcraft Series 4 (44) 9 GV 6 Canon, 3 Fujinon Chyron HyperX HD/SD EV, A-T, Sony, Shure GV Kalypso, 4M/E 4-ch EVS XT2, XFile, 3 BetaSP, 3 DigiBeta,

FFV GV Kayenne

Voyager 8 53’ expando HD Y Both Calrec Sigma Desk w/Bluefin (128) 19 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E2 6-ch EVS XT2, 2 4-ch EVS XT2, 3 EVS

XT2 RO, XFile{2}, EVS HUB, IPDirector, 2 DigiBeta, 4 DVCPRO

K2

Voyager 9 53’ expando HD Y Both Calrec Sigma Desk w/Bluefin (128) 13 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E6-ch EVS XT2, 4-ch EVS XT, 3 EVS XT2

RO, XFile2, EVS XHub, IPDirector, 2 DigiBeta, 2 DVCPRO

GV Kayenne

Voyager 10 (under construction) 53’ expando HD Y Both Calrec Artemis (256; exp, to 340) 10 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E,

6-ch EVS XT2+, 4-ch EVS XT2+,XFile2,EVS HUB,2 DigiBeta,

DVCPROK2

CsP

CSP HD1 53’ expando HD N Both Calrec Omega (56) 8 Ikegami 3 Fujinon, 7 Canon Chyron Duet HyperX3 Full complement

GV Kayenne 400/25, 4M/E, 20 ch of DPIs, and clip

player

2 6-ch and 4-ch EVS XT2, 4-ch Spot Box/RO EVS XT2, EVS IP Director, HDCAM,

DVCPRO, 2 DigiBeta, FFV

CSP HD3 53’ HD N Both Calrec Omega (56) 8 Ikegami 7 Fujinon, 3 Canon Chyron Duet HyperX3 Full complement

GVG Kayenne 400/25, 4M/E, 20 ch of DPIs, and

clip player

6-ch and 4-ch EVS XT2, 4-ch Spot Box/RO EVS XT2, EVS IP Director, HDCAM,

DVCPRO, 2 DigiBeta, FFV, FFVKayenne

Gearbase


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Titan 60’ triple expando HD N Both Studer Vista 8 (256) 24 Sony 24 Fujinon Kits vary Sony MVS8000A, 4M/E 4 6-ch EVS, HDCAM Sony

Crossroads 53’ triple expando HD N Both Studer Vista 8 (256) 16 Sony 16 Fujinon Pinnacle Deko 3000 Kits vary Sony MVS8000G, 4M/E 16 HDCAM Sony

Resolution 53’ triple expando HD N Both Studer Vista 8 (256) 14 Sony 14 Fujinon


InfinitKits vary Sony MVS8000, 4M/E 12 HDCAM Sony

Celebrity 53’ triple expando HD N Both Studer Vista 8 (256) 14 Sony 15 Fujinon Chyron Infinit Kits vary Sony MVS8000, 4M/E 10 HDCAM or DigiBeta Sony

Cinetour 53’ double expando HD N Both None 8 Sony 8 Fujinon Chyron Infinit, Avid

Deko 3000 Kits vary Sony HDVS7250, 2.5M/E As needed Optional

Endurance 53’ expando SD N Triax Midas Legend 3000 (48) 12 Ikegami 12 Fujinon Avid Deko 3000 Kits vary GVG Kalypso, 4M/E EVS, Tektronix Profile, as needed LeitchStraight 51’ SD N Triax Midas Legend 3000 (48) 8 Ikegami 9 Fujinon Chyron Infinit Kits vary GVG4000, 3M/E 10 DigiBeta or BetaSP, 2 VHS Leitch

Epic 3D 53’ double expando HD/3D Y Both Studer Vista 8 (256) 18 Sony (9 3D rigs) 18 Fujinon


InfinitKits vary Sony MVX8000X, 4M/E 4 EVS, 18 HDCAM Sony

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ENCORE 53’ expando HD N Both SSL C100 (96) 9 Sony, 2 Panasonic POV 9 Canon





ÉVOLUTION 53’ expando HD N Both Calrec Sigma w\Bluefin (80) 8 Sony, 2 Panasonic POV 11 Canon Chyron Hyper X3, Lyric

Pro Sennheiser, Sony, Beyer GV Kayenne, 4.5M/E6-ch EVS XT2+, 6-ch EVS XT2, 4-ch XS

Spotbox, XHub2, XFile2, HDcam, HDSR, XDcam, DigiBeta

GV Kayenne

INFINITY 53’ expando HD N Both Calrec Artemis w\Bluefin (48 multi-layer)

6 Sony, 2 Panasonic POV

6 Canon, 2 Fujinon


Sennheiser, Crown, Sony GV Kalypso, 4M/E2 6-ch EVS XT2, XHub2, XFile2, 2 HDcam, HDSR, XDcam, DigiBeta,


PREMIERE 53’ expando HD N Both SSL C100 (96) 9 Sony, 2 Panasonic POV 11 Canon





CHINOOK 53’ expando SD N Triax Calrec T-100 (48) 9 Sony, 2 Sony POV 6 Canon, 4 Fujinon

Chyron Hyper X3 Lyric Pro| Inscriber G3

Sennheiser, Audio Technica, Sony, Shure,

EV, CrownGV Kalypso, 4M/E 5-ch EVS XT, 4-ch EVS XT, R/O EVS XT,

DigiBeta, Beta SP/SX, DVD GV Kalypso

CHAMPION 53’ expando SD N Triax Yamaha PM4000 (48) 8 Sony, 2 Sony POV 6 Canon, 4 Fujinon

Chyron Hyper X2 Lyric Pro | Inscriber

G3

Sennheiser, Beyer, EV, Sony GV 4000, 3M/E 4-ch EVS XT, 4-ch HCT, DigiBeta, Beta

SP/SX, DVD Leitch SS

CoAsTAl mEDiA GrouP

Truck One 14x30 HD N Fiber Mackie Onyx (32) 5 JVC Lenses vary Chyron HyperX Kits vary FOR-A HVS 300 4-ch Abekas Mira Abekas

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Corplex Chromium HD 53’ expando HD/3G Y Both Calrec Apollo 128 Fader (240) + MADI (8) 10 Sony 8 Fujinon,

7 Canon Per client spec Senn, Beyer, Sony, EV, Shure GV Kayenne, 4M/E 4 6-ch EVS XT2, Spotbox, 2 XHub2, 4-chl

Summit server, HDCAM, DigiBeta GV Kayenne

Corplex Iridium HD 53’ expando HD N Both Calrec Sigma (144) 10 Sony 15 Canon Per client spec Senn, Beyer, Sony, EV, Shure GV Kalypso, 4 HD, 4M/E

2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS XT2 RO, Spotbox, 2 XHub2, HDCAM,

DigiBeta


Corplex Platinum HD 53’ triple expando HD N Both Calrec Alpha 100 (192) 10 Sony 15 Fujinon Per client spec Shure, Senn, A-T, Sony,

Sound Devices GV Kalypso, 4M/E2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS

XT2 RO, Spotbox, 2 XHub2, HDCAM, DigiBeta, BetaSP


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HD-1 28’ truck, 16’ trailer HD/SD N Triax and RF Midas Venice 320 (32) 6 Thomson, 2 JVC 6 Fujinon,

2 Canon Chyron Duet SD Senn Panasonic HS450 HD-SDI, 16x4 I/O, 2 DVI out

Panasonic 1200 DVCPRO, 360 Systems HD server 2 in, 2 out, EVS on request GV Kalypso

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Voyager 6 53’ expando SD N N Soundcraft Series 5 (56) 9 Sony 11 Fujinon Chyron HyperX HD/SD As requested GV Kalypso, 4M/E 6-ch EVS XT, 4-ch EVS XT, XFile, FFV, 4 DigiBeta, 6 Betacam GV Keyenne

Voyager 7 48’ SD N N Soundcraft Series 4 (44) 9 GV 6 Canon, 3 Fujinon Chyron HyperX HD/SD EV, A-T, Sony, Shure GV Kalypso, 4M/E 4-ch EVS XT2, XFile, 3 BetaSP, 3 DigiBeta,

FFV GV Kayenne

Voyager 8 53’ expando HD Y Both Calrec Sigma Desk w/Bluefin (128) 19 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E2 6-ch EVS XT2, 2 4-ch EVS XT2, 3 EVS

XT2 RO, XFile{2}, EVS HUB, IPDirector, 2 DigiBeta, 4 DVCPRO

K2

Voyager 9 53’ expando HD Y Both Calrec Sigma Desk w/Bluefin (128) 13 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E6-ch EVS XT2, 4-ch EVS XT, 3 EVS XT2

RO, XFile2, EVS XHub, IPDirector, 2 DigiBeta, 2 DVCPRO

GV Kayenne

Voyager 10 (under construction) 53’ expando HD Y Both Calrec Artemis (256; exp, to 340) 10 Sony 15 Fujinon Chyron HyperX3 As requested GV Kayenne, 4M/E,

6-ch EVS XT2+, 4-ch EVS XT2+,XFile2,EVS HUB,2 DigiBeta,

DVCPROK2

CsP

CSP HD1 53’ expando HD N Both Calrec Omega (56) 8 Ikegami 3 Fujinon, 7 Canon Chyron Duet HyperX3 Full complement

GV Kayenne 400/25, 4M/E, 20 ch of DPIs, and clip

player

2 6-ch and 4-ch EVS XT2, 4-ch Spot Box/RO EVS XT2, EVS IP Director, HDCAM,

DVCPRO, 2 DigiBeta, FFV

CSP HD3 53’ HD N Both Calrec Omega (56) 8 Ikegami 7 Fujinon, 3 Canon Chyron Duet HyperX3 Full complement

GVG Kayenne 400/25, 4M/E, 20 ch of DPIs, and

clip player

6-ch and 4-ch EVS XT2, 4-ch Spot Box/RO EVS XT2, EVS IP Director, HDCAM,

DVCPRO, 2 DigiBeta, FFV, FFVKayenne

Gear

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CsP CSP 5 40’ SD N N Yamaha PM-3500 (48) 9 Ikegami 5 Fujinon, 4 Canon Chyron Duet HyperX Full complement GV 4000, 3M/E 4-ch EVS XT2, 4-ch EVS LSM, XFile2, 2

BetaSP, 2 DigiBeta, FFV AbekasD

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Horizon HD 53’ HD N Triax Calrec Alpha 100 (360) 10 GV 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E

2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot XT2, XHub, 2 HDCAM

GV Kalypso

Majestic HD w/B unit 53’ HD N Triax Calrec Alpha 100 (360) 10 GV 14 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E

2 6-ch EVS XT2, 4-ch RO XT2, Spot XS, XHub,

2 HDCAMGV Kalypso

Spirit HD 53’ HD N Both Calrec Sigma (360) 10 Sony 11 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot

XS, XHub2, 2 HDCAM GV Kalypso

Trillium HD w/B-Unit 53’ HD N Both Calrec Alpha 100 w/Bluefin (540) 10 Sony 14 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot

XT2, XHub2, 2 HDCAM GV Kalypso

Tribute HD 53’ HD N Triax Calrec (240) 10 GV 11 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV KAYENNE, 4M/E


2 HDCAMGV Kayenne

Thunder HD 53’ HD Partial Both Calrec Sigma (360) 10 Sony 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot


Echo HD 53’ HD Partial Both Calrec Sigma (360) 10 Sony 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS XT2+, 4-ch RO XT2, 4-ch Spot


Netstar 53’ SD N Triax Soundcraft Series FIVE (52) 9 Ikegami 9 Canon Chyron HyperX3, Lyric Pro A-T, EV, Senn, ME, RE GV Kalypso, 4M/E 2 6-ch EVS, 4 DigiBeta, BetaSP GV Kalypso

Unity 53’ SD N Triax Calrec S2 (60) 9 Ikegami 9 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS, 4 DigiBeta, BetaSP GV Kalypso

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ECO-1 58x20 SD N Triax Yamaha PM4000 (52) 10 Sony 10 Canon Chyron Duet HyperX Sony, Senn, HMDs GVG Kalypso, 4M/E

6-ch EVS XT, 3 Sony DVW-A500 VTR, 2 Sony BVW-D75 Beta SP

ECO-2 58x20 SD N Triax Midas Heritage 2000 (56) 10 GV 10 Fujinon Chyron Duet Hyper X Sony, Senn, HMDs GVG Kalypso, 4M/E

6-ch EVS XT, EVS XFile, 4 Sony DVW-A500 VTR, Sony BVW-D75 Beta

SP, 2 Sony BVW-75 Beta SP

ECO-3HD 30x18 HD N Triax Yamaha (48) 4 GV 5 Fujinon Duet LEX HD Sony, Senn, HMD MVS-8000GSF, 2M/E1 7Channel EVS XT3 4RU 2 AJA KiPro 1 Panasonic DVCPro

HD

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s GTX-11 53’ expando HD N Both Calrec Omega w/Bluefin 13 Ikegami 15 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kalypso, 4M/E, Doubletake

2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2, DVCPRO, DigiBeta

GV Kalypso DVEous MX Dual Twin

GTX-12 53’ expando HD N Both Calrec Omega Digital w/Bluefin 13 Ikegami 15 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kalypso, 4M/E, Doubletake




2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2, 2-SRW5500, DigiBeta


GTX-15 53’ double expando HD N Both Calrec Alpha w/Bluefin 14 Ikegami 16 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kalypso, 4M/E,

Doubletake2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2,

2 DVCPRO, DigiBetaGV Kalypso DVEous MX

Dual Twin

GTX-16 53’ double expando HD N Both Calrec Apollo w/Bluefin2 14 Ikegami 16 Fujinon Senn, EV, Sony GV Kayenne, 4M/E,

Doubletake4 6-ch EVS HD XT2, 2-SRW5500,

DVCPRO, DigiBetaGV Kayenne, K2 Summit

24-ch DVE

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Eagle A&B 53’ expando HD N Both Calrec Omega w/Bluefin (56) 10 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta, HDCAM, DVCPRO GV Kalypso

Freedom A&B 53’ expando HD N Both Calrec Sigma 100 (64) 12 Sony 15 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 6-ch EVS XT2, 3 4-ch EVS XT2 RO, DVCPRO, HDCAM, DigiBeta GV Kalypso

Intrepid A&B 53’ expando HD N Both Calrec Sigma 100 (64) 13 Sony 15 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 EVS XT2, 3 EVS RO, DVCPRO, DigiBeta GV Kalypso

Northstar 53’ expando HD N Both Calrec Sigma w/Bluefin (64) 10 Sony 12 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta, HDCAM, DVCPRO GV Kalypso

Patriot A&B 53’ expando HD N Both Calrec Alpha 100 (72) 12 Sony 14 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch EVS XT2 RO, DigiBeta, HDCAM, DVCPRO GV Kalypso

Fox A,B,C (D,E) 2 53’ expando HD N Both Calrec Alpha w/Bluefin (96), Calrec Sigma 100 (64) 14 Sony 18 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 4 6-ch XT2 super slo mo,

4 6-ch EVS RO, DVCPRO GV Kayenne

Clipper A&B 53’ expando HD N Both Calrec Alpha 100 (72) 12 Sony 16 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 4-ch EVS XT2, 3 4-ch EVS XT2 RO, HDCAM GV Kalypso

Liberty A&B 53’ dual expando HD N Both Calrec Alpha w/Bluefin (96) 12 Sony 16 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 3 6-ch EVS XT2, 2 4-ch EVS RO, DVCPRO, DigiBeta GV Kayenne

Legends 53’ expando HD N Both Calrec Alpha w/Bluefin (80) 12 Sony 14 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 2 4-ch EVS RO, 3 HDCAM, DigiBeta GV Kalypso

Dynasty A&B 53’ dual expando HD Y Both Calrec Alpha w/Bluefin (96) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 EVS XT2, 4 EVS RO, DVCPRO, DigiBeta GV Kayenne

Larkspur 53’ expando HD Y Both Calrec Alpha w/Bluefin (80) 11 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta, DVCPRO GV Kayenne

Victory A&B 53’ dual expando HD Y Both Calrec Apollo (144) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 EVS XT2+, 4 EVS RO, DVCPRO, DigiBeta GV Kayenne

Justice 53’ expando HD Y Both Calrec Apollo (144) 11 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta, DVCPRO GV Kayenne

Southern Cross A&B 53’ expando SD N Triax Calrec Q2 (120) 12 Sony 15 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 6-ch XT, 6-ch XT super slo mo, 5 DigiBeta, 2 DigiBeta GV Kalypso

GCV-B1 53’ HD Y N/A N/A N/A N/A N/A N/A N/A N/A N/AGCV-B2 53’ HD Y N/A N/A N/A N/A N/A N/A N/A N/A N/A

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CsP CSP 5 40’ SD N N Yamaha PM-3500 (48) 9 Ikegami 5 Fujinon, 4 Canon Chyron Duet HyperX Full complement GV 4000, 3M/E 4-ch EVS XT2, 4-ch EVS LSM, XFile2, 2

BetaSP, 2 DigiBeta, FFV Abekas

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Horizon HD 53’ HD N Triax Calrec Alpha 100 (360) 10 GV 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E

2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot XT2, XHub, 2 HDCAM

GV Kalypso

Majestic HD w/B unit 53’ HD N Triax Calrec Alpha 100 (360) 10 GV 14 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E


2 HDCAMGV Kalypso

Spirit HD 53’ HD N Both Calrec Sigma (360) 10 Sony 11 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot


Trillium HD w/B-Unit 53’ HD N Both Calrec Alpha 100 w/Bluefin (540) 10 Sony 14 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot


Tribute HD 53’ HD N Triax Calrec (240) 10 GV 11 Canon Chyron HyperX3, Lyric Pro Senn, A-T, EV GV KAYENNE, 4M/E


2 HDCAMGV Kayenne

Thunder HD 53’ HD Partial Both Calrec Sigma (360) 10 Sony 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS XT2, 4-ch RO XT2, 4-ch Spot


Echo HD 53’ HD Partial Both Calrec Sigma (360) 10 Sony 11 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS XT2+, 4-ch RO XT2, 4-ch Spot


Netstar 53’ SD N Triax Soundcraft Series FIVE (52) 9 Ikegami 9 Canon Chyron HyperX3, Lyric Pro A-T, EV, Senn, ME, RE GV Kalypso, 4M/E 2 6-ch EVS, 4 DigiBeta, BetaSP GV Kalypso

Unity 53’ SD N Triax Calrec S2 (60) 9 Ikegami 9 Canon Chyron HyperX3, Lyric Pro A-T, Senn, EV GV Kalypso, 4M/E 2 6-ch EVS, 4 DigiBeta, BetaSP GV Kalypso

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ECO-1 58x20 SD N Triax Yamaha PM4000 (52) 10 Sony 10 Canon Chyron Duet HyperX Sony, Senn, HMDs GVG Kalypso, 4M/E

6-ch EVS XT, 3 Sony DVW-A500 VTR, 2 Sony BVW-D75 Beta SP

ECO-2 58x20 SD N Triax Midas Heritage 2000 (56) 10 GV 10 Fujinon Chyron Duet Hyper X Sony, Senn, HMDs GVG Kalypso, 4M/E

6-ch EVS XT, EVS XFile, 4 Sony DVW-A500 VTR, Sony BVW-D75 Beta

SP, 2 Sony BVW-75 Beta SP

ECO-3HD 30x18 HD N Triax Yamaha (48) 4 GV 5 Fujinon Duet LEX HD Sony, Senn, HMD MVS-8000GSF, 2M/E1 7Channel EVS XT3 4RU 2 AJA KiPro 1 Panasonic DVCPro

HD

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s GTX-11 53’ expando HD N Both Calrec Omega w/Bluefin 13 Ikegami 15 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kalypso, 4M/E, Doubletake







2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2, 2-SRW5500, DigiBeta


GTX-15 53’ double expando HD N Both Calrec Alpha w/Bluefin 14 Ikegami 16 Fujinon Chyron HyperX3 Senn, EV, Sony GV Kalypso, 4M/E,

Doubletake2 4-ch EVS HD XT2, 2 6-ch EVS HD XT2,

2 DVCPRO, DigiBetaGV Kalypso DVEous MX

Dual Twin

GTX-16 53’ double expando HD N Both Calrec Apollo w/Bluefin2 14 Ikegami 16 Fujinon Senn, EV, Sony GV Kayenne, 4M/E,

Doubletake4 6-ch EVS HD XT2, 2-SRW5500,

DVCPRO, DigiBetaGV Kayenne, K2 Summit

24-ch DVE

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Eagle A&B 53’ expando HD N Both Calrec Omega w/Bluefin (56) 10 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta, HDCAM, DVCPRO GV Kalypso

Freedom A&B 53’ expando HD N Both Calrec Sigma 100 (64) 12 Sony 15 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 6-ch EVS XT2, 3 4-ch EVS XT2 RO, DVCPRO, HDCAM, DigiBeta GV Kalypso

Intrepid A&B 53’ expando HD N Both Calrec Sigma 100 (64) 13 Sony 15 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 EVS XT2, 3 EVS RO, DVCPRO, DigiBeta GV Kalypso

Northstar 53’ expando HD N Both Calrec Sigma w/Bluefin (64) 10 Sony 12 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta, HDCAM, DVCPRO GV Kalypso

Patriot A&B 53’ expando HD N Both Calrec Alpha 100 (72) 12 Sony 14 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 3 4-ch EVS XT2 RO, DigiBeta, HDCAM, DVCPRO GV Kalypso

Fox A,B,C (D,E) 2 53’ expando HD N Both Calrec Alpha w/Bluefin (96), Calrec Sigma 100 (64) 14 Sony 18 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 4 6-ch XT2 super slo mo,

4 6-ch EVS RO, DVCPRO GV Kayenne

Clipper A&B 53’ expando HD N Both Calrec Alpha 100 (72) 12 Sony 16 Canon As requested Beyer, Senn, EV, Sony GV Kalypso Duo, 3M/E 2 4-ch EVS XT2, 3 4-ch EVS XT2 RO, HDCAM GV Kalypso

Liberty A&B 53’ dual expando HD N Both Calrec Alpha w/Bluefin (96) 12 Sony 16 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 3 6-ch EVS XT2, 2 4-ch EVS RO, DVCPRO, DigiBeta GV Kayenne

Legends 53’ expando HD N Both Calrec Alpha w/Bluefin (80) 12 Sony 14 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 2 6-ch EVS XT2, 2 4-ch EVS RO, 3 HDCAM, DigiBeta GV Kalypso

Dynasty A&B 53’ dual expando HD Y Both Calrec Alpha w/Bluefin (96) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 EVS XT2, 4 EVS RO, DVCPRO, DigiBeta GV Kayenne

Larkspur 53’ expando HD Y Both Calrec Alpha w/Bluefin (80) 11 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta, DVCPRO GV Kayenne

Victory A&B 53’ dual expando HD Y Both Calrec Apollo (144) 10 Sony 13 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 EVS XT2+, 4 EVS RO, DVCPRO, DigiBeta GV Kayenne

Justice 53’ expando HD Y Both Calrec Apollo (144) 11 Sony 11 Canon As requested Beyer, Senn, EV, Sony GV Kayenne, 4M/E 2 6-ch EVS XT2, 3 4-ch EVS RO, DigiBeta, DVCPRO GV Kayenne

Southern Cross A&B 53’ expando SD N Triax Calrec Q2 (120) 12 Sony 15 Canon As requested Beyer, Senn, EV, Sony GV Kalypso, 3M/E 6-ch XT, 6-ch XT super slo mo, 5 DigiBeta, 2 DigiBeta GV Kalypso

GCV-B1 53’ HD Y N/A N/A N/A N/A N/A N/A N/A N/A N/AGCV-B2 53’ HD Y N/A N/A N/A N/A N/A N/A N/A N/A N/A

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sIMS HD1 53’ expando HD Y Both Calrec Sigma (128) 16 Sony 20 Canon Chyron HPX Senn, Beyer, Shure, Sony GV Kalypso+K13, 4M/E

2 6-ch EVS XT2, 4 6-ch EVS XT2 RO, SpotBox, XFile, SportsHub, DVCPRO,

HDCAM

IMS HD2 53’ dual expando HD Y Triax Calrec Sigma (128) 8 Sony 10 Canon Chyron HPX Senn, Beyer, Shure, Sony GV Kayenne, 4.5M/E6-ch EVS XT2, 4-ch EVS XT2, 2 4-ch

EVS XT2 RO, SpotBox, XFile, SportsHub, DigiBeta

JAs DiGiTAl New Wave 29’ hybrid HD N Fiber Yamaha (40) 4 Sony 4 Fujinon Chyron HyperX2 Senn, Electrovoice Sony MFS-2000, 1.5M/E Sony

JonEs mobilE

TvJMTV 51’ expando SD N Triax Yamaha PM4000 (56) 8 Sony 10 Fujinon Chyron HyperX3 A-T, Beyer, PZM, Sony,

EV, Lectro GV 4000, 3M/E6-ch EVS XT2, 4-ch RO XT2, 4-ch

Spotbox, EVS XHub, XNet, XFile2, 2 DigiBeta, 2 BetaSP

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Lyon-1 38’ expando HD N Both Yamaha M7CL (48) 6 GV 6 Fujinon Per request Senn, A-T, Sony GV Kalypso, 3M/E 6-ch EVS XT2,4-ch EVS XT2, XFile, XHub, FFV HD, DVC Pro HD, DigiBeta GV Kalypso


Lyon-3 50’ expando SD N Triax Yamaha PM4000 (56) 11 Ikegami 13 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E 6-ch EVS XT, 2 4-ch EVS XT, XFile, 2 DigiBeta, BetaSP, VHS GV Kalypso

Lyon-5 53’ expando HD N Triax Calrec Q2 (120) 9 GV 10 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E2 6-ch EVS XT2, 2 4-ch EVS XT2 RO,

XFile 2, FFV HD, HDCAM, DVCPRO, DigiBeta, BetaSP, DVD

GV Kalypso

Lyon-6 53’ expando HD N Triax Calrec Alpha (160) 10 GV 12 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E

6-ch EVS XT2+, 6-ch EVS XT2, 4-ch EVS XT2+ RO, 4-ch XT2 RO, EVS XT2+

Spotbox, XFile 2, DVCPRO, DigiBeta, BetaSP, DVD

GV Kalypso

Lyon-7 53’ expando HD N Triax Calrec Sigma w/Bluefin (320) 11 GV 12 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E2 6-ch EVS XT2, 2 4-ch EVS XT2 RO, EVS XT2 Spotbox, XFile 2, HDCAM,

DVCPRO, DigiBeta, BetaSP, DVDGV Kalypso

Lyon-8 53’ expando HD N Both Calrec Sigma w/Bluefin (320) 13 GV 19 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kayenne, 4.5M/E3 6-ch EVS XT2, 3 4-ch EVS XT2 RO,

XFile2, HDCAM, DVCPRO, DigiBeta, BetaSP, DVD

GV Kayenne

Lyon-9 50’ expando HD N Both Calrec Omega Digital w/Bluefin (160) 9 GV 11 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kalypso, 4M/E

2 6-ch EVS XT2, 2 4-ch EVS XT2 RO, EVS XT2 Spotbox, XFile2, DVCPRO,

HDCAM, DigiBeta, BetaSP, DVDGV Kalypso


2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS XT2 RO, EVS XT2 SpotBox, XFile2, DVCPRO, 2 HDCAM, DigiBeta, BetaSP,

DVD

GV Kalypso

Lyon-11 53’ expando HD Y Both Calrec Apollo w/Bluefin2 (1020) 16 GV 20 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kayenne, 4.5M/E4 6-ch EVS XT2+, 4-ch EVS XS2+

SpotBox, XFile2, DVCPRO, HDCAM, DigiBeta, BetaSP, DVD

GV Kayenne

Lyon-12 53’ expando HD Y Both Calrec Artemis w/Bluefin2 (340) 12 GV 12 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kayenne, 4.5M/E3 6-ch EVS XT2+, 4-ch EVS XT2+ RO, EVS XT2+ SpotBox, XFile2, DVCPRO,

HDCAM, DigiBeta, BetaSP, DVDGV Kayenne

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ME-1 50’ expando SD N Triax Yamaha PM1D (128) 9 Ikegami 9 Fujinon, 2 Canon

Chyron HyperX2, Lyric 5.25 Senn, EV, Sony GV Kalypso 4-ch EVS XT2, EVS 4-ch HTC, 4 DigiBeta,

2 BetaSP, 2 DVD GV Kalypso

ME-2HD 53’ expando HD N Triax SSL C-100HD (256) 11 GV, 2 Sony robos 12 Canon Chyron HyperX2 Senn, EV, Sony GV Kalypso 2 6-ch EVS, 4-ch EVS RO, 2 HDCAM, XDCAM, DVCPRO, 2 DVD GV Kalypso

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n Metro HD-1 40’ expando HD/SD N Fiber Studer Vista 5 Console (24) 10 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV GV HD/SD Kalypso, 4M/E 2 6-ch EVS XT2, DigiBeta, DVD FFV,

DVCAM, DVCPRO GV Kalypso

Metro HD-2 40’ expando HD/SD N Fiber Calrec Omega Bluefin (64) 8 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV GV HD/SD Kalypso, 4M/E 2 6-ch EVS XT2, DigiBeta, DVD, FFV,

DigiBeta, DVCAM, DVCPRO GV Kalypso

Metro HD-3 40’ HD/SD N Fiber Allen & Heath ML5000 (32) 6 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV Sony HD/SD MVS-8000A,

2.5M/E6-ch EVS XT2, DigiBeta, DVD, DigiBeta,

DVCAM, DVCPRO Sony MVS-8000A

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MIRA M4HD 53’ expando HD N Both Yamaha PM-5000 (64) 8 Sony 9 Canon Chyron HyperX3 Senn, Beyer, EV, Shure, Sony GV Kalypso, 4M/E 2 4-ch EVS XT2, 4-ch EVS RO XT2, EVS

Spotbox, XFile, FFV GV Kalypso w/Klip

Cache

MIRA M5HD (dual feed) 53’ expando HD N Both Yamaha PM-5000 (64) 10 Sony 11 Fujinon 2 Chyron HyperX3 Senn, EV, Shure, Sony GV Kalypso, 4M/E 2 6-ch EVS XT2+, 2 EVS XT 2+ RO, EVS SpotBox, XFile, FFV


MIRA M6 53’ expando SD N Triax Soundcraft Series 5 (64) 10 Ikegami 1 Canon, 9 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kalypso, 4M/E 6-ch EVS XT, XFile, 4 DigiBeta, 2 BetaSP,

FFV GV Kalypso w/Klip

Cache

MIRA M7HD 53’ expando HD N Both Calrec Sigma w/Bluefin (104 mono, 104 stereo) 10 Sony 12 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E

6-ch EVS XT2,4-ch EVS XT2, 2 4-ch EVS XT2 RO, EVS SpotBox, XFile, XDCAM,

HDCAM, DigiBeta, BetaSP


MIRA M8HD 48’ expando HD N Both Calrec Omega w/Bluefin (64 mono, 48 stereo) 7 Sony 8 Fujinon Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch EVS XT2, EVS

SpotBox, FFV, 2 DVD, BetaSP, DigiBetaGV Kalypso w/Klip

Cache

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IMS HD1 53’ expando HD Y Both Calrec Sigma (128) 16 Sony 20 Canon Chyron HPX Senn, Beyer, Shure, Sony GV Kalypso+K13, 4M/E2 6-ch EVS XT2, 4 6-ch EVS XT2 RO, SpotBox, XFile, SportsHub, DVCPRO,

HDCAM

IMS HD2 53’ dual expando HD Y Triax Calrec Sigma (128) 8 Sony 10 Canon Chyron HPX Senn, Beyer, Shure, Sony GV Kayenne, 4.5M/E6-ch EVS XT2, 4-ch EVS XT2, 2 4-ch

EVS XT2 RO, SpotBox, XFile, SportsHub, DigiBeta

JAs DiGiTAl New Wave 29’ hybrid HD N Fiber Yamaha (40) 4 Sony 4 Fujinon Chyron HyperX2 Senn, Electrovoice Sony MFS-2000, 1.5M/E Sony

JonEs mobilE

TvJMTV 51’ expando SD N Triax Yamaha PM4000 (56) 8 Sony 10 Fujinon Chyron HyperX3 A-T, Beyer, PZM, Sony,

EV, Lectro GV 4000, 3M/E6-ch EVS XT2, 4-ch RO XT2, 4-ch

Spotbox, EVS XHub, XNet, XFile2, 2 DigiBeta, 2 BetaSP

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Lyon-3 50’ expando SD N Triax Yamaha PM4000 (56) 11 Ikegami 13 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E 6-ch EVS XT, 2 4-ch EVS XT, XFile, 2 DigiBeta, BetaSP, VHS GV Kalypso

Lyon-5 53’ expando HD N Triax Calrec Q2 (120) 9 GV 10 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E2 6-ch EVS XT2, 2 4-ch EVS XT2 RO,

XFile 2, FFV HD, HDCAM, DVCPRO, DigiBeta, BetaSP, DVD

GV Kalypso

Lyon-6 53’ expando HD N Triax Calrec Alpha (160) 10 GV 12 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E

6-ch EVS XT2+, 6-ch EVS XT2, 4-ch EVS XT2+ RO, 4-ch XT2 RO, EVS XT2+

Spotbox, XFile 2, DVCPRO, DigiBeta, BetaSP, DVD

GV Kalypso

Lyon-7 53’ expando HD N Triax Calrec Sigma w/Bluefin (320) 11 GV 12 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kalypso, 4M/E2 6-ch EVS XT2, 2 4-ch EVS XT2 RO, EVS XT2 Spotbox, XFile 2, HDCAM,

DVCPRO, DigiBeta, BetaSP, DVDGV Kalypso

Lyon-8 53’ expando HD N Both Calrec Sigma w/Bluefin (320) 13 GV 19 Fujinon Chyron HyperX2 Senn, A-T, Sony GV Kayenne, 4.5M/E3 6-ch EVS XT2, 3 4-ch EVS XT2 RO,

XFile2, HDCAM, DVCPRO, DigiBeta, BetaSP, DVD

GV Kayenne


2 6-ch EVS XT2, 2 4-ch EVS XT2 RO, EVS XT2 Spotbox, XFile2, DVCPRO,

HDCAM, DigiBeta, BetaSP, DVDGV Kalypso


2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS XT2 RO, EVS XT2 SpotBox, XFile2, DVCPRO, 2 HDCAM, DigiBeta, BetaSP,

DVD

GV Kalypso

Lyon-11 53’ expando HD Y Both Calrec Apollo w/Bluefin2 (1020) 16 GV 20 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kayenne, 4.5M/E4 6-ch EVS XT2+, 4-ch EVS XS2+

SpotBox, XFile2, DVCPRO, HDCAM, DigiBeta, BetaSP, DVD

GV Kayenne

Lyon-12 53’ expando HD Y Both Calrec Artemis w/Bluefin2 (340) 12 GV 12 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kayenne, 4.5M/E3 6-ch EVS XT2+, 4-ch EVS XT2+ RO, EVS XT2+ SpotBox, XFile2, DVCPRO,

HDCAM, DigiBeta, BetaSP, DVDGV Kayenne

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ME-1 50’ expando SD N Triax Yamaha PM1D (128) 9 Ikegami 9 Fujinon, 2 Canon

Chyron HyperX2, Lyric 5.25 Senn, EV, Sony GV Kalypso 4-ch EVS XT2, EVS 4-ch HTC, 4 DigiBeta,

2 BetaSP, 2 DVD GV Kalypso

ME-2HD 53’ expando HD N Triax SSL C-100HD (256) 11 GV, 2 Sony robos 12 Canon Chyron HyperX2 Senn, EV, Sony GV Kalypso 2 6-ch EVS, 4-ch EVS RO, 2 HDCAM, XDCAM, DVCPRO, 2 DVD GV Kalypso

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n Metro HD-1 40’ expando HD/SD N Fiber Studer Vista 5 Console (24) 10 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV GV HD/SD Kalypso, 4M/E 2 6-ch EVS XT2, DigiBeta, DVD FFV,

DVCAM, DVCPRO GV Kalypso

Metro HD-2 40’ expando HD/SD N Fiber Calrec Omega Bluefin (64) 8 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV GV HD/SD Kalypso, 4M/E 2 6-ch EVS XT2, DigiBeta, DVD, FFV,

DigiBeta, DVCAM, DVCPRO GV Kalypso

Metro HD-3 40’ HD/SD N Fiber Allen & Heath ML5000 (32) 6 Sony Fujinon Chyron HyperX3, Lyric Pro A-T, Sony, EV Sony HD/SD MVS-8000A,

2.5M/E6-ch EVS XT2, DigiBeta, DVD, DigiBeta,

DVCAM, DVCPRO Sony MVS-8000A

mir

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MIRA M4HD 53’ expando HD N Both Yamaha PM-5000 (64) 8 Sony 9 Canon Chyron HyperX3 Senn, Beyer, EV, Shure, Sony GV Kalypso, 4M/E 2 4-ch EVS XT2, 4-ch EVS RO XT2, EVS

Spotbox, XFile, FFV GV Kalypso w/Klip

Cache

MIRA M5HD (dual feed) 53’ expando HD N Both Yamaha PM-5000 (64) 10 Sony 11 Fujinon 2 Chyron HyperX3 Senn, EV, Shure, Sony GV Kalypso, 4M/E 2 6-ch EVS XT2+, 2 EVS XT 2+ RO, EVS SpotBox, XFile, FFV


MIRA M6 53’ expando SD N Triax Soundcraft Series 5 (64) 10 Ikegami 1 Canon, 9 Fujinon Chyron HyperX3 Senn, A-T, Sony GV Kalypso, 4M/E 6-ch EVS XT, XFile, 4 DigiBeta, 2 BetaSP,

FFV GV Kalypso w/Klip

Cache

MIRA M7HD 53’ expando HD N Both Calrec Sigma w/Bluefin (104 mono, 104 stereo) 10 Sony 12 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E

6-ch EVS XT2,4-ch EVS XT2, 2 4-ch EVS XT2 RO, EVS SpotBox, XFile, XDCAM,

HDCAM, DigiBeta, BetaSP


MIRA M8HD 48’ expando HD N Both Calrec Omega w/Bluefin (64 mono, 48 stereo) 7 Sony 8 Fujinon Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch EVS XT2, EVS

SpotBox, FFV, 2 DVD, BetaSP, DigiBetaGV Kalypso w/Klip

Cache

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lE MIRA M9HD 53’ expando HD N Both Calrec Sigma w/Bluefin (104 mono, 104 stereo) 10 Sony 12 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E 2 6-ch EVS XT2, 2 4-ch EVS XT2 RO, EVS

SpotBox, XFile, 1 DVCPRO, DigiBetaGV Kalypso w/Klip

Cache

MIRA M10 53’ expando SD N Triax Yamaha PM-4000 (56) 10 Ikegami 10 Fujinon Chyron LEX Senn, EV, Sony GV Kalypso, 4M/E 6-ch EVS XT, XFile, FFV, 4 DigiBeta, 2 BetaSP, 2 DVD


MIRA M11HD 53’ expando HD N Both Calrec Sigma w/Bluefin (104 mono, 104 stereo) 10 Sony 11 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E 2 6-ch EVS XT2+, 3 4-ch EVS XT2+ RO,

EVS SpotBox, XFile, 1 DVCPRO, DigiBetaGV Kalypso w/Klip

Cache

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2X 50’ expando SD N Triax Soundcraft Europa (48) 8 Sony 10 Canon Chyron LEX A-T, Senn, EV, Sony GV 3000, 3M/E 3 EVS, 3 BetaSP GV Kalypso

5HDX 53’ expando HD N Triax Soundcraft Series 5 (56) 10 GV 11 Canon Chyron HyperX, LEX A-T, Senn, EV, Sony GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch XT2, DigiBeta, 2 BetaSP

GV Kalypso, Abekas ClipStore

6HDX 53’ expando HD N Triax Soundcraft Series 5 (56) 10 GV 11 Canon Chyron HyperX, LEX A-T, Senn, EV, Sony GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch EVS XT2, 2 4-ch EVS XT RO, DigiBeta, 2 BetaSP


7HDX 53’ expando HD N Triax Euphonix System 5-B (96) 10 GV 11 Canon Chyron HyperX, LEX A-T, Senn GV XTEN DD, 4M/E 2 4-ch EVS XT, 6-ch EVS XT2, 4-ch EVS XT RO, DigiBeta, 2 BetaSP


8HDX 53’ expando HD N Triax Euphonix System 5-B (96) 10 GV10

Canon, 1 Angenieux

Chyron HyperX, LEX A-T, Senn GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch EVS XT2, 2 4-ch EVS XT RO, DigiBeta, 2 BetaSP



Canon, 1 Angenieux

Chyron HyperX, LEX A-T, Senn GV Kalypso, 4M/E 2 4-ch EVS XT, 4-ch EVS XT RO, 2 XFiles, DigiBeta, BetaSP


11HDX 53’ expando HD N Triax Euphonix System 5-B (96) 10 GV 12 Canon 2 Chyron HyperX A-T, Senn GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch EVS XT2, 2 4-ch EVS XT RO, DigiBeta, 2 BetaSP




14D 53’ SD N Triax Yamaha PM 4000 (40) 8 Sony 9 Canon Chyron LEX Senn Sony DVS 7250, 3.5M/E EVS, 3 BetaSP Sony

16HDX 53’ expando HD N Triax Euphonix System 5-B (96) 10 GV 12 Canon 2 Chyron HyperX A-T, Senn, EV GV Kalypso, 4M/E 2 4-ch EVS XT2, 6-ch EVS XT2, 2 4-ch EVS XT RO, XFile, DigiBeta, 2 BetaSP


17HDX-S 40’ expando HD N Triax Yamaha PM 5000 (48) 6 GV 8 Canon Chyron HyperX Senn, Sony, EV GV Kayak-300, 3M/E 6-ch EVS XT, 6-ch EVS XT RO, DVD Internal, Abekas ClipStore18HDX-S 40’ expando HD N Triax Yamaha PM 5000 (48) 6 GV 8 Canon Chyron HyperX Senn, Sony, EV GV Kayak-300, 3M/E 6-ch EVS XT, 6-ch EVS XT RO, DVD Internal, Abekas ClipStore19HDX-S 40’ expando HD N Triax Yamaha PM 5000 (48) 6 GV 8 Canon Chyron HyperX Senn, Sony, EV GV Kayak-300, 3M/E 6-ch EVS XT, 6-ch EVS XT RO, DVD Internal, Abekas ClipStore

20HDX 53’ expando HD N Triax Euphonix System 5-B (96) 10 GV 12 Canon Chyron HyperX A-T, Senn, EV GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch EVS XT2, 4-ch EVS XT RO, DigiBeta, 2 BetaSP Internal, Abekas ClipStore

21HDX-S 48’ expando HD N Triax Euphonix Max Air (84) 8 GV 10 Canon Chyron HyperX Senn, Sony, EV GV Kalypso, 3M/E 6-ch EVS XT, 4-ch EVS XT, 4-ch EVS XT RO, BetaSP, DigiBeta, DVD Internal, Abekas ClipStore

22HDX-S 48’ expando HD N Triax Euphonix Max Air (108) 8 GV 12 Canon Chyron HyperX Senn, Sony, EV GV Kayak, 4.5M/E 2 4-ch EVS XT, 6-ch EVS XT2, 4-ch EVS XT RO, DigiBeta, 2 BetaSP, DVD Internal, Abekas ClipStore

23HDX-S 48’ expando HD N Triax Euphonix Max Air (108) 8 GV 9 Canon Chyron HyperX Senn, Sony, EV GV Kalypso, 3M/E 6-ch EVS XT, 4-ch EVS XT, 2 4-ch EVS XT RO, BetaSP, DVD Internal, Abekas ClipStore

PUMA HD 32’ expando HD N Triax Allen & Heath (40) 6 GV 5 Canon Chyron Duet Senn, Sony, EV GV Kayak 4-ch EVS XT, 4-ch EVS XT RO, BetaSP Internal, Abekas ClipStorePUMA Colorado 32’ expando SD N Triax Allen & Heath (40) 5 GV 5 Canon Chyron Duet Senn, Sony, EV GV Kayak 4-ch EVS, DVCAM, DVD Internal, Abekas ClipStore

24HDX 48’ expando HD N Triax Euphonix MaxAIR (108) 8 GV 9 Canon Chyron HyperX Senn, Sony, EV GV Kayak, 3.5M/E 6-ch EVS, 4-ch EVS, 4-ch EVS RO, XFile, BetaSP, DigiBeta, DVD Internal, Abekas ClipStore

25HDX 53’ expando HD N Triax Euphonix System 5-B (22) 10 GV 11 Canon Chyron HyperX Senn, Sony, EV GV Kayenne, 4M/E 2 4-ch EVS XT2, 6-ch EVS XT2, 2 4-ch EVS XT RO, 2 XFile, DigiBeta, 2 BetaSP Internal, Abekas ClipStore

26HDX 53’ expando HD N Triax Euphonix System 5-B (22) 10 GV 11 Canon Chyron HyperX Senn, Sony, EV GV Kayenne, 4M/E 5 EVS Internal, Abekas ClipStore27HDX 53’ expando HD N Triax Euphonix System 5-B (24) 10 GV 11 Canon Chyron HyperX Senn, Sony, EV GV Kayenne, 4M/E 5 EVS Internal, Spotbox28HDX 53’ expando HD N Triax Euphonix System 5-B (24) 10 GV 11 Canon Chyron HyperX Senn, Sony, EV GV Kayenne, 4M/E 5 EVS Internal, Abekas ClipStore

29HDX 53’ expando HD N Triax Euphonix System 5-B (256, exp. to 340) 10 GV 11 Canon Chyron HyperX Senn, Sony, EV GV Kayenne, 4M/E 5 EVS Internal, Abekas ClipStore


mPs

MPS 1 48’ SD 16:9 N Triax Yamaha PM-3500 (48) 10 Sony 6 Canon, 4 Fujinon

Chyron Duet HyperX2 w/Cmix

EV, Sony, Shure, Senn, Rohde GV Kalypso, 4M/E 4-ch EVS, 4-ch EVS XT, 2 DigiBeta, 3

BetaSP, FFV GV Kalypso

MPS 3 28’ SD 16:9 N Triax Yamaha PM-2000 (48) 6 Sony 3 Canon, 3 Fujinon Chyron Duet HyperX2 EV, Sony, Shure, Senn,

Rohde GV Kalypso, 4M/E 2 4-ch EVS LSM, DigiBeta, 2 Beta SP, FFV GV Kalypso

MU 4 50’ expando SD 16:9 N Triax Yamaha PM4000 (56) 12 GV 6 Canon, 4 Fujinon


EV, Sony, Shure, Senn, Rohde GV Kalypso, 4M/E 6-ch EVS XT, 4-ch EVS XT2, XFile, 4

DigiBeta, 2 BetaSP, FFV GV Kalypso

MU 5 53’ expando SD 16:9 N Triax SSL Axiom MT+ (192) 10 Sony 6 Fujinon, 5 Canon Chyron Duet HyperX3 EV, Sony, Shure, Senn,

Rohde GV Kalypso, 4M/E 6-ch EVS XT, 4-ch EVS XT, XFile, 4 Digi Beta, 2 Beta SP, FFV GV Kalypso

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NCP II 53’ expando SD N Both Yamaha PM 5000 (52) 11 Ikegami 7 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E 6-ch EVS XT, 4-ch EVS HCT, FFV, 6 DigiBeta, 2 BetaSP As requested

NCP III 53’ expando HD Y Triax Calrec S (48) 10 GV 8 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 3M/E 3 4-ch EVS XT, 4-ch EVS RO, HDCAM, 2 DigiBeta As requested

NCP IV 53’ expando HD Y Both Calrec Sigma w/Bluefin (72) 12 Ikegami, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

2 6-ch EVS XT2 XT, 2 6-ch EVS XT2 RO, EVS XT2 SpotBox, 2 DigiBeta, BetaSP,

DVCPRO, Gig-E, Multicam 10As requested

NCP VII 53’ expando HD Y Triax Calrec Alpha (96) 12 GV, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E2 6-ch EVS XT2, 3 4-ch EVS RO XT2,

EVS SpotBox, 2 HD DVCPro, HDCAM 2 DigiBeta, Gig-E, Multicam 10

As requested

NCP VIII 53’ expando HD Y Both Calrec Alpha w/Bluefin (96) 12 Ikegami, 1 Sony 14 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E

6-ch EVS XT2, 4-ch EVS XT2, 3 4-ch EVS RO XT2, EVS XT2 SpotBox, DigiBeta,

DVCPRO, 2 HDCAM, Gig-E, Multicam 10

As requested

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lE MIRA M9HD 53’ expando HD N Both Calrec Sigma w/Bluefin (104 mono, 104 stereo) 10 Sony 12 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E 2 6-ch EVS XT2, 2 4-ch EVS XT2 RO, EVS

SpotBox, XFile, 1 DVCPRO, DigiBetaGV Kalypso w/Klip

Cache

MIRA M10 53’ expando SD N Triax Yamaha PM-4000 (56) 10 Ikegami 10 Fujinon Chyron LEX Senn, EV, Sony GV Kalypso, 4M/E 6-ch EVS XT, XFile, FFV, 4 DigiBeta, 2 BetaSP, 2 DVD


MIRA M11HD 53’ expando HD N Both Calrec Sigma w/Bluefin (104 mono, 104 stereo) 10 Sony 11 Fujinon Chyron HyperX3 Senn, Beyer, Shure, Sony GV Kalypso, 4M/E 2 6-ch EVS XT2+, 3 4-ch EVS XT2+ RO,

EVS SpotBox, XFile, 1 DVCPRO, DigiBetaGV Kalypso w/Klip

Cache

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2X 50’ expando SD N Triax Soundcraft Europa (48) 8 Sony 10 Canon Chyron LEX A-T, Senn, EV, Sony GV 3000, 3M/E 3 EVS, 3 BetaSP GV Kalypso

5HDX 53’ expando HD N Triax Soundcraft Series 5 (56) 10 GV 11 Canon Chyron HyperX, LEX A-T, Senn, EV, Sony GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch XT2, DigiBeta, 2 BetaSP


6HDX 53’ expando HD N Triax Soundcraft Series 5 (56) 10 GV 11 Canon Chyron HyperX, LEX A-T, Senn, EV, Sony GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch EVS XT2, 2 4-ch EVS XT RO, DigiBeta, 2 BetaSP


7HDX 53’ expando HD N Triax Euphonix System 5-B (96) 10 GV 11 Canon Chyron HyperX, LEX A-T, Senn GV XTEN DD, 4M/E 2 4-ch EVS XT, 6-ch EVS XT2, 4-ch EVS XT RO, DigiBeta, 2 BetaSP



Canon, 1 Angenieux

Chyron HyperX, LEX A-T, Senn GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch EVS XT2, 2 4-ch EVS XT RO, DigiBeta, 2 BetaSP



Canon, 1 Angenieux

Chyron HyperX, LEX A-T, Senn GV Kalypso, 4M/E 2 4-ch EVS XT, 4-ch EVS XT RO, 2 XFiles, DigiBeta, BetaSP






14D 53’ SD N Triax Yamaha PM 4000 (40) 8 Sony 9 Canon Chyron LEX Senn Sony DVS 7250, 3.5M/E EVS, 3 BetaSP Sony

16HDX 53’ expando HD N Triax Euphonix System 5-B (96) 10 GV 12 Canon 2 Chyron HyperX A-T, Senn, EV GV Kalypso, 4M/E 2 4-ch EVS XT2, 6-ch EVS XT2, 2 4-ch EVS XT RO, XFile, DigiBeta, 2 BetaSP


17HDX-S 40’ expando HD N Triax Yamaha PM 5000 (48) 6 GV 8 Canon Chyron HyperX Senn, Sony, EV GV Kayak-300, 3M/E 6-ch EVS XT, 6-ch EVS XT RO, DVD Internal, Abekas ClipStore18HDX-S 40’ expando HD N Triax Yamaha PM 5000 (48) 6 GV 8 Canon Chyron HyperX Senn, Sony, EV GV Kayak-300, 3M/E 6-ch EVS XT, 6-ch EVS XT RO, DVD Internal, Abekas ClipStore19HDX-S 40’ expando HD N Triax Yamaha PM 5000 (48) 6 GV 8 Canon Chyron HyperX Senn, Sony, EV GV Kayak-300, 3M/E 6-ch EVS XT, 6-ch EVS XT RO, DVD Internal, Abekas ClipStore

20HDX 53’ expando HD N Triax Euphonix System 5-B (96) 10 GV 12 Canon Chyron HyperX A-T, Senn, EV GV Kalypso, 4M/E 2 4-ch EVS XT, 6-ch EVS XT2, 4-ch EVS XT RO, DigiBeta, 2 BetaSP Internal, Abekas ClipStore

21HDX-S 48’ expando HD N Triax Euphonix Max Air (84) 8 GV 10 Canon Chyron HyperX Senn, Sony, EV GV Kalypso, 3M/E 6-ch EVS XT, 4-ch EVS XT, 4-ch EVS XT RO, BetaSP, DigiBeta, DVD Internal, Abekas ClipStore

22HDX-S 48’ expando HD N Triax Euphonix Max Air (108) 8 GV 12 Canon Chyron HyperX Senn, Sony, EV GV Kayak, 4.5M/E 2 4-ch EVS XT, 6-ch EVS XT2, 4-ch EVS XT RO, DigiBeta, 2 BetaSP, DVD Internal, Abekas ClipStore

23HDX-S 48’ expando HD N Triax Euphonix Max Air (108) 8 GV 9 Canon Chyron HyperX Senn, Sony, EV GV Kalypso, 3M/E 6-ch EVS XT, 4-ch EVS XT, 2 4-ch EVS XT RO, BetaSP, DVD Internal, Abekas ClipStore

PUMA HD 32’ expando HD N Triax Allen & Heath (40) 6 GV 5 Canon Chyron Duet Senn, Sony, EV GV Kayak 4-ch EVS XT, 4-ch EVS XT RO, BetaSP Internal, Abekas ClipStorePUMA Colorado 32’ expando SD N Triax Allen & Heath (40) 5 GV 5 Canon Chyron Duet Senn, Sony, EV GV Kayak 4-ch EVS, DVCAM, DVD Internal, Abekas ClipStore

24HDX 48’ expando HD N Triax Euphonix MaxAIR (108) 8 GV 9 Canon Chyron HyperX Senn, Sony, EV GV Kayak, 3.5M/E 6-ch EVS, 4-ch EVS, 4-ch EVS RO, XFile, BetaSP, DigiBeta, DVD Internal, Abekas ClipStore

25HDX 53’ expando HD N Triax Euphonix System 5-B (22) 10 GV 11 Canon Chyron HyperX Senn, Sony, EV GV Kayenne, 4M/E 2 4-ch EVS XT2, 6-ch EVS XT2, 2 4-ch EVS XT RO, 2 XFile, DigiBeta, 2 BetaSP Internal, Abekas ClipStore

26HDX 53’ expando HD N Triax Euphonix System 5-B (22) 10 GV 11 Canon Chyron HyperX Senn, Sony, EV GV Kayenne, 4M/E 5 EVS Internal, Abekas ClipStore27HDX 53’ expando HD N Triax Euphonix System 5-B (24) 10 GV 11 Canon Chyron HyperX Senn, Sony, EV GV Kayenne, 4M/E 5 EVS Internal, Spotbox28HDX 53’ expando HD N Triax Euphonix System 5-B (24) 10 GV 11 Canon Chyron HyperX Senn, Sony, EV GV Kayenne, 4M/E 5 EVS Internal, Abekas ClipStore



mPs

MPS 1 48’ SD 16:9 N Triax Yamaha PM-3500 (48) 10 Sony 6 Canon, 4 Fujinon


EV, Sony, Shure, Senn, Rohde GV Kalypso, 4M/E 4-ch EVS, 4-ch EVS XT, 2 DigiBeta, 3

BetaSP, FFV GV Kalypso

MPS 3 28’ SD 16:9 N Triax Yamaha PM-2000 (48) 6 Sony 3 Canon, 3 Fujinon Chyron Duet HyperX2 EV, Sony, Shure, Senn,

Rohde GV Kalypso, 4M/E 2 4-ch EVS LSM, DigiBeta, 2 Beta SP, FFV GV Kalypso

MU 4 50’ expando SD 16:9 N Triax Yamaha PM4000 (56) 12 GV 6 Canon, 4 Fujinon


EV, Sony, Shure, Senn, Rohde GV Kalypso, 4M/E 6-ch EVS XT, 4-ch EVS XT2, XFile, 4

DigiBeta, 2 BetaSP, FFV GV Kalypso

MU 5 53’ expando SD 16:9 N Triax SSL Axiom MT+ (192) 10 Sony 6 Fujinon, 5 Canon Chyron Duet HyperX3 EV, Sony, Shure, Senn,

Rohde GV Kalypso, 4M/E 6-ch EVS XT, 4-ch EVS XT, XFile, 4 Digi Beta, 2 Beta SP, FFV GV Kalypso

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NCP II 53’ expando SD N Both Yamaha PM 5000 (52) 11 Ikegami 7 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E 6-ch EVS XT, 4-ch EVS HCT, FFV, 6 DigiBeta, 2 BetaSP As requested

NCP III 53’ expando HD Y Triax Calrec S (48) 10 GV 8 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 3M/E 3 4-ch EVS XT, 4-ch EVS RO, HDCAM, 2 DigiBeta As requested

NCP IV 53’ expando HD Y Both Calrec Sigma w/Bluefin (72) 12 Ikegami, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

2 6-ch EVS XT2 XT, 2 6-ch EVS XT2 RO, EVS XT2 SpotBox, 2 DigiBeta, BetaSP,

DVCPRO, Gig-E, Multicam 10As requested

NCP VII 53’ expando HD Y Triax Calrec Alpha (96) 12 GV, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E2 6-ch EVS XT2, 3 4-ch EVS RO XT2,

EVS SpotBox, 2 HD DVCPro, HDCAM 2 DigiBeta, Gig-E, Multicam 10

As requested

NCP VIII 53’ expando HD Y Both Calrec Alpha w/Bluefin (96) 12 Ikegami, 1 Sony 14 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E

6-ch EVS XT2, 4-ch EVS XT2, 3 4-ch EVS RO XT2, EVS XT2 SpotBox, DigiBeta,

DVCPRO, 2 HDCAM, Gig-E, Multicam 10

As requested

Gear

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PNCP IX 53’ expando SD N Triax Yamaha PM1D (48) 9 Sony 9 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 6-ch EVS XT, 4-ch EVS XT, 4 DigiBeta, 1

BetaSP, FF As requested

NCP X 53’ expando HD Y Triax Calrec Alpha w/Bluefin (96) 16 GV, 1 Panasonic 18 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E3 6-ch EVS XT2, 4 6-ch EVS XT2,

6-ch EVS XT2 SpotBox, 2 DigiBeta, 2 DVCPRO, Gig-E, Multicam 10

As requested

NCP XI 53’ expando HD Y Both Calrec Sigma w/Bluefin (72) 10 Ikegami 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E2 6-ch EVS XT2, 3 4-ch EVS RO XT2, EVS

SpotBox, DVCPRO, 2 DigiBeta, Gig-E, Multicam 10

As requested

NCP XII 53’ expando HD Y Triax SSL C100 (92) 10 Sony 12 Canon As requested Senn, EV, Sony Sony MVS8000, 4M/E2 6-ch EVS XT2, 3 4-ch EVS XT2 RO,

EVS XT2 SpotBox, XDCAM, 2 DigiBeta, 2 BetaSP

As requested

NCP XIV 53’ expando HD Y Both Calrec Sigma w/Bluefin (72) 10 Ikegami, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

2 6-ch EVS XT2, 2 6-ch EVS RO XT2, EVS XT2 SpotBox, 2 HDCAM, XDCAM,

DigiBeta, Gig-E, Multicam 10As requested

nEP

ND-2 53’ expando HD N Both Calrec Q2 (120) Up to 14 Sony 10 Canon As requested Senn, Sony, EV, Shure, Sanken GV Kalypso, 4M/E Wired for 8 VTR and 4 EVS as requested As requested

ND-3 53’ expando twin HD N Both Calrec Alpha w/Bluefin (86) 23 Sony 22 Canon As requested Senn, Sony, EV, Shure Sony MVS-8000A, 4M/E

6 6-ch EVS XT2, 4-ch EVS XT2, 2 EVS XT2 with Super Motion, EVS SpotBox,

EVS Sport Net Hub, DigiBeta, 3 HDCAM SRW, 2 HDCAM

As requested

ND-4 53’ expando twin HD N Both Calrec Alpha w/Bluefin (86) 14 Sony 16 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E6 6-ch EVS XT2, EVS SpotBox, EVS Sport Net Hub, DigiBeta, 3 HDCAM, HDCAM

SRWAs requested

Red & Black 53’ expando twin HD N Triax Calrec Alpha w/Bluefin (86) 11 Sony 13 Fujinon As requested Senn, Sony, EV, Shure GV Kayenne 4M/E 2 6-ch EVS XT2, 4 EVS XT2, SpotBox, Sports Net Hub, 8 HDCAM, 2 SRW As requested

SS10 53’ expando twin HD N Both Calrec Alpha w/Bluefin (96) 22 Sony 26 Fujinon As requested Senn, Sony, EV, Shure Sony MVS-8000, 3.5M/E4 6-ch EVS XT2, 2 6ch EVS XT2 Super

Motion, Sports Net Hub, EVS SpotBox, 2 DigiBeta, 3 HDCAM SRW, 2 DVCPRO

As requested

SS11 53’ expando HD N Both Calrec Omega w/Bluefin (64) 10 Sony 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E3 6-ch EVS XT2, 4-ch EVS XT2 RO, EVS XT2 SpotBox, Sport Net Hub, DigiBeta,

DVCPRO, 2 HDCAMAs requested

SS14 53’ expando HD N Triax Calrec Alpha (48) 10 GV 11 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 2 6-ch, 2 4-ch EVS XT2, EVS XT2, EVS SpotBox, DigiBeta, 2 HD Cam As requested

SS16 53’ expando with B unit HD N Triax Calrec Sigma w/Bluefin (64) 10 Sony 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT2, EVS SpotBox, Sport Net

Hub, 2 HD Cam, DVC Pro, DigiBeta As requested

SS17 53’ expando HD N Both Calrec Sigma w/Bluefin (64) 10 Ikegami 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E2 6-ch EVS XT2, 2 4-ch EVS XT2, EVS

SpotBox, DigiBeta, 5 HDCAM, HDCAM SRW

As requested

SS18 53’ expando HD N Triax Calrec Sigma w/Bluefin (64) 11 GV 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT2, EVS SpotBox, DigiBeta As requested

SS19 53’ expando HD N Both Calrec Sigma w/Bluefin (64) 10 Sony 9 Canon, 2 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

3 6-ch EVS XT2, 4-ch EVS XT2, EVS SpotBox, Sport Net Hub, DigiBeta, 2

DVCPRO, HDCAM, SRWAs requested

SS20 53’ expando HD N Triax Calrec Sigma w/Bluefin (64) 12 Sony 10 Canon, 2 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

5 6-ch EVS XT2, 4-ch EVS XT2, EVS SpotBox, Sport Net Hub, DigiBeta,

DVCPRO, HD Cam, SRWAs requested

SS21 53’ expando twin HD N Both Calrec Alpha w/Bluefin (86) 15 Sony, 5 GV 19 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E 12 6-ch EVS XT2, Sport Net Hub, EVS SpotBox, DigiBeta, DVCPRO, SRW As requested

SS22 53’ expando HD N Both Calrec Apollo w/Bluefin 12 Sony 13 Canon As requested GV Kalypso, 7M/E 5 6-ch EVS XT2, EVS Sport Box, Sport Net Hub, HD Cam, DVC Pro, DigiBeta As requested

SS24 53’ expando twin HD N Both Calrec Alpha w/Bluefin (86) 15 Sony 18 Canon As requested Senn, Sony, EV, Shure Sony MVS-8000, 3.5M/E6 6-ch EVS XT2, 2 DigiBeta, 2 EVS

SpotBox, Sport Net Hub, 3 HDCAM, HDCAM SRW, DVC Pro

As requested

SS23 53’ expando with B unit HD N Triax Calrec Alpha (64) 10 GV 13 Fujinon As requested Senn, Sony, EV GV Kalypso, 4M/E

2 6-ch EVS XT2, 2 4-ch EVS XT2 RO, EVS Spotbox, Sport Net Hub, 2 DVCPRO,

HDCAM, DigiBetaAs requested

SS2553’ expando twin

with carry-all truck

HD N Both Calrec Alpha w/Bluefin (86) 15 GV, 1 Panasonic 15 Canon, 2 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

8 EVS XT2, EVS XT2 Super Motion, EVS SpotBox,Sport Net Hub, DigiBeta, 2

DVCPROAs requested

SS28 53’ expando with B unit HD N Triax Calrec Sigma w/Bluefin (64) 10 GV 10 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 2 6-ch EVS XT2, 3 4-ch EVS XT2, EVS

SpotBox, 2 DigiBeta, DVCPRO, HDCAM As requested

SS29 53’ expando twin HD N Both Calrec Artemis (60) 10 Sony, 2 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kayenne, 4M/E

3 6-ch EVS XT2, 2 6-ch EVS XT2 RO, EVS SpotBox, Sport Net Hub, DigiBeta, 2

DVCPROAs requested

SS31 53’ expando 3D N Both Calrec Q2 (60) Up to 8 Sony 3D As requested As requested As requested Sony MVS-8000X, 4M/E Wired for 6 EVS XT2 and 10 tape

machines, as requested As requested

SS32 53’ expando 3D Y Both Calrec Alpha w/Blufin (72) Up to 8 Sony 3D As requested As requested As requested Sony MVS-8000A, 4M/E

5 6-ch ECS XT2+, 6-ch EVS XT2+, Spot Box, 3 SRW dual stream, DVC Pro, 2

Blu-rayAs requested

SS4 52’ expando SD N Both Calrec S2 (60) 12 Sony 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT, EVS XT, SpotBox, 4 DigiBeta As requested

Gearbase


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NCP IX 53’ expando SD N Triax Yamaha PM1D (48) 9 Sony 9 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 6-ch EVS XT, 4-ch EVS XT, 4 DigiBeta, 1 BetaSP, FF As requested

NCP X 53’ expando HD Y Triax Calrec Alpha w/Bluefin (96) 16 GV, 1 Panasonic 18 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E3 6-ch EVS XT2, 4 6-ch EVS XT2,

6-ch EVS XT2 SpotBox, 2 DigiBeta, 2 DVCPRO, Gig-E, Multicam 10

As requested

NCP XI 53’ expando HD Y Both Calrec Sigma w/Bluefin (72) 10 Ikegami 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E2 6-ch EVS XT2, 3 4-ch EVS RO XT2, EVS

SpotBox, DVCPRO, 2 DigiBeta, Gig-E, Multicam 10

As requested

NCP XII 53’ expando HD Y Triax SSL C100 (92) 10 Sony 12 Canon As requested Senn, EV, Sony Sony MVS8000, 4M/E2 6-ch EVS XT2, 3 4-ch EVS XT2 RO,

EVS XT2 SpotBox, XDCAM, 2 DigiBeta, 2 BetaSP

As requested

NCP XIV 53’ expando HD Y Both Calrec Sigma w/Bluefin (72) 10 Ikegami, 1 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

2 6-ch EVS XT2, 2 6-ch EVS RO XT2, EVS XT2 SpotBox, 2 HDCAM, XDCAM,

DigiBeta, Gig-E, Multicam 10As requested

nEP

ND-2 53’ expando HD N Both Calrec Q2 (120) Up to 14 Sony 10 Canon As requested Senn, Sony, EV, Shure, Sanken GV Kalypso, 4M/E Wired for 8 VTR and 4 EVS as requested As requested

ND-3 53’ expando twin HD N Both Calrec Alpha w/Bluefin (86) 23 Sony 22 Canon As requested Senn, Sony, EV, Shure Sony MVS-8000A, 4M/E

6 6-ch EVS XT2, 4-ch EVS XT2, 2 EVS XT2 with Super Motion, EVS SpotBox,

EVS Sport Net Hub, DigiBeta, 3 HDCAM SRW, 2 HDCAM

As requested

ND-4 53’ expando twin HD N Both Calrec Alpha w/Bluefin (86) 14 Sony 16 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E6 6-ch EVS XT2, EVS SpotBox, EVS Sport Net Hub, DigiBeta, 3 HDCAM, HDCAM

SRWAs requested

Red & Black 53’ expando twin HD N Triax Calrec Alpha w/Bluefin (86) 11 Sony 13 Fujinon As requested Senn, Sony, EV, Shure GV Kayenne 4M/E 2 6-ch EVS XT2, 4 EVS XT2, SpotBox, Sports Net Hub, 8 HDCAM, 2 SRW As requested

SS10 53’ expando twin HD N Both Calrec Alpha w/Bluefin (96) 22 Sony 26 Fujinon As requested Senn, Sony, EV, Shure Sony MVS-8000, 3.5M/E4 6-ch EVS XT2, 2 6ch EVS XT2 Super

Motion, Sports Net Hub, EVS SpotBox, 2 DigiBeta, 3 HDCAM SRW, 2 DVCPRO

As requested

SS11 53’ expando HD N Both Calrec Omega w/Bluefin (64) 10 Sony 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E3 6-ch EVS XT2, 4-ch EVS XT2 RO, EVS XT2 SpotBox, Sport Net Hub, DigiBeta,

DVCPRO, 2 HDCAMAs requested

SS14 53’ expando HD N Triax Calrec Alpha (48) 10 GV 11 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 2 6-ch, 2 4-ch EVS XT2, EVS XT2, EVS SpotBox, DigiBeta, 2 HD Cam As requested

SS16 53’ expando with B unit HD N Triax Calrec Sigma w/Bluefin (64) 10 Sony 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT2, EVS SpotBox, Sport Net

Hub, 2 HD Cam, DVC Pro, DigiBeta As requested

SS17 53’ expando HD N Both Calrec Sigma w/Bluefin (64) 10 Ikegami 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E2 6-ch EVS XT2, 2 4-ch EVS XT2, EVS

SpotBox, DigiBeta, 5 HDCAM, HDCAM SRW

As requested

SS18 53’ expando HD N Triax Calrec Sigma w/Bluefin (64) 11 GV 11 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 4 6-ch EVS XT2, EVS SpotBox, DigiBeta As requested

SS19 53’ expando HD N Both Calrec Sigma w/Bluefin (64) 10 Sony 9 Canon, 2 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

3 6-ch EVS XT2, 4-ch EVS XT2, EVS SpotBox, Sport Net Hub, DigiBeta, 2

DVCPRO, HDCAM, SRWAs requested

SS20 53’ expando HD N Triax Calrec Sigma w/Bluefin (64) 12 Sony 10 Canon, 2 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

5 6-ch EVS XT2, 4-ch EVS XT2, EVS SpotBox, Sport Net Hub, DigiBeta,

DVCPRO, HD Cam, SRWAs requested

SS21 53’ expando twin HD N Both Calrec Alpha w/Bluefin (86) 15 Sony, 5 GV 19 Canon As requested Senn, Sony, EV, Shure GV Kalypso Duo, 4M/E 12 6-ch EVS XT2, Sport Net Hub, EVS SpotBox, DigiBeta, DVCPRO, SRW As requested

SS22 53’ expando HD N Both Calrec Apollo w/Bluefin 12 Sony 13 Canon As requested GV Kalypso, 7M/E 5 6-ch EVS XT2, EVS Sport Box, Sport Net Hub, HD Cam, DVC Pro, DigiBeta As requested

SS24 53’ expando twin HD N Both Calrec Alpha w/Bluefin (86) 15 Sony 18 Canon As requested Senn, Sony, EV, Shure Sony MVS-8000, 3.5M/E6 6-ch EVS XT2, 2 DigiBeta, 2 EVS

SpotBox, Sport Net Hub, 3 HDCAM, HDCAM SRW, DVC Pro

As requested

SS23 53’ expando with B unit HD N Triax Calrec Alpha (64) 10 GV 13 Fujinon As requested Senn, Sony, EV GV Kalypso, 4M/E

2 6-ch EVS XT2, 2 4-ch EVS XT2 RO, EVS Spotbox, Sport Net Hub, 2 DVCPRO,

HDCAM, DigiBetaAs requested

SS2553’ expando twin

with carry-all truck

HD N Both Calrec Alpha w/Bluefin (86) 15 GV, 1 Panasonic 15 Canon, 2 Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

8 EVS XT2, EVS XT2 Super Motion, EVS SpotBox,Sport Net Hub, DigiBeta, 2

DVCPROAs requested

SS28 53’ expando with B unit HD N Triax Calrec Sigma w/Bluefin (64) 10 GV 10 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 2 6-ch EVS XT2, 3 4-ch EVS XT2, EVS

SpotBox, 2 DigiBeta, DVCPRO, HDCAM As requested

SS29 53’ expando twin HD N Both Calrec Artemis (60) 10 Sony, 2 Panasonic 13 Canon As requested Senn, Sony, EV, Shure GV Kayenne, 4M/E

3 6-ch EVS XT2, 2 6-ch EVS XT2 RO, EVS SpotBox, Sport Net Hub, DigiBeta, 2

DVCPROAs requested

SS31 53’ expando 3D N Both Calrec Q2 (60) Up to 8 Sony 3D As requested As requested As requested Sony MVS-8000X, 4M/E Wired for 6 EVS XT2 and 10 tape

machines, as requested As requested

SS32 53’ expando 3D Y Both Calrec Alpha w/Blufin (72) Up to 8 Sony 3D As requested As requested As requested Sony MVS-8000A, 4M/E

5 6-ch ECS XT2+, 6-ch EVS XT2+, Spot Box, 3 SRW dual stream, DVC Pro, 2

Blu-rayAs requested


Gear

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SS2 48’ expando SD N Both Yamaha PM 4000-48C (44) 13 Ikegami 15 Canon, 1 Fujinon As requested Senn, Sony, EV, Shure GV 4000, 3.5M/E 7 DigiBeta, BetaSP As requested


SS7 52’ expando SD N Both Calrec S2 (60) 12 Sony 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 3 6-ch EVS XT, EVS SpotBox, 6 DigiBeta As requested

SS9 53’ expando twin HD N Triax Calrec Sigma w/Bluefin (64) 10 GV 11 Fujinon, 1 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS XT RO, EVS SpotBox, DigiBeta,

HDCAMAs requested

nEP

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Ali Gold 53’ expando SD N Both Calrec Q2 (120) 12 Sony Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E Up to 20 on request As requested

California 53’ expando HD N Both Calrec Apollo (144) up to 16 Sony As requested As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E Up to 16 VTRs and 5 servers on request As requested

Summit 53’ expando twin HD N Both Calrec Alpha w/Bluefin (96) up to 24 Sony2 Canon, up to 20 Fujinon

As requested Senn, Sony, EV, Shure GV Kalypso Duo HD, 4M/E 20 VT or 7 EVS on request, 2 EVS SpotBox As requested

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sT Prodigy 40’ HD N Triax Yamaha M7 (48) 8 Sony 7 Canon, 1 Fujinon Chyron HyperX2 Senn, Sony, EV Sony MVS-8000, 2.5 M/E 2 6-ch EVS XT[2] LSM, HDCAM,

DVCPro, KiPro, DVDSony MVS-8000, Abekas Clipstore

Maestro 40’ expando HD N Triax Calrec Omega (112) 10 Sony 9 Canon, 1 Fujinon Chyron HyperX2 Senn, Sony, EV GV Kalypso, 4 M/E 2 6-ch EVS XT[2] LSM, HDCAM,

Digibeta DVCPro, KiPro, DVDGV Kalypso,

Abekas Clipstore

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s HD1 53’ expando HD/SD Y Both Calrec Omega Audio Console w/Bluefin (48) 12 Sony 10 Canon Chryon Duet HyperX3

HD/SD Senn, A-T GV Kayenne HD, 4M/E 2 6-ch EVS XT2+, 2 4-ch EVS RO XT2+, 4-ch EVS Spotbox, EVS XFile As requested

R4 51’ SD N Triax Yamaha PM 4000 (48) 8 Ikegami 2 Canon, 6 Canon

Chyron Duet Hyper X2 HD/SD Senn, Sony, Shure GV 3000-3T, 3M/E 2 EVS 4 Ch. XT2+, 1 EVS 4 Ch. RO Abekas

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SSM 1 53’ SD N Triax Yamaha PM 3500 (48) 6 Sony 4 Canon Chyron LEX, Infinit Senn, A-T, EV GV 3000, 3M/E 5 BetaSP, FFV Abekas

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ExpandoLink 40’ combo/expandable SD N Triax Allen & Heath ML4000 (40) 8 Sony 8 Canon Chyron Duet Senn, Sony DVS 7350, 3.5M/E EVS XT, 6 BVW-D75, DVW-500, Doremi Sony

HDLA 40’ combo/expandable HD Y Both Calrec Zeta (56) 7 Sony 4 Canon Chyron HyperX2 Senn, Sony Sony MVS 8000, 4M/E EVS XT2 HD, XFile, 2 HDW-S2000

HD Link 32’ combo HD/SD Y Triax Yamaha 02R96 (24) None None Chyron Max Senn, Sony Sony MFS-2000, 1.5M/E Sony BVW-75, Sony BVW-D75, 2 Sony PVW-2800

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Hollywood 50’ expando HD N Triax PM 4000 44 (analog) 7 GV8

Angenieux, 2 Canon

Chyron HyperX EV, Shure, Senn GVG Kayenne 3M/E 6-ch EVS,4-ch EVS, Spotbox, XFile, 2 DigiBeta

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Hiawatha 53’ HD N Triax Calrec w/Bluefin (56) 8 GV 10 Angenieux Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E

6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS XT2 RO, XFile2, SpotBox, NetGuard Hub,

BetaSP, DigiBeta, DVCPRO, HDCAMGV Kalypso

Chippewa 48’ expando SD N Triax Yamaha PM 4000 (52) 12 Sony 12 Fujinon Chyron HyperX Senn, A-T, Sony, Shure GV Kalypso, 4M/E6-ch EVS XT, 4-ch EVS XT, 4-ch EVS

XT RO, EVS X-File, 2 DigiBeta, BetaSP, 5 DigiBeta, 3 DVD, FF Lane Control

GV Kalypso

Varsity 53’ expando HD N Triax Calrec Sigma w/Bluefin (80) 10 GV15

Angenieux, 1 Fujinon

Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E6-ch EVS XT2, 4-ch EVS XT2, EVS XT2

RO, XFile2, SpotBox, Sport Hub 2, BetaSP, DigiBeta, DVCPRO, HDCAM

GV Kalypso

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Tango 53’ expando HD N Triax Calrec Alpha 100 (88) 12 GV 12 Fujinon Chyron HyperX3 Senn, Sony, Shure GV Kalypso, 4M/E 2 6-ch EVS XT2, 2 4-ch EVS XT2 RO, SpotBox GV Kalypso

Rhythm 53’ expando HD N Triax Calrec Sigma 100 w/Bluefin (212) 9 GV 9 Fujinon Chyron HyperX3 Senn, Sony, Shure GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch EVS XT2, 4-ch RO XT2, SpotBox GV Kalypso

Phoenix 53’ expando HD N Triax Calrec Sigma (62) 9 GV 9 Fujinon Chyron HyperX3 Senn, Sony, Shure GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch EVS XT2+, 4-ch RO XT2+, SpotBox GV Kalypso

Tempo 48’ expando HD N Triax Calrec Omega w/BlueFin (112) 9 GV 9 Canon Chyron HyperX3 Senn, Sony, Shure GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch EVS XT2, 4-ch RO XT2, SpotBox GV Kalypso

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TS1 53’ expando HD Y Both Calrec Alpha w/Bluefin (318) 12 Ikegami 13 Canon Chyron HyperX3 Senn, Sony, Neumann, Sanken GV Kalypso, 4M/E 2 6-ch EVS XT, 2 4-ch EVS XT, 2 DigiBeta,

3 HDCAM Kalypso internal



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HD1 53’ expando HD N Both Calrec Sigma w/Bluefin (64) 9 Ikegami 10 Fujinon Chyron HyperX3 Standard audio GV Kalypso Duo HD6-ch EVS XT2, 4-ch EVS XT2, 2 EVS XT2 RO, 4-ch EVS XS SpotBox, XNet, XFile,

XHub, HDCAM, DigiBeta, FFV GV Kalypso

HD2 53’ expando HD N Both Calrec Omega w/Bluefin (56) 8 Ikegami 8 Fujinon Chyron HyperX3 Standard audio GV Kalypso Duo HD6-ch EVS XT2, 4-ch EVS XT2, 2 EVS XT2 RO, 4-ch EVS XS SpotBox, XNet, XFile, XHub, HDCAM, DigiBeta, BetaSP, FFV

GV Kalypso

Gearbase


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SS2 48’ expando SD N Both Yamaha PM 4000-48C (44) 13 Ikegami 15 Canon, 1 Fujinon As requested Senn, Sony, EV, Shure GV 4000, 3.5M/E 7 DigiBeta, BetaSP As requested


SS7 52’ expando SD N Both Calrec S2 (60) 12 Sony 13 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E 3 6-ch EVS XT, EVS SpotBox, 6 DigiBeta As requested

SS9 53’ expando twin HD N Triax Calrec Sigma w/Bluefin (64) 10 GV 11 Fujinon, 1 Canon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E

2 6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS XT RO, EVS SpotBox, DigiBeta,

HDCAMAs requested

nEP

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Ali Gold 53’ expando SD N Both Calrec Q2 (120) 12 Sony Fujinon As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E Up to 20 on request As requested

California 53’ expando HD N Both Calrec Apollo (144) up to 16 Sony As requested As requested Senn, Sony, EV, Shure GV Kalypso, 4M/E Up to 16 VTRs and 5 servers on request As requested

Summit 53’ expando twin HD N Both Calrec Alpha w/Bluefin (96) up to 24 Sony2 Canon, up to 20 Fujinon

As requested Senn, Sony, EV, Shure GV Kalypso Duo HD, 4M/E 20 VT or 7 EVS on request, 2 EVS SpotBox As requested

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sT Prodigy 40’ HD N Triax Yamaha M7 (48) 8 Sony 7 Canon, 1 Fujinon Chyron HyperX2 Senn, Sony, EV Sony MVS-8000, 2.5 M/E 2 6-ch EVS XT[2] LSM, HDCAM,

DVCPro, KiPro, DVDSony MVS-8000, Abekas Clipstore

Maestro 40’ expando HD N Triax Calrec Omega (112) 10 Sony 9 Canon, 1 Fujinon Chyron HyperX2 Senn, Sony, EV GV Kalypso, 4 M/E 2 6-ch EVS XT[2] LSM, HDCAM,

Digibeta DVCPro, KiPro, DVDGV Kalypso,

Abekas Clipstore

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s HD1 53’ expando HD/SD Y Both Calrec Omega Audio Console w/Bluefin (48) 12 Sony 10 Canon Chryon Duet HyperX3

HD/SD Senn, A-T GV Kayenne HD, 4M/E 2 6-ch EVS XT2+, 2 4-ch EVS RO XT2+, 4-ch EVS Spotbox, EVS XFile As requested

R4 51’ SD N Triax Yamaha PM 4000 (48) 8 Ikegami 2 Canon, 6 Canon

Chyron Duet Hyper X2 HD/SD Senn, Sony, Shure GV 3000-3T, 3M/E 2 EVS 4 Ch. XT2+, 1 EVS 4 Ch. RO Abekas

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SSM 1 53’ SD N Triax Yamaha PM 3500 (48) 6 Sony 4 Canon Chyron LEX, Infinit Senn, A-T, EV GV 3000, 3M/E 5 BetaSP, FFV Abekas

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ExpandoLink 40’ combo/expandable SD N Triax Allen & Heath ML4000 (40) 8 Sony 8 Canon Chyron Duet Senn, Sony DVS 7350, 3.5M/E EVS XT, 6 BVW-D75, DVW-500, Doremi Sony

HDLA 40’ combo/expandable HD Y Both Calrec Zeta (56) 7 Sony 4 Canon Chyron HyperX2 Senn, Sony Sony MVS 8000, 4M/E EVS XT2 HD, XFile, 2 HDW-S2000

HD Link 32’ combo HD/SD Y Triax Yamaha 02R96 (24) None None Chyron Max Senn, Sony Sony MFS-2000, 1.5M/E Sony BVW-75, Sony BVW-D75, 2 Sony PVW-2800

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Hollywood 50’ expando HD N Triax PM 4000 44 (analog) 7 GV8

Angenieux, 2 Canon

Chyron HyperX EV, Shure, Senn GVG Kayenne 3M/E 6-ch EVS,4-ch EVS, Spotbox, XFile, 2 DigiBeta

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Hiawatha 53’ HD N Triax Calrec w/Bluefin (56) 8 GV 10 Angenieux Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E

6-ch EVS XT2, 4-ch EVS XT2, 4-ch EVS XT2 RO, XFile2, SpotBox, NetGuard Hub,

BetaSP, DigiBeta, DVCPRO, HDCAMGV Kalypso

Chippewa 48’ expando SD N Triax Yamaha PM 4000 (52) 12 Sony 12 Fujinon Chyron HyperX Senn, A-T, Sony, Shure GV Kalypso, 4M/E6-ch EVS XT, 4-ch EVS XT, 4-ch EVS

XT RO, EVS X-File, 2 DigiBeta, BetaSP, 5 DigiBeta, 3 DVD, FF Lane Control

GV Kalypso

Varsity 53’ expando HD N Triax Calrec Sigma w/Bluefin (80) 10 GV15

Angenieux, 1 Fujinon

Chyron HyperX3 Senn, Shure, Sony GV Kalypso, 4M/E6-ch EVS XT2, 4-ch EVS XT2, EVS XT2

RO, XFile2, SpotBox, Sport Hub 2, BetaSP, DigiBeta, DVCPRO, HDCAM

GV Kalypso

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Tango 53’ expando HD N Triax Calrec Alpha 100 (88) 12 GV 12 Fujinon Chyron HyperX3 Senn, Sony, Shure GV Kalypso, 4M/E 2 6-ch EVS XT2, 2 4-ch EVS XT2 RO, SpotBox GV Kalypso

Rhythm 53’ expando HD N Triax Calrec Sigma 100 w/Bluefin (212) 9 GV 9 Fujinon Chyron HyperX3 Senn, Sony, Shure GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch EVS XT2, 4-ch RO XT2, SpotBox GV Kalypso

Phoenix 53’ expando HD N Triax Calrec Sigma (62) 9 GV 9 Fujinon Chyron HyperX3 Senn, Sony, Shure GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch EVS XT2+, 4-ch RO XT2+, SpotBox GV Kalypso

Tempo 48’ expando HD N Triax Calrec Omega w/BlueFin (112) 9 GV 9 Canon Chyron HyperX3 Senn, Sony, Shure GV Kalypso, 4M/E 6-ch EVS XT2, 4-ch EVS XT2, 4-ch RO XT2, SpotBox GV Kalypso

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HD1 53’ expando HD N Both Calrec Sigma w/Bluefin (64) 9 Ikegami 10 Fujinon Chyron HyperX3 Standard audio GV Kalypso Duo HD6-ch EVS XT2, 4-ch EVS XT2, 2 EVS XT2 RO, 4-ch EVS XS SpotBox, XNet, XFile,

XHub, HDCAM, DigiBeta, FFV GV Kalypso

HD2 53’ expando HD N Both Calrec Omega w/Bluefin (56) 8 Ikegami 8 Fujinon Chyron HyperX3 Standard audio GV Kalypso Duo HD6-ch EVS XT2, 4-ch EVS XT2, 2 EVS XT2 RO, 4-ch EVS XS SpotBox, XNet, XFile, XHub, HDCAM, DigiBeta, BetaSP, FFV

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246 mobile sports production Yearbook 2012

3ality technica 81 Corporate Steve Schklair [email protected] 818-333-3000abekas 19 Premier Junaid Sheikh [email protected] 650-470-0903active storage 177 Corporate Jeff Lowe [email protected] 310-212-5248adobe systems 178 Corporate Anita Engelman [email protected] 408-536-2327adtec digital 39 Premier Kevin Ancelin [email protected] 904-720-2003aerial video systems 195 Mobile Argyle Nelson [email protected] 818-954-8842aJa video systems 117 Corporate Shea Byrnes [email protected] 415-834-5675all mobile video 244 Mobile Eric Duke [email protected] 212-727-9862alliance Productions 186 Mobile Craig Farrell [email protected] 501-219-2653alPha video 197 Mobile Jeffrey Volk [email protected] 952-841-3311amberfin 58 Corporate Geoff Bowen [email protected] 818-768-8948arctek satellite Productions 205 Mobile Brian Stanley [email protected] 612-308-9079

arqiva 66 Corporate Simon Thrush [email protected] 202-728-8615artel video systems 91 Corporate Richard Dellacanonica [email protected] 978-795-4914asPera 56 Premier Michelle Munson [email protected] 510-849-2386ateme 150 Corporate Pierre Lauzon [email protected] 514-907-1351audio-technica 151 Corporate Mike Edwards [email protected] 330-686-2600avid 32 Platinum Mary Stevens [email protected] 650-731-6627axis global logistics 102 Corporate Brian Harvey [email protected] 718-906-2866axon digital 143 Corporate John Carapella [email protected] 866-757-9890azzurro system integration 202 Mobile Francis Luperella [email protected] 201-784-2020

the studio - b&h 11 Premier Michael Kolat [email protected] 212-239-7500beck associates 249 Mobile Fred Wright [email protected] 512-252-7555bexel 4 Platinum Lee Estroff [email protected] 770-448-8522blackmagic design 9 Platinum Mel Atherton [email protected] [61] 3 9682 4770broadcast Pix 61 Corporate Arco Groenenberg [email protected] 415-310-2646broadcast services int’l. 193 Mobile Brooke Eady [email protected] 905-332-2171

broadcast sPorts 145 Corporate Peter Larsson [email protected] 443-831-1296calrec audio 55 Premier Kevin Emmott [email protected] [44] 1422 842159canon broadcast 15 Platinum Rich Eilers [email protected] 201-807-3342cat entertainment services 217 Mobile Phil Wessels [email protected] 904-494-7550

cbc mobile Productions 187 Mobile Dale Smith [email protected] 416-205-6513

cbt systems 199 Mobile Darrell Wenhardt [email protected] 858-536-2927chyron 29 Premier Bonnie Barclay [email protected] 631-845-2179cisco 34 Premier Michael Caponigro [email protected] 408-527-6111civolution 89 Corporate Emmanuel Josserand [email protected] [44] 20 7845 7371clear-com - a hme comPany 157 Corporate Judy Cheng [email protected] 510-337-6676

coastal media grouP 182 Mobile Bob Adler [email protected] 818-880-9800cobalt digital 83 Premier Bob McAlpine [email protected] 631-651-2713comcast media center 137 Corporate Jeff Rohr [email protected] 303-486-3811

communications engineering inc. 165 Mobile Phil Whitebloom [email protected] 703-550-5800

corPlex 229 Mobile Scott West [email protected] 847-457-1430cP communications 225 Mobile Kurt Heitmann [email protected] 914-345-9292crosscreek 247 Mobile Spruce McRee [email protected] 205-663-4411crown castle 135 Corporate Sandy deSosta [email protected] 724-416-2444csP mobile 218 Mobile Len Chase [email protected] 207-282-9680dale Pro audio 114 Corporate Tim Finnegan [email protected] 212-475-1124

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dalet digital media systems 95 Corporate Raoul Cospen [email protected] [33] 1 41 27 67 53

digico 14 Premier Jack Kelly [email protected] 516-249-1399diversified systems 126 Mobile Fred D’Alessandro [email protected] 908-245-4833dolby 124 Corporate Dale Schweppe [email protected] 415-558-0158dome Productions 220 Mobile Mary Ellen Carlyle [email protected] 416-341-2022dtags 185 Mobile Sheila Smith [email protected] 918-398-0061dts 5 Platinum Mark Seigle [email protected] 425-522-0709echostar 167 Corporate Kathryn Miller [email protected] 303-706-4833editshare 181 Corporate Andy Liebman [email protected] 617-782-0479elemental technologies 27 Premier Keith Wymbs [email protected] 503-222-3212

encomPass digital 63 Corporate Don Gabriel [email protected] 678-421-6762ensemble design 43 Premier Cindy Zuelsdorf [email protected] 530-478-8328ericsson television inc. 149 Corporate Ed Giovannini [email protected] 203-268-1335

eurovision 72 Corporate Jim Scott [email protected] 973-764-5234evertz 71 Premier Joe Cirincione [email protected] 818-558-3910evs 121 Corporate Greg Macchia [email protected] 973-575-2111f&f Productions 232 Mobile George Orgera [email protected] 727-535-9595filmwerks int’l. 214 Mobile Mike Satrazemis [email protected] 910-675-1145fletcher sPorts 125 Corporate Tom Fletcher [email protected] 312-932-2703for-a corPoration 94 Corporate Pedro Silvestre [email protected] 201-944-1120front Porch digital 155 Corporate Phil Jackson [email protected] 303-926-5873frontline communications 203 Mobile Bob King [email protected] 727-573-0400

fuJinon/fuJifilm 2 Platinum Thom Calabro [email protected] 973-686-2409game creek video 221 Mobile Pat Sullivan [email protected] 603-821-2205gearhouse broadcast 211 Mobile Marc Genin [email protected] 818-955-9449gePco international 163 Corporate Glen Powers [email protected] 845-535-3035gerling & associates 129 Corporate Fred Gerling [email protected] 740-965-2888globecast 90 Corporate Matthew Rosenstein [email protected] 212-332-2178glowPoint 172 Corporate Stephen Vobbe [email protected] 973-855-3411grass valley 6 Platinum Andy Jackson [email protected] 404-929-5004

harman 206 Premier Katy Templeman-Holmes

[email protected] 818-920-3295

harmonic 37 Premier Greg Davis [email protected] 408-490-7941harris 20 Premier Jennifer Rosemann [email protected] 816-434-4061htn 111 Corporate Joe Cohen [email protected] 212-239-3710i-movix 57 Premier Nadia Sinigaglia [email protected] [32] 0 65 554 110ids 201 Mobile Dave Lunghino [email protected] 904-645-8697idx 67 Corporate Vickii Chaffee [email protected] 310-328-2850ikegami electronics 10 Premier Teri Zastrow [email protected] 201-368-9171illumination dynamics 142 Mobile Jeff Pentek [email protected] 704-679-9400

ims Productions 253 Mobile Robby Greene [email protected] 317-492-8710inertia unlimited 45 Premier Jeff Silverman [email protected] 802-368-2591integrated media technologies 189 Mobile Tom McGowan [email protected] 818-761-9770

intelsat 8 Platinum Peter Cleary [email protected] 212-839-1812JosePh electroncs 103 Corporate Chris Annella [email protected] 847-588-3800Jvc 59 Corporate Craig Yanagi [email protected] 973-317-5117lawo 48 Premier Herbert Lemcke [email protected] 416-292-0078level 3 23 Platinum Kirsten Megahan [email protected] 720-888-4524

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levels beyond 76 Corporate Art Raymond [email protected] 303-495-2424live cliPs Corporate Jack Loop [email protected] 203-856-1454liveu 84 Corporate Ken Zamkow [email protected] 201-742-5227lyon video 245 Mobile Bob Lyon [email protected] 614-319-4080mansion mobile 191 Mobile Matt Adams [email protected] 913-647-9700media recall by deluxe 190 Corporate Don Hollenback [email protected] 847-513-6810

metrovision 224 Mobile Jim McGillion [email protected] 212-989-1515

microsoft silverlight

Inside Back

CoverPlatinum Chris Carper [email protected] 425-538-1383

mira mobile 240 Mobile Frank Taylor [email protected] 503-464-0661miranda 65 Corporate Jay Gravina [email protected] 201-995-1590mobile tv grouP 241 Mobile Philip Garvin [email protected] 303-542-5555motorola mobility 107 Corporate Jaime Kyajohnian [email protected] 978-614-3370mPe 153 Corporate Neal Pilzer [email protected] 212-245-0970multidyne 47 Corporate Frank Jachetta [email protected] 516-671-7278nac image technology 113 Corporate Andy Hayford [email protected] [44] 1844 290585

neP broadcasting 228 Corporate George Hoover [email protected] 800-444-0054nes communication services 210 Mobile Keith Valeri [email protected] 508-842-4328

netaPP 98 Corporate Gail Costantini [email protected] 646-497-8640net insight 69 Corporate Joe Lograsso [email protected] 973-703-5538neulion 31 Corporate Chris Wagner [email protected] 516-622-8357nevion 50 Premier John Glass [email protected] 805-247-8560

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1Platinum Philip Nelson [email protected] 210-370-8266

on call communications 213 Mobile Erin Ludden [email protected] 949-707-1985

orad 25 Premier Shaun Dail [email protected] 201-332-3900origin digital 53 Premier Nicole Figueiredo [email protected] 201-537-8646Pacsat 198 Mobile Steve Mallory [email protected] 916-446-7890Panasonic Platinum Carter Hoskins [email protected] 770-619-1779Pesa 171 Corporate Dan Holland [email protected] 256-726-9200Phizzle 73 Corporate Stephen Peary [email protected] 415-613-3396Phoenix oPtix Corporate Tom Morin [email protected] 401-637-4600Pnc equiPment finance 173 Corporate Russ Munson [email protected] 714-969-6955

Polar mobile 77 Corporate Regan Fletcher [email protected] 415-608-3293Prg media services 24 Premier Lee Golinello [email protected] 407-996-4126Production hub 251 Corporate Steve Rotz [email protected] 877-629-4122Proshow audio visual broadcast 194 Mobile Matt Hussack [email protected] 604-293-1771

Pssi/strategic tv 209 Mobile Clayton Packard [email protected] 310-893-6024quantel 175 Corporate Lee Turvey [email protected] 212-738-9434quantum Corporate Paivi Juvonen [email protected] 949-856-7870

reality check systems Back Cover Platinum Jeff Heimbold [email protected] 323-465-3900

riedel communications 41 Premier Kelly Fair [email protected] 818-241-4696

rimage 96 Corporate Jason Evans [email protected] 301-529-1015ross video 16 Premier Steve Romain [email protected] 613-652-4886sennheiser 62 Corporate Jeff Alexander [email protected] 860-434-9190ses world skies 38 Premier Sean Tietjen [email protected] 609-987-4465

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sgi 85 Corporate Floyd Christofferson [email protected] 408-212-0291sgl broadcast 139 Corporate Mickey Charles [email protected] 615-324-3613show Partners 207 Mobile Michael Mantovani [email protected] 321-257-1854shure 147 Corporate Mike Lohman [email protected] 847-600- 6417signiant 105 Corporate Tara Bartley [email protected] 781-221-4021smt 87 Corporate Patricia Hopkins [email protected] 919-493-9390snell 75 Corporate John Shike [email protected] 650-703-4906soliddd Corporate Neal Weinstock [email protected] 718-693-1001sony 13 Platinum Mark Bonifacio [email protected] 201-358-4190sos global exPress 46 Premier Fernando Soler [email protected] 800-628-6363sPectra logic 51 Corporate Hossein ZiaShakeri [email protected] 303-449-6444sPevco 128 Mobile Bill Victory [email protected] 336-924-7927sPortvision 141 Corporate Mike Jakob [email protected] 773-293-4350stagetec usa 68 Corporate Rusty Waite [email protected] 650-209-5557stats inc. 131 Corporate Nick Stamm [email protected] 847-583-2110t-viPs 169 Corporate Steve Sloane [email protected] 973-376-8282take1 insurance 99 Corporate Scott Carroll [email protected] 714-285-4090tascam Corporate Dan Montecalvo [email protected] 330-329-8735

tata communications 109 Corporate Kevin Watson [email protected] 703-547-6539

tekserve 21 Corporate Matt Cohen [email protected] 212-929-3645tektronix 115 Corporate Richard Duvall [email protected] 503-627-3203telecast fiber - a belden brand 42 Premier Steve DeFrancesco [email protected] 508-754-4858

telestream 18 Premier Barbara DeHart [email protected] 530-470-1306teranex 35 Premier Mike Poirier [email protected] 407-858-6039the switch 183 Corporate Jessica Mintz [email protected] 323-645-8012the systems grouP 215 Mobile Chris Mehos [email protected] 201-795-4672the tiffen comPany 26 Premier Carol Posnack [email protected] 631-609-3235thought equity motion 159 Corporate Abby Lurie [email protected] 720-382-2890

tightroPe media systems 119 Corporate Steve Israelsky [email protected] 866-866-4118

token creek 236 Mobile John Salzwedel [email protected] 608-849--4965trio video 237 Mobile Gary Meagher [email protected] 312-533-4110tvlogic 52 Premier Wes Donahue [email protected] 818-842-4632tvu networks 179 Corporate David Robertson [email protected] 646-510-1987txtstation 80 Corporate Michael Falato [email protected] 512-535-5381utah scientific 79 Corporate Richard Hajdu [email protected] 330-865-7552video equiPment rentals (ver) 138 Corporate Howie Rosenthal [email protected] 818-956-1414

vidovation 161 Corporate Jim Jachetta [email protected] 949-777-5435vidyocast 93 Corporate Eyal Hillman [email protected] 917-455-4997vision research Corporate Patrick Ott de Vries [email protected] 973-692-4018vista satellite 123 Corporate Joshua Liemer [email protected] 954-838-0900vizrt 3 Platinum Isaac Hersly [email protected] 646-746-0010white sands engineering/seg 146 Corporate Jill Lynch [email protected] 623-516-4211

wohler 30 Premier Don Bird [email protected] 510-870-0865xos digital 133 Corporate Chris Taylor [email protected] 978-294-0286yamaha commercial audio systems 101 Corporate Marc Lopez [email protected] 714-522-9544

yes Productions 233 Mobile Jim Moriarty [email protected] 504-840-4891

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2012 Mobile Sports Production Yearbook

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