2012-2013

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TERRANCE HART GRAPHIC DESIGN

description

portfolio of school work

Transcript of 2012-2013

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TERRANCE HART GRAPHIC DESIGN

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PygmalionPygmalionBy George Bernard ShawDirected by Ken Bonnaffons

For information and reservations call 201-447-7428Tickets available in Room A-130 or online at http://tickets.bergen.edu

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General Admission is $12.00Students, Seniors (65+) and all of Bcc

$7.00

April 12, 13, 18. 19 & 20 @ 7:30 pm April 13 & 20 @ 2:00 pm

Anna Maria Ciccone Theatre

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Panthera

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BLACK PANTHER

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M LLY

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le� SugarWith Peach Juice

Ihe Healthier Cultured Milk Drink

Vitaġen

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Ga

ra

mo

nd Claude Garamond (ca. 1490 – 1561)

[1] was a French publisher from Paris. He was one of the leading type designers of his time, and is credited with the introduction of

the apostrophe, the accent and the cedilla to the French language. Several contemporary type-faces, including those currently known as Gara-mond, Granjon, and Sabon, reflect his influence. Garamond was an apprentice of Simon de Co-lines; later, he was an assistant to Geoffroy Tory, whose interests in humanist typography and the ancient Greek capital letterforms, or majuscules, may have informed Garamond’s later work.

Garamond came to prominence in 1541, when three of his Greek typefaces (e.g. the Grecs du roi (1541)) were requested for a royally-or-dered book series by Robert Estienne. Garamond based these types on the handwriting of Angelo Vergecio, the King’s Librarian at Fontainebleau, as well as that of his ten-year-old pupil, Henri Es-tienne. According to Arthur Tilley, the resulting books are “among the most finished specimens

Give an old font new life.

Claude Garamont

of typography that exist.” Shortly thereafter, Ga-ramond created the Roman types for which he would most be remembered, and his influence spread rapidly throughout and beyond France during the 1540s.

Garamond’s name was originally rendered as “Garamont”, but following the standardization of French spelling, the terminal ‘d’ became cus-tomary and stuck.

In 1621, sixty years after Garamond’s death, the French printer Jean Jannon (1580–1635) cre-ated a type specimen with very similar attributes, though his letterforms were more asymmetrical, and had a slightly different slope and axis. Jan-non’s typefaces were lost for more than a century before their rediscovery at the National Print-ing Office of France in 1825, when they were wrongly attributed to Garamond. It was not un-til 1927, more than 100 years later, that Jannon’s “Garamond” typefaces were correctly credited to him on the basis of scholarly research by Bea-trice Warde. In the early 20th century, Jannon’s types were used to produce a history of French printing, which brought new attention to French typography and to the “Garamond” type style. The modern revival of Claude Garamond’s ty-pography which ensued was thus inadvertently modeled on Jannon’s outstanding work.

Claude Garamond came to prominence in the 1540s, first for a Greek typeface he was commis-

sioned to create for the French king Francis I, to be used in a series of books by Robert Estienne. The French court later adopted Garamond’s Ro-man types for their printing and the typeface in-fluenced type across France and Western Europe. Garamond probably had seen Venetian old-style types from the printing shops of Aldus Manu-tius. Garamond based much of his lowercase on the handwriting of Angelo Vergecio, librarian to Francis I. The italics of most contemporary ver-sions are based on the italics of Garamond’s as-sistant Robert Granjon.

Stempal GaramondThe famous D. Stempel AG interpretation from the 1920s remains true to the original Garamond types with its typical old style char-acteristics. The bold italic weight is a modern addition at the end of the 1920s, and the small caps provided an alternative to the standard capital letters.

Adobe GaramondThis relatively new interpretation of Garamond, designed by Robert Slimbach, is based on the original Garamond. The family has been expanded to include small caps, expert fonts, and calligraphic caps that were typical of the 15th and 16th centuries.

ITC GaramondITC Garamond went through so many changes that it has only a few characteristics tying it to Claude Garamond’s work. American designer Tony Stan applied a completely new concept in composing the lower case letters of all cuts with a larger x-height. This improved legibility and gave ITC Ga-ramond the popularity it enjoys, especially in advertisements and manuals and handbooks.

T y p e G a l l e r yGaramond Classico

Garamond Classico is based on the typefaces of Jean Jannon. As Jannon’s work already displayed characteristics of the “transitional” style, Garamond Classico cannot be called an “old style” in the same way as several other revivals.

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TheHistoryBehindGaramondm

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My Pet Wolfs Name Is Wolf

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Alexander Wang

Alaxander Wang FashionAW6

Alexander Wang (born 1983) is an American fashion designer.

At age 18, he moved to New York City to attend Parsons The New School for Design to study fashion design. After dropping out in his sophomore year, he launched his first women’s ready-to-wear collection in 2007. The label embodies casually cool downtown style, drawing inspiration from the nineties, French chic, and rock grunge—always finished off with a slouchy, rolled-out-of-bed edge. Wang launched a diffusion line of pre-weathered cotton tees, tanks, and T-shirt dresses in spring 2009, T by Alexander Wang, as well as a footwear collection of towering platform sandals. He won the CFDA/Vogue Fashion Fund in 2008, an honor accompanied by a $200,000 award to expand one’s business. His lines are now stocked globally by more than 30 of the world’s premiere retailers including Barneys New York, Neiman Marcus, Bergdorf Goodman, Dover Street Market, Browns, Otte and Selfridges.Wang is known for his edgy, somewhat masculine womenswear designs. After designing a Fall 2008 collection using black as the predominant color, he designed his Spring 2009 collection using bright colors such as orange, dusty purple, aqua and hot pink, and proclaimed, “They wanted color, they got color!”. Although he reverted to using mainly black fabrics, he was praised for showing great tailoring skills.

Alaxander Wang

AW7

ALAXANDERWANG

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Alexander Wang

Alaxander Wang FashionAW6

Alexander Wang (born 1983) is an American fashion designer.

At age 18, he moved to New York City to attend Parsons The New School for Design to study fashion design. After dropping out in his sophomore year, he launched his first women’s ready-to-wear collection in 2007. The label embodies casually cool downtown style, drawing inspiration from the nineties, French chic, and rock grunge—always finished off with a slouchy, rolled-out-of-bed edge. Wang launched a diffusion line of pre-weathered cotton tees, tanks, and T-shirt dresses in spring 2009, T by Alexander Wang, as well as a footwear collection of towering platform sandals. He won the CFDA/Vogue Fashion Fund in 2008, an honor accompanied by a $200,000 award to expand one’s business. His lines are now stocked globally by more than 30 of the world’s premiere retailers including Barneys New York, Neiman Marcus, Bergdorf Goodman, Dover Street Market, Browns, Otte and Selfridges.Wang is known for his edgy, somewhat masculine womenswear designs. After designing a Fall 2008 collection using black as the predominant color, he designed his Spring 2009 collection using bright colors such as orange, dusty purple, aqua and hot pink, and proclaimed, “They wanted color, they got color!”. Although he reverted to using mainly black fabrics, he was praised for showing great tailoring skills.

Alaxander Wang

AW7

ALAXANDERWANG

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M a i s o n M a r t i n Margiela

Often referred to as iconoclast, avant-garde and experimental, the Maison

expresses its creativity through recycling, transformation and reinterpretation - like an emotion, a unique and timeless

proposal defying all laws and rules.

MMM2

French fashion house Maison

Martin Margiela was selected for H&M’s fall designer

collaboration, and production is well

underway. According to

the official press release, Margareta

van den Bosch, creative advisor at H&M, is very excited about the collaboration as it gives shoppers a chance to wear exclusive pieces

designed by MMM. “We are

very happy to present Maison

Martin Margiela pieces with H&M,

offering a new interpretation of our vision,” van den Bosch said.

MaisonMartinMargiela2011AW1.jpgEla 2012 Fall

MaisonMartinMargiela2011AW11.jpg

MMM3

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Donec in lorem at elit vestibulum sollicitudin. Donec a dolor mi, quis congue ante. Praesent sodales metus vitae nulla placerat mattis ut id quam. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. In nec justo eget justo tincidunt tristique vel ut orci. Aliquam erat volutpat. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Fusce nisi enim, rhoncus eu fringilla ac, aliquet eu metus. Duis ut iaculis turpis. Mauris sollicitudin tincidunt ante at eleifend. Curabitur ultricies leo non ligula hendrerit id accumsan dui faucibus. Suspendisse condimentum, massa nec laoreet laoreet, orci orci dapibus purus, sed sollicitudin diam tortor malesuada diam. Aenean et erat elit, in tempor