1991 Dance Research

DANCE RESEARCHPUBLISHED OR PUBLICLY PRESENTED

BY MEMBERS OF THE

STUDY GROUP ON ETHNOCHOREOLOGY

1 9 9 1

compiled and edited by

ELSIE IVANCICH DUNIN

INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC STUDY GROUP ON ETHNOCHOREOLOGY

» » » - » » > » > » » » » » > » » » » » » » » » » » » » > * » » > » * t

Dance research published or publicly presented by members of the Study Group on Ethnochoreology

Second edition is revised and expanded.

ISSN: 1059-0382

© 1989, 1991 by Elsie Ivancich Dunin

Department of Dance Dance Building 124 University of California Los Angeles, California 90024 U.S.A.

DANCE RESEARCH: PUBLISHED OR PUBLICLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

INTRODUCTION

This compilation of bibliographies was initiated as a project at a meeting of the Study Group on Ethnochoreology during the International Council for Traditional Music (ICTM) conference held in East Berlin, 1987. In the fifteen-year history of the Study Group this meeting brought together the largest number of dance researchers from Europe, Canada and the United States. It became clear that many of us did not know about the kinds of research and resultant publications that fellow members have produced over the years. At this meeting a newsletter was proposed to keep all of us informed of current activities, and it was further recommended that a bibliographic listing be included as a standard feature of the Study Group newsletter. I volunteered to organize the bibliographic listings.

After receiving the first lists of bibliographies from members of the Study Group, it became apparent that the newsletter could not realistically handle the amount of submitted material. The newsletter editor, William Reynolds, recommended that a separate publication be created. The 1989 edition included submissions by thirty-four dance researchers from Europe, the Americas, and Asia. Earliest dated publications were principally from eastern European colleagues, while publications of western European and American research began to appear in the late 1960s. This second edition (1991) includes revised and updated listings of active members, and sixteen sets of listings from new Study Group members. In addition, the references of two distinguished members o f the Study Group, now deceased, are included.

This international compilation is based on submissions received in response to a call made by direct correspondence, by announcements at the Study Group symposia in Copenhagen and Budapest, and by announcements in the Study Group's newsletter. The closing date of this volume was 1 June 1991. In total, forty-nine dance researchers, representing about two-thirds of the membership (active and inactive) contributed their bibliographies. By country there are listings from Armenia (2),Belgium (1), Bulgaria (2), Canada (1), China (1), Czechoslovakia (1), Denmark (4), Finland (1), Germany (3), Greece (1), Hungary (5), Italy (1), Jamaica (1), New Zealand (1), Norway (2), Poland (1), Romania (2), Sweden (2), Switzerland (1), Ukraine (1), United Kingdom (5), and the United States (10).

The major challenge in compiling these works was the question of format consistency. Researchers in each country have their own unique bibliographic formats and systems of abbreviations. Each citation was retyped into the DdA1 reference style which requires fuller information than that used in many countries. The retyped lists were subsequently returned to the authors for editing and for adding missing information. Due to socio-political unrest in several world areas between 1989 and 1991, some difficulties were encountered with postal service; as a result, not all entries are complete or thoroughly checked for accuracy. An "*" with editor's note identifies these listings.

The listings include only written and filmic materials that were published or publicly presented (but not yet published) at conferences and symposia. The three types of listings are: 1) articles in

1 Elsie Ivancich Dunin and Candi Harrington deAlaiza, DdA reference formal for dance (1988) Los Angeles.

Introduction

d a n c e RESEARCH: PUBLISHED OR PUBLICLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

journals, magazines, proceedings or encyclopedias; 2) books, monographs, theses, dissertations, handbooks, and films; 3) publicly presented research papers. Each type is easily identified by the punctuation.

1) ArticlesThe title of an article is enclosed in quotation marks (" "). The title of the whole work is

always underlined (____ ). The location of the article in the whole work is shown by the page numbers which are placed after the colon (:) which follows the underlined title.

Example:Kaeppler, Adrienne1972 "Method and theory in analyzing dance structure with an analysis of Tongan dance."

F.thnomnsicologv 16(2): 173-217. Ann Arbor, Michigan: Society for Ethnomusicol- ogy.

2) Whole worksA title of a whole work is underlined (_____ ). The number of pages of the whole work is placed at theend of the citation.

Example:Dabrowska, Graiyna; Kurt Petermann (editors)1983b Analyse und Klassifikation von Volkstanzen [Analysis and classification o f folk-

dances]. Warsaw: Polish Academy of Science, Art Institute of Warsaw. (Conference report of the 10th working meeting of the International Folk Music Council Study Group for Folkdance Terminology, held in Zaborow, near Warsaw, Poland.) (226 pages; Labanotation; music notation.)

3) Presented research papersThis title has no punctuation, but the designation of its status as a research paper and information on where and for whom it was presented is in parentheses following the title.

Example:Giurchescu, Anca1987 Continuity and discontinuity in the cultural tradition of the Yugoslav Vlahi, living in

Denmark (research paper). (Presented at the 29th conference of the International Council for Traditional Music, held in East Berlin; July.)

•Listings are organized alphabetically by author with each work listed in chronological order. •Non-English titles are translated into English. Original non-Roman alphabets (except for Chinese and Armenian) are used, followed by a Romanized transliteration.•Abbreviations are not used.•Additional information is placed at the end of the citation in parentheses—page numbers, inclusion of graphics, notation, photos, and so on.

ii Introduction

DANCE RESEARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

•Place of publication states the city, followed by state and/or country if the city is not a national capital.A special thank you is extended to all who contributed their bibliographies to this project and

who so graciously took time to edit their listings. Personally I would not have volunteered for such an arduous compiling and typing task had it not been for the Apple Macintosh computer and its capabilities for various alphabetic fonts. Also an acknowledgement is extended to the University o f California at Los Angeles (UCLA) Department of Dance for assuming some of the postal costs inherent to this project.

Elsie Ivancich DuninLos Angeles, California, USA

15 June 1991

Introduction iii


AVANT-PROPOS

Ce projet de repertoire bibliographique a ete lance lors d'une session du Groupe d'6tude en ethnochoreologie qui s'inscrivait dans le cadre de la Conference de 1'ICTM tenue a Berlin-Est en 1987. Au cours de ses quinze annees d'existence, jamais le Groupe n'avait reuni un si grand nombre de chercheurs d'origines europeenne, canadienne et americaine. Ayant constate que beaucoup d entre nous ignorions le genre de recherches et de publications connexes auxquelles se livraient nos membres et collegues, il nous vint a l'idee de creer un Bulletin de nouvelles visant a nous tenir au courant des travaux en cours de chacun, et d'y inclure une rubrique bibliographique--tache pour laquelle je me portai garante.

Des l'arrivee des premieres listes bibliographiques, je dus me rendre & l'evidence que le Bulletin ne pourrait suffire a l'ampleur des soumissions. William Reynolds, le redacteur du Bulletin, me suggera done de creer une nouvelle publication a cette fin seule. La premiere edition, parue en1989, regroupait les contributions de trente-quatre chercheurs du domaine de la danse d'origines americaine, europeenne et asiatique. Les plus anciens ecrits proviennent tout d'abord de nos collegues d'Europe de l'Est; alors que la recherche dEurope occidental et d'Amerique n’apparait qu'a la fin des annees soixante. Cette seconde edition (1991) renferme les titres revises et mis a jour des membres actifs ainsi que seize listes de membres nouvellement acquis. Yous y trouverez aussi les ouvrages de deux membres distingues decedes.

Cette compilation d'envergure intemationale represente le fruit de la reponse a notre invitation transmise tantot par voie de correspondence, tantot par annonces publiques lors des rencontres de Copenhague et de Budapest, tantot par communiques dans notre Bulletin de nouvelles. La date limite de soumission du present volume etait fixee au l er juin 1991. Au total, quarante-neuf repondants, representant environ les deux tiers de nos membres actifs et inactifs ont contribue des listes bibliographiques. Pour chaque pays, vous trouverez le nombre de listes suivant: Allemagne (3), Armenie (2), Belgique (1), Bulgarie (2), Canada (1), Chine (1), Danemark (4), Etats-Unis (10), Finlande (1), Grece (1), Hongrie (5), Italie (1), Jamai'que (1), Norvege (2), Nouvelle-Zelande (1), Pologne (2), Roumanie (2), Royaume-Uni (5), Suede (2), Suisse (2), Tchecoslovaquie (1), et Ukraine (1).

Le principal defi a relever dans la compilation d'un tel ouvrage fut la standardisation des formats bibliographiques. Chaque pays et individu se referant a des conventions et systemes d’abreviations qui lui sont propres, j'ai du retaper tous les titres selon le manuel de style DdA 1 qui requiert un plus grand nombre de details que la majorite des formats bibliographiques d'usage connu. Les listes retapees ont ensuite ete retoumees a leurs auteurs pour verification et renseignements supplementaires. En outre, l'instabilite de la conjoncture politique dans plusieurs coins du monde entre 1989 et 1991 a donne lieu a des complications au niveau des services postaux de sorte que, dans certains cas, les citations n'ont pu etre revisees ou completees par leurs auteurs. Celles-ci sont identifies par un asterisque "*" et une annotation de l'editeur.

1 Elsie Ivancich Dunin and Candi Harrington deAlaiza, DdA reference format for dance (1988) Los Angeles.

i v Avant-propos


Les listes ci-presentes ne renferment que les ouvrages ecrits et cin6matographiques publies ou non publics mais ayant fait l'objet d'une presentation orale dans le cadre d'une conference ou d'un symposium. Les trois types de listes sont les suivants: 1) articles dans des revues scientifiques, magazines, comptes rendus de reunions savantes, encyclop£dies; 2 ) livrcs, monographies, theses, dissertations, ouvrages didactiques; 3) exposes de recherches ayant fait l'objet d'une presentation orale. Chaque categorie est facilement identifiable a sa ponctuation.

1) Articles.Le titre de l'article figure entre guillemets (" "). Le titre d'un ouvrage complet est toujourssouligne (____ ). L'emplacement de l'article dans un ouvrage complet est indique par lesnumdros de pages qui suivent les deux-points ( : ) apres le titre soulignd

Exemple:Kaeppler, Adrienne1972 "Method and theory in analyzing dance structure with an analysis o f Tongan dance."

Ethnomusicologv 16(2): 173-217. Ann Arbor, Michigan: Society for Ethnomusicology.

2) Ouvrages completsLe titre d'un ouvrage complet est souligne (______). Le nombre de pages est indiqu6 en fin decitation.

Exemple:Dabrowska, Graiyna; Kurt Petermann (editors)1983 Analyse und Klassifikation von Volkstanzen [Analysis and classification of

folkdances]. Warsaw: Polish Academy of Science, Art Institute of Warsaw. (Conference report of the 10th working meeting of the International Folk Music Council Study Group for Folkdance Terminology, held in Zabor6w, near Warsaw, Poland.) (226 pages; Labanotation; music notation.)

3) Exposes de recherchesLe titre de l'expose ne re?oit aucune ponctuation, mais l'item est identify comme tel; le contexte de la presentation et le public auquel elle s'adressait sont indiques entre parentheses a la suite du titre.

Exemple:Giurchescu, Anca1987 Continuity and discontinuity in the cultural tradition of the Yugoslav Vlahi, living in

Denmark (research paper). (Presented at the 29th conference of the International Council for Traditional Music [ICTM], held in East Berlin; July.)

•Les listes sont dressees par auteur selon l'ordre alphabetique; chaque ouvrage d'un meme auteur est cite dans l'ordre chronologique.

Avant-propos v


•Tous les titres Strangers sont traduits vers l'Anglais, inscrits dans leur alphabet propre (a l'exception du Chinois et de l'Armenien), et suivis d'une transliteration en caracteres latins.•Nous n'utilisons aucune abreviation.•Toutes mentions additionnelles, telles que le nombre de pages, de representations graphiques, de photographies, et cetera, sont placees entre parentheses a la fin de la citation.•Le lieu de publication comprend le nom de la ville et, s'il ne s'agit pas d'une capitale nationale, le nom de l'€tat et/ou du pays.

Je tiens principalement k remercier tous ceux et celles qui ont contribu6 leur bibliographie k ce recueil, et qui ont bien voulu prendre le temps de reviser leurs titres. Je n'aurais pu entreprendre un tel travail de compilation et de dactylographie sans l'aide de 1'ordinateur Apple Macintosh qui rend possible 1'impression des differents caracteres typographiques. Mes remerciements vont aussi au Departement de Danse de 1'University de Califomie a Los Angeles qui a absorbe une portion des frais postaux relies a la realisation de ce projet.

Elsie Ivancich DuninLos Angeles, Califomie, Etats-Unis

Le 15 juin 1991

(Translation: Camille Brochu)

vi Avant-propos

DANCE RESEARCH

PUBLISHED OR PUBLICLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY

TABLE OF CONTENTS

In tro d u c tio n ............................................................................................................A van t-p ropos. m

Listings:Bakka, E gil (N orw ay)........................................................................................... jBarnett, Sheila (Jamaica).................................................................................... 222B lom , Jan-Petter (Norway) ........................................................................................ 5Buckland, Theresa Jill (United Kingdom)......................................................... 6C ostea, Constantin (Romania)...............................................................................8D abrow ska, Grazyna (Poland)............................................................... 11Dunin, E lsie Ivancich (United States)............................................................. . 16Ehm -Shulz, Rosem arie (Germany)................................................................................... 20F elfo ld i, Ldszlo (Hungary).................................................................................................. 22Freedman, Diane C. (United States)................................................................ 24G iurchescu, Anca (Denmark).............................................................................................. 25Grau, Andrde (United Kingdom)........................................................................................ 32Gray, Laurel Victoria (United States).............................................................................. 35Ilieva, Ana (Bulgaria)............................................................................................................ 36Kaeppler, Adrienne L. (United States)............................................................................ 40K aricsony, Z oM n (Hungary)............................................................................................. 4 4K ealiinohom oku, Joann W heeler (United States).......................................................... 45Khachaturian, G enia (Armenia)........................................................................................ 51K Snczei, C silla (Romania)................................................................................................... 58Klirti, Ldszl6 (United States).................................................................................................. 5 9Lange, Roderyk (United Kingdom).................................................................................... 61Laudovd, Hannah (Czechoslovakia)..................................................................................... 69Loutzaki, Irene (Greece)...................................................................................................... 70Martin, G yorgy (Hungary).................................................................................................. 71N ahachew sky, Andriy (Canada)....................................................................................... 72N ilsson , Mats (Sweden)........................................................................................................ 73Nov£k, Petr (Germany).......................................................................................................... 73Palfy, G yula (Hungary).......................................................................................................... 77Pesovdr, Erntf (Hungary)....................................................................................................... 7 9Petermann, Kurt (Germany).................................................................................................. 85Petrossian, Emma (Armenia)................................................................................................. 86Q uigley, Colin (United States).............................................................................................. 91Rausmaa, P irkko-Liisa (Finland)........................................................................................ 92Reynolds, W illiam C. (Denmark)...........................................................................................95Ronstrom , O we (Sweden).................................................................................................... 97Saban, Larisa (Ukraine).......................................................................................................... 98Schofield , Derek (United Kingdom).................................................................................... 9 9

Table o f contents

DANCE RESEARCH: PUBUSHED OR PUBLICLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

Sebok, Gdza (Sw itzerland)........................ ........ .................................... .................. 100Shennan, Jennifer (New Zealand)............................................................... ...................... 101Shturbanova, Anna (Bulgaria)................................................................................... 102Snyder, Allegra Fuller (United States)......................................................... .................. 103Staro, Placida (Italy).................................................................................................... 106Sughreu, Cynthia (Scotland)...................................................................................... 109Torp, Lisbet (Denmark)............................................................................................... 110Urup, Henning (Denmark)......................................................................................... I l lVan Aelbrouck, Jean-Philippe (Belgium)............... ......... ................... ................... 113Van Zile, Judy (United States).................................................................................... 114Wulff, Vicky Risner (United States)......................................................................... 118Zhou Bing (China)............................ .......... ................................................................ 119

V I I I Table o f contents


E G IL BAKKADragvoll, NORWAY

Bakka, Egil1969 "Norsk folkedans" [Norwegian folk dances]. Olivant 4:8-11. Oslo: Lagsbladfor

Leikarringen i Bondeungdomslaget i Oslo.

1970 Danse, danse lett utn& foten. Folkedansar og songdansar p a n c e , dance lightly on your foot: Folk dances and song dances]. Oslo: Noregs Boklag. (206 pages; a collection of dances.)

1972a "Austlandsspringar, Vestlandsspringar, S0rlandsspringar” [The Springar of eastern,western, southern Norway]. Spelemannsbladet 6:16-17. Oslo: Landslaget for Spelemenn.

1972b "Norsk folkeleg dans og folkedans" [Norwegian traditional dances and folk dances].Proceedings of the Nordic conference "The role of folk art in the rural community," Darbu, 1971. Oslo: Noregs Ungdomslag.

1975a "Ord og uttrykk til bruk ved d0ming av dans" [Words and expressions for use in judging dance competitions]. Spelemannsbladet 1:6-7. Oslo: Landslaget for Spelemenn.

1975b "Tradisjonelle trekk og utviklingstrekk i dansefomer og dansestil" [Traditional traits and traits of development in dance forms and dance style]. Spelemannsbladet 3:7-11. Oslo:Landslaget for Spelemenn.

1975c "Musikk som emne for etnologisk forskning" [Music as a topic for ethnological research]. Musikk i dagens samfunn:7-l 1. Trondheim, Norway: Musikkvitskapleg Institutt, Universitetet i Trondheim.

Bakka, Egil; Kjell Oversand1975 "Musikk og dans i et kystomrSde i Tr0ndelag" [Music and dance in a coastal area of

Tr0ndelag]. Svensk tidskrift for musikforsknine 57(2): 15-39. Stockholm: Svenska Samfundet for Musikforskning.

Bakka, Egil1976a Folkedanstradisjonane i Nord-Noreg [Folk dance traditions of northern Norway].

Trondheim, Norway: R&det for folkemusikk og folkedans. (3 pages.)

Bakka, Egil; Rolf Diesen (filmmakers)1976b Musikk og dans i gruvesamfunnet Lokken [Music and dance in the miners community of

L 0kken] (film). Trondheim, Norway: R&det for folkemusikk og folkedans;Musikkvitskapleg Institutt, Universitetet i Trondheim. (16mm; 20 minutes; film made as part of a research project "The music life of a rural community.")

Bakka 1


Bakka, Egil; Olav Mogstad; and others (filmmakers)1976c Polsdans M Nordmflre i Todalstradision [Pols dance of Todalen at Nordm0re] (film).

Trondheim, Norway: Nordmore Ungdomslag; RAdet for folkemusikk og folkedans. (16mm; 20 minutes.)

Bakka, Egil; Geir Tore Vestad; and others (filmmakers)1976d Romsdalsspringar [Springdans tradition in Romsdal] (film). Trondheim, Norway: RMet for

folkemusikk og folkedans; Romsdal Ungdomslag. (16mm; 15 minutes.)

Bakka, Egil; Bruce Taylor; Ingvar Elgesem; and others (filmmakers)1976e Nordleik 76 [Nordic folk dance festival 1976] (film). Trondheim, Norway: Nordleik 76;

R&det for folkemusikk og folkedans. (16mm; 40 minutes.)

Bakka, Egil1977a "The Faroese Dance." Faroe Isles review 2(2):24-29. T6rshavn, Faroe Isles: B6kagardur.

1977b "Frd engelsk folkedans til norsk storgardstradisjon" [From English folk dance to a traditionof Norwegian manors]. Olivant 4:9-12. Oslo: Lagsblad for Leikarringen i Bondeungdomslaget i Oslo.

1977c Folkedanstradisionane p5 Agder [Folk dance traditions of Agderl. Trondheim, Norway: R&det for folkemusikk og folkedans. (6 pages.)

1977d Folkedanstradisionane p5 Austlandet [Folk dance traditions o f eastern Norway],Trondheim, Norway: R&det for folkemusikk og folkedans. (9 pages.)

1977e Folkedanstradisionane p5 Vestlandet [Folk dance traditions of western Norway],Trondheim, Norway: R&det for folkemusikk og folkedans. (4 pages.)

1978a [About 40 articles on folk dance]. Cappelens Musikkleksikon [Cappelens Dictionary of Music]. Oslo: Cappelens Forlag.

1978b Norske dansetradisionar [Norwegian dance traditions], Oslo: Det Norske Samlaget. (175 pages; a volume in a series: Norsk Kulturarv [Heritage of Norway].)

1978c Springar. gangar. rull og pols; Hovudliner i eldre norsk folkedanstradision [Springar,Gangar, Rull and Pols: Main lines in older Norwegian folk dance tradition]. Trondheim, Norway: R&det for folkemusikk og folkedans. (235 pages.)

1979a "Norske ballkort" [Norwegian ball programmes]. Nff-brev 2: 18-21. Trondheim, Norway: Nordisk forening for folkedansforskning.

2 Bakka


Bakka, Egil; Ola Kai Ledang; Berit 0stberg1979b Oy vil du vrere kiaeresten min [And if you want to be my sweetheart] (booklet). Trondheim,

Norway: Musikkvitskapleg Institutt, Universitetet i Trondheim. (53 pages; accompanies phonodisc of same title; documentation of children’s singing games in five Norwegian cities.)

Bakka, Egil1980a "Folkedansklassifisering" [Folk dance classification]. Nff-brev 3:19-23. Trondheim,

Norway: Nordisk forening for folkedansforskning.

1980b "Folkedans i skulen" [Folk dance in the school]. Musikk i skolen 6:4-11. Oslo: Landslaget Musikk i Skolen.

1980c "Bygdedansane - heilage kyr?" [The regional dances - sacred cows?] Norsk Ungdom 3:16. Oslo: Noregs Undomslag.

1980d "Folkedansen i intemasjonalt samarbeid" [Folk dance in international cooperation]. Olivant 1:7-8. Oslo: Lagsblad for Leikarringen i Bondeungdomslaget i Oslo.

1980e "Om lokale dansetradisjonar og innsamlinmg" [On local dance traditions and collection].Olivant 4:7-10. Oslo: Lagsblad for Leikarringen i Bondeungdomslaget i Oslo.

1980f "Die altesten norwegischen Paartanze" [The oldest Norwegian couple dances]. Arkivet for folklig dans. Dansmuseet: P er altere paartanz in Europa: 15-20. Stockholm: Dansmuseet.

198 la "Nokre tankar omkring folkedansinnsamling" [Some thoughts about collection of folk dances]. Nff-brev 4:20-26. Trondheim, Norway: Nordisk forening for folkedansforskning.

1981b "Folk dance Research in Norway." Dance studies 5:22-47. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

1982a "Springdansen pS. Hadeland" [The Springdans of Hadeland]. Furuleiken Spell- og Danselag1972-1982:24-29. Harestua, Norway: Furuleiken Spell- og Danselag.

Bakka, Egil; Bruce Taylor; Berit Ostberg (filmmakers)1982b P e t kom en herre spaserende. En sangleik i Trondheim giennom 130 £r [A gentleman was

walking: A singing game in Trondheim through 130 years] (film). Trondheim, Norway: R&det for folkemusikk og folkedans. (16mm; 10 minutes.)

Bakka, Egil1983a "Om utviklinga av rekkedansane" [On the development of the longways country dances].

Olivant 1:11-14. Oslo: Lagsblad for Leikarringen i Bondeungdomslaget i Oslo.

Bakka 3


Bakka, Egil (editor)1983b Folkedanslitteratur i Norden. Ein bibliografi [Folk dance literature in the Nordic countries: A

Bibliography]. Trondheim, Norway: Nordisk forening for folkedansforskning. (108 pages.)

Bakka, Egil; and others1983c Springdans fr& Nordre Sunnmore [Springdans from Northern Sunnm0re]. Trondheim,

Norway: R ldet for folkemusikk og folkedans. (20 pages.)

Bakka, Egil1985a "Stegm0nstra i springaren pS S0r-Vestlandet" [The step patterns of the Springar in southern

parts of western Norway]. Arne Biomdals hundre£rsminne:77-91. Bergen, Norway: Forlaget Folkekultur.

1985b "Folk dancing on the stage in Norway." Etudes et recherches comparatives intemationales: Conference international d'experts. Fribourg Suisse 21-25 octobre 1985 (Proceedings of the Conference): 1-15. Fribourg, Switzerland: Centre CIOFF Suisse.

1985c "Dans og spel" [Dance and music]. Norske tonar. Heidersskrift til Sigbi0m Bemhoft Osa p& 75-&arsdagen:103-109. Oslo: Universitetsforlaget.

Bakka, Egil; Klara Semb1985d "Songdansen" [The song dance]. Norske folkedansar, Songdansar:20-27. Oslo: Noregs

Boklag, Det Norske Samlaget.

Bakka, Egil; Dag V&rdal; Tormod Lunde1985e Dansetradisjonar ftfl Nordland og Troms [Dance traditions of Nordland and Troms].

Trondheim, Norway: RAdet for folkemusikk og folkedans. (141 pages.)

Bakka, Egil; Brit Seland; Dag VSrdal1986 Grunnbok i folkedans [Textbook on folk dance], Oslo: Noregs Boklag, Det Norske

Samlaget. (106 pages.)

Bakka, Egil (editor); and others1988 Gammaldans i Norden. Rapport fr5 forskningprosiektet: Komparativ analyse av ein folkeleg

dansegenre i utvalde nordiske lokalsamfunn [Old time dances in the Nordic countries.Report of the research project: comparative analysis of a traditional dance genre in selected local communities of the Nordic countries]. Trondheim, Norway: Nordisk forening for folkedansforskning. (302 pages.)

Bakka, Egil (editor)1989 "Report from the meeting of the ICTM Study Group on Ethnochoreology." Lisbet Torp

(editor), The dance event: a complex cultural phenomenon: 173-178. Copenhagen: ICTM

4 Bakka


Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

Bakka, Egil; Kari Margrethe Okstad1990a Norsk Dans for 90-ara. Prosiektnerm for forskningsprosiekt [Norwegian dance for the

nineties. Syllabus for a research project on dance instruction]. Trondheim, Norway: R&det for folkemusikk og folkedans. (92 pages.)

Bakka, Egil1990b "Tradisjonsstrukturar og historisk lagdeling i den eldre norske pardansen" [Structures of

tradition and historical layers in the old Norwegian couple dances]. Norsk folkemusikklags skrifter 5:4-17. (Proceedings from the Conference of the Norwegian National Committee of ICTM at Voss 1989, held in Trondheim, Norway.)

Bakka, Egil; Brit Seland; Dag V&rdal1990c Dansetradisionar M Vest-Agder [Dance traditions from the county of Vest-Agder].

Flekkefjord, Norway: Vest-Agder Ungdomslag; RMet for folkemusikk og folkedans.(287 pages.)

»**>»■ •* * > •* * ■ •> » * » > I * ! > » * * > ! > * > • > I * * * > » > • * •*»*»■ •> •*»> *■ ***>»>»•

JAN-PETTER BLOMBergen, NORWAY

Blom, Jan-Petter1960 "Diffusjonsproblematikken og studiet av danseformer" [The theory of cultural diffusion and

the comparative study of dance forms]. A.M. Klausen (editor), Kultur og diffusion: 101115. Oslo: Universitetsforlaget.

1969 "Struktur og dialekt i norske bygdedanser" [Structure and dialect in Norwegian folkdance]. Mimeo:32. Bergen: University of Bergen, Department of Social Anthropology.

1971 "Afro-amerikanske rytmer: instinkt eller tradisjon" [Afro-American rhythms: expressions of instinct or items of traditional behaviour]. F. Barth (editor), Mennesket som samfunnsborger:22-36. Oslo, Bergen: Universitetsforlaget.

1972 "Notasjonsproblemer i folkedanforskningen" {Problems of notation in folkdance research], Norveg 15:91-114. Oslo: Universitetsforlaget. (Summary in English.)

1973 "Rytmestrukturer i folkemusikken p& Balkan, kilder og prinsipper" [Principles of rhythmic structure in Balkan folk music], K.S. Johannessen, A. Utaker (editors), Strukturalisme og semiologi:56-69. Nordisk sommeruniversitets skriftserie 2. Oslo: Nordisk sommeruniversitet.

Bakka; Blom 5

DANCE h fxfaxCH: PUBLISHED OR PVBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1978a "Principles of rhythmic structure in Balkan folk music." Antropologiska studier 25-26:2-12. Stockholm: Department of Social Anthropology, University of Stockholm.(Ethnomusicology issue.)

1978b On the comparative study of functional libration in folk dance (research paper). (Presented at the International Folk Music Council conference, held in Oslo; 21 pages.)

1979 Sources and levels of meaning in Norwegian folk dance, the problem of interpretation(research paper). (Presented at the American Anthropological Association conference, held in Cincinnati, Ohio; 22 pages.)

1981 "The dancing fiddle: on the expression of rhythm in Hardingfele Slitter." J.P. Blom, S.Nyhus, R. Sev&g (editors), Norwegian folk music— Sl&ttar for the Harding fiddle 7:305312. Oslo; Bergen; Troms0 , Norway: Universitetsforlaget.

Blom, Jan-Petter; Tellef Kvifte1986 "On the problem of inferential ambivalence in musical meter." Ethnomusicology 30(3):491-

517. Ann Arbor, Michigan: Society for Ethnomusicology.

Blom, Jan-Petter1988 "Bygdedansen" [Traditional dance]. H. Kaasa; and others (editors), Spel og Dans—-

folkemusikk og dans i Telemark:103-116. B0 in Telemark, Norway: B0 Trykk.

1989 "Rytme og metrikk i svensk folkemusikk— kommentar til Sven Ahlbacks typeskrivelser" [Rhythm and metric structures in the folk music of Sweden: comments on the problem of interpretation related to the typologies and descriptions of S. Ahlback]. Norsk folkemusikklags skrifter 4:33-48. Trondheim, Norway: Norsk folkemusikklag.

THERESA JILL BUCKLANDCheshire, England. UNITED KINGDOM

Buckland, Theresa1980a "The reindeer antlers of the Abbots Bromley Horn Dance: a re-examination." John

Widdowson (editor), Lore and language 3(2):l-3. Sheffield, England: University of Sheffield, Centre for English Cultural Tradition and Language.

1980b Carnival Morris in Cheshire: a synchronic study of two teams (research paper). (Presented at the Women in Tradition Conference, held at the University of Sheffield, Sheffield, England; May.)

6 Blom; Buckland

DANCE KFSFARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

Buckland, Theresa; Dan Howison1980c "Morris dancers in Crewe before the first World War." Dave Arthur (editor), English dance

and song 42(2): 10-13. London: English Folk Dance and Song Society.

Buckland, Theresa1982a "English folk dance scholarship-^ review." Theresa Buckland (editor), Traditional dance

1:3-18. Cheshire, England: Crewe and Alsager College of Higher Education.

1982b "Wakes and Rushbearings C.1780-C.1830: a functional analysis." John Widdowson(editor), Lore and language 3(6):29-44. Sheffield, England: University o f Sheffield, Centre for English Cultural Tradition and Language.

1982c Dance and social history: the case of coconut dancing in Rossendale (research paper). (Presented to the Department of Social History, held at the University of Lancaster, Lancaster, England; November.)

1983a "Hello! Here we are again! Godley Hill Morris Dancers: a study in longevity." Theresa Buckland (editor), Traditional dance 2:37-57. Cheshire, England: Crewe and Alsager College of Higher Education.

1983b "Folk dance definitions: some explorations." Ian Russell (editor), Folk music journal4(3):315-332. London: English Folk Dance and Song Society.

1983c "Traditional dance, English ceremonial and social forms." Janet Adshead; June Layson(editors^. Dance history: a methodology for studv:162-175. London: Dance Books.

1983d Fieldwork in ceremonial dance: some problems and issues (research paper). (Presented to the Fieldwork Conference, organized by the English Folk Dance and Song Society and the Centre for English Cultural Tradition and Language; held at the University of Sheffield, Sheffield, England; November.)

1984a "Traditional dance scholarship in the United Kingdom." Janet Adshead (editor), D ance-amulticultural perspective:54-64. Guildford, Surrey, England: University of Surrey, National Resource Centre for Dance.

1984b Aesthetics and identity: the Britannia coco-nut dancers (research paper). (Presented toDance—a multicultural perspective Conference, held at the University of Surrey, Surrey, England; April.)

1985 Popular leisure at the Lancashire Wakes: "simple artless amusement" or "filthy disgustingproceedings" (research paper). (Presented at the Social Anthropology Seminar, held at the University of Durham, Durham, England; February.)

Buckland 7


1986a "The Tunstead Mill Nutters of Rossendale, Lancashire." Ian Russell (editor), Folk music journal 5(2): 132-149. London: English Folk Dance and Song Society.

1986b The right sort of pedigree: English ceremonial dance traditions and their origins (research paper). (Presented to the Commonwealth Games Conference, held in Glasgow, Scotland; August.)

1987 Processional Morris in north-west England: Stability and change in dance content and form (research paper). (Presented to the Society for Dance Research, held in London; February.)

1989 "Family, gender and class in an English ceremonial dance event." Lisbet Torp (editor), The dance event: a complex cultural phenomenon:99-109. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

1990 "Black faces, garlands, and coconuts: exotic dances on street and stage." Dance research journal 22(2):1-12. New York: Congress on Research in Dance.

CONSTANTIN COSTEABucuresti, ROMANIA

Costea, Constantin1953 Culugereadansului [Collection of dances] (film strip). Bucuresti: Ion CreangS Studio.

[35mm; 52 frames.]

1957 Structura jocurilor fecioresti din Ardeal [The structure of young-male dances in the Ardealdistrict] (research paper). (Presented at the first symposium of the Institute of Folklore, Bucuresti.)

1961a "Dansul popular romanesc" [Romanian folk dances]. Folk-lore review 2(l):34-37. Calcutta, India: Sankar Sen Gupta.

1961b Jocuri fecioresti din Ardeal [Young-male dances in the Ardeal district]. Bucuresti: Editura muzicalS. (168 pages; illustrations.)

Giurchescu, Anca; Costea Constantin1962a "Haidaul" [The HaidSul dance]. Revista de folclor 7(l-2):94-l 17. Bucuresti: Editura

AcademieiRepublicii Socialiste Romania.

1962b "Aspecte noi si traditionale din raionul Toplita"[New and traditional aspects of Toplita county]. Revista de Folclor 7(3-4):97-101. Bucuresti: Editura Academiei Republicii Socialiste Romania.

8 Buckland; Costea


Costea, Constantin1963a "Chestionarul CIMP (ICTM) privind dansul popular" [The ICTM questionnaire about folk

dance]. Revista de folclor 8 ( 1-2): 175-176. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1963b "Locul jocurilor fecioresti in repertoriul contemporan de dansuri populare-versiunea 1 -a" [The place of young-male dances in the contemporary repertory of folk dances— the first version]. Revista de folclor 8(3-4):85-92. Bucuresti: Editura Academiei Republicii Socialiste Romania.

Proca Ciortea, Vera; Emanuela Balaci; Andrei Bucsan; Constantin Costea; AncaGiurchescu; Paraschita Stef toe scu1963c 40 dansuri populare: antologie alcStuitS de sectoral coregrafic al Institutului de Folclor [40

folk dances: an anthology by the Department of Choreography of the Folklore Institute]. Bucuresti: Institutul de Folclor.

Costea, Constantin1964 Problemele cercet&rii dansului popular cu ajutorul peliculei cinematografice [Problems in the

research o f folk dance by film] (research paper). Presented at the symposium of the Institute of Ethnography and Folklore, held in Bucuresti.

1965 "Aspecte compoztionale in jocurile de invirtit" [The compositional aspects in dances that rotate]. Revista de etnoerafie si folclor 1 Of2V183-203. Bucuresti: Editura Academiei Repu blicii S ociali ste Romania.

1968 Folclor coregrafic-Bihor (Zona Alesdului) [Choreographed folklore-Bihor area (Alesd area)]1. Casa creatiei populare a judetului Bihor. (436 pages; collection of dances; illustrations.)

1970 "Folclorul coregrafic bihorean" [Choreographed folklore from Bihor]. Zilelefolcloruluibihorean 1-A: 143-154. Oradea, Romania: Comitetul de culture si art2 al judetului Bihor.

1971a "Probleme metodologice in cercetarea jocurilor de invirtit" [Methodological problems in theresearch of dances that rotate]. Revista de etnoerafie si folclor 16(2V.134-139. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1971b "Schimb de experiant3" [Research paper about folk choreography in Hungary]. Revista deetnografie $i folclor 16(3):257-258. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1972 Folclor coregrafic-Bihor, zona Beiusului. 2 [Choreographed folklore-Bihor, Beius area, 2].Oradea, Romania: Casa Creatiei populare a judetului Bihor. (422 pages; dance collection, illustrations.)

1974 "Dansul popular din zona vSii inferioare a CriSului Negru in contextul folclorului coregraficbihorean" [Folk dance from the lower valley of the Crisu Negru River in a choreographic

Costea 9


1977

1978

1979a

1979b

1979c

1980a

1980b

1980c

1981a

1981b

1981c

1982a

folkloric context from the Bihor area]. Zilele folcloruluiBihorean 4:309-315. Oradea, Romania: Central de indrumare a creatiei populare si miscarii artistice de masS Bihor.

"A bihari roman tancok" [Romanian dance from the Bihor area]. Tanctudomany tamulmdnvoc 1976/1977:301-313. Budapest: A magyar tancmuv6szek szovetsege.

"Festivalul dansului bStiinesc" [The festival of dances performed by old people]. Steaua 30(201):2. Tirgu Mures, Romania: Consiliul Popular al judetului Mures. (Newspaper article.)

"Locul jocurilor fesiorsti in repertoriul contemporan de dansuri populare-versiunea a Il-a" [The place o f young-m ale dances in contemporary repertory o f fo lk dances-the second version]. Samus 2:105-111. Dej, Romania: Festivalul folclorului somesan.

"Situatia actuals a jocului in zona suburban^ a Oradei" [The present situation of folk dance in the suburban area of Oradea]. RevistaBiharea:322-325. Oradea, Romania: Muzeul TSrii Crisurilor.

"Festivalul national al folclorului albanez" [The national festival of Albanian folklore].Revista de etnoerafie si folclor 24(1): 118-119. Bucuresti: Editura Acaemiei Republicii SocialisteRomania.

"Dansul popular din zona VascSului" [The folk dance of Vasc&u area]. Revista Biharea 78:284-287. Oradea, Romania: Muzeul Tarii Crisurilor.

Jocuri din Muntenia 1 [Dances of Muntenia, 1] (phonodisc). Bucuresti: Electrecord. (331/3 rpm; STM-EPE 01622; 16 dance songs.)

Jocuri din Maramures-Oas-LSpus 3 [Dances from Maramures, Oas, Lfipus, 3] (phonodisc). Bucuresti: Electrecord. (33 1/3 rpm; ST-EPE 01683; 17 dance songs.)

Jocuri din Mures 2 [Dances from Mures, 2] (phonodisc). Bucuresti: Electrecord. (33 1/3 rpm; ST-EPE 01681; 15 dance songs from areas Muresul de Sus, Tirnaveni-Ludus, Cimpia Transilvaniei.)

Jocuri din Oltenia-Doli 4 [Dances from Oltenia-Dolj, 4] (phonodisc). Bucuresti: Electrecord. (33 1/3 rpm; ST-EPE 01734; 16 dance songs.)

Jocuri din Brasor 5 [Dances from Brasov, 5] (phonodisc). Bucuresti: Electrecord. (33 1/3 rpm; ST-EPE 01736; 13 dance songs.)

"Dansul popular azi" [The folk dance today]. Revista CintareaRomaniei 10:8-12. Bucuresti: Consiliul Culturii si Educatiei Socialiste. (5 pages.)

10 Costea

DANCE BFXFARCH: PUBLISHED OR PUBLICLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1983 Jocuri din Moldova de Miiloc 6 [Dances from middle Moldova, 6] (phonodisc). Bucuresti: Electrecord. (33 1/3 rpm; 17 dance songs from Bacfiu and Neamt districts.)

Costea, Constantin; and others1984 Dictionarde termeni muzicali [Dictionary of musical terms] Bucuresti: Editura StiintificS si

EnciclopedicS. (59 dance terms.)

Costea, Constantin1987a "Dansul popular: tendinte de evolutie" [Folk dance: tendencies of evolution]. Anuarul

Institutului de cercetSri etnologice si dialectologice, series B, 4:134-170. Bucuresti: Consiliul Culturii siEducatiei Socialiste.

1987b " Jocurile fecioresti transilv&nene: arie de difuziune si terminologie" [The young-male dancesfrom Transylvania: diffusion in area and terminology]. Revista de etnoerafie si folclor 32(1): 134-139. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1988 "Jocurile fecioresti transilvfinene: atestSri documentare" [The young-male dances from Transylvania: historical data]. Revista de etnoerafie si folclor 33(l):75-89. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1989 Diversitate si unitate in dansul popular romSnesc [Variety and unity in Romanian folk dance] (research paper). Presented to a symposium of the folklore section of the Academy of Romania, held in Bucuresti.

1990a La danse avec le baton dans le contexte des danses roumaines des jeunes homines deTransylvanie [Stick dances among young Romanian males o f Transylvania] (research paper). (Presented at the 16th symposium of the ICTM Study Group on Ethnochoreology, held in Budapest; August.)

1990b "Dansul popular fenomen artistic colectiv" [The folk dance collective as artisticphenomenon]. Revista Albina, new series 98(5):6. Bucuresti: Ministerul Culturii.

» > » > » » » » » » » > » » > » > » » > » > • > » > »

GRA2Y N A DABROW SKAWarsaw, POLAND

Dabrowska, G raiyna1952 Krakowiak [Krakowiak]. Warsaw: Centralna Poradnia Amatorskiego Ruchu

Artystycznego. (33 pages.)

1961 "O notacji tarica" [About dance notation]. Biuletyn Centralnei Poradni Amatorskiego Ruchu Artystycznego:34-45. Warsaw: Centralna Poradnia Amatorskiego Ruchu Artystycznego.

Costea; Dqbrowska 11


1965a Taniec w obrzedzie weselnym Kurpi6w Puszczv Zielnoej [Dance in the wedding custom ofthe Kurpie Green Plain] (master's thesis). Wroclaw, Poland: Wroclaw University, Department of Ethnography. (120 pages.)

1965b "Maria Drabecka: Polskie tance ludowe w pracach O. Kolberga" [Maria Drabecka: Polish folkdances in the works of O. Kolberg] (review). Demos: ethnographische und folkloristischeinformationen 6(2):219,357. Berlin (East): German Academy of Sciences.

1965c "Adam Glapa und Alfons Kowalski: taiice i zabawy Wielko-Polskie" [Adam Glapa and Alfons Kowalski: dance and play from Great Poland] (review). Demos: ethnographische und folkloristischeinformadonen 6(2):220, 360. Berlin (East): German Academy of Sciences.

1965d "W sprawie badari tarfca ludowego" [About folkdance research]. Muzyka 10(36):34-39. Warsaw: Polska Academia Nauk, Instytut Sztuki.

1967 Taiice Kurpiow Puszczv Zielonei [Kurpien dances from the Green Plain]. Warsaw:Centralna Poradnia Amatorskiego Ruchu Artystycznego. (197 pages; Labanotation; music notation.)

1968a Obrzedy i zwyczaje doroczne iako widowisko [Customs and annual traditions as spectacles] 1,2. Warsaw: Centralna Poradnia Amatorskiego Ruchu Artystycznego. (Volume 1,140 pages; volume 2,116 pages; second edition, 1971-1972.)

1968b "Grazyna Dabrowska: tarfce Kurpidw Puszczy Zielonej" [Grazyna Dabrowska: dances from the Green Plain]. Demos: Internationale Ethnographische und Folkloristische Informadonen 9(1): 137,223. Berlin (East): Akademie Verlag.

1969a " Jacek T omasik-Maria Romowicz: taiice mieszczan Zy wieckich" [ Jacek T omasik-MariaRomowicz: Burgher dances from Zywiec]. Demos: intemationale ethnographische und folkloristischeinformationen 10(2):206,342. Berlin (East): Akademie Verlag.

1969b "Uwagi o metodach badarf tailca ludowego" [Remarks about the methodology in folkdance research]. Etnografiapolska 14(1): 11-23. Warsaw: Polska Adademia Nauk, Instytut Historii Kultury Materialnej.

1970a "Janfna Marcinkowa: folklor tarieczny Beskidu Slaskiego" [Jamna Marcinkowa: Folkdances fromBeskid Slaski], Demos: Intemationale Ethnographische und Folkloristische Informationen 11(3):286-287,448. Berlin (East): Akademie Verlag.

12 Dabrowska

DANCE RESEARCH. PUBLISHED OR PUBLICLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1970b "Obrzody, zwyczaje i taiice ludowe, jako tworzywo repertuaru zespolow aitystycznych"[Customs, traditions and folkdances in the repertoire of artistic groups]. Folklor w zyciu wspolczesnym:66-78. Poznarf, Poland: Wielkopolskie Towarzystwo Kulturalne.

1972 Tradvcvinv folklor tanecznv w zvciu wsi na Mazowszu [Traditional dance folklore in the village life of Masovia] (doctoral dissertation). Warsaw: Polska Akademia Nauk, Instytut Sztuki Library. (200 pages.)

1975a Folklor Mazowsza [Folk dance in Masovia] 1. Warsaw: Centralny OSrodek Kultury. (376 pages; Labanotation; music notation.)

1975b Les danses folkloriques de la Pologne centrale k la lumiere de la documentation recueillie a l'heure actuelle [Folkdances of central Poland in light of recent research] (research paper). (Presented at the 4th international Balkan folklore symposium, held at Ohrid, Yugoslavia, sponsored by the Macedonian Folklore Institute of Skopje, Yugoslavia; July.)

1977a Folklor nascenie [Folkdance on the stage]. Warsaw: Centralny OSrodek Metodyki Upowszechniania Kultury. (50 pages.)

1977b "Taiice slowiaiiskie" [Slavic dances]. Slownik starozytnoSci slowiailskich: 18-20. Wroclaw, Warsaw, Krak6w, Gdarisk, Poland: Polska Akademia Nauk. Komitet Stowianoznawstwa.

1977c "X. Miedzynarodowa Konferencja Robocza Etnochoreologow Europejskich" [Tenthinternational working conference of the European ethnochoreologists]. Muzyka 2:112-115. Warsaw: Polska Akademia Nauk Instytut Sztuki. (Report of the Dance Terminology Group of the International Folk Music Council, held at Zaborow near Warsaw, 13-18 September 1976.)

1979 W kregu polskich taric6 w ludowych [Within the circle of Polish folkdances]. Warsaw: Ludowa Spotdzielnia Wydawnicza. (262 pages.)

1980a Taniec ludowy na Mazowszu [Folk dance in Masovia], Krakow: Polskie Wydawnictwo Muzyczne. (262 pages; Labanotation; music notation.)

1980b "XI. Miedzynarodowa Konferencja Robocza Etnochoreologdw Europejskich" [Eleventh international working conference of the ethnochoreology group of the International Folk Music Council]. Muzyka 4:111-112. Warsaw: Polska Akademia Nauk Instytut Sztuki. (Report of the Dance Terminology Group of the International Folk Music Council, held in Neustrelitz, DDR, 8-11 November 1979.)

1980c "Traditionelle Volkstanze in Polen in Paaren ausgefiihrt": Der altere Paartanz in Europa [Traditional folkdances done in couples: the older couple dances in Europe].K >nferenz.berieht:77-86. Stockholm: Dansmuseet, Arkivet for folklig dans.

Dabrowska 13


1981a "XII. Miedzynarodowa Konferencja Robocza Etnochoreologow Europejskich(Ethnochoreology International Group of IFMC) w Sztokholmie 30 V III-9IX 1980 r.) [Twelfth international working conference of the European Ethnochoreology Group of the IFMC in Stockholm 30 VIII- 9 IX 1980]. Muzyka 2:110-112. Warsaw: Polska Akademia Nauk Instytut Sztuki. (Report of the Dance Terminology Group of the IFMC (ITCM), held in Stockholm, Sweden; 30 July-9 August 1980.)

1981b "Z poszukiwaii zr6del do badarf polskiego tatica ludowego" [About the investigations of the sources for Polish folkdance research]. Muzyka 1:70-75. Warsaw: Polska Akademia Nauk, Instytut Sztuki.

1981c "Taniec ludowy" [The folkdance]. M. Biemacka; M. Frankowska; W. Paprocka (editors),Etnografia Polski. Przemiany kulturv ludowei 2:285-326. Wroclaw, Poland: Zaklad Narodowy im Ossolinskich.

1983a "Reigentanze in Polen" [Linear-serpentine dances in Poland]. Grazyna Dabrowska, KurtPetermann (editors), Analyse und Klassifikation von Volkstanzen:81-146. Krak6w, Poland: Polskie Wydawnictwo Muzyczne.

Dabrowska, Graiyna; Kurt Petermann (editors)1983b Analyse und Klassifikation von Volkstanzen [Analysis and classification o f folkdances].

Warsaw: Polish Academy of Science, Art Institute of Warsaw. (Conference report of the 10th working meeting of the International Folk Music Council study group for folkdance terminology, held in Zabor6w, near Warsaw, Poland.) (226 pages; Labanotation; music notation.)

Dabrowska, Graiyna1984 Taiice polskich g6rali [Polish Goral dances] (research paper). (Presented to Og61nopolska

scientific conference, "Tradycyjna i wspolczesna kultura wsi karpackiej," organized by Wojewodzki OSrodek Kultury, held at Nowy Sacz.)

1985a Wesele kurpiowskie [Wedding in Kurpie], Krak6w: Polskie Wydawnictwo Muzyczne.(224 pages; music notation.)

1985b "Folklor taneczny, a jego adaptacje sceniczne" [Dance folklore and its adaptation for thestage]. ZiemiaGdariska, Biuletvnmetodyczny 144-145:46-61. Gdarfsk, Poland: Wojewodzki OSrodek Kultury.

1986a "Taiice kociewskie" [Dances in Kociewie]. Kociewie w muzyce: 17-24. DrugaOg61nopolska Sesja Naukowa. Gdailsk, Poland: Akademia Muzyczna, Wojewddzki OSrodek Kultury.

14 Dqbrowska

DANCE BPCFARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1986b Ethnochoreologische Dokumentationsprobleme in der V ergangenheit und Heute[Ethnochoreological problems of documentation in the past and present] (research paper). (Presented to the ICTM Study Group on Ethnochoreology, held at Neubrandenburg, East Germany.)

1987a "Research on popular dance in Poland." International monograph on folk dance (Poland, Portugal, Sweden) 2:37-55. Budapest: CIOFF and the Methodological Institute o f the Hungarian National Centre for Culture. (Also in French, pages 5-23.)

1987b Autentyczny folklor taneczny a scena [Authentic dance folklore and the stage] (researchpaper). (Presented to Ogolnopolska scientific conference, "Folklor i folkloryzm," organized by Wojew6dzki OSrodek Kultury, held at Nowy Sacz.)

1987c V olkstiimmliche Quellen der polnischen Nationaltanze (Polonaise, Krakoviak, Masur,Oberek, Kuiaviak) [Popular resources of Polish national dances (Polonaise, Krawkowiak, Mazur, Oberek, Kujawiak)] (research paper). (Presented to the 29th ICTM conference, held in East Berlin; July.)

1987d "A hagyomanyos neptancok szerepe Ktfzep-lengyeloszag falvoiban” [The role of traditional folk dance in the life of the village of central Poland]. Etnographia 98:239-259. Budapest: Akademiai Kiado. (Summary in English.)

1989a "Der Tanz als einer von Komponenten der traditionellen Kultur" [The dance as one of thecomponents of traditional culture]. LisbetTorp (editor), The dance event: a complex cultural phenomenon:44-53. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology; summary in English.)

1989b "Folklor autentyczny a scena" [Authentic folkdance to the stage]. Taniec wsi polskiei 1:3741. Warsaw: Polskiego Towarzystwa Etnochoreologicznego.

Dabrowska, G raiyna; P iotr D ahlig (editors)1989c Taniec wsi polskiej [Dances in the Polish country]. Biuletyn ptech z okazji walnego zebrania

Polskiego Towarzystwa Etnochoreologicznego, 1. Warsaw: Polskiego Towarzystwa Etnochoreologicznego. (56 pages.)

D abrow ska, G raiyna1990a Taiica z arfcasonami w Polsce [Implement dances in Poland] (research paper). (Presented

with video to the 16th symposium of the ICTM Study Group on Ethnochoreology; Budapest; August.)

Dabrowska 15


Dabrowska, Graiyna (editor)1990b WiadomoSci Polskiego Towarzvstwn Etnochoreologiznego [News of the Polish Association

for Ethnochoreology]. Biuletyn Ptech z okazji nadzw. walnego zebrania 1(2):. Warsaw: Polskiego Towarzystwa Etnochoreologicznego. (36 pages.)

Dabrowska, Graiyna1991 Taricuize dobrze. Taiice polskie [Dance well. Polish dances]. Warsaw: Wydawnictwa

Szkolne i Padagogiczne. (600 pages; music notation.)

ELSIE IVANCICH DUNINLos Angeles, California, UNITED STATES

Dunin, Elsie1966 Silent dances of the Dinaric Mountain area: analysis of purpose, form, and style of selected

dances (master’s thesis). Los Angeles: University of California, Department o f Dance. (146 pages; Labanotation.)

1971 "Gypsy wedding: dance and customs." Makedonski folklor 4(7-8):317-326. Skopje, Yugoslavia: Institut za Folklor.

1973a "CoCek as a ritual dance among Gypsy women." Makedonski folklor 6(12):193-198. Skopje, Yugoslavia: Institut za Folklor.

Dunin, Elsie; Mihailo Dimoski; Stanimir ViSinski1973b Makedonski narodni plesovi [Macedonian folk dances]. Zagreb: Prosvjetni Sabor Hrvatske.

(153 pages; in Croatian, English; Labanotation.)

Dunin, Elsie Ivancich1975 "Winter dance events among South Slavic immigrants in California." Makedonski folklor

8(15-16):165-175. Skopje, Yugoslavia: Institut za Folklor.

1979 South Slavic dance in California: a compendium for the years 1924-1977. Palo Alto, California: Ragusan Press. (204 pages.)

Dunin, Elsie Ivancich; Nancy Lee Chalfa Ruyter1981 Yugoslav dance: an introduction and list of sources available in United States libraries. Palo

Alto, California: Ragusan Press. (108 pages.)

Dunin, Elsie Ivancich1981-1982 "Change in South Slavic/American dance." Dianne Woodruff (editor). Dance research

journal 14(l-2):59-61. New York: Congress on Research in Dance.

16 Dqbrowska; Dunin


1983 "Festival dress at a Gypsy svadba." Ornament 7(2V.22-23. Los Angeles, California: Ornament

1984a Dance occasions and festive dress in Yugoslavia. UCLA monograph series 23. LosAngeles, California: University of California, Museum of Cultural History. (72 pages; monograph and museum exhibit catalogue.)

1984b "Prikazi knjiga [book review], South Slavic dances in California: a compendium for ihe years 1924-1977." Narodno stvaralaStvo 1-4:120-122. Beograd: Savez Udruzenja Folklorista Jugoslavije. (In Serbo-Croatian.)

1984c "Yugoslav and Bulgarian dances in the California folk dance movement." Folk dance scene 18(10):6-8. Los Angeles, California: Folk Dance Federation of California, South.

1984d Perception and responsibility of recording dance in social contexts (research paper).(Presented to the international congress on movement notation held at Tel Aviv University, Israel; August.)

1984e Dance as cultural expression among California South Slav/Americans (research paper).(Presented at the 5th international congress on southeast European studies, held in Beograd, Yugoslavia; September.)

1985a "Dance change in context of the Gypsy St. George's Day, Skopje, Yugoslavia, 1967-1977."Joanne Grumet (editor), Papers from the fourth and fifth annual meetings of the G v psv Lore Society. North American Chapter 2:110-120. New York: Gypsy Lore Society, North American Chapter.

1985b "'Kolo' among Gypsies in North America and Yugoslavia." Joanne Grumet (editor),Papers from the fourth and fifth annual meetings of the Gvpsv Lore Society, North American Chapter 2:164-171. New York: Gypsy Lore Society, North American Chapter.

1985c South Slavic/American youth performance ensembles-dance and music (research paper).(Presented at the International Council for Traditional Music [ICTM] conference, held in Stockholm and Helsinki; July.

1985d La Pandilla: uncovering a European dance structure in a Peruvian Andes social context(research paper). (Presented at the Congress of Research in Dance [CORD] conference, held at Ohio State University, Columbus, Ohio; October.

1986 Recording dance in fieldwork, then and now (research paper). (Presented at the Congress onResearch in Dance [CORD] and Smithsonian Institution conference entitled "Researching dance through film and video," held at Museum of Natural History, Washington, D.C.; April.)

Dunin 17

DANCE BFCFARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1987 "Undo in the context of village life in the Dubrovnik area of Yugoslavia." Lynn AgerWallen; Joan Acocella (editors), A spectrum of world dance. Dance research annual 16:1-4. New York: Congress on Research in Dance. (Selected papers from the 1982 and 1983 CORD conferences.)

1988a "Serbian Gitanos in Chile: immigration data." Cara DeSilva; Joanne Grumet; David J.Nemeth (editors) Papers from the eighth and ninth annual meetings: G v p s v Lore Society, North American Chapter, publications 4:105-120. New York: Gypsy Lore Society, North American Chapter.

1988b '"Salonsko kolo' as cultural identity in a Chilean Yugoslav community (1917-1986)." Narodna umietnost. special issue 2:109-122. Zagreb: Institute of Folklore Research.

1988c "Gypsy dance events in California." The international seminar on Gvpsv dance, June 8-lfl, 1987. Kuooio. Finland:43-51. Helsinki, Finland: The Dance Council of Finland.

1988d Guide to LCs LN: A guide on how to write Labanotation with the Apple Macintosh computer using LCs LN in accompaniment with FullPaint or MacPaint. Los Angeles: Kinko's Academic Courseware for the Regents of the University of California (Computer software and documentation; 34 pages.)

1988e Starohosansko kolo in Yugoslavia and in California (booklet). San Carlos, California: Ragusan Press. (34 pages; Labanotation.)

1988f Traditional wedding in a contemporary context in the Dubrovnik area (research paper with slides, video). (Presented to the sixth Yugoslav studies seminar, "Dubrovnik, a living history," held at UCLA; February.)

1988g "LCs LN: a program for writing Labanotation with the Apple Macintosh computer."International conference on Coordination Method Dance Notation and application: digest of papers:91-93. Nanjing, China: The Academy of Arts of China and Nanjing Institute of Technology. (In Chinese and English.)

1988h Migrations and cultural identity expressed through dance: a study of dance among SouthSlavs in California (research paper). (Presented at a conference on populations migrations in the Balkans from pre-History to recent Times, co-sponsored by the University o f California at Santa Barbara [UCSB] Department of History and the Institute for Balkan Studies, Serbian Academy of Science Arts of Belgrade, Yugoslavia; held at the University o f California at Santa Barbara; April.)

1988i Wedding dance custom: Je li Santava? [Is the bride lame?] (research paper). (Presented at the second world conference on "Folk dance research" sponsored by the International

18 Dunin


Organization o f Folk Art and International Dance Council of UNESCO, held in Lanssa, Greece; July.)

1988j Dance theme in the northern desert of Chile: los Gitanos (research paper). (Presented at the 46th international congress of Americanists, held at the Vrije University in Amsterdam; July.)

Dunin, Elsie Ivancich; Candi Harrington deAlaiza1988 DdA reference format for dance. Los Angeles: Dunin and deAlaiza. (46 pages.)

Dunin, Elsie Ivancich1989a "Dance events as a means to social interchange." Lisbet Torp (editor), The dance event: a

complex cultural phenomenon:30-33. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

1989b "Migrations and cultural identity expressed through dance: a study of dance among SouthSlavs in California." Nikola Tasic; Dusica Stosic (editors), Migrations in Balkan history: 161-170. Beograd: Serbian Academy of Sciences and Arts, Institute for Balkan Studies.

Dunin, Elsie Ivancich (editor)1989c Dance research: published or publicly presented by members of the Study Group on

Ethnochoreology. Los Angeles: International Council for Traditional Music Study Group on Ethnochoreology.

Dunin, Elsie Ivancich1990a "Yugoslav dance research project: a survey of organized dance groups in Macedonia, 1988

1990" (report). Dance research ioumal 22(l):52-54. New York: Congress on Research in Dance.

1990b Transmission and diffusion: Macedonian dances 1938-1988 (research paper). (Presented atthe sixteenth symposium of the ICTM Study Group on Ethnochoreology, held in Budapest; August.)

Dunin, Elsie Ivancich (editor)1991a Dance research: published or publicly presented by members of the Study Group on

Ethnochoreology. Los Angeles: ICTM Study Group on Ethnochoreology.

1991b Dance sources: located at UCLA libraries and archives. Los Angeles: University ofCalifornia, Department of Dance.

Dunin 19

DANCE nr™ARCH: PUBLISHED OR PUBLICLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1991c Dance: abstracts and subject index of current literature, 1989. Los Angeles: University ofCalifornia, Department of Dance. (Dance Database Project in cooperation with Performing Arts Library of Library of Congress and University of Hawaii Library.)

ROSEMARIE EHM-SCHULZNeustrelitz, GERMANY

Lettow (Ehm)-Schulz, Rosemarie; Aenne Goldschmidt; Albin Fritsch1952 Der Tanz in der Laienkunst [Dance in popular culture]. Halle (Saale): Mitteldeutscher Verlag;

Edition, Zentralhaus fur Laienkunst.

Lettow (Ehm)-Schulz, Rosemarie1953a "So tanzt man im Mansfelder Land: Ein Feldforschungsbericht iiber Tanze in der Hettstedter

Gegend" [One danced so in Mansfelder Land: a field research report on dance in the region of Hettstedt]. Volkskunst (Folk Art) 8:3-5. Leipzig: Zentralhaus fur Kulturarbeit der DDR.

1953b "Zur tanzerischen Gestaltung der Deutschen, Landler und Kontertanze von Schubert undBeethoven" [On the dance structure of the Deutschen, Landler and Kontertanze of Schubert and Beethoven]. Volkskunst 11:3-4. Leipzig: Zentralhaus fur Kulturarbeit der DDR.

1957 "Mit dem Schlitten quer durch den Darss: Ein Feldforschungsbericht zum Tanz an der Ostseekiiste" [With a sledge across the Darss: A field work report on dance on the Baltic coast]. Volkskunst 2:11-13. Leipzig: Zentralhaus fur Kulturarbeit der DDR.

Ehm-Schulz, RosemarieI960 Volkstanzexercice JFolk dance exercises]. Leipzig: Friedrich Hofmeister; Edition,

Zentralhaus fur Volkskunst.

1964 "Gold des Meeres: Quellen und Studien zur Vorbereitung eines Folklore-Balletts" [Gold of the Sea: Sources and studies for the preparation of a folk ballet]. Volkskunst 9 :40-43 ,10:404 3 ,11:40-42. Leipzig: Zentralhaus fur Kulturarbeit der DDR.

1974a "Alte Polka: Paartanzgestaltung" [Old polkas: Couple dance design]. Dg rTanz. Leipzig: Zentralhaus fur Kulturarbeit der DDR; Edition: Zentralhaus fur Kulturarbeit der DDR.

1974b "Alte Mecklenburger Tanze: Paartanz" [Old Mecklenburger couple dances]. P gr Tan& Leipzig: Zentralhaus fur Kulturarbeit der DDR; Edition Zentralhaus fur Kulturarbeit der DDR.

1975 "Der Tanz in den Forschungen Richard Wossidlos: Ein Beitrag zur Herausarbeitung undBestimmung der Charakteristik und Stilistik des mecklenburgischen Volkstanzes" [Dance in the research of Richard Wossidlos: a contribution to the development and determination of the characteristics and style o f Mecklenburg folk dances]. Kolloquium des Staatlichen

20 Dunin; Ehm-Schulz


Folkloreensemhles der DDR 1974:20-62. Wissenschaftliche Beitrage 4. Leipzig: Zentralhaus fur Kulturarbeit der DDR.

1976a "Strukturen und Gestaltungsprinzipien der mecklenburgischen Paartanze" [Structure and design principles of Mecklenburg couple dances]. 2. Kolloquium des Staatlichen Folkloreensemhles derD D R 1976:37-46. Neubrandenburg: Staatliches Folkloreensemble der DDR, Rat des Bezirkes Neubrandenburg, Zentralhaus fur Kulturarbeit der DDR.

Ehm-Schulz, Rosemarie; Kurt Petermann1976b "Grundlagen der Strukture-und Formanalyse des Volkstanzes" [Basis of analysis of structure

and form of folk dances]. Neubrandenburg: Bezirkskabinett fur Kulturarbeit.

Ehm-Schulz, Rosemarie1980a "Ein Beitrag zur Erfassung der friihen Paaretanzformen in Europa" [A contribution to the

comprehension of early couple dance forms in Europe]. Konferenz-bericht. Stockholm "Uber die alteren Paartanzformen in Europa:180-198. Stockholm: Arkivet for folklig dans, Dansmuseet

1980b "Volkstanz-Forschung-Biihnentanz: Versuch der Annaherung und Verstandigung" [Folk dance-research-stage dance: An attempt at approach and understanding]. 3. Kolloauim des StaatlichenFolkloreensemblesderDDR 1978:133-149. Neubrandenburg: Staatliches Folkloreensemble der DDR, Mecklenburgisches Folklorezentrum Tanz.

1980c Choreoeraphie: Versuch einer Darstellung der historischen Entwicklung der Raumgestaltung[Choreography: attempt at a representation of the historical development of spatial design in dance]. Leipzig: Zentralhaus fur Kulturarbeit der DDR.

1982a "Der tanzerischen Formung neue Inhalte erschlieBen: Eine Betrachtung zur historichenEntwicklung des Kammertanzes" [The inclusion of new content in dance structure: an observation on the historical development of chamber dances], Tanztradition. Theoretische Beitrage zur intemationalen Werkstatt ARTAMA Kammertanz in der DDR. Leipzig: Zentralhaus-Publikation.

1982b Probleme-Uberlegunpen-Versuche: Ein Beitrag zur Erfasung der friihen Paartanzformen inEuropa anhend der deutschen literarischen und ikonographischen Dokumente. [Problems- considerations-attempts: a contribution to comprehension of early couple dance forms in Europe in reference to German literary and iconographic sources]. Schriftenreihe des Mecklenburgischen Folklorzentrums Abteilung Tanz [Series of the Dance Department of the Mecklenburg Folklore Center]. Neubrandenburg: Mecklenburg Folklorezentrum Abteilung Tanz; Bezirkskabinett fur Kulturarbeit Neubrandenburg.

1982c "Mazurka-Varianten in Mecklenburg" [Mazurka variants in Mecklenburg]. 4. Kolloauim desStaatlichen Folkloreensembles der DDR 1981:36-63. Schriftenreihe des Mecklenburgischen Folklorezentrums Abteilung Tanz [Series of the Dance Department of the Mecklenburg Folklore Center]. Neubrandenburg: Mecklenburgisches Folklorzentrum Abteilung Tanz.

Ehm-Schulz 21

DANCE BFSFARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1983 Mecklenburgische Partanze dargestellt anhend alterer Ouellen mit Musikbeispeilen und Tanzheschreibungen [Mecklenburg couple dances are represented in old sources with music examples and dance descriptions]. Schriftenreihe des Mecklenburgischen Folklorezentrums Abetilung Tanz. [Series of the Dance Department of the Mecklenburg Folklore Center]. Neubrandenburg: Mecklenburgisches Folklorzentram Abteilung Tanz.

1984 "Tanz und tanzerische Bewegung wahrend der Emtezeit in Mecklenburg" [Dance and dancelike movements during harvest time in Mecklenburg]. Emtebrauchtum einst und ietzt:37-45. Rostok, GDR: Mecklenburgischen Folklorezentrum fur die drei Nordbezirke.

1989 "New dance and custom events in the GDR as a result of revival" (summary of paper).Lisbet Torp (editor), The dance event: a complex cultural phenomenon:72-73. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

LASZLO FELFOLDIBudapest, HUNGARY

Felfoldi, Laszlo1974a "Csongrfd megyei gyermekjatek kutatas" [Research on children's games in C son grad

county]. Somogvi K onwtari Miihelv 3:321-327. Szeged, Hungary: Csongrad Megyei Konyvtar.

1974b "A B6k6s 6s Csongr&d megyei diszn6 tori szokisok dramatikus mozzanatair61" [Aboutdramatic moments in pig-killing customs in Bekes and Csongrad counties]. Ldszld Foldes (editor), Ethnographia 85(2-3):469-478. Budapest: Magyar N<£prajzi T&rsasdg.

1975 "Irasos dokumentumok egy mezoviros tanckultur^jirol" [Written sources o f the danceculture in a peasant-town]. Ott6 Trogmayer (editor), A M6ra Ferenc Muzeum Evkonyve 1974-1975 1:65-75. Szeged, Hungary: Mora Ferenc Muzeum.

1976a "Kereszteld', temetes, lakodalom Kisteleken" [Christening feast, funeral and wedding inKistelek village]. Antal Juhasz (editor), Tanulmdnyok Kistelek tondnetebol es nepeletebol:423-446. Szeged, Hungary: Kistelek Nagykozseg Tandcsa.

1978 "Tancelet, neptanc" [Folk dance life and folk dances]. Antal Juhasz (editor), Sandorfalvatortente 6s nepelete:341-360. Sandorfalva, Hungary: Sandorfalva Nagykozseg Tanacsa.

1980a "Tancelet" [Folk dance life]. Ott6 Trogmayer (editor), Balint Sandor: Szogedi nemzet3:907-922. Szeged, Hungary: Mora Ferenc Muzeum.

22 Ehm-Schulz; Felfoldi


1981a " H c t o h h h k h H 3yM eH H H xopeorpa$HMecKo* K y j iB T y p B l o 6 c k h x y r p o B " [Sources of folk dance research of Ob-Ugrien peoples]. Congressus Ouartus Intemationalis Fenno- U pistarum Budapestini habitus 9-15 Septembris 1975 4:87-92. Budapest: Akademiai Kiado.

1981b "npo 6 jieMi.I H3yMeHHH xopeorpa$>HMecx:oro Hacjieana 4 > H H H O -y ro p c K H X

HapoaoB" [Problems of folk dance research among Finno-Ugric peoples]. Congressus Quintus Intemationalis Fenno-Ugristarum. Turku 20-27. VIII 1980 8:166-171. Turku, Finland: Suomen Kielen Seura.

1982a "A magyar halottas tancok funkcionalis vizsgalata" [Functional analysis of the Hungarian funeral dances]. Mihaly Hoppal; Ldszlo Novak (editors), Halottkultusz. EI(5munkalatok_a Mapvarsag Nepraizahoz 10:212-224. Budapest: MTA Neprajzi Kutatd Csoport.

1982b "Egy ifju halott lakodalma Apatfalvan 1924-ben." [Wedding of a deceased young girl at Apatfalva village in 1924]. Antal Juhasz (editor), Muzeumi Kutatasok Csongrad megveben:95-101. Szeged, Hungary: M6ra Ferenc Muzeum.

1983a "Adatok HodmezSvasarhely tdnckulturajarol" [Data about the dance culture ofH6dmez6vasarhely]. Em 6 Tarkiny Sziics (editor), Kiss Laios Emlekkonyv:379-401; 429430. HodmezSvasarhely, Hungary: HodmezSvasarhely Varos Tanacsa.

1983b "Adatok a deszki szerbek es6vardzsl6 szokasair61" p a t a about rain charming customs ofSerbs living in Deszk village]. Antal Juhdsz (editor), Muzeumi Kutatasok Csongrad megveben:29-34. Szeged, Hungary: Mora Ferenc Muzeum.

1983c "A szovjet nept^nckutatas eredmenyeir6T' [Results o f Soviet folk dance research]. Livia Fuchs; Ern6' Pesovar (editors), Tdnctudomanvi Tanulmanyok 1982-1983:425-449.Budapest: Magyar Tancmuveszek Szovetsege.

1983d A Maros menti nenek tanchagvomanva. kiilonos tekintettel a szerbek tancaira [Dance traditionof the peoples living along the Maros River, especially the folk dances of the Serbs] (doctoral dissertation). Szeged, Hungary: Jdzsef Attila University. (416 pages.)

1984a "Hagyomanyos gyermekjdtekok es tancok Deszken" [Traditional children games and dances in Deszk village]. Andr£s Hegyi (editor), Deszk tortenete es nepraiza:851-907. Szeged- Deszk, Hungary: Deszk Kozsegi Tandcs.

1984b "A Maros menti szerbek tancairol" [Dances of Serbs living along the Maros River]. Otto Trogmayer (editor), A Mora Ferenc Muzeum Evkonw e 1980-1981 1:163-189. Szeged, Hungary: Mora Ferenc Muzeum.

1984c "Adatok egy Mnati telepes kozsdg ndprajzahoz" [Data about folklife of a village in Banat]. Antal Juh£sz (editor), Muzeumi Kutatasok Csongrad megyeben:51-66. Szeged, Hungary: Mora Ferenc Muzeum.

Felfoldi 23


1985 "BeHrepcKHe noxopoHHtie TaHiitl" [Hungarian funeral dances]. CQngrgssuS International! sFenno-Ugristarum Syktyvkar 1985:295-300. Budapest: MTA Nyelvtudomdnyi Intezet.

1986 "On the folk dance tradition of the South Slavs in Hungary." Edit Kaposi (editor), Hungarian dance news 1:21-24. Budapest: Magyar T£ncmuv6szek Szovetsdge.

1987 "A finnugor nepek neptanckutatisarol" [About folk dance research of the Finno-Ugric peoples]. TiSnctudom&ivi Tanulmdnvok 1986-1987:291-311. Budapest: Magyar Tancmuveszek Szovetsege.

1988a "Folk dance in the Academy of Sciences." Edit Kaposi (editor), Hungarian dance TW-S 1;25- 28. Budapest: Magyar Tancmuv6szek Szovetsege.

1988b "A magyarorszagi ciganysdg tanckulturajanak kutatasarol" [About research of the dance culture of Gypsies in Hungary]. Muhelvtanulmanvok a nvelveszet es tarstudomanyai korebdl 4:71-77. Budapest: MTA Nyelvtudomanyi Intezet

DIANE C. FREEDMANPhiladelphia, Pennsylvania, UNITED STATES

Freedman, Diane C.1975 Dance research: a perspective from communication theory (research paper). (Presented at

the Conference on Culture and Communicaton, Temple University.)

1979 Dance as symbolic code in Romanian courtship ritual (research paper). (Presented at the 78th annual meeting of the American Anthropological Association, held in Cincinnati, Ohio.)

1980a "Introduction to dance literacy: perception and notation of dance patterns by Nadia Nahumck" (book review). Studies in visual communication 6(l):84-87. Philadelphia, Pennsylvania: Society for Anthropology of Visual Communication.

1980b A movement workshop: the application of Laban Movement Analysis to the cross-cultural study of body movement (research paper and movement workshop). Presented at the Conference on Visual Anthropology, held in Temple University, Philadelphia, Pennsylvania.

1983a "A bride leaves home: dance in Romanian weddings." Folk dance scene 18(3):2-3,7. Los Angeles: California Folk Dance Federation, South.

1983b Dance as communicative code in Romanian courtship and marriage rituals (doctoraldissertation). Philadelphia, Pennsylvania: Temple University, Department of Anthropology.

24 Felftildi; Freedman


1983c The dance symbol in rural Romania (lecture). (Presented at the Society for theAnthropological Study of Human Movement, held in New York University; February.)

1986a "Wife, widow, woman: roles of an anthropologist in a Transylvanian village." PeggyGolde (editor), Women in the field: anthropological experiences. Second edition. Berkeley, California: University of California Press.

1986b Dance code and gender role in a Transylvanian village (research paper). (Presented at the 85th annual meeting, American Anthropological Association, held in Philadelphia, Pennsylvania.)

1989a The virgin's circle: dance in Transylvanian weddings (research paper). (Presented at the annual meeting of the American Folklore Society, held in Philadelphia, Pennsylvania.)

1989b "Gender identity and dance style in rural Transylvania." East European Quarterly 23(4):419- 430. Boulder, Colorado: University o f Colorado.

1990b Gender signs: Effort/Shape analysis of Romanian couple dances (research paper).(Presented at the 16th symposium, International Council for Traditional Music, Study Group on Ethnochorelogy, held in Budapest; August.)

ANCA GIURCHESCUCopenhagen, DENMARK

Giurchescu, Anca1957 "Jocurui din Vrancea" [Folk dances from Vrancea]. Revista de folclor 2(4):55-76.

Bucuresti: Editura Academiei Republicii Socialiste Romania.

1959a "Despre ciclurile de joc din Ardeal" [On the dance cycles from Transylvania]. Revista de folclor 4(l-2):261-278. Bucuresti: Editura Academiei Republicii Socialiste Romania.

Giurchescu, Anca; and others1959b "SuitS de dansuri bulgaresti" [Bulgarian dance suite] and "Suita de dansuri tStaresti" [Tartar

dance suite]. Dansuri populare ale nationalitStilor conlocuitoare din Romania. Bucuresti: Editura pedagogics.

Giurchescu, Anca1960 "Citeva probleme legate de aspectual contemporan al jocului popular romanesc" [Some

problems regarding the contemporary aspect of Romanian folk dance]. Revista de folclor 5(3-4):65-72. Bucuresti: Editura Academiei Republicii Socialiste Romania.

Freedman; Giurchescu 25


Proca Ciortea, Vera; Emanuela Balaci; Andrei Bucsan; Constantin Costea; AncaGiurchescu; Paraschita Stef&nescu1961 40 dansuri populare: antologie alcStuita de sectia coregraficS a Institutului de Folclor [40 folk

dances: anthology by the department of choreography of the Folklore Institute]. Bucuresti: Institutul de Folclor.

Giurchescu, Anca1962 "Opportunities for folk dancing in the upper Muresh Valley." Information bulletin 5:6-9.

Bucharest: National Committee of the International Folk Music Council. (Prepared on occasion of the folklore festival of the Balkan and Adriatic countries; July/August)

Giurchescu, Anca; Constantin Costea1962a "Aspecte noi si traditionale din raionul Toplita" [New and traditional aspects of Toplita

county]. Revista de folclor 7(3-4):97-101. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1962b "Haidaul" [The HaidSul dance]. Revista de folclor 7(3-4):94-l 17. Bucuresti: EdituraAcademiei Republicii Socialiste Romania.

Giurchescu, Anca1963a "Discutii asupra terminologiei in jocul popular" [Discussion about folk dance terminology].

Revista de folclor 8(1-2):163-164. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1963b "Adoptarea sistemului de notatie Laban-Knust" [Adoption of Laban-Knust notation system].Revista de folclor 8(1-2): 165-166. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1963c "Jocurile ciobanesti din satul Dumbrava" [Pastoral dances of the village Dumbrava]. Revistade folclor 8(3-4):60-73. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1964a "Analiza structurii dansului popular romanesc" [Structural analysis of Romanian folk dance].Revista de etnoerafie si folclor 9(2):191-199. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1964b "Was erwarten wir von einer zeitgenossischen folkloristischen choreographic?" [What do weexpect from contemporary dance folklore research]. Der tanz 12:19-21. Leipzig: Zentralhaus fur Kulturarbeit.

1965a "Probleme des rumanischen Volkstanzes" [Problems of Rumanian folk dances]. P e r tanz:Fachausgabe der volkskunst 1:18-21. Leipzig: Zentralhaus fiir Kulturarbeit.

1965b "Observatii asupra structurii arhitectonice a dansurilor cu forma fixa" [Observations on thearchitectonic structure of fixed form dances]. Revista de etnografie si folclor 10(4):389-397. Bucuresti: Editura Academiei Republicii Socialiste Romania.

26 Giurchescu


1966 "Filmul ca instrument al cercetSrii folclorice" [Film as a tool for folklore research]. Rgvista de etnografie si folclor ll(3):251-258. Bucuresti: Editura Academiei Republicii Socialists Romania.

1967 "Purtale de fete de pe valea Timavelor" [Girl's Purtate from Timava Valley]. Revista de Ptnofirrafie si folclor 12(4):283-297. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1968a "Aspecte ale fenomenului de improvizatie in dansul popular romanesc" [Aspects of the phenomenon of improvisation in Romanian folk dance]. Revista de etnografie si folclor 12(3):229-234. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1968b "Evolucija narodne igre i metod njenog ispitivanja u sadaSnjem druStvenim uslovima" [Theevolution of folk dance, and a method of its research in contemporary social context]. Rad 13og kongresa Saveza Folklorista Jugoslaviie u Doiranu 1966 godine:547-551. Skopje: Zadruzenie na folkloristite na SR Makedonija.

Proca Ciortea, Vera; Anca Giurchescu1968c "Quelques aspects theoriques de l'analyse de la danse populaire” [Some theoretical aspects of

folk dance analysis]. Langages 10:87-93. Paris: Didier/Larousse.

Giurchescu, Anca1970a "Dansul in obiceiul c21usarilor" (Dance in the C&lusari custom]. Stidii, refsrate.$i

comnnicari. Festivalul CSIusului (1969) [Studies, papers and communications, CSlus Festival (1969)]:29-41. Slatina, Romania: Comitetul de culturS si arts a judetului Olt.

1970b "Cercetarea contextual^ a dansului popular" [Contextual research in folk dance]. Revista de etnografie si folclor 15(l):21-28. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1971a "Raportul intre modelul folcloric si produsele spectaculare de dans popular" [Relationship between the folklor model and staged folk dance products]. Revista de etnografie si folclor 16(5):369-374. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1971 b "Raportul intre modelul folcloric si produsele spectaculare de dans popular" [Relationship between the folklor model and staged folk dance products]. Revista de etnografie si fo lder 16(5):369-374. Bucuresti: Editura Academiei Republicii Socialiste Romania.

Giurchescu, Anca; Radu Niculescu197 lc Theses sur la structure de la danse folklorique [Theses on the structure of the folk dance]

(research paper). (Presented at the symposium on audio-visual semiotics, held in Urbino, Italy; July.

Giurchescu 27

DANCE RESEARCH: PUBUSHED OR PUBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

Giurchescu, Anca1972a "Functionalitatea dansurilor funebre in conceptia popularS" [Function of the funeral dances

according to people's traditional outlook]. Folclor literar 3:121-128. Timisoara, Romania: Universitatea din Timisoara, Facultatea de Filologie.

1972b "Repertory of folk dances." The "Iron Gate" complex atlas:260-262. Bucharest: The Publishing House of the Academy of the Socialist Republic of Romania.

Simon, Franz (producer); Anca Giurchescu (film consultant, author)1972c Beklagen der Toten zu Pfingsten in Priseaca. 1969 [Lamenting the deceased at Pentacost in

Priseaca, 1969] (motion picture film; booklet). Encyclopaedia Cinematographica: Region Siidost-Europa, Rumanien. Gottingen, Germany: Institut fur den Wissenschaftlichen Film. (16mm; 5 minutes; E l587)

1972d Pfingstbrauch der Kaluscharen. Aufrichten der Fahne und Tanz auf einem Hof in Priseaca.1969 [Custom of the C&lusari at Pentacost. Raising of the flag and dancing in a courtyard in Priseaca, 1969] (motion picture film). Encyclopaedia Cinematographica: Region Siidost- Europa, Rumanien. Gottingen, Germany: Institut fur den Wissenschaftlichen Film. (16mm; 23 minutes; E1653.)

1972e Pfingstbrauch der Kaluscharen. Aufrichten Totenspiel in Priseaca. 1969 [Custom of the Caiusari at Pentacost. Executing the death-play in Priseaca, 1969] (motion picture film). Encyclopaedia Cinematographica: Region Siidost-Europa, Rumanien. Gottingen, Germany: Institut fur den Wissenschaftlichen Film. (16mm; 26 minutes; E l654.)

1972f Pfingstbrauch der Kaluscharen. Tanzwettstreit zweier Gruppen in Priseaca. 1969 [Custom of the CSlusari at Pentacost. Dance competition between two groups in Priseaca, 1969] (motion picture film). Encyclopaedia Cinematographica: Region Siidost-Europa, Rumanien. Gottingen, Germany: Institut fiir den Wissenschaftlichen Film. (16mm; 23 minutes; E1655.)

1972g Pfingstbrauch der Kaluscharen. "Begraben" der Fahne in Priseaca. 1969 [Custom of theC&lusari at Pentacost. "Burial" of the flag in Priseaca, 1969] (motion picture film). Encyclopaedia Cinematographica: Region Siidost-Europa, Rumanien. Gottingen, Germany: Institut fur den Wissenschaftlichen Film. (16mm; 10 minutes; E1656.)

Giurchescu, Anca1973a "La danse comme objet semiotique" [The dance as a semiotic object]. Yearbook of the IFMC

5:175-178. Kingston, Ontario, Canada: International Folk Music Council.

1973b "Unele aspecte ale interferentei dintre sfera culturii populare si cea a culturii de masa" [Someaspects of the interference between the spheres of the folk culture and the mass culture]. Revista de etnografie si folclor 18(3): 181-190. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1974a "The Caius." Martin Koenig (editor), Balkan-arts traditions:25-29. New York: Balkan Arts Traditions Spring Festival.

28 Giurchescu

DANCE RFSFARCH: PUBLISHED OR PUBLICLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1974b "Une contribution a l’etude comparee du folklore choregraphique roumain et celui de laYougoslavie, la danse de "C&lusari" [Contribution to the comparative study of Romanian and Yugoslavian folk dance: the dance of C&lusari], Rad 14 kongresa Saveza Folklorista Jugoslaviie u Prizrenu 1967:389-394. Beograd: Savez Udruzenja Folklorista Jugoslavije.

Giurchescu, Anca; Constantin Eretescu1974c Folclor coregrafic din Tara Vrancei [Choreographic folklore of the Land of Vrancea].

Focsani, Romania: Central de indrumare a creatiei populare.

Giurchescu, Anca; and others (all as members of the IFMC Study Group for Folkdance Terminology)1974d "Foundation for the analysis of the structure and form of folk dance: a syllabus." 1972

Yearbook of the IFMC 6:115-135. Kingston, Ontario, Canada: International Folk Music Council.

Simon, Franz (producer); Anca Giurchescu (film consultant, author)1974e Pfingstbrauch der Kaluscharen in Priseaca. 1969 [Custom of the CSlusari at Pentacost in

Priseaca, 1969] (motion picture film). Encyclopaedia Cinematographica: Region Siidost- Europa, Rumanien. Gottingen, Germany: Institut fur den Wissenschaftlichen Film. (16mm; 37 minutes; summary film with commentary of earlier 1972 films on the 1969 Calusari ritual at Priseaca; E2020.)

Giurchescu, Anca1975 "Idoszerii kerdesek a roman neptanckutatasban" [Present-day inquiries in Romanian folk

dance research]. Tanctudomanvi tanulmanvok: 191-204. Budapest: Magyar Tancmuveszek Szdvetsege.

1976 Obiceiul cSlusului - permanents a culturii romanesti [The Calush custom - permanency of the Romanian culture] (research paper). (Presented at the scientific session of the Institute of Ethnological and Dialectological Research, held in Bucharest, Romania; September.)

1977 "Valorificarea folclorului in cadrul festivaluiui national 'Cintarea Romanei"' [The use of folklore in the context of the national festival "Song to Romania"]. Revista de etnografie si folclor 22(2):227-231. Bucuresti: Editura Academiei Republicii Socialiste Romania.

1979 "Tr2s2turi specifice ale dansului popular romanesc in context european" [Characteristic traits of the Romanian folk dance in the European context]. Anuarul institutului de cercetSri etnologice si dialectologice Al:243-250. Bucuresti: Editura Consiliului Culturii si Educatii Socialiste.

1983a "The process of improvisation in folk dance." Roderyk Lange (editor), Dance studies 7:2156. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

1983b "Entwurf einer Klassifizierung der rumanischen Kettentanze" [Project for the classification of the Romanian chain dances]. Dabrowska, Grazyna, Kurt Petermann (editors), Analyse und Klassifikation von Volkstanzen. Klassifikation der europaischen Volkstanze mit besonderer

Giurchescu 29


Beriicksichtigung der Reieen und Solotanze: 160-190. Krak6w, Poland: Polske Wydawnuctwo Muzyczne.

1983c De la ritual la teatru. Procesul de transformare a CSlusului [From ritual to theatricalperformance. The process of tranformation of C&lus] (research paper). (Presented at the III- eme congres international d'etudes roumaines, held in Avignon, France; September.)

1984a "European perspectives in structural analysis of dance." Janet Adshead (editor), D ance-amulticultural perspective. Report of the third Study of Dance Conference:33-48. Guildford, England: University of Surrey.

1984b "Danse et transe: les C&lusari. Interpretation d'un rituel Valaque" [Dance and trance: theCfilusari. Inteipretation of a Wallachian ritual]. Jacques Bouet (editor), Dialogue 12-13:81117. Montpellier, France: Groupe d'etudes Roumaines, University Paul Valery.

1984c Folklore and folklorism in the cultural communication between Romania and the Western World (research paper). (Presented at the 8th convention of the American Romanian Academy of Arts and Sciences, held at University of California, Davis, April.)

1984d Romanian Folklore and State Cultural Management (research paper). (Presented at a state and folklore conference, sponsored by the American Council of Learned Societies, Joint Committee on Eastern Europe, the Rockefeller Foundation, and the International Research and Exchanges Board, held in Bellagio, Italy; August/September.)

1985a "El folklore y el folklorismo de estado en Rumania" [Folklore and state folklorism inRomania]. Encuentros intemacionales cultura tradicional. Pomigalete. 1984:83-93. Vitoria- Gasteiz, Spain: Servicio Central de publicaciones del gobiemo Vasco.

1985b "Dansen som kulturel udtryksform" [Dance as a cultural expression]. Humaniora 1983-84 6:191-197. K0benhavn: Danish Research Council for the Humanities.

1986a "Power and charm. Interaction of adolescent men and women in traditional settings."Yearbook for traditional music 18:37-46. New York: International Council for Traditional Music.

1986b Dance text and contextual research (research paper). (Presented at the ICTMEthnochoreology Study Group meeting, held in Neubrandemburg, East Germany; March.)

1986c Analiza unei ocazii de dans. Hora satului in Maramures [A dance-event analysis. The village Hora of Maramures] (research paper). (Presented at the IV-eme congres international d'etudes roumaines, held in Paris, France; July.)

1987a "The national festival 'Song to Romania': Manipulation of symbols in the politicaldiscourse." Claes Arvidsson, Lars Erik Blomqvist (editors), Symbols of power. The aesthetics of political legitimation in the Soviet Union and Eastern Europe:163-171. Stockholm: University of Uppsala, Nordic Committee for Soviet and East European Studies.

30 Giurchescu

DANCE 1FSKARCH: PUBLISHED OR PUBLICLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1987b Le symbolisme de la danse dans le ceremonial funeraire chez les Roumains (research paper). (Presented at S&ninaire europeen d'ethnomusicologie, held in Paris; October.)

1987c Continuity and discontinuity in the cultural tradition of the Yugoslav Vlahi, living in Denmark (research paper). (Presented at the 29th conference of the International Council for Traditional Music [ICTM], held in East Berlin; July.)

1987d Le pouvoir symbolique de la femme dans la societd traditionnelle roumaine [The woman's symbolic power in the Romanian traditional society] (research paper). (Presented at the encuentros intemationales cultura tradicional, held in Portugalete, Spain; March.

1988a "Continuitate si discontinuitate in traditia culturalS a Romanilor din sudul Dunarii stabiliti in Danemarca" [Continuity and discontinuity in the cultural tradition of the Romanians from the southern side of the Danube settled in Denmark]. Ion Manea (editor), Journal of the American Romanian Academy of Arts and Sciences 11:231-243. Davis, California:American Romanian Academy of Arts and Sciences.

1988b "The dance discourse. Dance suites and dance cycles of Romania and some other European dance cultures." Roderyk Lange (editor), Dance studies 11:9-71. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

1989a "A question of method: Contextual analysis of dancing at the Vlachs" Hora' in Denmark."Lisbet Torp (editor), The dance event: a complex cultural phenomenon:34-43. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

1989b Sexual undercurrents in traditional dancing (research paper). (Presented to the 10th UCLAdance ethnology forum of the UCLA Graduate Dance Ethnology Association, held in Los Angeles; February.)

1989c "Dansens dobbelte rolle: om Vlacheme - et folk med hjemve" [The double role of the dance:about the Vlachs - a population with homesickness]. Modspil Musik i eksil 1988 10(42): 1219. Copenhagen: Tideme Skifter.

1989d Use and misuse of traditional symbols for recasting the present (research paper). (Presentedat the 30th conference of the ICTM, held in Schladming, Austria; July.)

1989e Methods of research: studying a dance event among the Vlachs living in Denmark (researchpaper). (Presented at the British-Swedish conference on ethnomusicology, held in Cambridge, United Kingdom; August.)

1989f Danse et transe dans un rituel roumain [Dance and trance in a Romanian ritual] (researchpaper). (Presented at the 6 th European seminar in ethnomusicology, held in Siena, Italy; August.)

Giurchescu 31


1990a From ritual to theatrical performance: comparative analysis between the C&lus of the Danube Plain, and the C&luser of Transylvania, Romania (research paper). (Presented at the 16th symposium of the ICTM Study Group on Ethnochoreology, held in Budapest; August.)

1990b Dansens symbol in en kommunikativsammenhaeng [The dance symbol in the process of communication] (research paper). (Presented at the conference of the Northern Forum for Dance Research, held in Copenhagen; October.)

1990c "Le c&lus: procfcs de transformation d'un rituel roumain" [The c&lus: process oftransformation of a Romanian ritual]. Tradition et histoire dans la culture populaire: documents d'ethnologie region ale 2:71-79. Grenoble, France: Centre Alpin et Rhodanien d'Ethnologie.

ANDREE GRAULondon, England, UNITED KINGDOM

Grau, Andree1976 Some dances from Uganda (manuscript). London: Benesh Institute. (Prepared as part o f the

Associate o f the Institute of Choreology.)

1978 "The use of Benesh Movement Notation in studying Venda dances." Marie Slocenbe (editor). United Kingdom National Committee newsletter l6(October):12-16. London: International Folk Music Council. (First presented as a research paper at the International Music Council's 1978 conference, held at Dumferline College, Edinburgh, Scotland.)

1979 Some problems in the analysis of dance style with special referemce to the Venda of South Africa (master's dissertation). Belfast, Northern Ireland: The Queen's University of Belfast, Department of Social Anthropology.)

1981a Dance anthropology (research paper). (Presented at the Australian Anthropological Association's 1981 conference, held at the University of New South Wales, Sydney, Australia.)

1981b Dance and kinship among the Tiwi (research paper). (Presented at the AustralianAnthropological Association's 1981 conference, held at the University of New South Wales, Sydney, Australia.)

198 lc The dance of the Tiwi (research paper). (Presented at the Australian Institute of Aboriginal Studies, held in Canberra, Australia.)

1982 An anthropological approach to Tiwi dance (research paper). (Presented to the Anthropology Departments of the University of Western Australia, at Perth and Sydney University, Australia.)

32 Giurchescu: Grau


1983a

1983b

1983c

1985a

1985b

1986a

1986b

1987a

1987b

1987c

1987d

1988a

1988b

"Sing a dance—dance a song: the relationship between two types of formalised movements and music among the Tiwi of Melville and Bathurst Islands, North Australia." Dance research l(2):34-44. London: Society for Dance Research. (First presented as a research paper at the Musicological Society of Australia's 1983 conference, held at the Australian National University, Canberra, Australia.)

"Dance anthropology: interview by Andrea Borsay." Dance Australia, August 12:33-34. Keysborough, Australia: Dance Australia Publications.

Dreaming, dancing, kinshin: the study of \o i the dance of the Tiwi of Melville and Bathurst Islands. North Australia (doctoral thesis). Belfast, Northern Ireland: The Queen's University of Belfast, Department of Social Anthropology.

"Review of Judith Lynne Hanna's The performer-audience connection: emotion to metaphor in dance and society" (book review'). Man 20(2):377-378. London: Royal Anthropological Institute.

"Benesh movement notation and the anthropology of dance." The choreologist 30(summer):14-18. London: The Benesh Institute.

"Review of Anya Peterson Royce's Movement and meaning: creativity and interpretation in ballet and mime" (book review). Man 21(1):167. London: Royal Anthropological Institute.

Ethnochor6ologie en Grande-Bretagne [Ethnochoreology in Great Britain] (research paper). (Presented at the Deuxieme Congres International de la Recherche en Danse, held at the Sorbonne University, Paris.)

Tiwi creativity (research paper). (Presented at the British Association for the Advancement of Science's 1987 conference, held in Belfast, Northern Ireland.)

Do the Tiwi dance their kinship? (research paper). (Presented to the Social Anthropology Department, Queen's University of Belfast, Northern Ireland.)

"Review of Paul Spencer (editor), Society and the dance" (book review). Dance research 5(1):70-71. London: Society for Dance Research.

"Review of Betty True Jones (editor), Dance as cultural heritage" (book review). Dance research 5(1^:70-71. London: Society for Dance Research.

Report on the state of dance scholarship in southern Africa (paper). (Presented at the International Congress: beyond performance, dance scholarship today, held in Essen, Germany.)

Danse et liens de parent^ chez les Tiwi de l'Australie du Nord [Dance and kinship among the Tiwi of northern Australia] (research paper). (Presented at the Troisieme Congres International de la Recherche en Danse, held at Sorbonne University, Paris.)

Grau 33


1989a

1989b

1989c

1989d

1989e

Grau,1989f

Grau,1990a

1990b

1990c

1990d

1990e

1990f

Intercultural performance (research paper). (Presented at the Association of Art Historians'1989 conference, held at the Institute o f Education, London.)

Creativity among the Tiwi (research paper). (Presented at the fourth Hong Kong international dance conference, held at the Academy for Performing Arts, Hong Kong.)

The intercultural performing arts research project (research paper). (Presented at the Anglo- Swedish conference in ethnomusicology, held in Cambridge, England.)

"Report on the Cambridge Anglo-Swedish conference in ethnomusicology and the fourth Hong Kong international dance conference." Dance research journal 21(2):52-53. New York: Congress on Research in Dance.

"Dance scholarship in southern Africa in Bevond performance: dance scholarship today. Susan Au and Frank-Manuel Peter, editors" (review). Berlin: International Theatre Institute.

Andree; John Blacking; Peter Cresswell; John MartinThe inter-cultural performing arts research project: a report. London: London University Goldsmith's College. (133 pages.)

Andree"A tribute to John Blacking." The choreoloeist 40(summer):2-5. London: Benesh Institute.

"Interculturalisme dans les arts du spectacle" [Interculturalism in the performing arts]. Jean- Yves Pidoux (editor), La danse, art du XXe siecle:343-355. Lausanne, Switzerland: Payot. (First presented as a research paper at the Colloque, la danse, art du XXe siecle? , January1990, Universite de Lausanne, Switzerland.)

The use of film and video in dance research (research paper). (Presented at the Royal Anthropological Institute's international festival of ethnographic film, held at the Granada Centre for Visual Anthropology, Manchester University.)

Dance as a primary modelling system: a Tiwi example (research paper). (Presented at the Centre for Ethnomusicology, Music Department, London University Goldsmith's College.)

Gender interchangeability in Tiwi music and dance (research paper). (Presented at the Centre for Music Studies, London University, School of Oriental and African Studies.)

"Some problems in the analysis of dance style with special reference to the Venda of South Africa." The choreologist 40(summer):5-13. London: The Benesh Institute. (Excerpts from a Master's o f Arts dissertation.)


Gray,1983a

1983b

1983c

1984a

1984b

1985a

1985b

1985c

Gray,1986a

Gray,1986b

1986c

1986d

1987

1988a

1988b

LAUREL VICTORIA GRAYSeattle, Washington, UNITED STATES

Laurel Victoria"Living legacy: women's dances of Uzbekistan." Arabesque 8(5):6-7,24-25. New York: Ibrahim Farrah.

"The mystique of the veil." Arabesque 9(4):8-9.17.25. New York: Ibrahim Farrah.

"Thamar: a study in Russian Orientalism." Arabesque 9(2): 14-15,20,22. New York: Ibrahim Farrah.

"Music and dance within the Islamic context." Arabesque 10(l):24-25,34-35. New York: Ibrahim Farrah.

"Minneapolis ethnic dance theatre." Arabesque 10(2):14-17,21. New York: Ibrahim Farrah.

"In search of ethnic dance in the USSR." Viltis 43(6^:12-14: 44(1):10-11; 44(2): 12-13. Denver, Colorado: Vytautas F. Beliajus.

"Tamara Khanum: Uzbekistan’s heroine o f dance." Arabesque 10(5): 14-15. New York: Ibrahim Farrah.

"Uzbek women's dances." Viltis 43(6):7-9, Denver, Colorado: Vytautas F. Beliajus.

Laurel Victoria (author, director)Dances of the Silk Road: an introduction to Uzbek dance 1 (videotape). Seattle, Washington: Uzbek Dance Society. (Videocassette, VHS; 55 minutes.)

Laurel Victoria"A brief history of American Oriental dance." Jareeda :9 -ll. Seattle, Washington: American Middle Eastern Dancer Association.

"Kizlar Malikasi" [Queen of all the girls]. San'at:10 -ll. Tashkent, Uzbekistan: Central Committee of Communist Party of Uzbekistan. (Translated into Uzbek.)

"Tamra Khanum's contribution to Uzbek dance." Chasma. (Spring):3-8. Seattle, Washington: Uzbek Dance Society.

"The great Ameriacan belly dance: folklore or fantasy?" Viltis 46(5):12-15. Denver, Colorado: Vytautas F. Beliajus

"Americans in dance in Uzbekistan." Dance Magazine: 10. New York: Dance Magazine.

"Canadian concert of Uzbek artists." Chashma:4-6. Seattle, Washington: Uzbek Dance Society.

Gray 35

1988c "New stop on ancient silk road." Soviet Uzbekistan (308): 12. Tashkent, Uzbekistan: Uzbek Society for Friendship and Cultural Relations with Foreign Countries.

1986d "Dancing boys." Arabesque 12(1):8-11. New York: Ibrahim Farrah.

1990b Continuity and change: women's dances of Uzbekistan (research paper). (Presented as part of the Ethnic Traditions Series, sponsored by the Northwest Folklife Festival, held at the University of Washington; July.)

ANA ILIEVA (AHa M jineBa)Sofia, BULGARIA

Ilieva, Ana (HnneBa, AHa)1964 ”My3HKajTH0-4>0JiKJi0pHH npoyMaBaHH b CBoreHCKo" (Muzikalno-folklomi prouCavania

v Svogensko) [Musical folklore research in the Svogen area H3Becrag (Izvestiia) 10:165216. Sofia: Bulgarska Akademiia na Naukite, Institut za Muzika. (Summary in French.)

1969 "BtnpocH Ha neceHHHH ctnpoB oa b BtJirapcKHa TaHijoB <J>ojikjiop" (Vuprosi napesenniia suprovod v Bulgarskiia tancov folklor) [Matters of Bulgarian folk dance song accompaniment]. ET>jrrapcKaMV3HKa [Bulgarska muzika] 4:20-24. Sofia: Union of Bulgarian Composers.

1971a BTsJirapcKHTe HapoztHH TanijH h THXHaia My3HKa(Bulgarskite narodni tanci i tiahnatamuzika) [Bulgarian folk dances and their music]. ET>jirat>cK0MV3KK03HaHHe (Bulgarsko muzikoznanie) 1:91-125. Sofia: Nauka i izkustvo.

1971b "K Bonpocy o KJiacH<J>HKaijHH BonrapcKHX HapoflHHx TaHijeB" (K voprosu oklasifikacii Bolgarskih narodnih tancev) [Questions about the classification of Bulgarian folk dances]. MayenoHc*'TT4>ojTKrrop (Makedonski Folklor) 4(7-8):283-288. Skopje: Institut za Folklor. (Summary in Macedonian.)

1972a "no Bxnpoca 3a KJiacH4>HKartH2Ta Ha BT>JirapcKHH TaHi oB $ojik jiop" (Po Vuprosa za klasifikaciiata na Bulgarskiia tancov folklor) [On the matters of classification o f Bulgarian folk dances]. npo6neMHHa Ei>nrapcKHg ( t o n m a (Problemi na Bulgarskiia folklor):247- 255. Sofia: Bulgarska Akademiia na Naukite.

Ilieva, Ana; B. Tum angelov (HjineBa, AHa; B. TyMaHrejioB)1972b "06peflHHTe Hrpw h xopa b B^JirapcKHTe HapoaHH npasHHijH h o6HHaH" (Obrednite

igri i hora v Bulgarskite narodni praznici i obiCai). [Ritual games and dances in Bulgarian holidays and customs]. TaTmoBon3KvcTBo (Tancovo izkustvo) 9-10: 1-131. Sofia: Nauka i iskustvo.

36 Gray; Ilieva

Ilieva, Ana (HjineBa, AHa)1974a "BtJirapcxH hspoahh TarnjH h xyaoxcecTBeHa caMO/ieftHOCT" (Bulgarski narodni tanci

i hudozestvena samodeinost). [Bulgarian folk dances and amateur arts]. MaBecTHg (Izvestiia) 17:113-118. Sofia: Bulgarska Akademiia na Naukite, Institut za Muzika.

1974b TaHiioB «fc0JiKJiQP k chBDeMeHH <fcoPMH Ha JHaPQflHHTe Tamra (Tancov folklor isuvremeni formi na narodnite tanci) [Dance folklore and modem patterns o f folk dances]. Burgas, Bulgaria: Komitet za izkustvo i kultura. (34 pages.)

1974c npo6jreMTT aa TaHnosaTa caMoaeftHocT (Problemi za tancovata samodeinost) [Dance amateur arts problems]. Tumovo, Bulgaria: Komitet za izkustvo i kultura.

1976a "Bulgarian dance folklore." Walter W. Kolar (editor), The folk arts o f Bulgaria:213-225. Pittsburgh, Pennsylvania: Duquesne University Tamburitzans Institute o f Folk Arts.

1976b "XaHp h $opMa Ha iIo6pyflxaHCKHa TaHiioB 4>ojikjiop" (2anr i forma na Dobrudzanskiia tancov folklor) [Genre and form of Dobruzhan folk dances]. <frojikxtopt>thHapozmHTe Tpajhuhh b c-EBPeMeHHaTa HaimoHajiHa KVJiTVPa (Folklorut i narodnite tradicii v suvremennatanacionalna kultura): 146-150. Sofia: Bulgarska Akademiia na Naukite.

1977a " 4 > o p M o o 6 p a 3 y B a m a T a p o j i s H a c o q H a jiH O -6 H T O B H T « <J>aKTopn b p a 3 B H T H eT O h

npeocMHcnaHeTO h& ojiKjriopHHTe TaHi;HM (Formoobrazuvashtata rolia na socialno- bitovite faktori v razvitieto i preosmislianeto na folklomite tanci) [The role of social and life factors in the development and reassessment of folk dance structures]. frojiKjriopH o 6 m e c T B o (Folklor i ob§estvo):96-100. Sofia: Bulgarska Akademia na Naukite.

1977b Bulgarian dance folklore. Thomas Roncevic (translator). Pittsburgh, Pennsylvania: Dutifa- Tamburitza Press. (22 pages.)

1978 Hapoaaa laaim ox CPfiflHProPflglQ (Narodni tanci ot Srednogorieto) [Folk dances of theSredna Gora area]. Sofia: Bulgarska Akademiia na Naukite. (523 pages.)

1979a "HapoOTHTeTaHiiHnpe3BT>3pa3KaaHeTo" (Narodnite tanci prez Vuzrazdaneto) [Folk dances during the Bulgarian renaissance]. Vlo KCTOPHgTa Ha ExjirapcKaTa MV3HKajiHa KVjTTVpa 1 QHHa'qarroTOHa 20BeK (Iz istoriiata na Bulgarskata muzikalna kultura 19 i naCaloto na 20 vek):49-51. Sofia: Nauka i Iskustvo.

1979b "CTpyKTypHOTO H3rpaxflaHe Ha EtJirapcKHTe HapoztHH TamjH KaTO KpHTepHH HaHdopHMecKa CTpaTH4>HKai HJi" (Struktumoto izgrazdane na Bulgarskite narodni tanci kato kriterii na istoriCeska stratifikaciia) [Bulgarian folk dance structure building as a criteria of the historical stratification], e -LJirapcKom v3HKP3HaHHe (Bulgarsko Muzikoznanie) 3:2940. Sofia: Bulgarska Akademiia na Naukite.

1981a npp^neMH Ha <fropMOQ$pa3yBaHeTC> b EiJiraPCKHie aai>g.mmjiaHiiii (Problemi na formoobrazuvaneto v Bulgarskite narodni tanci) [Problems of the Bulgarian folk dance

Ilieva 37

structure formation] (doctoral dissertation). Sofia: Bulgarska Akademia na Naukite. (202 pages.)

1981b "HcTopnMecKH nxiacTOBe b TaHijoBHH 4>ojikjiop Ha CjiHBeHCKH o x p tr " (IstoriCeski plastove v tancoviia folklor na Slivenski okrug) [Historical layers in the folk dances of the Sliven district]. BT,jirapcKK4>ojiK.nop (Bulgarski Folklor) 7(3):57-64. Sofia: Bulgarska Akademiia na Naukite, Institut za Folklor.

1981c "XHBa Bpi>3xa c KOJiexTHBHTe 3a aBieHTHMeH <t>c>JiKJiop m CTbfl6aTa Ha <t>ojixjiopHaTa Kyjrrypa" (Ziva vruzka s kolektivite za avtentiCen folklor i sudbata na folklomata kultura) [Living ties with amateur folk dance groups and the destiny of folkloric culture]. XvaoxecTBeHa caMoaeHHocT (Hudozestvena samodeinost) 1:10-14. Sofia: Komitet za Kultura.

198Id "npa3HHMHH 4>ojikjtophh xopa ot CpeziHoropHeTo'XPrazniCni folklomi hora otSrednogorieto) [Festival folk dances from the Srednogora region]. TaHiioBoiT3KvcTBo 12:1-63. Sofia: Centar za Hudozestvena samodeinost

Ilieva, Ana; Iskra RaCeva (HjiHeBa, AHa; Hcxpa PaneBa)1982a "McTopHnecxH acnexTH Ha npo6jieMa 3a pHTM0 0 6pa3yBaHeT0 b BtJirapcxHH

TamjoB<t>ojiKJTop" (IstoriCeski aspekti na problema za ritmoobrazuvaneto v Bulgarskiia tancov folklor) [Historical aspects of the problem of rhythm formation in the Bulgarian folk dances]. B-b jrrapcKH<frojtkjtop (Bulgarski Folklor) 8(3):28-38. Sofia: Bulgarska Akademiia na Naukite, Institut za Folklor. (Summary in English.)

1982b "npo6jieMT>T 3a HCTopHHecKaTa THnoJiorna Ha My3HKajiHOTO h TaHHOBOTO Ha^ajia b

Bi»JirapcKHH4)onxjiop" (Problemut za istorifieskata tipologiia na muzikalnoto i tancovoto naCala v Bulgarskiia folklor) [The problem of historial typology of the Bulgarian music and dance folklore origins]. » 0 j[KJT0PHHCT0PHg (Folklor i istoriia):95-103. Sofia: Bulgarska Akademiia na Naukite.

Ilieva, Ana (MjiweBa, AHa)1982c "CBaT6apcKHXopaHHrpH" (Svatbarski hora i igri) [Wedding dances and games].

TaHiioBoM3KvcTBo (Tancovo Izkustvo) 7-8:1-103. Sofia: Centur za hudozestvena samodeinost..

1983a "On change of style in the Bulgarian dance folklore." Roderyk Lange (editor), Dance Studies 7:57-71. Les Bois, S t Peter, Jersey, Channel Islands, United Kingdom: Centre for Dance Studies. (Includes photographs.)

1983b "Formes et structures des rondes populaires Bulgares" [Form and structure of Bulgarian folk dances]. Gr&Qyna Dfibrowska; Kurt Petermann (editors), Analyse und Klassifikation von Volkstanzen:191-203. Krak6w, Poland: Polskie Wydawnictvo Muzyczne.

1983c "LjHpHHi*a"(Cimica)[Shrovetide (the first Sunday before Lent)]. TaHiioBo Hsitvctbo 12:34-54. Sofia: Centar za Hudozestvena samodeinost.

38 Ilieva

1984

1985a

1985b

1985c

1985d

1985e

1985f

Ilieva,1985g

Ilieva,1986a

1986b

1987a

"PoflOHaMajiHHK Ha BtJirapcicaTa Hayica 3a TaHijOBHS <f>ojiKop" (RodonaCalnik na Bulgarskata nauka za tancoviia folkor) [Initiator of the Bulgarian dance folklore science]. K^jrrapnroMv3Trc-o3HaHKe (Bulgarsko Muzikoznanie) 3:66-70. Sofia: Bulgarska Akademiia na Naukite. (Summary in English.)

TaTTTTrm<ft<->jTrjTOT> (Tancov folklor) [Dance folklore]. Sofia: Bulgarska Academiia Na Naukite, Institut za muzikoznaniie. (75 pages.)

"PaftHaKaijapoBa" (Raina Kacarova) [Raina Katsarova]. ET,jirat>cKH <Eojikjioi> (Bulgarski Folklor) 1 l(l):84-85. Sofia: Bulgarska Akademiia na Naukite.

”CepH03HH nrpH - npo6jieMH Ha ycBOHBaHeio Ha KnacHMecKHH My3HKanHO TaHijOB <t>ojiKJiop o t aeTCKaia caMoaeftHocT" (Seriozni igri - problemi na usvoiavaneto na klasiCeskiia muzikalno tancov folklor ot detskata samodeinost) [Serious games - Problems in the adoption of traditional folk music and folk dance by children's amateur groups]. YvTToyepTBewa caMoneftHocT (Hudozestvena samodeinost) 8:11-14. Sofia: Komitet za Kultura.

"ByeHeif (Buenec) [Buenec (a type of chain dance)]. TaHii0 B0 H3KvcTB0 3:37-60. Sofia: Centar za Hudozestvena samodeinost.

"ByeHeu" (Buenec) [(a type of chain dance)]. TaHiioBoH3KvcTBo (Tancovo Izkustvo) 3:37-60. Sofia: Centur za Hudozestvena samodeinost.

"ripojieTHHnrpH" (Proletni igri) [Spring dances]. TaHiiOBQ K3KYCTBO (Tancovo Izkustvo) 8-9:83-94. Sofia: Centur za Hudozestvena samodeinost.

Ana; Iskra Rafieva (HjiweBa, AHa; Hcxpa Pa*ieBa)"3a h s k o h TaH iioBH apxeTHiiH b MOMHHcKaTa n p o jie T H a 0 6 p e flH 0 C T " (Za niakoi tancovi arhetipi v mominskata proletna obrednost) [Some dance archetypes of young girls' spring customs]. MvfmyajTHTTX0t>w30HTH (Muzikalni horizonti) 6:55-63. Sofia: Sauz na muzikalnite deici v Bulgaria.

Ana (MjrweBa, AHa)"BaBHHTe xopa b EtJirapcicaTa ojiKjropHa o6p6zihoct" (Bavnite hora v Bulgarskata folkloma obrednost) [The slow dances in Bulgarian folk rituals]. TaHiioBoM3KvcTBo (Tancovo Izkustvo) 1-2:39-64. Sofia: Centur za Hudozestvena samodeinost..

"Ci,60pHHaHap0 flH0 TB0pxiecTB0 " (Sobori na narodno tvorCestvo) [Folklore fairs]. et,jrrapcKomvruryosHaHwe (Bulgarsko Muzikoznanie) 3:3-7. Sofia: Bulgarska Akademiia na Naukite. (Summary in English.)

"E-bJirapcKHai TaHijOB 4>ojikjiop b nocrraHOBKHTe Ha flTtpscaBHHTe aHcaM6jiH 3a H apoflH H necH H H TaH im " (Bulgarskiiat tancov folklor v postanovkite na d'rzavnite ansambli za narodni pesni i tanci) [Bulgarian folk dance in the settings of the State folk song

Ilieva 39

DANCE RESEARCH: PVBUSHED OR PUBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

and dance ensembles]. ET,jTrat>cKH4>ojTKnoi> (Bulgarski Folklor) 13(3): 49-54. Sofia: Bulgarska Akademiia na Naukite, Institut za Folklor.

1987b "4>oJTKJiopHaTa aeTCKa nrpa KaTO o6yMaBaru 4>aKTop" (Folklomata detska igra kato obudavaS faktor) [Children's folk dances as a factor in education]. YMe6Ho- BT'nTmTaTejTTiaTa pa6oTa c <fcojncjiot>a (UCebno-vuzpitatelnata rabota s folklora): 13-36. Sofia: Dom na literaturata i izkustvata za deca i iunozi.

1987c CupHHija; ToflopoB/ieH; momhhckh npojieTHM iirpn npe3 BejiHKH nocTH;jia3apyBaHe; icyMHMeHe; mt>jkkh MacKapaaHH arp n ii KyicepM, cypBaKapH; pycajiHH,KajiymapH(Simica; Todorovden; mominski proletni igri prez Veliki Posti; lazaruvane; kumiCene; muzki maskaradni igri - kukeri, survakari; rusalii, kaluSari)[Shrovetide (the first Sunday before Lent); St. Todor's day; Maiden spring dances during the Lent; St. Lazar's days; Customs kumichene (Palm Sunday maiden fortune-telling custom); Men's mask dances - kukeri and starci; Kalushari and Russalii]. Sofia: Bulgarska Akademiia na Naukite, Institut za Muzikoznanie. (100 page manuscript.)

Ilieva, Ana; Iskra RaCeva (HjmeBa, AHa; Hcicpa Pa^eBa)1988 HcTopHKO-THnojiorHMecKH ovepic 3a pa3BHTiieTO Ha Bi>JirapcKHH My3HKajiHO-

TaHiioB^oJiKJiop (Istoriko-tipologiCeski oCerk za razvitieto na Bulgarskiia muzikalno-tancov folklor) [Historical and typological review on the Bulgarian music and dance folklore development]. Sofia: Bulgarska Akademiia na Naukite, Institut za Muzikoznanie. (250 page manuscript.)

Ilieva, Ana (HjineBa, AHa)1989 <toJiKJiopHHTe TaHiiH B ioro3anaflHHTe MacTH Ha BtJirapcKOTO eTHHMecKO 3eMJiHme

(Folklomite tanci v jugozapadnite Casti na Bulgarskoto etnifiesko zemlite) [Folk dances in southwestern Bulgarian ethnic areas], Sofia: Bulgarska Akademia na Naukite. (56 pages.)

ADRIENNE L. KAEPPLERWashington, D.C., UNITED STATES

Kaeppler, Adrienne L.1967a "Folklore as expressed in the dance in Tonga." Journal of American folklore 80(316): 160

168. Austin, Texas: University of Texas Press for American Folklore Society.

1967b "Preservation and evolution of form and function in two types of Tongan dance." Genevieve A. Highland; and others (editors), Polynesian culture history: essavs in honor of Kenneth P. Emory. Bernice P. Bishop Museum Special Publication 56:503-536. Honolulu, Hawaii: Bishop Museum.

1967c The structure of Tongan dance (doctoral dissertation). Honolulu, Hawaii: University of Hawaii, Anthropology Department

40 Ilieva; Kaeppler


1970 "Tongan dance: a study in cultural change." Ethnomusicology 14(2):266-277. Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology.

1971a "Aesthetics of Tongan dance." Ethnomusicology 15(2):175-185. Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology.

1971b "Dance in the Pacific (subject survey)." Meeting on studies of Oceanic cultures: 131-138. Canberra, Australia: Australian National University.

1972 "Method and theory in analyzing dance structure with an analysis of Tongan dance."Ethnomusicology 16(2): 173-217. Ann Arbor, Michigan: Society for Ethnomusicology.

1973a "Acculturation in Hawaiian dance." Yearbook of the International Folk Music Council for 1972 4:38-46. Kingston, Ontario, Canada: International Folk Music Council [ICTM].

1973b "Music in Hawaii in the nineteenth century." Robert Gunther (editor), MusikkulturenAsiens. Afrikas und Ozeaniens im 19. Jahrhundert:311-338. Regensburg, Germany:Gustav Bosse Verlag.

1973c "Gertrude Kurath and Antonio Garcia, Music and dance of the Tcwa pueblos" (bookreview). American anthropologist 75(4): 1065-1066. Washington D.C.: American Anthropological Association.

1974 "Oceanian peoples, arts of (The performing arts: music and dance)." EncyclopaediaBritannica 13:456-461. Fifteenth edition. Chicago: Encyclopaedia Britannica. (Co-authored with Dieter Christensen.)

1976a "Dance." David E. Hunter; Phillip Whitten (editors), Encyclopedia of anthropology: 113114. New York: Harper and Row.

1976b "Dance and interpretation of Pacific traditional literature." Adrienne L. Kaeppler, H. Arlo Nimmo (editors), Direction in Pacific traditional literature: essavs in honor of Katharine Luomala. Bishop Museum Special Publication 62:195-216. Honolulu, Hawaii: Bishop Museum.

1976c "Dance in Tonga: the communication of social values through an artistic medium." Daniel Lemer, Jim Richstad (editors), Communication in the Pacific: 15-22. Honolulu, Hawaii: East-West Communication Institute. (Reprinted in 1983, in Journal for the Anthropological Study of Human Movement 2(3): 122-128.)

Kaeppler, Adrienne L. (editor)1976d Reflections and perspectives on two anthropological studies in dance. CORD dance research

annual 7. New York: Committee on Research in Dance.

Kaeppler 41


Kaeppler, Adrienne L.1977a "Polynesian dance as 'airport art'." Adrienne L. Kaepler, Judy Van Zile, Carl Wolz

(editors), Asian and Pacific dance: selected papers from the 1974 CQRD-SEM conference. CORD dance research annual 8:71-84. New York: Committee on Research in Dance.

1977b "Foreword." Adrienne L. Kaeppler; Judy Van Zile, Carl Wolz (editors), Asian and Pacific Hanrfv Selected papers from the 1974 CQRD-SEM conference. CORD dance research annual 8:iii-v. New York: Committee on Research in Dance.

1978a "D ance in anthropological perspective." Annual review of anthropology 7:31-49. Palo Alto, California: Annual Reviews.

1978b "Melody, drone, and decoration: underlying structures and surface manifestations in Tongan art and society." Michael Greenhalgh; Vincent Megaw (editors), Art in society: studies.in styles, culture and aesthetics:261—274. London: Duckworth. (Translated into Polish and published 1986, Etnografia Polska 30(2):147-159.)

1978c "The Dance in the Pacific by W.A. Poort" (book review). American anthropologist 80(1): 152. Washington, D.C.: American Anthropological Association.

1980a Pahu and Pnnin: an exhibition of Hawaiian drums. Bishop Museum miscellaneous publication. Honolulu, Hawaii: Bishop Museum.

1980b "Polynesian music and dance." Elizabeth May (editor). Musics of many cultures: 134-153. Berkeley, California: University of California Press.

1980c "Pacific Islands: dance." Grove's dictionary music and musicians 14:57-62. London: Macmillan.

1980d "Introduction to dance literacy: perception and notation of dance Patterns by NadiaChilkovsky Nahumck" (book review). Ethnomusicology 24(2):308-309. Ann Arbor, Michigan: Society for Ethnomusicology.

1981a "The perform ing arts o f Papua New Guinea." The sixth festival o f Asian arts:130-135.Hong Kong: The Urban Council.

1981b "To dance is human: a theory of nonverbal communication by Judith Lynne Hanna" (book review). American ethnologist 8(1):218-219. Washington, D.C.: American Ethnological Society. (Reprinted in Journal for the Anthropological Study of Human Movement 1(3): 186188.)

1983a Polynesian dance: with a selection for contemporary performances. Honolulu, Hawaii: Alpha Delta Kappa.

1983b "Dance as m yth-m yth as dance: a challenge to traditional viewpoints." Betty True Jones (editor), Dance as culmral heritage 1: selected papers from the ADG-CQRD conference.

42 Kaeppler

DANCE h fxfakcH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1983c

1984

1985a

1985b

1986a

1986b

1987a

1987b

1987c

1988a

1988b

CORD dance research annual 14:5-8. New York: Congress on Research in Dance.(Keynote address to the American Dance Guild/Congress on Research in Dance conference, 1978.)

"The performing arts edited by John Blacking and Joann W. Keali'inohomoku; Jhfi anthropology of the body edited by John Blacking" (book reviews). Ethnpmusicalagy 27(2):359-360. Ann Arbor, Michigan: Society for Ethnomusicology.

"The performer-audience connection: emotion to metaphor in dance and society by Judith Lynne Hanna" (book review). Anthropologica. new series 26(l):61-63. Sudbury, Ontario, Canada: Laurentian University, Department of Sociology and Anthropology. (Reprinted 1988, Journal for the anthropological study of human movement 5(2) Fall:98-99.)

"Traditional transmission and the transmission of tradition in Polynesian dance." Becoming human through music: the Weslevan symposium on the perspectives of social anthropology in the teaching and learning of music:29-42. Reston, Virginia: Music Educators National Conference.

"Structured movement systems in Tonga." Paul Spencer (editor), Society and the dance: the social anthropology of performance and process:92-l 18. New York: Cambridge University Press.

"Movement in the performing arts of the Pacific Islands." Bob Fleshman (editor), Theatrical movement: a bibliographical anthologv:586-600. Metuchen, New Jersey: Scarecrow Press.

"Cultural analysis, linguistic analogies, and the study of dance in anthropological perspective." Charlotte J. Frisbie (editor), Explorations in ethnomusicology: essays in honor of David P. McAllester. Detroit Monographs in Musicology 9:25-33. Detroit: Information Coordinators.

"Pacific festivals and ethnic identity." Allesandro Falassi (editor), Time out of time: essays on the festival: 162-170. Albuquerque, New Mexico: University of New Mexico Press.

"Spontaneous choreography: improvization in Polynesian dance." Yearbook of the International Council for Traditional Music 19:13-22. New York: International Council for Traditional Music.

"Hula Ki'i. Hawaiian puppetry by Katherine Luomala" (book review). Pacific studies 11(1):149-153. Laie, Hawaii: Brigham Young University, Hawaii campus.

"Pacific festivals and the promotion of identity, politics, and tourism." Adrienne L. Kaeppler; Olive Lewin (editors), The impact of tourism on traditional music:121-l38. Kingston, Jamaica: Jamaica Memory Bank.

"Review of Bikmaus: a journal of Papua New Guinea affairs, ideas and the arts. Papers presented at the Conference for Ethnomusicologists at Goroka. August 18-25.1982. volume

Kaeppler 43


4(3V (book review). Ethnomusicology 32(2): 154-155. Ann Arbor, Michigan: Society for Ethnomusicology.

1988c "Review of Half a century of dance research, by Gertrude Kurath" (book review). Danceresearch journal 20(l):47-48. New York: Congress on Research in Dance.

1988d ’"She writes the songs that make the whole world sing.' Songs of love by Tu'imala Kaho"(book and record review). Matangi Tonga 3(4):37-39. Nuku'alofa, Tonga: Vava'u Press.

1989a "Dance." Erick Bamouw (editor), International encyclopedia of communications 1:450-454.New York: Oxford University Press.

1989b "Art and aesthetics." Alan Howard: Robert Borofskv (editors). Developments in Polynesianethnologv:211-240. Honolulu: University of Hawaii Press.

1989c "Tongan music by Richard Moyle" (book review). Ethnomusicology 33(2):354-358.Bloomington, Indiana: University of Indiana

1989d "Hawaiian hula chants by Nona Beamer" (book review). Folk music ioumal:653-655.London: English Folk Dance and Song Society.

1990a "Musicology plus (or minus) anthropology does not equal ethnomusicology: AdrienneKaeppler's response to Richard Moyle's response." Ethnomusicology 34(2):275-279. Bloomington, Indiana: University of Indiana.

1990b "Hawaiian art and the communciation of social values." Dan Eban (editor), Art as a meansof communication in pre-literate societies:259-270. Jerusalem: Israel Museum.

1990c "The production and reproduction of social and cultural values in the compositions of QueenSalote of Tonga. Marcia Herndon; Susanne Ziegler (editors), Music gender and culture: 191219. Berlin: International Institute for Comparative Music Studies and Documentation.

1990d "Art, aesthetics, and social structure." Phyllis Herda; Jennifer Terrell; Niel Gunson(editors'). Tongan culture and historv:59-71. Canberra: Australian National University.

ZO LTA N KARACSONYBudapest. HUNGARY

Kar£csony, Z o ltln1985 Egy gyorgyfalvi fdrfi legdnyes tdncai" [The lad dances of a man from Gyorgyfalva]

(manuscript edition). Budapest. (47 pages; Labanotation.)

44 Kaeppler; Kardcsony

1988 Egy Felsff-Tisza videki pdsztor boto!6 t&icai [The shepherd's stick dances from Fels<5-Tiszadistrict] (diploma work). Budapest: Lor£nd Eotvos University, Folklore Departm ent (164 pages;Labanotation.)

JOANN WHEELER KEALIINOHOMOKUFlagstaff, Arizona, UNITED STATES

K ealiinohom oku, Joann1963a "Sword dance and drama by Violet Alford" (book review). Journal of American folklore

76:355-356. Richmond, Virginia: American Folklore Society.

1963b The Polynesian dance films of Ray Jerome Baker (research paper). (Presented to the Anthropological Society o f Hawaii, held in Honolulu.)

1964 "A court dancer disagrees with Emerson's classic book on the Hula." Ethnomusicology 8(2): 161-164. Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology.

1965a A comparative study of dance as a constellation of motor behaviors among African andUnited States Negroes (master's thesis, Anthropology Department). Ann Arbor, Michigan: University Microfilms.

1965b "Ula Noweo and Filmstrip of Hawaiian musical instruments" (audio-visual reviews).Ethnomusicology 9:207-208. Middletown, Connecticut: Wesleyan University Press for the Society of Ethnomusicology.

1965c "Dance and self-accompaniment." Ethnomusicology 9:292-295. Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology.

1967 "Hopi and Polynesian dance: a study in cross-cultural comparison." Ethnomusicology 11:343-368. Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology.

1969a "Michigan Indian festivals by Gertrude Prokosch Kurath" (book review). Journal of American folklore 82(3241:176-177. Austin, Texas: University of Texas Press for the American Folklore Society.

1969b "Africa dances, film by United Nations" (film review). American anthropologist 71:800801. Washington, D.C.: American Anthropological Association.

1969c Dance silhouettes (research paper). (Presented to the Society for Ethnomusicology, held in Detroit, Michigan.)

Kardcsony; Kealiinohomoku 45


1970a "An anthropologist looks at ballet as a form of ethnic dance." Marian Van Tuyl (editor), Impulse 1969-1970:24-33. San Francisco, California: Impulse Publications.(Reprinted1980, Journal for the anthropological study of human movement l(2):83-97, New York: New York University; also reprinted 1983, Roger Copeland, Marshall Cohen (editors), What is dance?:533-549. Oxford: Oxford University Press.)

1970b "Perspective five: ethnic historical study." Joann W. Kealiinohomoku (editor), Dance history research: perspectives from related arts and disciplines:86-97. New York:Committee on Research in Dance. (Reprinted in 1979.)

1970c "Hula." Encyclopedia Americana 14:542. Danbury, Connecticut: Grolier.

K ealiinohom oku, Joann (editor)1970a Dance history research: perspectives from related arts and disciplines. New York: Committee

on Research in Dance (CORD). (Proceedings o f the Second Conference on Research in Dance, 1969; reprinted in 1979.)

Kealiinohom oku, Joann; Frank Gillis1970b "Special bibliography: Gertrude Prokosch Kurath." Ethnomusicology 14:114-128.

Middletown, Connecticut: Wesleyan University Press for the Society for Ethnomusicology.

K ealiinohom oku, Joann1972 "Folk dance." Richard M. Dorson (editor), Folklore and folklife: an introduction:381-404.

Chicago, Illinois: University of Chicago Press.

1974a "Dance culture as a microcosm of holistic culture." Tamara Comstock (editor), Ngwdimensions in dance research: anthropology and dance--the American Indian. CQRD research annual 6:99-106. New York: Committee on Research in Dance.

1974b "Field guides." Tamara Comstock (editor). New dimensions in dance research:anthropology and dance-the American Indian. CORD Research Annual 6:245-260. New York: Committee on Research in Dance.

1974c Dance is music in four dimensions (research paper). (Presented to the joint conference of the Committee on Research in Dance and the Society for Ethnomusicology, held in San Francisco, California.)

1974d "Review number one: caveat on causes and correlations" (review of Folk song styles andculture bv Alan Lomax). CORD News 6(2):20-24. New York: Committee on Research in Dance.

1975a "Lessons from the dancing ground to the studio: implications of Pueblo Indian dance formodem dance' by Valentina Litvinoff' (review). CORD dance research journal 7(l):33-34. New York: Committee on Research in Dance.

46 Kealiinohomoku


1975b

1976a

1976b

1977a

1977b

1977c

1977d

1977e

1977f

1978

1979a

1979b

1979c

'"Research resources' -- 'American Indian peoples, arts o f by Gertrude P. Kurath, and others" (review). CORD dance research journal 7(2):26-27. New York: Committee on Research in Dance.

Theory and methods for an anthropological study of dance (doctoral dissertation, Anthropology). Ann Arbor, Michigan: University Microfilms.

"A comparative study of dance as a constellation of motor behaviors among African and United States Negroes." Adrienne L. Kaeppler (editor), Reflections and perspectives on two anthropological studies of dance. CORD dance research annual 7:1-179. New York: Committee on Research in Dance.

"Ethnodance." The religious character of native American humanities: 144-154. Tempe, Arizona: Department of Humanities and Religious Studies, Arizona State University.

"Hopi social dance as a means for maintaining homeostasis." Journal of Association of Graduate Dance Ethnologists. U.C.L.A. 1:1-11. Los Angeles: Department o f Dance, University of California. (Keynote address for Dance Ethnology Forum, held at UCLA.)

"The nature of dance: an anthropological perspective by Roderyk Lange (book review). American anthropologist 79:658-659. Washington D.C.: American Anthropological Association.

"The sorrow of the lonely and the burning of the dancers by Edward L. Schieffelin" (book review). Dance research journal 9(2):25-26. New York: Committee on Research in Dance.

"The tree of life. Flower Films" (film review). Journal of American folklore 90:377-378. Washington, D.C.: American Folklore Society.

Dance and ethnomusicology (research paper). (Presented to the Southwest Chapter of the Society for Ethnomusicology, held in Phoenix, Arizona.)

"Hopi social dance and how it functions." Discoverv:27-38. Santa Fe, New Mexico:School of American Research.

"Perspective five: ethnic historical study." Joann W. Kealiinohomoku (editor), Dance history research: perspectives from related arts and discip!ines:86-97. New York: Congress on Research in Dance. (Reprint; original publishedl970.)

"Culture change: functional and dysfunctional expressions of dance, a form of affective culture." John A.R. Blacking, Joann Keali'inohomoku (editors), The performing arts:47- 64. The Hague: Mouton.

"You dance what you wear, and you wear your cultural values." Justine M. Cordwell, Ronald A. Schwarz (editors), The fabrics of culture:77-83. The Hague: Mouton.

Kealiinohomoku 47


1979d "Review essay: Dance and human history, a film by Alan Lomax." Ethnomusicology 23:169-176. Ann Arbor, Michigan: Society for Ethnomusicology.

1979e Density of movement perceived as tempo indicators (research paper). (Presented to the Southwest Chapter of the Society for Ethnomusicology, held in Phoenix, Arizona.)

1979f Gameel Gamal (film review). Journal of American folklore 92:259-261. Washington, D.C.: American Folklore Society.

K ealiinohom oku, Joann; John A.R. Blacking (editors)1979g The performing arts. World Anthropology Series. The Hague: Mouton.

K ealiinohom oku, Joann1980a "The drama of the Hopi ogres." Charlotte J. Frishie (editor). Southwestern Indian ritual

drama. A school of American research book:37-69. Albuquerque: University of New Mexico Press. (Reprinted in paperback 1989, Prospect Heights, Illinois: Waveland Press.)

1980b "The non-art of the dance: an essay." Journal for the anthropological study o f human movement l(l):38-44. New York: New York University.

1980c "Alan P. Merriam (1923-1980)." Dance research ioumal 13(l):57-58, New York:Congress on Research in Dance.

1980d The person as a work of art (research paper). (Presented to the Society for Ethnomusicology, held in Bloomington, Indiana; November.)

1980e "Ha'aku'i Pele I Hawai'i" (dance record review). Ethnomusicology 24:335-336. Ann Arbor, Michigan: Society for Ethnomusicology.

1981a "Ethical considerations for choreographers, ethnologists, and white knights." Journal j)f Association of Graduate Dance Ethnologists. UCLA 5:10-23. Los Angeles: University of California, Department of Dance.

1981b "Dance as a rite of transformation." Caroline Card, and others (editors), Discourse inethnomusicology 2: a tribute to Alan P. Merriam: 131-152. Bloomington, Indiana: Indiana University, Ethnomusicology Publications Group.

1982 Dance ethnology-the state of the study (research paper). (Presented to the Society for Ethnomusicology conference, held at Baltimore, Maryland.)

1983a Response to key paper by Stephen Feld (research paper). (Presented to the ICTM Conference, held in New York.)

1983b "The Tongan Lakalaka and The Punake of Tonga" (video reviews). EthnpmusiCQlQgy 27:169-170. Ann Arbor, Michigan: Society for Ethnomusicology.

48 Kealiinohomoku


1985a

1985b

1985c

1985d

1985e

1986a

1986b

1986c

1986d

1986e

1987a

1987b

1987c

"Hula space and its transmutations." Betty True Jones (editor), Dancp ag cultural heritage 2. Dance research annual 16:11-21. New York: Congress on Research in Dance.

"Music and dance of the Hawaiian and Hopi peoples." Becoming human through music:5- 22. The Wesleyan symposium on the perspectives of social anthropology in the teaching and learning of music. Reston, Virginia: Music Educators National Conference. (Symposium papers.)

"A tribute to A.M. Stephen and his contribution to Hopi dance ethnology." Christene L. Schlundt (editor), Proceedings: Society of Dance History Scholars 8th annual conference:25-34. Riverside, California: University of California.

"Cross-cultural, inter-cultural, pan-cultural, transcultural." Cross-Cultural Dance Resources newsletter 2:1. Flagstaff, Arizona: Cross-Cultural Dance Resources.

Cross-cultural dance research: rationale and applications (research paper). (Presented to the International Conference on Dance Research and the Meetings of the Americas, held in Mexico City.)

"The would-be Indian." Charlotte J. Frisbie (editor), Explorations in ethnomusicology: essavs in honor of David P. McAlIester. Detroit monographs in musicology 9:111-126. Detroit: Information Coordinators in Detroit.

"A tribute to Gertrude Prokosch Kurath." UCLA journal of dance ethnology 10:3-6. Los Angeles: University of California, Department of Dance.

"The Japanese Bon Dance in Hawaii by Judy Van Zile" (book review). Dance research journal 17(2):94-96. New York: Congress on Research in Dance.

"Polynesian dance: with a selection for contemporary performance by Adrienne L. Kaeppler" (book review). Ethnomusicology 30:579-580. Ann Arbor, Michigan: Society for Ethnomusicology.

"Wherefore art though art? Does T he Art o f have to be affixed to the word 'dance'?" Cross-Cultural Dance Resources newsletter 3:1. Flagstaff, Arizona: Cross-Cultural Dance Resources.

"Nineteenth centurv Hawaiian chant by Elizabeth Tatar" (book review). Ethnomusicology 31:143-145. Ann Arbor, Michigan: Society for Ethnomusicology.

"Dance across Texas by Betty Casey" (book review). Dance research journal 19(l):47-48. New York: Congress on Research in Dance.

"Zen dance by Sun Ock Lee" (book review). Dance research journal 19(l):46-47. New York: Congress on Research in Dance.

Kealiinohomoku 49


1987d

1987e

1987f

1988a

1988b

1988c

1988d

1988e

1989a

1989b

1989c

1989d

1989e

'"Holistic' doesn't mean being a vegetarian." Cross-Cultural Dance Resources newsletter 4:1. Flagstaff, Arizona: Cross-Cultural Dance Resources.

Kurath's influence on the space-shape emphasis in Kealiinohomoku's work (research paper). (Presented to the Society for Ethnomusicology conference, held at Ann Arbor, Michigan; November.)

The Hopi Katsina dance event (research paper). (Presented to the Scholars Conference on the Seasons of the Kachina, held at C.B. Smith Museum of Anthropology, California State University, Hayward, California; June.)

"Marian Van Tuyl Campbell remembered." Cross-Cultural Dance Resources newsletter 5:1,4. Flagstaff, Arizona: Cross-Cultural Dance Resources.

"Why this organization uses the word 'dance' in its name." Cross-Cultural Dance Resources newsletter 6:1-2. Flagstaff, Arizona: Cross-Cultural Dance Resources.

Hopi and Hawaiian responses to cultural contact (research paper). (Presented to the Quincentenary Program, held at the Smithsonian Institution, Washington, D.C.)

Aesthetic and aesthemic perspectives (research paper). (Presented to the Congress on Research in Dance conference, held in Toronto, Canada; July.)

"Introduction." Dance research journal 20(l):43-44. New York: Congress on Research in Dance. (Part of article by Gertrude Prokosch Kurath, "George Gershwin's Concerto in F at the Yale School of Drama.")

Themes and variations: the music and dances o f Native America (research paper).(Presented to the Heard Museum, at Phoenix, Arizona; January.)

Variables that affect actions and reactions in dance ethnology research: a praxis (research paper). (Presented to the tenth Dance Ethnolgy Forum of the UCLA Graduate Dance Ethnology Association, held at the University of California, Los Angeles; February.)

Women anthropologists in the southwest and their field studies of Native American dance (research paper). (Presented to a conference of the Society for Dance History Scholars, held in Tempe, Arizona; February.)

Hopi dance in context (research paper). (Presented to Indian Club of Fort Lewis College, Durargo, Colorado; March.)

The value and values of Hawaiian dance (research paper). (Presented at a week-long event to honor Asian and Pacific Americans, United States Internal Revenue Service, held in Phoenix, Arizona; April.)

50 Kealiinohomoku

1990a "Challenges for dance ethnologists observed during travels." CCDR newsletter 9:1,4. Flagstaff, Arizona: Cross-Cultural Dance Resources.

1990b "Angst over ethnic dance." CCDR newsletter 10:1-2,5-6. Flagstaff, Arizona: Cross- Cultural Dance Resources.

1990c Reasoning forward: dance in the 21 st century (research paper). (Presented as one of series of the Global Connection, Alumni Office, University o f North Carolina, Greensboro; June.)

1990d Dance and the Hopi people (research paper). (Presented at the conference of NativeAmerican cultures of the Southwest: exploration and understanding, held at Fort Lewis College, Durango, Colorado; June.)

G EN IA KHACHATURIAN*Yerevan, ARMENIA, USSR

Khachaturian, Genia1964 HamSeni mi k'ani parerd" [Some dances of Hamshen]. Tefekagir hasarakakan gitut'vunneri

3:71-84. Yerevan, Armenia: HSSH Gitut'yunneri akademiayi hratarake'ut'yun. (Kinetogram; music.)

1965a "Haykakan pare gitut'yan luysi tak”[Armenian dance in the light of science]. Sovetakan arvest 1:63-64. Yerevan, Armenia: Organ HSSH Kulturayi ministrut'yan ev Haykakan Ministmeri soveti kinematografiayi petakan komitei. (About Srbouhi Lisitsian.)

Petrossian, Emma (nerpocaH, 3 im a ); Genia Khachaturian (x «hh Xa^aTpsiH)1965b "Co6HpaH«e npoH3BefleHHft apMSHCKoro TaimeBaJiBHoro h TeaTpajiBHoro

4>ojn.KJiopa"[Collection of Armenian folk dances and performances]. CoBe-rcKag 3iHC>rpa<frHg 1:155-158. Moskva: Nauka.

Khachaturian, Genia1968a "Hasakakic'neri miut'ynnere Javaxkum: vorpes pareri kazmakerpiC'ner" [The age group

associations in Javakh: as organizers of dances]. Patma-banasirakan handes 1:203-220. Yerevan, Armenia: Haykakan SSH Gitut'ynneri akademiayi hratarakC'ut'yun.

1968b "Javaxki parere ev nranc' aranjnahatkut'yunnere" [Dances of Javakhk and their pecularity].Lraber hasarakakan gitut'vunneri 3:70-83. Yerevan, Armenia: HSSH Gitut'yunneri akademiayi hratarake’ut'yun. (1 kinetogram; music.)

* Editor's note: Entries could not be verified (due to postal complications). Unfortunately several listings are incomplete and some translations are not clear.

Kealiinohomoku; Khachaturian 51

1968c "taragyoz: stvemeri tiknikayin t'atron" [Karagoz: the doll-shadow theatre]. Sovetakanarvest11:50-54. Yerevan, Armenia: Organ HSSH Kulturayi ministrut'yan ev Haykakan ministmeri soveti kinematografiayi petakan komitei. (Illustrations.)

1971 APMgHCKKe HapojHBie iuigcKH ZIxaBaxKa [Armenian folk dances o f Javakhk'].Yerevan, Armenia: Akademiya Nauk Armyanskoy SSR, Institut arheologii i etnografii. (22 pages.)

1973a Folklori kompleksayin granc'man ev hratarakman anhrazeStut'yn£ [The necessity of complex records and publications of folklore] (research paper). (Presented at the Hayastani kompozitomeri miut'yan plenum, nvirvac zofovrdakan ste!cagorcut'yan6, held in Yerevan, Armenia; September.)

1973b "nj:acKHMyiiia,,[Dances of Mush] (annotation). Bol§oy konc'ertniv zal Armfilarmonii: Veg'er armyanskoy narodnoy pesni i plyaski:14. Yerevan, Armenia. (April.)

1973c "Met'odakan ognut'yun pari ink'nagorc xmberi lekavamerin" [Methodical direction for the leader of amateur folk dances]. Zofovrdakan stelcagorcut'yan hanrapetakan tun. Yerevan, Armenia: HSSH Kulturayi ministrut'yun. (34 pages.)

1975a "taragyoz: stvemeii t'atron" [Karagoz: shadow theatre]. Hay azgagrut'yun evbanahyusut'vun 7:107-125. Yerevan, Armenia: Haykakan SSH Gitut'yunneri akademiayi hratarakfi'ut'yun. (Illustrations.)

1975b "Tpa/nmiioHHBie cBaae6HBie njiacKH apMaH" [Armenian traditional ritual dances]. CoBeTCKag 3THorpa<t>Hg 2:87-93. Moskva: Nauka. (Illustrations.)

1975c " Javaxk'i hay iotovrdakan parera" [Armenian folk dances of Javakhk']. Hay azgagrut'yunev banahyusut'vun 7:5-104. Yerevan, Armenia: Haykakan SSH Gitut'yunneri akademiayi hratarakC'ut'yun. (Illustrations; music.)

1976a Divaharut'yan darmanumfc parov "Xallac'av"' [The treatment of possessed by dance"Khahlacav"] (research paper). (Presented at the Hnagitut’yan ev azgagrut'yan instituti 1974- 1975t'.azgagrakan-banahyusakan daStayin aSxatank'nerin nvirvac gitakan nstaSijan, held in Y erevan, Armenia; December.)

1976b "McqejieHHe oflep*HMocTM iuiacKo" [The treatment of possessed by dance] (research paper). (Presented at the BcecoK>3Haa ceccna, nocBameHHaa HToraM noneB tix 3THorpa<t>HMecKHx h aHTponojiorHMecKHX HccjieaoBaHH 1974-1975 r .r ., held in Dushanbe, Tadjik SSR; May.)

1978a npuHiiJiriBi KJiaccH<£HKar[HH apMaHcr«x HapoaHBix njiacoK[The principles of classification for Armenian dances] (research paper). (Presented to the Bceco»3Haa ceccaa, nocBameHHaa HToraM noxreBtix 3THorpa<J>HMecKHX h aHTponojiorK^ecKHX MCcjienoBaHH 1976-1977r r . , held in Yerevan, Armenia; May.)

52 Khachaturian


1978b "Srbuhi Lisic'ian" [Srbouhi Lisitsian]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 4:625. Yerevan, Armenia: Haykakan SSH Gitut'yunneri akademiayi hratarakC'ut'yun.

1979a "Kak'avagrut'yun" [Kak'avagrutyun is a dance notation]. Haykakan Sovetakan Hanragitaran[Armenian Soviet encyclopedia] 5:254. Yerevan, Armenia: HSSH Gitut'yunneri akademiayi hratarakC'ut'yun. (Illustration.)

1979b "Klor par" [Round dance]. Haykakan Sovetakan Hanragitaran [Armenian Sovietencyclopedia] 5:484. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1979c "Kintauri" [Kintauri is a traditional Armenian dance]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 5:538. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1980a "Xallac'avi (divaharut'yan) buzume parov" [The treatment of possession by dance]. Lraber hasarakakan gitut'vunneri 10:89-96. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun. (Illustrations.)

1980b "Hagust" [The costumel. Haykakan Sovetakan Hanragitaran-Armenian Soviet encyclopedia 6:41. Yerevan, Armenia: HS SH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1980c "Hambarjum" f Ascension Day]. Haykakan Sovetakan Hanragitaran-Armenian Soviet encyclopedia 6:107. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1980d "Hay Zotovrdakan toner" [Armenian folk celebrations]. Haykakan SovetakanHanragitaran- £ Armenian Soviet encyclopedia] 6:125. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1980e "Hasakakic'neri miut'yunner" [The age associations]. Haykakan Sovetakan HanragitaranArmenian Soviet encyclopedia 6:245. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1980f "Harsanik"' [Wedding party]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 6:311. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1980g "Handisaparer" [Ball-dances]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 6:221. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1980h "Jemaxal" [Hand-game dance]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 6:696. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut’yun.

Khachaturian 53


1980i T're'nayin kerpam eii Cukot-eskimosyan parerum [The images of birth in chukot-eskimos dances] (research paper). (Presented at the 1978-1979 t’L, "Results of ethnographical and folklore field work in 1978-1979 years in Armenia, held in Yerevan, Armenia; May.)

Petrossian, Emma (neTpocsra, 3 im a ) ; Genia Khachaturian (3Kehs XanaTpsH)1980j ADMgHCKHa HappflHLift TaHen[Armenian folk dance]. Moskva: Iskusstvo. (135 pages;

illustrations,music.)

Khachaturian, Genia1981a "Cp6yn JiKCHiiHaH" [Srbouhi Lisitsian]. EaneT3flggXiiaiig2iiia[Ballet

encyclopedia] :315. Moskva: Nauka.

1981 b "Laz-Lazi" [Goose dance]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 7:23. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarake’ut’yun.

1982a "Nunufar" [Nunufar, a flower dance]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 8:405. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarake'ut’yun.

1982b Salaxo" [Shalakho is a men's dance], Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 8:413. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarake'ut'yun.

1982c Cisakan tiknikneri dasakargman p'oij [Classification of the dolls rite] (research paper).(Presented at the Gitakan nstaSijan, nvirvac SSHM kazmavorman 60-amyakin, held in Yerevan, Armenia; May.)

1982d "Nazenik" [Name of a dancer of the Middle Ages]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 8:144. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1982e "Soror" [Majestic dance]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 8:549. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1982f "Yayli-Zop'i" [Fighting dance]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 8:116. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarake'ut'yun.

1982g "Yar-Xu§ta" [Fighting dance]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 8:121. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1982h "Nazpar" [Coquetry dance]. Havkakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 8:145. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

54 Khachaturian


1983a "Par"' [Dance]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 9:178179. Yerevan, Armenia: HSSH Gitut’yunneri Akademiayi hratarakC'ut'yun.

1983b "Pararvest" [Dance art]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia]9:189-190. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1983c "Pararvesti studianer" [Studies of dance art]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 9:190. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1983d "Parusuc"' [Teacher of dance]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 9:218. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

Khachaturian, Genia (notator)1983e Ten kinetogram scores." M.fl.SKoPHHHKag.HapoztHoe xopeorpadaTTwecK’oe vrrK'veeTBo

HaceJieHHg CeBepo-BocTPKa C ^ kphTM. Ja. Zhomitskaia. National choreographical art of northeastern Siberian inhabitants] :67-69,81-85,112-113. Moskva: Nauka.

Khachaturian, Genia1984a "Sasunik" paraxumb: patmut'vun. cragir. anotac'iva [The dance group "Sasunic": history,

program, annotation]: 1-15. Yerevan, Armenia: Haykakan SSH Kulturayi ministrut'yun. (Illustrations.)

Petrossian, Emma (author, producer); Genia Khachaturian (producer); MelsNersessian (operator)1984b Nor tarin haveri mot [New Year as celebrated by the Armenians] (movie film). Yerevan,

Armenia: Armenian Television editorial office of folklore. (16 mm; 15 minutes; copy of video is in the Institute of Archeology and Ethnography Academy of Science Armenia: section of folklore.)

1985a "Zotovrdakan t'atron" [Folk theatre]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 11:115-116. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1985b "Zotovrdakan par" [Folk dance]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 11:116. Yerevan, Armenia: HSSH Gitut’yunneri Akademiayi hratarakC'ut'yun.

1985c "Vaijak" [Hired dancer]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 11:340. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1985d "Ver-Veri" [Ver-Veri is a jumping dance]. Haykakan Sovetakan Hanragitaran [Armenian Soviet encyclopedia] 11:419. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

Khachaturian 55

1986a "Tmgi" [Jumping solo dance]. Haykakan Sovetakan Hanragitaran-Armenian Soviet encyclopedia 12:107. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarake'ut'yun.

1986b "Kofi'ari" [Kochari is the name of a circle dance]. Haykakan Sovetakan Hanragitaran-Armenian Soviet encyclopedia 12:476. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

1986c "KpaTKaa 6H6jiHorpaHs" [Brief bibliography]. MaTepwajTT,T *- 3 Brfrcorormoft aoPM fiC K Q fl JiaSopaTOPHH “T aH iieB ajiL H ag KVJiiTVPa H a p o a o B c c c p - :2 4 -3 1.Leninakan, Armenia: Ministerstvo kulturi Armyanskoy SSR.

1986d "ApMaHCKHft'HaponHtili koctkjm h e ro TaHneBaJiBHO cijeHHMecKHe BapuaHTBi"[Armenian folk costume (for dance) and its scenic version]. MaTepirajtltk 3BcecoTo^woft TBQ PH ecK oa Jia$QPaTQPHH T a H n e B a jn ,H a a KVJiBTVPa H a p o a o B CCCP~: 2 4 - 3 1.

Leninakan, Armenia: Ministerstvo kulturi Armyanskoy SSR.

1986e "CeMaHTHKa m h c j i o b o S c h m 6 o j i h k h 3,4,7 b o6paztoBi>ix apM aH C K H X njiacicax" [Thesemantics of numberical symbolism 3,4,7 in the Armenian ritual dances] (research paper). (Presented at the Vsesoyuznaya sessiya po itogam polevix etnografiC'eskix issledovaniy 1984-1985 gg., held in Yoshkar-Ola, Mari Autonomus SSR; May.)

1986f "Tiknik: tiknikayin tdtron" [Puppet: puppet show]. Haykakan Sovetakan Hanragitaran- £ Armenian Soviet encyclopedia] 12:8. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

Petrossian, Emma ( n e T p o c a H , 3 m m s ) ; Genia Khachaturian ( X e H a X a ^ a T p a H )

1986g "CBoeo6pa3He TaHueBajiLHofi KyjiBTypBi ApMeHira" [The peculiarity of Armenian folkdances]. M a iS im n tI k 3 BcecoiosHoft TBpp^ecKoft jia60PaT0 PHH TaHiieBa^bHag yyjTvrvpawapoaoBcccp': 10-15. Leninakan, Armenia: Ministerstvo kulturi Armyanskoy SSR.

1986h "JKopHHmcaa M.H., Hapo/moe xopeorpa<J>HMecKoe m c k y c c t b o xopeHHoro HacejieHHaCeBepo-BocTOKaCH6Hpn" [Zhomitzkaya M Y. The aborigine folk choreography of northeastern Siberia] (review). CoBeicKaa JTHorpa<t>Ha 1:144-146 Moskva: Nauka.

Khachaturian, Genia1987a Hay zofovrdakan pare bemum [Armenian folk dance on scene] (research paper). (Presented

at the Hayastani kompozitomeri miut'yan plenum, nvirvac zotovrdakan erazStakan stelcagorcut'yane, held in Yerevan, Armenia; May.)

1987b "Zotovrdakan pararvest" [Folk dance]. SovetakanHayastan: Havakan SovetakanHanragitaran [Armenian Soviet encyclopedia]:589. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi hratarakC'ut'yun.

56 Khachaturian


1987c Mard-Sinararakan zoh6 "Sarec'in mork'ur..."parergi aranc'k', cesi imastabanut'yune [The semantics of dance and song "Sharetzin morkur" as a ritual building sacrifice] (research paper). (Presented at the Hanrapetakan gitakan nstaSijan, nvirvac 1984-1985 t't'. azgagrakan ev banagitakan daStayin hetazotut'unneri hanragumarin, held in Yerevan, Armenia; May.)

Petrossian, Emma; Genia Khachaturian1987d "Az Ormeny neptancok sajatossagai es kutatasuk tortenete" [The characteristics of the

Armenian folk dances and the histoiy of their research]. Ethnographia 2-4:293-303. Budapest: Acta Ethnographica Akademiae Scientiar um Hungaricae, Magyar Neprajzi Tarsasag.

Spichs, Ernest (producer); Khachaturian, Genia (author, consultant)1987e P'eriayi parayin folklore [Armenian traditional dances in the region of Pheria] (video film).

Riga, Latvia: Univeristy of Lativia. (30 minutes; copy of video is located in the Institute of Archeology and Ethnography Academy of Science Armenia, Folklore Section.)

Hakhverdian, Hovik (producer); Genia Khachaturian (author, film consultant)1988 MaT$HaziapaH[Shadow theatre (five fables of Vardan Ajgectzy)] (movie film). Yerevan,

Armenia: Armenian Television Studio Telefilm "Yerevan." (35mm; 5 minutes.)

Khachaturian, Genia1989a "Kaland kam amanor" [Calendar or New Year], PionerkanC 103-104:5. Yerevan,

Armenia: Pionerakan kazmakerput'yan hanrapetakan organ.

1990a "Barekendan" [Shrovetide]. PionerkanC 40:4. Yerevan, Armenia: Pionerakan kazmakerput'yan hanrapetakan organ.

1990b "Vardavar" [Transfiguration]. Pioner kanC 55:4. Yerevan, Armenia: Pionerakan kazmakerput'yan hanrapetakan organ.

1990c CeMaHTHKa xuapa KaK ymiBepcajiBHOfi npoeKiinn Kpyra b apMSHCKHx HapoaHtxx njiacKax [The semantics of sphere as a universal horizontal projection of circle in Armenian folk dances] (research paper). (Presented at the Vsesoyuznaya sessiya posvyaSC'yennaya itogam polevix etnografiC'eskix i antropologiC'eskix issledovaniy 1988-1989 gg., held in Alma-Ata, Kazakh SSR; May.)

1990d The ritual relics of one of the hipostases of the cosmogonical sacrifice, with special reference to Armenian dances (research paper). (Presented at the "Traditional folk belief today" conference dedicated to the 90th anniversary of Oskar Loopits, held in Tartu, Estonia; October.)

Khachaturian 57


CSILLA KONCZEI*Cluj-Kolozsvfr, ROMANIA

K onczei, C silla1982a "Arany es Kodaly szellemi rokonsaga" [Arany's and Kodaly's spiritual relationship],

1982b "A borica motfvumkincse Haromfaluban" [The dance motifs of the Borica in three villages](research paper). (Presented to the 6th Dancing Room Festival from Szekelyudvarhely- Odorheiu Secuiesc.)

1983a "Horvath Janos nyelveszeti vonatkozasu levele" [Janos Horvath’s letter on linguistics]. Nyelv es Irodalomtudomanvi Kozlemenvek 27(l):61-63. Cluj, Romania.

1983b "A tuznek nem szabad kialudni" [The fire must not be burned out]. Igazsde:3. (Aboutdance movement.)

1983c A borica: egy kollektfv csoporttdnc mufaji sajitossagai [Borica: the characteristic form of a collective group dance] (research paper). (Presented at the national scientific session at Babes-Bolyai University, Department of Philology, Cluj-Kolozsvar.)

1983d Borita: trSsaturile specifice unui dans colectiv de grup [Borica: the characteristic form of a collective group dance] (research paper). (Presented at a national scientific session of the Ethnographical and Folklore Association of the Students from Romania, held in Craiova, December.)

1985 Az avatasi ntus nyomai a magyar ferfikortancokban [The traces of the male initiation rite in the Hungarian lad-dances in a circle] (research paper). (Presented at a scientific session at Babes-Bolyai University, Department of Philology, Cluj-Kolozsv£r.)

1986 "ALabdn-tancjelfrds" [Laban-notation]. Echmox28(l-2):16-17.

[1986] A hetfalusi borica [The Borica dance from seven villages] (thesis). Cluj-Kolozsvar, Romania: Babes-Bolyai University. (100 pages; dance notation; music; illustrations.)

1987a ''Neptdnchagyomlny es kreativitas" [Tradition and creativity in folk dances]. Korunk46(5):388-395.

[1987b] Jeevzetek a Ldban-tdncielMr61 TNotes on Labanotation]. (96 pages.)

1988a "Motfvum6pftkez6si elvek a boric£ban" [The principles of creation in the Borica dance]. A Megenekliink, Romania orszdgos fesztivdl folv6irata 9(10):56-61.

Editor s note: Due to poor postal circumstances, entries are not verified. Several listings are incomplete.

58 Konczei


1988b Az erddlyi legenyes tdncokr61 [About Transylvanian lad-dances] (research paper). (Presented to University Extension in Cluj-Kolozsvdr, December.)

1988-1989 "T£ncolj velilnk" [Let’s dance]. A haza s61vmai 9(108): 12-13; 10(109):28-29.

1989 Arany Jdnos es Koddly Zoltan szellemi rokonsdga" [Mnos Arany's and Zoltdn Koddly's spiritual relationship] (research paper). (Presented to University Extension in Cluj- Kolozsvar, March.)

1990a "Romaniai magyar neprajzi tajegysegek" [Hungarian ethnographical dialects in Romania]. Jelenlet 1(4):6. Budapest.

1990b "Mindenki szeret engem: beszelget£s Fodor Sandor Netti kalota-szegi primissal" [Everybody loves me: discussion with Sdndor Fodor, Netti, violinist from Kalotaszeg]. Jelenlet 1(10):6. Budapest.

1990c Neptune a szfnpadon [Folk dance for the stage] (research paper). (Presented to University Extension in Cluj-Kolozsvdr, February.)

1990d "Idekint a keritesen beliil.,.: beszelgetes egy krisztiiniai csavarg6val' [Out here within the gates: talking with Jogger, a tramp from Christania]. Jelenlet l(34):4-5. Budapest

1990e A kuka [About the masked characters of the Borica dance] (research paper). (Presented to the OrMn Baldzs scientific session in Szekely-udvarhely-Odorheiu Secuiesc, April.)

1990f The principles of creation of the Borica dance (research paper). (Presented at the 16th symposium of the ICTM Study Group on Ethnochoreology, held in Budapest, August.)

1990g Neptanckutatds es neptancmozgalom [Ethnochoreology and the folk dance movement](research paper). (Presented at the Session of Ethnochoreologists, organized by the National Cultural Centre in Budapest, August.)

* > » > » > » > » » » » » ! > » > * » > * > » > ! > » > » » > » > » > * > » > » » > » > ! > » > » > » > *

LA SZ L6 KURTIWashington DC, UNITED STATES

K iirti, L aszlo1980 "Hungarian dance structures: a linguistic approach." Journal for the anthropological study of

human movement l(l):45-46. [New York:] Society for the Anthropological Study of Human Movment, Department of Dance, New York University.

1983a "On the concept of folk model." Karikazo 8:1-3. Passaic, New Jersey: American-Hungarian Folklore Centrum.

Konczei; Kiirti 59


1983b "The Ungaresca-Heyduck dance and music tradition in renaissance Europe." The sixteenth century journal 14:56-94. St. Paul, Minnesota: Sixteenth Century Studies Council.

1983c "From an anthropologist's journey, the bachelor's dance in Transylvania." Arabesque 8:8-15. New York: Ibahim Farrah.

1983d Hungarian immigrant folk music in the United States (sound recording). New York: Folkways Records. (LP FE4020.)

1983e Transylvanian wedding music (sound recording). New York: Folkways Records (LP 4015.) ...

1984a "Why non-Hungarians dance Hungarian dances." Hungarian folk art in Canada 2:9-12.Edmonton, Canada: Canadian-Hungarian Folk Art Association.

1984b "Inmemoriam: Dr. Gy. Martin." Karikazo 9:14-19. Passaic, New Jersey: American-Hungarian Folklore Centrum.

1984c "The new Hungarian State Folk Ensemble in America." Arabesque 8:8-15. New York:Ibahim Farrah.

1984d "Some thoughts on the 4th Hungarian folklore symposium." Hungarian folk art in Canada2:6-7. Edmonton, Canada: Canadian-Hungarian Folk Art Association.

1985 Hungarian folk music from Kis-Kukullo, central Transylvania, Romania (sound recording). New York: Folkways Records. (LP FE4035.)

1986 "Tanc anthropologio-folklore kelet Europaban 6s ar USA-ban" [Dance anthropology and folkloristies in Eastern Europe and America]" Teka 2:2-8. Budapest: TekaEnsemble. (In Hungarian.)

1988 "Juanita de Laban: an unknown life of a dance scholar." Tancmuveszet 6:3-6. Budapest:Association of Hungarian Dance Artists.

1989a "Critical theory and dance criticism." Tancmuveszet 3:14-18. Budapest: Association ofHungarian Dance Artists.

1989b "Ritual and sheepherding in a Hungarian community in Transylvania." Ethnographia 95(2-3):385-393. Budapest: Magyar Neprajzi Tarsasag.

1989c "Style changes in the Seneca Indian dance culture: the application of a model." NativeAmerican studies 3/2:29-40. Lewiston, NY: Edwin Mellen Press.

1990 Symbolism and meaning in dance: toward an anthropological analysis (research paper).(Presented at the 16th symposium of the International Council for Traditional Music Study Group for Ethnochoreology, held in Budapest.)

60 Kiirti

DANCE RESEARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF THE_______________ ICTM STUDY GROUP ON ETHNOCHOREOLOGY (1991)________________

Lange,1957

1958

1959a

1959b

Lange,1959c

Lange,1960a

1960b

1960c

1961a

Lange,1961b

RODERYK LANGEJersey, Channel Islands, GREAT BRITAIN

Roderyk"I tancerze maja sw6j alfabet [And the dancers have gotten their script, an article about dance notation], Wiedza i Zvcie 2:93-97. Warsaw: Towarzystwo Wiedzy Powszechnej. (4 illustrations, 6 diagrams, 1 kinetogram; reprinted in 1957 under the title: "Od opisu ruchu do pisma ruchowego.")

Podstawowe elementy kineografii: system Labana-Knusta z terminologia w jezvku polskim [Introduction to Kinetography Laban with Polish terminology]. Warsaw: Ministerstwo Kultury. (24 pages; 26 diagrams; 1 kinetogram.)

"Les recherches et la documentation de la danse populaire dans le Mus6e Ethnographique a Torurf" [Research and documentation of folk dance in the Ethnographic Museum at Toruii]. Ethnographica 1:144-146. Bmo, Czechoslovakia: Moravskd Museum.

"Z wojew6dzkich eliminacji zespoldw tanecznych" [Review of folk dance groups in Poland]. Bulletin WDK 2:163-168. Bydgoszcz, Poland: Wojewodzki Dom Kultury.

Roderyk (editor)Zasadv zapisu tarfca i ruchu, thimaczenie ksiazki Labana; redakcia mervtorvczna [Principles of dance and movement notation, translation of Laban's book]. Warsaw: Centralna Poradnia Amatorskiego Ruchu Artystycznego. (61 pages; 114 diagrams.)

Roderyk"Kinetogram tarfca z Pahik 'wiatr'" [Kinetogram of a Polish dance]. The Folklorist 6(1):340. Manchester, England: The International Magazine-The Folklorist.

"Pismo Terpsychory w shizbie etnografii" [Terpsichore script in the service of ethnography] (film script). Wvtwomia Film6w OSwiatowych 2. Lodz, Poland: State Film Production. (Lange also consulted on the film-making.)

Taniec ludowv w pracach Muzeum Etnograficznego w Toruniu: metoda pracv i kwestionariusz [Folk dance research at the Ethnographical Museum in Toruii: fieldwork methods and questionnaire]. Torurf, Poland: Muzeum Etnograficzne w Toruniu. (58 pages,2 illustrations, 1 kinetogram, bibliography, summary in English.)

"Kinetografia: System zapisywania tarfca" [Kinetography: dance notation]. BulletinCPARA 8(23): 12-33. Warsaw: Centralna Poradnia Amatorskiego Ruchu Artystycznego. (9 diagrams, 3 kinetograms, music.)

Roderyk (notator)"Two kinetographic scores" [notation scores]. Adam Glapa; Alfons Kowalski, Tarfce i zabawy wielkopolskie: addenda. Wroclaw, Poland: Polish Ethnological Society.

Lange 61


Lange, Roderyk1963 "Tarfce kujawskie" [Dances from the region of Cuiavia, Poland]. Literaturaludowa 4:13-20.

Warsaw: Polish Ethnological Society. (2 kinetograms, music.)

1964a "DzialalnoSc: oSrodka toruiiskiego w zakresie folkloru tanecznego i muzycznego" [Folk dance research in the Ethnographic Centre in Toruii], Literatura ludowa 4-6:202-205. Warsaw: Polish Ethnological Society.

1964b Kinetographv Laban (movement notation) and the folk dance research in Poland (leaflet).Moscow: International Congress of Anthropological and Ethnological Sciences. (Summary o f lectures given at the Moscow University in 1964.)

1965a "Kilka sl6w o folklorze tanecznym" [A few words about dance folklore]. Teatr ludowy 6:17-19. Czerwiec, Poland: Zwiazek Teatrdw Amatorskich.

1965b "Rozdzialpt. Tailce' w pracy zbiorowej: Zarys stanu kultury ludowej ludnoSci rdzennejSrodkowo-wschodniej cze&i pow. zlotowskiego w woj. koszaliilskim" [A chapter concerning dance in a report from an expedition in northern Poland in I960]. Lud 49:412415. Wroclaw, Poland: Polish Ethnological Society. (Summaries in Russian, English.)

1965c "Recenzja pracy Tadeusza Zyglera pt. 'Polskie tarfce ludowe'" [Review o f book: Polish folk dances by Tadeusz Zygler]. Demos 2:222-223. Berlin (East): German Academy of Sciences.

1965d "Autorecenzja pracy pt. 'Taniec ludowy w pracach Muzeum Etnograficznego w Toruniu"1[Auto-review of folk dance research at the Ethnographical Museum in Torurf]. Demos 2:221-222. Berlin (East): German Academy of Sciences.

1966a "Kinetography Laban (movement notation) and folk dance research in Poland." Lud 50:378391. Wroclaw, Poland: Polish Ethnological Society. (1 illustration, 5 kinetograms, 2 maps, music, 2 synoptic tables with kinetograms and music; summary in Russian.)

1966b "Der Volkstanz in Polen" [Folk dance in Poland]. Deutsches Jahrbuch fur Volkskunde12(2):342-357. Berlin: German Academy of Sciences. (5 kinetograms, music; summary in French.)

1967a "Przeglad wazniejszych wydarzerf zagranicznych w zakresie folkloru tanecznego w roku 1963" [Review of happenings in dance anthropology in 1963]. Lud 51(1):215-217. Wroclaw, Poland: Polish Ethnological Society.

1967b "Tadeusz Zygler (1906-1964)" (obituary). Lud 51(l):233-234. Wroclaw, Poland: Polish EthnologicalSociety.

1967c "Tarfce kaszubskie na tie pokazu w Muzeum Pomorskim w Gdarfsku" [Dances of Cashubia, northern Poland. Reminiscences of a lecture/demonstration at the Pomeranian Museum in Gdarfsk]. Bulletin 3(18):5-11. Gdarfsk, Poland: Zrzeszenie Kaszubsko-Pomorskie.

62 Lange

1968a "Historia badari nad tailcem ludowym w Polsce" [The history of research on folk dance in Poland]. Lud 51 (2) :415-452. Wroclaw, Poland: Polish Ethnological Society. (Summary in English.)

1968b "Recenzja pracy Zofii Nozyiiskiej pt. Taiice w Polsce na tie przeobrazerf spolecznych (okresod pradziej6w do polowy XVI w.)" [Review of "The dance in Poland in relation to the background of social developments from pre-history to the first half of the sixteenth century" by Z. Nozyilska]. Lud 51(2):628-630. Wroclaw, Poland: Polish Ethnological Society.

1968c "Recenzja pracy A. Gumieniuka pt. 'Narodne choreograficzne mistectvo Ukrainy’" [Reviewof "The national choreographic art of the Ukraine" by A. Gumieniuk]. Lud51(2):630-631. Wroclaw, Poland: Polish Ethnological Society.

1968d "Recenzja artykuhi Zofii Nozyiiskiej pt. 'O wartoSci i celowoSci badari przezytk6w"' [Review of an article on relics in dance culture by Z. Nozyilska]. Lud 52(2):305. Wroclaw, Poland: Polish Ethnological Society.

1968e "Przeglad wazniejszych wydarzeii zagranicznych w zakresie folkloru tanecznego za lata1964-1966" [Review of happenings in dance anthropology 1964-1966]. Lud 52(2):345-351. Wroclaw, Poland: Polish Ethnological Society.

1968f "Recenzja ksiazki Gertrude Kurath i Samuel Marti pt. Dances of Anahuac [Review of bookDances of Anahuac by Gertrude Kurath and Samuel Marti]. Lud 52(2):351. Wroclaw, Poland: Polish Ethnological Society.

1968g "Recenzja artykuhi H. Suna, 'Novaja sistema kinetografii: zapisiej choreografceskichdvizenija"’ [Review of "A new system of kinetography, notation of dance movements" by H. Suna]. Lud 52(2):351-352. Wroclaw, Poland: Polish Ethnological Society.

1969a Bibliografia zagadnieti sztuki tanecznei z lat 1963-1964 [Bibliography of works on dance,1963-1964], Warsaw: Centralna Poradnia Amatorskiego Ruchu Artystycznego. (190 pages.)

1969b "Philosophic foundations and Laban's theory of movement." The Laban Art of MovementGuild magazine. November:9-16. London: The Laban Art of Movement Guild.

1970a "The nature of dance." The Laban Art of Movement Guild magazine Mav:6-22. London:The Laban Art of Movement Guild.

1970b "The traditional dances of Poland." Viltis 29(1):4-14. Denver, Colorado: V.F. Beliajus.(20 illustrations, 6 kinetograms, 1 map, music, 1 synoptic table.)

1971 "Every man a dancer." Studio 25:26-32. Addlestone, England: The Art of MovementStudio. [Anniversary issue.]

DANCE RESEARCH: PUBUSHED OR PUBUCLY PRESENTED BY MEMBERS OF THE_________________________________ ICTM STUDY GROUP ON ETHNOCHOREOLOGY (1991)_________________________________

Lange 63


1975a "On differences between the rural and the urban: traditional Polish peasant dancing." 1974 yearbook of the International Folk Music Council:44-51. Ontario, Canada: International Folk Music Council. (Illustrations, diagrams.)

1975b The nature of dance: an anthropological perspective. London: Macdonald and Evans. (142 pages, 85 illustrations, diagrams.)

1975c Podrecznik Kinetografii—wedhig metodv Labana-Knusta [Handbook of K inetography-Laban-Knust method]. Cracow, Poland: Polskie Wydawnictwo Muzyczne. (98 pages, 14 illustrations,diagrams.)

Lange, Roderyk (editor)1975d Laban's principles of dance and movement notation. Second edition. London: Macdonald

and Evans. (61 pages; 114 diagrams.)

1975e Polska pieSri i muzyka ludowa, zr6dla i materialy: Kujawy [The Polish folk song and music, sources and materials: Cuiavia]. Cracow, Poland: Pari st wo we Wydawnictwo Muzyczne. (Song texts in English edited by R. Lange.)

1976a Dance studies 1. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (87 pages; illustrations; kinetograms.)

1976b Documentary dance materials 1: dances from Cuiavia. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (10 kinetograms; 6 music examples; 1 illustration.)

Lange, Roderyk (notator)1976c Documentary dance materials 1: dances from Cuiavia. Roderyk Lange (editor), Jersey,

Channel Islands, Great Britain: Centre for Dance Studies. (Kinetograms, music.)

Lange, Roderyk1976d "Some notes on the anthropology of dance." Dance studies 1:38-46. Jersey, Channel

Islands, Great Britain: Centre for Dance Studies. (2 synoptic tables.)

1976-1977 "An answer to Drid Williams." Dance research journal 9(l'):59-60. New York: Committee on Research in Dance.

1977a "A reply to Suzanne Youngerman's review in Ethnomusicology XX, 375-377."Ethnomusicology 21(1):99-101. Ann Arbor, Michigan: Society of Ethnomusicology.

1977b "Principles underlying the universality of Laban's movement notation." The Laban Art of Movement Guild magazine 58:8-14. London: The Laban Art of Movement Guild.

1977c "Principles underlying the universality of Laban's movement notation." Dance studies 2:5763. Jersey, Channel Islands, Great Britain: Centre for Dance Studies.

64 Lange

DANCE RESEARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF THE_______________ ICTM STUDY GROUP ON ETHNOCHOREOLOGY (1991)________________

1977d

1977e

1977f

Lange,1977g

1977h

1977i

1978a

Lange,1978b

1979a

1979b

1979c

1979d

1979e

"Dance folklore and the urbanised world." Dance studies 2:1-12. Jersey, Channel Islands, Great Britain: Centre for Dance Studies.

"Dance folklore and the urbanised world." Monde de la Danse. Bulletin du Conseil International de la Danse-UNESCO 2:10-15. Paris: International Dance Council.

"Some notes on the anthropology of dance." John Blacking (editor), The anthropology of the body. Association of Social Anthropologists 15:241-252. London: Academic Press.

Roderyk (editor)Dance studies 2. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (77 pages; illustrations; dance notation.)

Documentary dance materials 2: dances from the Marais Nord Vend6en. part 1. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Kinetograms; music.)

Documentary dance materials 3: dances from the Marais Nord Vend6en. part 2. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Kinetograms; music.)

Documentary dance materials 4: dances from Cieszvn. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Kinetograms; music.)

RoderykTradycviny taniec ludowy w Polsce i iego przeobrazenia w czasie i przestrzeni [Traditional folk dances in Poland and their changes in time and territory]. London: The Polish University. (85 pages; illustrations.)

Folklor Kujaw [Folklore of Cuiavia], Warsaw: Centralny OSrodek Kultury. (Barbara Krzyzaniak, Aleksander Pawlak are co-authors; 383 pages, illustrations, dance notation.)

"The child as performer." Dance and the child. Keynote addresses and philosophy papers:46-57. Edmonton, Canada: Canadian Association of Health, Physical Education, and Recreation Dance Committee. (Conference held at the University of Alberta, 25-27 July 1978.)

"The Laban lecture-dance, the mirror of human condition." The Laban Art of Movement Guild magazine 62:7-11. London: The Laban Art of Movement Guild.

"The social and cultural significance of dance as seen in peasant and urban societies." Dance studies 3:45-64. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Illustrations.)

"Comment to: Movements toward understanding humans through the anthropological study of dance, by Judith Lynne Hanna." Current anthropology 20(2):328. Chicago, Illinois: University of Chicago Press.

Lange 65


1979f

1979g

Lange,1979h

1980a

Lange,1980b

1980c

1980d

1980e

1981a

1981b

Lange,1981c

1982a

"Polacy na konferencjach IFMC" [Poles at the IFMC conferences]. The Polish daily (TvdzieiiPolski) 43(256):8. London: The Polish Daily.

"Albrecht Knust, a dictionary o f Kinetography Laban (Labanotation)" (book review). lh £ Laban Art of Movement Guild magazine 63:43-44. London: The Laban Art o f Movement Guild.

Roderyk (editor)Dance studies 3. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (80 pages; illustrations; dance notation.)

Dance studies 4. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (89 pages; illustrations; dance notation.)

Roderyk"Notation (commentaries on lectures)." A. Salter (editor), The Laban centenary symposium: 17-21. London: The Laban Centre for Movement and Dance at University of London Goldsmith's College.

"The characteristics of Mazurka-type couple dancing in Cuiavia (Poland)." Der alters Paartanz in Europa--Konferenzbericht:97-122. Stockholm: Dansmuseet, Arkivet for folklig dans. (Illustrations.)

"The development of anthropological dance research." Dance studies 4:1-23. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Illustrations.)

"The development of dance research (summary of lecture)." Peter Cooke (editor), Studies in traditional music and dance. Proceedings of the 1980 conference of the U,K, National Committee of the IFMC:3-5. London: International Folk Music Council, United Kingdom Chapter.

"Diana Baddeley-Lange 1928-1981. A commemoration." Dance studies 5:3-12. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Photos.)

"Semiotics and dance." Dance studies 5:13-21. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Diagrams, dance notation.)

Roderyk (editor)Dance studies 5. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (51 pages; diagrams; dance notation; photos.)

Dance studies 6. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (62 pages; photos.)

66 Lange

DANCE RESEARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF THE____________ ICTM STUDY GROUP ON ETHNOCHOREOLOGY (1991)_______________

Lange,1982b

1982c

1982d

1983a

1983b

Lange,1983c

1984a

Lange,1984b

1985a

1985b

1985c

Lange,1985d

1986a

Roderyk"Razvoj antropoloSkog prouCavanja igre" [The development of the anthropological study of dance]. Narodno stvaralaStvo: folklor 21(82-84):37-48. Beograd: Organ saveza udruzenja folklorista Jugoslavije. (Summary in French.)

"Semiotics and dance." Makedonski folklor 29-30:163-170. Skopje, Yugoslavia: Institutot za folklor "Marko Cepenkov." (Dance notation, diagrams.)

"The tenth anniversary of the Centre for Dance Studies 1971-1981." Dance studies 6:3-8. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Photos.)

"Anthropology and dance scholarship." Dance research 1(1):108-118. London: Society for Dance Research. (Tables, dance notation.)

The development of research methods in dance ethnology (research paper). (Presented at the Colloque "La reconstruction et la conservation des danses," held at the Sorbonne, Paris.)

Roderyk (editor)Dance studies 7. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (78 pages; tables; dance notation; photos.)

Dance studies 8. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (79 pages; tables; map; photos.)

Roderyk"Guidelines for field work on traditional dance: methods and checklist" Dance studies 8:747. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Photos.)

"Review, dance and music in South Asian drama: report of Asian traditional performing arts 1981." Folk music journal: 117-118. London: The English Folk Dance and Song Society.

"Laban's system of movement notation." Dance studies 9:9-87. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Dance notation.)

"The principles and basic concepts of Laban's movement notation. Report of the Principles Committee ICKL." International Council of Kinetographv Laban. Proceedings of the fourteenth biennal conference; Brighton, England; 2-13 August:l-43. [Columbus, Ohio:] International Council of Kinetography Laban.

Roderyk (editor)Dance studies 9. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (92 pages; diagrams; dance notation.)

Dance studies 10. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (106 pages; diagrams; dance notation.)

Lange 67

DANCE RESEARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF W E STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1986b

Lange,1986c

1986d

1987a

1987b

1988a

1988b

1988c

1988d

Lange,1988e

1989a

Lange,1989b

1989c

1990a

Documentary dance materials 5: Farruca. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Kinetograms; music.)

Roderyk"Obituary-Gisela Reber 1913-1987." Dance studies 10:98-101. Jersey, Channel Islands, Great Britain: Centre for Dance Studies.

Methodological trends in contemporary dance research (research paper). (Presented at the ICTM Study Group on Ethnochoreology meeting, held in Neubrandenburg.)

The development of ethnochoreology (research paper). (Presented at the 29th ICTM conference, held in Berlin.)

Folk dance and dance folklore (research paper). (Presented at the IOFA-UNESCO international conference "Folk dance today," held in Larissa, Greece.)

"Dance notation and the development of choreology." Musica antiqua VIII. Acta musicologica 1:577-622. Bydgoszcz, Poland. (Illustrations, diagrams, dance notation.)

O istocie tailca i ieeo przeiawach w kulturze [About the nature of dance and its manifestations in culture]. Cracow, Poland: Polskie Wydawnictwo Muzyczne. (143 pages, illustrations, diagrams, dance notation.)

The development of choreology (research paper). (Presented at the second world conference IOFA-UNESCO, "Folk dance research," held in Larissa, Greece.)

Galungan in Bali (research paper). (Presented at the meeting of the ICTM Study Group for Ethnochoreology, held in Copenhagen.)

Roderyk (editor)Dance studies 11. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (150 pages; notation; diagrams.)

Dance studies 12. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (230 pages; notation; music; maps; photographs.)

Roderyk"The dance folklore from Cuiavia." Dance studies 12:7-223. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (Notation; music; maps, photographs.)

"Dance as an element of human culture." Dance and the child international, fourth intemationalconference 3:49-53. London: Roehampton Institute Froebel College.

Dance folklore and non-professional dance (research paper). (Presented at the 16th symposium of the ICTM Study Group on Ethnochoreology, held in Budapest.)

68 Lange


Lange, Roderyk (editor)1990b Dance studies 13. Jersey, Channel Islands, Great Britain: Centre for Dance Studies. (115

pages; notation; music; map; photographs.)

HANNAH LAUDOVA*Prague, CZECHOSLOVAKIA

Laudov4, Hannah1990a "Motivy lidovych zdbav ve spoleCenskdm iivote Slechty a mgStanstva v Cechdch a na

Morave." Poe&tkv Ceskgho ndrodnlho obrozenf. Prague: Academia.

1990b "Tschechische Handwerker- Lieder und Tanze" [Czech craftsmen— songs and dances]. Anthologie und Studie. Prague: Artama, Ministerium der Kultur. Im Druck.

1990c "Zvyky, zvyklosti a zSbavy na Plzen sku.” Sbomfk Oblastniho muzea v Plzni. Pilsen, Czechoslovakia: Oblastnfho muzea v Plzni. Im Druck.

1990d "Ndrodni vyznam prvnich verejnych Lidovych slavsnosti." Sbomik pfispgvkfl z 9. Str£2nick6ho symposia. Strdznice, Czechoslovakia: Ustav lidov6 kultury.

1990e Ctyfi portrdtv Zdenky Jelfnkov6 [Four portraits of Zdenka Jelmkov6]. Zlfn, Czechoslovakia: Muzeum jihovychodm Moravy. (Booklet published on occasion of 45th international festival in Strdznice.)

1990f Das Projekt der Analyse von Abart und Funktion der Aktivitat der Gruppen die sich mitfolkloristischen Genre befassen und es kiinsderisch bearbeiten" [The project of the analysis of variety and function of groups and their activities that are concerned with folkloristic genre and artistic work]. Bohmen und Mahren. Behandlung fur Ministerium der Kultur CSFR.

1991a Vyznam zalofcenf Cesk6ho lidu pro poCdtky taneCm folkloristiky. Cesky lid 78(3). Prague:UEFCSAV. Im Druck.

Editor's note: Listings are incomplete and not verified.

Lange; Laudovd 69

IRENE LOUTZAKI (P eva A ouitaK rOAthens, GREECE

Loutzaki, Irene (Ao\)T£ai<r|, P cva)1979-1980 "Xopoi -iris Opeivris. KaTaypacpr^ pe tt) pe©o6o 'K ivriaioypacpiac io u

Laban’" [Kinetography/Laban o f the Orini dances in Serres, Macedonia]. EGvovpatpixa [Ethnographica] 2:97-128. N aunX iov [Nafplion], Greece: IIeXo-novvr)CTiaKo AaoypacpiKo I6 p u p a [Peloponnesian Folklore Foundation]. (Summary in English.)

1981-1982 "Oi x o p o i tu)v Meycxpcov kou r) ypa<piKr| t ia p a c n a a r ) tous ye Tr) peGoSo K ivr)aioypa<pia -tou AayiTiav" [Folk dances of Megara]. E G vovpayixa [Ethnographica] 3:81-112. Nau-riXiov [Nafplion], Greece: neXo—novvriaiaK o A aoypa<f iko iSpuyacx [Peloponnesian Folklore Foundation]. (Summary in English.)

1983-1985 "O y a y o s cos x °P £U't *-KO 6pu>]i£vo. H Tiepimu)ar| tcov npoa(puyu)v *tr)SAvatoXiKr|S PcoyuXias a to Minpo M ovac'tripi M aK eSovias” [Marriage as a dance event The case of the refugee from eastern Rumelia at Micro Monastiri Macedonia]. EOvovpacpiKa [Ethnographica] 4-5:143-176. Nau-nXiov [Nafplion], Greece: neXonovvriaicxKo Aaoypa<piKo I6 p v p a [Peloponnesian Folklore Foundation]. (Summary in English; reprinted as a Greek-English book, 1987.)

1984 Dance and society in a complex Greek peasant community (master’s thesis-). Belfast, Northern Ireland: The Queen's University of Belfast. (228 pages.)

1985 Q -napcx.5oaia.Kos yopos cttt|V EXXaSa [The traditional dance in Greece]. ©GCTCTaXoviKr|-Thessaloniki, Greece: <tnXo£evia 85-HELLEXPO-Philoxenia 85 HELLEXPO. (Greek-English edition; 71 pages.)

1987a "Dances of the Aegean world." Music in the Aegean:53-71. Athens: Ministry of Culture-Ministry of the Aegean. (English edition.) "0 xopos o to A iyaio ." Mouctikes ctto A i y a io :53-71. AGriva [Athens]: Y noupyeio n o X n ia jiou -Y -noupyeio A iy a io u [Ministry of Culture-Ministry of the Aegean.] (Greek edition.)

1987b 0 yayios ms yopevTiKo Spcpycvo.__ H ‘neqiiLi.wcrn twv Tipogqw.ywy- ip sAvatoXLKns Pm yvX ias ox o MiKpo MovaCT-rnpi M aK E5orias [Marriage as a dance event. The case of the refugee from Eastern Rumelia at Micro Monastiri Macedonia], H avnX iov [Nafplion], Greece: riEXoTiovvr)cn.a.Ko A aoypa<pi*o I6 p u y a [Peloponnesian Folklore Foundation], (Greek-English edition; 50 pages; reprinted as a book from an article, 1983-1985.)

1987c O yopos, cos -nap aS E iy y a -noX m atiK ris aX Xayr|S [Dance, as a process of cultural change] (research paper). (Presented at the IOFA World Conference "Folk Dance Today" held in Larissa, Greece; July.)

1987d O EopT aajios tr)S lr|S Ia v o v a p io u . To EGiyo oi Kay^XEs a io Neo M ovac 'trip i AoyoKov) a n o to u s -npoa^uyes t^ s Ava-toXinris Pu>yuXias [Celebration on the

70 Loutzaki

first of January: The custom of the camel in the Neo Monastiri village, Domokos from the refugees from eastern Rumelia] (research paper). (Presented at a symposium on "Man and environment in Greece," sponsored by the Greek Anthropological Society, held in Athens, Greece; December.)

1989 Dance as a cultural message: a study of dance style among the Greek refugees from northern Thrace in Micro Monastiri. Neo Monastiri and Aeginion (doctoral dissertation). Belfast, Northern Ireland: The Queen's University of Belfast, Social Anthropology and Ethnomusicology Department. (443 pages.)

1990 Structure and style of an implement dance in Neo Monastiri, central Greece (research paper). (Presented to the 16th symposium of the ICTM Study Group on Ethnochoreology, held in Budapest, August.)

GYORGY MARTIN(1932-1983)HUNGARY

For full listing of Martin's research, see:

Nagy, Judit; Gyla Palfy (compilers)1983 Martin Gvorgv: tudomanvos es ismeretterjeszt<5 munkainak iegyzeke [Gyorgy Martin:

scientific and popular publications] (pamphlet). Budapest: MTA Zenetudomanyi Intezete. (6 pages.)

Two posthumous publications:

M artin, Gyorgy; Zsigmond Karsai1989 Ivorincreve tancelete es tancai. Budapest: MTA Zenetudomanyi Intezet. (324 pages.)

M artin, Gyorgy1985 "Ethnic and social strata in the naming of dances." Hungarian studies 1(2):179-190. Budapest:

Akademiai Kiado.

Loutzaki; Martin 71

DANCE RESEARCH: PUBLISHED OR PUBLICLY PRESENTED BY MEMBERS OF W E STUDY GROUP ON ETHNOCHOREOLOGY (1991)

ANDRIY NAHACHEWSKYEdmonton, Alberta, CANADA

N ahachew sky, Andriy1980 "From folk art to fine art." Student 12(63): 13. Edmonton: Ukrainian Students Association

of Canada.

1984 Materials for the ethnographic study of Ukrainian folk dance: an annotated bibliography(manuscript) Edmonton, Canada: Ukrainian Folklore Archives, Department o f Slavic and East European Studies, University of Alberta. (11 pages.)

1985a First existence folk dance among Ukrainians in Smoky Lake, Alberta and Swan Plain, Saskatchewan (master's thesis). Edmonton, Canada: Department of Slavic and East European Studies, University of Alberta.

1985b Ukrainian dance in the Soviet Union and Canada: a comparison (lecture on audiocassette).Edmonton, Canada: Canadian Institute of Ukrainian Studies. (Originally presented at a seminar sponsored by the the Canadian Institute of Ukrainian Studies.)

1988 "Ukrainian performing arts in Alberta." Manoly R. Lupul (editor), Continuity and change: the cultural life of Alberta's first Ukrainians:211-220. Edmonton, Canada: Canadian Instiute of Ukrainian Studies and Historic Sites Services, Alberta Culture.

1989a The kolomyika and the "modes" of Ukrainian folk dance in Canada (research paper).(Presented at the Conference of the Folklore Studies Association of Canada, held in Quebec City, May.)

1989b Styles o f Ukrainian choreography in Canada (lecture). (Presented at a Ukrainian Canadian Committee Seminar, held in Toronto, June.)

1991 a The kolomyika: five traditions of Canadian Ukrainian dance (doctoral dissertation).Edmonton, Canada: University of Alberta, Department of Slavic and East European Studies.

Nahachewsky, Kim; Andriy Nahachewsky1991b "Ukrainian dance." ACIJA VITAE. fall/winter:4-5,13. Edmonton, Canada: Alberta Council

for the Ukrainian Arts. (Originally presented to the 1986 Visions Conference on Ukrainian Arts in Alberta.)

72 Nahachewsky


MATS NILSSONGoteborg, SWEDEN

N ilsson, M ats1984 "Seglam -en Goteborgsk klassdans" [Seglam -a working class dance from Goteborg].

Hembvgden 1(84):1. Falun, Sweden: Svenska Ungdomsringen for Bygdekultur.

1987 V&ga Stuffa [Dare to dance]. Stockholm: Sammarbetsnamnden for folklig dans. (23 pages.)

1988 "Sweden." Henning Urup, Henry Sjoberg, Egil Bakka (editors), Gammaldans i Norden:219-238. Trondheim, Norway: Nordisk Forening for Folkdansforskning.

1989 To sail— a way of dancing: the phenomenon of "sailing," tradition and diffusion (research paper). (Presented at the Swedish-British music anthropology seminar, held at Cambridge.)

Nilsson, Mats; Agnetha Folestad1990a Dans— M n l&ngdans till bugg [Dance—from longdance to bugg]. Stockholm: Brevskolan.

(100 pages.)

Nilsson, Mats; Gunnel Eriksson1990b Gammaldansandet i Sverige [Old time dancing in Sweden]. Stockholm: Samarbetsnamnden

for folklig dans. (23 pages.)

N ilsson, M ats1990c Dance transmission— a question of learning or teaching? (research paper). (Presented at the

16th symposium, International Council for Traditional Music, Study Group on Ethnochorelogy, held in Budapest; August.)

1990d Dans, kurser, ungdomar och alkohol...[Dancing, teaching, youth and drugs] (researchpaper). (Presented at NOFOD [Nordic forum for dance research] conference, held at Kolle- Kolle, Copenhagen.)

1990e ... men sen d5?: 15 interviuer om folkmusic och dans&ret 1990 [... and then? 15 interviewsabout folkmusic and dance year 1990]. Stockholm: Organisationskomitten for folkmusik och dans&ret. (50 pages.)

PETR NOVAKKflln, GERMANY

Novak, Petr1968 Lidov6 tance z Homfho Pojizeri I, II. - Pnspevek k historicke typologii lidoveho tance [Folk

dance from Hornf Pojizen - an account of the historical typology of folk dance] (doctoral dissertation). Prague: Karls University, History Department.

Nilsson; Novdk 73


1969 "K otcizce studia mladSich vrstev lidovycho tance" [The study of more recent folk dances].Cesky lid 56(6):325-332. Prague: Ceskoslovenske Akademie ved. Ustav pro ethnografii a folkloristiku. (Music notation; summary in German.)

1971 a "Dobove doklady o zmdnach tanefiniho repertoaru ze severovychodnfch Cech v 19. stoleti"[Contemporary documents of changes in the dance repertoire from northeastern Bohemia in the 19th century]. Cesky lid 58(l):21-25. Prague: Ceskoslovenske akademie v6d. Ustav pro ethnografii a folkloristiku. (Summary in German.)

1971b "Problemy studie soufiasneho stavu tanefinfho folkloru v Cechdch" [Contemporary existence of folk dance forms in Bohemia and its research problems] (research paper). (Presented to the International Symposium of Ethnomusicology and Ethnochoreology, Umenovedny ustav SAV, held in Bratislava.)

1972 "Obraz taneCmho folkldru z Ceskonemeckeho pomezf severovychodnfch Cech z hlediska typologickeho rozboru" [Folk dance repertoire of the German/Czech border region of northeast Bohemia, researched on the basis of typological analysis] (research paper). (Presented to the International Symposium of Ethnology, sponsored by the Institute for Ethnography and Folklore of the CSAV, held in Prague.)

1976a Vyborova anotovana biblografie zavaznych pnspSvkuo folkloristickem festivalu ve Straznici (1946-1975) [Selected bibliography about the folklore festival of Str&znici 1946-1975] (research paper). (Presented to the Theater Institute-Abt. Music, held in Prague.)

1976b "Novodobi zprostfedkovatele folkloru” [The contemporary informants of folklore-an evaluation of stage production], TaneCmlisty 8:18-19. Prague: Kulturministerium.

1977a "Lidova epika na sou£asn6 scend" [Folk epic on the stage today]. TaneCmlistv 2:9-11. Prague: Kulturministerium.

1977b "Madarske lidove taneCnf umdrn" [Hungarian folk dance art]. TaneCnflisty 4:8-10. Prague: Kulturministerium.

1977c "Za Pavlem KrejCim" [A portrait of the folk dance collector: Pavel KrejCi]. TaneCmlisty 6:910. Prague: Kulturministerium.

1977d "Podil Ceskoslovenskeho stdtnfho souboru pfsni a tancu na rozvoji folklomi tradice" [The unfolding of folklore traditions as exemplified by the Czechoslovakian state folklore ensemble]. Lidve um£m a dne§ek:148-151. Brno: Blok.

1978a "Jarmile Kroschlovd k 85. narozenindm" [Jarmile Kroschlov6 on her 85th birthday, a portrait o f the excellent Czechoslovak dance pedagogy, dance theoretian, and choreographer], TaneCnilisty 4:6. Prague: Kulturministerium.

74 N ovak


1978b "Pohled na souCasny stav taneCnfho folkl6ru v Cechdch" [The contemporary state of folk dance in Bohemia]. TaneCnflisty 5:2-3. Prague: Kulturministerium.

1978c "Vychodna 1978 - 25 let" [The evaluation of the folklore festival in Vychodna, 25th anniversary]. TaneCnflisty 9:2-3. Prague: Kulturministerium.

1978d "Lidove umenf v souCasnosti" [Folk art and presentation]. TaneCnflisty 10:6-8. Prague: Kulturministerium.

1978e "Paedagogica et cooperatio. K problematice studia ethnochoreologie a ethnomusikologie" [Pedagogy and cooperation: Toward the problems of the study of ethnochoreology and ethnomusicology]. TaneCnflisty 10:8-9. Prague: Kulturministerium.

1978f "StruCny narys historickeho vyvoje hudebnfho a taneCnfho folkloru - uvod do problematiky" [Introduction to the historical development of music and dance folklore (in Czechoslovakia)] (manuscript). Prague: Volkskonservatorium.

1978g "Studijnf obor ethnochoreologie" [The development of a program of study inethnochoreology] (manuscript). Prague: Akademie der Musichon Kiinste-Tanzinstitut.

1979a "Za Otakarem Zichem" [In honor of Otakary Zichy]. TaneCnflisty 4:2. Prague:Kulturministerium.

1979b "DftC a folklor" [The child and folklore]. TaneCnflisty 6:1. Prague: Kulturministerium.

1979c "Kyjov - Stastnd jedendctka" TKyjov, an elf of happiness]. TaneCnflisty 7:2. Prague:Kulturministerium.

1979d "ZamySlenf nad festivaly" [Thoughts about festivals]. N&rodopisne aktualjty 16(4):281-286. Straznice, Czechoslovakia: Ustav lidoveho umCnl.

1979e "Uvaha o Dolnf Lomne" [Thoughts about the folklore festival in Dolnf Lomne (Silesia)]. TaneCnflisty 10:17. Prague: Kulturministerium.

1979f "Hudebnf slozka a jejf vztah k tanci" [Music and its counterpart in dance] (manuscript).Prague: Volkskonservatorium

1980a "DCtsky folklomf festival" [Children's folklore festival]. TaneCnflisty 4:13. Prague:Kulturministerium.

1980b "Mezindrodnf Strdznice" [The international festival in Straznice]. TaneCnflisty 5:12. Prague: Kulturministerium.

N ovdk 75


1980c "Hugo Boettinger (30.iv.1880 - 9.xii.l934)." TaneCnf listy 5:11. Prague:Kulturministerium.

1980d "Folkl6r v detsk&n scenickem projevu" [To the question of the performed representation of children's folklore]. Das Kind und die Volkstradition:89-91. Brno: Blok.

1980e "Folklor u djetskom scenskom izrazavanju" [Children's folklore on the stage] (research paper). (Presented at the International Symposium "Radost Evrope," held in Beograd.)

1980f "SouCasny stav, zanrove tendence, dram aturgic^ problemy a potfeby dalSiho rozvojemuzikality v oblasti folklomfch souboriT [Artistic presentation of folklore, problems of dramatury and conception] (manuscript). Prague: Theatre Institute.

1980g "Zur Frage der kiinsderischen Bearbeitung des Volkstanzes" [To the question of the artisticinterpretation of folk dance] (research paper). (Presented to the Study Group for Ethnochoreology IFMC-UNESCO, held in Stockholm.)

198la "Folkldr na scene" [Folklore on the stage]. Scena 11 (81): 1. Prague: Union dertschechischen dramatischen kiinstlem.

1981b "Na t6ma folkldr" [To the theme of folklore ]. Gramorevue 6(81):2-3. Prague: Supraphon.

198 lc "Zur Frage der kiinstlerischen Bearbeitung der tschechischen Folklore" [To the question ofartistic interpretation of Czech folklore]. Folklor-T&rsadalom-MLivtfszet 8:99-109. Budapest: Vilmos Voigt.

198 Id "Beitrag des Festivals von Straznice zur Pflege und szenischen Auffuhrung der Folklore[Report of the Festival in Straznice, about the fostering and the staging of folklore." Zoran PalCok (editor), Rad 23 kongres Saveza Udruzenia Folklorista Jugoslavije, Slavonski Brod, 1976:289-297. Zagreb: Savez Udruzenja Folklorista Jugoslavije.

1984a "Zur Frage der kiinstlerischen Bearbeitung des Volkstanzes" [To the question of the artisticelaboration of the folk dance]. Ballet-JoumaI/DasTanzarchiv4(l):66-69. Koln: Tanzarchiv- Verlag Gisela Peters-Rohse und Kurt Peters.

1984b Wie man in Bohmen getanzt hat - Begegnung mit der Tanzmusik ab dem 14. Jahrhundert[The way one used to dance in Bohem ia-meeting with dance music at the beginning of the 14th century] (research paper). (Presented to Haus der Begegrung, in Munchen, Germany.)

1984c Zur dokumentation der Veranderungen im volkstumlichen Tanzrepertoire [Documentation ofthe changes in folklorical dance repertoire] (research paper). (Presented to the Tagung der Kommission fur Lied, Musik-und Tanzforschung in der DGV, held in Freiburg, Germany.)

76 N ovdk


1985 "In Ungam wird nicht nur Csardds getanzt" [In Hungary one does not only dance the Csardas]. Tanzen 1. Seelze, Germany: D eutscher Bundesverband Tanz e.V.

1986a "ZurDokumentation der Veranderungen im volkstumlichenTanzrepertoire" [Documentationof changes in popular dance repertoire]. Jahrbuch fur Volksliedforschung 31:96-102.Berlin: Otto Holzapfel und Jurgen Dittmar..

1986b Tanzm itKindem [Dance with children] (booklet). Berlin: Deutscher Bundesverband Tanz e.V. (74 pages.)

1987 "Stilisierte Folklore von heute" [Stylistic folklore of today]. Tanzen 3:4-6. Seelze, Germany: Deutscher Bundesverband Tanz e.V.

1988 "Das Regionale und das Uberregionale im heutigen Brauchtumsrepertoire" [The local and the regional in contemporary folklore rerpertoire]. Musik im Brauch der Gegenwart 12:79-84. Vienna: Walter Deutsch und Wilhelm Schepping.

1989 "Spiele, tanze, mach Musik" [Play, dance, make music]. Tanzmusikalische Notizen. Tanzen 1:15-19. Seelze, Germany: Deutscher Bundesverband Tanz e.V.

GYULA PALFYBudapest, HUNGARY

P£lfy, Gyula1979 "Adatok Kecel tdnceletdhez" [Data about dance life in Kecel]. Zenetudomanyi Dolgozatok

1979:263-276. Budapest: Zenetudomdnyi Intezet.

1982 "A zendszfogadas egy m6dja Vajdakamardson" [A kind of engagement o f the musicians in Vajdakamaras]. Zene. tdnc... (A Nepmuvel6si Intezet Zene- es Tdncosztaly£nak m6dszertani kiadv£nya):81-96. Budapest: Nepmuvelesi Intezet.

Palfy, Gyula; and others (compilers)1983 Judit Nagy (editor), Nentanckozlesek mutatoia 1947-1981 [Catalog of folk dance

publications 1947-1981]. Budapest: Nepmuvel6si Intezet.

P£lfy, Gyula1984a "Nepanc, tancelet" [Folk dance, dance life]. Janos Barth (editor), Kecel tortenete es

nepraiza:1021-1043. Kecel, Hungary: Kecel Nagykoseg Tanacsa. (Labanotation.)

1984b "Egy mez6'segi falu tdncelete es tancai" [Dances and dance life in a village in theTransylvanian meztfs£g] (diploma work). Budapest: Lorand Eotvos University, Folklore

Novak; Pdlfy 77


1985a

1985b

1986

1987a

1987b

1987c

1988a

1988b

1988c

1988d

Nagy,1989a

Department. (112 pages; music and dance notation.)

"Csdrdds 6s 'kandsztanc'" [Csirdds and 'kandsztdnc']. Kartal t^nclete 6s t£ncai:27-55. Budapest-GodoM: Nepmuvelesi Intezet (Labanotation.)

Martin, Gyorgy: "A mezdsegi suru legenyes" [The quick male solo dances of Mezds6g]. Budapest: N6muvelesi Int6zet.

"A magyarorszagi roman tanchagyomanyok" [Dance traditions o f Romanians in Hungary]. Tancmuveszet 11:26-28: 12:18-20. Budapest: Lapkiadd Vallalat.

"D ances of Hungary's nationalities." Hungarian dance news 2:22-25. Budapest:Interkoncert Festival Bureau.

"Egy mezdsegi falu tincelete" [Dance life of a village in the Tansylvanian Mezdseg]. TilnctudomSnvi Tanulm^nvok 1986-1987 5:261-287. Budapest: Magyar T£ncmuv6szek Szovetsege.

"Valoban, nemcsak Rdckeve! Kutatastorteneti tenyek" [Really not only Rdckeve! Research data]. Tancmuveszet 5:31-32. Budapest: Lapkiadd VdllalaL

"Gyuri bacsi" [Uncle George]. Eletiel. T^nchazi tajekoztato fuzet [Necrology on a Rumanian folk dancer in Hungary]. Budapest: Teka Egyiittes.

"Egy mezdsegi falu tanckeszlete" [The dance repertoire of Vajdakamaras, a village in the Transylvanian Mezdseg]. Zenetudomanyi Doleozatok 1988 5:263-275. Budapest: MTA Zenetudomanyi Intezet.

A kiilonbozd filmtipusok 6s a vided alkalmazasinak elonyei es hdtranyai az archfv celu rogzitesn61 [Advantages and disadvantages of applying different types o f films and video recordings for archiving]. (Presentation at an ICTM colloquium, Methods and Techniques of Film and Videorecording in Ethnomusicological Research, held in Czechoslovakia; 18-22 May 1988.)

"Moszkvai fesztivalelmenyek" [Impressions from the Moscow festival], Tancmuveszet 11:36-37. Budapest: Lapkiadd Vallalat.

Judit; Gyula Palfy"A t£nc 6s t£nc61et sajdtossagai" [The peculiarities of the dances and dance life]. Bakd Ferenc (editor), Palocok 4:777-819. Eger, Hungary: Heves Megyei Muzeumok Igazgatos^ga. (Illustrations; Labanotation.)

78 Pdlfy

P£lfy, Gyula1989b "N6gy vajdakamardsi suru legenyes" [Four quick male solo dances of the village

Vajdakamards]. F.thnogranhia 1987 2-4:304-349. Budapest: Akademiai Kiado. (Music and dance notation.)

1990 fltmutatd nepdncok gynit^sehez [Guide for collecting folk dances]. Honismeret 1990 2-3. Budapest: A Hazafias N6pfront Folydirata. (Six page booklet.)

E R N 0 PESO VARBudapest, HUNGARY

M artin, Gyorgy; Ernd Pesov6r1954a "A kanasztdnc" [Swineherder's dance]. Peter Morvay; Em<5 Pesovar (editors), Somogyi

tancok:58-77. Budapest: Muvelt N6p Konyvkiad6 .

1954b "A cs£rd£s" [Csardas]. P6ter Morvay; Em<5 Pesovdr (editors), Somogyi tancok: 145-149. Budapest: Muvelt Nep Konyvkiadd.

M orvay, Peter; Ernd Pesovar (editors)1954c Somogvi tancok [Dances from Somogy], Budapest: Muvelt Nep Konyvkiadd. (316 pages.)

Pesovar, Ernd1955 "A ndptlnckutatd munkakozosseg m6dszerer<51" [About the methods of the Folk Dance Study

Group]. Tdncmuv6szet 1955(2^:312-313. Budapest: Magyar Tincmuveszek Sz5vets6ge.

M artin, Gyorgy; Erntf Pesovar1958 "A Szabolcs-Szatm£r megyei monografxkus t£nckutat6 munka eredmdnyei 6s modszertani

tapasztalatai" [Results and methodological experiences in monographic study of folk dances in Szatbolcs-Szatmar county]. Ethnographia 69(3):424-436. Budapest: Magyar Nerrajzi Tirsasag.

1960 "A magyar neptanc szerkezeti elemzese. Mddszertani vazlat" [Structural analysis of the Hungarian folk dance: methodological sketch]. Gedeon Dienes; Peter Morvay (editors), Tanctudomanvi tanulmanvok 1959-1960:211-248. Budapest: Magyar Tancmuveszek Szovetsege.

Pesovdr, Ernd1960 "Verbuvalas a reformkori Vas megydben" [Recruiting activity at the age of reformation in Vas

county]. Vasi Szemle 1960(2):59-72. Szombathely, Hungary: Vas Megye Tanacsa.

M artin, Gyorgy; ErnG Pesovar1961 "A structural analysis of the Hungarian folk dance. A methodological sketch." Acta

Ethnographica Academiae Scientiarun Hungaricae 10(1-2): 1-40. Budapest: Akademiai Kiad6 .

Pdlfy; Pesovar 79

Pesov£r, Erntf1961a "A simonfai verbunkok formai elemzese" [Formal analysis of the recruiting dance of Simonfa

village]. Ne.praizi Ertesitfi 42:51-85. Budapest: Neprajzi Muzeum.

1961b "Berzsenyi 6s Terpsychore" [Berzsenyi and terpsichore]. Neptdncos 1961(11):10-15. Budapest: Nepmuvelesi Intezet T&ncosztalya.

1963a "Der Heutige Stand der ungarischen Volkstanzforschung" [Contemporary view of Hungarian folk dance research]. Journal of the International Folk Music Council 15:53-57. London: International Folk Music Council.

M artin, Gyorgy; Ern6 Pesovar1963b "Determination of motif types in dance folklore." Acta Ethnographica Academiae Scientiarun

Hungaricae 12(3-4):259-331. Budapest: Akademiai Kiad6 .

1964a "A motivumtipus meghatarozasa a tancfolklorban" [Determination of motif types in dance folklore]. Tanctudomanvi tanulmanvok 1963-1964:193-223. Budapest: Magyar Tancmuveszek Szovetsege.

Pesovar, ErnG1964b "A magyar neptanc fobb tipusai 6s torteneti retegei" [Main types and historical stratas of

Hungarian folk dances], Tancmuveszeti ErtesM 1964(3):67-70. Budapest: Magyar Tancmuveszek Szovetsege.

1965a "Les types de la danse folklorique hongroise" [Types of Hungarian folk dances]. Stud ja Musicologica Academiae Scientiarum Hungaricae 7(1-4):103-108. Budapest: Akademiai Kiad6 .

1965b "A lengyel t£ncok hatdsa a reformkorban" [Influence of Polish folk dances in the age of reformation]. Nepraizi F.rtesitfi 47:159-177. Budapest: Neprajzi Muzeum.

1966 "Nemzeti jellegu balett torekveseinkr<51" [Aspirations in ballet of national character], Muzsika 9, 1966(3):33-34. Budapest: Lapkiadd Vallalat.

1967a "A csalogatos csardas" [The alluring csardas], Tanctudomanvi Tanulmanvok 19651966:115-142. Budapest: Magyar Tancmuveszek Szovetsege.

1967b "Europai tanckultura, nemzeti tanckulturak" [European dance culture, national dance cultures], Tancmuveszeti ErtesM 1967(2^:38-43. Budapest: Magyar Tdncmuv6szek Szovetsege.

1968 "Ket tancpantomim: Bene Vendel tanca 6s Savanyo jatek" [Two dance pantomimes: Dance of Bene Vendel and Savanyd Play]. Tancmuveszeti ErtesM 1968(1 ):93-109. Budapest: Magyar Tancmuveszek Szovetsege.

1969a "Der Tandel Tschardasch" [The alluring czardas]. Acta ethnographica 18(1-3): 153-185.

so Pesovdr

Budapest: Academiae Scientiarum Hungaricae.s

1969b "Gondolatok egy Liszt mur6T [Thoughts on a Liszt-composition]. T^ncmuveszeti Ertesitff 1969(l):12-25. Budapest: Magyar Tancmuveszek Szovetsege.

1970a "Hctrom korverbunk" [Three circular form recruiting dances]. Tdncmuv6szeti Ertesitff 1:122131. Budapest: Magyar Tancmuveszek Szovetsege.

1970b "A magyar tdnckutatas 25 eve” [25 years of Hungarian dance research]. T^nqudQm^nyi tanulmdnvok 1969-1970:79-89. Budapest: Magyar Tancmuveszek Szovetsege.

197 la "Tdnctorteneti emlekek Vas megyebtfl" [Historical sources of dance from Vas county]. Ya& megvei tancoktatok kezikonwe:5-54. Szombathely, Hungary: Vas megyei Nepmuvelesi Tan^csado.

1971b "A neptdnckutadsrol" [About folk dance research]. Muzsika 1 4 ,1971(6):46-47. Budapest: Lapkiad6 VallalaL

1972a A magvar tanctortenet evszazadai [Centuries of Hungarian dance history]. Budapest: Nepmuvelesi Propaganda Iroda. (152 pages.)

1972b "A parostancok tort6neti problemai a Kdrpdt medence tanchagyomanydban" [Historical problems of couple dances in dance traditions of the Carpathian basin]. Tancmuveszeti Ertesitg 1972(3):52-62. Budapest: Magyar Tancmuveszek Szovetsege.

1972c "Nemzetkozi kapcsolatok a n£pt£nckutat£sban" [International connections in folk dance research], Tancmuveszeti Ertesit<5 1972( l):48-49. Budapest: Magyar Tancmuveszek Szovetsege.

Halm os, Istv£n; ErnG Pesovar1972 "A magyar zenetorteneti hangz6 emlekei a XIX. szdzad elso felebol" [Early 19th century

Hungarian musical clocks]. Lajos Vargyas (editor), N£pzene 6s zenetortenet 1:110-116. Budapest: Editio Musica.

Pesovar, Ern6 _1973a "Maglod tancairol. 0 maglodskych tancoch" [About dances from Maglod village. Agoston

Lanyi; Imre Olsvai (editors), Sokszinu hagyomdnvunkbdl 1:183-199. Budapest: Nepmuvelesi Intezet.

1973b "Die geschichtlichen Probleme der Paartanze im Spiegel der SudosteuropaischenTanzuberlieferung" [The historical problems of pair dances reflected in southeastern European dance traditions]. Studia Musicologica Academiae Scientiarum Hungaricae 15:141-163. Budapest: Akademiai Kiad6 .

1974a "Archaische Paartanze in Siidosteuropa" [Archaic couple dances in southeast Europe]. Makedonski folklor 7(13):67-70. Skopje: Institut za Folklor.

Pesovdr 81


1974b "Retheire emlekezve" [Remembering Rethei]. Muzsika 1 6 ,1974(10):47. Budapest: Lapkiado Vallalat

Lanyi, Agoston; Erntf Pesovar1974 A magvar n6p tancmuveszete. 1, 2 [The art of dance of the Hungarian people]. Budapest:

Nepmuveldsi Propaganda Iroda.

Pesovar, Ernfl1975 "Hagyominy 6s korszerus6g a neptancmuveszetben" [Tradition and modernism in folk dance

art]. Tdnctudomdnvi tanulmanvok: 157-162. Budapest: Magyar T&ncmuv6szek Szovetsfge.

1976 "Three round Verbunks." Roderyk Lange (editor), Dance studies 1:47-52. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

1977a "Contemporariners and folklore." Hungarian music news 1:5. Budapest: Magyar Tancmuveszek Szovetsege.

1977b "Az ugros paros" [Leaping couples dances]. Tanctudomanvi tanulmanvok:243-263. Budapest: Magyar Tancmuveszek Szovetsege.

1977c "Magyar tanckutatas es tanckritika" [Hungarian folk dance research and dance critics]. Geza Kortv61yes (editor), Horst Koegler: balett lexikon:450-454. Budapest: Zenemukiad6 .

1977d "Kiizdo karakterii pirostancaink" [Our couple dances of a struggling character], N6pi Kultura-N6pi Tdrsadalom 9:329-355. Budapest: MTA Neprajzi Kutatd Csoport.

1978 "A csdrdas kialakulasa" [Evolution of the csardas]. M agvar zene 1 9 ,1978(2):218-224. Budapest: Magyar Zenemuveszek Szovetsege.

1979a "A ritus szerepe Molnar Istvdn muveszeteben" [Role of rite in Molndr Istv&n's art].Tanctudomanvi tanulmanvok 1978-1979:387-397. Budapest: Magyar Tancmuveszek Szovetsege.

1979b "Rethei keziratos hagyateka" [Manuscripts in Rethei's bequest]. Tancmuveszet 1979(11):24- 25. Budapest: Maacz Laszlo.

1980a "Paros tincok" [Couple dances]. Lajos Lelkes (editor), Magvar neptanchagvom£nvok:265- 305. Budapest: Zenemukiad6 .

1980b "Dramatikus tancok" [Dramatic dances]. Lajos Lelkes (editor), Magyar neptanchagvomanvok:341. Budapest: Zenemukiad6 .

1980c "Europai tdnckultura, nemzeti tanckulturak" [European dance culture, national dance cultures]. Lajos Lelkes (editor'). Magvar neptdnchagvomanvok:8-lQ Budapest: Zenemukiad6 .

82 Pesovdr


1980d "Bene Vendel tanca es mas lakodalmi halottas tancok" [Dance of Bene Vendel and other wedding death dances]. Lajos Lelkes (editor), Magvar Neptanchagvomanvok:350-354. Budapest: Zenemukiad6 .

1980e "The evolution of the czardash." Hungarian dance news 1980(1):10-15. Budapest: Magyar Tancmuveszek Szovetsege.

1980f "Zwei tanzpantomimen" [Two dance pantomimes]. Festschrift fur Karl Horak:333-338. Innsbruck, Austria: Institut fuer Musikwissenschaft der Universitat Innsbruck.

1980g "Verbunktancaink szerkezeti sajatoss&gai" [Structural characteristic features of our Verbunk dances]. Nepi Kultura-Nepi Tarsadalom 11-12:451-467. Budapest: MTA N6prajzi Kutat6 Csoport.

1980h "The structural characteristic features of the Hungarian recruiting dances." ActaEthnographica Academiae Scientiarum Hungaricae 29(l-2):75-89. Budapest: Akaddmiai Kiad6 . ^

1980i "Tdncfolkloristak nemzetkozi kongresszusa" [International Congress of Dance Folklorists], Tancmuveszet 5.1980(12): 10. Budapest: Madcz L£szl6 .

1980j "Archaische Partanze in der ungarischen Tanztradition und Tanzgeschichte" [Archaic pairdances in Hungarian dance traditions and dance history], Henry Sjonberg (editor), Der altere Paartanz in Europa. Konferenz bericht:67-76. Stockholm: Dansmuseet.

Martin, Gyorgy; Erntf Pesovar1980a "Az alfoldi tdnchagyomlny 6s Szabolcs-Szatm£r megye tancai" [Dance tradition of the Great

Plain and dances from Szabolcs-Szatmdr county], Lajos Lelkes (editor), Magvar neptdnchagvomdnvok:29-36. Budapest: Zenemukiad6 .

1980b "Legenyes, verbunk" [Lad-dance, verbunk]. Lajos Lelkes (editor), Magvar neptanchaevomanvok: 185-263. Budapest: Zenemukiad6 .

Pesovar, Ernfl1981a "Bartok es a neptancmuvdszet" [Bartok and the art of folk dance], Tancmuveszet 6 ,

1981(4):7-9. Budapest: MaaczLdszl6 .

1981b "A magyarorszagi szlovdksag tankulturfja" [Folk dance culture of the Slovakians living in Hungary], Tanctudomanvi tanulmanvok 1980-1981:283-316, Budapest: Magyar Tancmuveszek Szovetsege.

1981c "Tanecna Kultura Slovakov zivucich v Mad'arsku" [Folk dance culture of Slovakians living in Hungary], Narodopis Slovakov v Mad'arsku 3:234-267, Budapest: Magyarorszagi Szlovdkok Demokratikus Szovetsege.

1982 A tanc kolteszete I-II [Poetry of dance], Szombathely, Hungary: Megyei Muvel6ddsi 6s

Pesovdr 83

ifjus£gi kozpont. (54 pages.)

1983a "A forg6 s-forgat6 s paros a torteneti forrasokban 6s a t£nchagyomdnyban" [Spinning and whirling couple dances in historical sources and folk traditions]. Tanctudoirdnyi tannlmanvok 1982-1983:255-283. Budapest: Magyar Tancmuveszek Szovetsege.

1983b "A verbuvdlas szabalyozasa 1809-ben." [Regulation of the recruiting acitivity in 1809].Tifocmuv6szeti dnknmentumok:238-250. Budapest: Magyar Tancmuveszek Szovetsege.

1983c "Martin Gyorgy (1932-1983)." Tancsz6k. special edition:[5]. Budapest: Nepmuvelesi Intezet Tanc- 6s Zenei Osztalya.

1983d "Tanckutatls es tanchagyomany Zala megyeben" [Folk dance research and folk dance tradition in Zala county]. Jozsef Bodai (editor), TanckutatSs es tanchagyomany Del- Dundntulon:50-60. Budapest: Nepmuvelesi Propaganda Iroda.

1983e "Csdrdds D61-Dunantulon" [Csardas in the south-transdanube area]. J6 zsef Bodai (editor), Tdnckutatas es tanchagvomdnv Del-Dundntulon:l 17-123. Budapest

1983f "Szertartasos, dramatikus 6s jatlcos tancok" [Ceremonial, dramatic, and playing dances].Tifackutatas 6s tanchagyomany Del-Dun&ntulon: 124-129. Budapest: Nepmuvelesi Propaganda Iroda.

1983g "Torteneti eltfzmenyek" [Historical precedents]. Edit Kaposi; Emtf Pesovdr (editors), Magyar tancmuv6szet:9-26. Budapest: Corvina Kiado.

Kaposi, Edit; Ernfl Pesovar (editors)1983h Magyar tancmuv6szet [Hungarian dance art]. Budapest: Corvina Kiad6 . (245 pages.)

L&nyi, Agoston; Gyorgy Martin; Ernfl Pesovar1983i A korverbunk tortenete. tipusai es rokonsdga [Histoiy, types and relations of the circle

Verbunk]. Budapest: Zenemukiado.

Pesovar, Ern<51984a "Martin GySrgy (1932-1983)." Tancmuveszet 9, 1984(3):21-23. Budapest: Madcz Ldszl6 .

1984b "Gyorgy Martin: dance and music-ethnologist." Hungarian dance news: 1-2. Budapest: Magyar Tancmuveszek Szovetsege.

1984c "D ances of the Slovaks in Hungary." Hungarian dance news:10-15. Budapest: Magyar Tancmuveszek Szovetsege.

Kaposi, Edit; Ernfi Pesovar (editors)1984d Ilnparische tanzs..nst [Hungarian dance art]. Budapest: Corvina Kiado. (261 pages.)

84 Pesovdr


Kaposi, Edit; Erntf Pesovar (editors)1985a The art of dance in Hungary. Budapest: Corvina Kiad6 .

Pesovar, Erntf1985b "A magyar neptanc teriileti-torteneti tagozddasa" [Geographical-historical division of

Hungarian folk dance tradition]. Andras Beres; Em 5 Pesovdr (editors), Tanctudomanvi tanulmanvok 1984-1985:31-53. Budapest: Magyar Tancmuveszek Szovetsege.

1985c "A cs£rd£s kialakulasanak szakaszai es tipusai" [Periods of development of the csardas and its types]. Tamas Hofer (editor), Ethnografia 96:17-29. Budapest: Magyar Neprajzi T£rsas£g.

1986 "A magyar pdrostdncok torteneti retegei" [Historical strata of Hungarian couple dances]. Kandidatusi ertekezes t6zisei:13. Budapest: Emtf Pesovdr.

1987 "A magyarorszagi cigdny tdnchagyomdny torteneti jelent(5s6ge" [Historical significance of Gypsy dance tradition in Hungary]. Livia Fuchs; Emtf Pesovar (editors), Tanctudomanvi tanulmanvok 1986-1987:273-257. Budapest: Magyar Tancmuveszek Szovetsege.

1988 "The dance-historical significance of the Hungarian Gypsy dances." The international seminar on Gypsy dance. June 8-10.1987, Kuopio. Finland. Publications 1:22-27. Helsinki: Dance Council of Finland.

KURT PETERMANN(1930-1984)GERMANY

(Listings compiled by William Reynolds)

Petermann, Kurt1960 "Archiv des deutschen Volkstanzes." [Archive of German folk dances]. Festchrift zum V,

Fest des Deutschen Volkstanzes in Rudolstadt. July 14-17: 114-125.

1961 "Einige Probleme und Aufgaben der gegenwartigen Volkstanzforschung in Deutschland." [Some problems and tasks of current folk dance research in Germany.] Das Tanzarchiv. 9(l):19-22,9(2):55-58,9(3):78-86,9(4): 110-117,9(5): 133-138. Leipzig, Germany: Zentralhaus fur Kulturarbeit.

1963 "Probleme und Aspekte der Volkstanzforschung auf der 15. Jahreskonferenz des IFMC inGottwaldov (CSSR)." [Problems and aspects of folk dance research at the 15th conference of the IFMC in Gottwaldov (CSSR)]. D erTanz. 8(5): 12-14.

1965 Syllabus der Volkstanzanalvse. [Syllabus of folk dance analysis.] Berlin: Nationalkomitee fur Volksmusik der DDR. (57 pages.)

Pesovdr; Petermann 85


1972-74 "Das Tanzarchiv der DDR rat: Quellenverzeichnis zu deutschen Volkstanzen. I. Thiiringen.II. Harz. IE. Sachsen IV. Sorbisches Gebiet. V., Altmark. VI. Mecklenburg." [Advice of the dance archive of the DDR: list of sources for German folk dance.] Der Tanz. 17(12):24; 18(l/2):25,18(3):14-15, 18(4):13, 18(5):12-14, 17:18-19; 19(3):18-19,19(4): 16-17, 19(5):31, 19(6):19.

1974 "Noch erklingen sie. Volkstanz-Filmaufzeichnungen und Volkslieddokumentation 1972." [Now they ring. Folk dance film recording and folk song documentation in 1972.] Neue Zeitung 18/14, 21,28, June; 5, 26 July.

1975 Sowietische Tanzliteratur. Ein annotiertes Biicherverzeicnis. 2.. erw. Anfl. [Soviet dance literature. An annotated bibliography. 2nd expanded edition]. Leipzig, Germany: Zentralhaus fur Kulturarbeit. (161 pages)

1981 [1966-1980] Tanzbibliographie. Verzeichnis der in deutscher Sprache veroffentlichtenSchriften und Aufsatze zum Biihnen-. Gesellschafts-. Kinder-. Volks-und Tumiertanz sowie zur Tanzwissenschaft. Tanzmusik und zum Jazz. [Dance bibliography. List of published works and articles in German language on stage, social, children's, folk and competition dance along with dance scholarship, dance music and jazz.] Munich: K.G. Sauer (Originally Leipzig: VEB Bibliographisches Institut).

1982 Der deutsche Volkstanz. Band 2. Auswahlbibliographie und Notenanhang. [The German folk dance. Volume 2. Select bibliography and music supplement.] Berlin: Henschelverlag Kunst und Gesellschaft and Wilhelmshaven: Heinrichshofen's Verlag. (358 pages)

EMMA PETROSSIANYerevan, ARMENIA, USSR

Petrossian, Emma1965a "Grim€ ev dimakd hay manrankarC'ut'yan mej" [Make-up and mask in Armenian miniatures

of the Middle Ages]. Sovetakan arvest 11:47-52. Yerevan, Armenia: Organ Haykakan SSH Kulturayi Ministrut'yan ev Haykakan Ministmeri Soveti Kinematografiayi Petakan Komitei.

Petrossian, Emma (neipocsH, 3MMa); Genia Khachaturian (xeHa XanaTpaH)1965b "Co6HpaHwe npoH3BeaeHHft apMHHCKoro TaHijeBa.ni.Horo h TeaTpaJibHoro

4>o^BKJiopa" [Collection of Armenian folk dances and performances]. CoBeTcxag 3THorpaci>Hg 1:155-158. Moskva: Nauka.

Petrossian, Emma (neTpocHH, 3MMa)1966a "XopaH apMSHCKHX MHHHaiop KaK bha HcnoJiHHTejitcKoft njiomaflKH" [K horan of

Armenian miniatures as a form of stage]. Lraber hasarakakan gitut'yunneri 3:87-96. Yerevan, Armenia: HSSH Gitut'yunneri Akademiayi HratarakC'ut'yun.)

8 6 Petermann; Petrossian

1966b "HeicoTopfeie TeaipajiBHbie o6pa3bi b cpeflHeBeKOBbix apMSHCKHX MHHMaiopax"[Some theatrical images in Armenian miniatures of the Middle Ages]. Patma-banasirakan handes 4:263-272. Yerevan, Armenia: Haykakan SSH Gitut'yunneri Akademiayi HratarakC'ut'yun.

1967a T e a i p a j i m i f iz mgcoBiiL«HePTUB cpejHeBeKOBLiaDMgHCKKx MWHTraTTnnav [Theatrical and dance elements in Armenian miniatures of the Middle Ages]. Yerevan, Armenia: Akademia Nauk Armianskoi SSR, Institut Iskusstv. (24 pages.)

1967b "Pakistani parerd" [Pakistan dances]. Sovetakan arvest 12:65-68. Yerevan, Armenia:Organ Haykakan SSH Kulturayi Minmstrut'yan ev Haykakan Ministmeri Soveti Kinematografiayi Petakan Komitei.

1968a "Ur e gnum mer pararvest6?" [Where does our dance art go?]. Sovetakan arvest 4:28-31. Yerevan, Armenia: Organ Haykakan SSH Kulturayi Minmstrut'yan ev Haykakan Ministmeri Soveti Kinematografiayi Petakan Komitei.

1968b "75 JieTHeCp6yn JiHCHqHaH"[75th year of Srbouhi Lisitsian]. JiwTepaTvnwagASMSHHg (Literatumaya Armeniya) 8:93-94. Yerevan, Armenia: Organ Soyuza Pisateley Armenii.

1971a "Pari p'araton6 ev nra daser6" [Festival of dance and its conclusion], Sovetakan arvest 2:4-9, Yerevan, Armenia: Haykakan SSH Kulturayi Ministrut'yan ev Haykakan SSH Ministmeri Soveti Kinematografiayi Petakan Komitei Amsagir.

1971b "06pa3Li*HBOTHbix b apMAHCKoM HapoflHOM TeaTpe" [The images of animals inArmenian folk theatre]. CoBeTCKaa3THorpa<ftHg(Sovetskava etnografiya) 5:131-138. Moskva: Nauka.

1972 "K'nnarkum enk' mer pararvesti harc'ere" [Discussion of folk dances]. Sovetakan arvest 1:11. Yerevan, Armenia: Haykakan SSH kulturayi ministrut'yan ev Haykakan SSH Ministmeri Soveti Kinematografiayi Petakan Komitei Amsagir.

1973a "Haykakan parayin ev t'aterakan zarangut'yan usumnasirut'yunn u propagandan Hayastanum" [Folk dances and performances study and propaganda Hayastanum]. Zotovrdakan erazStut'van usumnasirumg, taracumn u havak'umd Havastanum:23-27. Yerevan, Armenia: Haypethrat. (In Russian, pages 47-51.)

1973b nnacKKCacvHa[Dances of Sasun] (annotation). BolSoy konc'ertyny zal Armfilarmonii. VeC'er armyanskoy narodnoy pesni i plyaski, Yerevan, Armenia; April.

1973c nnacKH Bacny-paKaHa[Dances of Vaspurakan] (annotation). BolSoy konc'ertyny zalArmfilarmonii. VeC'er armyanskoy narodnoy pesni i plyaski, Yerevan, Armenia; April.

1973d Totemic dances of Armenia (research paper). (Presented to the ninth international congressof anthropological and ethnological sciences, held in Chicago, USA; August).

Petrossian 87


1973e

1973f

1973g

1974a

1974b

1974c

1974d

1975a

1975b

1975c

1976

1978

1979

ToTeMH^ecKHe t s h i i u ADMeHimfTotemic dances o f Annenia]. Moskva: Nauka. (12 pages.)

"Vastakavor gitnakand" [Honored scientist]. Lraberhasarakakan gitut'yunneri 12:93. Yerevan, Annenia: Haykakan SSH Gitut'unneri Akademiayi HratarakC'ut'yun.

"Totemic dances of Armenia." World anthropology: the performing arts (music and dance) :62-72. Hague: Mouton Publishers.

"Taterakan tarrere mijnadaryan manrankamerum" [The theatrical elements in the miniatures o f the Middle Ages]. Haykakan arvest 1:158-165. Yerevan, Armenia: Haykakan Gitut'unneri Akademiayi Hratarake'ut'yun. (Illustrations, pages 255-258.)

"Zotovrdakan par:Sarunakolner" [The continuous traditions of folk dances]. Sovetakan arvest 7:30-32. Yerevan, Armenia: Haykakan SSH Kulturayi Ministrut'yan ev Haykakan SSH Ministmeri Soveti Kinematografiayi Petakan Komitei Amsagir.

"Ine'pes stelcvec' 'Vaspurakan' pari ansambld" [The organization of the dance group "Vaspurakan"]. Kultur-lusavorakan aSatank' 2:32-34. Yerevan, Armenia: Organ HSSH kulturayi Ministrut’yan.

TaHmoeMO poflHHaMH" [All family dance]. CoiHajTHCTi*iHa KVJii,Tvpa(Soc'ialistig'na kultura) 5:30-31. Kiev, URSR: PaflHHCBKa yrpaKHa (Radyanska Ukraina).

"Holer stugatesic' heto" [Reflections after festival]. Sovetakan arvest 2:33-36. Yerevan, Armenia: Haykakan SSH Kulturayi ministrut'yan ev Haykakan SSH Ministmeri Soveti Kinematografiayi Petakan Komitei Amsagir.

"N rapar6" [His dance]. Kultur-lusavorakan aSatank' 5:28-29. Yerevan, Armenia: Organ HSSH Kulturayi ministrut'yan.

"TearpajiBHiie MepTU b cpejjHeBeKOBtix apMHHCXHX MHHHaTwpax" [The theatrical elements in the Armenian miniatures of the Middle Ages]. Hav azgagrut'yun ev banahyusut'vun 7:127-200. Yerevan, Armenia: Haykakan SSH Gitut'yunneri Akademiayi Hratarake'ut'yun. (127 illustrations.)

Hayastani AStaraki Srjani et'nomSakutayin usumnasirut'yunneri ardyunk'ner€ [The results of ethno-culture research in Armenian region AStarak] (research paper). (Presented at the conference of the Institute of Archeology and Ethnography, Armenian Academy of Science, held in Yerevan, Armenia; December.)

ApMSHcxiio croxceTHbieTaHijb] [Armenian topic dances] (research paper). (Presented at the Vsesoyuznaya sessia posvyaSyonnaya itogam polevi etnografiC'eski i antropologiC'eski issledovaniy, held in Yerevan, Armenia; May.)

M acjieHH^Hoe npeztcTas/ieHHe “Ilania": KJiaccHnecKHft o 6p a36D[ apMSHCxoro

8 8 Petrossian


HapoflHoroTeaipa [Shrovetide performance "P'aSa" is a classical model of Armenian folk theatre] (research paper). (Presented at the fourth Respublikanskaya nauC'naya konferenc'iya po problemam kulturi i iskusstva Armenii, held in Yerevan, Armenia; September.)

1980a "Cp6yH JlH ^H aH ”[Srbouhi Lisitsian]. CoBe-rcKag 3THort>a&Kg 2:188-1RQ Moskva: Nauka.

1980b Uygumeri t'aterakanayc'vac nerkayac'umner6 [The folk performances o f Yugurs] (research paper). (Presented at the 1978-1979 results of ethnographical and folkore field work in Armenia, held in Yerevan, Armenia, May.)

1980c APMgHCKHft HapoflHMft TaHen [Armenian folk dance], Moskva: Iskusstvo. (135 pages, 14 illustrations.)

Kajvorian, Alexandr (KaaxBopaH, AjieKcaHap) (producer); Emma Petrossian (3MManeTpocjm) (film consultant)1980d PoziHagnecHfl [Native song] (film). Yerevan, Armenia: Armenian TV Studio Telefilm

"Yerevan." (35 mm; 30 minutes.)

Petrossian , Emma1981 "Azgagrakan pari analartut'yan hamar: folklore erek, aysor ev vate" [Folklore dance must be

pure: folklore yesterday, today and tomorrow]. Kultur-lusavorakan aSatank' 3:12-15. Yerevan, Armenia: Organ Haykakan SSH Kulturayi Ministrut'yan.

1982a "Ton£,vor6 mist k'ez het e: inCpisind petk' e lini" [Festival is with you always: how it willbe]. Kultur-lusavorakan aSatank'l 1:18-21. Yerevan, Armenia: Haykakan SSH Kulturayi Ministrut'yan Organ.

Hakhverdian, Hovik (producer); Emma Petrossian (author, consultant)1982b Vaspurakan [Dances of the Armenian region Vaspurakan] (film). Yerevan, Armenia:

Armenian TV Studio Telefilm "Yerevan." (35 mm; 20 minutes; video of film is located in the Institute of Archeology and Ethnography, Academy of Science.)

Petrossian , Emma1982c Gac'ek’, tesek’ parergi imastut'yun£ [The semantics of the Armenian folk dance "Go and see"]

(research paper). (Presented at the Gitakan nstaSijan, nvirvac SSHM kazmavorman 60- amyakin, held in Yerevan, Armenia; May.)

1982d "Hayjca 6bijia ee xmshbio" [Science was her life]. CoBeTCKHft 6ajreT 4:62. Moskva: Iskusstvo. (About Srbouhi Lisitsian.)

1982e PaxeHHe b K03Jia Ha PoxflecTBO KaK nepesKHTOK TpaHc$opMamiH o6pa3anocpeflHHKa b KocMoroHKMecKOM pHTyajie[Image of a goat at Christmas as a survival of the mediatir's transformation in the cosmogonic rite] (research paper). (Presented at 5 Respublikanskaya nauC'naya konferenc'iya po problemam kulturi i iskusstva Armenii, held in Yerevan, Armenia; October.)

Petrossian 89

P etrossian , Emma; Babken Arakelian (rieTpocaaH, 3MMa; Ea6iceH ApaicejiaaH)1983 "Cp6yH JlHCHijHaH"[Srbouhi Lisitsian]. APMgHCKHe cTapimHH eiuigcioH [Armenian

old dances]:5-8. Yerevan, Armenia: H3 flaTejifc>cTBo AKaaeMHn Hayic ApMSHCKoftCCP.

P etrossian , Emma (author); M els Nersesian (camera operator)1984 Nor tarin hayeri mot [New Year as celebrated by the Armenians] (film). Yerevan, Armenia:

Armenian TV, Editorial office of folklore. (16mm, 15 minutes; video copy is in the Institute of Archeology and Ethnography Academy of Science Armenia, folklore section.)

P etrossian , Emma (neTpocaaH, S im a)1985a "CioxeTbi Ho6pa3bi HapoziHoro apaMaTHMecKoro TBopMecTBa apMSH" [Topics and

images of an Armenian folk dramatic artl.frojiMCJioPHuft TeaTp HapoaoB CCCP: 171-190. Moskva: Nauka.

1985b "Banahyusut'yune ev dastiarakut’yund" [Folklorie and education]. Kultur-lusavorakan aSatank' 6:16-19. Yerevan, Armenia: Organ HSSH Kulturayi Ministrut'yan.

P etro ssia n , Emma; Genia Khachaturian (neipocsH, 3MMa; XeHa XaMaTpaH)1986a "XopHHijKaa M.fl. Hapozmoe xopeorpa<£>HMecicoe MCKyccTBo KopeHHoro HaceJieHHa

CeBepo-BocTc>KaCH6HpH"[Zhomitzkaja M.Y.: choreography of the north-eastern Siberian aborigines] (review). CoBe-rcKaa3THorpa<fcHg 1:144-146. Moskva: Nauka.

1986b "CBoeo6pa3He TaHqeBaxitHoft KyjitTypti ApMeHHH"[Armenian folk dance originality].M a ie p iia jm __k 3 BcecoiQ3HOfi TBOPHecKOfl Jia60PaT0PHH 'TaHiieBajiBajiBHagKVJii>TVPa Hapo job CCCP: 10-15. Leninakan, Armenia: Ministerstvo Kulturi Armyanskoy SSR.

Petrossian , Emma1986c KapKa^a-apMaHCKHft pHTyajii>HbiWMy3tiKajibHbiR HHCTpyMeHT [Karkacha is an

Armenian ritual musical instrument] (research paper). (Presented at the conference Problemy genezisa i spec'ifika ranni form muzikalnoy kulturi, held at Dilizhan, Armenia; October.)

1986d "Co6npaHHe, H3yMeHJie, coxpaneHJie h npHMeHemie TamjeBaJiBHoro <t>ojn>KJiopa” [Folk dance collection, study, preservation and application]. MaTepnajiLiK3Bcecoio3Hoft jia6opaioPHH TaHiieBajifcHaa KVJiBTVPa HapoaoB CCCP: 1-7. Leninakan, Armenia: Ministerstvo Kulturi Armyanskoy SSR.

1986e "KpaTKaa 6ii6juiorpa<t>Ha no apMaHCKoft 3THoxopeorpa4>HHM [Brief bibliography of Armenian ethnochoreology]. M aiepnajm k 3 BcecoH?3Hofl TBOPMecKoft "TamieBa-rn>aHasi yyjr^Tvpa HaponoB CCCP:8~9. Leninakan, Armenia: MinisterstvoKulturi Armyanskoy SSR.

P etro ssia n , Emma; Genia Khachaturian (n e T p o ca H , 3 MMa; X e H a X aM aT p aH )

1987 "Az ormeny neptancok sajatossagai es kutatasuk Utortenete" [The characteristics of theArmenian folk dances and the history of their research], Ethnographia 2-4:293-303. Budapest: Acta Ethnographica Academiae Scientiarum Hungaricae.

90 Petrossian

P etrossian , Emma (neipocaH, 3MMa)1988 Cjieflbi npeBHeft Miiono3 THHecKofi TepMHHOJTomH noMHTaHna nvejibi[The elements

of ancient mythological and poetic terms: the bee's cult] (research paper). (Presented at the Vsesoyuznaya konferenc'iya "Folklor: prodlemi soraneniya, izuC'eniya i propagandi," held in Moskva; April.)

1989 PHTYajifcHQ-MHfrojiorir iecKag g TeaTPajii>H0-3PejiKiiiHag cKCTeua am*gw[Thp Armenian ritual-mythological and theatrical-visual system]. Yerevan, Armenia: Institut Arheologii i Etnografii Akadenii Nauk Armenii. (47 pages.)

1990 The martial dances in Ancient Greece (research paper). (Presented at the sixteenth symposium of the ICTM Study Group on Ethnochoreology, held in Budapest; August.)

1991 ApwsHCKaa Bepciis BoapyxeHHs 3HaMeHii h TaHqa Hhapm [The Armenian version of banner and dance Indra in the creation myth] (research paper). (Presented at the twelfth symposium, Problems of interpretation of traditional Indian text, held in Leningrad, USSR; April.)

COLIN QUIGLEYLos Angeles, California, UNITED STATES

Q uigley, Colin1979a "Traditional dance: all join hands." Pecks awash 8:37-38. St. John's, Newfoundland:

Memorial University of New Foundland.

1980a Newfoundland dances and dance events: structured nonverbal communication (research paper). (Presented to the American Folklore Society conference, held in Pittsburgh,Penny sylvania.)

1980b Singles, doubles, and triples: musical terminology in Placentia Bay, Newfoundland(research paper). (Presented to the Folklore Studies Association of Canada, held in Halifax, Nova Scotia; about dance music)

1982a Folk dance and dance events in rural Newfoundland (master’s thesis). St. John's,Newfoundland: Memorial University of Newfoundland, Department of Folklore. (398 pages; dance descriptions.)

1982b "An analysis of traditional dancing in rural Newfoundland as nonverbal communication." Journal of Association of Graduate Dance Ethnologists. UCLA 6:14-22. Los Angeles: University of California, Department of Dance.

Petrossian; Quigley 91


1982c Folk speech as a key to the vernacular aesthetics of traditional dance in Newfoundland (research paper). (Presented to a conference of the California Folklore Society, held in Davis, California.)

1984 "A dance event ethnography: roller skating at Venice Beach." Journal of Association of Graduate Dance Ethnologists, UCLA 8:21-32. Los Angeles: University of California, Department of Dance. (Labanotation; photographs.)

1985a Close to the floor: folk dance in Newfoundland. Memorial University of Newfoundland folklore and language publications, monograph series 3. St. John's, Newfoundland: Memorial University of Newfoundland, Department of Folklore. (127 pages.)

1985b "Review of Morris and Matachin by John Forrest" (book review). Culture and tradition9:107-108. St. John's, Newfoundland: Memorial University of Newfoundland.

1988a "A French-Canadian fiddler's musical worldview: the violin is 'master of the world'." Selected reports in ethnomusicology 7:99-122. Los Angeles: University of California, Ethnomusicology Program. (About dance music; music notation; photographs.)

1988b "Reviews of Drums of Winter and Gypsies on Motion Picture" (film reviews). Deirdre Evans-Pritchard (editor), Anthropos 88 International Festival of Documentary Film Catalogue:35-36. Los Angeles: American Film Institute.

1989 A "Running Set" in Newfoundland? (research paper). (Presented at a conference on Old time dancing in the Appalachian Mountains, held in Johnson City, Tennessee at the East Tennessee State University Center for Appalachian Studies and Services; April.)

1990a Conceptualizing a comparative framework for Anglo-American dance traditions (researchpaper). (Presented at the conference on vernacular dance in the South, held at the Center for Appalachian Studies, East Tennessee State University, March.)

1990b Regionalism and North American step-dancing traditions: a Newfoundland perspective(research paper). (Presented at the bi-annual symposium of the ICTM Study Group on Ethnochoreology, held in Budapest, August.)

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

PIRKKO-LIISA RAUSM AAHelsinki, FINLAND

Rausm aa, Pirkko-Liisa1975a "Vanhoja tanssikuvauksia kiijallisuudessa" [Old dance descriptions in literature],

Tanhuviesti 1-2:12-14.19-20. Helsinki: Suomalaisen Kansantanssin YstavaL

92 Quigley; Rausmaa


1975b "Kansantanssien keruusta" [Collecting of folk dances]. Kansanmusiikki 2:18-19.Kaustinen, Finland: Kansanmusiikkisaatio.

1976 "Suomalaisten kansantanssien keruu, julkaisu ja tutkimus" [Collecting, publication and research o f Finnish folk dances]. Suomalaisen Kansantanssin Ystavat 75 vuotta 19011976:13-17. Helsinki: Suomalaisen Kansantanssin Ystavat

1977a "Katrillia ja pransiisia etsimassa: Emil Koskisen kertomus kansantanssien keruumatkasta 1916" [Looking for Quadrille and Francaise: field work report of Emil Koskinen 1916]. Kalevalaseuran vuosikiija 57:134-142. Helsinki: Suomalaisen Kiijallisuuden Seura.

Rausmaa, Pirkko-Liisa; Esko Rausmaa1977b Tanhuvakka: Suuri suomalainen kansantanssikiria [Folk dance chest: the great Finnish folk

dance book]. Helsinki: Werner Soderstrom Oy. (406 pages.)

Rausm aa, Pirkko-Liisa1978 "Kansantanssi" [Folk dance]. Otavan Suuri Ensvklopedia 4:2678-2679. Helsinki:

Kustannusoy. Otava.

Rausmaa, Pirkko-Liisa; Esko Rausmaa1979 Tanhuvakka Savelmisto [Music for Folk dance Chest]. Helsinki: Werner Soderstrom Oy.

(152 pages.)

Rausm aa, Pirkko-Liisa1981a "Kansantanssit" [Folk dances]. Anneli Asplund; Matti Hako (editors), Kansanmusiikki:164-

171. Helsinki: Suomalaisen Kirjallisuuden Seura.

1981b "Vanhat laulutanssit" [The old song-dances]. Kalevalaseuran vuosikiria 61:186-196. Helsinki: Suomalaisen Kiijallisuuden Seura.

1981c "Heinolan polska" [Polska-dance of Heinola]. Kansanmusiikki 2:10-14. Kaustinen, Finland: Kansanmusiikkisaatio.

198 Id "Tanssiperinteen keruu" [Collecting of folk dance tradition], Tanhuviesti 4:15-17. Helsinki: Suomalaisen Kansantanssin Ystavat.

198 le "Die alteren Paartanze in Finnland" [Pair dances in Finland]. Der altere Paartanz in Europa: Konferenzbericht, 1980:28-34. Stockholm: Arkivet for folklig dans, Dansmuseet. •

Kivela, M arjut; Pirkko-Liisa Rausmaa; Birgitta Karlsson198 If "Suomalaisten ja suomenruotsalaisten kansanleikkien ja kansantanssien bibliografia"

[Bibliography of the Finnish and Finnish-Swedish folkplays and folk dances]. Kalevalaseuran vuosikiria 61:204-215. Helsinki: Suomalaisen Kiijallisuuden Seura.

Rausmaa, Pirkko-Liisa; Esko Rausmaa (editors)1982 Viola Malmi: Karialaisia kansantansseia [Karelian folk dances]. Pirkko-Liisa Rausmaa/Esko

Rausmaa 93


Rausmaa. Helsinki: Suomalaisen Kansantanssin YstavaL (95 pages; based on Ritva Sabelli's translation.)

Rausmaa, Pirkko-Liisa1984 "Dokera: Laulutanssejajapiirileikkeja" [Toy ball: songdances and rounds]. Helsinki.

Suomalaisen Kiijallisuuden Seura. (149 pages.)

1985 "Kalevalaiset laulutanssit" [The old songdances]. Kansanmusiikki 2:12-15. Kaustinen, Finland: Kansanmusiikkisaatio.

1987a "Suomalaiset kansantanssit" [Finnish folk dances]. Suomen historia 7:54-55. Helsinki: Weilin + Goos.

1987b "Performance gestuelle des chants kaleval6ens-la danse" [Gestural performance of the kalevala-dance]. J.J. Jocelyne Femandez-Vest (editor), Kalevala et traditions orales du monde:217-225. Paris: Centre National de la Recherche Scientifique.

Kuusi, Matti; Pirkko-Liisa Rausmaa1987c "Mita on perinne?" [What is the tradition?] Tanhunopettaiamatrikkeli 1977-1987:22-25.

Helsinki: Suomalaisen Kansantanssin YstavaL

Rausmaa, Pirkko-Liisa1988 "SKS:n tanssitallenteet 1980-1987 [Folkdance collections in Finnish Literature Society 1980

1987], Tanhuviesti 3:30-31. Helsinki: Suomalaisen Kansantanssin Ystavat.

1989a H.A. Reinholm kansantanssien tallentajana [H.A. Reinholm, the first folkdance scholarcollector in Finland] (research paper). (Presented to the Jakob Hurt meeting, held in Tallinn, Estonia; October.)

1989b Kansantanssintutkimus Suomessa [Folkdance research in Finland]. Tanssi 1:11-12.Helsinki: Suomen Tanssialan Keskusliitto—The Dance Council in Finland.

1990a "Hakevatko naiset tanssiin?" [Can women invite men to dance?] Aili Nenola; Senni Timonen(editors), Louhen sanat:92-99. Helsinki: Suomalaisen Kiijallisuuden Seura.

1990b "Kan damer bjuda upp till dans? [Can women invite men to dance?] No^disk fgrgning foifolkedansforskning. Brev 13:4-7. Trondheim, Norway: Nordisk forening for folkedansforskning.

1990c Laulutanssit ja laululeikit suomalaisessa perinteessa [Songdances and singing games inFinnish tradition] (research paper). (Presented to the Singing and Moving symposium, held in Palmse, Estonia; July.)

1990d "Mita tanssista puhuttiin Uudessa Suomettaressa vuonna 1880 [What was the talk aboutdance in the paper Uusi Suometar 1880]. Kansanmusiikki 1:12-17. Kaustinen, Finland: Kansanmusiikkisaatio.

94 Rausmaa


1990e "Tanssitallenteiden hyodyntaminen [Usage of folkdance collections]. Tanhuviesti 1:16-19. Helsinki: Suomalaisen Kansantanssin Ystavat.

1991 Dancing is the Devil's creation: attitudes in the belief legends to dance (research paper). (Presented to the Nordic-Celtic legend symposium, held in Galway, Ireland; March.)

W ILL IA M C. REYNOLDSEgtved, DENMARK

R eynolds, W illiam C.1975a Preliminary report on human movement notation research project Birmingham, England:

Radcliffe Trust. (64 pages.)

1975b Series of technical papers on Labanotation: Set 1. [London:] International Council ofKinetography Laban (ICKL). (80 pages; papers submitted to the ICKL bienniel conference in Herisau, Switzerland, August.)

1976a "Braille Labanotation for the blind." Action! Recording! 4:2. London: Language of Dance Centre.

1976b "What is human movement notation?" Leverhulme seminar papers 3:24-34. Birmingham, England: Birmingham Polytechnic. (Originally presented as a paper at the University of London, Leverhulme Seminar on Movement Observation.)

1977 Labanotation: an introduction for folk dance. Egtved, Denmark: privately printed. (215 pages; workbook for Labanotation, especially for European folk dances.)

1979a "Movement notation: an aid to motor diagnosis?" Proceedings of the Symposium on psvchomotor diagnosis. Riiksuniversiteit Groningen. Netherlands. 6 Januarv:[l-27?1. Groningen, Netherlands: Rijksuniversiteit.

R eynolds, W illiam C. (ed ito r)1979b Dictionary of Kinetography Laban (Labanotation) volume 1. Plymouth, England: Macdonald

and Evans. (420 pages.)

R eynolds, illiam C.1984 Wh nakes a good notation? (research oaper). (Presented to the first International Congress

on Movement Notation sponsored by the International Theatre Institute of Tel Aviv University, held in Tel Aviv, Israel; August.)

Rausmaa; Reynolds 95


1986 Linguistic criteria for dance notation (research paper). (Presented at the fourteenth symposium of the ICTM Study Group on Ethnochoreology, held in Neubrandenburg, DDR; April.)

1987 The fallacy of the single recording and the pat-on-the-back criterion of prescriptive validity (research paper). (Presented at the ICTM International Conference, held in East Berlin; August.)

1988a "Dance in the ICTM." ICTM dance newsletter 1:3-6. Egtved, Denmark: ICTM Study Group for Ethnochoreology.

1988b "Scientific criteria forjudging human movement notation systems." Proceedings of theinternational conference on Coordination Method of Dance Notation. Naming, China, 24-29 March: 166-174. Beijing and Nanjing, China: The Academy of Arts of China and the Nanjing Institute of Technology. (In Chinese and English.)

1988c Video versus notation (research paper). (Presented at the conference on DanceDocumentation, sponsored by the Nordic Dance Committee of the International Theatre Institute; held at the University of Copenhagen; December.)

Reynolds, W illiam C. (editor)1988d TCTM dance newsletter. Egtved, Denmark: ICTM Study Group for Ethnochoreology.

Reynolds, W illiam C.1989a "Where do we start in describing a dance event?" Lisbet Torp (compiler), The dancg .event:

a complex cultural phenomenon:! 15-127. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the fifteenth symposium of the ICTM Study Group on Ethnochoreology.)

1989b "Action stroke-duration line; concept of normal; Knust’s formulas for group formation;meeting line and focal point; retention of support." Conference papers of the sixteenth biennial conference. Toronto. Canada. 3 1 July-10 August. Columbus, Ohio: International Council of Kinetography Laban.

1989c "N otation requirements for dances with improvised structures." Proceedings of the sixteenthbiennial conferenace. Toronto. Canada. 31 Julvd.0 August:91-104. Columbus, Ohio: International Council of Kinetography Laban.

1990a "Film versus notation for dance: basic perceptual and epistemological differences."Proceedings of the fifth Hong Kong international dance conference and second international congress on movment notation. Honp Kong. 15-28 Julv:151-164. Hong Kong: Hong Kong Academy for Performing Arts.

96 Reynolds


1990b Historical survey of dance structural analysis (research paper). (Presented at the 16thsymposium of the ICTM Study Group on Ethnochoreology; Budapest, Hungary; August.)

1990c Notasjon og Bestemmelse af Dansevaerker [Notation and the identity of dance works] (research paper). (Presented at dance research seminar of the Nordic Society for Dance Research; Kolle Kolle, Denmark; October.)

1991a "Dance ethnology document coding sheets: published text, unpublished text, film-video, image.) Working papers of the ICTM sub-studv group on Dance Iconography Egtved, Denmark: privately printed.

OWE RONSTROMStockholm, SWEDEN

Ronstrom , Owe1981a "'Ranningen' som kulturellt fenomen ['Ranningen' as a cultural phenomenon]."

Hembvgden 5:20-21. Stockholm: Svenskaungdomstringen for bygdekultur.

1981b "'Ranningen' som kulturellt fenomen ['Ranningen1 as a cultural phenomenon]." Dans/Folkdans 3:53-55. Stockholm: Dans mus6et.

198 lc Strukturella drag i Europeiska danser [Structural traits of European dances] (manuscript).Stockholm: Stockholm Universitet, Institutet for folklivsforskning.

1983 "Vad ska vi med lekar till? [What are we going to do with the children's games?]." Abrakadabra 2:8-15. Stockholm: VSr skola forlag.

1984 "Folkmusik och folkdans i Ungem [Folk music and folk dance in Hungary]." Gaida:l-13. Oslo: International folk dance associations of Scandinavia. ■

1985-1986 "Om improvisation i folkdans [On improvisation in folkdance]." Gaida (5):8-l 1, (1):17- 20, (2):6-7. Oslo: International folk dance associations in Scandinavia.

1986 Studying dance and music among Yugoslavs in Stockholm (research paper). (Presentation to a meeting of the Dance Study Group of the International Council for Traditional Music, held in Neubrandenburg, DDR; April.)

1987 Danshusrorelsen i Ungem [The dance house movement in Hungary] (research paper). (Presentation to the Dance conference of Nordisk danskommitte, held in Helsinki; December.)

1988 "P& jakt efter jugoslavema" [Searching for the Yugoslavs]. Ake Daun; Billy Ehn (editors), Blandsverige:145-167. Stockholm: Carlssons.

Reynolds; Ronstrom 97

1989 "The dance event— a terminological and methodological discussion of the concept." LisbetTorp (editor), The dance event: a complex cultural phenomenon :21-29. Copenhagen:ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

1990a "Displaying diversity on stage: the role of folk music and folk dance in Blandsverige." Billy Ehn; Barbro Klein; Owe Ronstrom; Annick Sjogren (editors), The organization of diversity in Sweden: 37-48. Stockholm: Svenska invandrarinstitutet och Institutet for folklivsforskning. (Working papers of the Blandsverige project)

1990b "Inledning" [Introduction]. Owe Ronstrom (editor). Musik och kultur:5-20. Lund, Sweden: S tudentilitteratur.

1990c "Danshusrorelsen i Ungem" [The dance-house movement in Hungary]. Owe Ronstrom (editor), Musik och kultur: 123-168. Lund, Sweden: Studentlitteratur.

1990d The musician as a cultural-aesthetic broker (research paper). (Presentation to the conference "The organization of diversity," held in Botkyrka, Sweden; June.)

LARISA SABAN (JIAPHCA c a b a h )*Lviv, Ukraine, USSR

Saban, Larisa1984 "TunojioriiH Tpa/nmH0HH0 -6tiT0B0 r 0 ryijyxiBCKoro Tarnja" [A typology of the

traditional domestic Hutsul dances]. Bcecoio3Hag ceccng no KToraM nojieBhix 3THorpa<t>HMecKHX h aHTPonojiorH^ecKnx HccjiejoBaHH 1982-1983 ronoB [A ll-union session on the results of 1982-1983 field ethnographic and anthropological investigations] :326-327. Chernovtsy, Ukraine. (In Russian.)

1985 T y i jy j i ic ira conijixa: 11 pi3HOBHzm, <fryH;mioHyBaHHH, M ainpn Ta My3HKH"[The Hutsul pipe (sopilka): its functioning, its kinds, its makers and performers]. HavKPBo- npaKTMMHa KOHfrepeHuig mojiomix BMeHHxrConference o f the junior researchers]. Lviv, Ukraine. (In Ukrainian.)

1986 "XaHpM h <t>yHKi HH KapnaTCKHx napoflHtix TaHijeB"[Genres and functions o f the Carpathian folk dances]. BcecoiosHafl ceccng no HToraM nojie6Lix3THorpa<j>HHecKiix h aHTPonojiorH^ecKHx HccjieaoBaHH2 1984-1985 ro jo b !All-union session on the results of 1984-1985 field ethnographic and anthropological investigations]: 249-250. Yoshkar-Ola, Russia. (In Russian.)

* Editor's note: Listings have not been reviewed by the author due to postal complications. Some entries may be incomplete.

98 Ronstrom; Saban

1987 "Haponni Tam*i“[Folk dances], rvuvjii>inHHa: i ctophko -eTHorpa<bivweaocjiiflxeHHg[The Hutsuls' land: a historical and ethnographic study]:353-363. Kiev, Ukraine: Naukova Dumka. (In Ukrainian.)

1989a "HapoflHiie TaHm,i“[Folk dances]. YKPanHCKHe KapnaTt.i T 4:KvjTT.Tvna[Ukrainian Carpathians, 4: the culture]: 148-157. Kiev, Ukraine: Naukova Dumka. (In Russian.)

1989b CiiHxpoHHHft sannc HapoflHOTamjioBajiBHoi tbopmoctI [Synchronous recording of the folk dance]. AKivaJifcHi imiaHHa: MeiOflHKH <t»ii:cani? Ta TPaKCKPmm ii tbopib HaPOflHOi My3HKH:36iPHHK HavypBKX npam>TContemporary problems o f the techniques for recording and transcription of folk music] :37-40. Kiev, Ukraine: Kiev Conservatoir. (In Ukrainian.)

1990a "I(ixiicHe BHBMeHHa HapoflHo! TamjioBajifcHoi My3HKH"[Integral studying o f the folk dance]. HayKOBo-TeopeTiraHa KOH6epeHTTig[Scip.ntifin theoretical conference]:95-96. Rivne, Ukraine. (In Ukrainian.)

1990b "Cnpo6a eTHorpa<t>iMHoi xaHpoBol xjiacHix:aqiI ryijyjitctKHx TaHD[iB"[An attempt of ethnographic genre classification of the Hutsul folk dances]. KoH&epemrtg flOC/I j flHHK IB HaPOflHQj MV3HKH3axtJHOVKPaiHCi.KHX 36Mejn,rConference on the folk music of the west Ukrainian lands]:20-23. Lviv, Ukraine. (In Ukrainian.)

1991 "M a p zta m B H a p o a H o ia H m o B a jiB H iil icyjiBTypi a o jim h h p i r n y * Ha S a K a p n a r r i ”

[Csardas in the folk dance culture of the Uzh river valley in Transcarpathians], K g a f t e p e H i m i g flo c j i i n H H K tB H a p o i m a L M y s i i K H M eP B O H O P v cL K H x ( r a j n n i L K o -

B .P J 1Q jh m h p cb k h x ) seM ejTi. [Conference on the folk music of the Red Rus (Galich- Volodymyrian) lands]: 19-27. Lviv, Ukraine: Lviv Conservatoir. (In Ukrainian.)

DEREK SCHOFIELDCrewe, Cheshire, England, UNITED KINGDOM

Schofield, Derek1981 "Dancing England 1981: 'This is it and that is it, and this is Morris dancing'." English dance

and song 43(2): 12-13. London: English Folk Dance and Song Society.

1984 "Concertina Caleb." English dance and song 46(2):2-6. London: English Folk Dance and Song Society. (Article is about Caleb Walker and the music o f the Manley Morris Dancers.)

1985 "Nibs Matthews— 50 years a dancer." English dance and song 47(3^2-6. London: English Folk Dance and Song Society. (Former director of the English Folk Dance and Song Society.)

Saban; Schofield 99

DANCE RESEARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF W E STUDY GROUP ON ETHNOCHOREOLOGY (1991)

1986 '"Revival of the folk dance: an artistic movement': the background to the founding of the English Folk Dance Society in 1911." Folk music journal 5(2):215-219. London: English Folk Dance and Song Society.

1987 "Seventy-five years of the EFDSS." Dancing times 77(916):324-325. London: The Dancing Times. (EFDSS = English Folk Dance and Song Society.)

1988a "The dance musician." Folk roots 5 8 ,9(10):23-25. Famham, England: Southern Rag.

1988b Tradition and revival in English Morris dancing: the Manley Morris Dancers (research paper).(Presented at the ICTM Study Group on Ethnochoreology, held in Copenhagen, Denmark; August.)

1990a The English long sword dance: a comparison between two contemporary traditional teams(research paper). (Presented at the ICTM Study Group on Ethnochoreology, held in Budapest, Hungary; August.)

1990b '"The foundation for a truly democratic art': the story of the building of Cecil Sharp House"(research paper). (Presented as a library lecture at the Vaughan Williams Memorial Library, Cecil Sharp House, English Folk Dance and Song Society, London for the 60th anniversary of the building.)

GEZA SEBOKSempach, SWITZERLAND

Sebok, Geza; Janos Quittner; Andres Tak£cs1976 A nvugati 6s kozepso tdncdialektusokhoz kapcso!6d6 hazai magyar faluk paraszt-tAnc

anvaean ak keresztmetszete [Oversight pertaining to the western and central dance dialects of folk dances in Hungarian villages in Slovakia.]. Bratislava, Czechoslovakia: A CSEMADOK Kozponti Bizottsdga. (48 pages.)

Sebok, Geza; Jdnos Quittner1979 Del-szlovdkiai magyar falvak hagvmanvos t£ncai [Traditional dances in the Hungarian

villages of South Slovakia]. Bratislava, Czechoslovakia: Osvetovy Ustav. (305 pages.)

Sebok, Geza1980a "Als6 n6medi rdgi tancelete" [Old dance life in Als6ndmedi]. Ivan Balassa (editor),

Alsonemedi tortenete es n6praiza:497-500. Als6 n6medi, Hungary: Als6nemedi Kozsdgi Tanacs VB.

1980b "Schema svadby na silickej a pleSivskej planine v obdobf 1920-1945" [The subject of weddings in Upper Selica and Plevisec between 1920-1945]. Narodopisne informacie 3:113-120. Bratislava, Czechoslovakia: Slovensko akademia vied.

1981 "A szlovakiai magyar neptanckutatds problem^" [Problems of Hungarian ethnochoreological research in Slovakia]. Jan Botik, Margit Meryne T6 th (editors), A csehszlovakiai maivar

1 0 0 Schofield; Sebok

DANCE prwAKCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF W E STUDY GROUP ON ETHNOCHOREOLOGY (1991)

nemzetis^g nepraizi kutatasa:172-174. Bratislava, Czechoslovakia: Csemadok Kozponti Bizotts£ga, Slovenska akademia vied.

Sebok, Geza; Mdria Sebok1986 "Magyar Tdnchdz, Svajci Tanchaz" [Hungarian dance hall, Swiss dance hall]. Gyula

Barczay (editor), Harminc ev. 1956-1986:280-304. Bern, Switzerland: EPMSz Bern.

Sebok, Geza1989 "Ethnochoreological research in Switzerland in the eighties." Lisbet Torp (editor), The

dance event: a complex cultural phenomenon: 158-159. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th Symposium of the ICTM Study Group on Ethnochoreology.)

Sebok, Geza; Brigitte Bachm ann-Geiser1989 "International Council for Traditional Music (ICTM)." Bulletin: Schweizerische Akademie

der Geisteswissenschaften:9 -ll. Bern, Switzerland: Generalsekretariat SAGW/SANW.

JENNIFER SHENNANWellington, NEW ZEALAND

Shennan, Jennifer1977 Waiata-a-ringa: a movement study of action-sones (master's thesis). Auckland, New

Zealand: University of Auckland, Department of Anthropology.

Shennan, Jennifer; Mervyn McLean1979 "Remarks on Youngerman's 'Maori dancing since the eighteenth century."'

Ethnomusicology 23(3):493-499. Ann Arbor, Michigan: Society for Ethnomusicology.

Shennan, Jennifer; Allan Thomas1981a "Third South Pacific festival of the arts." Pacific arts newsletter 12. Wellington, New

Zealand: Pacific Arts Association.

Shennan, Jennifer198 lb "Approaches to the study of dance in Oceania: 'Is the dancer carrying an umbrella or not?'"

Journal of Polynesian Society 90(2): 183-191. Auckland, New Zealand: Polynesian Society.

1984 The Maori action song. Studies in Education 36. Wellington, New Zealand: New Zealand Cc jncil for Educational Research. (100 pages.)

Shennan, Jennifer; Allan Thomas1985 "Emergent dance forms." Proceedings from the Asia-Pacific festival. Wellington 1984.

Wellington, New Zealand: Victoria University of Wellington, School of Music.

Sebok; Shennan 1 0 1

ANNA SHTURBANOVA (Ah h & IIIip6aHOBa)Sofia, BULGARIA

Shturbanova, Anna(mtp6aHOBa, AHHa)1983 "4>ojtk^ ophh xopa ot MHxa*jioBrpaflCKo"(Folklomi hora ot Mihailovgradsko) [Folk

horos from Mihailovgrad district]. TaHcoBomKvcTBo 12:51-64. Sofia: Komitet za Kultura.

1985a "HHKOH TeHfleHIJHH B pa3BHTHeTO Ha My3MKaJIHO-TaHE[OBHH 4>OJlKJIOp OTceBepo3anaflHaBi.JirapHfl"(Niakoi tendencii v razvitieto na muzikalno-tancoviia folklor ot severozapadna Bulgariia) [Some trends in the development of folk music and dance in northwest Bulgaria]. Ei>rai>cKii<fcojiKJiot> (Bulgarski folklor) ll( l):5 0 -6 0 . Sofia:Bulgarska Akademiia na Naukite, Institut za Folklor. (Summary in English.)

1985b "TpeTH HaHHOHajieH n perjiea Ha fltpxaBHHTe h npo$ecHOHajiHHTe aHcaM6jin 3a HapoziHHnecHHHTaHini" (Treti nacionalen pregled na durzhavnite i profesionalnite ansambli za narodni pesni i tanci) [Third national survey of state and professional folk song and dance ensembles]. 5 rar>CKHo^KJiop (Bulgarski folklor) ll(4):67-70. Sofia: Bulgarska Akademiia na Naukite, Institut za Folklor.

1985c ilM6ojicKH KOJieaapcKH ByeHeK (Jambolski koledarski Buenek) [Christmas period men's dance Buenek (paper). (Presented to a conference held in Topolovgrad, Bulgaria; manuscript is available in Sofia at the Bulgarska Akademiia na Naukite, Institut za Folklor.)

1988 "3a CBCTOsHHeTO Ha MexayHapoziHHTe eTHOXopeojroacKH H3CJieflBaHHfl" (Z asustoianieto na mezhdunarodnite etnohoreoloshki izsledvaniia) [About the state of international ethnochoreological research], E’fcrat>cKK3>ojTKJiot> (Bulgarski folklor) 14(3):106-108. Sofia: Bulgarska Akademiia na Naukite, Institut za Folklor.

1989a "BoflaMecTBOTOBM-BXKHHTaHif (Vodachestvoto v muzhkiia tanc) [Men’s leadership of dances]. B iopaj fleaayHapQ.aeH KOHrpsc u s ET>;irap*icTHKa(Second international congress on Bulgarian studies research papers-folklore) 15:442-447. Sofia: Bulgarska Akademia na Naukite.

S h tu rb an o v a , A nna; T o d o r Zhivkov1989b "The dance event: a complex cultural phenomenon." Lisbet Torp (editor). The dance event:

a complex culmral phenomenon: 110-114. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th Symposium of the ICTM Study Group on Ethnochoreology.)

1 0 2 Shturbanova


Snyder,1962

Snyder,1965

1967a

1967b

1967c

1968a

1968b

Snyder,1968c

Snyder,1969a

1969b

1969c

1972

ALLEGRA FULLER SNYDERLos Angeles, California, UNITED STATES

AUegra Fuller (director)Bavanihan (film). Rochester, New York: Bee-Cross Media. (16mm, 60 minutes; documentary on Philippine Dance Company.

AUegra Fuller"Three kinds of dance film." Dance magazine 39(9):34-39. New York: Dance Magazine.

A filmic approach to dance: a theoretical exploration (master's thesis). Los Angeles: University of California, Department of Dance. (95 pages.)

"The kinesthetic environment." Impulse:317-326. San Francisco, California: Impulse Publications.

"[about cine-dance]" Selma Jean Cohen (editor), Dance perspectives 30:48-51. Brooklyn, New York: Dance Perspectives. (The article is not titled; whole issue is about cine-dance.)

The relationship of film to dance: a report and analysis of problems, needs, possibilities and potentials in this area. Washington, D.C.: National Endowment for the Arts, Office of dance programs. (140 pages.)

"Sources of films on dance." Journal of health, physical education and recreation 39(5):79- 82. Washington, D.C.: American Association for Health, Education, and Recreation, a department of the National Education Association.

AUegra Fuller (director)Gesmres of sand (film). Los Angeles: University of California Media Center. (16 mm., 14 minutes; film about Margalit Oved Marshall.)

Allegra Fuller"The scene on film, a new dimension." Focus on dance 5: composition. Washington,D.C.: American Association for Health, Physical Education and Recreation, National section on dance.

"Films that show children how to learn by dancing." Film news 26(2):p-p. New York.

"Films: who can make them, how can we use them?" Dance magazine 63:35-41. New York: Dance Magazine.

"Some aspects of the nature oi the rhythmic experience and its possible therapeutic value." American Dance Therapy Association: proceedings of the sixth annual conference 2:128-149. Columbia, Maryland: American Dance Therapy Association.

Snyder 103


Snyder, Allegra Fuller (director)1973 Reflections on choreography (film). Los Angeles: University of California Media Center.

(16mm, 14 minutes; documentary on choreographer,Marion Scott.)

Snyder, Allegra Fuller1974 Using anthropology as a tool for defining "folk" and "ethnic" dance in education (paper).

(Presented to the national convention of the American Association of Health, Physical Education and Recreation, held in Anaheim; April.)

1977a "The dance symbol." Tamara Comstock (editor), New dimensions in dance research:anthropology and dance—the American Indian. Dance research annual 6:213-224. New York: Committee on Research in Dance

1977b "The m edia fo r research and publication in dance." Dance and film:31-33. Ontario, Canada:The Art Gallery of Ontario.

1977c Film as a means of holistic communication (paper). (Presented to the Western Dance History conference on resources and teaching methods, co-sponsored by Barnard College and the Dance Collection of Research Libraries of the New York Public Library at Lincoln Center, held at Barnard College, New York City; February.)

Snyder, Allegra Fuller (director)1977d Baroque dance 1675-1725 (film). Berkeley, California: University Extension Media Center.

(16mm.; 22 minutes; supported by the National Endowment for the Humanities in Washington D.C.)

Snyder, Allegra Fuller1978 Levels of event patterns: dance in a holistic context (paper). (Presented to the conference on

"Traditional dance in the 20th century" co-sponsored by the Congress on Research in Dance and the American Dance Guild, held at the University of Hawaii at Manoa, in Honolulu, Hawaii; August.)

1980 Aspects of world ritual and their relation to the dance/movement therapy (keynote address). (Presented to the 15th annual conference of the American Dance Therapy Association, held in Los Angeles, California; October.)

1981 Chapayekas and Pascola contrast and consistencies: two dimensions o f the Yaqui Easter (paper). (Presented to the "Faces of fiesta: a symposium" sponsored by the Center for Latin- American Studies, held at San Diego State University, in San Diego, California; November.)

1982a "Film as a means of holistic communication." Journal of the Association of Graduate Dance Ethnologists 6:27-29. Los Angeles: University of California, Department of Dance.

1982b Education and the student in dance ethnology (paper). (Presented to the Society forEthnomusicology annual meeting, held at the University of Maryland, at College Park, Maryland; November.)

104 Snyder


1982c Untided video loop (video anthology). (12 minutes; selections from ethnographic films;prepared for an exhibit "Celebration: a world o f art and ritual" sponsored by the Smithsonian Institution, held at the Renwick Gallery of the National Museum of Art, Washington, D.C.; March 1982-June 1983.)

Snyder, Allegra Fuller (director)1982d When the fire dances between the two poles (film). Berkeley, California: University of

California Extension Media Center. (16 mm; 45 minutes; about Mary Wigman, 1886-1973; supported by the National Endowment for the Arts.)

Snyder, Allegra Fuller1983a What happened to the hobby-horse today? (paper). (Presented to the joint meeting o f the

American Ethnological Society, the Southern Anthropological Society and the Association for the Anthropological Study of Play, held in Baton Rouge, Louisiana; February.)

1983b Examining the dance event from a world perspective (paper). (Presented as part of"Celebration, the world of art and ritual" co-sponsored by the Smithsonian Institution Office of Folklife Programs and Renwick Gallery of the National Museum of American Art, held in Washington, D.C.; April.)

1983c Roads to the future-new perspectives on the work of Rudolp Laban and Mary Wigman (paper). (Presented with a film showing to the Laban/Bartenieff Institute o f Movement Studies, held in New York; May.)

1984a "Dance in a ritual context: a dance ethnologist's point of view." Dance—a multicultural perspective:22-32. Surrey, England: National Resource Centre for Dance, University of Surrey.

1984b Shamanism, the primacy of imagery: cross-cultural perspective (paper). (Presented to the 5 thannual conference of the American Association for die Study of Mental Imagery, held in Los Angeles; May.)

1986 "The power of m asks-the European tradition." M asks-the festival of masks newsletter 4(2):8. Los Angeles: Craft and Folk A n Museum.

1987a Cosmology, dance and transformation (paper). (Presented to honor's program students, held at University of Colorado in Boulder, Colorado; April.)

1987b Gertrude Kurath: twenty-eight years later (paper). (Presented to the Society forEthnomusicology 32nd annual meeting, held in Ann Arbor, Michigan; November.)

1989a "Levels of event patterns: a theoretical model and its application to the Yaqui Easterceremonies." Lisbet Torp (editor), The dance event: a complex cultural phenomenon: 1-20. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

Snyder 105


1989b Homage from the field (research paper). (Presented in session: "A remembrance ofFranziska Boas," at the annual conference of the Congress on Research in Dance, held in Williamsburg, Virginia; November.)

1990a Contextualizing Native American dance: the dance event as a microcosm of culture (paper).(Presented for the World Arts and Culture’s Explorer Series, held at University of California, Los Angeles; March.)

1990b Hollywood images of world dance (film and video compilation). (Presented to theinternational conference of the Dance Critics Association, held in Los Angeles; August)

1990c "Levels of gesture in the dance event." Michael Moerman; Masaichi Nomura (editors),Embodied culture 27:167-196. Senri Ethnological Studies. Osaka, Japan: National Museum of Ethnology.

1990d "A world dance organization and its importance to furthering research: a summary."Conference papers: the 5th Hong Kong international dance conference. Hong Kong: Academy for Performing Arts.

1991a Dance as a microcosm of culture—an American Indian example (research paper). (Presentedto the University of California, Los Angeles Focused Research Unit in American Studies, held at UCLA; March.)

1991b "Transformation, inner space and the future of dance." Kapila Vatsyayan (editor), CoilcepiSof space: ancient and modem. New Delhi, India: Indira Gandhi National Centre for the Arts; Abhinau Publications.

PLA CIDA STAROMilano, ITALY

S taro , P lac ida1981a "Ma i balli veri erano i lisci" [But ballroom dances were the real ones]. Folkgiomale:10-15.

San Daniele del Friuli, Italy: Folkgiomale.

1981b Stato della ricerca e documentazione [The present situation of dance research anddocumentation] (research paper). (Presented to "Danza tradizionale in Italia," sponsored by the Museo delle Tradizioni popolari, held in Roma; June.)

1982a "Una proposta di discussione: i laboratori ed il revival della danza popolare" [A proposal for discussion: workshops and folkdance revival]. Folkgiomale 1(2): 19-23. San Daniele del Friuli, Italy: Folkgiomale.

1982b "Metodo di analisi per un repertorio di danze tradizionali" [A method for the analysis of folk dance repertoire]. Culture musicali l(2):73-93. Roma: Bulzoni.

106 Snyder; Staro


1983a "Un repertorio di ballo saltato" [A repertoire of jumping dances]. Cammelli S. (editor), Musiche da ballo. balli da festa:79-137. Bologna, Italy: Alfa.

1983b La danza tradizionale: metodi di rilevamento e confronti critici [Folk dance: research methods and critical discussion] (research paper). (Presented to "Danza tradizionale: metodi di rilevamento e confronti critici," held in Prato, Italy; April.)

1983c Stimolo sonoro e risposta motoria [Sound stimulus and motor response in dance] (research paper). (Presented to "Danza tradizionale: metodi di rilevamento e confronti critici," held in Prato, Italy; April.)

1983d La prassi violinistica di Melchiade Benni [M. Benni's fiddling technique] (research paper).(Presented at "Strumenti popolari in Italia" sponsored by Society Italiana di Etnomusicologia - Civica Scuola D'Arte Drammatica "Piccolo Teatro," held in Premeno, Italy; September.)

1984a "Ballo popolare e autori colti" [Folk dance and literature]. Folkgiomale 2(8/9):46-49; 2(10):33-34. San Daniele del Friuli, Italy: Folkgiomale.

1984b "Balli emiliani categoria standard" [Emilian dances: a standard category]. Folkgiomale 3(13):14-15. San Daniele del Friuli, Italy: Folkgiomale.

1985a "Musica per danzare" [Music for dancing]. Culture musicali 2(41:57-69. Roma: Bulzoni.

1985b "Musica per danzare" [Music for dancing]. R. Leydi; F. Guizzi (editors), Strumenti musicalie tradizioni popolari in Italia. Roma: Bulzoni.

1985c "Analisi del repertorio di danza della Val Po" [Analysis of the dance repertoire of Val Po]. Culture musicali 4(7/8):57-90. Milano, Italy: Unicopli.

1985d "Documento letterario e danza etnica" [Literary documents and ethnic dance]. Culture musicali 4(7/8): 127-146. Milano, Italy: Unicopli.

1985e II violinista trasformista [The ever changing fiddler] (research paper). (Presented at "Incontri folcolorici dellArco Alpino," held in Trento, Italy; September.)

Staro, Placida (editor)1985f "Bibliografia sulla danza popolare italiana" [Bibliography of Italian folk dance]. Culture

musicali 4(7/8): 147-194. Milano, Italy: Unicopli.

Staro, Placida; Donata Maria Carbone1985g Introduzione alia scrittura de’ movimento [Introduction to movement notation]. Milano, Italy:

Civica Scuola D'Arte Drammatica. (60 pages.)

1985h Introduzione alia scrittura del movimento. 1 [Introduction to movement notation]. Bologna, Italy: University di Bologna. (68 pages.)

Staro 107

DANCE BFXFARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

Staro, Placida1987a Cultural identity and dance aggregation: dance companies in northern Italy (research paper).

(Presented at the International Council for Traditional Music Conference, held in East Berlin; July.)

1987b La documentazione etnografica tra demologia e ricerca scientifica (research paper).(Presented to the third conference of "Citta di San Daniele," held in San Daniele, Italy; December.)

1987c "Rota: regola e improwisazione tra realty e rappresentazione" [Rota: rule and improvisation between reality and symbolical representation]. Ettore Castagna (editor), Danza tradizionale in Calabria: 27-55. Catanzaro, Italy: Cooperativa Lombardi Satriani.

Staro, Placida (author/researcher); Renato M orelli (director)1987d La danza deeli ori: II camevale tradizionale di Ponte Caffaro [The dance of the golden jewels:

traditional carnival in Ponte Caffaro] (motion picture film). Trento, Italy: Radio Audiovisione Italiana. (16mm; 50 minutes; color.)

1988a Balli di camevale: 1. Le Comnagnie. 2. La festa. 3. Lo spettacolo [Carnival dances: 1 the companies, 2. the feast, 3. the performance] (videocassettes). Trento, Italy: Radio Audiovisione Italiana. (TV RVM; U-matic; three parts-30 minutes each; color.)

Staro, Placida1988b Dance, iconography, and Kinetography (research paper). (Presented at the International

Council for Traditional Music Iconography Study Group meeting, held in Orta San Giulio; May.)

1988c Kinetography and anthropology of dance (research paper). (Presented at "Laban: Art and science of movement" sponsored by the Laban Dance Festival, held in Ascona, Switzerland; July.)

1988d Problemi di metodologia nella ricerca etnocoreutica [The methodology in ethnocoreutical research] (research paper). (Presented at "Inventario delle ricerche e catalogazione delle danze tradizionali italiane," held in Penne San Andrea, Italy; July.)

1989a "Widespread models for the analysis of folk dance." Lisbet Torp (editor), The dance event: a complex cultural phenomenon^ 1-92. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

1989b "La danza in Val Resia" [Dancing in the Resia Valley]. Folkbulletin 4:10-11. Saronno: Folkbulletin.

Staro, Placida; A. Scarsellini; M. Zacchi1990a "I balli da Piffero" [Piffero dances]. Pavia e il suo territorio:461-434. Milano: Quademi

della Regione Lombardia, Silvana.

108 Staro

DANCE RESEARCH: PVBUSHED OR PUBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

Staro, Placida1990b "II violino, la musica, il ballo di Melchiade Benni" [Melchiade Benni's violin, music and

dance]. R. Leydi (editor), La tradizione dei balli montanari: Melchiade Benni:3-14. Bologna, Italy: ICTM Italian Committee, Department of Music and Performing Art of the University of Bologna. (Brochure in accompaniment to audiodisc o f same title.)

1990c "D ballo" [Dancing]. R. Leydi (editor), La musica popolare in Italia:. Milano: Electa.

1990d "Le compagnie di danza in Nord Italia" [Dance companies in northern Italy]. Choreolal(l):24-36. Firenze, Italy: Taranta.

1990e "Colloquio con Aurelio Millos. Laban: scienza ed arte del movimento" [Speaking withAurelio Millos. Laban: science and art of movement]. Rudolph Von Laban: dalla danzalibera agli anni '80:21-33. Reggio Emilia, Italy: Comune di Reggio Emilia J. Teatri.

1990f Song for dance (research paper). (Presented to sixteenth symposium of ICTM Dance Study Group on Ethnochoreology, held in Budapest, August.)

» * » » > » » * » » > » » » > » » » > » » » > l > » » » » > » » » » » *

CYNTHIA M. SUGHRUEEdinburgh. SCOTLAND

Sughrue, Cynthia1985 The O'Shea Dancing School as a socio-cultural medium in a Boston Irish community.

Working papers in Irish Studies series. Boston, M assachusetts: Northeastern University. (75 pages.)

Sughrue, Cynthia (editor)1987 Lore and language 6(2). Sheffield, England: Centre for English Cultural Tradition and

Language. (Special issue on the proceedings of the Contemporary Morris and Sword Dancing conference, held at the Centre for English Cultural Tradition and Language, University of Sheffield.)

Sughrue, Cynthia1988 "Some thoughts on the tradition versus revival dabate." Theresa Buckland (editor),

Traditional dance 5-6:184-190. Crewe, England: Crewe & Alsager College of Higher Education.

Staro; Sughrue 109


LISBET TORPCopenhagen, DENMARK

Torp Jensen, Lisbet1983 "Europaeiske Kaededanse" [European chain dances]. Sven Tito Achen, Gunver Kyhn,

Mogens Brondsted (editors), Humaniora 1981-1982 5:107-12. Copenhagen: The Danish Research Council for the Humanities.

1986a '"Hip hop dances'—their adoption and function among boys in Denmark from 1983-1984." Dieter Christensen (editor), Yearbook for traditional music 18:29-36. New York: The International Council for Traditional Music.

1986b Danish women's dances in the 19th century and the late 20th century-tradition and "countertradition" (research paper). (Presented to the m encuentros intemacionales-cultura tradicional, sponsored by the Sociedad ELAI-ALAIS, held in Portugalete [Bizkaia], Spain; March.)

1986c A comparative method applicable to the analysis and systematization of European chain and round dances (research paper). (Presented to the meeting of the ICTM study group for ethnochoreology, sponsored by the GDR ICTM national committee, held in Neubrandenburg, GDR; May.)

1987a "European chain and round dances—a comparative study." Roderyk Lange (editor), Dance studies 10:13-48. Jersey, Channel Islands, United Kingdom: Centre for Dance Studies.

1987b Rebetika-the songs and dances of a Greek subculture, their function and modes of expression-the creation of a cultural identity (research paper). (Presented to the 29th conference of the International Council for Traditional Music (ICTM), held in Berlin (East), GDR; July.)

1988 "The Anastenaria (Nestinari) ritual as performed in the village of Lanadha, Thessaloniki, by famlilies originating in Kosti village in Bulgarian Thrace." Proceedings of the second congress on Bulgarian studies:312-317. Sofia, Bulgaria; Bulgarian Academy of the Sciences.

1989a "The dance event and the process of transformation—a case study of the Anastenaria inLangadha, Greece." Lisbet Torp (editor), The dance event: a complex cultural phenomenon:74-80. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

1989b Zorba's dance: the story of a dance illusion and its touristic value (research paper).(Presented at the 30th world conference of the ICTM, held in Schladming, Austria; July.)

1 1 0 Torp


1989c An urban mileu and its means of expression: a case study of the Rebetika (research paper). (Presented at the first Anglo-Swedish conference on ethnomusicology, held in Cambridge, England; August.)

Torp, Lisbet (editor)1989d The dance event: a complex cultural phenomenon. Copenhagen: ICTM Study Group on

Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology, held in Copenhagen, 1988.)

Torp, Lisbet1990a Chain and round dance patterns: a method for structural analysis and its application to

European material 1-3. Copenhagen: University of Copenhagen, Museum Tusculanum Press. (Volume 1:173 pages; volume 2: 220 pages; volume 3:118 pages; Labanotation.)

1990b Renewal and revival in the Greek urban Rebetika (research paper). (Presented at the ICTMcolloquium on renewal and revival in traditional music and dance, held in Falun, Sweden; July.)

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H E N N IN G U R U PVirum, DENMARK

Urup, Henning1972 "Registrering af spillemandsmusik med henblik p i databehandling" [Registration of fiddler

music for data processing]. Dansk Aarboe for Musikforskning. Danish yearbook of musicology 6:236-239. Copenhagen: Dansk Selskab for Musikforskning.

1975a "De danske Polsk-danse' belyst under anvendelse af komparativ koreografiskanalyseteknik" [The Danish "Polish-dances" examined by comparative choreographic analysis]. Musik & forskning 1:80-94. Copenhagen: Musikvidenskabeligt Institut, K0benhavns Universitet. (English summary.)

1975b "Musik- og dansemzessige oplevelses- og udtryksfaktorer" [Factors of experience andexpression in music and dance]. Svensk tidskrift for musikforskning. Swedish journal of musicology 57(2'):41-46. Stockholm: Svenska samfundet for musikforskning. (English summary.)

1976 "Dansk spillemandsmusiks forudsaetninger, kilder og saelige karaktertrak" [The sources forand the character of Danish fiddler music]. Musik & forskning 2:31-47. Copenhagen: Musikvidenskabeligt Institut, K0benhavns Universitet. (English summary.)

1980a "Spillemandsmusik og folkedans i Danmark omkring 1979 - vilk&renes indflydelse"[Fiddlermusic and folk dance in Denmark about 1979 - influence of the circumstances]. Nordisk Musik och Musikvetenskap under 1970-talet - en konpressrapport:202-210.

Torp; Urup 1 1 1


Goteborg, Sweden: Musikvetenskapliga Institutionen, Goteborg Universitet.

1980b "Danish couple-dances in folk-tradition." Der altere Paartanz in Europa,Konferenzbericht:21-27. Stockholm: Arkivet for folklig dans, Dansmuseet

1981a "Danseskolevirksomhed i Danmark" [Dancing schools in Denmark], Henning Urup (editor), Meddelelser fra Dansk Dansehistorisk Arkiv 1:5-23. Copenhagen: Dansk Dansehistorisk Arkiv, Musikvidenskabeligt Institut, K0benhavn Universitet. (English summary.)

Urup, Henning; Ivan Hansen; Per N0rgSrd; Dinna Bj0rn1981b "Forholdet mellem musik og dans - specielt belyst ud fra en analyse af Tidligt ForSrs Danse'

af Per N0rgird og Dinna Bj0m" [Relations between music and dancing as illustrated through an analysis of "Dances of Early Spring" by Per N0rg&rd and Dinna Bj0m]. Musik & forskning 7:191-239. Copenhagen: Musikvidenskabeligt Institut, K0benhavns Universitet (English summary.)

Urup, Henning (editor)1981 - Meddelelser fra Dansk Dansehistorisk Arkiv [Information from the Danish Dance History

Archives]. Copenhagen: Dansk Dansehistorisk Arkiv, Musikvidenskabeligt Institut K0benhavns Universitet (Annual yearbook of the dance archive; English summary.)

Urup, Henning1983 "Danish research in Denmark." Roderyk Lange (editor). Dance studies 7:7-20. Jersey,

Channel Islands, United Kingdom: Centre for Dance Studies.

1984 "Claus Schall som dansekomposit0r" [Claus Schall as a dance composer]. Musik & forskning 9:5-26. Copenhagen: Musikvidenskabeligt Institut, K0benhavns Universitet. (English summary.)

1985 "Historisk danseforskning - metodeproblemer og kildemateriale" [Problems concerning sources and historical dance research]. Musik & forskning 10:5-30. Copenhagen: Musikvidenskabeligt Institut, K0benhavns Universitet. (English summary.)

1987 "Dansekolevirksomhed i Danmark - f0r og nu" [Activities of Danish dancing schools - in former times and the present]. Nordisk forening for folkedansforskning. Brev 10:4-7. Stockholm: Nordisk forening for folkedansforskning. (The Nff is based at the Dragvoll Universitetscenter in Norway; the article is published in Danish.)

Urup, Henning; Henry Sjoberg; Egil Bakka; and others1988 Gammaldans i Norden [Old time dances in the North]. Trondheim, Norway: Nordisk

forening for folkedansforskning. (In Norwegian, Danish, Swedish languages.)

Urup, Henning1989a "Rytme og rytmefomemmelse i folkelig dans og music p& Fan0 - specielt i lokaltraditionen i

S0nderho" [Rhythm and the feeling of rhythm in dance and music in the local tradition in the

1 1 2 Urup


village S0nderho at the island Fan0]. Norsk Folkemusikklags skrifter 4:48-52. Trondheim, Norway: R ldet for folkemusikk og folkedans.

1989b "The Danish dance history archives." The dance event: a complex culturalphenomenon: 160-161. Copenhagen: ICTM Study Group on Ethnochoreology.(Proceedings from the 15th Symposium of the ICTM Study Group on Ethnochoreology.)

1989c "Finkultur og folkekultur danser arm i arm" [High culture and folk culture dance together], Peter Schi0ning (editor), Humaniora 2:28-30. Copenhagen: The Danish Research Council for the Humanities.

Urup, Henning; Ole N0rlyng (editors)1989d Boumonville tradition rekonstruktion [Boumonville tradition reconstruction]. Copenhagen:

C.A. Reitzels Forlag. (298 pages; in Danish and English with English and Danish summaries.)

Urup, Henning1990 "Danish dance history archive." Judy Van Zile (editor), Dance research journal 22(l~):57-58.

New York: Congress on Research in Dance.

JEAN-PHILIPPE VAN AELBROUCKBrussels, BELGIUM

Flagel, Lou; Claude Flagel; Jean-Philippe Van Aelbrouck1979 Special Portugal: Douro Litoral [Special Portugal: Douro Coast] (booklet). Lou Flagel;

Claude Flagel (editors), Danses autour du monde 16. Bruxelles: FM and Ministere de la Culture frangaise de Belgique. (25pages; dance descriptions; kinetograms; booklet accompanies 2 EP recordings, #45160-161.)

1981 Special Hongrie Ns 2 [Hungary Special] (booklet). Lou Flagel; Claude Flagel (editors), Danses autour du monde 18. Bruxelles: FM and Ministere de la Culture frangaise de Belgique. (30 pages; dance descriptions; kinetograms; booklet accompanies 2 EP recordings, #33180-181.)

1984a Special Portugal: Minho [Special Portugal: Minho] (booklet). Lou Flagel; Claude Flagel(editors), Danses autour du monde 19. Bruxelles: FM and Ministere de la Culture frangaise de Belgique. (26 pages; dance descriptions; kinetograms; booklet accompanies 2 EP recordings, #45190-191.)

1984b Danses d'improvisation rimprovised dancesl (booklet). Lou Flagel; Claude Flagel (editors), Danses autour du monde 20. Bruxelles: FM and Ministere de la Culture fran^aise de Belgique. (24 pages; dance descriptions; kinetograms; booklet accompanies 2 EP recordings, #33200-01.)

Urup; Van Aelbrouck 113

DANCE HFXFARCH: PUBLISHED OR PUBUCLY PRESENTED BY MEMBERS OF THE STUDY GROUP ON ETHNOCHOREOLOGY (1991)

Van Aelbrouck, Jean-Philippe1986 "Introduction." Les contredanses du journal musical liegeois "I/Echo" (1758-1773

[Country dances of Liege's music journal "L'Echo" (1758-1773)]:IX-XLin. Documents sur la danse et la musique populaires en Wallonie 1. Bruxelles: Commission Royale Beige de Folklore. (Kinetograms, diagrams, bibliography, list of dances; 108 pages of facsimile reprints—music, dance notations; "Forward" by Jean-Michel Guicher.)

1987a "Notes." Trappeniers: recueil de contredanses [Trappeniers: index o f country dances]: 1-2. Documents sur la danse et la musique populaires en Wallonie 2. Bruxelles: Commission Royale Beige de Folklore. (72 pages of facsimile reprints of 3 volumes published by Trappeniers with music and dance descriptions.)

1987b "Annonces concemant la musique dans les gazettes et periodiques bruxellois au XVIIIe siecle (1741-1780)" [Music advertisements in Brussels magazines and periodicals of the 18th century (1741-1780)]. Tradition wallonne 4 :761-799. Bruxelles: Commission Royale Beige de Folklore. (Listings, illustrations.)

1988a "L'Art de bien danser, d'apres les principes du sieur Bacquet-Clavigny" [The art of dancing well, after Sir Bacquet-Clavigny's principles]. Tradition wallonne 5:443-472. Bruxelles: Commission Royale Beige de Folklore. (Kinetograms, diagrams, notes on the minuet; facsimile of a dance manual printed 1780 in Toumai—pages 453-472.)

1988b Folkdance in Wallonia: historical elements of its reconstruction (research paperpresentation). (Presented at the second world conference on Folk Dance Research, sponsored by the International Organization of Folk Art (UNESCO), held in Larissa, Greece; July.)

1990a L'art de bien danser d'aprfes les principes du sieur Bacquet-Clavigny (Toumai 1780) [The art of dancing well according to Sir Bacquet-Clavigny's principles]. Documents sur la danse et la musique populaires en Wallonie, 3. Bruxelles: Commission Royale Beige de Folklore.(32 pages, kinetograms, diagrams, facsimiles of original book— pages 13-32.)

1990b "Reperes" [Markers]. Danser maintenant:21-27. Bruxelles: Commission Fran^aise de la Culture-Editions.

JUD Y VAN ZILEHonolulu, Hawaii, UNITED STATES

Miner, Judy1969-1970 "Labanotation: its use for movement comparison." Journal of dance 2(1):48-51. Los

Angeles: University of California, Department of Dance.

M iner, Judy (notator)1971 "An example of Bharata Natyam adavu" (Labanotation score). Mantle Hood (author),

Ethnomusicologist: 120. New York: McGraw-Hill.

1J4 Van Aelbrouck; Van ZHe


Van Zile, Judy1972 "Book review: Jones, Clifford R. and Betty True. Kathakali: an introduction to the dance-

drama of Kerala." Asian music 3(2):55-57. New York: Society for Asian Music.

1973 Dance in India, an annotated guide to source materials. Providence, Rhode Island: Asian Music Publications. (129 pages.)

1976a "An approach to dance." UNESCO workshop on the techniques of recording oral tradition, music, dance, and material culture:43-45. Solomon Islands: UNESCO.

Van Zile, Judy (editor)1976b Dance in Africa. Asia and the Pacific: selected readings. New York: MSS Information

Corporation. (177 pages.)

Van Zile, Judy1977a "Energy use: an important stylistic element in dance." Asian and Pacific dance: selected

papers from the 1974 CQRD-SEM conference. Dance research annual 8:85-96. New York: Congress on Research in Dance.

1977b "Film, a research tool in dance ethnology." Selma Landen Odom (editor), Dance and film:35-36. Ontario, Canada: Art Gallery of Ontario.

Kaeppler, Adrienne; Judy Van Zile; Carl W olz (editors)1977c Asian,,flD,dJPacifig.da.o.c.s:.sgiegted pap,£is.frQmjhe_l£/4 CQRD-SEM conference. Danes

research annual 8. New York: Congress on Research in Dance. (173 pages.)

Van Zile, Judy1979a "An exploration in score interpretation." Teachers bulletin 4:1.7-8. New York: Dance

Notation Bureau.

1979b "Dances of Asia." Festival of Asian Arts souvenir program:20-23. Hong Kong: FestivalPublication Committee.

1979c "Exploring notation as a research tool: implications of selected projects on Asian and Pacific dance." Proceedings of the eleventh biennial conference. 13-22 August 1979. International Council of Kinetography Laban: 18-34. [No place of publication:] International Council for Kinetography Laban.

1981a "Judy Van Zile comments on: The human action sign and semasiology,' by Drid Williams,in Dance research collage." Dance research ioumal 13(2):44-45. New York: Congress on Research in Dance.

1981b "Notating Japanese Bon dances as penormed in Hawaii." Teachers bulletin 8:2-4. NewYork: Dance Notation Bureau.

1981 -1982 "Seeking notation solutions, with reference to Japanese bon dances in Hawaii." Dance

Van Zile 115


research journal 14(l-2):53-54. New York: Congress on Research in Dance.(Republication of 1981 article, "Notating Japanese Bon dances as performed in Hawaii.")

Van Zile, Judy; Damaris Kirchhofer1981d "Bon dancing in Hawaii." Honolulu 16(5):118-123.152. 154. 156, 158-159. Honolulu,

Hawaii: Honolulu Publishing Company.

1982a "Indian Dance: an art of many forms." InnAsia. (summer): 13-17. Hong Kong: Hong KongPublishing.

Van Zile, Judy; Billie Mahoney; Maria Szentpal1982b "Technical report." Proceedings of the twelfth biennial conference of the International

Council of Kinetography Laban 14-23 August 1981:22-40. [Columbus, Ohio: Ohio State University,] International Council of Kinetography Laban.

Van Zile, Judy1982c The Japanese Bon dance in Hawaii. Honolulu, Hawaii: Press Pacifica. (93 pages.)

1982d "The musician as dancer." Journal of Korean dance l(l):37-44. Seoul, Korea: Society ofKorean Dance Studies.

1983a "Balasaraswati's Tisram Alarippu': a choreographic analysis." Bonnie C. Wade (editor),Performing arts in India. Essavs of music, dance, and drama. Monograph series 21:47-104. Berkeley: University of California, Center for South and Southeast Asia Studies.(Reprinted 1987 in Asian music 18(2):45-102.)

1983b "Japanese Bon dance and Hawaii: mutual influences." Social process in Hawaii 30:49-58.Honolulu, Hawaii: University of Hawaii at Manoa, Department of Sociology.

1984a "How much does a score say?" Proceedings of the thirteenth biennial conference 3-14August 1983:104-106. [Columbus, Ohio: Ohio State University,] International Council of Kinetography Laban.

Van Zile, Judy; Betty True Jones, Peggy Hackney, Irmgard Bartenieff; Carl W olz1984b "The potential of movement analysis as a research tool: a preliminary analysis." Dance

research journal 16(l):3-26. New York: Congress on Research in Dance.

Van Zile, Judy; Ilene Fox; Jane M arriett (compilers)1984c "Technical report." Proceedings of the thirteenth biennial conference 3-14 August 1983:6

98. [Columbus, Ohio: Ohio State University,] International Council of Kinetography Laban.

Van Zile, Judy (consulting editor)1985 Dance as cultural heritage 2. Dance research annual 15. New York: Congress on Research

in Dance. (216 pages.)

116 Van Zile


Van Zile, Judy1985-1986 "What is the dance? Implications for dance notation." Dance research journal 17-18(1-

2):41-47. New York: Congress on Research in Dance.

1986a "Japanese Bon dancing in Hawaii: servant of many masters." Asian and Pacific quarterly of cultural and social affairs 18(2):24-30. Seoul, Korea: Cultural and Social Center for the Asian and Pacific Region.

Van Zile, Judy; Christine Eckerle; Ilene Fox; Jane M arriett, Sheila M arion; W illiamReynolds (com pilers)1986b "Technical report." Proceedings of the fourteenth biennial conference. August 1985:50-105.

[Columbus, Ohio: Ohio State University,] International Council of Kinetography Laban.

Van Zile, Judy1987a "Ch'oyongmu: an ancient dance survives." Korean culture 8(2):4-19. Los Angeles,

California: Korean Cultural Service.

1988a "Examining movement in the context of the music event: a working model." DieterChristensen (editor), Yearbook for traditional music 20:125-133. New York: International Council for Traditional Music.

1988b "Tourism and Japanese Bon dancing in Hawaii." Adrienne Kaeppler; Olive Levin (editors), Come Mek Me Hoi Yu Han. The impact of tourism on traditional music. Jamaica: Jamaica Memory Bank in Collaboration with Jamaica Information Service.

1988c "The value of universality in dance notation systems, with selected examples fromLabanotation." International conference on Coordination Method of Dance Notation and application, digest of papers: 175-181. Nanjing, People's Republic of China: Academy of Arts of China and Institute o f Technology.

1988d Dance research, writing, and publication in South Korea: an overview (paper). (Presented at the International Congress, "Beyond Performance: Dance Scholarship Today," sponsored by Federal Republic of Germany, Center of the International Theatre Institute, held in Essen; June.)

1988e Dance research: the challenge for the future (keynote address). (Presented at the third Hong Kong International Dance Conference, sponsored by the Hong Kong Academy for Performing Arts and the Institute for the Promotion of Chinese Culture, held in Hong Kong; July.)

1989a "Japanese Bon dancing in Hawaii: a complex cultural phenomenon." The dance event: a complex cultural phenomenon:54-61. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

1989b "Dance research, writing and publication in South Korea: an overview." Susan Au; Frank-

Van Zile 117


1989c

1990a

1990b

1990c

1991

R isner,1974

W ulff,1976

1983

1985

1986a

1986b

Manuel Peter (editors), Documentation— bevond performance: dance scholarship today, Essen. June 10-15.1988:227-232. Federal Republic of Germany: Centre of the International Theatre Institute.

"A notation of movement." Introduction to the performing arts, study guide: 1-30. Australia: Deakin University.

"Fourth Hong Kong international dance conference, July 1989" (report). William Reynolds (editor), ICTM dance newsletter for research in traditional dance 6:4-5. Egtved, Denmark: International Council for Traditional Music, Study Group on Ethnochoreology.

Chinju Kommu: an implement dance of South Korea (research paper). (Presented at the sixteenth symposium of the ICTM Study Group on Ethnochoreology, held in Budapest; August.)

Chinju Kommu: a Korean dance treasure (research paper). (Presented to the E.R. Wright Memorial Fulbright Forum, held in Seoul, Korea; December.)

Kim Ch'on-hung: portrait o f a performing artist (research paper). (Presented to the Royal Asiatic Society, Korea Branch, held in Seoul, Korea; March.)

V IC K Y R ISN ER W ULFFWashington, D.C., UNITED STATES

Vicky JoDance ethnography data inventory: the development of a descriptive model and its application to secondary data (master's thesis). Los Angeles: University of California, Department of Dance. (120 pages.)

Vicky RisnerA cross-cultural dance research model: a prolegomenon (research paper). (Presented at the Congress on Research in Dance annual conference, held in Philadelphia, Pennsylvania; October.)

Dance and dance related materials in the Performing Arts Library (paper). (Presented at the Society for Dance History Scholars meeting, held at Columbus, Ohio; February.)

"Katherine Dunham." Practicing anthropology 7(3'):9. Oklahoma City, Oklahoma, United States: Society for Applied Anthropology.

"Three noteworthy publications." DCA news. Summer:7. New York: Dance Critics Association.

"Selected bibliography of dance newsletters." DCA news. Winter:2. New York: Dance Critics Association.

118 Van Zile; W ulff


W ulff, Vicky Risner; Setha Low1987a Dance movement analysis as an anthropological method (research paper). (Presented at the

Society for Applied Anthropology International Conference, held in Oaxaca, Mexico; April.)

1987b Dance/movement analysis: Possible applications for urban design research (research paper). (Presented at the University of California at Los Angeles Dance Ethnology Forum, held in Los Angeles; February.)

W ulff, Vicky Risner1988 "Theatrical movement: a bibliographical anthology edited by Bob Fleshman: Dance: an

annotated bibliography. 1965-1982 by Fred R. Forbes" (book reviews). Dance research journal 20(11:50-52. New York: Congress on Research in Dance.

1989a "Old time dancing in the Appalachian mountains (conference report). Dance research journal 21(2):40-41. New York: Congress on Research in Dance.

1989b A remembrance of Franziska Boas (research paper). (Presented at the Congress on Research in Dance meeting, held in Williamsburg, Virginia; November.

W ulff, Vicky Risner; Frank Suffert (directors)1989c Franciska Boas: to her own drum (video). W ashington, DC: private collection. (10 minutes,

V H S, color.)

W ulff, Vicky Risner1991 Social activism and the struggle for racial equality in the life and work of Franziska Boas

(research paper). (Presented at the University of California at Los Angeles Dance Ethnology Forum, held in Los Angeles; February.

ZHOU BING*Beijing, CHINA

Han Shui [Zhou Bing]1960a "An enjoyed performance of 'Praising Potatoes'" (dance review). Dancing en masse 2:25.

Beijing: China's Dance Research Group.

1960b "Trained dance leaders and groups, booming everywhere." Dancing en masse 6:23. Beijing: China's Dance Research Group.

Zhou Bing1961 "The styles and characteristics of three big dances in Shandong Province." Dazhong Daily.

August. Jinan, China: Dazhong Daily.

$ •Editor's note: Some translations of Chinese language titles are not verified, due to lack of communication with Zhou

Bing in Beijing, since May-June of 1989.

Wulff; Zhou 119


1977a "Preserved folk dances contribute to a higher level of art." Dancing 1:29. Beijing: China's Dancer's Association.

1977b "Shandong folk dances introduction, 1." Dancing 1:37. Beijing: China's Dancer's Association.

1977c "Talking about dance language." Dancing 2:19. Beijing: China's Dancer's Association.

1977d "Shandong folk dance introduction, 2." Dancing 2:34. Beijing: China’s Dancer's Association.

1977e "Shandong folk dance introduction, 3." Dancing 3:38. Beijing: China's Dancer's Association.

1977f "Shandong folk dance introduction." Dancing 4:19. Beijing: China's Dancer's Association.

1982 "Carrying on our national traditions." Dancing 4:p-p. Beijing: China's Dancer's Association.

1983a "A tour to the 'Cei Shon Tang’". Dancing Art 5:225. Beijing: China's National Arts Academy, Dance Research Institute.

1983b "A selected performance by Shandong people." Dancing 1:43. Beijing: China's Dancer's Association.

1984a "A primary analysis of hand movements of'Chu'D ance." Dancing Art 8:129. Beijing: China's National Arts Academy, Dance Research Institute.

1984b "Research on gesture of the shaman." Hunan Dance 1:1. Changsha, China: Hunan Dancers Association.

1985a "The kinds and forms of Han shamans in Hunan province." Hunan Dance 1:26. Changsha, China: Hunan Dancers Association.

1985b "A joyful harvest of folk dances." Dancing Art 10:59. Beijing: China's National Arts Academy, Dance Research Institute.

1985c "New research on the dancing step 'Yu'." Dancing Art 12:134. Beijing: China’s National Arts Academy, Dance Research Institute.

1985d "A view from the folk festival'M arch 3rd'." Dancing 4:12. Beijing: China's Dancer's Association.

1986a "The oldest dance notation-Eight Diagrams Dance Notation." Dancing Art 14:172. Beijing: China's National Arts Academy, Dance Research Institute.

1 2 0 Zhou


1986b "The folk custom from Lantern Festival." Dancing 3:47. Beijing: China's National Arts Academy, Dance Research Institute.

1986c "The relationship between Shaman and 'nine songs' by ancient author Qu Yuan." Dancing Art 16:166. Beijing: China’s National Arts Academy, Dance Research Institute.

1986d "Little flower'and Little soldier'." Dancing Art 17:19. Beijing: China's National Arts Academy, Dance Research Institute.

1986e A review and rethinking about choreography of the last ten years (research paper).(Presented to the Aesthetic Ideal 1986 Conference, held at ??.)

1986f "The ancient dance of Begging for Rain." Dancing 8:42. Beijing: China's Dancer's Association.

1987a "Eight diagrams and dance." Guizhou Dance 2:22. Guizhou: Guizhou's Dancer's Association.

1987b "The method of studying 'Chu' shaman." Dancing Art 21:34. Beijing: China's National Arts Academy, Dance Research Institute.

1987c "A bright pearl-O n the Eight Diagrams dance notation again." Studies of Zhou Yi_ 2:104. Jinan, Shandong, China: Department of Research of Zhou Yi Studies. (A bibliography.)

1988a "The functional aesthetics of 'Eight Diagrams' from the angle of dance." Studies of Zhou Yj2:60. Jinan, Shandong, China: University of Shandong, Editorial Committee of the Department of Research of Zhou Yi Studies.

1988b Z-Ching and dancing (research paper). (Presented at the ICTM Dance Study Group Symposium, held in Copenhagen; August.)

1988c The dance of space and time (research paper). (Presented at the Oriental Aesthetics Conference, held at Beijing.)

1989 "Ecological environment and dance culture." Lisbet Torp (editor), The dance event: a complex cultural phenomenon: 133-139. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

1990 Eight Diagrams of dance notation: the most in modem choreography (research paper). (Presented at the fifth international dance conference, held in Hong Kong; July.)

Zhou 1 2 1


SH EILA BARNETT*Kingston, JAMAICA

B arn e tt, Sheila1969 "Dance in education." NDTC newsletter 7.

1970 Gestures and movements in the dances in Jamaica (research paper). (Presented at the UNESCO conference on conservation and the preservation of culture, held at the University of the West Indies, Mona; July-August.)

1973 "Dance as creative experience and expression." Torch magazine 22(3). Kingston, Jamaica:Ministry of Education.

1977a "Jonkonnu 'Pitchy Patchy'." Jamaica journal 13. Kingston, Jamaica: Institute of Jamaica.

1977b Cultural dynamics in education: Jonkonnu and the Creolisation process in Jamica, a study incultural dynamics (research paper). (Presented at the International Folk Music Council meeting, held at the University of Hawaii, Manoa, Honolulu; August.)

1978 The child as creator (research paper). (Presented to the Dance and the Child Conference,held at the University of Alberta, Canada; July.)

1981 Arts in education (research paper). (Presented to the Task Force conference held by CARNEID, Ministry of Education, Jamaica; November-December.)

1982 Jamaica Dance Theatre: influences, sources, content, performance— social index (research paper). (Presented at the Queen's University, Brisbane, Australia; September.)

1983a Aesthetics and the environment (research paper). (Presented to the UNESCO conference forteachers of the Caribbean, held at the University of the West Indies.)

1983b "Notes on contemporary dance-theatre in Jamaica, 1930-1979." Jamaica journal. Kingston,Jamaica: Institute of Jamaica.

1985 New dimensions in dance (research paper). (Presented to the Social History Department ofthe University of the West Indies.)

1986a The root of the matter—hybridism and Caribbean Dance Theatre (research paper).(Presented at Conference '86, held in Glasgow, England; July.)

1987a "The dance: its development over 25 years." Gleaner. (In celebration of Jamaica's 25th year of independence.)

* Editor's note: Due to undependable postal service, these listings arrived after the closing date and are added after the book was formatted for publication. Some listings are incomplete.

1 2 2 Barnet:


1987b

1988a

1988b

1989a

1989b

Dance in education: evaluation and assessment (research paper). (Presented at the OAS workshop, held at the Cultural Training Centre at the Jamaica School of Dance; March.)

"Jamaica dance forms: source of physical well-being for the older adu lt." Rayma K. Beal; Sherrill Berryman-Miller (editors), Dance for the older adult. Focus on dance, 11. Reston, Virginia: National Dance Association, American Alliance for Health, Physical Education, Recreation and Dance.

The Black aesthetic: a Jamaican perspective (research paper). (Presented at the CORD international conference on dance and culture; July.)

"Jonkonnu: Jamaica masquerade as Creolizing process." Lisbet Torp (compiler), The dance event: a complex cultural phenomenon:62-71. Copenhagen: ICTM Study Group on Ethnochoreology. (Proceedings from the 15th symposium of the ICTM Study Group on Ethnochoreology.)

"The arts in environmental education." Joyce Glasgow (editor), Caribbean journal of education 16(1-2). Mona, Jamaica: Faculty of Education, University of the West Indies.

Barnett 123

1991 Dance Research

Documents

Transcript of 1991 Dance Research